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             identifier="hdl:loc.afc/eadafc.af007002"
             encodinganalog="856$u">http://hdl.loc.gov/loc.afc/eadafc.af007002</eadid>
      <filedesc>
         <titlestmt>
            <titleproper encodinganalog="245$a">Harold C. Conklin Philippine
			 Collection</titleproper>
            <subtitle encodinganalog="245$b"> 
			            <num encodinganalog="090$a">AFC 2001/007</num> 
            </subtitle>
            <author encodinganalog="245$c">Prepared by Judy Ng</author>
         </titlestmt>
         <publicationstmt>
            <publisher encodinganalog="260$b">
			            <extptr xlink:type="simple" xlink:show="embed" xlink:actuate="onLoad"
                       xlink:href="http://lcweb2.loc.gov/xmlcommon/lcseal.jpg"/>American
			 Folklife Center, Library of Congress </publisher>
            <address>
               <addressline>Washington, D.C.</addressline>
            </address>
            <date encodinganalog="260$c" normal="2002-04" era="ce" calendar="gregorian">April 2002</date>
         </publicationstmt>
         <seriesstmt>
            <titleproper>Guides to the Collections in the Archive of Folk
			 Culture</titleproper>
         </seriesstmt>
         <notestmt>
            <note id="lccnNote">
               <p>Catalog Record: 
				<extref xlink:href="http://lccn.loc.gov/2003682277" xlink:actuate="onRequest"
                          xlink:title="MARC record for collection"
                          xlink:type="simple">http://lccn.loc.gov/2003682277</extref>
               </p>
            </note>
         </notestmt>
      </filedesc>
      <profiledesc>
         <creation>Encoded by Judy Ng, 
		  <date normal="2007-05" era="ce" calendar="gregorian">May 2007</date> 
		          <date era="ce" calendar="gregorian">; Revised by Nora Yeh</date>
         </creation>
         <langusage encodinganalog="546">Finding aid written in
		  <language encodinganalog="041" langcode="eng">English</language>
         </langusage>
      </profiledesc>
      <revisiondesc>
         <change>
            <date era="ce" calendar="gregorian">March 2010</date>
            <item> 
			            <persname>Nora Yeh</persname>
            </item>
         </change>
      </revisiondesc>
   </eadheader>
   <archdesc type="register" level="collection" relatedencoding="MARC21">
      <did id="mferd19e52">
         <head>Collection Summary</head>
         <unitid label="Collection Number" encodinganalog="090" countrycode="US"
                 repositorycode="US-DLC">AFC 2001/007</unitid>
         <unittitle label="Title" encodinganalog="245$a">Harold C. Conklin
		  Philippine Collection 
		  <unitdate label="Inclusive Dates" type="inclusive" encodinganalog="245$f"
                      normal="1955/1995"
                      era="ce"
                      calendar="gregorian">1955-1995</unitdate> 
		          <unitdate label="Bulk Dates" type="bulk" encodinganalog="245$g" normal="1961/1995"
                      era="ce"
                      calendar="gregorian">1961-1995</unitdate> 
         </unittitle>
         <repository label="Location" encodinganalog="852"> 
		          <corpname>
               <subarea>Archive of Folk Culture, American Folklife
			 Center</subarea> Library of Congress</corpname> 
		          <address>
               <addressline>Washington, D.C.</addressline>
            </address> 
		          <extref xlink:type="simple" xlink:href="http://hdl.loc.gov/loc.afc/folklife.home">http://hdl.loc.gov/loc.afc/folklife.home</extref>
         </repository>
         <physdesc label="Extent"> 
            <extent encodinganalog="300">8
		  containers</extent>
		          <extent encodinganalog="300">733 items (450 manuscripts, 99
		  preservation and 183 reference sound recordings, and 1 zip disc)</extent>
		       </physdesc>
         <origination label="Creator"> 
		          <persname source="lcnaf" encodinganalog="100">Conklin, Harold
			 C.</persname> 
         </origination>
         <langmaterial label="Languages" encodinganalog="546">
		          <language encodinganalog="041" langcode="eng">English</language>,
		<language encodinganalog="041" langcode="phi">Ifugao</language>
         </langmaterial>
         <abstract label="Summary" encodinganalog="520$a">Audio copies of
		  original ethnographic field recordings made by anthropologist and linguist
		  Harold C. Conklin, primarily of music and rituals of the Ifugao of northern
		  Luzon, Philippines from 1961-1995. Also includes copies of 24 recordings, some
		  made by other researchers and of other Philippine groups and languages dated
		  1955-1977. Related manuscripts include correspondence with Conklin, recording
		  logs, and indices to the original recordings.</abstract>
      </did>
      <scopecontent id="mferd19e100" encodinganalog="520">
         <head>Scope and Content</head>
         <p>There are approximately 140,000 Ifugao living in scattered districts
		  over some 170 square miles in northern Luzon. They are agrarian farmers who
		  have perfected a system of sustainable rice terracing uniquely suited to the
		  heavy rainstorms and rugged terrain of northern Luzon, Philippines. In their
		  tribal society, rice is more than a basic sustenance; it also serves as a
		  medium of exchange and a signifier of status. Rituals, ceremonies, and events
		  are tightly interwoven into the Ifugao people's daily lives. The characteristic
		  richness and diversity of the Ifugao agriculture, religion, and music is
		  strongly evident in The Harold C. Conklin Philippine Collection, which includes
		  what arguably is one of the largest, most comprehensive set of audio recordings
		  on the Ifugao in existence. It documents continuity and change in some of the
		  most important features of Ifugao culture over the course of forty years.</p>
         <p>The recordings chronicle a wide range of Ifugao ceremonies, events,
		  rituals, and sub-rituals, with much of the collection divided between strictly
		  oral, strictly instrumental, and combined oral/instrumental field recordings.
		  Field recordings document, for example, mythical or genealogical recitations,
		  women's rituals, chants, invocations, rice harvesting, storytelling, children's
		  games, language exercises, voice letters, interviews, and discussions. While a
		  handful of the recordings are in the languages of Buhid, Hanunóo, Ilongot,
		  Kallāhan, or English, the majority are recorded in the Ifugao Baynīnan
		  dialect, one of the twenty-three dialects spoken by the Ifugao. With regard to
		  geographical coverage, the documentation comes from twenty-seven of
		  approximately one hundred and fifty agricultural districts, thereby providing a
		  respectable sampling of the Ifugao. Therefore, due to its topical,
		  geographical, and temporal scope, the recordings not only capture the exact
		  details of ritualized Ifugao ceremonies, they situate them within the larger
		  cultural context. Additional recording locations in the Philippines include:
		  Tukukan, Nueva Vizcaya-Dupax del Sur, Nueva Vizcaya-Kakidūgen, and Mindoro
		  Oriental.</p>
         <p>Conklin began making original field recordings of the Ifugao in 1961.
		  He used a combination of tape recorders (Fi-cord, Nagra, Sony, and Uher),
		  recording formats (discs, reel-to-reel tapes and cassette tapes), and recording
		  speeds (1 7/8, 3 3⁄4, 7 1⁄2, and 15 ips) in the course of his field work,
		  adopting new technologies as they became available. Recordings on 5-inch
		  reel-to-reel tapes and sixty-minute cassettes are the predominant original
		  formats in this collection, which totals 262 first-generation sound recordings.
		  </p>
         <p>All recordings were originally given three distinct numbers by
		  Conklin. In this system, the first number denotes the year, the second denotes
		  the reel or cassette number, and the third denotes the side of the reel or
		  cassette as noted (example: original field recording 61.5b is the B-side of the
		  fifth recording made in 1961). With the exception of twenty-four recordings
		  made in 1955, 1960, 1965, 1966, 1970, and 1977, Conklin is the primary
		  recordist or interviewer for all of the original Ifugao recordings. </p>
         <p>A copy of Conklin's own Philippine Collection 
		<title xlink:type="simple" render="italic">Catalog</title> and 
		<title xlink:type="simple" render="italic">Expanded Contents</title>, which provides
		item-level descriptive data on original field recordings, is included in this
		collection. The prefatory material in Conklin's Catalog lists recording
		locations, languages, and individuals (interviewees, interviewers, and
		recording operators), provides a key to his abbreviations and symbols, and
		indexes specific field recordings by instrument, ceremony, event, and ritual.
		This is a useful resource that can be used in conjunction with the AFC 2001/007
		Reference Concordance to facilitate use of the audio materials. The Reference
		CD Concordance lists the original field recording number, the corresponding CD,
		track duration, date of original recording, original format, and track content
		description. In addition, the database for this collection allows for term and
		phrase searching using Ifugao terms found under the Appendices.</p>
      </scopecontent>
      <bioghist id="mferd19e119" encodinganalog="545">
         <head>Biographical History</head>
         <p>Harold C. Conklin (professor emeritus, Yale University) is a renowned
		  anthropologist, linguist, ethnobiologist, and preeminent authority on the
		  Ifugao and Hanunóo people of the Philippines. Born in Easton, Pennsylvania, in
		  1926, Conklin developed an early interest in anthropology and the history and
		  culture of Native Americans that was supported and encouraged by his family. By
		  the end of his high school career, Conklin had formed a number of influential
		  friendships with American Indians, worked as the only non-Indian National Youth
		  Association Indian Counselor, and served as a part-time volunteer at the
		  American Museum of Natural History, where he worked under the supervision of
		  curator and department chairperson, Clark Wissler. </p>
         <p>By 1943, Conklin's interests in high school, particularly in American
		  Indian studies and linguistics, had prepared him for undergraduate study at the
		  University of California, Berkeley. In his first year there, he was introduced
		  to Austronesian languages through a hasher (cook's assistant) job at the Gamma
		  Phi Beta sorority house, where he first began speaking, reading, and writing in
		  Malay. In his second semester, Conklin built upon this introduction to Malay by
		  enrolling in an advanced linguistics course where students were assigned the
		  task of transcribing Australian and American broadcasts for Indonesians living
		  throughout the archipelago, then occupied by the Japanese during World War
		  II.</p>
         <p>In July of 1944, Conklin was inducted into the U.S. Army and served
		  two years with the 158th Regimental Combat Team in the Philippine Islands,
		  northern Luzon. After arranging to be discharged in the Philippines in 1946,
		  Conklin spent a year and a half conducting serious anthropological research and
		  fieldwork in Manila, Mindoro, and Palawan. During this period, he made his
		  first set of Philippine recordings, and was given locally crafted artifacts,
		  plant leaves, and cuttings in exchange for his freely given store of seed
		  beads, post-war relief clothing, and medicines. The resulting collection of
		  artifacts was later donated to the Philippine National Museum. During his stay
		  in Manila, Conklin was also given a serendipitous crash course, by botanist
		  H.H. Bartlett, on the proper way to prepare, press, and store the botanical
		  specimens he had accumulated during his stay in the Philippines. Upon his
		  return to the United States in 1948, Conklin finished his undergraduate work at
		  Berkeley, but not before cataloging his collection of bamboo manuscripts
		  written by natives from Mindoro and Palawan, publishing two articles on the
		  Mindoro, and typing up a 600-page Hanunóo-English dictionary. </p>
         <p>During his first two years as a Yale graduate student (1950-51),
		  Conklin continued to engage in scholarly dialogue with numerous faculty
		  members, visiting scholars, and fellow students who shared his interest in
		  anthropology and linguistics. From 1952 to 1954, he returned to the Philippines
		  to complete fieldwork on the Hanunóo people for his dissertation. At this
		  time, he began making his second set of Philippine recordings with equipment
		  lent to him by Moses Asch of Folkways Records. Although he officially completed
		  his graduate research in 1955, Conklin's analysis of the Hanunóo, based on his
		  four field trips to Mindoro between 1947 and 1958, was not completed until
		  1961. Almost immediately thereafter, he began studying the Ifugao of northern
		  Luzon in order to provide cultural contrasts to his work with the Hanunóo.
		  From 1961 to 1973, Conklin continued his fieldwork in northern Luzon, making
		  six field trips during this twelve-year span. The audio material he recorded
		  during these visits comprises his third and most comprehensive set of
		  Philippine recordings. </p>
         <p>In 1954, Conklin accepted a position at Columbia University, where,
		  for the next eight years, he taught and explored his research interests in
		  cognition, kinship, language use, and folk classification. From 1962 to the
		  present, Conklin has taught at Yale University, where he has continued to
		  pursue research on shifting cultivations, ethnology, and ecologies of tropical
		  forested areas of the Pacific Basin. A prolific writer, Conklin has authored
		  over thirty scholarly essays and seven books. In addition, he has contributed
		  to, co-authored or edited over forty other publications and provided the source
		  material for the Folkways recording, 
		<title xlink:type="simple" render="italic">Hanunóo Music From the Philippines</title>
		(1955). Conklin has also served as the Chair of the Anthropology Department,
		Director of Graduate Studies, and Curator and Head of the Division of
		Anthropology at the Peabody Museum, Yale University. He holds professional
		affiliations with the National Academy of Sciences, the American Academy of
		Arts and Sciences, and the American Anthropological Association, and continues
		to remain an active scholar and mentor in the anthropology department at Yale.
		He currently resides in New Haven, Connecticut.</p>
         <p> 
		          <bibref xlink:type="simple"> 
			            <title xlink:type="simple" render="italic">Anthropology at Yale: Emeritus Anthropology
				Faculty</title>. Yale University. 18 December 2001. 
			 <extref xlink:type="simple" xlink:show="new" xlink:actuate="onRequest"
                       xlink:href="http://www.yale.edu/seas/Conklin.htm">http://www.yale.edu/seas/Conklin.htm</extref>
            </bibref>
         </p>
         <p> 
		          <bibref xlink:type="simple">Conklin, Harold C. "Language, Culture, and Environment: My
			 Early Years." 
			 <title xlink:type="simple" render="italic">Annual Review of Anthropology</title> 27
			 (1998): xiii-xxx.</bibref>
         </p>
      </bioghist>
      <!--m2cUpdateNodeSet--><controlaccess id="mferd19e151" altrender=":::F005=^20100112192538.0^"><!--LN:282--><head>Selected Search Terms</head>
         <note>
            <p>The following terms have been used to index the description of this
			 collection in the Library's online catalog. They are grouped by name of person
			 or organization, by subject or location, and by occupation and listed
			 alphabetically therein.</p>
            <p>For a listing of Ifugao ceremonies, events and rituals, see 
			 <ref xlink:type="simple" target="appendixa">Appendix A</ref>. For a listing of musical
			 instruments, see 
			 <ref xlink:type="simple" target="appendixb">Appendix B</ref>.</p>
         </note>
         <!--LN:285--><!--LN:289--><controlaccess id="mferd21e12">
            <head>People</head>
            <persname encodinganalog="700" source="lcnaf"
                      altrender=":::PWEBRECON=^Conklin%2C+Harold+C.%2C^">Conklin, Harold C., collector.</persname>
            <persname encodinganalog="600" role="subject" source="lcnaf"
                      altrender=":::PWEBRECON=^Conklin%2C+Harold+C.+Ethnomusicological+collections.^">Conklin, Harold C.--Ethnomusicological collections.</persname>
         </controlaccess>
         <controlaccess id="mferd21e24">
            <head>Subjects</head>
            <subject encodinganalog="650" source="lcsh"
                     altrender=":::PWEBRECON=^Ethnology+Philippines.^">Ethnology--Philippines.</subject>
            <subject encodinganalog="650" source="lcsh"
                     altrender=":::PWEBRECON=^Field+recordings+Philippines+Luzon.^">Field recordings--Philippines--Luzon.</subject>
            <subject encodinganalog="650" source="lcsh"
                     altrender=":::PWEBRECON=^Ifugao+%28Philippine+people%29+Music.^">Ifugao (Philippine people)--Music.</subject>
            <subject encodinganalog="650" source="lcsh"
                     altrender=":::PWEBRECON=^Ifugao+%28Philippine+people%29+Rites+and+ceremonies.^">Ifugao (Philippine people)--Rites and ceremonies.</subject>
            <subject encodinganalog="650" source="lcsh"
                     altrender=":::PWEBRECON=^Ifugao+%28Philippine+people%29+Social+life+and+customs.^">Ifugao (Philippine people)--Social life and customs.</subject>
            <subject encodinganalog="650" source="lcsh"
                     altrender=":::PWEBRECON=^Ifugao+language+Dialects.^">Ifugao language--Dialects.</subject>
            <subject encodinganalog="650" source="lcsh"
                     altrender=":::PWEBRECON=^Singing+games+Philippines.^">Singing games--Philippines.</subject>
            <subject encodinganalog="650" source="lcsh"
                     altrender=":::PWEBRECON=^Storytelling+Philippines.^">Storytelling--Philippines.</subject>
            <subject encodinganalog="650" source="lcsh"
                     altrender=":::PWEBRECON=^Tales+Philippines.^">Tales--Philippines.</subject>
         </controlaccess>
         <controlaccess id="mferd21e58">
            <head>Places</head>
            <geogname encodinganalog="651" role="subject" source="lcsh"
                      altrender=":::PWEBRECON=^Luzon+%28Philippines%29+Social+life+and+customs.^">Luzon (Philippines)--Social life and customs.</geogname>
         </controlaccess>
         <controlaccess id="mferd21e68">
            <head>Form/Genre</head>
            <genreform encodinganalog="655" source="aat" altrender=":::PWEBRECON=^Ethnography.^">Ethnography.</genreform>
            <genreform encodinganalog="655" source="lcgft"
                       altrender=":::PWEBRECON=^Field+recordings.^">Field recordings.</genreform>
            <genreform encodinganalog="655" source="lcsh" altrender=":::PWEBRECON=^Interviews.^">Interviews.</genreform>
            <genreform encodinganalog="655" source="aat" altrender=":::PWEBRECON=^Manuscripts.^">Manuscripts.</genreform>
            <genreform encodinganalog="655" source="aat" altrender=":::PWEBRECON=^Sound+recordings.^">Sound recordings.</genreform>
         </controlaccess>
      </controlaccess>
      <descgrp id="mferd19e211" type="admininfo">
         <head>Administrative Information</head>
         <accessrestrict id="mferd19e214" encodinganalog="506">
            <head>Access</head>
            <p>Listening access to the collection is unrestricted. Listening copies
		  of the recordings are available in the Folklife Reading Room. Restrictions may
		  apply concerning the use, duplication, or publication of items in this
		  collection. Consult a reference librarian in the Folklife Reading Room for
		  specific information regarding this collection. See 
		  <extref xlink:type="simple" xlink:show="new" xlink:actuate="onRequest"
                       xlink:href="http://www.loc.gov/rr/mopic/folkrec.html">http://www.loc.gov/rr/mopic/folkrec.html</extref> for
		  information about ordering audio reproductions.</p>
         </accessrestrict>
         <acqinfo id="mferd19e222" encodinganalog="541">
            <head>Acquisition</head>
            <p>From 1961 to 1995, Harold C. Conklin made approximately ten field
		  trips to northern Luzon to record the audio material in this collection. These
		  recordings, plus twenty-four recordings made by friends and acquaintances,
		  comprise his third and last set of field recordings made in the Philippines. In
		  September 1999, Conklin loaned this third set of Philippine recordings to the
		  Archive of Folk Culture (AFC) at the Library of Congress so that duplicate
		  copies could be made. The Cutting Corporation recording laboratory (Bethesda,
		  Md.) was contracted by the Library to produce two reference CD copies and one
		  10-inch preservation reel-to-reel tape copy, and completed the duplication of
		  the Conklin recordings in the fall of 2001. The preservation reel-to-reel tapes
		  and one copy of the reference CDs were retained by the AFC, while all original
		  field recordings and the second copy of reference CDs were returned to the
		  collector in accordance with the terms of the AFC's agreement with him. After
		  the audio duplication of materials was completed, the collection was organized
		  and rehoused by Judy Ng in 2001. </p>
         </acqinfo>
         <prefercite id="mferd19e227" encodinganalog="524">
            <head>Preferred Citation</head>
            <p>Harold C. Conklin Philippine Collection (AFC 2001/007), Archive of
		  Folk Culture, American Folklife Center, Library of Congress, Washington,
		  D.C.</p>
         </prefercite>
         <relatedmaterial id="mferd19e232">
            <head>Related Materials</head>
            <p>In addition to this collection, the Archive of Folk Culture holds
		  duplicate copies of Conklin's earlier Hanunóo and Buhíd audio field
		  recordings. The first set, accessioned in 1949, is the 
		<title xlink:type="simple" render="italic">Harold C. Conklin Recordings of Folk Music from
		  the Pacific Islands</title> (AFS 9584 - 9589). These are included with
		Conklin's first set of Hanunóo recordings, originally made in 1946-1947, and
		comprise a sampling of Ifugao, Bontoc, Kankanay, and Ibanag recordings from the
		Cordillera of northwestern Luzon.</p>
            <p>The second and larger of these two sets was accessioned in 1988 and is
		  titled 
		<title xlink:type="simple" render="italic">Harold C. Conklin Philippine Recordings</title>,
		AFC 1986/034 (AFS 26,750 - 26,767). This second set of Hanunóo recordings,
		dating from 1952-1958, includes a sampling of Buhíd recordings from regions
		north and west of interior parts of southern Mindoro, where Hanunóo is
		spoken.</p>
            <p>Additional points of access to Conklin materials can be found in the
		  administrative files of this collection, as well as in the Corporate Subject,
		  Collection, and Correspondence files in the Folklife Reading Room.</p>
         </relatedmaterial>
      </descgrp>
      <odd id="mferd19e247" type="add">
         <head althead="Format Concordance">Collection Concordance by
		  Format</head>
         <table>
            <tgroup cols="4" align="left">
               <colspec colnum="1" colname="1" colwidth="30*"/>
               <colspec colnum="2" colname="2" colwidth="40*"/>
               <colspec colnum="3" colname="3" colwidth="10*"/>
               <colspec colnum="4" colname="4" colwidth="20*"/>
               <thead valign="bottom">
                  <row>
                     <entry morerows="0">Quantity</entry>
                     <entry morerows="0">Physical Extent</entry>
                     <entry morerows="0">Location</entry>
                     <entry morerows="0">Item Numbers</entry>
                  </row>
               </thead>
               <tbody valign="top">
                  <row>
                     <entry morerows="0"> 
                        <emph render="bold">Manuscript
					 Materials</emph> 
                     </entry>
                     <entry morerows="0"/>
                     <entry morerows="0"/>
                     <entry morerows="0"/>
                  </row>
                  <row>
                     <entry morerows="0">5</entry>
                     <entry morerows="0">folders</entry>
                     <entry morerows="0">AFC</entry>
                     <entry morerows="0">Box 1</entry>
                  </row>
                  <row>
                     <entry morerows="0"> 
                        <emph render="bold">Sound Recordings</emph>
					                </entry>
                     <entry morerows="0"/>
                     <entry morerows="0"/>
                     <entry morerows="0"/>
                  </row>
                  <row>
                     <entry morerows="0">99</entry>
                     <entry morerows="0">10-inch analog reel-to-reel tapes
					 (preservation)</entry>
                     <entry morerows="0">MBRS</entry>
                     <entry morerows="0">RWE 6960-7058</entry>
                  </row>
                  <row>
                     <entry morerows="0">183</entry>
                     <entry morerows="0">compact discs (reference copies)</entry>
                     <entry morerows="0">AFC</entry>
                     <entry morerows="0">Boxes 2-8</entry>
                  </row>
                  <row>
                     <entry morerows="0"> 
                        <emph render="bold">Electronic Media</emph>
					                </entry>
                     <entry morerows="0"/>
                     <entry morerows="0"/>
                     <entry morerows="0"/>
                  </row>
                  <row>
                     <entry morerows="0">1</entry>
                     <entry morerows="0">zip disk</entry>
                     <entry morerows="0">AFC</entry>
                     <entry morerows="0">Box 1 Folder 1</entry>
                  </row>
               </tbody>
            </tgroup>
         </table>
      </odd>
      <otherfindaid encodinganalog="555$a" id="lccnURI">
         <extref xlink:href="http://lccn.loc.gov/2003682277" xlink:actuate="onRequest"
                 xlink:title="MARC record for collection"
                 xlink:type="simple">http://lccn.loc.gov/2003682277</extref>
      </otherfindaid>
      <dsc id="mferd19e330" type="combined">
         <head>Container List</head>
         <c01 id="mferd19e333" level="series">
            <did>
               <unittitle>Series I: Manuscripts</unittitle>
            </did>
            <c02 id="mferd19e337" level="item">
               <did>
                  <container type="box">1</container>
                  <container type="folder">1</container>
                  <unittitle>Collection Guide for the Harold C. Conklin Philippine
				  Collection</unittitle>
               </did>
               <scopecontent>
                  <p>Includes this Collection Guide and the Reference CD Concordance.
				  Also includes list of searchable terms on Access database.</p>
               </scopecontent>
            </c02>
            <c02 id="mferd19e348" level="item">
               <did>
                  <container type="box">1</container>
                  <container type="folder">2</container>
                  <unittitle>Administrative Information for the Harold C. Conklin
				  Philippine Collection</unittitle>
               </did>
               <scopecontent>
                  <p>Includes AFC's correspondence with Harold C. Conklin and the
				  Cutting Corporation (sound engineer and recording laboratory). Also includes
				  acquisition and transferal records, Cutting Corporation's bidding proposal, AFC
				  research on potential recording laboratories, and AFC funding proposals for the
				  Conklin duplication project.</p>
               </scopecontent>
            </c02>
            <c02 id="mferd19e359" level="item">
               <did>
                  <container type="box">1</container>
                  <container type="folder">3</container>
                  <unittitle>Original 
				  <title xlink:type="simple" render="italic">Catalog</title> Recording Log</unittitle>
               </did>
               <scopecontent>
                  <p>Conklin's 
				<title xlink:type="simple" render="italic">Catalog</title> provides indices to the
				musical instruments, events, locations, languages, recordists and performers
				that relate to this collection of recordings. Also includes an abbreviation and
				symbol key, and a brief description of recording data, date, and content of
				each original recording.</p>
               </scopecontent>
            </c02>
            <c02 id="mferd19e376" level="item">
               <did>
                  <container type="box">1</container>
                  <container type="folder">4</container>
                  <unittitle>Original 
				  <title xlink:type="simple" render="italic">Expanded Content</title> Recording
				  Log</unittitle>
               </did>
               <scopecontent>
                  <p>Conklin's 
				<title xlink:type="simple" render="italic">Expanded Content</title> provides further
				information on the duration of the recording, sound quality, and contents of
				each original recording.</p>
               </scopecontent>
            </c02>
            <c02 id="mferd19e393" level="item">
               <did>
                  <container type="box">1</container>
                  <container type="folder">5</container>
                  <unittitle>Duplication Project Recording Specifications</unittitle>
               </did>
               <scopecontent>
                  <p>Information on the stock, size, format, sampling rate, and
				  duplication assignment of the 10-inch reel-to-reels and CDs used by the Cutting
				  Corporation Recording Laboratory.</p>
               </scopecontent>
            </c02>
         </c01>
         <c01 id="mferd19e404" level="series">
            <did>
               <unittitle>Series II: Sound Recordings</unittitle>
               <note>
                  <p>The 99 10-inch analog reel-to-reel preservation tapes, RWE
				  6960-RWE 7058, are located in the Motion Picture, Broadcasting &amp; Recorded
				  Sound Division.</p>
               </note>
            </did>
            <c02 id="mferd19e411" level="item">
               <did>
                  <container type="box">2</container>
                  <unittitle>Reference CDs 001-029</unittitle>
               </did>
               <scopecontent>
                  <p>Field recordings from 1969-75, 1977, and 1980.</p>
               </scopecontent>
            </c02>
            <c02 id="mferd19e420" level="item">
               <did>
                  <container type="box">3</container>
                  <unittitle>Reference CDs 030-058</unittitle>
               </did>
               <scopecontent>
                  <p>Field recordings from 1980 and 1982-84.</p>
               </scopecontent>
            </c02>
            <c02 id="mferd19e429" level="item">
               <did>
                  <container type="box">4</container>
                  <unittitle>Reference CDs 059-087</unittitle>
               </did>
               <scopecontent>
                  <p>Field recordings from 1984, 1990-91, and 1995.</p>
               </scopecontent>
            </c02>
            <c02 id="mferd19e438" level="item">
               <did>
                  <container type="box">5</container>
                  <unittitle>Reference CDs 088-114</unittitle>
               </did>
               <scopecontent>
                  <p>Field recordings from 1960-61, 1968, and 1995.</p>
               </scopecontent>
            </c02>
            <c02 id="mferd19e447" level="item">
               <did>
                  <container type="box">6</container>
                  <unittitle>Reference CDs 115-137</unittitle>
               </did>
               <scopecontent>
                  <p>Field recordings from 1961 and 1963-66.</p>
               </scopecontent>
            </c02>
            <c02 id="mferd19e456" level="item">
               <did>
                  <container type="box">7</container>
                  <unittitle>Reference CDs 138-164</unittitle>
               </did>
               <scopecontent>
                  <p>Field recordings from 1966, 1968, and 1970.</p>
               </scopecontent>
            </c02>
            <c02 id="mferd19e465" level="item">
               <did>
                  <container type="box">8</container>
                  <unittitle>Reference CDs 165-183</unittitle>
               </did>
               <scopecontent>
                  <p>Field recordings from 1955, 1961-62, 1966-68, and 1970.</p>
               </scopecontent>
            </c02>
         </c01>
         <c01 id="mferd19e474" level="series">
            <did>
               <unittitle>Series III: Electronic Media</unittitle>
            </did>
            <c02 id="mferd19e478" level="item">
               <did>
                  <container type="box">1</container>
                  <container type="folder">1</container>
                  <unittitle>Zip Disk</unittitle>
               </did>
               <scopecontent>
                  <p>100 Mb Iomega zip disk; includes a searchable database for this
				  collection, created by the AFC.</p>
               </scopecontent>
            </c02>
         </c01>
      </dsc>
      <index id="mferd19e489">
         <head id="appendixa" althead="Appendix A: Ifugao Terms">Appendix A:
		  Listing of Ifugao Ceremonies, Events and Rituals Prepared by Harold C.
		  Conklin</head>
         <indexentry>
            <subject>baltuŋ (sub-ritual in which chanter stomps on floor of
			 house)</subject>
         </indexentry>
         <indexentry>
            <subject>bāqi (oral ritual, consisting of chanting, invocations, and
			 blessings, in which there is usually animal sacrifice)</subject>
         </indexentry>
         <indexentry>
            <subject>bāqin di quqqūŋa/balbāle (children's version of
			 bāqi)</subject>
         </indexentry>
         <indexentry>
            <subject>bāyu (pounding of rice using a mortar and pestle)</subject>
         </indexentry>
         <indexentry>
            <subject>bedbēdan (sub-ritual of qālim)</subject>
         </indexentry>
         <indexentry>
            <subject>bināqid (prestige feast, in which 3-5 pigs are
			 sacrificed)</subject>
         </indexentry>
         <indexentry>
            <subject>bumayah (a major prestige feast with eight days of
			 rituals)</subject>
         </indexentry>
         <indexentry>
            <subject>būqad (myth recitation)</subject>
         </indexentry>
         <indexentry>
            <subject>dalluŋ (mock head-taking ritual)</subject>
         </indexentry>
         <indexentry>
            <subject>danniw (sub-ritual)</subject>
         </indexentry>
         <indexentry>
            <subject>dinupdup (an important ritual which includes the sub-rituals
			 danniq, qālim, bāltuŋ, and others)</subject>
         </indexentry>
         <indexentry>
            <subject>dulhig (ceremonial thrusting or brushing a spear at a pig to
			 be sacrificed)</subject>
         </indexentry>
         <indexentry>
            <subject>gonob (completion rite; the last invocation of spirits
			 performed before eating)</subject>
         </indexentry>
         <indexentry>
            <subject>gopah (brief ritual oration)</subject>
         </indexentry>
         <indexentry>
            <subject>gūway (shouted exclamation)</subject>
         </indexentry>
         <indexentry>
            <subject>hagōho (bless-curse defense ritual)</subject>
         </indexentry>
         <indexentry>
            <subject>halūpe (ritual involving enemy-defeating spirits)</subject>
         </indexentry>
         <indexentry>
            <subject>hāpet (language: forms, utterances, word lists, words); of
			 punhapītan</subject>
         </indexentry>
         <indexentry>
            <subject>himuŋ (burial ceremony for a murder victim)</subject>
         </indexentry>
         <indexentry>
            <subject>hogop (house-warming ritual)</subject>
         </indexentry>
         <indexentry>
            <subject>hudhud (long chanted epic)</subject>
         </indexentry>
         <indexentry>
            <subject>kali; qāyag (animal call imitations; calls to attract
			 animals)</subject>
         </indexentry>
         <indexentry>
            <subject>keqpālen (qālim sub-ritual)</subject>
         </indexentry>
         <indexentry>
            <subject>lāmuh di būlul (ritual of smearing pig fat on rice granary
			 idols)</subject>
         </indexentry>
         <indexentry>
            <subject>lewlewa (casual antiphonal chant)</subject>
         </indexentry>
         <indexentry>
            <subject>linnāwa (recitation of a genealogy)</subject>
         </indexentry>
         <indexentry>
            <subject>liyah (ordination of priests)</subject>
         </indexentry>
         <indexentry>
            <subject>mamaqqo (women's ritual)</subject>
         </indexentry>
         <indexentry>
            <subject>maŋadol (end-of-harvest ritual placement of district-boundary
			 markers)</subject>
         </indexentry>
         <indexentry>
            <subject>manūlug (sub-ritual involving special sugarcane)</subject>
         </indexentry>
         <indexentry>
            <subject>maqāyiw (sub-ritual)</subject>
         </indexentry>
         <indexentry>
            <subject>mumbotoq (rice harvesting)</subject>
         </indexentry>
         <indexentry>
            <subject>mumbawwot (spinning wooden tops)</subject>
         </indexentry>
         <indexentry>
            <subject>munkandidāta (political speech)</subject>
         </indexentry>
         <indexentry>
            <subject>munkēew (children calling as they go down to river)</subject>
         </indexentry>
         <indexentry>
            <subject>munqātal (sale of pond field)</subject>
         </indexentry>
         <indexentry>
            <subject>munqībal (wailing dirge)</subject>
         </indexentry>
         <indexentry>
            <subject>munqopal (sugar cane pressing)</subject>
         </indexentry>
         <indexentry>
            <subject>pakkuk (exuberant, rhythmic banging of pestles on mortar at
			 funeral)</subject>
         </indexentry>
         <indexentry>
            <subject>punhapītan (discussions and conversations in
			 Ifugao)</subject>
         </indexentry>
         <indexentry>
            <subject>qaggīyo (children's play-song)</subject>
         </indexentry>
         <indexentry>
            <subject>qālim (ritual chant which includes the sub-rituals wakkāten,
			 qummāŋal, bedbēdan, and keqpālen)</subject>
         </indexentry>
         <indexentry>
            <subject>qe-tūdoq (voice letters)</subject>
         </indexentry>
         <indexentry>
            <subject>qiŋlih (English — interviews and conversations)</subject>
         </indexentry>
         <indexentry>
            <subject>qulqulgud (storytelling)</subject>
         </indexentry>
         <indexentry>
            <subject>qummāŋa; (qālim sub-ritual)</subject>
         </indexentry>
         <indexentry>
            <subject>quyap (trick rounds, counting games)</subject>
         </indexentry>
         <indexentry>
            <subject>quyyāya (lullaby)</subject>
         </indexentry>
         <indexentry>
            <subject>tūŋul (common minor-blessing ritual)</subject>
         </indexentry>
         <indexentry>
            <subject>wakkāten (qālim sub-ritual)</subject>
         </indexentry>
      </index>
      <index id="mferd19e646">
         <head id="appendixb" althead="Appendix B: Instruments">Appendix B -
		  Listing of Musical Instruments</head>
         <indexentry>
            <subject>baŋībaŋ (ritual wooden percussion bars)</subject>
         </indexentry>
         <indexentry>
            <subject>biqquŋ (twanged jew's harp)</subject>
         </indexentry>
         <indexentry>
            <subject>gaŋha (flat gongs)</subject>
         </indexentry>
         <indexentry>
            <subject>hāŋal (ritual bamboo clapper)</subject>
         </indexentry>
         <indexentry>
            <subject>huppēep (single-reed pipe)</subject>
         </indexentry>
         <indexentry>
            <subject>kendomman (triangular bronze chimes)</subject>
         </indexentry>
         <indexentry>
            <subject>lebbet (single-headed harvest drum)</subject>
         </indexentry>
         <indexentry>
            <subject>luhuŋ and lalu (mortar and pestle)</subject>
         </indexentry>
         <indexentry>
            <subject>pādaŋ (coiled brass leg bands)</subject>
         </indexentry>
         <indexentry>
            <subject>pattuŋ (ritual wooden rhythm sticks)</subject>
         </indexentry>
         <indexentry>
            <subject>tappaŋ di budeŋ (reed bird whistle)</subject>
         </indexentry>
         <indexentry>
            <subject>teddeŋ (zither)</subject>
         </indexentry>
         <indexentry>
            <subject>tunīliyu (iron bolts)</subject>
         </indexentry>
         <indexentry>
            <subject>tuŋŋāli (notched flute)</subject>
         </indexentry>
      </index>
   </archdesc>
</ead>