http://hdl.loc.gov/loc.music/eadmus.mu002006 Aaron Copland Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress
Washington, D.C.
2005 Guides to Special Collections in the Music Division of the Library of Congress

Catalog Record: http://lccn.loc.gov/2003561015

Finding Aid encoded by Library of Congress Music Division, 2005 Finding aid written inEnglish 2013 February Editorial changes made to this finding aid by Nancy Seeger in February 2013. 2011 November Minor change made to this finding aid by Nancy Seeger in November 2011. 2011 January External reference added to this finding aid by Nancy Seeger in January 2011. 2010 March Editorial revisions made to this finding aid by Nancy Seeger in March 2010. 2009 March 27 This finding aid was updated to reflect a loosening of restrictions. Collection Summary Aaron Copland Collection1841-1991 (bulk 1911-1990) ML31.C7 Copland, Aaron, 1900-1990 around 400,000 items 564 boxes 306 linear feet Collection material in English Music Division Library of Congress
Washington, D.C.
The Aaron Copland Collection consists of published and unpublished music by Copland and other composers, correspondence, writings, biographical material, datebooks, journals, professional papers including legal and financial material, photographs, awards, art work, and books. Of particular interest is the correspondence with Nadia Boulanger, which extent over 50 years, and with his long-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Charles Ives, Claire Reis, Arnold Schoenberg, Roger Sessions, and Virgil Thomsom. The photographic collection of Copland's friend and confidant Victor Kraft, a professional photographer, forms part of the collection. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

 People Bernstein, Leonard, 1918-1990--Correspondence. Boulanger, Nadia--Correspondence. Bowles, Paul, 1910-1999--Correspondence. Britten, Benjamin, 1913-1976--Correspondence. Chávez, Carlos, 1899-1978--Correspondence. Clurman, Harold, 1901-1980--Correspondence. Copland, Aaron, 1900-1990--Autographs. Copland, Aaron, 1900-1990--Correspondence. Copland, Aaron, 1900-1990--Portraits. Copland, Aaron, 1900-1990. Copland, Aaron, 1900-1990. Diamond, David, 1915-2005--Correspondence. Harris, Roy, 1898-1979--Correspondence. Ives, Charles, 1874-1954--Correspondence. Kraft, Victor, 1915-1976. Reis, Claire R. (Claire Raphael)--Correspondence. Schoenberg, Arnold, 1874-1951--Correspondence. Sessions, Roger, 1896-1985--Correspondence. Thomson, Virgil, 1896-1989--Correspondence. Subjects Musicians--Correspondence. Titles Copland collection, 1841-1991 Administrative Information Provenance

Some manuscripts; Gift; Aaron Copland; circa 1940-1970.

Bulk of the collection; Gift; Aaron Copland; 1989.

Some manuscripts; Gift; Nadia Boulanger estate; July 18, 1980 and March 6, 1981.

Libretto material for The tender land; Gift; Erik Johns.

Some manuscripts; Gift; Bennett Lerner.

 Accruals

No further accruals are expected.

 Processing History

The Aaron Copland Collection was processed by Virginia Chang, Carol Lynn Flanigan, Wilda Heiss (Music Specialist), Albert Jones, Jonathan Kulp, Melchor de Medinaceli, Peggy Monastra, Lloyd Pinchback (Music Specialist), Loras Schissel and Deanna Whitsitt, April 1995. The finding aid was originally created using Word Perfect 5.1 software. The final formatting was begun by Stefan Patejak in 1995 and completed by Michael A. Ferrando, November 2002. In 2002, Michael A. Ferrando coded and edited the finding aid for EAD format.

A special thank you to Daniel Mathers for his invaluable assistance during the editing of the Music Manuscripts and Printed Editions by Aaron Copland.

 Transfers

Sound recordings and moving images were transferred to the Library of Congress Motion Picture, Broadcasting and Recorded Sound Division.

Books from Copland's library were transferred to the Library of Congress Rare Book and Special Collections Division.

 Other Repositories

1154 published scores by North and South American composers (not including Copland) are located in the Performing Arts Library at the New York Public Library. Microfilm is available in the Library of Congress Performing Arts Reading Room: Microfilm 93/20010.

 Copyright Status

The status of copyright on the materials of the Aaron Copland Collection is governed by the Copyright Law of the United States (Title 17, U.S.C.).

 Access and Restrictions

The Aaron Copland Collection is open to research. Researchers are advised to contact the Performing Arts Reading Room prior to visiting. Many collections are stored off-site and advance notice is needed to retrieve these items for research use. Certain restrictions to use or copying of materials may apply.

 Alternate Format Available

Digitized images along with identifying information and a narrative introduction are also available through the Library of Congress Web site under the title: The Aaron Copland Collection, circa 1900-1990, at http://memory.loc.gov/ammem/collections/copland/index.html. The site was produced for the National Digital Library Program, American Memory collections.

 Preferred Citation

Researchers wishing to cite this collection should include the following information: container number, Aaron Copland Collection, Music Division, Library of Congress, Washington, D.C.

 Biographical Sketch Date Event 1900, Nov. 14 Born in Brooklyn, New York to Harris Morris Copland and Sarah Mittenthal Copland, the fifth and last child. 1914 Started private piano lessons with Leopold Wolfsohn, Brooklyn, NY; subsequently studied piano with Victor Wittgenstein and Clarence Adler. 1917-1921 Studied harmony and counterpoint with Rubin Goldmark in New York City. 1918 Graduated from Boys' High School in Brooklyn. 1921 Summer Studied at newly established American Conservatory at Fontainebleau near Paris. 1921 Fall First piano piece, Scherzo Humoristique (The Cat and the Mouse), sold and published by Durand. 1921 Fall-1924 Studied composition and orchestration with Nadia Boulanger in Paris. 1925 Wrote first of many articles for Modern Music. 1925 Jan 11 Symphony for Organ and Orchestra (1924) performed by the New York Philharmonic, with Nadia Boulanger as soloist and Walter Damrosch as conductor; later, performed by Serge Koussevitzky, who originally suggested the composition, and the Boston Symphony Orchestra. 1925 Summer First stay at MacDowell Colony to work on Music for the Theatre, commissioned by the League of Composers, with the first performance scheduled in November with Serge Koussevitzky and the Boston Symphony Orchestra. 1925-1926 Recipient of Guggenheim Memorial Fellowship, the first in music, which was renewed for the 1926-1927 season. 1927, Jan. 28 Copland performed his Concerto for Piano and Orchestra (1926) with Boston Symphony, conducted by Serge Koussevitzky. 1927-1929 Wrote Symphonic Ode (1927-29) for the 50th anniversary of the Boston Symphony Orchestra in 1930; subsequently, revised the composition for the 75th anniversary of the orchestra in 1955. 1927 Began lecturing at New School for Social Research, New York City. 1928-1954 Joined League of Composers; later, in 1932, began serving on the Board of Directors. 1928 Assisted Alma Morgenthau Wertheim in establishing the Cos Cob Press which later became Arrow Music Press. 1928-1932 Co-founder with Roger Sessions of Copland-Sessions Concerts of Contemporary Music. 1929 Awarded $5,000 prize from the RCA Victor Competition for Dance Symphony (1925), based on portions of unperformed ballet Grohg. 1930 Wrote first extended piano work, Piano Variations. 1932 Organized first Festival of Contemporary Music at Yaddo, Saratoga Springs, NY, and the second one the following year. 1935 Taught composition at Harvard University while Walter Piston was on leave of absence. 1937-1945 Co-founder and president of the American Composers Alliance. 1938-1972 Co-founder and treasurer of Arrow Music Press, which incorporated the former Cos Cob Press. 1938, Oct. 16 First performance of ballet, Billy the Kid, written for Lincoln Kirstein and the Ballet Caravan. 1939 Published first book, What to Listen for in Music, based on lectures given at the New School for Social Research. 1939, Oct. 13 Elected president of American Composers Alliance. 1940-1965 At request of Serge Koussevitzky, taught composition during first season of Berkshire Music Center at Tanglewood; when Tanglewood reopened in 1946 after the war, Copland assumed many administrative positions in addition to teaching until his retirement in 1965. 1941 Published book, Our New Music, based on lectures at the New School for Research. 1941 Toured Latin America to lecture, perform and conduct on a grant made possible by the Committee for Inter-American Artistic and Intellectual Relations. 1942 Completed Lincoln Portrait, commissioned by Andre Kostelanetz, with text created by Copland from speeches and letters of Abraham Lincoln. 1942 Composed ballet, Rodeo, commissioned by Agnes de Mille. 1942 Completed the Fanfare for the Common Man from a request by Eugene Goossens who conducted the premiere in 1943 with the Cincinnati Symphony Orchestra. 1942, May 8 Elected a member in the Department of Music of the National Institute of Arts and Letters. 1945 Awarded Pulitzer Prize and Music Critic's Circle of New York for Martha Graham ballet, Appalachian Spring (1944), commissioned by the Elizabeth Sprague Coolidge Music Foundation. 1946, Jan. 24 Elected a member of the American Society of Composers, Authors and Publishers (ASCAP). 1947 Received Music Critic's Circle Award for Third Symphony (1944-46). 1947-1948 Wrote Clarinet Concerto commissioned by Benny Goodman and later choreographed by Jerome Robbins for the ballet Pied Piper (1951). 1947 Again, toured Latin America to lecture, perform and conduct under the sponsorship of the State Department. 1950 Won Oscar for the music score to the film, The Heiress (1949). 1950 Finished composing the Twelve Poems of Emily Dickinson. 1951-1952 Appointed Charles Eliot Norton Professor of Poetics at Harvard University and delivered a series of six lectures, the first time that an American composer was named as a Poetry Chair. 1952 Published new book, Music and Imagination, based on Charles Eliot Norton lectures at Harvard University. 1953, May 26 Appeared before The House Committe on Un-American Activities (HUAC). 1954, Apr. 2 Premiere of full length opera, The Tender Land, by the New York City Opera Company. 1954, Dec. 3 Elected member of the American Academy of Arts and Letters. 1956 Received Gold Medal in Music from the National Institute and American Academy of Arts and Letters. 1956 Received first of many honorary Doctor of Music degrees from Princeton University. 1960 Published fourth book, Copland on Music, which included reprints from previous publications and new material. 1961 Received the MacDowell Colony Medal for distinguished service in the field of music from the Edward MacDowell Association. 1961-1968 Served seven years as president of the Edward MacDowell Association. 1962 Premiere of Connotations commissioned by the New York Philharmonic for the opening of Philharmonic Hall (later Avery Fisher Hall) at Lincoln Center. 1964 Received Medal of Freedom, the "highest civil honor conferred by the President of the United States for service in peacetime," from President Lyndon B. Johnson. 1965-1966 Wrote, conducted and hosted series of 12 television programs, Music in the 20s, for National Educational Television. 1967 Composed Inscape which was commissioned by the New York Philharmonic to celebrate their 125th anniversary. 1968 Revised and enlarged earlier book, Our New Music, and published it under a new title, The New Music: 1900-1960. 1970 Awarded the Howland Memorial Medal from Yale University. 1975-1976 Interviews of Copland begun by Vivian Perlis for an oral history project in American Music at Yale University which became the foundation for a collaboration on a two volume autobiography, Copland: 1900 through 1942, first published in 1984, and Copland: Since 1943, first published in 1989. 1979 Bestowed Kennedy Center Honor along with other honorees Martha Graham, Henry Fonda, Ella Fitzgerald, and Tennessee Williams. 1986 Medal of the Arts conferred by President Reagan; also, awarded the Congressional Gold Medal by the House of Representatives. 1990, Dec. 2 Died at North Tarrytown, New York. Scope and Content Note

The Aaron Copland Collection consists of published and unpublished musical scores by Aaron Copland and other composers, correspondence, writings, biographical material, datebooks, journals, professional papers including legal and financial material, photographs, awards, art work, and books. The collection spans 1841 to 1991 and covers six aspects of Copland's life -- composer, performer, teacher, writer, conductor and administrator for various organizations -- from about 1911, when he penned his first musical composition I'm On My Way to Mandalay, to 1990, the year of his death. The collection has been organized into thirteen major categories -- Music, Writings & Oral Presentations, Diaries, Correspondence, Professional Papers, Subject File, Scrapbooks, Biography, Awards, Art, Photographs, Victor Kraft Material and Books.

The Music by Aaron Copland represents almost all of the entire musical creation of Copland beginning with the early, youthful student works and ending with the short piano pieces in the seventies and eighties. The Music Manuscripts and Printed Editions by Aaron Copland cover the years from 1920 through 1982 in a numerical order established by Copland, designated as ARCO numbers, which total 100 assignments. After each ARCO number, a numerical or alphabetical suffix is assigned that represents the type of material. Holograph manuscripts of Martha Graham's ballet Appalachian Spring, the popular pieces El Salón México and Fanfare for the Common Man (which was used later in his Third Symphony), represent just a fraction of available riches in this collection. At the end are three Published Compilations of Music by Copland -- two adaptations by Clare Grundman, A Copland Portrait and Sounding Success, and the third work, Piano Album, which is a collection of Copland solo piano pieces. The last category consists of Music Composed by Copland Not Assigned an ARCO Number which includes music culled from or later developed into well-known Copland works and which were not assigned a number by Copland or his staff. Among these pieces are sketches for The Ballad of Ozzie Powell, which served for Music for Radio, music composed for a unfulfilled musical, Tragic Ground, and sketches for a string quartet, composed between 1965-1968. At the beginning of the series see the Alphabetical Title Index to Aaron Copland Music Compositions and Key to ARCO Numeric System for a further explanation of Copland's numbering system.

The Juvenilia: Works by Copland represent his early compositions and arrangements. Created between 1911 and 1926, the manuscripts encompass Copland's adolescent years studying with Rubin Goldmark in New York City through his student years and under the tutelage of Nadia Boulanger at Fontainebleau and Paris. Besides original holograph scores and sketches, these early works include compositional and piano exercises and scores and sketches of transcriptions and arrangements of other composers' works.

The Music By Other Composers includes manuscripts, fascimiles, and printed music which were part of Copland's extensive collection of music. Most contain holograph annotations either in Copland's hand, especially his conducting scores, or signed by the composer or donor. These scores and the other published works from his collection, which became part of the Performing Arts Library at the New York Public Library, illustrate a broad, composite spectrum of composers in the Western Hemisphere.

The Writings & Oral Presentations series represent over fifty years (c. 1925-1988) of written and oral commentary on music and musicians during the lifetime of Copland. The writings by Aaron Copland contain the different venues that Copland employed to communicate his thoughts and ideas on music -- the growth of American music and commentary on the people or organizations that fostered composers and their music through the 1960s -- beginning in 1925 with his second published article, What Europe Means to the Aspiring Composer, after his return from three years of musical study in France. The numerous cross references reflect Copland's penchant to borrow from himself and indicate the relationship of articles as they were discovered during processing. See the Index for Articles with AC Numbers for an explanation and numeric indexes of Copland's numbering system.

In most cases, the evolution of the final printed words for Copland's published books can be traced, though difficult at times because of his revisions, from the handwritten manuscript to the final typescript, beginning with the 1939 first edition of What to Listen for in Music and ending with The New Music, the 1968 revision of Our New Music (1941). Also, the correspondence and notes exist for a sixth book, the first volume of the projected two volume autobiography.

Copland's earliest lectures began at the New School for Social Research with Aesthetics of Modern Music (1927) and ended with What to Listen for in Music. The complexity of Copland's borrowing from one medium to the other is demonstrated by the lecture, Music of the 20s, given in 1940, which probably became a source for the 1952 Harvard lectures of the same name which in term was incorporated in the published book, Music and Imagination, and finally became the source for the 1965 television special, Music in the 20s. Some of the earlier lectures also became the source for a 1947 series of lectures, Panorama of American Composers, which Copland delivered in Brazil. Two numbering systems by Copland were discovered on some lectures. See the Index for the Lectures and Speeches with AC Numbers for more information.

Copland quickly embraced the new mediums of radio and television. His radio talks apparently began in the United States in 1936 for the CBS "Modern Music" series and continued until the 1976 statements for the BBC at the time of Benjamin Britten's death. He also frequently spoke on radio stations while on tour in various foreign countries. In the United States, he presented a series of fifty-two programs on WNCN, Aaron Copland Comments from 1968-1971. Fifteen years of television appearances began in 1965 with a program, Copland on Copland on the British Broadcasting Company, and, in the United States, with the production of Music in the 20s. Other appearances included the Bill Moyer's Journal Aaron Copland and the 1980 birthday tribute, A Copland Celebration!

The Writings by Others extends to material written about Aaron Copland and material written about other composers, musicians, and critics or other subjects. The articles reflect the views and opinions of a wide range of notable people. The interviews almost span his entire life from 1928 to 1988 and comprise dialogues with substantive and substantial quotes by Copland. The ballet scripts contain an intriguing scenario, Memorial Day, Dances for Democracy in Crisis, which identifies the collaborators -- conceived by Lincoln Kirstein, Lew Christensen as the general stage director, music by Copland, choreography by Lew Christensen, Erick Hawkins, Eugene Loring, and the costumes by Jared French. Evidently, the ballet never developed beyond this scenario which includes forty-eight watercolor drawings.

The Diaries are divided into two sections, Datebooks and Journals. The datebooks range from 1935 to 1985, except for the year 1954, and were generally used to briefly record his daily activities. The desk size books from 1942 to 1969 also enumerate the commissions offered to him by individuals and/or organizations. The pocket size books were apparently used during domestic or foreign trips.

The Journals consist of notebooks which record activities, list items and report on events and trips. The material dates from his 1910 reminiscences and extends to comments about his 1973 European trip. The journal dated from 1941-1973 includes family genealogy charts. Two journals describe the creation of the music scores for two films, The Red Pony and Something Wild. The date spans represent the actual span of year dates noted in the journal. Because of the fragile nature of some journals, the originals and archival photocopies will not be served to researchers. Photocopies of the journals, which are placed in binders, will be available to researchers. See the Index for Journals with AC Numbers for an explanation and list of the journals in numeric order.

The Personal Correspondence (1911-1991) contains letters to and from Copland with his family, teachers, fellow composers, literary figures, personal friends and acquaintances. Of particular interest are the letters with Nadia Boulanger, which extent over 50 years, and the letters with his long-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Claire Reis, Roger Sessions, Charles Ives, Arnold Schoenberg, and Virgil Thomsom.

The General Correspondence (1935 to 1991) comprises a variety of day-to-day mail, which Copland reviewed, from individuals and businesses. The letters include requests to lecture and conduct and for permissions, birthday and holiday greeting cards from family, friends and school children, and fan mail.

The Professional Papers are divided into two sections, Business Organizations and Engagements. The Business Organizations include records that pertain to Copland's affiliation with and service for various private, public, and governmental agencies, organizations, and councils, at the local, national, and international level and material that relate to numerous publishers, agents and foundations. Voluminous records exist for the Arrow Music Press (formerly, Cos Cob Press), for which Copland served as Treasurer, and for Boosey & Hawkes, his music publisher, which include letters about score corrections for his music. Other significant material are the Copland-Sessions Concerts of Contemporary Music, the Koussevitzky Music Foundation, the League of Composers, Modern Music, the Edward MacDowell Association, and Tanglewood which includes material on the Berkshire Music Center and the Boston Symphony Orchestra.

The Engagements represent correspondence and other material between organizations for which Copland performed, spoke or conducted, or from whom he was bestowed an award or honor. The organizations include orchestras, universities and colleges, festivals, museums, and societies. The most notable events are his trips to Latin America in 1941 and 1947 and his frequent appearances with the London Symphony, New York Philharmonic, and National Symphony orchestras.

The Subject File is a composite of printed matter and material on special subjects that Copland kept. The largest and most extensive is the Composition section which consists of published clippings, magazine articles, promotional material, annotated programs and other miscellaneous items relating to performances of his compositions. In May of 1953, Copland was summoned to appear before the House Un-American Activities Committee and respond to a list of alleged "communist" affiliations. The United States Congress section documents Copland's correspondence, notes, statements and evidence during this period. Also, an annotated copy of the Congressional Record of January 16, 1953 in which the affiliations were first recorded and a transcript of the hearing are included.

Three of the four scrapbooks focus on specific undertakings by Copland -- the Copland-Sessions Concerts from 1924 to 1931, the Yaddo Festivals from 1932-33, and the 1978 Australian tour for which he conducted and lectured. The other scrapbook represents the beginnings of Copland's clipping file from 1924 to 1942. All, but the Australian tour scrapbook, have been preserved on microfilm because of their fragile condition (Microfilm 93/20002 Mus); the original of these three volumes will not be served to the public.

The Biography series consists of divergent materials, some of which is biographical and others personal. The biographical material includes autobiographical notes, a notebook and assorted lists that pertain to Copland's activities and compositions, and two birthday albums. The 70th birthday album comprises "An album of composers' tributes" which contains congratulatory letters, musical salutes, poems and ink drawings from 116 composers. The 80th birthday album was presented by the National Symphony Orchestra from friends and includes congratulatory letters from President Jimmy Carter, Vice President Walter Mondale, conductor Mstislav Rostropovich, Roger L. Stevens (chairman of the John F. Kennedy Center for the Performing Arts), and international musical luminaries.

The Awards series contain the artifacts that Copland received from the numerous and myriad honors and awards bestowed on him during his lifetime. Copland accepted his first honorary doctorate in music from Princeton University in 1956, and almost every year thereafter he approved another one either in humane letters or in music. The last one was a Degree of Fine Arts, Honoris Causa, from the New School for Social Research in 1983. Other tributes conferred on Copland from 1947 to 1982 include the Presidential Medal of Freedom, awarded by President Lyndon B. Johnson in 1964, and the Kennedy Center Honors' medal in 1979. In most cases, programs, invitations, and letters accompany the actual degree, award or medal.

The Art Works section is divided into Of Aaron Copland, Other Works, Poetry, and Posters that include drawings, caricatures, and portraits of Aaron Copland and other artistic renderings which consist of special editions of illustrated poems by various artists in different mediums. The two most illustrious artists represented are a numbered print by Pablo Picasso and an engraved color print by Marc Chagell which was part of an invitation from the Prince and Princess of Monaco for a 1967 program to honor Nadia Boulanger.

The Photographs series contain approximately 12,000 images and date from c. 1889-1985. The largest section is the portraits of Copland alone, both formal and informal, professional and amateur. Noteworthy subjects include many rarely-seen early portraits of Aaron Copland and the majority of the photographs reproduced in Copland's two volume autobiography, Copland, 1900-1943 (Volume I) and Copland Since 1943 (Volume II). Photographs from these books are identified with a Roman numeral I or II, designating the volume in which it was reproduced, followed by an Arabic numeral designating the page on which the photograph is found.

A large portion of the photo images were taken by Copland's life-long friend, the professional photographer, Victor Kraft (1915-76). Among the images produced by Victor Kraft are luminaries of the American music scene from the first half of the twentieth century, including Leonard Bernstein, Marc Blitzstein, Paul Bowles, David Diamond, Lukas Foss, Serge Koussevitzky, Walter Piston and the Tanglewood Music Festival during the 1940s. In fact, a significant amount of items correspond or overlap between this series and the Victor Kraft Materials series. Illustrious photographers represented include Margaret Bourke-White, Irving Penn, Gordon Parks and Carl Van Vechten, among others. If photographic credits are not given, the photographer is, as yet, unidentified. See the Explanation of Code System for Photographs at the end of the series.

The Victor Kraft Materials contain approximately 40,000 items and span the years c. 1918-1976. Victor Kraft (1915-76) was a professional photographer and life-long friend of Aaron Copland. They first became acquainted in the early 1930's and maintained close contact until Kraft's death. Copland was the godfather of Kraft's only child Jeremy, a son from his second wife Rheba. Kraft's photographs appeared in such prominent publications as Life Magazine, Harper's Bazaar, Junior Bazaar, and the French art journal L'Oeil, among others.

The bulk of the photoprints and negatives document Kraft's travels in Mexico in the 1930s [and/or 1950s?] and in Brazil from 1951-53. Notable subjects include formal and informal portraits of Aaron Copland, and portraits from the 1940s and 1950s of numerous composers and performers of the American music scene, including Leonard Bernstein, Paul Bowles, Edwin Denby, Lukas Foss, Erik Johns, William Kapell, Dmitri Mitropoulos, and Robert Shaw. The Tanglewood Music Festival during the 1940s is also well represented with many historically interesting images to be found in the photoprints, as well as the contact sheets and negatives. Photoprints by other prominent photographs are represented -- Cecil Beaton (portraits of Victor Kraft and a self-portrait photocard), Ronny Jaques (a signed portrait of Carson McCullough), and Carl Van Vechten (1935 portraits of Victor Kraft). All other images are assumed to have been created by Victor Kraft unless otherwise noted. Of other interest are the series of letters to Kraft from Paul Bowles, and a sampling of Kraft's original negative sleeves which reveal insights into his systematization and methodology. See the Explanation of Code System for Photographs in the Victor Kraft Materials at the end of this series.

The Copland Library series comprises selected books on a wide range of musical and general subjects from Copland's personal library. Most are signed, usually by the author, or contain annotations or information about Copland. The books reflect Copland's wide and varied interests and include those books written by Copland and translated into various languages. Many books concentrate on Copland's interest in French culture after his years of study in Paris.

Wilda Heiss and Lloyd Pinchback, April 1995

Wilda Heiss and Lloyd Pinchback, Music Specialists, Revised 2000

Processed by: Virginia Chang, Carol Lynn Flanigan, Wilda Heiss, Albert Jones, Jonathan Kulp, Melchor de Medinaceli, Peggy Monastra, Lloyd Pinchback, Loras Schissel and Deanna Whitsitt.

Formatted by: Stefan Patejak (1995) and Michael A. Ferrando (1995, 2000)

Acknowledgment: A special thank you to Daniel Mathers for his invaluable assistance during the editing of the Music Manuscripts and Printed Editions by Aaron Copland.

 Organization of the Aaron Copland Collection

The Aaron Copland Collection is organized in thirteen series:

Music, 1841-1988 Writings and Oral Presentations, 1925-1988 Diaries, 1910-1985 Correspondence, 1911-1991 Professional Papers, 1917-1990 Subject File, 1923-1990 Scrapbooks Biography, 1921-1988 Awards, 1934-1985 Art Works, 1944-1983 Photographs, 1889-1985 Victor Kraft Materials, 1918-1976 Copland Library, 1908-1988 http://lccn.loc.gov/2003561015 Container List Box Contents 1-196 Music, 1841-1988

The Music series is divided into two subseries: Music by Aaron Copland and Music by Others. The Music by Aaron Copland represents almost all of the entire musical creation of Copland beginning with the early, youthful student works and ending with the short piano pieces in the seventies and eighties. The Music Manuscripts and Printed Editions by Aaron Copland cover the years from 1920 through 1982 in a numerical order established by Copland, designated as ARCO numbers, which total 100 assignments. After each ARCO number, a numerical or alphabetical suffix is assigned that represents the type of material. The last category consists of Music Composed by Copland Not Assigned an ARCO Number which includes music culled from or later developed into well-known Copland works and which were not assigned a number by Copland or his staff. The Juvenilia: Works by Copland represent his early compositions and arrangements. The Music By Other Composers includes manuscripts, fascimiles, and printed music which were part of Copland's extensive collection of music. See the Alphabetical Title Index to Aaron Copland Music Compositions and Key to ARCO Numeric System for a further explanation of Copland's numbering system.

Arrangment is by subseries.

 1-117 Music by Aaron Copland, 1911-1985

Music Manuscripts and Printed Editions by Aaron Copland, Published Compilations of Works by Copland, and Music Composed by Copland Assigned ARCO Number (1920-1985 and undated). Includes manuscripts, copies of manuscripts (ozalids, photocopies and photostats) and printed scores of Copland's original compositions, adaptations and transcriptions, compilations of Copland's works, and adaptations and transcriptions by other composers. Juvenilia: Works by Copland (1911-1926 and undated). Divided into Juvenilia Arranged Chronologically, Juvenilia Arranged Alphabetically by Title, and Copland Transcriptions or Arrangements of Works by Others. Included manuscripts and student music notebooks. See the Alphabetical Title Index to Aaron Copland Music Compositions and Key to ARCO Numeric System for a further explanation of Copland's numbering system.

Arranged numerically by Copland's numbering system, then by decimal numbers for manuscripts and copies of manuscripts and by alphabetic suffix for published editions (except works not numbered arranged alphabetically by title).

 1-116 Music Manuscripts and Printed Editions, 1920-1985 1) Humoristic scherzo : the cat and the mouse [piano work] 1/1 Scherzo humoristique : le chat et la souris. 1 Ms. Piano solo; 4 p.; 34.5 cm.

Note: Holograph in ink.

At end: Completed March 19, 1920.

On microfilm: MUSIC 1906, Item 6.

 1/1.1 Humoristic scherzo : the cat and the mouse. 1.1 Ms. Piano solo (incomplete); 3 p.; 34.5 cm.

Note: Holograph in ink and pencil.

 1/1.2 Scherzo humoristique : le chat et la souris = The cat and the mouse. Paris: Durand & Cie., [1921]. 1.2 Publisher's proof. Piano solo; 5 leaves.

c1921 by Durand & Cie.

Plt.: D. & F. 10,107.

Note: Marginalia in ink and pencil by Nadia Boulanger.

 1/1a Scherzo humoristique : le chat et la souris = The cat and the mouse / pour piano 2 mains. Paris: Durand & Cie., 1948. 1a Piano solo; 5 p.

c1921 by Durand.

Plt.: D. & F. 10,107.

At end: Novembre 1948.

 1/1b The cat and the mouse. New York: Boosey & Hawkes, 1950. 1b Piano solo; 7 p.

c1921 by Durand & Cie.; renewed 1949 in U.S.A. by Aaron Copland; assigned 1950 for U.S.A. to Boosey & Hawkes.

Plt.: Pa. 82.

 2) An old poem = Vieux poeme [song] 1/2 An old poem (melodie chinoise). 2 Ms. Score for voice (soprano) and piano; 3 p.; 34.5 cm.

Note: Holograph in ink.

English text.

At end: June 1920.

 1/2.1 An old poem (melodie chinoise). 2.1 Ms. Score for voice and piano; 3 p.; 34.5 cm.

Note: Holograph in ink.

English text.

At end: June 1920.

 1/2.2 Old poem. 2.2 Ms. Vocal score; 2 p.; 17.5 x 27 cm.

Note: Holograph in ink.

French text.

 1/2.3 An old poem : song for soprano with piano accompaniment. 2.3 Ms. Score for voice (soprano) and piano; 3 p.; 34.5 cm.

Note: Holograph in ink and pencil.

English text.

At end: June 1920.

 1/2.4 Old poem. Paris: Éditions Maurice Senart, [1923]. 2.4 Publisher's proof. Score for high voice and piano; 3 leaves

c1923 by Éditions Maurice Senart.

Plt.: E.M.S. 6198.

English and French text.

Note: Marginalia in ink and pencil by Nadia Boulanger.

At end: June 1920.

 1/2a Old poem. Paris: Éditions Maurice Senart, [1923]. 2a Score for high voice and piano; 3 p. (2 copies).

c1923 by Éditions Maurice Senart.

Plt.: E.M.S. 6198.

English and French text.

Inscribed on title page of Copy 1: For Mamasha and Papasha (with hope that Larinka won't try to sing it for them!), Paris - Dec. 1923.

At end: June 1920.

 1/2b Old poem. Paris: Éditions Salabert, [1923]. 2b Score for high voice and piano; 3 p.

c1923 by Éditions Maurice Senart.

Plt.: E.M.S. 6198.

English and French text.

At end: June 1920.

 1/2c Old poem. New York: Boosey & Hawkes, 1985. 2c Score for high voice and piano; 4 p.

c1923 by Éditions Maurice Senart; renewed 1951 by Aaron Copland.

Plt.: E.M.S. 6198.

English and French text.

At end: June 1920.

 3-A) Pastorale [song] 1/3-A Pastorale. 3-A Ms. Score for soprano and piano; 3 p.; 34 cm.

Note: Holograph in ink and pencil.

English text. Words translated from the Kafiristan by E. Powys Mathers.

At end: Apr. 4-12, 1921.

 1/3-A.1 Pastorale. 3-A.1 Ms. (photostat). Score for soprano and piano; 2 p.; 28 cm.

English text.

At end: April 4-12, 1921.

 1/3-A.2 Pastorale. 3-A.2 Ms. Score for voice and piano (incomplete); 1 leaf; 34.5 cm.

Note: Holograph in ink.

English text.

 1/3-Aa Pastorale. New York: Boosey & Hawkes, 1979. 3-Aa Score for high voice and piano; 2 p.

c1979 by Aaron Copland.

Plt.: S. 2690.

English text.

At end: April 4-12, 1921.

Duration: ca. 3 min.

 3-B) Alone [song] 1/3-B Alone. 3-B Ms. Score for voice and piano; 3 p.; 35 cm.

Note: Holograph in pencil.

English text.

At end: Feb. 25, 1922.

 1/3-B.1 Alone. 3-B.1 Ms. Score for voice and orchestra; 10 p.; 35.5 cm.

Note: Holograph in pencil.

English text.

 1/3-B.2 Alone : melodie pour chant et piano. 3-B.2 Ms. Score for voice and piano; 3 p.; 35 cm.

Note: Holograph in ink.

English text.

On title page: Words translated from the Arabic of John Duncan by E. Powys Mathers.

 1/3-B.3 Alone : song for voice, piano, and viola. 3-B.3 Ms. Score for voice, viola, and piano; 4 p.; 34.5 cm.

Note: Holograph in pencil.

At end: Dec. 2, 1921.

 4) Four motets ; 4 motets = Quatre motets [chorus] 1/4 Four motets : for mixed chorus, a cappella. 4 Ms. Score for mixed chorus (SATB); 12 p.; 36.5 cm.

Note: Holograph in ink.

English text.

On title Page: (1921-22) student work; words and music by Aaron Copland; N.B.- words have been arranged from the Bible; 'student' work (not to be published) A.C.; Permission granted for publication in 1979.

At end: Winter of 1921-22.

 1/4.1 Four motets. 4.1 Ms. Score for mixed chorus; [13] p. (unnumbered); 35 cm.

Note: Holograph in pencil and ink.

English text.

At end of Motet I:12-9-21.

 1/4.2 "4 motets". 4.2 Ms. Score for mixed chorus (SATB); [12] p.; 35 cm.

Note: Holograph in ink with annotations in pencil.

English text.

 1/4.3 "4 motets". 4.3 Ms. Score for mixed chorus (SATB); 12 p.; 35 cm.

Note: Holograph in ink.

English text.

Stamped N.B.

 1/4.4 "4 motets". 4.4 Ms. Score for mixed chorus (SATB); 11 p.; 30.5 cm.

Note: Holograph in ink.

English text.

Stamped N.B.

 1/4.5 Four motets. 4.5 Ms. Score for mixed chorus (SATB); 12 p.; 36 cm.

Note: Holograph in ink.

English text.

Stamped N.B.

 1/4.6 "Quatre motets" / pour un chorus mixte a cappella. 4.6 Ms. Score for mixed chorus (SATB); 11 p.; 34 cm.

Note: Holograph in ink with annotations in pencil.

English text.

At end: Dec. 1921.

 1/4.7 "4 motets". 4.7 Mss. Soprano vocal parts; Nos. I-IV; 33-35.5 cm.

Note: Manuscript in ink and pencil.

English text.

 1/4.8 "4 motets". 4.8 Mss. Alto vocal parts; Nos. I-IV; 33-35.5 cm.

Note: Manuscript in ink and pencil.

English text.

 1/4.9 "4 motets". 4.9 Mss. Tenor vocal parts; Nos. I-IV; 30.5-33 cm.

Note: Manuscript in ink and pencil.

English text.

 1/4.10 "4 motets". 4.10 Mss. Bass vocal parts; Nos. I-IV; 33-36 cm.

Note: Manuscript in ink and pencil.

English text.

 1/4.11 "4 motets". 4.11 Mss. Instrumental parts; for Nos. I-III; 31.5-35 cm.

Note: Manuscript in ink and pencil.

 1/4 misc "4 motets". 4 misc Mss. (photocopies). Pages from corrected manuscript proofs; 14 leaves; various sizes.

Pages from ARCO 4.3.

 1/4a, No. I "Help us, O Lord". [New York]: Boosey & Hawkes, [1979]. 4a, No. I Score for mixed chorus (SATB), a cappella; 7 p. (2 copies).

c1979 by Aaron Copland.

Plt.: Oct. 6018.

English text.

Duration: 2', 40".

 1/4a, No. II "Thou O Jehovah, abideth forever". [New York]: Boosey & Hawkes, [1979]. 4a, No. II Score for mixed voice (SATB), a cappella; 8 p.

c1979 by Aaron Copland.

Plt.: Oct. 6019.

English text.

Duration: 2', 30".

 1/4b, No. II "Gud ar min raddning" = "Thou, O Jehovah abideth forever". Stockholm: AB Carl Ghermans Musikforlag, [1987]. 4b, No. II Choral score (SATB); 8 p.

c1979.

Plt.: CG 6597.

Swedish text.

Note: Reprinted by AB Carl Ghermans Musikforlag with permission from Boosey & Hawkes, Inc., [1987].

 1/4a, No. III "Have mercy on us, O my Lord". [New York]: Boosey & Hawkes, [1979]. 4a, No. III Score for mixed voices (SATB), a cappella; 8 p.

c1979 by Aaron Copland.

Plt.: Oct. 6020.

English text.

Duration: 3', 40".

 1/4a, No. IV "Sing ye praises to our king". [New York]: Boosey & Hawkes, [1979]. 4a, No. IV Score for mixed voices (SATB), a cappella; 10 p.

c1979 by Aaron Copland.

Plt.: Oct. 6021.

English text.

Duration: 2', 30".

 5) Passacaglia [piano work] 44/5 Passacaglia. 5 Ms. Piano solo; 8 p.; 35 cm.

Note: Holograph in ink and pencil.

 44/5.1 Passacaglia. 5.1 Ms. Piano solo; 4 p. (ms.), 4 p. (photocopy); 35 cm.

Note: Holograph in ink and pencil.

On microfilm: MUSIC 1906, Item 36.

 44/5.2 Passacaglia : pour piano seul. 5.2 Ms. Piano solo (score & sketches); 8 p.; 35 cm.

Note: Holograph in pencil

Laid in: holograph sketches (8 p.).

On microfilm: MUSIC 1906, Item 36.

 44/5.3 Passacaglia. 5.3 Ms. Organ solo; 10 p.; 33.5 cm.

Note: Holograph in ink and pencil; contains several emendations on color paper paste-overs.

Laid in: Correspondence from "Martha", dated March 22, 1971.

 44/5.4 Passacaglia : a Mlle. Nadia Boulanger. 5.4 Ms. Organ solo; 10 p.; 34 cm.

Note: Holograph in pencil and ink; contains several emendations on color paper paste-overs.

 44/5.5 Passacaglia (orchestral). 5.5 Ms. Full score; 11 p.; 40 cm.

Note: Holograph in pencil.

 44/5a Passacaglia : pour piano. Paris: Éditions Maurice Senart, [1922]. 5a Piano solo; 7 p.

c1922 by Éditions Maurice Senart.

Plt.: E.M.S. 4985.

Note: Holograph markings in pencil throughout.

At head: A Mademoiselle Nadia BOU- LANGER.

 44/5b Passacaglia : pour piano. Paris: Éditions Salabert, 1959. 5b Piano solo; 8 p. (2 copies).

c1922 by Éditions Maurice Senart.

Plt.: S. 4985.

Note: At top of Copy 1 in pencil: Copy corrected by Aaron Copland.

Duration: ca. 6.5 min.

 44/5c Passacaglia : for piano. New York: Boosey & Hawkes, 1987. 5c Piano solo; 7 p.

c1922 by Maurice Senart; renewed 1950 by Aaron Copland.

Plt.: PIB 439.

 44/5d Passacaglia. New York: Éditions Salabert, n.d. 5d Piano solo; 8 p.

c1922 by Éditions Maurice Senart.

Plt.: S. 4985.

 6) As it fell upon a day [song] 44/6 As it fell upon a day : song for soprano / with accompaniment of flute & clarinet. 6 Ms. Score for voice, flute and clarinet; 10 p.; 36 cm.

Note: Holograph in ink and pencil.

English text. Words from Richard Barnefield.

At end: Vienna Summer of 1923.

On microfilm: MUSIC 1906, Item 1.

 44/6.1 [As it fell upon a day] : melodie pour chant / avec accompaniment de flute et clarinette. 6.1 Ms. Score for voice, flute and clarinet; [8] p. (pp. 3-10); 35.5 cm.

Note: Holograph in pencil.

English text.

On microfilm: MUSIC 1906, Item 1.

 44/6.2 As it fell upon a day : melodie pour soprano / avec accompaniment de flute et clarinette. 6.2 Ms. Score for voice, flute and clarinet; 3 leaves; 35 cm.

Note: Holograph in pencil.

On cover page: Original pencil manuscript.

 44/6.3 As it fell upon a day : song for soprano / with accompaniment of flute and clarinet. 6.3 Ms. Score for voice, flute and clarinet; 7 p.; 34 cm.

Note: Holograph in ink and pencil.

English text. Words by Richard Barnefield.

At end: Wien, Summer of 1923.

 44/6.4 As it fell upon a day. 6.4 Mss. Parts for flute and clarinet.

Note: Copyist's manuscripts in ink and pencil.

 44/6a As it fell upon a day : song for soprano / with accompaniment of flute and clarinet. San Francisco: New Music Society of California, 1929. 6a Score for voice with accompaniment of flute and clarinet; 14 p. (2 copies).

c1929 by Aaron Copland.

Ser. ed.: Henry Cowell.

Ser. title: New Music: A Quarterly of Modern Compositions, Vol. 2, No. 4.

English text.

 7) Symphony for organ and orchestra 45/7 Symphony for organ and orchestra. 7 Ms. Full score; 85 p.; 40-45.5 cm.

Note: Holograph in ink and pencil.

At head: To Nadia Boulanger -- with admiration, A.C.

At end: May-Nov. 1924.

On microfilm: MUSIC 1906, Item 93.

 45/7.1 Symphony for organ and orchestra. 7.1 Ms. Orchestral sketches; 55 p. (12, 20, 23 p.); 34.5 cm.

Note: Holograph in ink and pencil.

On microfilm: MUSIC 1906, Item 93.

 45/7.2 Symphony for organ and orchestra. 7.2 Ms. Orchestral sketches; 46 p.; 34.5-36.5 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 93.

 45/7.3 Symphony for organ and orchestra. 7.3 Ms. Organ part; 54 p.; 34.5 cm.

Note: Holograph in ink.

At end: May-Sept. 1924 Aaron Copland.

On microfilm: MUSIC 1906, Item 93.

 45/7.4 Symphony for organ and orchestra. 7.4 Ms. (ozalid). Organ part; 27 p.; 36 cm.

Note: Copyist's manuscript, unmarked.

On microfilm: MUSIC 1906, Item 93.

 45/7.5 Symphony for organ and orchestra. 7.5 Ms. (ozalid). Full score; 85 p.; 40.5 cm.

Note: Title page (or cover page) is manuscript in ink; remainder of item is a copy of copyist's manuscript.

 45/7.6 Symphony for organ and orchestra. 7.6 Ms. (ozalid). Full score; 83 p.; 43.5 cm. (spiral bound).

Note: Copyist's manuscript, unmarked.

Duration: 25 min.

 45/7a Symphony for organ and orchestra. London: Boosey & Hawkes, [1963]. 7a Full score; 56 p. (3 copies, Copy 3 bound).

c1931 by Cos Cob Press, Inc.; renewed in 1958; version for organ and orchestra copyright 1963 by Aaron Copland.

Plt.: H. & B. 19029.

Note: Copies 1 and 2 contain holograph markings in pencil throughout; Copy 3 unmarked.

Duration: 25 min.

 45/7b Symphony for organ and orchestra. London: Boosey & Hawkes, 1963. 7b Full score (miniature); 56 p.

c1931 by Cos Cob Press, Inc.; renewed in 1958; version for organ and orchestra copyright 1963 by Aaron Copland.

Plt.: B. & H. 19029.

Ser. title: Hawkes Pocket Scores, No. 745.

Duration: 25 min.

 8) Grohg [ballet] 46/8 Grohg : ballet in one act (revised 1932). 8 Ms. Full score; 191 p.; 40 cm. (bound).

Note: Holograph in ink; several sections are photocopies of original manuscript. Attached to third preliminary page is a typescript, titled "PRE- LIMINARY NOTE", which gives general background information about the score and the ballet.

 46/8.1 Grohg : ballet in one act (1925). 8.1 Ms. Full score sketches; 46 leaves (79, [2] p.); 34-35 cm.

Note: Holograph in pencil.

Included is letter from Ronald Caltabiano (assistant to Aaron Copland) to Sylvia Goldstein regarding differences between original manuscript and original pencil sketches. A photocopy of the letter contains notes in red by Mr. Caltabiano dated 3/30/88. Each leaf is housed separately in mylar jackets; the jackets are annotated with conductor's markings on small pieces of paper. The letter to Ms. Goldstein refers to these markings.

 2/8.2 Grohg : ballet in one act. 8.2 Ms. Additional piano sketches; various paginations; 35 cm.

Note: Holographs in pencil.

On microfilm: MUSIC 1906, Item 23.

 2/8.3 Grohg : ballet in one act. 8.3 Ms. Piano solo; 43 p.; 34.5 cm.

Note: Holograph in ink and pencil.

Duration: 30 min.

 2/8.4 Grohg : ballet in one act. 8.4 Ms. (photocopy). Piano solo; [12] p.; 38.5 x 25 cm. (bound).

Note: This item is a miniaturized photocopy of manuscript ARCO 8.3.

Duration: 30 min.

 2/8.5 "Petites valses" (origin of ballet Grohg). 8.5 Ms. Piano sketch; 4 p.; 35 cm.

Note: Holograph in pencil.

 2/8.6 "Trois dances du ballet Grohg" / en un acte. 8.6 Ms. Score for two pianos (draft); 68 p.; 36 cm.

Note: Holograph in pencil.

CONTENTS:

I) Dance of the adolescent II) Dance of the opium eater III) Dance of the street-walker 2/8.7 "Three dances from Grohg" : ballet in one act. 8.7 Ms. Score for two pianos; pages unnumbered; 35 cm.

Note: Holograph in pencil.

CONTENTS:

I) Dance of the adolescent II) Dance of the opium eater III) Dance of the street-walker 47/8 misc Grohg (Cortege macabre) : ballet in one act. 8 misc Mss. Miscellaneous pages from full scores, two piano arrangements, ballet synopsis, etc.; 40.5 cm.

Note: Holographs in ink and pencil.

 8-A) Cortege macabre: from ballet Grohg 47/8-A Cortege macabre. 8-A Ms. Full score sketch; 47 p.; 35 cm.

Note: Holograph in pencil.

At head: 1923.

 47/8-A.1 Cortege macabre : from Grohg / ballet in one act. 8-A.1 Ms. Full score; 58 p.; 41 cm.

Note: Holograph in ink; item includes photocopies.

 47/8-A.2 Cortege macabre. 8-A.2 Ms. (photocopy). Full score; 58 p.; 40 cm.

Note: Copy of manuscript ARCO 8-A.1.

 47/8-A.3 Cortege macabre. 8-A.3 Ms. Score for two pianos (draft); 18 p.; 36 cm.

Note: Holograph in pencil.

 47/8-A.4 Cortege macabre : from Grohg -- ballet in one act. 8-A.4 Ms. Full score (incomplete); 7 p.; 40 cm.

Note: Holograph in ink.

 47/8-A.5 Cortege macabre. 8-A.5 Ms. (ozalid). 1st violin part; 6 p.; 34 cm.

Note: Photocopied by Arrow Music Press, Inc., New York.

 47/8-A.6 Cortege macabre (from an unnamed ballet in one act) : for orchestra / arranged for two pianos by Aaron Copland. 8-A.6 Ms. Score for two pianos; 41 p.; 35 cm.

Note: Copyist's manuscript in ink.

 8-B) Dance of the adolescent: from ballet Grohg 47/8-B Dance of the adolescent : from Grohg. 8-B Ms. Two piano transcription; 13 p.; 33.5 cm.

Note: Holograph in pencil.

 47/8-B.1 Dance of the adolescent : from Grohg. 8-B.1 Ms. Two piano transcription; 21 leaves; 30.5 cm.

Note: Holograph in ink on transparent paper.

 47/8-B.2 Dance of the adolescent : from dance symphony. 8-B.2 Ms. (ozalid). Two piano transcription; 21 p.; 30.5 cm.

Note: Copy of holograph score ARCO 8-B.1.

 47/8-Ba Dance of the adolescent. London: Boosey & Hawkes, [1968]. 8-Ba Score for two pianos; 24 p. (2 parts in one folder).

c1931 by Cos Cob Press, Inc.; renewed and assigned to Aaron Copland in 1958; two piano version copyright 1968 by Aaron Copland.

Plt.: B. & H. 19589.

See also ARCO 11-Aa.

 9) Two choruses for women's voices : 9-A) "The house on the hill" ; 9-B "An immorality" 48/9-A "House on the hill" : for women's voices. 9-A Ms. Score (sketch) for women's voices (SSAA); 10 p.; 41 cm.

Note: Holograph in pencil.

English text. Words by Edward A. Robinson.

On microfilm: MUSIC 1906, Item 79.

 48/9-Aa "The house on the hill" : four-part chorus for women's voices / a cappella ; from "Children of the night" by Edward Arlington Robinson. Boston: E. C. Schirmer Music Co., [1926]. 9-Aa Score for women's voices (SSAA); 11 p. (2 copies).

c1926 by E.C. Schirmer Music Co.

Plt.: E.C.S. No. 231.

Ser. title: Commonwealth Series, No. 445.

English text.

 48/9-Ab "House on the hill" : four-part chorus for mixed voices a cappella; from "Children of the Night" by Edward Arlington Robinson. Boston: E. C. Schirmer Music Company, [1954]. 9-Ab Score for mixed voices (SSAA); 11 p.

c1926 by E.C. Schirmer Music Company; renewed 1954 by E.C. Schuirmer Music Co.

Plt.: E.C.S. No. 231.

Issue No.: 445 (reissue of ARCO 9-Aa).

Note: Holograph annotations in ink for SATB.

English text.

 48/9-Ac "The house on the hill" : for SSAA chorus / a cappella. [New York]: Boosey & Hawkes, 1990. 9-Ac Choral score ( SSAA); 9 p. (3 copies).

c1926 by E.C. Schirmer Music Company; renewed 1954 by Aaron Copland.

Plt.: OCTB6590.

English text. Words by Edward Arlington Robinson.

 9-B) "An immorality": from Two choruses for women's voices 48/9-B "An immorality" : chorus for women's voices & piano acc. 9-B Ms. Score for women's voices (SSA) and piano; 6 p.; 40 cm.

Note: Holograph in pencil.

English text. Words by Ezra Pound.

On microfilm: MUSIC 1906, Item 80.

 48/9-Ba "An immorality" : from "Lustra" by Ezra Pound. Boston: E. C. Schirmer Music Co., [1926]. 9-Ba Three-part chorus for women's voices (SSA); 15 p. (2 copies).

c1926.

Plt.: E.C.S. No. 232.

Ser. title: Commonwealth Series, No. 444.

Note: Holograph annotations in ink for SAB.

English text.

 48/9-Bb "An immorality" : three-part chorus for women's voices / with soprano solo. Boston: E. C. Schirmer Music Company, [1954]. 9-Bb Score for chorus (SSA) and piano; 15 p.

c1926 by E.C. Schirmer Music Co.; renewed 1954 by E.C. Schirmer Music Co.

Plt.: E.C.S. No. 232.

Issue No.: 444 (reissue of 9-Ba).

Note: Holograph annotations in ink for SAB.

English text. Words by Ezra Pound from "Lustra".

 48/9-Bc "An immorality" : for soprano solo, SSA chorus and piano. New York: Boosey & Hawkes, 1990. 9-Bc Score for chorus and piano; 12 p. (6 copies).

c1926 by E.C. Schirmer Music Company; renewed 1954 by Aaron Copland.

Plt.: OCTB6589.

English text by Ezra Pound form "Lustra".

 10) Music for the theatre [suite] 3/10 Music for the theatre : suite in 5 parts for chamber orchestra. 10 Ms. Full score (for 18 piece orchestra); 126 p.; 34.5 cm.

Note: Holograph in ink and pencil.

Dedicated to Serge Koussevitsky.

At end: May to Sept. 1925.

On microfilm: MUSIC 1906, Item 32 A.

 3/10.1 Music for the theatre : suite in 5 parts for chamber orchestra. 10.1 Ms. Orchestral sketches; 32 p.; 34.5 cm.

Note: Holograph in pencil.

Dedicated to Serge Koussevitsky.

On microfilm: MUSIC 1906, Item 32 B.

 3/10.2 Music for the theatre : suite in 5 parts for chamber orchestra. 10.2 Ms. Score for piano -- 4 hands; 42 p.; 34.5 cm.

Note: Holograph in ink and pencil.

At end: May-Sept. 1925.

On microfilm: MUSIC 1906, Item 32 B.

 3/10.3 Music for the theatre : suite in five parts for small orchestra. 10.3 Ms. Full score; 122 p.; 34 cm. (bound).

Note: Holograph in ink and pencil.

On first title page in pencil: Score prepared by a copyist for use by Koussevitsky at 1st performance in 1925.

Duration: approximately 20 min.

 4/10a Music for the theatre : suite in five parts for small orchestra. Austria: Cos Cob Press, Inc., [1932]. 10a Full score; 71 p. (4 copies, Copy 2 bound).

c1932 by Cos Cob Press.

Note: All copies contain holograph markings in pencil throughout.

Laid in Copy 3: top of page 9, re-barred; holograph in ink. Duration: approximately 20 min.

 4/10b Music for the theatre : suite in five parts for small orchestra. New York: Cos Cob Press, Inc., [1932]. 10b Full score (miniature); 71 p.

c1932 by Cos Cob Press.

Duration: approximately 20 min.

Note: reissued under the auspices of Arrow Music Press, Inc., [1932].

 4/10c Music for the theatre : suite in five parts for small orchestra. New York: Boosey & Hawkes, [1956]. 10c Full score; 71 p. (2 copies).

c1932 by Cos Cob Press, Inc.; assigned to Boosey & Hawkes in 1956.

Plt.: F.S. 206.

Note: Copy 1 heavily marked.

Duration: approximately 20 min.

 11) A dance symphony [orchestra] 49/11 A dance symphony. 11 Ms. Full score; 100 p.; 39.5 cm.

Note: Holograph in ink.

Based on the music from the ballet "Grohg".

Duration: about 15 min.

On microfilm: MUSIC 1906, Item 14.

 49/11.1 A dance symphony. 11.1 Ms. (photostat). Full score (incomplete); 99 p.; 38.5 cm. 49/11.2 A dance symphony. 11.2 Ms. Score for piano, four hands; 48 p.; 36 cm.

Note: Holograph in ink and pencil.

 49/11.3 A dance symphony. 11.3 Ms. Full score; 53 leaves (several numbers skipped or pages missing); 41 cm.

Note: Holograph in ink and pencil.

 49/11 misc Dance symphony. 11 misc Mss. Miscellaneous pages from full score; various sizes.

Note: Holographs in ink and pencil.

 49/11a Dance symphony : for large orchestra. Austria: Cos Cob Press, Inc., [1931]. 11a Full score; 87 p. (2 copies).

c1931 by Cos Cob Press.

Note: Both copies heavily marked.

Laid in Copy 1: One typescript page and two handwritten pages of "corrections".

Duration: 16:48.

 49/11b Dance symphony : for large orchestra. New York: Cos Cob Press, Inc., [1931]. 11b Full score (miniature); 87 p.

c1931 by Cos Cob Press.

Duration: 20 min.

Note: reissued under the auspices of Arrow Music Press, Inc., [1931].

 11-A) Dance of the adolescent: from Dance symphony 49/11-Aa Dance of the adolescent : from Dance Symphony. [London]: Boosey & Hawkes, [1968]. 11-Aa Score for two pianos; 24 p. (2 parts in one folder).

c1931 by Cos Cob Press, Inc.; renewed in 1958 and assigned to Aaron Copland; two piano version copyright 1968 by Aaron Copland.

Plt.: B. & H. 19589.

Same as ARCO 8-Ba.

 12) Concerto for piano and orchestra 50/12 Concerto for piano and orchestra. 12 Ms. Full score sketch; 55 p.; 40 cm.

Note: Holograph in pencil.

On first page: Begun Oct. 16, 1926.

On microfilm: MUSIC 1906, Item 12.

 50/12.1 Concerto (in one movement--two parts) for piano and orchestra. 12.1 Ms. Short score for piano and orchestra; 33 p.; 34.5 cm.

Note: Holograph in ink and pencil.

On title page: Fantasie or concerto (in one movement).

At end: Jan.-Nov. 1926.

On microfilm: MUSIC 1906, Item 11.

 50/12a Concerto for piano and orchestra. Austria: Cos Cob Press, Inc., [1929]. 12a Full score; 67 p. (3 copies, Copy 3 bound).

c1929 by Cos Cob Press.

Note: All copies have holograph markings in pencil throughout.

Laid in Copy 1: Typed letter to Copland from Harry Kownatsky (Acting Curator at the Free Library of Philadelphia, 4/20/54) regarding three leaves of orchestral changes also included with this volume.

Laid in Copy 2: Two promotional flyers for CONCERTS AT THE CAPITOL, featuring Mr. Copland as guest conductor of the National Symphony Orchestra on Memorial Day, May 26, (year unknown); and two handwritten leaves regarding instrumentation for pieces to be performed at the Memorial Day Concert along with the rehearsal and program order.

 50/12b Concerto for piano and orchestra. New York: Cos Cob Press, Inc., [1929]. 12b Full score (miniature); 67 p.

c1929 by Cos Cob Press.

Duration: 18 min.

Note: reissued under the auspices of Arrow Music Press, Inc., [1929].

 50/12c Concerto for piano and orchestra. New York: Boosey & Hawkes, [1929]. 12c Full score (miniature); 67 p.

c1929 by Cos Cob Press.

Ser. title: Hawkes Pocket Scores, No. 696.

Note: Holograph markings in pencil throughout.

Performance time: 18 min.

Also published by Cos Cob Press, Inc.

Note: reissued under the auspices of Arrow Music Press, Inc., [1929]

 50/12d Concerto for piano and orchestra. New York: Boosey & Hawkes, [1956]. 12d Full score; 67 p.

c1929 by Cos Cob Press, Inc.; renewed in 1956 by Aaron Copland; renewed copyright assigned to Boosey & Hawkes in 1956.

Plt.: F.S.207.

Note: Holograph markings in pencil throughout.

 12-A) Concerto for piano and orchestra [two pianos] 50/12-A Concerto for piano and orchestra. 12-A Ms. Score for 2 pianos (four hands) and orchestra; 45 p.; 35.5 cm.

Note: Holograph sketches in ink.

On title page: (Arranged for 2 pianos by the composer).

On microfilm: MUSIC 1906, Item 11.

 50/12-A.1 Concerto (in one movement - two parts) for piano and orchestra. 12-A.1 Ms. (ozalid). Score for two pianos; 31 p.; 32.5 cm.

On title page: "To Alma Wertheim".

At end: Jan.-Nov. 1926.

 50/12-Aa Concerto (in one movement -- two parts) for piano and orchestra. New York: Cos Cob Press, Inc., [1929]. 12-Aa Score for two pianos, four-hand arrangement; 30 p. (2 copies).

c1929 by Cos Cob Press.

Note: Both copies have holograph markings in pencil throughout.

 50/12-Ab Concerto (in one movement -- two parts) for piano and orchestra. New York: Cos Cob Press, Inc., [1929]. 12-Ab Score for two pianos, four- hand arrangement; 30 p. (2 copies).

reissued under the auspices of Arrow Music Press, Inc.

c1929 by Cos Cob Press.

 50/12-Ac Concerto (in one movement -- two parts) for piano and orchestra. New York: Boosey & Hawkes, [1956]. 12-Ac Score for two-piano, four- hand arrangement; 30 p. (2 copies in one volume).

c1929 by Cos Cob Press, Inc.; renewed 1956 by Aaron Copland.

Plt.: B.Two Pa. 67.

Note: Contains some holograph markings in pencil.

 13) Two pieces for violin and piano = Deux pièces pour violon et piano : 13-A) "Nocturne" ; 13-B) "Serenade" ; "Ukelele serenade" 5/13 Two pieces for violin and piano : A) "Nocturne"; B) "Serenade" (original title). 13 Ms. Score for violin and piano; 17 p.; 35.5 cm.

Note: Holograph in pencil.

On title page: First unrevised pencil copy.

At end: Paris April 1926.

 5/13.1 Two pieces for violin and piano : A) "Nocturne"; B) "Serenade". 13.1 Ms. Sketch (score) for violin and piano; 12 p.; 34.5 cm.

Note: Holograph in pencil.

At top of page 1: First sketches.

At bottom of page 8: Paris April 1926.

 5/13.2 Two pieces for violin and piano : A) "Nocturne"; B) "Ukelele serenade". 13.2 Ms. Score for violin and piano; 18 p.; 36 cm.

Note: Holograph in ink and pencil.

At end: Paris April.

 5/13.3 Two pieces for violin and piano : A) "Nocturne"; B) "Ukelele serenade". 13.3 Ms. (negative photostat). Score for violin and piano; 18 p.; 35.5 cm.

At end: Paris April 1926.

 5/13.4 A) "Nocturne" ; B) "Ukelele serenade". 13.4 Ms. Violin part; 4 p.; 35 cm.

Note: Holograph in ink.

 5/13.5 A) "Nocturne" ; B) "Serenade". 13.5 Ms. Violin part; 6 p.; 35 cm.

Note: Holograph in ink and pencil.

 5/13 misc [A) "Nocturne" ; B) "Ukelele serenade"]. 13 misc Mss. Miscellaneous pages from Nocturne and Ukelele Serenade; 2 leaves.

Includes ozalid copy of page 2 of Nocturne, and holograph leaf in ink and pencil of page 13 of Ukelele serenade.

 13-A) "Nocturne": from Two pieces for violin and piano 5/13-A "Nocturne". 13-A Ms. (photostat). Violin part; 2 leaves; 33 cm. 5/13-Aa "Nocturne". Mainz, Germany: B. Schott's Sohne, [1928]. 13-Aa Score for violin and piano, and violin part; 4 + 1 p.

c1928 by B. Schott's Sohne.

Plt.: 32086.

Ser. title: Edition Schott, No. 1914.

 5/13-Ab "Nocturne". Mainz, Germany: B. Schott's Sohne, [1928?]. 13-Ab Score for violin and piano, and violin part: 4 + 1 p.

c1928 by B. Schott's Sohne.

Plt.: 32086.

Ser. title: Edition Schott, 1914.

 5/13-Ac "Nocturne". London: Boosey & Hawkes, [1968]. 13-Ac Score for violin and piano, and violin part; 4 + 1 p.

c1928 by Schott's Sohne; renewed 1956; copyright assigned to Aaron Copland in 1968.

Plt.: B. & H. 19766.

 5/13-Ad "Nocturne". London: Boosey & Hawkes, [1978]. 13-Ad Piano score and clarinet part; 5 p. (pp. 15-19) + 2 p. (pp. 10-11).

c1928 by B. Schott's Sohne; renewed 1956; assigned to Aaron Copland 1968; arrangement for clarinet and piano copyright 1978 by Aaron Copland.

Plt.: B. & H. 20423.

Ser. ed.: Peter Wastall.

Ser. title: Exploring Music Series: Contemporary Music for Clarinet.

Arranged from the original for violin and piano.

This volume also includes music by Goldman, Holloway, Reizenstein, Soproni, Cole, and Schwertsik.

 13-B) "Serenade" ; "Ukelele serenade": from Two pieces for violin and piano 5/13-B "Ukelele serenade". 13-B Ms. (ozalid). Score for violin and piano; 12 leaves (pp. 7-18); 34 cm.

Note: This item is identical to pages 7-18 of photostat copy ARCO 13.3.

At end: Paris April 1926.

 5/13-B.1 "Serenade". 13-B.1 Ms. (ozalid and negative photostat). Violin part; 8 leaves; 32.5 cm. (2 copies). 5/13-Ba "Ukelele serenade". Mainz, Germany: B. Schott's Sohne, [1928]. 13-Ba Score violin and piano score, and violin part; 10 + 3 p.

c1928 by B. Schott's Sohne.

Plt.: 32087.

Ser. title: Edition Schott, No. 1915.

 5/13-Bb "Ukelele serenade". Mainz, Germany: B. Schott's Sohne, [1928?]. 13-Bb Score for violin and piano, and violin part: 10 + 3 p.

c1928 by B. Schott's Sohne.

Plt.: 32087.

Ser. title: Edition Schott, 1915.

 5/13-Bc "Ukelele serenade". London: Boosey & Hawkes, [1968]. 13-Bc Score for violin and piano, and violin part; 8 + 3 p.

c1928 by B. Schott's Sohne; renewed in 1956; copyright assigned to Aaron Copland in 1968.

Plt.: B. & H. 19765.

 14) Sentimental melody ; Five sentimental melodies [piano and chamber work] 5/14 Sentimental melody : for piano solo. 14 Ms. Piano score; 3 p.; 35 cm.

Note: Holograph in ink.

At end: July 28, 1926 Guethary -- B.P.

 5/14.1 Five sentimental melodies for piano and violin. 14.1 Ms. Sketches for piano and violin score; 3 p.; 34.5 cm.

Note: Holograph in pencil.

At end: July 28, 1926 Guethary -- B.P.

 5/14.2 Sentimental melody. 14.2 Ms. Piano solo; 1 leaf; 34.5 cm.

Note: Holograph in pencil.

At head: Hommage à Milhaud.

 5/14a Sentimental melody (slow dance). London: Schott & Co., Ltd., [ca. 1930]. 14a Piano solo; 2 p. (pp. 10-11).

c1929 by B. Schott's Sohne.

Plt.: 32272.

Ser. ed.: Helma Autenrieth-Schleusslner.

Ser. title: The New Piano Book, Volume III - (A Collection of Piano Pieces by Contemporary Composers) - Edition Schott 1402.

 15) Song ; Poet's song ; "In spite of everything which breathes and moves" [song] 5/15 Song (E. E. Cummings). 15 Ms. Score for voice and piano; 4 p.; 34 cm.

Note: Holograph in ink with holograph annotations in pencil.

English text. Words by E. E. Cummings.

At end: Konigstein Aug. 1927.

 5/15.1 Song (E. E. Cummings). 15.1 Ms. Sketch for voice and piano score; 1 leaf; 35 cm.

Note: Holograph in pencil.

English text.

 5/15.2 "In spite of everything which breathes and moves" song for voice and piano. 15.2 Ms. Score for voice and piano; 2 p.; 23 x 30.5 cm.

Note: Copyist's manuscript in ink.

English text. Words by E. E. Cummings.

Laid in: Typescript of lyrics to "Song".

 5/15a Song (E. E. Cummings). New York: Cos Cob Press, Inc., [1935]. 15a Score for voice and piano; 3 p. (pp. 20-22).

c1935 by Cos Cob Press, Inc.

Plt.: Song-3.

Ser. title: Cos Cob Song Volume (Ten Songs by American Composers).

English text.

 5/15b Poet's song / words by E. E. Cummings. [London]: Boosey & Hawkes, [1962]. 15b Score for high voice and piano; 4 p.

c1935 by Cos Cob Press, Inc.; renewed in 1962 and assigned to Aaron Copland.

Plt.: B. & H. 19454.

English text.

At end: Konigstein Aug. 1927.

 5/15c Song (E. E. Cummings). New York: Boosey & Hawkes, [1964]. 15c Score for voice and piano; 3 p. (pp. 19-21).

c1935 by Cos Cob Press, Inc.; renewed in 1962 (by Boosey & Hawkes) and assigned to Aaron Copland.

Plt.: BH. BK. 598.

Ser. title: Cos Cob Song Volume.

At end: Konigstein Aug. 1927.

 16) Two pieces for string orchestra (Hommage à Fauré) : I) "Lento Molto" ; II) "Rondino" [chamber work] 51/16 Two pieces for string orchestra : I) "Lento molto" ; II) "Rondino" (incomplete; one page of "Rondino" only). 16 Ms. Score for string orchestra; [9] p.; 42 cm.

Note: Holograph in ink and pencil.

At end: New York, April 1928.

On microfilm: MUSIC 1906, Item 94.

 51/16a Two pieces for string orchestra. New York: Arrow Music Press, Inc., [1940]. 16a Score for string orchestra; 13 p. (3 copies).

c1940 by Arrow Music Press.

Plt.: E-3.

Note: Copies 1 and 2 have holograph annotations in pencil throughout for string quartet version.

Duration: 11 min.

Note: published by Arrow Music Press, Inc. (incorporating the Cos Cob Press), [1940].

 16-A) Two pieces for string quartet (Hommage à Fauré) : I) "Lento Molto" ; II) "Rondino" [chamber work] 51/16-A Two pieces for string quartet : A) Lento molto; B) Rondino. 16-A Ms. Score for string quartet; 14 p.; 36 cm.

Note: Holograph in ink with holograph markings in pencil.

At end of "Rondino" in ink and scratched out in red pencil: Paris, Spring of 1923.

On microfilm: MUSIC 1906, Item 95.

 51/16-Aa Two pieces for string quartet. New York: Arrow Music Press, Inc., [1948]. 16-Aa Score for string quartet (miniature); 13 p.

c1940.

Plt.: E-3.

Duration: 11 min.

Note: published by Arrow Music Press, Inc. (incorporating the Cos Cob Press), [1948].

 16-B) "I) Lento molto" (slow movement for string quartet): from Two pieces for string quartet 51/16-B I) "Lento molto". 16-B Ms. Score for string quartet; 6 p.; 34.5 cm.

Note: Holograph in ink and pencil.

At head: To Roy Harris.

At end: April 1928.

Stamped N.B.

 51/16-B.1 "Slow movement for string quartet". 16-B.1 Ms. Sketches for string quartet; 7 + 4 p.; 45 cm.

Note: Holograph in ink and pencil.

On microfilm: MUSIC 1906, Item 94.

 16-C) "II) Rondino": from Two pieces for string quartet 51/16-C II) "Rondino" sur le nom du Gabriel Fauré / pour quatuor a cordes : from Two pieces for string quartet. 16-C Ms. Score for string quartet; 8 p.; 36 cm.

Note: Holograph in ink.

At end: April 1923.

Stamped N.B.

On microfilm: MUSIC 1906, Item 95.

 51/16-C.1 II) "Rondino sur le nom du Fauré". 16-C.1 Ms. Score for string quartet; 10 p.; 35 cm.

Note: Holograph in pencil.

At end: Apr. 1923.

 51/16-C.2 "Rondino". 16-C.2 Mss. String parts; 35 cm.

Note: Holographs in ink.

 51/16-C.3 "Hommage á Fauré" : A) Prelude / No. IX from "Preludeo pour piano, Op. 103", by Gabriel Fauré; arranged for string quartet by A.C. 16-C.3 Mss. Full score (for string quartet), and Violin I and Violin II parts; 3 + 1 + 1 p.; 33-34.5 cm.

Note: Holograph manuscripts in ink.

This work is the original companion piece to "Rondino".

 17) Vocalize (Improvisation) [voice & piano] 51/17 Improvisation (<emph render="underline">Vocalise</emph> pour voix et piano). 17 Ms. Score for voice and piano; 5 p.; 34.5 cm.

Note: Holograph in ink.

At end: Peterboro, N.H. Aug. 1928.

On microfilm: MUSIC 1906, Item 96.

 51/17.1 Vocalize (Improvisation). 17.1 Ms. Score for voice and piano; 1 leaf; 40 cm.

Note: Holograph in pencil.

 51/17.2 Vocalize. 17.2 Ms. Sketch for voice and piano; 2 leaves; 32-35 cm.

Note: Holograph in ink and pencil.

 51/17a Vocalise (Vocalize). [New York]: Boosey & Hawkes, [1957]. 17a Score for high voice and piano; 6 p. (2 copies).

c1929 by Alphonse Leduc; renewed in 1956 by Aaron Copland; assigned to Boosey & Hawkes in 1957.

Plt.: 17,474.

Note: Copy 1 has holograph markings in pencil throughout.

 17-A) Vocalize [flute & piano] 51/17-A Vocalize : for flute solo with piano accompaniment. 17-A Ms. Flute part; 2 p.; 34 cm. Ms. Flute part edited by Doriot Anthony Dwyer.

Note: Manuscript by David Walker in pencil with score markings and notes in ink by Doriot Anthony Dwyer.

Originally scored for voice and piano.

 51/17-A.1 Vocalize : for flute and piano. 17-A.1 Ms. (ozalid). Score for flute and piano; 5 p.; 35 cm. (bound).

At head: Flute part edited by Doriot Anthony Dwyer.

 51/17-A.2 Vocalize : for flute and piano. [New York]: Boosey & Hawkes, [1957]. 17-A.2 Score for flute (high voice) and piano; 6 p.

c1929 by Alphonse Leduc; renewed in 1956 by Aaron Copland; assigned to Boosey & Hawkes in 1957; [version for flute and piano copyright 1974 by Aaron Copland].

Plt.: 17,474.

Note: Holograph revisions in pencil.

Although originally scored for high voice and piano, this published score, the same imprint as ARCO 17a, was adapted for flute and piano by the composer, as suggested by Doriot Anthony Dwyer.

 51/17-Aa Vocalise for flute and piano. London: Boosey & Hawkes, [1974]. 17-Aa Score for flute and piano with flute part; 4 + 2 p.

c1929 by Alphonse Leduc; renewed and assigned to Aaron Copland in 1956; flute and piano arrangement copyright by Aaron Copland in 1974.

Plt.: B. & H. 20144.

 17-B) Vocalise [oboe & piano] 51/17-Ba Vocalise. London: Boosey & Hawkes, [1978]. 17-Ba Score for oboe and piano with oboe part; 2 p. (pp. 2-3) + 4 p. (pp. 2-5).

c1929 by Alphonse Leduc; renewed and assigned to Aaron Copland in 1956; arrangement for oboe and piano copyright 1974 by composer.

Plt.: B. & H. 20500.

Ser. ed.: Peter Wastall.

Ser. title: Exploring Music Series (Contemporary Music for Oboe).

At head: The revision for oboe and piano was prepared in 1978 especially for inclusion in this volume.

 18) First symphony 52/18 First symphony : for large orchestra. 18 Ms. Full score; 95 p.; 45 cm.

Note: Holograph in ink.

On [3] p. N.B. - This work was originally written as a Symphony for Organ and Orchestra(1924). This present version for orchestra alone was made in 1928.

On [2] p.: Dedicated to Nadia Boulanger with admiration - A.C.

CONTENTS:

I) Prelude II) Scherzo III) Finale

On microfilm: MUSIC 1906, Item 61.

 52/18.1 First symphony. 18.1 Ms. Full score (early draft); 49 p.; 45 cm.

Note: Holograph in ink and pencil.

At head of Scherzo: Arranged from the Symphony for Organ and Orchestra(1924).

CONTENTS:

I) Prelude II) Scherzo III) Finale

On microfilm: MUSIC 1906, Item 61 B.

 52/18a First symphony : for large orchestra. Austria: Cos Cob Press, [1931]. 18a Full score; 80 p. (4 copies, Copy 4 bound).

c1931 by Cos Cob Press.

Note: Copies 1 and 2 contain holograph markings in pencil throughout.

On cover: This copy contains pencil indications for performances with reduced [parts?] requirements.

On [3] p.: Dedicated to Nadia Boulanger with admiration - A.C. N.B. - This work was originally as a "Symphony for organ and orchestra" (1924). This present version for orchestra alone was made in 1928.

 6/18b First symphony : for large orchestra. New York: Cos Cob Press, [1931]. 18b Full score (miniature); 80 p.

Note: Holograph markings in ink and pencil.

On verso of dedication page: "Indication for small orchestra version

Note: reissued under the auspices of Arrow Music Press, [1931].

 18-A) "Prelude": from First symphony [chamber orchestra] 6/18-A "Prelude" : from First symphony. 18-A Ms. (ozalid). Full score; 14 p.; 35 cm. (bound).

Note: Copyist's manuscript with holograph and other markings in ink; arranged for chamber orchestra by the composer.

Duration: 6 min.

 6/18-A.1 "Prelude" : from First symphony. 18-A.1 Mss. Instrumental parts (incomplete); 9 leaves; 33 cm.

Note: Holographs in ink and pencil.

 6/18-A.2 "Prelude" : [from First symphony]. 18-A.2 Ms. (photocopy). Short score sketch (incomplete); [5] leaves; 36.5 cm.

Note: Copy of manuscript in the hand of Julia Smith.

Stamped in red: U of NT [University of North Texas] Music Library.

 6/18-A.3 "Prelude" : for trio (violin, cello, piano) / arranged from 1st movement of Symphony for Organ and Orchestra by the composer. 18-A.3 Ms. (photocopy). Full score; 7 p.; 35 cm. 6/18-Aa "Prelude" : from First symphony. London: Boosey & Hawkes, [1968]. 18-Aa Full score for chamber orchestra; 12 p. (2 copies).

c1931 by Cos Cob Press, Inc.; renewed 1958 and assigned to Aaron Copland; version for chamber orchestra copyright 1968 by Aaron Copland.

Plt.: B. & H. 19395.

Ser. title: Music for Orchestra.

Note: Arranged for chamber orchestra by the composer.

 6/18-Aaa "Prelude" : from First symphony. London: Boosey & Hawkes, [1968]. 18-Aaa Parts for chamber orchestra; 31 cm. (2 sets).

c1931 by Cos Cob Press, Inc.; renewed 1958 and assigned to Aaron Copland; version for chamber orchestra copyright 1968 by Copland.

Plt.: B. & H. 19395.

Ser. title: Music for Orchestra.

Note: Arranged for chamber orchestra by the composer.

 19) Symphonic ode [orchestra] 53/19 Symphonic ode : for large orchestra. 19 Ms. Full score (draft); 44 + 6 p.; 45 cm.

Note: Holograph in pencil.

This work was composed in 1929 for the Boston Symphony Orchestra's 50th anniversary season; it was withdrawn in its original form and revised in 1955 on the occasion of this Orchestra's 75th anniversary season.

On microfilm: MUSIC 1906, Item 59.

 53/19.1 Symphonic ode. 19.1 Ms. Condensed score; 33 p.; 45 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 59.

 53/19.2 Symphonic ode. 19.2 Ms. Full score; 35 p. (incomplete); 45 cm.

Note: Holograph in ink with holograph markings in pencil.

On title page: Orchestral pages of original barring revised 1929 for easier performance.

See also ARCO 19.6 and 19.7.

 53/19.3 Symphonic ode. 19.3 Ms. Condensed score sketches; [56] p.; 35-45 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 60.

 53/19.4 Symphonic ode. 19.4 Ms. Condensed score sketches (2nd version); 50 p.; 34-40 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 60.

 54/19.5 Symphonic ode. 19.5 Ms. Full score; 86 p.; 45 cm. (bound).

Note: Holograph in ink.

On [3] p: To the Boston Symphony Orchestra, Serge Koussevitsky, conductor, on the occasion of its Fiftieth Anniversary.

On [6] p: Markings in blue pencil are those of Serge Koussevitsky, first conductor of this work - A.C.

On microfilm: MUSIC 1906, Item 59.

 54/19.6 Symphonic ode. 19.6 Ms. (photocopy). Full score; 86 leaves (pages missing); 38.5 cm.

Note: This is a copy of pages of ARCO 19.2 and 19.5 with holograph annotations in regular and color pencil.

 54/19.7 Symphonic ode. 19.7 Ms. (negative photostat). Full score; 86 leaves; 35 cm.

Note: This is a copy of pages of ARCO 19.2 and 19.5 with holograph annotations in regular and color pencil

 54/19.8 Symphonic ode. 19.8 Mss. Orchestral parts; 33.5 cm.

Note: Holographs in ink and ozalids with markings in pencil.

Box 19 contains string parts: violin 2 through bass.

 20) Vitebsk (Study on a Jewish melody) : trio for piano, violin, and violoncello [chamber work] 55/20 Vitebsk (Study on a Jewish melody). 20 Ms. (photocopy). Score for violin, cello, and piano; 22 p.; 38.5 cm.

Note: Copy of manuscript with holograph markings in ink and pencil throughout; includes holograph pages in ink and pencil.

At end: New York Feb. 1920.

On microfilm: MUSIC 1906, Item 70.

 55/20.1 Vitebsk (Study on a Jewish melody). 20.1 Ms. Rough sketch and draft score for piano, violin, and cello; 26, 20 p.; 40 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 70.

 55/20a Vitebsk : study on a Jewish theme. New York: Cos Cob Press, Inc., [1934]. 20a Score for violin, cello, and piano; 18 p.

c1934 by Cos Cob Press.

Note: Contains holograph markings in ink and pencil.

Laid in: Typescript of "Corrections in VITEBSK".

 55/20b Vitebsk. New York: Cos Cob Press, Inc., [1934]. 20b Score for piano, violin, and violoncello -- parts for violin and violoncello laid in; 18 + 5 + 5 p. (3 copies).

c1934 by Cos Cob Press.

Note: reissued under the auspices of Arrow Music Press, Inc., [1934]

 21) Piano variations [piano work] 55/21 Piano variations. 21 Ms. Piano solo; 17 p.; 34.5 cm.

Note: Holograph in ink with holograph markings in pencil.

At end: Bedford Yaddo, New York.

On microfilm: MUSIC 1906, Item 68.

 55/21.1 Piano variations. 21.1 Ms. (photocopy). Piano solo; 17 leaves; 37 cm.

Note: Copy of manuscript ARCO 21.

At end: Bedford Yaddo, New York.

Marked N.B.

 55/21.2 Piano variations. 21.2 Ms. (photostat). Piano solo; 17 leaves; 34 cm.

Note: Copy of manuscript ARCO 21, with holograph markings in pencil.

At end: Bedford Yaddo, New York.

 55/21.3 Piano variations. 21.3 Ms. Rough sketch and piano sketch; 63 p.; various sizes.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 68.

 55/21a Piano variations. Austria: Cos Cob Press, Inc., [1932]. 21a Piano solo; 16 p.

c1932 by Cos Cob Press.

Plt.: C.C.P.7.

Note: Holograph orchestral indications in pencil throughout.

 22) Miracle at Verdun [incidental music] 55/22 Miracle at Verdun. 22 Ms. Orchestral sketches; 27 p.; 33.5-40 cm.

Note: Holograph in pencil and ink.

At head: Sketch for incidental music for play Miracle at Verdun.

On microfilm: MUSIC 1906, Item 85.

 23) Elegies [chamber work] 55/23 Elegies : for violin and viola. 23 Ms. Score for violin and viola; 8 p.; 24 x 33 cm.

Note: Holograph in ink and pencil.

At head: Part 1 arranged for string orchestra and used in "Statements" (mvt. 4 - "Subjective").

 55/23.1 "Elegy." 23.1 Ms. Sketch for violin and viola score; 6 p.; 38 cm.

Note: Holograph in ink and pencil.

This piece was withdrawn by the composer and later used as "Subjective", the fourth movement of "Statements for orchestra."

 24) Short symphony (Second symphony) [orchestra] 56/24 Short symphony. 24 Ms. Full score; 74 p.; 42 cm.

Note: Holograph in ink and pencil.

On microfilm: MUSIC 1906, Item 62.

 56/24.1 Short symphony. 24.1 Ms. Full score; 66 p.; 42 cm. (bound).

Note: Holograph in ink and pencil.

Gift of Mrs. Ana Chavez (daughter of Carlos Chavez) on September 30, 1993.

 56/24.2 Short symphony : partita. 24.2 Ms. Rough sketches; 100 p.; 38-40 cm.

Note: Holograph in pencil and ink with holograph markings in red and blue pencil.

On microfilm: MUSIC 1906, Item 63.

 56/24.3 Short symphony. 24.3 Ms. Piano sketch; 43 p.; 38 cm.

Note: Holograph in pencil and ink with holograph markings in red and blue pencil.

On title page: First completed pencil version.

On microfilm: MUSIC 1906, Item 63.

 56/24.4 Short symphony. 24.4 Ms. Rough orchestral score; 98 p.; 40-44.5 cm.

Note: Holograph in ink and pencil.

On microfilm: MUSIC 1906, Item 63.

 56/24.5 Short symphony. 24.5 Ms. Short score (piano sketch); 32 p.; 33-34.5 cm.

Note: Holograph in ink and pencil, with holograph markings in colored pencil..

At end: April 17, 1933.

This item also includes photocopies of pages 5-32 of the manuscript score, with holograph markings in colored pencil.

 56/24.6 Short symphony. 24.6 Ms. Full score; 91 leaves; 38 cm.

Note: Holograph in ink on transparent paper.

 56/24.7 Short symphony (No. 2). 24.7 Ms. Full score; 91 p.; 38 cm. (spiral bound).

Note: Copy of manuscript score ARCO 24.6, with holograph revisions in ink and pencil.

At end in pencil: Addition to end suggested by L Bernstein.

 56/24a Short symphony (No. 2). London: Boosey & Hawkes, [1955]. 24a Full score; 67 p.

c1955 by Boosey & Hawkes.

Plt.: B. & H. 17629.

Note: Holograph markings in pencil throughout.

Duration: 15 min.

 56/24b Short symphony (No. 2). London: Boosey & Hawkes, [1955]. 24b Full score (miniature); 67 p.

c1955 by Boosey & Hawkes.

Plt.: B. & H. 17629.

Ser. title: Hawkes Pocket Scores, No. 686.

Duration: 15 min.

 25) Statements for orchestra 57/25 Statements for orchestra. 25 Ms. Full score (rough draft); 50 p.; 38-45 cm.

Note: Holograph in pencil.

At end: June 28, '34.

Elegies is the origin of part IV of Statements, "Subjective".

 57/25.1 Statements for orchestra. 25.1 Ms. Short score (piano sketch); 25 p.; 34.5 cm.

Note: Holograph in ink.

At end: Jan. 1934.

 57/25.2 From Statements for orchestra. 25.2 Ms. Full score of parts II, IV, and VI; [11] p.; 38 cm.

Note: Holograph in ink.

CONTENTS:

II) "Cryptic" IV) "Subjective" VI) "Prophetic" 57/25.3 Statements. 25.3 Ms. Full score; 50 p.; 42 cm.

Note: Holograph in ink with markings in pencil.

Duration: 18.5 min.

At end: Friends' Lake, Bemidji, New York.

{Filed with Koussevitsky Collection - ML 30.3c3.C6 Case}

 57/25.4 [Statements]. 25.4 Ms. (photostat). Full score (reduced from actual size); 50 leaves; 28 cm.

Note: Copy of manuscript score ARCO 25.3; without title page.

At end: Friends' Lake Bamidji New York, 42:25.

 57/25 misc Statements for orchestra. 25 misc Mss. Miscellaneous pages from scores; unnumbered; various sizes.

Note: Holographs in pencil.

 57/25a Statements. New York: Boosey & Hawkes, [1947]. 25a Full score; 49 p. (bound).

c1947 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9128.

Note: Holograph markings in pencil throughout.

Duration: 18.5 min.

 57/25b Statements. London: Boosey & Hawkes, [1947]. 25b Full score (miniature); 49 p.

c1947 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9128.

Ser. title: Hawkes Pocket Scores, No. 685.

Duration: 18.5 min.

 57/25c Statements. London: Boosey & Hawkes, [1947]. 25c Full score; 49 p.

c1947 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9128.

Note: Holograph markings in pencil throughout.

Duration: 18.5 min.

 26) Hear ye! Hear ye! [ballet] 58/26 Hear ye! Hear ye! : ballet in one act. 26 Ms. Conductor score, in 2 volumes; 228 p.; 41 cm.

Note: Holograph in ink.

Laid in: Seven page typescript outline of ballet.

At end: Sept - Nov. 1934.

On microfilm: MUSIC 1906, Item 77.

 58/26.1 Hear ye! Hear ye! : ballet in one act. 26.1 Ms. (photocopy). Full score; [113] p.; 25 x 38.5 cm. (bound).

Note: Copy of 2 volume manuscript score ARCO 26.

At end: Sept.- Nov. 1934.

 58/26.2 Hear ye! Hear ye! 26.2 Ms. Sketches (rough piano version); various paginations; 34 cm.

Note: Holographs in pencil.

 59/26.3 Hear ye! Hear ye! : ballet in one act / small orchestra score / arranged from the original score for large orchestra (1935). 26.3 Ms. Full score; various paginations; 45 cm.

Note: Holograph in ink.

Laid in: Seven page typescript outline of ballet; same as in ARCO 26 but enlarged.

 59/26.4 Hear ye! Hear ye! : "Girls dance" (as seen by the Negro waiter). 26.4 Ms. (photocopy). Short piano score; 11 leaves; 35 cm. 59/26.5 Hear ye! Hear ye! : "Dove dance". 26.5 Ms. (photocopy). Short piano score; 4 leaves; 35 cm. 59/26.6 Hear ye! Hear ye! : three cabaret numbers from the ballet. 26.6 Ms. Full score (unfinished); [16] p.; 46 cm.

Note: Holograph in ink.

 59/26.7 Hear ye! Hear ye! 26.7 Ms. (photocopy). Score for two pianos; 77 leaves; 35.5 cm.

At end: Sept.-Oct., 19]34?]; arranged for 2 pianos Nov. 4-11, [1935].

 98/26.8 Hear ye! Hear ye! 26.8 Ms. Orchestral parts.

Note: Holographs in ink and pencil.

 9-12/26.9 Hear ye! Hear ye! 26.9 Mss. Orchestral parts.

Note: Holographs and copyist's manuscripts in ink and pencil; orchestrated for the Chicago Grand Opera Company (1934-35).

 27) What do we plant? [chorus] 12/27 What do we plant? : two-part chorus for junior high school. 27 Ms. Score for soprano and alto voices, and piano; 6 p.; 33.5-35.5 cm.

Note: Holograph in pencil.

English text.

Affixed to title page verso: Typescript of the poem 'What Do We Plant?' by Henry Abbey (1842-1911).

At end: Dec. 24, 1935.

On microfilm: MUSIC 1906, Item 97.

 12/27.1 What do we plant? 27.1 Ms. Score for soprano and alto voices, and piano; 8 p.; 34 cm.

Note: Holograph in ink (pp. [1] and 8) and negative photostat (pp. 2-7, 6 leaves) with holograph markings throughout in black and blue pencil.

On title page in upper left corner in ink: Henry Abbey (1842-1911).

At head in pencil: (Mms. first & last pp; the rest is photostat of orig. mms).

At bottom in ink and pencil: Oct 1639 - Copyright 1941 by Boosey Co. Ltd. - international Copyright Secured.

 12/27.2 What do we plant? 27.2 Ms. Sketch for soprano and alto voices and piano (incomplete); 2 p.; 27 x 35 cm.

Note: Holograph in pencil.

On title page upper left corner: Henry Abbey.

 12/27a What do we plant? : two-part SA / words by Henry Abbey (8942-1911) / music by Aaron Copland. New York: Boosey Hawkes Belwin, Inc., [1941]. 27a Piano-vocal score; 8 p. (2 copies).

c1941 by Boosey & Co., Ltd.

Plt: Oct. No. 1639-7.

Ser. title: Boosey Series of Choral Music, Oct. 1639.

 12/27b What do we plant? : two-part SA [New York]: Boosey & Hawkes, Inc., [19--?]. 27b Piano-vocal score; 8 p.

c1941 by Boosey & Co., Ltd.

Plt: Oct. No. 1639-7.

Note: No publication date given for this reissue.

Words by Henry Abbey (1842-1911)

 28) El salón México [orchestra] 99/28 El salón México. 28 Ms. Full score; 56 p.; 46 cm.

Note: Holograph in ink and pencil.

On [1] p.: To Victor Kraft.

On microfilm: MUSIC 1906, Item 47.

 99/28.1 El salón México. 28.1 Ms. Full score (draft); 58 p.; 38 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 47.

 99/28.2 El salón México. 28.2 Ms. Two folders of rough sketches in one clamshell box; 26 + 28 p.; various sizes.

Note: Holographs in pencil.

On microfilm: MUSIC 1906, Item 47.

 99/28.3 El salón México. 28.3 Ms. Rough orchestral score; 4 p.; 42 cm.

Note: Holograph in pencil.

At head: Begun Aug. 9, 34.

 99/28.4 "Beyond the Rio Grand". 28.4 Ms. Full score (incomplete); [4] p.; 45.5 cm.

Note: Holograph in ink.

The thematic material used in Beyond the Rio Grand is based, in part, on popular Mexican melodies.

 13/28a El salón México : popular type dance hall in Mexico City. London: Hawkes & Son, [1939]. 28a Full score; 44 p. (2 copies, Copy 1 bound).

c1939 in U.S.A. by Hawkes & Son (London).

Plt.: H.15038.

Note: Copy 1 has holograph markings in pencil throughout; Copy 2 marked but not as heavily.

On title page and first page of score: To Victor Kraft.

Duration: 10 min.

 13/28b El salón México : popular type dance hall in Mexico City. London: Boosey & Hawkes, [1939]. 28b Full score; 44 p.

c1939 by Aaron Copland.

Plt.: H. 15038.

Note: Holograph markings in pencil throughout.

Duration: 10 min.

 28-A) El salón México [piano solo] 99/28-A El salón México : Mexican Dance Hall. 28-A Ms. Sketch for piano solo; 21 p.; 33.5 cm.

Note: Holograph in ink and pencil.

At end: July 1934.

On microfilm: MUSIC 1906, Item 47.

 99/28-A.1 [El salón México]. 28-A.1 Ms. (negative photostat). Piano solo; 28 p.; 29 cm.

Note: Missing page 1.

 13/28-A.2 El salón México. 28-A.2 Ms. (photocopy). Piano solo; 17 leaves; 34.5 cm.

Note: Photocopy of manuscript by Leonard Bernstein.

On title page: To Helen - my first published manuscript; even if only half-mine - with love, Lenny.

c1941 by Hawkes & Son (London) Ltd.

 13/28-Aa El salón México. New York: Boosey & Hawkes, [1941]. 28-Aa Piano solo; 15 p.

c1941 by Hawkes & Son (London).

Plt.: Pa. 24-14.

 28-B) El salón México [two pianos] 99/28-B El salón México : arranged for two pianos by Leonard Bernstein. 28-B Ms. Score for two pianos; 30 p.; 31.5 cm.

Note: Manuscript in ink possibly by Leonard Bernstein.

 13/28-Ba El salón México : for two pianos. [New York]: Boosey & Hawkes, [1943]. 28-Ba Score for two pianos; 30 p. (2 parts in one folder).

c1943 by Hawkes & Son (London).

Plt.: Two Pa. 32-28.

Ser. title: Boosey & Hawkes Two Piano Series, B. Two Pa. No. 32.

 28-C) "Fantacia Mejicana" (Mexican fantasy): from El salón México 99/28-C "Fantacia Mejicana" (Mexican fantasy) / adapted for piano and orchestra by Johnny Green from "El salón México". 28-C Ms. (photocopy). Full score; 44 leaves; 47.5 cm. (spiral bound).

Note: Manuscript by Johnny Green.

On [2] p.: Dedication to Aaron Copland by J. Green dated Apr. 16, 1946.

Laid in: 2 letters from Johnny Green to Copland dated April 16 and April 20, 1946.

 99/28-C.1 "Fantacia Mejicana" (Mexican fantasy) / for piano and orchestra adapted by Johnny Green from "El salón México". 28-C.1 Ms. (ozalid). Piano-conductor score; 17 p.; 33.5 cm.

Note: Copyist's manuscript.

 99/28-C.2 "Fantacia Mejicana" : for solo piano. 28-C.2 Ms. (ozalid). Piano solo; 12 p.; 33 cm. (2 copies). 13/28-Ca "Fantasia Mexicana" / adapted and orchestrated by Johnny Green for the M-G-M picture FIESTA. London: Boosey & Hawkes, [1952]. 28-Ca Piano-conductor score; 4 p.

c1952 by Hawkes & Son, Ltd.

Plt.: B. & H. 17910.

 13/28-Cb "Fantasia Mexicana" (Mexican fantasy) / da "El salón México" di Aaron Copland; adattamento di Johnny Green per il film M.G.M 'LA MATADORA'. Milano: Edizioni Suvini Zerboni, [1952]. 28-Cb Piano reduction; 5 p.

c1952 by S.A. Edizioni Suvini Zerboni.

Plt.: S. 4874Z.

 28-D) El salón México [concert band] 99/28-D El salón México. 28-D Ms. (photocopy) Full score; [59] p. (30 leaves); 35.5 cm.

c1939 by Hawkes & Son (London).

At end: Mark H. Hindsley, 5-11-66, Chapala, Jalisco, Mexico.

Laid in: Typescript of "Suggested revisions on band arrangement of El Salón México by Mark Hindsley", initialed A.C.

 13/28-Da El salón México. [New York]: Boosey & Hawkes, [1972]. 28-Da Full score; 56 p. (2 copies).

c1939 by Aaron Copland; renewed 1966; concert band arrangement copyright 1972 by Aaron Copland.

Plt.: Q.M.B. 380.

Ser. title: Symphonic Band Series.

Note: Holograph markings in pencil throughout Copy 1. Transcribed for concert band by Mark H. Hindsley.

 29) Two children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers" [piano works] 14/29 Two children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers". 29 Ms. Piano solo; 5 p. (on 2 leaves); 34 cm.

Note: Holograph in ink and pencil.

At end on page 5: Peterborough, Aug. 1935.

On microfilm: MUSIC 1906, Item 73.

 14/29.1 Two children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers". 29.1 Ms. Sketches for piano solo; 6 p. (on 2 leaves); 35.5 + 27 x 35 cm.

Note: Holographs in pencil.

On microfilm: MUSIC 1906, Item 73.

 14/29a A) "Sunday afternoon music" ; B) "The young pioneers". New York: Carl Fischer, [1963]. 29a Piano solo; 2 p. (pp. 34-35) + 3 p. (pp. 39-41).

c1936 by Carl Fischer.

Plt.: N4102.

Ser. ed.: Lazare Saminsky and Isadore Freed.

Ser. title: Masters of Our Day: 18 Solos in the Contemporary Idiom for the Young Pianist, 04361.

At end: Peterborough, N.H. August 1935.

 29-A) "Sunday afternoon music": from Two children's pieces [piano solo] 14/29-Aa "Sunday afternoon music". New York: Carl Fischer, [1936]. 29-Aa Piano solo; 2 p.

c1936 by Carl Fischer.

Plt.: 27341-2.

Ser. ed.: Lazare Saminsky and Isadore Freed.

Ser. title: Masters of Our Day - Educational Series, P 2113.

Note: Holograph marginalia in pencil.

At end: Peterborough, N.H., August 1935.

 14/29-Ab "Sunday afternoon music". New York: Carl Fischer, [1936]. 29-Ab Piano solo; 2 p.

c1936 by Carl Fischer.

Plt.: 27341-2.

Ser. ed.: Lazare Saminsky and Isadore Freed.

Ser. title: Masters of Our Day - Educational Series, P 2113.

At end: Peterborough, N.H., August 1935.

 29-B) "The young pioneers": from Two children's pieces [piano solo] 14/29-Ba "The young pioneers". New York: Carl Fischer, [1936]. 29-Ba Piano solo; 3 p.

c1936 by Carl Fischer.

Plt.: 27348-3.

Ser. ed.: Lazare Saminsky and Isadore Freed.

Ser. title: Masters of Our Day - Educational Series, P 2120.

At end: Peterborough, N.H. August 1935.

 14/29-Bb "The young pioneers". New York: Carl Fischer, [1936]. 29-Bb Piano solo; 3 p.

c1936 by Carl Fischer.

Plt.: 27348-3.

Ser. ed.: Lazare Saminsky and Isadore Freed.

Ser. title: Masters of Our Day - Educational Series, P 2120.

 14/29-Bc "The young pioneers". New York: Carl Fischer, [1936]. 29-Bc Piano solo; 3 p.

c1936 by Carl Fischer.

Plt.: 27348-3.

 30) The second hurricane [play/opera] 60/30 [The second hurricane]. 30 Ms. Full score; 282 p.; 34-38 cm.

Note: Holograph in ink with markings in pencil, without title or date.

Composed for performance by boys and girls ranging in age from eight to eighteen. Performed for the first time at the Henry Street Music School in New York, April 21, 1937. (cf. Slonimsky, N.: Music Since 1900).

On microfilm: MUSIC 1906, Item 49.

 60/30.1 The second hurricane : a play-opera for high school performance / libretto by Edwin Denby. 30.1 Ms. Piano-vocal score; [129] p.; 38 cm.

Note: Holograph in ink on transparent paper.

Laid in: Libretto in typescript and holograph production notes.

On microfilm: MUSIC 1906, Item 50.

 61/30.2 "No. 1 - Choral overture". 30.2 Ms. Choral score with orchestral indications; 12 leaves; 37 cm.

Note: Holograph in ink on transparent paper.

 61/30.3 [The second hurricane] : excerpts from the opera. 30.3 Ms. (ozalid). Piano-vocal score (incomplete); various paginations; 38.5-40.5 cm.

Laid in: untitled copy of manuscript with markings in ink.

 61/30.4 [The second hurricane]. 30.4 Ms. Sketches; 133 p.; various sizes.

Note: Holographs in pencil.

On microfilm: MUSIC 1906, Item 48.

 61/30 misc [The second hurricane]. 30 misc Mss. Miscellaneous pages from the opera; unpaged; various sizes.

Note: Holographs in ink with markings in pencil.

 14/30a The second hurricane : a play opera in two acts / libretto by Edwin Denby. Boston: C. C. Birchard & Co., [1939]. 30a Full score; 216 p.

c1939 by C.C. Birchard & Co.

 14/30-A "2d hurricane" : [Gyp's song]. 30-A Ms. Solo vocal part; 1 leaf; 17.5 x 20 cm.

Note: Manuscript in ink, hand unknown.

 14/30-Aa The second hurricane : a play-opera for high school performance / libretto by Edwin Denby. Boston: C. C. Birchard & Co., [1938]. 30-Aa Vocal score with piano accompaniment; X, 112 p.

c1938 by C.C. Birchard & Co.

Note: Contains holograph markings in pencil.

On page IV: From the original program world premiere; April 21, 22, 24, 1937.

 14/30-Ab The second hurricane : a play opera for high school performance / libretto by Edwin Denby. New York: Boosey & Hawkes, [1957]. 30-Ab Vocal score with piano accompaniment; [8], 112 p.

c1938 by C.C. Birchard & Co.; assigned to Boosey & Hawkes in 1957.

Plt.: B.H.Bk. 396.

Note: Contains holograph markings in pencil.

 14/30-Ba "That's the idea of freedom" / words by Edwin Denby. Boston: C. C. Birchard & Co., [ca. 1938]. 30-Ba Vocal score (SATB) with piano accompaniment; 8 p. (3 copies).

c1938 by C.C. Birchard & Co.

Plt.: 2034.

Ser. ed.: Gardner Read.

Ser. title: Birchard-Boston University Contemporary Music Series, No. 751.

Note: Copy 1 contains holograph markings in pencil.

This piece is from No. 10, "The Finale" of The second hurricane; Copy 2 and 3 are reissues.

 31) Music for radio (Prairie journal) ; Saga of the prairie [orchestra] 62/31 Music for radio : commissioned by the Columbia Broadcasting System. 31 Ms. Full score; 84 leaves; 38 cm.

Note: Holograph in ink on transparent paper.

At end: May-July 1937; New York, Hollywood, Mexico.

Music for radio (also called "Saga of the prairie") was actually commissioned in 1936 by CBS (Columbia Broadcasting System).

On microfilm: MUSIC 1906, Item 31 A.

 62/31.1 [Music for radio : commissioned by the Columbia Broadcasting System]. 31.1 Ms. (ozalid). Full score; 84 p.; 38.5 cm.

Note: Copy of manuscript ARCO 31, with holograph markings in pencil and ink throughout.

 62/31.2 Music for radio. 31.2 Ms. Piano sketch; 24 p.; 33.5 cm.

Note: Holograph in ink with markings in pencil.

On title page: Piano sketch (for study only).

Included with this item is an incomplete photostat copy of the piano sketch with holograph markings in pencil.

On microfilm: MUSIC 1906, Item 31 A.

 62/31.3 Music for radio. 31.3 Ms. Full score (rough draft); 13, 44 p.; 33.5-38 cm.

Note: Holograph in pencil.

On title page: "Not quite complete."

On microfilm: MUSIC 1906, Item 31 B.

 62/31.4 Music for radio. 31.4 Ms. Open score, original pencil sketches; 28 p.; 34 cm.

Note: Holograph in pencil.

Laid in: One page typescript list of scores and parts titled "Masters on File at Independent Music Publishers"; contains holograph markings in ink and pencil.

 62/31a Music for radio (Saga of the prairie). London: Hawkes & Son, [1940]. 31a Full score; 52 p. (2 copies, Copy 1 bound; Copy 2 spiral bound).

c1940 by Hawkes & Son.

Plt.: B. & H. 8309.

Duration: 12.5 min.

Laid in Copy 1: One page penciled holograph "Note" about this commissioned work and a two page typescript of the same note with holograph additions in pencil (i.e. instrumentation, duration, etc.) throughout.

Laid in copy 2: Three pages of holograph orchestral changes in pencil.

 62/31b "Prairie journal". London: Boosey & Hawkes, [1967]. 31b Full score; 59 p. (3 copies).

c1940 by Aaron Copland; renewed 1967.

Plt.: B. & H. 19642.

Ser. title: Youth Orchestra Series.

 32) Sextet [chamber work] 15/32 Sextet : for string quartet, clarinet and piano. 32 Ms. Score for string quartet, clarinet and piano; 59 p.; 34 cm.

Note: Holograph in ink.

At end: Tlaxcala; Aug. 7-Sept. 25, 1937.

Sextet is Short symphony arranged for chamber orchestra.

On microfilm: MUSIC 1906, Item 64.

 15/32.1 Sextet : for string quartet, piano and clarinet. 32.1 Ms. (photostat). Score for string quartet, piano and clarinet; 9 p.; 35 cm.

Note: Copy of manuscript score ARCO 32, with holograph markings in ink and pencil.

At end: Tlaxcala; Aug. 7-Sept. 25, 1937.

 15/32.2 Sextet. 32.2 Ms. Score for string quartet, clarinet and piano (incomplete); 10 p.; 33.5 cm.

Note: Holograph in ink with holograph markings in pencil.

 15/32a Sextet : for string quartet, clarinet and piano. New York: Boosey & Hawkes, [1948]. 32a Piano score; 45 p.

c1948 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 6235.

Note: Holograph markings in pencil throughout.

 15/32aa Sextet : for string quartet, clarinet and piano. New York: Boosey & Hawkes, [1948]. 32aa Orchestral parts (2 sets).

c1948 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 16353.

Note: Holograph note in pencil at head of one clarinet part.

Published with piano score ARCO 32a.

 15/32b Sextet : for string quartet, clarinet and piano. London: Boosey & Hawkes, [1948]. 32b Full score (miniature); 45 p.

c1948 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 16235.

 33) Billy the kid [ballet] 63/33 Billy the kid. 33 Ms. Full score; 169 leaves; 44 cm.

Note: Holograph in ink on transparent paper with holograph markings in pencil.

At end: July-Sept. 1938; Paris - New York - Peterboro, N.H. [orchestration finished Dec. 28, '38].

Laid in: Typescript of movie continuity, titled "Ballad of Billy the Kid."

On microfilm: MUSIC 1906, Item 72.

 63/33.1 Billy the kid : complete ballet. 33.1 Ms. (ozalid). Full score; 169 p.; 43.5 cm. (spiral bound).

Note: Copy of manuscript score [ARCO 33], with holograph markings in pencil.

At end: July-Sept. 1938; Paris - New York - Peterboro, N.H. [orchestration finished Dec. 28, '38].

Laid in: Three holograph leaves (ink, pencil, and typescript) indicating cuts in the ballet score (in folder).

 63/33.2 Billy the kid. 33.2 Ms. Piano sketches; 64 p.; 34-36 cm.

Note: Holographs in pencil and ink.

On microfilm: MUSIC 1906, Item 72.

 33-A) Billy the kid : ballet suite [orchestra] 16/33-Aa Billy the kid : ballet suite. New York: Boosey & Hawkes, [1941]. 33-Aa Full score; 94 p. (bound).

c1941 in U.S.A. by Hawkes & Son (London).

Note: Holograph markings in pencil throughout.

Duration: about 20 min.

 16/33-Ab Billy the kid : ballet suite. London: Hawkes & Son, [1941]. 33-Ab Full score; 94 p. (2 copies).

c1941 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 16725.

Note: Copy 1 contains holograph markings in pencil throughout; Copy 2 contains holograph and other markings in pencil throughout.

Duration: Approx. 20 min.

 16/33-Ac Billy the kid : ballet suite. London: Boosey & Hawkes, [1941]. 33-Ac Full score (miniature); 94 p. (2 copies).

c1941 by Hawkes & Son (London).

Plt.: B. & H. 16725.

Ser. title: Hawkes Pocket Scores, No. 72.

Note: Copy 1 has holograph markings in pencil throughout; Copy 2 contains holograph markings in pencil and ink and corrections throughout.

Duration: about 20 min.

 33-B) Billy the kid [two pianos] 63/33-B Billy the kid. 33-B Ms. Score for two pianos; 63 leaves; 38 cm.

Note: Holograph in ink on transparent paper with holograph markings in pencil.

At end: Finis July-Sept., 1938; Paris, New York, Peterboro, N.H.

 63/33-B.1 Billy the kid. 33-B.1 Ms. (ozalid). Score for two pianos; 63 p.; 38.5 cm.

Note: Copy of manuscript score for two pianos ARCO 33-B, with holograph changes in pencil.

At end: Finis July - Sept., 1938; Paris, New York, Peterboro.

Complete score used to produce published excerpts for two pianos.

 16/33-Ba Billy the kid : excerpts from the ballet. New York: Boosey & Hawkes, [1946]. 33-Ba Score for two pianos -- four hands; 34 p. (2 parts in one folder).

c1946 in U.S.A. by Hawkes & Son (London).

Plt.: H. 15712.

Ser. title: Boosey & Hawkes Two Piano Series.

 33-C) Billy the kid [piano solo] 16/33-Ca Billy the kid : excerpts from the ballet. New York: Boosey & Hawkes, [1944]. 33-Ca Piano solo; 20 p.

c1944 by Hawkes & Son (London).

Plt.: By.Pa.No. 56.

 33-D) "Waltz": from Billy the kid [band] 16/33-Da "Waltz" : Billy the kid. New York: Boosey & Hawkes, [1944]. 33-Da Conductor score and parts.

c1944 by Hawkes & Son (London).

Plt.: H.St.Bd.No.32.

 33-E) "Celebration": from Billy the kid [band] 16/33-Ea "Celebration" : from Billy the kid. New York: Boosey & Hawkes, [1945]. 33-Ea Conductor score and parts.

c1945 by Hawkes & Son (London).

Plt.: H.St.Bd.No.33.

Note: Contains holograph markings in pencil throughout.

 33-F) Billy the kid [small orchestra] 63/33-F Billy the kid : small orchestra version. 33-F Ms. Score for small orchestra; 124 leaves (pages missing); 43 cm.

Note: Part holograph and part copyist's manuscript in ink on transparent paper with holograph markings in pencil throughout.

At head: For ballet performance only.

Laid in: Typescript of outline of camera cues; 10 p., titled "The Ballad of Billy the Kid."

 16/33-Fa "Prairie night" and "Celebration dance" : from Billy the kid. New York: Boosey & Hawkes, [1946]. 33-Fa Full score; 24 p.

c1946 by Boosey & Hawkes.

Plt.: O.S.1002 A and O.S.1002 B.

 16/33-Faa "Prairie night" and "Celebration dance" : from Billy the kid. New York: Boosey & Hawkes, [1946]. 33-Faa Orchestral parts.

c1946 in U.S.A. by Boosey & Hawkes.

Plt.: O.S.1002 A and O.S.1002 B.

 33-G) Billy the kid [violin & piano] 63/33-G "Waltz" and "Celebration" : from Billy the kid. 33-G Ms. Score for violin and piano, and violin part; 5 + 13 p.; 35.5 cm.

Note: Holograph in ink on transparent paper.

At end: Arranged March 13, '49.

 63/33-G.1 "Waltz" and "Celebration" : from Billy the kid. 33-G.1 Ms. (ozalid). Score for violin and piano; 13 p.; 35.5 cm.

Note: Copy of manuscript score and part ARCO 33-G, with holograph markings in ink throughout.

 16/33-Ga "Waltz" and "Celebration" : from Billy the kid. S.l.: Boosey & Hawkes, [1950]. 33-Ga Score for violin and piano, and violin part; 10 + 4.

c1950 by Boosey & Hawkes.

Plt.: Waltz 4 and Waltz 10.

Note: Holograph markings in pencil throughout score.

 33-H) Billy the kid [cello & piano] 63/33-H "Waltz" and "Celebration" : from Billy the kid. 33-H Ms. Cello part; 5 leaves; 35.5 cm.

Note: Holograph in ink on transparent paper.

 63/33-H.1 "Waltz" and "Celebration" : from Billy the kid. 33-H.1 Ms. (ozalid). Cello part; 5 p.; 36 cm.

Note: Copy of holograph cello part ARCO 33-H, with holograph markings in pencil throughout.

 16/33-Ha "Waltz" and "Celebration" : from Billy the kid. London: Boosey & Hawkes, [1952]. 33-Ha Piano score and cello part; 11 + 5 p.

c1952 by Boosey & Hawkes.

Plt.: B. & H. 17210.

 33-J) Billy the kid [orchestra] 16/33-Ja Waltz from Billy the kid : [arranged] for youth orchestra (1956). New York: Boosey & Hawkes, [1957]. 33-Ja Full score, condensed score and parts.

c1957 by Boosey & Hawkes.

Plt.: D.E. 99.

Domestic Edition.

 34) An outdoor overture [orchestra] 64/34 An outdoor overture : for school performance. 34 Ms. Piano sketch; 26 p.; 37 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 35 A.

 64/34.1 "Signature for the high-low concerts". 34.1 Ms. (photocopy). Full score; 6 p.; 34 cm.

Note: Copy of holograph score.

Laid in: Photocopies of the two High-Low Concerts programs.

Prior to this work becoming what is now known as An outdoor overture, it was used as the "Signature" for a planned concert series (founded by Vernon Duke) known as the High-Low Concerts, which took place in 1938. There were only two concert performances however. The original manuscript of the "Signature" is filed in the Vernon Duke Collection in the Library of Congress Music Division.

 64/34a An outdoor overture. London: Hawkes & Son, [1940]. 34a Full score; 44 p. (bound).

c1940 in U.S.A. by Hawkes & Son.

Plt.: B. & H. 8394.

Note: Holograph markings in pencil throughout.

At head: Written specially for and dedicated to the High School of Music and Art in New York.

Duration: 9.5 min.

 64/34b An outdoor overture. London: Boosey & Hawkes, [1940]. 34b Full score (miniature); 44 p.

c1940 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 8394.

Ser. title: Hawkes Pocket Scores, No. 676.

 64/34c An outdoor overture. New York: Boosey & Hawkes, n.d. 34c Full score; 44 p.

c1940 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 8394.

Note: Holograph markings in pencil throughout.

Duration: 9.5 min.

 34-A) An outdoor overture [band] 64/34-A An outdoor overture. 34-A Ms. Band score; 52 p.; 42 cm.

Note: Holograph in ink.

On microfilm: MUSIC 1906, Item 35 B.

 64/34-A.1 An outdoor overture : arranged for band by the composer. 34-A.1 Ms. Band score (incomplete); 20 p.; 42 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 35 B.

 64/34-Aa An outdoor overture. New York: Boosey & Hawkes, [1948]. 34-Aa Full score; 35 p.

c1948 by Hawkes & Son (London).

Plt.: B. & H. 16234.

Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 157.

Note: Holograph markings in pencil throughout.

Duration: Approx. 9.5 min.

 35) Lark [chorus] 64/35 Lark. 35 Ms. Score for mixed voices (SATB); 8 leaves; 38 cm.

Note: Holograph in ink with holograph markings in pencil.

English text. Words by Genevieve Taggard.

On microfilm: MUSIC 1906, Item 27.

 64/35.1 Lark. 35.1 Ms. Sketch for mixed voices (SATB); 17 p.; 34 cm.

Note: Holograph in pencil and ink.

English text.

Laid in: Typescript of words by Genevieve Taggard.

On microfilm: MUSIC 1906, Item 27.

 64/35a Lark : four-part chorus / for mixed voices (divisi) / with baritone solo (a cappella). [Boston]: E. C. Schirmer Music Co., [1941]. 35a Score for mixed voices (SATB); (2 copies).

c1941 by E.C. Schirmer Music Co.

Plt.: E.C.S. No. 1275.

Ser. title: E.C.S. Choral Music, No. 1794.

English text. Words by Genevieve Taggard.

Both copies contain holograph markings in pencil throughout.

 36) The quiet city [incidental music] 64/36 The quiet city : for clarinet, saxophone, trumpet, and piano. 36 Ms. Full score; 29 p.; 34.5 cm.

Note: Holograph in ink and pencil.

At end: April 1939.

Music composed for Irwin Shaw's play "Quiet City."

On microfilm: MUSIC 1906, Item 43.

 64/36.1 The quiet city : for clarinet, saxophone, trumpet, and piano. 36.1 Ms. (photocopy). Full score; 29 leaves; 36 cm.

Note: Copy of manuscript score ARCO 36.

At end: April 1939.

 64/36.2 The quiet city. 36.2 Ms. Rough piano sketch; 20 p.; 34.5 cm.

Note: Holograph in pencil.

Laid in: 2 page holograph in pencil titled "Music Cues - Quiet City."

On microfilm: MUSIC 1906, Item 43.

 64/36.3 Quiet city. 36.3 Mss. Instrumental parts; 32 cm.

Note: Holographs in ink and pencil.

On microfilm: MUSIC 1906, Item 43.

 37) Five kings [incidental music] 64/37 Five kings. 37 Ms. Condensed score sketch; 41 p.; 33.5 cm.

Note: Holograph in pencil.

Incidental music for a play based on Shakespeare's plays; this work not published.

On microfilm: MUSIC 1906, Item 76.

 64/37.1 Five kings. 37.1 Ms. (photocopy). Condensed score sketch; 41 leaves; 36 cm.

Note: Copy of manuscript ARCO 37.

Laid in: Letter to Professor Perlis from playwright Richard France dated June 18; an article on Mr. France in the periodical Twentieth Century American Dramatists (1981); two pages of typescript from the play Five kings.

 38) The city [incidental music] 65/38 The city : music for the documentary film. 38 Ms. Full score; 166 p.; 34.5 cm.

Note: Holograph in pencil.

On title page: Orchestration by Aaron Copland; score written out by Henry Brant.

 65/38.1 The city : film music. 38.1 Ms. Piano-conductor score; 34 leaves; 30-43 cm.

Note: Holograph in ink, with additions and corrections in pencil, on transparent paper.

At end: Finis March 1939.

On microfilm: MUSIC 1906, Item 7 A.

 65/38.2 The city : film music. 38.2 Ms. (ozalid). Piano-conductor score; [34] leaves 41 cm. (bound).

Note: Copy of manuscript score ARCO 38.1, with holograph additions and corrections in pencil throughout; includes additional pages.

 65/38.3 The city : film music. 38.3 Ms. Rough piano sketches; 42 + 1 p.; 34.5 cm.

Note: Holographs in pencil.

Laid in: Typescript of "Detailed outline of allocation of sound in 'The City'."

On microfilm: MUSIC 1906, Item 7 B.

 17/38.4 The city. 38.4 Mss. Instrumental parts.

Note: Holographs in ink and pencil; includes reproductions of original manuscripts.

 39) From sorcery to science [incidental music] 65/39 From sorcery to science : excerpt from the puppet show. 39 Ms. Full score; 16 leaves; 38.5-45 cm.

Note: Copyist's manuscripts in ink.

At head: Not to be published as is - A.C.

 65/39.1 "The medicine chest" : from Sorcery to science / a puppet play. 39.1 Ms. Orchestral sketches; unnumbered; 34.5 cm.

Note: Holograph in pencil.

On title page: May 4-8, 1939; Not to be used -- A.C.

 17/39.2 From sorcery to science : puppet show. 39.2 Mss. Instrumental parts.

Note: Copyist's manuscripts in ink and pencil, and ozalids.

 40) Of mice and men [incidental music] 100/40 Of mice and men. 40 Ms. Open score; 72 leaves; 48.5 x 30 cm.

Note: Holograph in pencil.

Incidental music for the film based on the novel by John Steinbeck.

 100/40.1 Of mice and men. 40.1 Ms. Pencil sketches; 26 + 4 leaves; 48.5 x 30 cm.

Note: Holograph in pencil.

 100/40.2 Of mice and men. 40.2 Ms. (mimeograph). Conductor score; various paginations; 31.5 cm.

Note: Mimeograph copy of manuscript score with holograph markings in pencil throughout.

 100/40.3 Of mice and men. 40.3 Ms. (mimeograph). Conductor score; various paginations; 31.5 cm. (bound).

Note: Mimeograph of manuscript score with holograph markings in pencil throughout.

 100/40.4 "Threshing machine sequence". 40.4 Ms. Rough sketches; 6 p.; 32 cm.

Note: Holograph in pencil.

At head: Music for Movies.

At end: Dec. 18, '42.

 113/40.5 Of mice and men. 40.5 Ms. Full score, divided into section (cues); various paginations; various sizes.

Note: Manuscript in pencil.

Incidental music for the film based on the novel by John Steinbeck.

 100/40 misc Of mice and men. 40 misc Mss. Miscellaneous pages from the film production: including music cue sheets (in typescript), timing indications, and penciled notes.

Note: Holographs in pencil and typescripts.

 41) Our town [incidental music] 66/41 Our town : complete film music. 41 Ms. Full score; various paginations; 47 cm.

Note: Holograph in pencil.

First performed by Howard Barlow and the Columbia Broadcasting Symphony.

 66/41.1 Our town. 41.1 Ms. Full score; various paginations; 47 cm.

Note: Holograph in pencil.

This version extracted from the complete film score.

 18/41.2 Our town. 41.2 Ms. (mimeograph). Conductor score; various paginations; 32 cm. (3 copies, Copy 1 bound).

Note: Mimeograph copies with holograph markings in pencil throughout.

Laid in Copy 2: Holograph in ink of "The Crisis", an excerpt from the suite.

 18/41.3 Our town. 41.3 Ms. Orchestral sketches: unnumbered; various sizes.

Note: Holographs in pencil.

 18/41.4 Our town : music from the film score. 41.4 Copy of manuscript in the hand of Julia Smith. Orchestral sketch; 5 leaves; 36.5 cm.

Note: Copy of holograph. Stamped in red: U of NT [University of North Texas] Music Library.

 19/1-20/41.5 Our town. 1-20/41.5 Mss. Orchestral parts and conductor scores; various paginations; 32 cm.

Note: Copyist's manuscripts in ink and pencil and mimeographs; with markings in ink and pencil throughout.

 18/41 misc Our town. 41 misc Mss. Miscellaneous pages from the film score; 3 p.; 28-32 cm.

Note: Holographs in ink and typescript titled "Music Scoring Set-ups for 'Our Town'."

 18/41a Our town : music from the film score. New York: Boosey & Hawkes, [1945]. 41a Full score; 30 p.

c1945 by Boosey & Hawkes.

Plt.: O.T.

Note: Holograph markings in pencil throughout.

Duration: 9 min.

 18/41b Our town : music from the film score. London: Boosey & Hawkes, [1967]. 41b Full score; 24 p. (2 copies).

c1940; 1945 by Aaron Copland; renewed 1967 by Aaron Copland.

Plt.: B. & H. 19741.

Ser. title: Youth Orchestra Series.

Note: Holograph markings in pencil throughout Copy 1.

Duration: approximately 9 min.

 18/41-A "Story of our town" (from the film <emph render="bold">Our Town</emph>). 41-A Ms. Score for violin and piano; 3 p.; 35.5 cm.

Note: Holograph in ink on transparent paper.

 18/41-B III) "The resting place on the hill". 41-B Ms. Piano solo; 2 p. (pp. 6-7); 34.5 cm.

Note: Holograph in ink and pencil on transparent paper.

 18/41-Ba Our town : three piano excerpts from the film score. New York: Boosey & Hawkes, [1945]. 41-Ba Piano solo; 10 p.

c1945 by Boosey & Hawkes.

Plt.: B. Pa Solo 60-8.

CONTENTS:

I) "Story of our town" II) "Conversation at the soda fountain" III) "The resting-place on the hill" 18/41-Bb Our town : three piano excerpts from the film score. New York: Boosey & Hawkes, [1945]. 41-Bb Piano solo; 10 p.

c1945 by Boosey & Hawkes.

Plt.: B. Pa Solo 60-8.

CONTENTS:

I) "Story of our town" II) "Conversation at the soda fountain" III) "The resting-place on the hill" 18/41-Ca "Story of our town" / in Two portraits for two guitars. S.l.: s.n., 1984. 41-Ca Score for two guitars, and parts; 15 + 7 + 7 p. (spiral bound).

c[1940]

At end: May 31st, 1984.

Bound with 'Hoe-down' from Rodeo.

Note: Privately published

 42) John Henry [orchestra] 67/42 John Henry. 42 Ms. Full score; 22 p.; 45.5 cm. (bound).

Note: Holograph in pencil.

On title page: This is original version which later was revised in 1952, A.C.

At end: Feb. 25, 1940.

Timing: about 3:35.

On microfilm: MUSIC 1906, Item 81.

 67/42.1 John Henry. 42.1 Ms. (photostat). Full score; 22 p.; 45 cm.

Note: Copy of manuscript ARCO 42.

At end: Feb. 25, 1940.

Timing: about 3:35.

 67/42.2 John Henry. 42.2 Ms. Orchestral sketch; [6] leaves; 30.5 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 81.

 67/42.3 John Henry. 42.3 Copy of manuscript in the hand of Julia Smith. Orchestral sketch; [4] leaves; 36 cm.

On title page: CBS Commission.

At end: Feb. 25, 1940.

Stamped in red: U of NT [University of North Texas] Music Library.

 42-A) John Henry [orchestra] (revised) 67/42-A John Henry. 42-A Ms. Full score; 20 p.; 34 cm.

Note: Holograph in ink and pencil.

On title page: 1940, revised 1952.

Commissioned by the Columbia Broadcasting Co.

Based on the well-known folk-tune.

Duration: Approx. 3:30.

On microfilm: MUSIC 1906, Item 81.

 67/42-A.1 John Henry. 42-A.1 Ms. Orchestral sketch; 6 p.; 31.5 cm.

Note: Holograph in pencil.

On first page: John Henry (1940), revised (1952).

On microfilm: MUSIC 1906, Item 81.

 67/42-Aa John Henry : based on the folk-tune. London: Boosey & Hawkes, [1953]. 42-Aa Full score; 16 p.

c1953 by Boosey & Hawkes.

Plt.: B & H 17292.

Note: Holograph markings in pencil throughout.

This work was commissioned by the Columbia Broadcasting Company.

Laid in: Holograph note of orchestral changes.

Duration: Approx. 3.5 min.

 67/42-Ab John Henry. [New York]: Boosey & Hawkes, [1953]. 42-Ab Full score (miniature); 16 p.

c1953 by Boosey & Hawkes.

Plt.: B & H 17292.

 42-B) John Henry [youth orchestra] 67/42-Ba John Henry : a railroad ballad for orchestra. London: Boosey & Hawkes, 1982. 42-Ba Full score; 16 p. (2 copies).

c1940; revised edition 1953 by Aaron Copland.

Plt.: B. & H. 20534.

Ser. title: The HSS300 Series (Hawkes School Series), HSS 304.

Duration: 3 min.

 67/42-Baa John Henry : a railroad ballad for orchestra. London: Boosey & Hawkes, 1982. 42-Baa Orchestral parts (2 sets).

c1940; revised edition 1953 by Aaron Copland.

Plt.: B. & H. 20534.

Ser. title: The HSS300 Series (Hawkes School Series), HSS 304.

Duration: Approx. 3 min.

 43) Quiet city [chamber work] 68/43 Quiet city : for solo trumpet and string orchestra. 43 Ms. Score for solo trumpet and string orchestra; 18 leaves; 37.5 cm.

Note: Holograph in ink on transparent paper.

On title page in ink: N.B. - The thematic material is derived from incidental music composed for Irwin Shaw's play Quiet City (1939).

At head (and on title page) in pencil: Original version discarded, without English horn.

At end: Sept. '40, Lenox, New York City.

On microfilm: MUSIC 1906, Item 42.

 68/43.1 Quiet city : for solo trumpet and string orchestra. 43.1 Ms. Trumpet part; 3 leaves; 33.5 cm.

Note: Holograph in ink on transparent paper.

On microfilm: MUSIC 1906, Item 42.

 68/43.2 Quiet city : for trumpet solo and string orchestra. 43.2 Ms. Pencil sketch; 22 p.; 31.5 cm.

Note: Holograph in pencil.

 68/43.3 The quiet city : for solo trumpet and string orchestra. 43.3 Ms. Preliminary sketches; 22 p.; various sizes.

Note: Holographs in pencil.

On microfilm: MUSIC 1906, Item 42.

 43) Quiet city [arrangements] 68/43.4 Quiet city New York: Boosey & Hawkes, 1988. 43.4 Ms. (photocopy). Score for wind ensemble; 45 leaves; 43.5 cm.

c1941 by Hawkes & Son (London); this version copyright 1988.

On title page: For Wynton Marsalis.

At end: Sept. 1940 Lenox MA; NYC, orch. March, 1988 Roch. NY.

Laid in: Letter to Ms. Sylvia Goldstein (of Boosey & Hawkes) from Donald Hunsberger (conductor of Eastman School of Music Wind Ensemble) dated June 8, 1988.

 68/43.5 Quiet city : arranged for wind ensemble / accompaniment by Donald Hunsberger - 3/88. New York: Boosey & Hawkes, 1988. 43.5 Ms. (photocopy). Score for wind ensemble; 45 leaves; 43.5 cm.

c1941 by Hawkes & Son (London); this version copyright 1988.

Note: Copy of manuscript score ARCO 43.4.

On title page: For Wynton Marsalis.

At end: Sept. 1940 Lenox MA; NYC, orch. March 1988, Roch. NY.

 68/43.6 Quiet city : for strings, trumpet and English horn (or oboe). 43.6 Copy of manuscript in the hand of Julia Smith. Condensed score and solo part; 8 leaves; 36.5 cm.

At head: To Ralph Hawkes.

Stamped in red: U of NT [University of North Texas] Music Library.

Includes row for Piano quartet.

 68/43a Quiet city : for strings, trumpet, and English horn (or oboe). New York: Boosey & Hawkes, [1941]. 43a Score for strings, trumpet, and English horn (or oboe); 15 p. (2 copies, Copy 2 bound).

c1941 in U.S.A. by Hawkes & Son (London).

Plt.: Q.C. 1-14.

Note: Holograph markings in pencil throughout both copies.

At end: Sept. '40 Lenox, Mass. N.Y.C.

 68/43aa Quiet city. London: Boosey & Hawkes, [1941]. 43aa Orchestral parts.

c1941 by Hawkes & Son.

Note: Holograph markings in pencil throughout.

English horn part missing. English horn part not included.

 68/43b Quiet city : for strings, trumpet and English horn (or oboe). London: Boosey & Hawkes, [1941]. 43b Full score (miniature); 15 p. (2 copies).

c1941 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 18805.

Ser. title: Hawkes Pocket Scores, No. 726.

At end: Sept. '40 Lenox, Mass., N.Y.C.

 44) Piano sonata [piano work] 68/44 Piano sonata. 44 Ms. Piano solo; 32 leaves; 34.5 cm.

Note: Holograph in ink on transparent paper.

At end: Santiago de Chile, Sept. 25, '41.

On microfilm: MUSIC 1906, Item 53.

 68/44.1 Piano sonata. 44.1 Ms. (ozalid). Piano solo; 32 p.; 35 cm.

Note: Copy of manuscript ARCO 44, with holograph and other markings in pencil.

At end: Santiago de Chile, Sept. 25, '41.

 68/44.2 Piano sonata. 44.2 Ms. Sketch for piano solo; 128 p.; various sizes.

Note: Holographs in ink and pencil.

On microfilm: MUSIC 1906, Item 53.

 68/44.3 Piano sonata. London: Hawkes & Son, [1942]. 44.3 Publisher's proof. Piano solo; 28 leaves

c1942 by Hawkes & Son.

Plt.: B. Pa. Solo 27.

Note: Publisher's proof with holograph markings in pencil throughout.

 68/44a Piano sonata. New York: Boosey & Hawkes, [1958]. 44a Piano solo; 27 p.

c1942 by Boosey & Hawkes.

Plt.: B. Pa. Solo 27.

 44-A) Piano sonata (for band) 68/44-A Piano sonata (arranged for band). 44-A Ms. (ozalid). Full score (1st movement only); 39 p.; 46.5 cm.

Note: Copyist's manuscript with holograph note in pencil: Piano Sonata - Arranged for band by Barney Childs (c/o Wisconsin College Conservatory).

Laid in: Concert program for Pro Musica Nova presented by WCC at Vogel Hall in Milwaukee, WI on Jan. 31, 1977.

 45) Episode : improvisation for organ [organ solo] 68/45 Episode. 45 Ms. Organ solo; 7 p.; 32 cm.

Note: Holograph in ink with markings in ink and pencil throughout.

On title page: 'Improvisation' for Organ by Aaron Copland, scratched out.

At end: Aug. 20, '40, scratched out.

On microfilm: MUSIC 1906, Item 20.

 68/45.1 [Episode]. 45.1 Ms. Organ solo; 6 p. 30.5 cm.

Note: Holograph in pencil with pencil markings in unknown hand.

On microfilm: MUSIC 1906, Item 19.

 68/45.2 Episode : Improvisation for organ. 45.2 Ms. Sketch for organ solo; 3 p.; 30.5 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 19.

 68/45a Episode. New York: H.W. Gray Co., [1941]. 45a Organ solo; 4 p.

c1941 by The H.W. Gray Co.

Plt.: C.O.S. No. 7,-(4).

Ser. ed.: William Strickland.

Ser. title: Contemporary Organ Series, No. 7.

At end: August 20, 1940.

 46) Lincoln portrait [speaker & orchestra] 69/46 Lincoln portrait : for speaker and orchestra. 46 Ms. (ozalid). Full score with text; 72 p.; 39 cm. (spiral bound).

Note: Copy of manuscript orchestral score with holograph and other markings in pencil throughout.

English text.

At end: New York, Feb.-April, 1942.

 69/46.1 Lincoln portrait : for speaker and orchestra. 46.1 Ms. (ozalid). Full score with text; 72 p.; 40 cm. (spiral bound).

Note: Copied from the same manuscript score as ARCO 46, with holograph markings in ink and pencil.

English text.

On title page: To Andre Kostelanetz.

At end: New York, Feb.-April, 1942.

 69/46.2 Lincoln portrait. 46.2 Ms. (ozalid). Full score (in part); pp. 22-37; 38.5 cm. (2 copies).

Note: Copy of manuscript orchestral score.

Note: Copy 1 untitled and has holograph markings in pencil throughout; Copy 2 has holograph markings in ink.

English text.

 69/46.3 [Lincoln portrait]. 46.3 Ms. Piano sketch with text (incomplete); 18 leaves; various sizes.

Note: Holograph in ink with markings in pencil on transparent paper.

English and Spanish text.

Pages 1 and 10 missing.

At end: New York, Feb.-April, 1942.

 69/46.4 A Lincoln portrait : for speaker and orchestra. 46.4 Ms. (ozalid). Piano sketch with text; 20 p.; 38 cm.

Note: Copy of manuscript ARCO 46.3.

English and Spanish text.

At end: New York, Feb.-April, 1942.

 21/46a Lincoln portrait : for speaker and orchestra. New York: Boosey & Hawkes, [1943]. 46a Full score with text; 44 p. (bound).

c1943 in U.S.A. by Hawkes & Son (London).

Plt.: L.P.-44.

Note: Holograph pencil and ink markings throughout.

English text.

Laid in: one page note, partially holographic, in ink and pencil.

Performing time: 14 min.

 21/46b Lincoln portrait : for speaker and orchestra. New York: Boosey & Hawkes, [1943]. 46b Full score (miniature) with text; 44 p.; 18.5 cm.

c1943 in U.S.A. by Hawkes & Son (London).

Plt.: L.P.-44.

Ser. title: Hawkes Pocket Scores, No. 61.

English text.

Performing time: 14 min.

 21/46c Lincoln portrait : for speaker and orchestra. New York: Boosey & Hawkes, [1943?]. 46c Full score with text; 44 p.; 30.5 cm.

c1943 in U.S.A. by Hawkes & Son (London).

Plt.: L.P. -44.

Note: Holograph markings in pencil throughout.

English text.

 21/46d Lincoln portrait : for narrator and orchestra. [New York]: Boosey & Hawkes, [1967?]. 46d Full score with text; 44 p.

c1943 by Aaron Copland.

Plt.: L.P.-44.

English text.

 21/46na Lincoln portrait. New York: Boosey & Hawkes, [1943]. 46na Score for narrator; 12 p. (4 copies).

c1943 by Aaron Copland.

Plt.: BH.BK. 499.

English text.

 46-A) Lincoln portrait [speaker & band] 21/46-Aa Lincoln portrait. New York: Boosey & Hawkes, [1951]. 46-Aa Band score (full to symphonic); 40 p. (4 copies).

c1951 by Hawkes & Son (London).

Plt.: B. & H. 17004.

Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176.

English text.

Copies 1 through 3 have holograph markings in pencil throughout.

 21/46-Aaa Lincoln portrait. New York: Boosey & Hawkes, [1951]. 46-Aaa Parts for band (full to symphonic).

c1951 by Hawkes & Son (London).

Plt.: B. & H. 17004.

Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176.

 21/46-Ab Lincoln portrait. New York: Boosey & Hawkes, [1951]. 46-Ab Conductor score for band; 16 p.

c1943 by Hawkes & Son (London); this arrangement copyright 1951 by Hawkes & Son.

Plt.: B. & H. 17004.

Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176.

English text.

 21/46-Ac Lincoln portrait. New York: Boosey & Hawkes, [1951]. 46-Ac Conductor score for band (miniature); 16 p.

c1951 by Hawkes & Son (London).

Plt.: B. & H. 17004.

Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176.

English text.

 21/46-C Lincoln portrait [New York]: [Boosey & Hawkes], [1943]. 46-C Score for narrator; 2 + 9 p. (pp. 4-12).

c1943 by Aaron Copland.

Plt.: BH.BK. 499.

Note: Published score with holograph text in pencil.

On front cover: Words arranged for Virgil Thomson's 75th Birthday, Hotel Plaza - Nov. 1971.

Includes two pages of text in typescript and pencil.

 47) Rodeo [ballet] 70/47 Rodeo. 47 Ms. Full score; 106 leaves (1-85 and 118-139); 38 cm.

Note: Holograph in ink on transparent paper with holograph marking in pencil.

Sections missing: "Corral nocturne", "Ranch house party" and "Hoe-down".

Laid in: Two page list of instrumentation.

On microfilm: MUSIC 1906, Item 46 B.

 70/47.1 Rodeo. 47.1 Ms. Rough sketches; 74 p.; 31.5 cm.

Note: Holograph in pencil.

At end: June - 1, July -10, '42. Stockbridge, Mass.

On microfilm: MUSIC 1906, Item 46 A.

 70/47.2 Rodeo. 47.2 Ms. Early sketches; 32 p.; 32.5 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 46 A.

 70/47.3 Rodeo. 47.3 Ms. Orchestral insert; 27 leaves; 38 cm.

Note: Copyist's manuscript in ink with holograph markings in ink and pencil on transparent paper.

Laid in: One page typescript titled "CONCERNING COMPLETE BALLET VERSION OF RODEO."

 70/47.4 Rodeo. 47.4 Mss. String parts insert; various paginations; various sizes.

Note: Copyist's manuscripts in ink.

At head: Insert #2.

 70/47.5 Rodeo. 47.5 Mss. String parts insert; various paginations; 32 cm.

Note: Copyist's manuscripts in ink.

At head: Insert #5.

 70/47.6 Rodeo. 47.6 Mss. String parts insert; various paginations; 32 cm.

Note: Copyist's manuscripts in ink.

At head: Insert #8.

 70/47.7 "Saturday night waltz" (Mvt. III). 47.7 Ms. Bassoon II part; 1 leaf; 31.5 cm.

Note: Holograph in ink.

 70/47a "Four dance episodes". New York: Boosey & Hawkes, [1946]. 47a Full score; 96 p. (2 copies, Copy 1 bound).

c1945-46 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9037, 8895, 9036, 8896.

Note: Holograph markings in pencil throughout both copies.

Duration: 18 min.

 70/47b "Four dance episodes". London: Boosey & Hawkes, [1946]. 47b Full score (miniature); 96 p.

c1945-46 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9037, 8895, 9036, 8896.

Ser. title: Hawkes Pocket Scores, No. 684.

 70/47c, No. I "Buckaroo holiday". New York: Boosey & Hawkes, 1960. 47c, No. I Full score; 52 p.

c1946 in U.S.A. by Hawkes & Son (London); separate edition 1960. [47c, No. 1].

Plt.: B. & H. 9037.

Note: Holograph markings in pencil throughout.

Duration: 7 min.

 70/47c, No. II "Corral nocturne". New York: Boosey & Hawkes, 1960. 47c, No. II Full score; 10 p.

c1946 in U.S.A. by Hawkes & Son (London); separate edition 1960.

Plt.: B. & H. 8895.

Note: Holograph pencil markings throughout.

Duration: 3.5 min.

 70/47c, No. III "Saturday night dance". New York: Boosey & Hawkes, 1960. 47c, No. III Full score; 12 p.

c1945 in U.S.A. by Hawkes & Son (London); separate edition 1960.

Plt.: B. & H. 9036.

Note: Holograph markings in pencil throughout.

Duration: 4 min.

 70/47c, No. IV "Hoe-down". New York: Boosey & Hawkes, 1960. 47c, No. IV Full score; 30 p.

c1946 in U.S.A. by Hawkes & Son (London); separate edition 1960.

Plt.: B. & H. 8896.

Note: Holograph markings in pencil throughout.

Duration: 3.5 min.

 47-A) Rodeo [piano solo] 70/47-A Rodeo : ballet in one act. 47-A Ms. Piano solo; [45] leaves; various sizes.

Note: Holograph in ink on transparent paper.

On title page: Complete ballet arranged for piano by the composer.

At bottom of title page: M.B. - Reprint not from orchestral score.

At end: Rockbridge, Mass., June-July '42.

 70/47-A.1 Rodeo : complete ballet. 47-A.1 Ms. (ozalid). Piano sketch; 37 p.; 34 cm.

Note: Copy of composer's holograph piano solo arrangement.

On title page: "Four Dance Episodes" is scratched out.

At end: June-July '42.

 70/47-A.2 [Rodeo : complete ballet.] 47-A.2 Mss. Fragments from piano solo arrangement; 6 leaves; various sizes.

Note: Holographs in ink.

 70/47-Aa Rodeo : four dance episodes / arranged for piano solo by the composer. London: Boosey & Hawkes, [1962]. 47-Aa Piano solo; 36 p.

c1946; piano solo arrangement copyright 1962 by the composer.

Plt.: B. & H. 18925.

 47-B) Rodeo [string quartet] 70/47-B "Hoe-down" / arranged for string quartet. 47-B Ms. (ozalid). Score for string quartet; 9 p.; 36 cm. (soft bound). 47-C) Rodeo [string orchestra] 70/47-Ca "Hoe-down" / arranged for string orchestra by the composer. [New York]: Boosey & Hawkes, [1945]. 47-Ca Score for string orchestra; 19 p.

c1945 by Boosey & Hawkes.

Note: Reproduced from the composer's original manuscript.

Holograph markings in pencil throughout.

 70/47-Caa "Hoe-down" / arranged for string orchestra. [New York]: Boosey & Hawkes, [1945]. 47-Caa String and piano parts.

c1945 by Boosey & Hawkes.

Note: Reproduced from manuscripts.

Ser. title: Boosey & Hawkes Pops Series.

 47-D) Rodeo [violin & piano] 70/47-D "Hoe-down" / arranged for violin and piano by the composer. 47-D Ms. Score for violin and piano; 8 leaves; 38 cm.

Note: Holograph in ink on transparent paper.

In pencil at bottom of first leaf: BSI # 42; copyright 1946 Boosey & Hawkes Inc.

 70/47-Da "Hoe-down" / arranged for violin and piano by the composer - 1945. [New York]: Boosey & Hawkes, [1946]. 47-Da Score for violin and piano, and violin part; 8 + 4 p.

c1946 by Boosey & Hawkes.

Plt.: BSI 42 - 12.

 47-E) Rodeo [two pianos] 70/47-Ea "Hoe-down" and "Saturday night waltz" / arranged for two pianos, four hands. [New York]: Boosey & Hawkes, [1950]. 47-Ea Score for two pianos, four hands; 16 p. (2 parts in one folder).

c1949/50 in U.S.A. by Boosey & Hawkes.

Plt.: Hoe-down 10, Saturday night 6.

 48) Las agachadas [chorus] 71/48 Las agachadas. 48 Ms. Score for mixed chorus (SSAATTB); 12 leaves; 37.5 cm.

Note: Holograph in ink on transparent paper.

Spanish text.

At end: N.Y.C. Feb. 9, '42.

On microfilm: MUSIC 1906, Item 83.

 71/48.1 Las agachadas. 48.1 Ms. Rough sketch; 8 p.; 32 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 83.

 71/48a Las agachadas. S.l.: s.n., n.d. 48a Score for mixed chorus (SSAATTB); 14 p. (2 copies).

c[1942]

Plt.: Las-A.

Spanish text.

Holograph markings in pencil throughout Copy 1.

On title page: Based on melody No. 202 in Kurt Schindler's folk-song collection of "Folk music and poetry of Spain and Portugal."

Note: Privately published mimeograph

 71/48b Las agachadas : the shake-down song / a cappella. [New York]: Boosey & Hawkes, [1942]. 48b Score for solo group and eight-part mixed chorus; 24 p. (3 copies).

c1942 by Hawkes & Son (London).

Plt.: B.H.Bk. 88.

Spanish and English text.

All copies have holograph markings in pencil throughout.

At bottom of page 2: Based on melody No. 202 in Kurt Schindler's collection: "Folk music and poetry of Spain and Portugal."

 71/48c Las agachadas : the shake-down song / a cappella. [New York]: Boosey & Hawkes, [194-?]. 48c Score for solo group and eight-part mixed chorus; 24 p.

c1942 by Hawkes & Son (London).

Plt.: B.H.Bk. 88.

Spanish and English text.

Contains some holograph markings in pencil.

Although this item is identical to ARCO 48b, it is an apparent later edition based on the availability (cost) of the item.

 49) Music for movies [orchestra] 71/49 Music for movies. 49 Ms. (ozalid). Full score; 102 p.; 39.5 cm.

Note: Copy of manuscript score with holograph and other markings in pencil and ink throughout.

At bottom of the first page of each section: various copyright notices.

Laid in: One leaf of orchestral notes.

At end: Dec. 19, '42 Oakland, New Jersey.

CONTENTS:

I) "New England countryside" (from The city) II) "Barley wagons" (from Of mice and men) III) "Sunday traffic" (from The city) IV) "Grovers Corners" (from Our town) V) "Threshing machine" (from Of mice and men) 71/49.1 Music for movies. 49.1 Ms. (ozalid). Full score (incomplete); 31 leaves; 36.5 cm.

Note: Copy of manuscript in the hand of Julia Smith.

At end: Dec. 19, '42 Oakland.

Stamped in red: University of North Texas (U of NT) Music Library.

 71/49.2 "The city". 49.2 Ms. Short sketch; [5] p.; 31.5 cm.

Note: Holograph in pencil.

 71/49.3 "Sunday traffic". 49.3 Ms. (photocopy). Conductor (short) score; 6 p.; 33 cm. 71/49a Music for movies. London: Boosey & Hawkes, [1970]. 49a Full score; 97 p. (2 copies).

c1956, 1970 by Aaron Copland.

Plt.: B. & H. 19748.

Both copies have Holograph markings in pencil throughout.

 50) Danzón Cubano [two pianos] 72/50 Danzón Cubano. 50 Ms. Score for two pianos -- four hands; 23 lvs; 35 cm.

Note: Holograph in ink on transparent paper.

At end: Oakland, N.J. Dec. 6, '42.

Composed especially for the twentieth anniversary of the League of Composers.

On microfilm: MUSIC 1906, Item 17 B.

 72/50.1 Danzón Cubano. 50.1 Ms. Original piano sketches; 42 p.; 31.5 cm.

Note: Holograph in pencil.

Laid in: Unidentified sketch on hotel paper (page 42).

On microfilm: MUSIC 1906, Item 17 B.

 72/50a Danzón Cubano : for two pianos -- four hands / composed especially for the twentieth anniversary of the League of Composers. Lynbrook, N.Y.: Boosey & Hawkes, [1943]. 50a Score for two pianos -- four hands; 20 p. (2 parts in one folder).

c1943 in U.S.A. by Hawkes & Son (london).

Plt.: H. 15550.

Ser. title: Boosey & Hawkes Two Piano Series, B. Two Pa. 37.

Note: Both parts contain holograph markings in pencil.

 72/50b Danzón Cubano : for two pianos -- four hands / composed especially for the twentieth anniversary of the League of Composers. New York: Boosey & Hawkes, [1943]. 50b Score for two pianos -- four hands; 20 p. (2 parts in one folder).

c1943 by Aaron Copland.

Plt.: H. 15550.

Note: Contains holograph markings in pencil.

 72/50c Danzón Cubano : composed especially for the twentieth anniversary of the League of Composers / for two pianos, four hands. London: Hawkes & Son, [1943]. 50c Score for two pianos, four hands; 20 p. (2 folders - 2 scores in each folder).

c1943 by Hawkes & Son (London).

Plt.: H. 15550.

 50-A) Danzón Cubano [orchestra] 72/50-A Danzón Cubano. 50-A Ms. Full score; 56 leaves; 38.5 cm.

Note: Holograph in ink on transparent paper.

Originally composed for two pianos, the Danzón Cubano in its orchestral form was first performed by the Baltimore Symphony Orchestra, under the conductorship of Reginald Stewart, on February 17, 1946.

On microfilm: MUSIC 1906, Item 17 A.

 72/50-A.1 Danzón Cubano. 50-A.1 Ms. (ozalid). Full score; 56 p.; 40 cm. (spiral bound).

Note: Copy of manuscript ARCO 50-A, with holograph markings in pencil throughout.

Originally composed for two pianos, the orchestral form of Danzón Cubano was first performed by the Baltimore Symphony Orchestra on February 17, 1946 under the conductorship of Reginald Stewart.

 72/50-A.2 Danzón Cubano. 50-A.2 Ms. Orchestral parts; 34.5 cm.

Note: Copyist's manuscript in ink on transparent paper.

 72/50-Aa Danzón Cubano. New York: Boosey & Hawkes, [1947]. 50-Aa Full score; 45 p. (bound).

c1947 by Boosey & Hawkes.

Plt.: B. & H. 15895.

Note: Holograph markings in pencil throughout.

 72/50-Ab Danzón Cubano. London: Boosey & Hawkes, [1964]. 50-Ab Full score; 45 p.

c1949 by Aaron Copland.

Plt.: B. & H. 15895.

Note: Holograph markings in pencil throughout.

 50-B) Danzón Cubano [piano solo] 72/50-Ba Danzón Cubano [piano solo] (1949). [New York]: Boosey & Hawkes, [1949]. 50-Ba Piano solo; 19 p.

c1949 by Boosey & Hawkes.

Plt.: Danzo Cubano 17.

 51) Fanfare for the common man [brass & percussion] 73/51 Fanfare for the common man. 51 Ms. Score for brass and percussion ensemble; 5 leaves; 38 cm.

Note: Holograph in ink on transparent paper.

At end: Oakland, Nov. 6 '42.

On microfilm: MUSIC 1906, Item 21.

 73/51.1 Fanfare for the common man. 51.1 Ms. (photocopy). Full score; [4] leaves; 36 cm.

Copy of manuscript score in the hand of Julia Smith.

Includes photocopy of copyist's manuscript of theme to "Danzon Cubano".

Stamped in red: U of NT [University of North Texas] Music Library

 73/51.2 Fanfare for the common man. [New York]: Boosey & Hawkes, [1956]. 51.2 Publisher's proof. Score for brass and percussion ensemble; 3 leaves

c1944 by Boosey & Hawkes.

Plt.: B. Ens. 97.

Note: Photocopy of proof with holograph markings in ink and pencil.

 73/51.3 Fanfare for the common man. New York: Boosey & Hawkes, [1956]. 51.3 Publisher's proofs. Brass and percussion ensemble parts; various paginations.

c1944 by Boosey & Hawkes.

Plt.: B. Ens. 97.

Note: Photocopies with holograph markings in pencil.

 73/51.4 Fanfare for the common man. New York: Boosey & Hawkes, [1971]. 51.4 Publisher's proof. Score for brass and percussion ensemble; 4 leaves.

c1944 by Aaron Copland; renewed 1971.

Plt.: B. Ens. 97.

Note: Photocopy of proof with holograph markings in ink and pencil.

 73/51.5 Fanfare for the common man. New York: Boosey & Hawkes, [1971]. 51.5 Publisher's proof. Score for brass and percussion ensemble; 4 leaves.

c1944 by Aaron Copland; renewed 1971.

Plt.: B. Ens. 97.

At head in blue pencil: Copy of corrected finals.

 73/51.6 Fanfare for the common man. 51.6 Ms. Original pencil sketches; 4 p.; 32 cm.

Note: Holograph in pencil.

Included with this item is a brief history of the "Fanfare", with text by Aaron Copland.

As can be seen by this sketch, the final title did not come easily.

 73/51.7 Fanfare for the common man. 51.7 Ms. (photocopy). Original sketches in pencil; 4 leaves; 32 cm.

Note: Copy of holograph score ARCO 51.6.

 73/51.8 Fanfare for the common man. 51.8 Ms. Piano sketch; 4 p.; 34 cm.

Note: Holo- graph in pencil.

On microfilm: MUSIC 1906, Item 21.

 73/51a Fanfare for the common man. London: Boosey & Hawkes, [1944]. 51a Score for brass and percussion ensemble; 3 p.

c1944 by Boosey & Hawkes.

Plt.: B.Ens. 53.

Note: Holograph markings in pencil throughout.

 73/51b Fanfare for the common man : in Ten Fanfares by Ten Composers / for brass and percussion. New York: Boosey & hawkes, [1944]. 51b Score for brass and percussion ensemble; 3 p. (pp. 1-3) (2 copies).

c1944 by Boosey & Hawkes.

Plt.: B.Ens. 53.

Note: Both copies contain holograph markings in pencil.

 73/51c Fanfare for the common man : from Ten Fanfares. New York: Boosey & Hawkes, [1956]. 51c Score for brass and percussion ensemble; 3 p.

c1944 by Boosey & Hawkes; separate edition 1956.

Plt.: B. Ens. 97.

Note: Heavily marked.

 73/51cc Fanfare for the common man : from Ten Fanfares. New York: Boosey & Hawkes, [1956]. 51cc Brass and percussion ensemble parts; various paginations.

c1944 by Boosey & Hawkes.

Plt.: B. Ens. 97.

Note: Holograoph markings in pencil on 1stB-flat trumpet part.

 51-A) Fanfare for the common man [guitar] 73/51-A Fanfare for the common man : transcribed for guitar by Dave Bogart (1942). 51-A Ms. (photocopy). Guitar solo; 2 p.; 31.5 cm. 73/51-A.1 Fanfare for the common man : guitar solo / transcribed by Michael Hendrix. 51-A.1 Ms. (ozalid). Guitar solo: 3 p.; 33 cm.

Note: No date given for this arrangement.

 51-B) Fanfare for the common man [trumpet ensemble] 73/51-B Fanfare for the common man : arranged for trumpet ensemble by Ronald Small (1988). 51-B Ms. (photocopy). Score for trumpet ensemble; 1 + 8 p.; 31.5 cm.

Note: Copy of copyist's manuscript.

Includes letter from Ronald Small to Ronald Caltabiano (assistant to Aaron Copland) dated May 16, 1988.

 52) Sonata for violin and piano [chamber work] 22/52 Sonata for violin and piano. 52 Ms. Score for violin and piano; 37 leaves (page 5-B inserted); 34.5 cm.

Note: Holograph in ink on transparent paper.

At end: Dec. 1943.

Laid in: Article titled "AARON COPLAND: His Work and Contribution to American Music" by Julia Smith.

On microfilm: MUSIC 1906, Item 55.

 22/52.1 Sonata for violin and piano. 52.1 Ms. Violin part; 13 leaves; 30.5-34.5 cm.

Note: Holograph in ink on transparent paper.

On microfilm: MUSIC 1906, Item 55.

 22/52.2 Sonata for violin and piano. 52.2 Ms. (ozalid). Piano score, in part; 16 p. (pp. 21-36); 36 cm.

Note: Copy of 3rd movement of manuscript score ARCO 52.

At end in ink: Jan. 4, '44.

 22/52.3 Sonata for violin and piano. 52.3 Ms. (ozalid). Violin part; 13 p.; 31-36 cm.

Note: Copy of manuscript violin part ARCO 52.1, with holograph markings in ink and pencil throughout.

 22/52.4 Sonata for violin and piano. 52.4 Ms. Complete violin and piano sketches; 85 p.; 32 cm.

Note: Holographs in ink and pencil.

Includes ink sketch of violin part, and rough sketches.

On microfilm: MUSIC 1906, Item 55.

 22/52.5 Sonata for violin and piano. [New York]: Boosey & Hawkes, [1944]. 52.5 Publisher's proof. Violin part; 13 leaves.

c1944 in U.S.A. by Hawkes & Son (London).

Plt.: B.S.I. 34-46.

Note: Publisher's proofs of violin part with holograph markings in pencil throughout.

 22/52a Sonata for violin and piano. New York: Boosey & Hawkes, [1944]. 52a Score for violin and piano (violin part not included); 33 p.

c1944 in U.S.A. by Hawkes & Son (London).

Plt.: B.S.I. 34 - 46.

Note: Contains holograph markings in pencil.

 22/52b Sonata for violin and piano. New York: Boosey & Hawkes, [1944]. 52b Score for violin and piano, and violin part; 33 + 13 p.

c1944 in U.S.A. by Hawkes & Son (London).

Plt.: B.S.I. 34 - 46.

 52-A) Sonata for violin and piano [clarinet & piano] 22/52-A [Sonata for violin and piano] : transcribed for clarinet and piano by Timothy Paradise (1980). 52-A Ms. Score for clarinet and piano; 46 leaves; 30.5 cm.

c1980

Note: Manuscript in pencil by Timothy Paradise.

This arrangement copyrighted in 1980 by T. Paradise through the auspices of Hawkes & Son.

 53) The north star [incidental music] 101-102/53 The north star. 53 Ms. Full score divided by sequence titles, in 19 folders; various paginations; various sizes.

Note: Holographs in pencil.

CONTENTS:

"Main title" "Going to school" "Night scene - Prt. I" "Night sequence - Prt. II" "Death of the little boy" "Internationale" "Song of the guerrillas" "Boris' death" "Scorched earth" "In the woods" "The hospital" "Marina & Damion" "Claudia & Damian" "Damian is blind" "North star battle" "The childrens' return" "Guerrillas return" (M-134) "Guerrillas return" (M-140) "Leaving the village" 23/53.1 The north star. 53.1 Ms. Original sketches; various paginations; 31.5 - 34 cm.

Note: Holographs in pencil.

Laid in: Annotated typescript of "Wagon song".

 23/53.2 The north star. 53.2 Mss. Drafts of conductor scores; various paginations; 31.5 - 34 cm.

Note: Holographs in pencil.

Laid in: Annotated typescripts of "Song of the fatherland" and "Younger generation".

Includes mimeograph lead sheet for "Scorched earth".

 24/53.3 The north star. 53.3 Mss. Conductor's scores; various paginations; various sizes.

Note: Copyist's manuscripts with holograph markings in pencil throughout; mostly mimeograph and ozalid reproductions.

Laid in folder for Reel 7: Holograph sequence notes (in pencil) on 4 x 6 inch yellow paper.

The pieces included with this item are grouped according to sequence (i.e. the film reel on which they appear.) Contents list included with each folder.

 25/53.4 "Song of the fatherland". 53.4 Ms. (ozalid). Piano-vocal score; 3 + 1 p.; 32 cm.

Note: Copy of manuscript score.

Music by I. Dunayevsky; transcribed by Aaron Copland. Text of V. Lebedev-Kumach; adapted by Ira Gershwin.

Laid in: Typescript of "Song of the fatherland".

Text by V. Lebedev-Kumach. Text adapted by Ira Gershwin.

 25/53.5 "From the Baltic to the Pacific (loading song)" / based on traditional Russian folk tunes - composer unknown. 53.5 Ms. (ozalid). Score for mixed voices (SATB); 2 p.; 32 cm. (2 copies).

Note: Copy of copyist's manuscript score.

English text. Lyrics by Ira Gershwin.

 25/53 mixer The north star. 53 mixer Mss. A mixer of annotated scores used in the Samuel Goldwyn production; various paginations; various sizes.

Note: All items in this folder are mimeographs or ozalid copies of copyist's manuscripts with holograph markings in ink and pencil throughout.

The term "MIXER" is used by the composer to describe this group of scores.

A list of titles is included with the material.

 25/53 misc The north star. 53 misc Miscellaneous choral scores of Russian folk songs. 53-A) "Younger generation" [song]: from The north star 25/53-A "Younger generation" (song version). 53-A Ms. Draft of piano-vocal score; [8] p.; 31.5 cm.

Note: Holograph in pencil.

English text. Lyrics by Ira Gershwin.

Based on traditional Russian melody; composer unknown.

 25/53-A.1 "Younger generation". 53-A.1 Ms. (ozalid). Piano-vocal score; 5 p.; 33 cm.

Note: Copy of copyist's manuscript score.

English text. Lyrics by Ira Gershwin.

 25/53-Aa "Younger generation" / from Samuel Goldwyn's production. New York: Boosey & Hawkes, [1944]. 53-Aa Score for choral arrangement (SATB), with piano accompaniment; 10 p.; 26.5 cm.

c1944 by Chappel and Co.

Plt.: Oct. 1723-10.

English text. Words by Ira Gershwin.

 25/53-Ab "Younger generation". New York: Boosey & Hawkes, [1964]. 53-Ab Piano-vocal score (SA); 8 p.

c1944 by Chappell and Co.; this arrangement copyright 1964 by Chappell and Co.

Plt.: Oct. 5506.

English text. Words by Ira Gershwin.

 25/53-Ac "Younger generation". New York: Boosey & Hawkes, [1964?]. 53-Ac Choral score (SAB); 11 p.

c1944 by Chappell & Co.; this arrangement copyright 1964 by Chappell & Co.

Plt.: Oct. 5507.

English text. Words by Ira Gershwin.

 53-B) "Song of the guerrillas" [chorus]: from The north star 25/53-B "Song of the guerrillas". 53-B Ms. (ozalid). Conductor's choral score (TBB), with orchestral accompaniment; 7 p.; 33 cm. (2 copies).

Note: Copy of copyist's manuscript.

English text. Words by Ira Gershwin.

 25/53-Ba "Song of the guerrillas". New York: Chappell & Co., [1943]. 53-Ba Piano-vocal score; 5 p.; 30.25 cm. (2 copies).

c1943 by Chappell & Co.

Plt.: C-1273-4.

English text. Words by Ira Gershwin.

 25/53-Bb "Song of the guerrillas" / for men's voices, with baritone solo and piano accompaniment. New York: Boosey & Hawkes, [1944]. 53-Bb Score for men's voices (TTBB) with piano accompaniment; 12 p.

c1944 by Chappell and Co.

Plt.: Oct. 1729-12.

English text. Words by Ira Gershwin.

 25/53-Bc "Song of the guerrillas" / for men's voices, with baritone solo and piano accompaniment. New York: Boosey & Hawkes, [1944]. 53-Bc Score for men's voices (TTBB) with piano accompaniment; 12 p.

c1944 by Chappell and Co.

Plt.: Oct. 1729-12.

English text. Lyrics by Ira Gershwin.

 53-C) "No village like mine" [song]: from The north star 25/53-C "No village like mine" / based on a traditional Russian tune - composer unknown. 53-C Ms. Draft of piano-vocal score; 8 + 1 p.; 31.5 cm.

Note: Holograph in pencil.

English text. Lyrics by Ira Gershwin.

Laid in: Typescript of "No Village Like Mine".

 25/53-Ca "No village like mine". New York: Chappell & Co., [1943]. 53-Ca Piano-vocal score; 5 p.; 30 cm. (2 copies).

c1943 by Chappell & Co.

Plt.: C-1271-4.

English text. Words by Ira Gershwin.

 54) Letter from home [orchestra] 74/54 Letter from home. 54 Ms. (pos. photostat). Full score; 38 leaves; 44.5 cm.

Note: Photostat copy with holograph markings in pencil and ink.

Original version for radio orchestra. This work was written on commission from Paul Whiteman and the American Broadcasting Company.

 74/54.1 Letter from home. 54.1 Ms. (neg. photostat). Full score; 38 leaves; 44.5 cm.

Note: Copy of manuscript score; identical to ARCO 54.

Laid in, holograph note: "Negatives of full score [original] version for radio orchestra."

 74/54.2 Letter from home. 54.2 Ms. Original pencil sketches; various paginations; 32 cm.

Note: Holograph in pencil.

 74/54.3 Letter from home : piano reduction of the [original] score. 54.3 Ms. (ozalid). Piano score; 8 p.; 39 cm.

Note: Copy of manuscript with holograph markings in ink and pencil .

At end in ink and pencil: Aug. 13-28, '44 Tepoztlan, Mex.

 74/54.4 Letter from home. 54.4 Ms. (photocopy). Piano score; 6 leaves; 43.5 cm.

Note: Copy of manuscript score in the hand of Julia Smith.

On title page: "Complete piano score by J.S. Original version for radio orchestra. Commissioned by the American Broadcasting Co."

Stamped in red: U of NT [University of North Texas] Music Library.

 55-A) Letter from home [symphony orchestra] 74/54-A Letter from home. 54-A Ms. Full score; 39 leaves; 40.5 cm.

Note: Holograph in ink on transparent paper.

On title page: "Arranged for symphony orchestra from the original version for radio orchestra."

 74/54-A.1 Letter from home. 54-A.1 Ms. (ozalid). Full score; [1] + 38 p.; 41.5 cm.

Note: Copy of holograph score ARCO 54-A.

On title page: "Original version for radio orchestra. Commissioned by the American Broadcasting Co."

 74/54-A.2 Letter from home. 54-A.2 Ms. (ozalid). Full score; [1] + 38 p.; 42.5 cm. (spiral bound).

Note: Copy of holograph score ARCO 54-A, with holograph markings in ink and pencil .

On title page: "Version of 1944 now withdrawn. Arranged for symphony orchestra from the original version for radio orchestra. Later revised and published for school orchestra (1964)."

 74/54-A.3 Letter from home. 54-A.3 Ms. (ozalid). Full score; [1] + 38 p.; 42 cm.

Note: Copy of holograph score ARCO 54-A.

On outside cover: Library #3 SET A.

 74/54-A.4 Letter from home. 54-A.4 Ms. (ozalid). Full score; [1] + 38 p.; 42 cm.

Note: Copy of holograph score ARCO 54-A, with holograph markings in pencil.

On outside cover: Library #3 SET B.

On verso of title page in orange pencil: "2nd [original] version for symphony orch. ... (arranged from original version for radio orch.) Now withdrawn."

 26/54-A.5 Letter from home. 54-A.5 Mss. Orchestral parts; various paginations; 32 cm.

Note: Copyist's manuscripts in ink on transparent paper.

 26/54-A.6 Letter from home. 54-A.6 Mss. (ozalids). Orchestral parts (SET B); various paginations (Viola 7 folder empty); 35 cm.

Note: Copies of copyist's manuscripts ARCO 54-A.5, with holograph markings in pencil.

 27/54-A.7 Letter from home. 54-A.7 Mss. (ozalids). Orchestral parts (SET A); various paginations; 35.5 cm.

Note: Copies of copyist's manuscripts ARCO 54-A.5, with holograph markings in pencil.

 54-B) Letter from home [reduced orchestra] 75/54-B Letter from home. 54-B Ms. Full score (revised for reduced orchestra); [2] + 26 leaves; 38 cm.

Note: Manuscript in pencil by David Walker.

Laid in, handwritten note by David Walker and Copland: "Copland - Letter from home masters of full score 1962/3 - new symph. version (reduced orch.) (score in handwriting of D.W.)."

 75/54-B.1 Letter from home. 54-B.1 Ms. (ozalid). Full score (revised for reduced orchestra); [2] + 26 p.; 38.5 cm. (spiral bound).

Note: Copy of manuscript score ARCO 54-B in hand of David Walker.

 75/54-B.2 Letter from home : piano reduction of the score. 54-B.2 Ms. Piano score; 7 leaves; 38.5 cm.

Note: Holograph in pencil on transparent paper.

At end: Aug. 13-28, 1944 - Tepoztlan, Mexico; revised Dec. 1962 - Rock Hill.

Duration: 6 min.

 75/54-B.3 Letter from home : piano reduction of the score. 54-B.3 Ms. (ozalid). Piano score; 8 p.; 38.5 cm.

Note: Copy of holograph score ARCO 54-B.2, with holograph markings in pencil throughout.

At end: Aug. 13-28, 1944.

 75/54-Ba Letter from home. London: Boosey & Hawkes, [1964]. 54-Ba Score and parts; 22 p. score + 24 parts (4 copies, Copy 3 and 4, score only; Copy 3 bound).

c1964 by Aaron Copland.

Plt.: B. & H. 19118 (score).

Plt.: B. & H. 19171 (parts).

Note: Holograph markings in pencil throughout Copy 1.

Laid in Copy 1: Holograph pencil note and typescript of "Mistakes in parts of Letter from Home."

Laid in Copy 4: Typescript of "Mistakes in parts of Letter from Home", with holograph markings in ink and pencil.

Duration: Approximately 6 min.

 55) Appalachian spring : ballet for Martha [ballet] 75/55 Appalachian spring. 55 Ms. Full score; 101 leaves; 37.5 cm. (bound).

Note: Holograph in ink on transparent paper.

On title page: To Elizabeth Sprague Coolidge.

At end: Hollywood New York Cambridge, Mass. 1943-44.

{Filed with Coolidge Collection, ML 29c .C8 case.}

 75/55.1 Appalachian spring. 55.1 Ms. (ozalid). Full score; 101 leaves; 38 cm. (bound).

Note: Copy of manuscript score ARCO 55, with holograph markings in ink and colored pencil.

On title page: To Elizabeth Sprague Coolidge.

At end: Hollywood New York Cambridge, Mass. 1943-44.

{Filed with Coolidge Collection, ML 29c .C8 case.}

 76/55.2 Appalachian spring : original version for 13 instruments. 55.2 Ms. (ozalid). Full score; 101 p.; 38 cm. (spiral bound).

Note: Copy of manuscript score ARCO 55, with holograph markings in ink.

On title page: To Elizabeth Sprague Coolidge.

At bottom of first page of music: Copyright 1958 by Aaron Copland and Boosey & Hawkes, Inc.

At end: Hollywood - New York - Cambridge, Mass. 1943-44.

 76/55.3 Appalachian spring (ballet for Martha) : 13 instrument version / as danced by Martha Graham's Company. 55.3 Ms. (ozalid). Full score; 101 p.; 37 cm. (bound).

Note: Copy of manuscript score ARCO 55, with holograph markings in pencil throughout.

Typescript attached to title page recto: Note on Various Versions of Appalachian Spring.

At end: Hollywood - New York - Cambridge, Mass. 1943-44.

 76/55.4 Appalachian spring. 55.4 Ms. (photocopy). Full score; 101 leaves; 37 cm.

Note: Copy of manuscript score ARCO 55.

At end: Hollywood - New York - Cambridge, Mass. 1943-44.

 76/55.5 Appalachian spring. 55.5 Ms. Rough sketches (2 folders); various paginations; various sizes.

Note: Holographs in pencil.

{Filed with Coolidge Collection, ML 29c .C8 case.}

 77/55.6 Appalachian spring. 55.6 Ms. (photocopy). Rough sketches; 25 leaves; various sizes.

Note: Copy of original holograph rough sketches ARCO 55.5.

 76/55 misc Appalachian spring. 55 misc Mss. (photocopies). Miscellaneous pages from the ballet score; [27] leaves; various sizes.

Note: Holograph markings in ink and pencil throughout.

Laid in, handwritten note: Pages from complete ballet score - original version - not used in suite from the ballet.

 55-A) Appalachian spring [suite] 77/55-A Appalachian spring. 55-A Ms. (ozalid). Full score; 131 p; 35 cm. (spiral bound).

Note: Copy of holograph score with holograph markings in ink and pencil throughout.

 77/55-A.1 Appalachian spring. 55-A.1 Ms. Full score (insert); 32 leaves; 38 cm.

Note: Holograph in ink and pencil on transparent paper.

At head: No. 6 Insert for complete ballet suite (orch. version); (Interpolate at page 78 of printed score).

 77/55-A.2 Appalachian spring. 55-A.2 Ms. (ozalid). Full score (insert); 32 leaves; 38 cm.

Note: Copy of manuscript score ARCO 55-A.1.

At head: Insert for complete ballet - full orch. version. (Interpolate at page 78 of printed score).

 28/55-Aa Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes, [1945]. 55-Aa Full score; 82 p.

c1945 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9054.

Note: Holograph markings in pencil throughout.

Duration: Approx. 25 min.

 28/55-Ab Appalachian spring : Ballet for Martha. London: Boosey & Hawkes, [1945]. 55-Ab Full score; 82 p.

c1945 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9054.

Inscribed on title page: To Mrs. Elizabeth Coolidge who commissioned this work with deep gratitude - Aaron Copland Jan. 1945.

Duration: Approx. 20 min.

{Filed with Coolidge Collection, ML 29c .C8 case.}

 28/55-Ac Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes, [1945]. 55-Ac Full score (miniature); 82 p.

c1945 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9054.

Ser. title: Hawkes Pocket Scores, No. 82.

Note: Holograph markings in pencil throughout.

Duration: Approx. 20 min.

 28/55-Ad Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes, [1958]. 55-Ad Full score (miniature); 82 p.

c1945 in U.S.A. by hawkes & Son (London).

Plt.: B. & H. 9054.

Ser. title: Hawkes Pocket Scores, No. 82.

Duration: Approx. 20 min.

 28/55-Ae Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes, [1968]. 55-Ae Full Score; 82 p. Duration: Approx. 20 min.

c1945 by Aaaron Copland.

Plt.: B. & H. 9054.

 28/55-Af Appalachian spring. Peking, China: People's Music, 1982. 55-Af Full score (miniature); 82 p.

c[1945]

Note: Front cover and title page information in Mandarin Chinese. Holograph translation in pencil of title on front cover and title page.

Included with item are two concert programs also in Mandarin Chinese.

 55-B) Appalachian spring [piano work] 28/55-B Appalachian spring. 55-B Ms. Piano reduction; 50 leaves (in mylar); 38 cm.

Note: Holograph in ink on transparent paper.

At end: Cambridge, Mass. June 1944.

{Filed with Coolidge Collection, ML 29c .C8 case.}

 77/55-B.1 Appalachian spring. 55-B.1 Ms. (ozalid). Piano reduction; 50 p.; 38 cm.

Note: Copy of manuscript score ARCO 55-B, with holograph markings in pencil throughout.

At end: Cambridge, Mass. June 1944.

 77/55-B.2 Appalachian spring : excerpts from the ballet. 55-B.2 Ms. (ozalid). Piano reduction (incomplete); [27] leaves; 38 cm.

Note: Copy of manuscript score ARCO 55-B, with Holograph markings in pencil throughout.

 77/55-B.3 Appalachian spring. 55-B.3 Ms. (photocopy). Piano reduction (incomplete); 48 leaves; 41 cm.

Note: Copy of manuscript score ARCO 55-B.

 55-C) Appalachian spring : version for 13 instruments [suite] 77/55-C Appalachian spring. 55-C Ms. (ozalid). Full score for 13 instruments; 22 p.; 38.5 cm.

Note: Copyist's manuscript with holograph markings in ink and pencil throughout.

At head in Copland's hand: insert for complete ballet (interpolate at rehearsal no. 65 of printed score).

 28/55-Ca Appalachian spring (ballet for Martha) : version for 13 instruments. London: Boosey & Hawkes, [1972]. 55-Ca Full score; 66 p. (2 copies).

c1945, 1958 by Aaron Copland; first publication of original version copyright 1972 by Aaron Copland.

Plt.: B. & H. 19979.

Note: Holograph markings in pencil throughout Copy 1.

Duration: Approx. 20 min.

 28/55-Cb Appalachian spring (ballet for Martha) : version for 13 instruments. London: Boosey & Hawkes, [1972]. 55-Cb Full score (miniature); 66 p. (2 copies).

c1945, 1958 by Aaron Copland; first publication of original version copyright 1972 by Aaron Copland.

Plt.: B. & H. 19979.

Ser. title: Hawkes Pocket Scores, No. 876.

 55-D) Appalachian spring [two pianos] 28/55-Da Appalachian spring : ballet for Martha / arranged for two pianos four hands by Melissa Postnikoff. S.l.: s.n., [1984]. 55-Da Score for two pianos; 49 p. (spiral bound).

c1945; this version copyright 1984 by Melissa Postnikoff.

Note: Privately published

 56) Jubilee variation [orchestra] 28/56 Jubilee variation. 56 Ms. (photocopy). Full score; 14 leaves; 34 cm. 28/56.1 Jubilee variation. 56.1 Ms. Orchestral sketch; [8] p.; 32 cm.

Note: Holograph in pencil.

On title page: For the Cincinnati Symphony orchestra.

 57) Cummington story [incidental music] 29/57 Cummington story. 57 Ms. Full score; various paginations (129 leaves); 34.5 cm.

Note: Holograph in pencil.

Laid in: Typescripts of cue sheets for Reel 1 (2 documents) and Reel 2; typescript of "Cummington Story Commentary".

All documents contain holograph markings in pencil.

 29/57.1 Cummington story. 57.1 Ms. Piano reduction (draft); [51] p.; 32 cm.

Note: Holograph in pencil.

 29/57.2 Cummington story. 57.2 Ms. Rough sketches; [13] p.;32 cm.

Note: Holograph in pencil.

 58) Third symphony [orchestra] 29/58 Third symphony. 58 Ms. Full score; 255 + 3 leaves; 38 cm.

Note: Holograph in ink on transparent paper.

On title page: To the memory of my dear friend Natalie Koussevitsky.

Commissioned by the Koussevitsky Music Foundation.

Laid in: Letter from Gertrude Smith to Dr. Harold Spivacke, Chief of the Music Division, dated July 14, 1954 regarding definitive cut made at the end of Third Symphony: the three additional leaves included with this item (insert of pp. 251-253) represent Copland's new cut version.

{Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}

 29/58.1 Third symphony. 58.1 Ms. (ozalid). Full score; 255 p.; 38 cm. (bound in 2 volumes).

Note: Copy of holograph score ARCO 58, without definitive cut; holograph markings in pencil throughout.

At end: Sept. 29, 1946.

{Filed with Koussevitsky Collection, ML 30 .3e2.C6 case.}

 30/58.2 Third symphony. 58.2 Ms. (ozalid). Full score; 253 p.; 38 cm. (3 volumes, spiral bound).

Note: Copy of holograph score ARCO 58, with definitive cut overlaid; markings in pencil and ink throughout.

Initialed "L.B." (Leonard Bernstein).

 78/58.3 Third symphony. 58.3 Ms. (ozalid). Full score; 255 p.; 38 cm. (2 volumes, spiral bound).

Note: Copy of holograph score ARCO 58, without definitive cut; holograph markings in pencil throughout.

At end: Sept. 29, 1946.

 78/58.4 [Third symphony]. 58.4 Ms. (ozalid). Full score (insert); 3 p. + 3 leaves; 38 cm.

Note: Definitive cut made in Third Symphony by Aaron Copland.

Includes negative photostat of same.

Original holograph insert (pp. 251-253) included with manuscript full score ARCO 58.

 78/58.5 Third symphony. 58.5 Mss. Orchestral sketches; various paginations; various sizes.

Note: Holographs in pencil.

{Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}

 78/58.6 Third symphony. 58.6 Mss. Sketches; [7] p.; various sizes.

Note: Holographs in pencil.

 78/58 misc Third symphony. 58 misc Mss. Miscellaneous pages from full score; 7 leaves; 30.5-38.5 cm.

Note: Holographs in ink and pencil on transparent paper.

At head of first leaf: Corrections in Third Symphony by Aaron Copland.

 78/58a Third symphony. [New York]: Boosey & Hawkes, [1947]. 58a Full score, with original ending (miniature); 155 p.

c1947 by Boosey & Hawkes.

Plt.: B. & H. 15966.

Ser. title: Hawkes Pocket Scores.

Note: Contains holograph markings in pencil.

Laid in: Typescript of corrections and cuts in Third Symphony.

 30/58b Third symphony. London: Boosey & Hawkes, [1947]. 58b Full score, with revised ending; 153 p. (bound).

c1947 by Boosey & Hawkes.

Plt.: B. & H. 15966.

Note: Holograph markings in pencil throughout.

 78/58c Third symphony (revised 1966). 58c London: Boosey & Hawkes, [1966] Full score; 153 p.

c1947 by Aaron Copland.

Plt.: B. & H. 15966.

Note: Holograph markings in ink and pencil throughout.

 58-A) Third symphony [piano sketch] 78/58-A Third symphony. 58-A Ms. Piano sketch; 71 leaves; 34 cm.

Note: Holograph in ink on transparent paper, with holograph markings in pencil..

 78/58-A.1 Third symphony. 58-A.1 Ms. (ozalid). Piano sketch; [76] p. + 7 leaves; 36 cm.

Note: Copy of original manuscript piano sketch ARCO 58-A, with holograph markings in ink and pencil.

Item includes 6 leaves of holograph revisions in pencil.

{Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}

 78/58-A.2 [Third symphony]. 58-A.2 Ms. (ozalid). Piano sketch; [71] p.; 36 cm.

Note: Copy of original manuscript ARCO 58-A, with holograph markings in pencil.

At end: Finished Sept. 29, '46.

 78/58-A misc Third symphony. 58-A misc Mss. Miscellaneous pages from open score; 4 leaves; 34 cm.

Note: Holographs in ink and pencil.

 59) In the beginning [chorus] 31/59 In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. 59 Ms. Score for mixed chorus; 46 leaves; 34.5 cm.

Note: Holograph in ink on transparent paper.

English text from Genesis Chap. I:1-II:7.

At end: April 4, 1947.

On microfilm: MUSIC 1906, Item 25.

 31/59.1 In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. 59.1 Ms. (photostat). Score for mixed chorus (miniature); 46 p.; 28 cm.

Note: This score is a miniaturized reproduction of holograph score ARCO 59; holograph markings in ink and pencil throughout as well as markings by others.

English text from Genesis I:1-II:7.

At end: April 4, 1947.

 31/59.2 In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. 59.2 Ms. (photostat). Score for mixed chorus (miniature); 46 p.; 28 cm.

Note: This score is a miniaturized reproduction of holograph score ARCO 59.

Includes holograph dedication to Nadia Boulanger in ink.

On title page: "N.B./de/A,C./Mai '47" in hand of Nadia Boulanger.

English text from Genesis I:1-II:7.

At end: April 4, 1947.

 31/59.3 In the beginning : mixed chorus / a cappella / with mezzo-soprano solo. 59.3 Ms. Vocal score; 51 p.; various sizes.

Note: Holograph in pencil.

Item also includes rough sketches.

On microfilm: MUSIC 1906, Item 25.

 31/59a In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. [New York]: Boosey & Hawkes, [1947]. 59a Score for mixed chorus; 56 p.

c1947 by Boosey & Hawkes.

Plt.: In the beginning-55.

Note: Holograph markings in pencil throughout.

English text from Genesis I:1-II:7.

 31/59b In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. [New York]: Boosey & Hawkes, n.d. 59b Score for mixed chorus; 56 p. (2 copies).

c1947 by Boosey & Hawkes.

Plt.: In The Beginning-55.

Note: Copy 1 contains holograph markings in pencil throughout.

English text from Genesis I:1-II:7.

Duration: 17 min.

 60) Four piano blues : piano blues [piano work] 31/60 Four piano blues. 60 Ms. Piano solo; 13 leaves; 34.5 cm.

Note: Holograph in ink on transparent paper.

At end: 1926 New York.

Although completion date for Four Piano Blues is 1948, these four pieces were actually composed between 1926 and 1948.

On microfilm: MUSIC 1906, Item 2A.

 31/60.1 Four piano blues. 60.1 Ms. (ozalid). Piano solo; 13 p.; 34.5 cm.

Note: Copy of holograph score ARCO 60, with holograph markings in ink and pencil.

 31/60.2 "Blues 1". 60.2 Ms. (ozalid). Piano solo; 3 p.; 34.5 cm.

Note: Copy of holograph score ARCO 60.

At end: Apr. 9, '47 Boston.

 31/60.3 "Blues 1". 60.3 Ms. (ozalid). Piano solo; 3 p.; 34.5 cm.

Note: Copy of holograph score ARCO 60.

At end: Apr. 9, '47 Boston.

 31/60.4 Four piano blues. 60.4 Ms. Sketch for piano solo; 19 p.; various sizes.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item, 2A.

 31/60a Four piano blues. [New York]: Boosey & Hawkes, [1957]. 60a Piano solo; 15 p.

c1949 in U.S.A. by Boosey & Hawkes.

Note: Holograph markings in pencil throughout.

 31/60b "Three piano blues". [New York]: Boosey & Hawkes, [1949]. 60b Piano solo; 15 p.

c1949 in U.S.A. by Boosey & Hawkes.

Note: Contains holograph markings in pencil.

On front cover: "Incorrect copy -- withdrawn because of [errors on] cover."

 31/60c Four piano blues. [New York]: Boosey & Hawkes, [1957]. 60c Publisher's proof. Piano solo; 6 p.

c1949 in U.S.A. by Boosey & Hawkes.

On front cover: "Mixed-up copy."

Includes 8 pages from Quiet City score.

 60-A) Four piano blues [chamber orchestra] 31/60-A Four piano blues. 60-A Ms. Score for chamber orchestra (incomplete draft); 37 p.; 36 cm.

Note: Holograph in pencil.

On page 11: "Orchestrated in 1978."

CONTENTS:

"1st blues" "2nd blues" (near complete) "3rd blues" (incomplete)

"4thblues" not included.

 31/60-A misc Four piano blues. 60-A misc Mss. (photocopy). Miscellaneous pages from score for chamber orchestra; 4 leaves. 61) The heiress [incidental music] 79/61 The heiress. 61 Ms. Condensed score; 207 leaves; 36.5 cm. (bound).

Note: Holograph in pencil of the motion picture score.

Typescript of scenario precedes each musical setting.

This volume presented to the Library of Congress by Paramount Pictures Corporation, Hollywood, California on March 15, 1950.

 79/61.1 The heiress. 61.1 Ms. (photostat). Conductor score; various paginations; 30.5 cm. (bound).

Note: Copy of copyist's manuscript; orchestration by Van Cleave.

Music composed for the Paramount motion picture, The Heiress.

 32/61.2 The heiress. 61.2 Ms. (photostat). Conductor score; various paginations; 30 cm. (in two folders).

Note: Copy of copyist's manuscript; orchestration by Van Cleave with holograph markings in pencil.

Composed for the Paramount Corporation motion picture, The Heiress.

 32/61.3 The heiress. 61.3 Ms. Sketches; 3 leaves; 34.5 cm.

Note: Holograph in pencil.

 61-A) The heiress [suite] 32/61-A The heiress : suite / reconstructed by Arnold Freed (1990). 61-A Ms. (photocopy). Full score; 51 p.; 38 cm. (spiral bound).

Note: Copy of copyist's manuscript.

On verso of title page: As commissioned by Peter Bay and the Rochester Philharmonic Orchestra in commemoration of the composer's ninetieth birthday, November 14, 1990.

Duration: 9:00.

 62) Concerto for clarinet [chamber work] 80/62 Concerto for clarinet (for Benny Goodman) : and string orchestra / with harp and piano. 62 Ms. Full score; 91 leaves; various sizes.

Note: Holograph in ink on transparent paper.

At end: Snedens Landing Oct. 21, 1948.

On microfilm: MUSIC 1906, Item 9.

 80/62.1 Concerto for clarinet (for Benny Goodman) : and string orchestra / with harp and piano. 62.1 Ms. (ozalid). Full score; 91 p.; 38 cm. (spiral bound).

Note: Copy of holograph score ARCO 62, with markings in colored ink.

At end: Snedens Landing Oct. 21, 1948.

 80/62.2 Concerto for clarinet. 62.2 Ms. Sketches; 59 leaves; various sizes.

Note: Holographs in pencil and ink.

On microfilm: MUSIC 1906, Item 8.

 80/62a Concerto for clarinet : and string orchestra / with harp and piano. London: Boosey & Hawkes, [1952]. 62a Full score; 42 p.

c1952 by Aaron Copland.

Plt.: B. & H. 17942.

Note: Holograph markings in ink and pencil throughout.

Duration: 17 1/2 min.

 80/62b Concerto for clarinet : and string orchestra / with harp and piano. London: Boosey & Hawkes, [1952]. 62b Full score (miniature); 42 p. (2 copies).

c1952 by Aaron Copland.

Plt.: B. & H. 17942.

Ser. title: Hawkes Pocket Scores, No. 831.

Duration: 17 1/2 min.

 62-A) Concerto for clarinet [clarinet & piano] 80/62-A Concerto for clarinet : and string orchestra / with harp and piano / arranged for clarinet and piano by the composer. 62-A Ms. Score for clarinet and piano, and clarinet part; 37 + 13 + 3 leaves; 34.5 cm.

Note: Holograph in ink with pencil markings on transparent paper.

On microfilm: MUSIC 1906, Item 10.

 80/62-A.1 Concerto for clarinet : and string orchestra / with harp and piano ; arranged for clarinet and piano by the composer. 62-A.1 Ms. (ozalid). Score for clarinet and piano, and clarinet part; 36 + 13 p.; 34.5 cm.

Note: Copy of holograph score ARCO 62-A, with markings in pencil.

 80/62-A.2 Concerto for clarinet : and string orchestra / with harp and piano / arranged for clarinet and piano. 62-A.2 Ms. (ozalid). Score for clarinet and piano; 36 p.; 34.5 cm.

Note: Copy of holograph score ARCO 62-A, with holograph markings in pencil.

 80/62-Aa Concerto for clarinet : and string orchestra / with harp and piano / reduction for clarinet and piano. [New York]: Boosey & Hawkes, [1950]. 62-Aa Score for clarinet and piano, and clarinet part; 27 + 11 p.

c1950 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 16656.

 80/62-Ab Concerto for clarinet : and string orchestra / with harp and piano / reduction for clarinet and piano. [New York]: Boosey & Hawkes, [1970]. 62-Ab Score for clarinet and piano, and 2 clarinet parts; 27 + 11 p.

c1950 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 16656.

 63) The red pony [incidental music] 114-115/63 The red pony. 63 Ms. Full score (in 11 folders); various paginations; various sizes.

Note: Manuscript in pencil orchestrated by Nathan G. Scott and Dale Butts.

Includes folder of holograph miscellaneous notes in pencil, and a pamphlet binder containing typescript (with holograph markings in pencil) of the Shooting Script for the film.

 33/63.1 The red pony : original manuscript. 63.1 Ms. Open score; 171 p.; 33 cm.

Note: Holograph in pencil.

On accompanying folder: Original manuscript - January 29-March 26, 1948.

On microfilm: MUSIC 1906, Item 44.

 81/63.2 The red pony. 63.2 Ms. (ozalid). Conductor score; various paginations; 31.5 cm. (bound).

Note: Copyist's manuscript with holograph markings in pencil throughout.

 81/63.3 The red pony. 63.3 Mss. (ozalid). Conductor scores; various paginations; 30.5 cm. (2 sets).

Note: Copyist's manuscripts, both sets contain holograph markings in pencil throughout.

These sets are identical to ARCO 63.1, except for differing holograph markings.

 82/63.4 The red pony. 63.4 Mss. (ozalids). Conductor scores (extra copies); various paginations; 30.5 cm.

Note: Copyist's manuscripts with holograph markings in pencil.

Identical to ARCO 63.1, except for differing holograph markings.

 82/63.5 The red pony. 63.5 Ms. Sketches; 4 leaves; 34.5 cm.

Note: Holograph in pencil.

 63-A) The red pony [suite] 83/63-A The red pony. 63-A Ms. Full score; 161 leaves; 34.5 cm.

Note: Holograph in ink on transparent paper.

Missing leaves: 147-151, 153-155.

Includes folder of holograph miscellaneous notes in pencil.

On microfilm: MUSIC 1906, Item 45.

 83/63-A.1 The red pony. 63-A.1 Ms. (ozalid). Full score; 161 p.; 39 cm. (spiral bound).

Note: Copy of holograph orchestral score ARCO 63-A, with holograph markings in pencil.

 115/63-A.2 The red pony. 63-A.2 Ms. Full score; 85 leaves; 50 cm.

Note: Manuscript in pencil by David Walker.

 83/63-A.3 The red pony : children's suite. 63-A.3 Ms. (photocopy). Full score; 71 leaves; 35.5 cm. 34/63-Aa The red pony : film suite for orchestra. New York: Boosey & Hawkes, [1951]. 63-Aa Full score; 119 p. (3 copies).

c1951 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 16898.

Note: All copies contain holograph markings in pencil throughout.

Copy 1 bound.

On front cover of Copy 2: With band indications.

On front cover of Copy 3: Copy with incorrect binding.

Duration: Approx. 21 min.

 34/63-Ab The red pony : film suite for orchestra. London: Boosey & Hawkes, [1954]. 63-Ab Full score (miniature); 119 p.

c1951 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 16898.

Ser. title: Hawkes Pocket Scores, No. 670.

Duration: Approx. 21 min.

 34/63-Ac The red pony : film suite for orchestra. London: Boosey & Hawkes, [1964]. 63-Ac Full score; 119 p.

c1951 by Aaron Copland.

Plt.: B. & H. 16898.

Note: Holograph markings in pencil throughout.

Duration: Approx. 21 min.

 34/63-Ca The red pony : film suite for band. New York: Boosey & Hawkes, [1969]. 63-Ca Full score; 88 p. (2 copies).

c1951; this arrangement copyright 1969 by Aaron Copland.

Plt.: Q.M.B. 357.

Ser. title: Symphonic Band Series, No. 357.

Note: Holograph markings in pencil throughout Copy 1.

 64) Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [orchestra] 103/64 [Preamble (for a solemn occasion)]. 64 Ms. Full score; 22 leaves; 38.5 cm.

Note: Holograph in ink on transparent paper.

At end: Aug. 16-Sept. 5, '49, Snedens Landing.

On microfilm: MUSIC 1906, Item 91.

 103/64.1 Preamble : for a solemn occasion / for orchestra with speaking voice. 64.1 Ms. (ozalid). Full score; 22 p.; 38.5 cm. (spiral bound).

Note: Copy of holograph score ARCO 64, with holograph markings in pencil.

Text from the Preamble to the United Nations Charter.

Commissioned by the National Broadcasting Company for the United Nations.

At end: Aug. 16-Sept. 5,'49 Snedens Landing.

 103/64.2 Preamble / for orchestra and speaking voice. 64.2 Ms. Piano reduction; 6 leaves; 34.5 cm.

Note: Holograph in ink on transparent paper.

Piano reduction by the composer.

Duration: 5:42.

At end: Aug. 16-Sept. 5, '49.

 103/64.3 Preamble (for a solemn occasion). 64.3 Ms. Sketches; 20 p.; various sizes.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 91.

 103/64.4 "Preamble to the United Nations". 64.4 Mss. String parts; 34 cm.

Note: Copyist's manuscripts in ink on transparent paper.

 103/64.5 "Preamble (for the United Nations)" / for orchestra and speaking voice. 64.5 Copy of manuscript in the hand of Julia Smith. Full score; [21] leaves; 36 cm.

Note: Text from the Preamble to the United Nations Charter; Commissioned by the National Broadcasting Co.

Item includes five measures of transcriptions of Copland's Sextet and The Heiress.

Stamped in red: U of NT [University of North Texas] Music Library.

 103/64a Preamble : for a solemn occasion. London: Boosey & Hawkes, [1953]. 64a Full score; 15 p. (2 copies).

c1953 by Boosey & Hawkes.

Plt.: B. & H. 17289.

Note: Both copies contain holograph markings in pencil throughout.

Duration: Approx. 6 min.

 64-A) Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [organ] 103/64-A Preamble (for a solemn occasion). 64-A Ms. Score for organ; 7 leaves; 33.5 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 91.

 103/64-Aa Preamble (for a solemn occasion) / for pipe or Hammond organ. New York: Boosey & Hawkes, [1955]. 64-Aa Organ score; 6 p.

c1955 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 18033.

Duration: Approx. 6 min.

 64-B) Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [symphonic band] 103/64-B Preamble : for a solemn occasion / arranged for symphonic band by the composer. 64-B Ms. Full score; 15 leaves; 50 cm.

Note: Holograph in pencil.

 103/64-Ba Preamble : for a solemn occasion. New York: Boosey & Hawkes, [1974]. 64-Ba Full score; 16 p. (3 copies).

c1953; arrangement for symphonic band 1974.

Plt.: Q.M.B. 387.

Duration: Approx. 6 min.

 65) Old American songs, first set : arranged by Aaron Copland 103/65 Old American songs, first set : arranged by Aaron Copland. 65 Ms. Piano-vocal score; 21 leaves; 35.5 cm.

Note: Holograph in ink on transparent paper with holograph markings in pencil.

English text.

At end: 1945.

CONTENTS:

1) "The boatman's song" 2) "The dodger" 3) "Long time ago" 4) "Simple gifts" 5) "I bought me a cat"

On microfilm: MUSIC 1906, Item 89.

 103/65.1 Old American songs, first set : adapted by Aaron Copland. 65.1 Ms. (ozalid). Score for voice and orchestra; 63 p.; 38.5 cm.

Note: Contains holograph and other markings in pencil .

English text.

CONTENTS:

1) "The boatman's song" 2) "The dodger" 3) "Long time ago" 4) "Simple gifts" 5) "I bought me a cat" 103/65.2 Old American songs, first set : for voice and orchestra / adapted by Aaron Copland. 65.2 Ms. (ozalid). Score for voice and orchestra; 63 p.; 38.5 cm. (spiral bound).

Note: Contains some holograph markings in ink and pencil throughout.

 103/65.3 Old American songs, first set : arranged by Aaron Copland. 65.3 Ms. Piano-vocal sketch (incomplete); 22 p.; 32 cm.

Note: Holograph in pencil.

English text.

Laid in: List of 50 Old American Songs, original versions of "De boatman's dance" and "On the lake where drooped the willow" with historical notes about each piece.

On microfilm: MUSIC 1906, Item 89.

 103/65.4 No. 4, "Simple gifts" : No. 5, "I bought me a cat" / arranged by Aaron Copland / transcribed for voice and guitar by Gregg Nestor (1950; this arr. 1984). S.l.: Boosey & Hawkes, [1984]. 65.4 Publisher's proofs (photocopies). Score for voice and guitar; 3 p. (pp. 33-35) + 6 p. (pp. 24-29).

c1950 by Aaron Copland; this arrangement copyright 1984 by Copland.

 103/65a Old American songs (newly arranged) : first set / by Aaron Copland. New York: Boosey & Hawkes, [1950]. 65a Piano-vocal score; 24 p.

c1950 in U.S.A. by Boosey & Hawkes.

Plt.: U.S. Bk. 229.

English text.

CONTENTS:

1) "The boatman's dance" 2) "The dodger" 3) "Long time ago" 4) "Simple gifts" (Shaker song) 5) "I bought me a cat" 103/65d Old American songs : first and second sets / adapted and arranged by Aaron Copland (1950-52) [selections]. London: Boosey & Hawkes, [1962]. 65d Full orchestral score (miniature); 81 p. Ser. title: Hawkes Pocket Scores, No. 830.

c1950-54 by Aaron Copland; orchestral version copyright 1962 by Aaron Copland.

Plt.: B. & H. 18857.

English text.

Total duration of First and Second Sets: Approx. 25 min.

 103/65e Twelve folk song arrangements by Benjamin Britten, Matyas Seiber, Aaron Copland / transcribed for voice and guitar by Gregg Nestro [selections]. London: Boosey & Hawkes, [1984]. 65e Score for voice and guitar; 41 p. (2 copies).

c1950-54 by Aaron Copland; this arrangement copyright 1984 by Aaron Copland.

English text.

Works attributed to Aaron Copland include:

"I bought me a cat" "At the river" "Simple gifts" "Ching-a-ring chaw" 65-A) No. 1, "The boatman's dance": from Old American songs, first set 103/65-A "The boatman's dance" [treble instrument & piano]. 65-A Ms. Score for violin and piano; [4] p. (pp. 4-7); 30 cm.

Note: Manuscript in ink, hand unknown.

 103/65-Aa "The boatman's dance" / adapted by Aaron Copland / transcribed for baritone solo and four part men's chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]. 65-Aa Choral score (TTBB) with piano accompaniment; 8 p.

c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Boosey & Hawkes.

Plt.: B. & H. 17111.

English text.

Adapted from the minstrel song, "The boatman's dance", by David D. Emmett (1843).

 103/65-Ab "The boatman's dance" / adapted by Aaron Copland ; transcribed for baritone solo and mixed chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]. 65-Ab Choral score (SATB) with piano accompaniment; 8 p.

c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Boosey & Hawkes.

Plt.: B. & H. 17112.

Note: Holograph markings in ink, pencil and crayon throughout.

English text.

Adapted from the minstrel song, "The boatman's dance", by David D. Emmett (1843).

 103/65-Ac "The boatman's dance" / arranged by Aaron Copland ; transcribed for baritone solo and mixed chorus by Irving Fine [chorus]. London: Boosey & Hawkes, [1952]. 65-Ac Choral score (SATB) with piano accompaniment; 8 p.

c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Aaron Copland.

Plt.: B. & H. 17112.

Ser. title: Boosey's Modern Festival Series, No. 493.

Note: Contains holograph markings in pencil.

English text.

Adapted from the minstrel song, "The boatman's dance", by David D. Emmett (1943).

 65-B) No. 2, "The dodger": from Old American songs, first set 103/65-Ba Old American songs : No. 2, "The dodger" / adapted by Aaron Copland / transcribed for baritone solo and four part men's chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]. 65-Ba Choral score (TTBB) with piano accompaniment; 8 p.

c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Boosey & Hawkes.

Plt.: B. & H. 17113.

Note: Holograph markings in ink, pencil, and crayon throughout.

English text.

 65-C) No. 3, "Long time ago": from Old American songs, first set 103/65-Ca "Long time ago" / adapted by Aaron Copland / transcribed for chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]. 65-Ca Choral score (SATB) with piano accompaniment; 7 p.

c1950 by Boosey & Hawkes; choral adaptation 1952 by Boosey & Hawkes.

Plt.: B. & H. 17114.

Note: Holograph markings in ink, pencil, and crayon throughout.

English text.

 103/65-Cb "Long time ago" / arranged by Aaron Copland [song]. New York: Boosey & Hawkes, [1958]. 65-Cb Piano-vocal score; 4 p.

c1950 in U.S.A. by Boosey & Hawkes; separate edition, 1958.

Plt.: S. 2585.

English text.

 103/65-Cc "Long time ago" / arranged by Aaron Copland / choral adaptation by Ken Straker [chorus]. London: Boosey & Hawkes, [1960]. 65-Cc Choral score (SSA) with piano accompaniment; 7 p.

c1950 by Boosey & Hawkes; this arrangement copyright 1960 by Boosey & Hawkes.

Plt.: B. & H. 18751.

Ser. title: Boosey & Hawkes and Winthrop Rogers Editions, M.F.S. No. 704.

English text.

 65-D) No. 4, "Simple gifts" (Shaker song): from Old American songs, first set 103/65-Da "Simple gifts" (Shaker song) / adapted by Aaron Copland / transcribed for chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]. 65-Da Choral score (SA or TB) with piano accompaniment; 4 p.

c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Boosey & Hawkes.

Plt.: B. & H. 17115.

Note: Holograph markings in ink, pencil, and crayon throughout.

English text.

 103/65-Db "Simple gifts" (Shaker song) / adapted by Aaron Copland / transcribed for chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]. 65-Db Choral score (SA or TB) with piano accompaniment; 4 p.

c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Boosey & Hawkes.

Plt.: B. & H. 17115.

English text.

 103/65-Dc "Simple gifts" (Shaker song) / adapted by Aaron Copland / transcribed for chorus by Irving Fine [chorus]. London: Boosey & Hawkes, [1952]. 65-Dc Choral score (SA or TB) with piano accompaniment; 4 p.

c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Aaron Copland.

Plt.: B. & H. 17115.

Ser. title: Boosey's Modern Festival Series, No. 165.

English text.

 103/65-Dd "Simple gifts" (Shaker song) / arranged by Aaron Copland [song]. New York: Boosey & Hawkes, [1958]. 65-Dd Piano-vocal score; 3 p.

c1950 in U.S.A. by Boosey & Hawkes; separate edition, 1958.

Plt.: S. 2584.

English text.

 65-E) No. 5, "I bought me a cat" (children's song): from Old American songs, first set 103/65-Ea No. 5, "I bought me a cat" (children's song) / adapted by Aaron Copland / transcribed for tenor and soprano solo and mixed chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]. 65-Ea Choral score (SATB) with piano accompaniment; 14 p.

c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Boosey & Hawkes.

Plt.: B. & H. 17117.

Note: Holograph markings in ink, pencil, and crayon throughout.

 103/65-Eb No. 5, "I bought me a cat" (children's song) / adapted by Aaron Copland / transcribed for three part men's chorus and solos by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]. 65-Eb Choral score (TBB) with piano accompaniment; 16 p.

c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Boosey & Hawkes.

Plt.: B. & H. 17116.

English text.

 103/65-Ec No. 5, "I bought me a cat" (children's song) / arranged by Aaron Copland [song]. New York: Boosey & Hawkes, [1958]. 65-Ec Piano-vocal score; 8 p.

c1950 in U.S.A. by Boosey & Hawkes; separate edition, 1958.

Plt.: S. 2583.

English text.

 103/65-Ed No. 5, "I bought me a cat" (children's song) / arranged by Aaron Copland / choral adaptation by Ken Straker [chorus]. London: Boosey & Hawkes, [1959]. 65-Ed Choral score (SSA); 10 p.

c1950 by Boosey & Hawkes; choral adaptation copyright 1959 by Boosey & Hawkes.

Plt.: B. & H. 18545.

Ser. title: Winthrop Rogers Festival Series.

English text.

 66) Twelve poems of Emily Dickinson [songs] 84/66 Twelve poems of Emily Dickinson : set to music by Aaron Copland. 66 Ms. Piano-vocal score; 51 leaves; 34.5 cm.

Note: Holograph in ink on transparent paper.

English text.

At end: April 10, 1949.

CONTENTS:

1) "Nature, the gentlest mother" 2) "There came a wind like a bugle" 3) "Why do they shut me out of heaven?" 4) "The world feels dusty" 5) "Heart, we will forget him" 6) "Dear March, come in!" 7) "Sleep is supposed to be" 8) "When they come back" 9) "I felt a funeral in my brain" 10) "I've heard an organ talk sometimes" 11) "Going to heaven!" 12) "The chariot"

On microfilm: MUSIC 1906, Item 38.

 84/66.1 Twelve poems of Emily Dickinson : set to music by Aaron Copland. 66.1 Ms. (ozalid). Piano-vocal score; 51 p.; 35 cm. (spiral bound).

Note: Copy of holograph score ARCO 66, with holograph markings in ink and pencil.

English text.

At end: April 10, 1949.

 84/66.2 Twelve poems of Emily Dickinson : set to music by Aaron Copland. 66.2 Ms. (ozalid). Piano-vocal scores; 51 p.; 36.5 cm.

Note: Copy of holograph score ARCO 66 (nos. 1-12), with holograph and other markings in ink and pencil throughout.

English text.

At end: April 10, 1949.

 84/66.3 Twelve poems of Emily Dickinson : set to music by Aaron Copland. 66.3 Ms. Piano-vocal sketches; 144 p.; various sizes.

Note: Holograph in pencil.

English text.

On microfilm: MUSIC 1906, Item 38.

 84/66.4 No. 3, "Why do they shut me out of heaven?" / set to music by Aaron Copland. 66.4 Ms. (ozalid). Piano-vocal score; 3 leaves; 35.5 cm.

Note: Copy of holograph score ARCO 66, No. 3.

English text.

At end: Sept. 27, '49.

 84/66.5 No. 3, "Why do they shut me out of heaven?" / set to music by Aaron Copland. 66.5 Ms. (ozalid). Piano-vocal score; 3 p.; 36 cm.

English text.

At end: Sept. 27, '49.

 84/66.6 No. 4, "The world feels dusty" / set to music by Aaron Copland. 66.6 Ms. Piano-vocal score; 2 leaves; 34 cm.

Note: Holograph in ink on transparent paper.

English text.

At end: March 28, '49.

 84/66.7 No. 4, "The world feels dusty" / set to music by Aaron Copland. 66.7 Ms. Piano-vocal score; 2 p.; 38 cm.

Note: Holograph in ink, text in typescript.

English text.

Duration: 1 min. 45 secs.

 84/66.8 No. 7, "Sleep is supposed to be" / set to music by Aaron Copland. 66.8 Ms. Piano-vocal score; 4 p.; 31.5 cm.

Note: Holograph in ink.

English text.

 84/66.9 No. 10, "I've heard an organ talk sometimes" / set to music by Aaron Copland. 66.9 Ms. Piano-vocal score; 3 leaves; 35.5 cm.

Note: Holograph in ink on transparent paper.

English text.

At end: Oct. 11, 1949.

 84/66.10 No. 10, ["I've heard an organ talk sometimes"]. 66.10 Ms. Organ score; 4 p.; 34.5 cm.

Note: Holograph in pencil.

At head: Piece for viola and organ (based on material from Dickinson song X - A.C. 1959).

At bottom of page 1: (Possible arr. For viola & piano.)

 84/66.11 No. 10, "I've heard an organ talk sometimes" / set to music by Aaron Copland. 66.11 Ms. (ozalid). Piano-vocal score; [2] p. (pp. 38-39); 35 cm.

Note: Copy of holograph score ARCO 66, No. 10, with holograph and other markings in regular and red pencil.

English text.

At head: Alberto Ginastera.

At end: Oct. 11, 1949.

 84/66.12 [No. 10, "I've heard an organ talk sometimes"]. 66.12 Ms. Score (sketch) for violin and organ (or piano); 16 p.; 34.5 cm.

Note: Holograph in ink and pencil.

At head: I've heard an organ talk sometimes in a cathedral aisle.

Sketch in pencil of violin part in hand of David Walker.

 84/66.13 No. 11, "Going to heaven!" / set to music by Aaron Copland. 66.13 Ms. (ozalid). Piano-vocal score; [7] p. (pp. 40-46); 35.5 cm.

Note: Copy of holograph score ARCO 66, No. 11, with holograph markings in ink and pencil and other markings in pencil.

English text.

At head: To Lukas Foss.

At end: Jan. 13, '50.

 84/66.14 No. 12, "The chariot" / set to music by Aaron Copland. 66.14 Ms. Piano-vocal score; 3 p.; 38 cm.

Note: Holograph in ink, text in typescript.

English text.

 84/66.15 "(Nine) poems of Emily Dickinson : set to music by A.C." 66.15 Ms. Sketches, 145 p.; 32 cm.

Note: Holograph in pencil.

Laid in: Typescript of "Nature, the gentlest mother" and "I felt a funeral in my brain", with holographic annotations in pencil; stamped page 137..

On microfilm: MUSIC 1906, Item 39.

 84/66 misc Twelve poems of Emily Dickinson. 66 misc Miscellaneous typescripts and holograph sketch notes relating to the work; 7 leaves 84/66a Twelve poems of Emily Dickinson : set to music by Aaron Copland. London: Boosey & Hawkes, [1951]. 66a Piano-vocal score; 45 p.

c1951 by Boosey & Hawkes.

Plt.: B. & H. 17865.

Note: Holograph markings in pencil throughout.

English text.

Duration: Approx. 27 min. 33 sec.

CONTENTS:

1) "Nature, the gentlest mother" 2) "There came a wind like a bugle" 3) "Why do they shut me out of heaven?" 4) "The world feels dusty" 5) "Heart, we will forget him" 6) "Dear March, come in!" 7) "Sleep is supposed to be" 8) "When they come back" 9) "I felt a funeral in my brain" 10) "I've heard an organ talk sometimes" 11) "Going to heaven!" 12) "The chariot" 84/66b [No. 5], "Heart, we will forget him" / set to music by Aaron Copland. London: Boosey & Hawkes, [1952]. 66b Piano-vocal score; 3 p.

c1951 by Boosey & Hawkes.

Plt.: B. & H. 17865.

English text.

Duration: 2 min., 10 sec.

 84/66b [No. 6], "Dear March, come in!" / set to music by Aaron Copland. London: Boosey & Hawkes, [1952]. 66b Piano-vocal score; 7 p.

c1951 by Boosey & Hawkes.

Plt.: B. & H. 17865.

English text.

Duration: 2 min., 15 sec.

 84/66b [No. 10], "I've heard an organ talk sometimes" / set to music by Aaron Copland. London: Boosey & Hawkes, [1952]. 66b Piano-vocal score; 3 p.

c1951 by Boosey & Hawkes.

Plt.: B. & H. 17865.

English text.

Duration: 1 min., 50 sec.

 84/66b [No. 11], "Going to heaven!" / set to music by Aaron Copland. London: Boosey & Hawkes, [1952]. 66b Piano-vocal score; 7 p.

c1951 by Boosey & Hawkes.

Plt.: B. & H. 17865.

English text.

Duration: 2 min., 40 sec.

 84/66c Twelve poems of Emily Dickinson : set to music by Aaron Copland. New York: Boosey & Hawkes, [1960]. 66c Piano-vocal score; 45 p.

c1951 by Aaron Copland.

Plt.: B. & H. 17865.

Note: Contains some holograph markings in pencil.

English text.

Duration: Approx. 27 min., 33 sec.

The actual publication date of this edition is unknown.

 66-A) Twelve poems of Emily Dickinson [voice & orchestra] 84/66-A Twelve poems of Emily Dickinson : set to music by Aaron Copland [voice & orchestra] (1950; orchestrated 1965). 66-A Ms. Full score (incomplete); 16 leaves; 38.5 cm.

Note: Copy of holograph in ink.

English text.

 67) Quartet for piano and strings [chamber work] 84/67 Quartet for piano and strings. 67 Ms. Score for piano and strings; 43 leaves; 34 cm.

Note: Holograph in ink on transparent paper.

At end: Oct. 20, 1950 Snedens Landing, N.Y.

{Filed with Coolidge Collection, ML 29c .C8 case.}

 35/67.1 Quartet for piano and strings. 67.1 Ms. (ozalid). Score for piano and strings, and string parts (violin, viola, violoncello); 43 + 10 + 10 + 10 p; 35 cm. (4 bound volumes).

Note: Piano score is copy of holograph score ARCO 67; each volume contains holograph markings in pencil.

At end: Oct. 20, 1950 Snedens Landings, N.Y.

See ARCO 43.6 for row.

 35/67.2 Quartet for piano and strings. 67.2 Ms. Piano sketches (rough sketches and first draft); various paginations; various sizes.

Note: Holograph in pencil.

{Filed with Coolidge Collection, ML 29c .C8 case.}

 35/67.3 Quartet for piano and strings. 67.3 Copy of manuscript in the hand of Julia Smith. Score for piano and strings; 26 leaves; 36 cm.

Stamped in red: U of NT [University of North Texas] Music Library.

 35/67 misc Quartet for piano and strings. 67 misc Ms. Miscellaneous pages from piano score; 4 leaves; 34.5 cm.

Note: Holograph in ink with markings in pencil.

 35/67a Quartet for piano and strings. London: Boosey & Hawkes, [1952]. 67a Score for piano and strings; 6 p. (2 copies, Copy 1 bound and includes string parts).

c1952 by Boosey & Hawkes.

Plt.: B. & H. 17983.

At end: Oct. 20, 1950 Sneden's Landing.

Duration: 21 min.

 35/67b Quartet for piano and strings. New York: Boosey & Hawkes, [1957]. 67b Score for piano and strings; 36 p.

c1952 by Boosey & Hawkes.

Plt.: B. & H. 17983.

At end: Oct 20, 1950 Sneden's Landing.

Duration: 21 min.

 35/67c Quartet for piano and strings. London: Boosey & Hawkes, [1961]. 67c Score for piano and strings (miniature); 36 p.

c1952 by Boosey & Hawkes.

Plt.: B. & H. 17983.

Ser. title: Hawkes Pocket Scores, No. 671.

Note: Volume has incorrect title page.

 68) Old American songs, second set : newly adapted by Aaron Copland 36/68 Old American songs, second set : newly adapted by Aaron Copland. 68 Ms. Piano-vocal score; 27 leaves; 34.5 cm.

Note: Holograph in ink on transparent paper.

English text.

CONTENTS:

1) "The little horses" 2) "Zion's walls" 3) "The golden willow tree" 4) "At the river" 5) "Ching-a-ring chaw"

On microfilm: MUSIC 1906, Item 89.

 36/68.1 Old American songs, second set : adapted for voice and orchestra by Aaron Copland. 68.1 Ms. (ozalid). Full score; 74 p.; 38.5 cm.

Note: Contains holograph and other markings in ink and pencil.

English text.

CONTENTS:

1) "The little horses" 2) "Zion's walls" 3) "The golden willow tree" 4) "At the river" 5) "Ching-a-ring chaw" 36/68.2 Old American songs, second set : adapted by Aaron Copland [voice & orchestra]. 68.2 Ms. (ozalid). Full score; 74 p.; 38.5 cm. (spiral bound).

Note: Same ozalid reproduction as ARCO 68.1 with holograph markings in pencil throughout.

English text.

 36/68.3 Old American songs, second set : adapted by Aaron Copland [songs]. 68.3 Ms. Piano-vocal sketches; various paginations; various sizes.

Note: Holographs in pencil and ink.

On microfilm: MUSIC 1906, Item 89.

 36/68.4 No. 4, "At the river" : No. 5 "Ching-a-ring chaw" / arranged by Aaron Copland / transcribed for voice and guitar by Gregg Nestor (1952; this arr. 1984). S.l.: Boosey & Hawkes, [1984]. 68.4 Publisher's proofs (photocopies). Score for voice and guitar; [3] p. (pp. 30-32) + [6] p. (pp. 36-41).

c1950 by Aaron Copland; this arrangement copyright 1984 by Copland.

Note: Contains holograph markings in ink.

 36/68 misc Old American songs : Second Set / adapted by Aaron Copland. 68 misc Miscellaneous items related to Old American songs; includes published piano-vocal score for the original version of "Ching-a-ring chaw". 37/68a Old American songs, second set : adapted by Aaron Copland. London: Boosey & Hawkes, [1954]. 68a Piano-vocal score; 28 p.

c1954 by Boosey & Hawkes.

Plt.: B. & H. 17485.

Note: Holograph markings in pencil throughout.

English text.

CONTENTS:

1) "The little horses" 2) "Zion's walls" 3) "The golden willow tree" 4) "At the river" 5) "Ching-a-ring chaw" 37/68b Old American songs, second set : adapted by Aaron Copland. New York: Boosey & Hawkes, [1965]. 68b Piano-vocal score; 32 p.

c1954 by Boosey & Hawkes.

Plt.: B. & H. 17485.

English text.

 37/68c Old American songs : first and second sets / adapted by Aaron Copland [voice & orchestra]. London: Boosey & Hawkes, [1962]. 68c Full score; 81 p. (3 copies).

c1950-54 by Boosey & Hawkes; orchestral version copyright 1962 by Boosey & Hawkes.

Plt.: B. & H. 18857.

English text.

Holograph markings in pencil and crayon throughout Copy 1 and Copy 2; Copy 1 is bound.

Laid in Copy 1: Two holograph notes in pencil.

Copy 2 has five selections indexed.

Duration of Second Set: Approx. 12 min.

 37/68d Twelve folk song arrangements by Benjamin Britten, Matyas Seiber, Aaron Copland / transcribed for voice and guitar by Gregg Nestro [selections]. London: Boosey & Hawkes, [1984]. 68d Score for voice and guitar; 41 p. (2 copies; one copy filed with First Set (ARCO 65); the other copy filed with Second Set (ARCO 68).

c1950-54 by Aaron Copland; this arrangement copyright 1984 by Aaron Copland.

English text.

Works attributed to Aaron Copland include:

"I bought me a cat" "At the river" "Simple gifts" "Ching-a-ring chaw" 68-A) No. 1, "The little horses": from Old American songs, second set 37/68-Aa "The little horses" / adapted by Aaron Copland [song]. New York: Boosey & Hawkes, [1962]. 68-Aa Piano-vocal score; 4 p.

c1954 by Boosey & Hawkes; separate edition 1962.

Plt.: 2631.

English text.

 37/68-Ab "The little horses" / adapted by Aaron Copland / choral arrangement by R. Wilding White [chorus]. New York: Boosey & Hawkes, [1965]. 68-Ab Choral score (SA) with piano accompaniment; 7 p. (2 copies).

c1954 by Aaron Copland; this arrangement copyright 1965 by Aaron Copland.

Plt.: Oct. 5508.

English text.

 37/68-Ac "The little horses" / adapted by Aaron Copland / choral arrangement by R. Wilding White [chorus]. New York: Boosey & Hawkes, [1965]. 68-Ac Choral score (SSA) with piano accompaniment; 8 p.

c1954 by Aaron Copland; this arrangement copyright 1965 by Aaron Copland.

Plt.: Oct. 5509.

Note: Holograph markings in pencil and crayon throughout.

English text.

 37/68-Ad "The little horses" / adapted by Aaron Copland / choral arrangement by R. Wilding White [chorus]. New York: Boosey & Hawkes, [1965]. 68-Ad Choral score (TTBB) with piano accompaniment; 8 p.

c1954 by Aaron Copland; this arrangement copyright 1965 by Aaron Copland.

Plt.: Oct. 5510.

English text.

 68-B) No. 2, "Zion's walls": from Old American songs, second set 37/68-Ba "Zion's walls" / adapted by Aaron Copland / choral arrangement by Glenn Koponen. New York: Boosey & Hawkes, [1982]. 68-Ba Choral score (SATB) with piano accompaniment; 11 p. (3 copies).

c1954 by Aaron Copland; renewed 1982; this arrangement copyright 1982 by Aaron Copland.

Plt.: OC4B6070.

English text.

 68-D) No. 4, "At the river": from Old American songs, second set 37/68-Da "At the river" / adapted by Aaron Copland [song]. New York: Boosey & Hawkes, [1962]. 68-Da Piano-vocal score; 4 p.

c1954 by Boosey & Hawkes.

Plt.: 2630.

English text.

 37/68-Db "At the river" / adapted by Aaron Copland / choral arrangement by R. Wilding White. New York: Boosey & Hawkes, [1964]. 68-Db Choral score (SA) with piano accompaniment; 6 p.

c1954 by Aaron Copland; this arrangement copyright 1964 by Aaron Copland.

Plt.: Oct. 5511.

English text.

 37/68-Dc "At the river" / adapted by Aaron Copland / choral arrangement by R. Wilding White. New York: Boosey & Hawkes, [1964]. 68-Dc Choral score (SSA) with piano accompaniment; 8 p. (3 copies).

c1954 by Aaron Copland; this arrangement copyright 1964 by Aaron Copland.

Plt.: Oct. 5512.

Note: Copy 1 contains holograph markings in pencil.

English text.

 37/68-Dd No. 4, "At the river" / adapted by Aaron Copland / choral arrangement by R. Wilding White. New York: Boosey & Hawkes, [1964]. 68-Dd Choral score (SATB) with piano accompaniment; 8 p.

c1954 by Aaron Copland; this arrangement copyright 1964 by Aaron Copland.

Plt.: Oct. 5513.

Note: Contains some holograph markings in pencil.

English text.

 37/68-De No. 4, "At the river" / adapted by Aaron Copland / choral arrangement by R. Wilding White. New York: Boosey & Hawkes, [1965]. 68-De Choral score (TTBB) with piano accompaniment; 8 p.

c1954 by Aaron Copland; this arrangement copyright 1964 by Aaron Copland.

Plt.: Oct. 5514.

English text.

 68-E) No. 5, "Ching-a-ring chaw": from Old American songs, second set 37/68-Ea No. 5, "Ching-a-ring chaw" / arranged by Aaron Copland [song]. London: Boosey & Hawkes, [1954]. 68-Ea Score for unison voices with piano accompaniment; 7 p.

c1954 by Boosey & Hawkes.

Plt.: B. & H. 18742.

Ser. title: Winthrop Rogers Festival Series.

English text.

 37/68-Eb No. 5, "Ching-a-ring chaw" / adapted by Aaron Copland / arranged for chorus by Irving Fine. London: Boosey & Hawkes, [1955]. 68-Eb Choral score (SATB) with piano accompaniment; 15 p.

c1954 by Aaron Copland; this arrangement copyright 1955 by Aaron Copland.

Plt.: B. & H. 19216.

Note: Holograph markings in ink, pencil, and crayon throughout.

English text.

 37/68-Ec No. 5, "Ching-a-ring chaw" / adapted by Aaron Copland ; arranged for chorus by Irving Fine. London: Boosey & Hawkes, [1955]. 68-Ec Choral score (SSAA) with piano accompaniment; 10 p.

c1954 by Aaron Copland; choral arrangement copyright 1955 by Aaron Copland.

Plt.: B. & H. 19217.

English text.

 37/68-Ed No. 5, "Ching-a-ring chaw" / adapted by Aaron Copland ; arranged for chorus by Irving Fine. New York: Boosey & Hawkes, [1955]. 68-Ed Choral score (SATB) with piano accompaniment; 15 p.

c1954 by Boosey & Hawkes; choral arrangement copyright 1955 by Boosey & Hawkes.

Plt.: B.H. Oct. 5024.

English text.

 37/68-Ee No. 5, "Ching-a-ring chaw" / adapted by Aaron Copland ; arranged for chorus by Irving Fine. New York: Boosey & Hawkes, [1955]. 68-Ee Choral score (SSAA) with piano accompaniment; 10 p. (2 copies).

c1954 by Boosey & Hawkes; choral arrangement copyright 1955 by Boosey & Hawkes.

Plt.: B.H. Oct. 5025.

English text.

 37/68-Ef No. 5, "Ching-a-ring chaw" / adapted and arranged by Aaron Copland. New York: Boosey & Hawkes, [1965]. 68-Ef Choral score (TTBB) with piano accompaniment; 10 p.

c1954 by Aaron Copland; this arrangement copyright 1965 by Aaron Copland.

Plt.: Oct. 5518.

English text.

 69) The tender land [opera] 85/69 The tender land. 69 Ms. Full score; 428 leaves; 38.5 cm. (3 folders).

Note: Holograph in ink on transparent paper.

English text.

At end: March 12, 1954 (orchestration; 27, 1954).

Duration: 1 hour, 42 min.

 85A/69.1 The tender land. 69.1 Ms. (ozalid). Full score; 428 p.; 38.5 cm. (3 bound volumes).

Note: Holograph ink, pencil, and crayon markings throughout.

English text.

At end: March 12, 1954 (orchestration; 27, 1954).

Duration: 1 hour, 42 min.

 85A/69.2 The tender land. 69.2 Ms. Full score; 17 leaves (pp. 310-326); 38 cm.

Note: Holograph in ink.

English text.

On attached note: "Original duet - Act II, Scene II of Tender Land."

 85A/69.3 The tender land. 69.3 Ms. (ozalid). Full score; 16 p. (pp. 311-326); 38.5 cm.

Note: Copy of holograph score ARCO 69.2, with holograph markings in pencil and crayon throughout.

English text.

At head: "Original duet in Act II, Scene II before revision."

 85A/69.4 The tender land. 69.4 Ms. (ozalid). Full score insert; pp. 75 A through 75 T; 38.5 cm.

English text.

At head: "Extra copy of insert Act I - Tender Land orch. score."

 86A/69.5 The tender land. 69.5 Ms. Orchestral sketches; 180 p. + 6 p.; various sizes.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 65.

 86A/69.6 The tender land. 69.6 Ms. Rough sketches; various paginations; various sizes. Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 66.

 86A/69.7 "The promise of living" / excerpt from the opera score [song]. 69.7 Ms. Full score; 20 p. (pp. 141-160); 38 cm. (spiral bound).

Note: Holograph in ink and pencil; not entirely in Copland's hand.

English text.

 86A/69.8 "Stomp your foot" / excerpt from the opera score [song]. 69.8 Ms. Full score; 31 p. (pp. 192-222); 38 cm. (bound).

Note: Holograph in ink and pencil.

English text.

 86A/69 misc-A & misc-B The tender land. 69 misc-A & misc-B Miscellaneous leaves from orchestral score.

Libretto in typescript, published libretto (2 copies, 1 annotated), handwritten script notes, etc.

Note: Holograph markings in ink and pencil throughout.

Includes gift of Erik Johns [pseud. Horace Everett] : manuscript libretto in hand of Erik Johns; annotated typescript entitled "Graduatis Harvest" changed to title "The Picket Fence Horizon" with manuscript notes; annotated typescript entitled "The Picket Fence Horizon."

English text.

 69-A) The tender land [piano-vocal] 87/69-A The tender land : opera in three acts / libretto by Horace Everett [pseud. Horace Everett] ; music by Aaron Copland. 69-A Ms. Piano-vocal score; 177 leaves + 5 leaf insert (pp. 133-137); 38 cm.

Note: Holograph in ink and pencil on transparent paper.

English text.

At bottom of page 177: March 12, 1954.

On microfilm: MUSIC 1906, Item 67.

 87/69-A.1 The tender land : opera in two acts / libretto by Horace Everett [pseud. Erik Johns] ; music by Aaron Copland. 69-A.1 Ms. (ozalid). Piano-vocal score; 127 p.; 38.5 cm. (in 2 spiral bound volumes).

Note: Copy of Acts I and II from ograph score ARCO 69-A, with Holograph markings in pencil throughout.

English text.

 87/69-A.2 The tender land : Act III. 69-A.2 Ms. (ozalid). Piano-vocal score; 44 p. (pp. 128-170); 38.5 cm.

Note: Copy of Act III from holograph score ARCO 69-A, with Holograph markings in pencil throughout.

English text.

At bottom of page 170: March 12, 1954.

 87/69-A.3 The tender land. 69-A.3 Ms. (ozalid). Piano-vocal insert for Act III; 12 leaves (pp. 133-144); 39.5 cm.

Note: Holograph markings in pencil throughout.

English text.

 87/69-A.4 The tender land. 69-A.4 Ms. (ozalid). Piano-vocal insert for Act III; 10 p. (Z1-Z10); 38.5 cm. (2 copies).

Note: Copies of a portion of Act III from holograph score ARCO 69-A.

English text.

 87/69-A misc The tender land. 69-A misc Mss. (holographs and ozalids). Miscellaneous pages and fragments from piano-vocal scores.

Note: Holographs in ink on transparent paper and ozalid reproductions with pencil markings throughout.

 38/69-Aa The tender land : opera in three acts / libretto by Horace Everett [pseud. of Erik Johns] ; vocal score by the composer. New York: Boosey & Hawkes, [1956]. 69-Aa Piano-vocal score; 203 p. (2 copies).

c1956 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 17711.

Note: Holograph markings in pencil throughout both copies.

English text.

Duration: 1 hr. 40 min.

 69-B) "Stomp your foot" [song]: from The tender land 38/69-Ba "Stomp your foot" / arranged for mixed voices with piano duet accompaniment ; words by Horace Everett [pseud. of Erik Johns] ; music by Aaron Copland. New York: Boosey & Hawkes, [1954]. 69-Ba Score for mixed voices (SATB) with piano duet; 19 p. (4 copies).

c1954 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. Oct. 5019.

Note: Holograph markings in pencil in Copy 1 through Copy 3.

English text.

 38/69-Bb "Stomp your foot" / arranged for male voices with piano duet accompaniment ; words by Horace Everett [pseud. of Erik Johns] ; music by Aaron Copland (1954) [song]. New York: Boosey & Hawkes, [1954]. 69-Bb Score for male voices (TTBB) with piano duet; 19 p. (2 copies).

c1954 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. Oct. 5136.

English text.

 69-C) "The promise of living": from The tender land 38/69-Ca The tender land : "The promise of living" / quintet arranged for mixed chorus with piano duet accompaniment [song]. New York: Boosey & Hawkes, [1954]. 69-Ca Score for mixed chorus (SATBB) with piano duet accompaniment; 19 p. (3 copies).

c1954 in U.S.A. by Boosey & Hawkes.

Plt.: B.H. Oct. 5020.

Note: Holograph markings in pencil in Copy 1.

English text.

 69-D) "Laurie's song" [song]: from The tender land 38/69-D "Laurie's song" [song]. New York: Boosey & Hawkes, [1956]. 69-D Publisher's proofs First and second proofs, 2 page holograph fragment of piano-vocal score, and pages 25-30 of published edition of The tender land vocal score; 7 + 6 + 2 + 6 p. (2 copies; page 7 of second proof not included).

c1956 by Boosey & Hawkes; this version copyright 1958 by Boosey & Hawkes.

Plt.: S. 2582.

Note: Holograph ink and pencil markings throughout.

English text.

First proof reveals original title as "Once I Thought".

 38/69-Da "Laurie's song" / text by Horace Everett [pseud. of Erik Johns]. New York: Boosey & Hawkes, [1958]. 69-Da Piano-vocal score; 7 p.

c1956 by Boosey & Hawkes; this version copyright 1958 by Boosey & Hawkes.

Plt.: S. 2582.

English text.

 70) Dirge in woods [song] 39/70 Dirge in woods : words by George Meredith. 70 Ms. Piano-vocal score; 5 leaves; 35.5 cm.

Note: Holograph in ink on transparent paper.

English text.

On title page: Written especially in honor of Nadia Boulanger's fiftieth year of teaching.

At end: June 5, '54.

 39/70.1 Dirge in woods : words by George Meredith. 70.1 Ms. (ozalid). Piano-vocal score; 5 p.; 36 cm.

English text.

On title page: Written especially in honor of Nadia Boulanger's fiftieth year of teaching; "NB/de AC/1954."

At end: June 5, '54.

On microfilm: MUSIC 1906, Item 74.

 39/70.2 Dirge in woods : words by G. Meredith. 70.2 Ms. Piano-vocal rough pencil sketch; 9 p.; 32 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 74.

 39/70.3 Dirge in woods. 70.3 Ms. Pages from piano-vocal score; 3 leaves; 35.5 cm.

Note: Holograph in ink with holograph markings in pencil on transparent paper.

English text.

 39/70.4 Dirge in woods. New York: Boosey & Hawkes, [1957]. 70.4 Publisher's proof. Piano-vocal score; 5 leaves

c1957 in U.S.A. by Boosey & Hawkes.

Plt.: S. 2574.

Note: Holograph markings in pencil throughout.

English text. Words by George Meredith.

 39/70a Dirge in woods : words by George Meredith. New York: Boosey & Hawkes, [1957]. 70a Piano-vocal score; 5 p.

c1957 in U.S.A. by Boosey & Hawkes.

Plt.: S. 2574.

English text.

On title page recto: Written especially in honor of Nadia Boulanger's fiftieth year teaching.

 71) Canticle of freedom [chorus & orchestra] 88/71 Canticle of freedom. 71 Ms. Score for chorus (SATB) and orchestra; 77 leaves; 38.5 cm.

Note: Holograph in ink on transparent paper, with some markings in pencil.

English text by John Barbour.

On title page: "Pp. 1-32 of original (1955) version (NOT TO BE USED!) A.C. (revised 1966)."

At end: March 27, 1955.

Laid in: One holograph leaf in pencil titled "Revision of Canticle of Freedom".

 88/71.1 Canticle of freedom. 71.1 Ms. (ozalid). Score for chorus (SATB) and orchestra; 77 p.; 39.5 cm. (spiral bound).

Note: Copy of holograph score ARCO 71, with holograph and other markings in pencil throughout.

English text by John Barbour.

On cover: Original version of 1955 (not to be played in this version).

At end: March 27, 1955.

 88/71.2 Canticle of freedom. 71.2 Ms. (ozalid). Full score (incomplete); 32 p.; 38.5 cm.

Note: Holograph markings in pencil throughout.

At head: Original version of 1955 (to p. 32) (not to be played).

 88/71.3 Canticle of freedom. 71.3 Ms. Condensed score; original pencil sketch (32 + 2 p.) accompanied by rough sketches in pencil (various paginations); 34.5 cm.

Note: Holographs in pencil.

On microfilm: MUSIC 1906, Item 3.

 88/71.4 "Let us now praise famous men". 71.4 Ms. Sketches for choral work (unfinished); various paginations; various sizes.

Note: Holographs in pencil and typescript.

English text.

On title page: "Let us now praise famous men" sketches for choral work (1949) (unfinished) (on which is based later Canticle of freedom)."

 88/71.5 Canticle of freedom. 71.5 Ms. (positive photostat). Condensed score for mixed chorus and orchestra (miniature); 11 leaves; 28 cm.

Note: Holograph markings in pencil.

English text.

At head: Choral coda from Canticle of freedom (text by John Barbour - 1320 (?)-1395).

At end: March 13, 1955 N.Y.

 71-A) Canticle of freedom [chorus & piano] 88/71-Aa Canticle of freedom : text by John Barbour. New York: Boosey & Hawkes, [1955]. 71-Aa Score for mixed chorus (SATB) and piano; 16 p.

c1955 in U.S.A. by Boosey & Hawkes.

Plt.: B.H. Oct. 5059.

Note: Holograph markings in pencil throughout.

English text.

Commissioned by the Massachusetts Institute of Technology.

Duration: Approx. 16 min.

 88/71-Ab Canticle of freedom : text by John Barbour. New York: Boosey & Hawkes, [1955]. 71-Ab Score for mixed chorus (SATB) and piano; 16 p. (2 copies).

c1955 in U.S.A. by Boosey & Hawkes.

Plt.: B.H. Oct. 5059.

Note: Holograph markings in pencil throughout Copy 1.

English text

Commissioned by the Massa- chusetts Institute of Technology.

Duration: Approx. 16 min.

 71-B) Canticle of freedom [chorus & orchestra] 88/71-B Canticle of freedom : for mixed chorus and orchestra / text by John Barbour. 71-B Ms. Full score (revised version); 22 leaves; 38.5 cm.

Note: Manuscript in pencil by David Walker; holograph title page and page of preliminary notes.

On title page: Original version completed 1955, pages 1-77 complete (withdrawn - not to be played) A.C.

Revised version, completed 1966; New pages 1-20; then pages 33-77 of original version.

 88/71-B.1 Canticle of freedom : for mixed chorus and orchestra / text by John Barbour. 71-B.1 Ms. (ozalid). Full score (revised version); 20 p.; 38 cm.

Note: Copy of original manuscript score ARCO 71-B; manuscript in the hand of David Walker.

English text.

 88/71-B misc Canticle of freedom. 71-B misc Mss. Miscellaneous original (1955) pages from revised (1965) version; 16 p.; various sizes.

Note: Holographs in ink and pencil, with typescript and manuscript text in ink and pencil.

English text.

 88/71-Ba Canticle of freedom. New York: Boosey & Hawkes, [1968]. 71-Ba Full score; 52 p. (3 copies, Copy 2 bound).

c1955; full score copyright 1968 by Aaron Copland.

Plt.: F.S. 332.

Note: Holograph markings in pencil throughout Copy 1.

English text by John Barbour.

Commissioned by the Massachusetts Institute of Technology.

Duration: Approx. 13 min.

 72) Symphonic ode [orchestra] 88/72 Symphonic ode. 72 Ms. Full score; 81 leaves; 44.5 cm.

Note: Holograph in ink on transparent paper.

On title page: Commissioned in celebration of the 75th season of the Boston Symphony Orchestra, Charles Munch, Music Director.

Dedicated to the memory of Serge and Natalie Koussevitsky.

{Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}

 89/72.1 Symphonic ode. 72.1 Ms. (ozalid). Full score; 81 p.; 44.5 cm. (bound).

Note: Copy of holograph score ARCO 72.

On title page: Commissioned in celebration of the 75th season of the Boston Symphony Orchestra, Charles Munch, Music Director.

Dedicated to the memory of Serge and Natalie Koussevitsky.

 89/72.2 Symphonic ode. 72.2 Ms. (ozalid). Full score; 81 p.; 44.5 cm.

Note: Copy of holograph score ARCO 72.

 89/72.3 Symphonic ode. 72.3 Ms. Orchestral sketches; 4 leaves (5 p.); various sizes.

Note: Holograph in pencil.

 89/72a Symphonic ode. London: Boosey & Hawkes, [1957]. 72a Full score; 69 p. (4 copies, Copy 1 (bound).

c1957 by Boosey & Hawkes.

Plt.: B. & H. 18266.

Note: Holograph markings in pencil and crayon throughout copies 1 through 3.

On third preliminary page: Commissioned in celebration of the 75th season of the Boston Symphony Orchestra, Charles Munch, Music Director.

The original version of this work (now withdrawn) was composed in 1928-29, in celebration of the Boston Symphony Orchestra's 50th season.

 89/72b Symphonic ode. New York: Boosey & Hawkes, [1957]. 72b Full score (miniature); 69 p.

c1957 by Boosey & Hawkes.

Plt.: B. & H. 18266.

Ser. title: Hawkes Pocket Scores, No. 706.

 73) "Variations on a Shaker melody": from Appalachian spring [band] 40/73a Variations on a Shaker melody : from Appalachian spring. New York: Boosey & Hawkes, [1960]. 73a Full score and conductor score; 18 p. (2 copies).

c1960 by Boosey & Hawkes.

Plt.: Q.M.B. 236.

Ser. title: Q.M.B. Edition, No. 236.

Note: Holograph markings in pencil throughout Copy 1.

 40/73aa Variations on a Shaker melody : from Appalachian spring. New York: Boosey & Hawkes, [1960]. 73aa Band parts.

c1960 by Boosey & Hawkes.

Plt.: Q.M.B. 236.

Ser. title: Q.M.B. Edition, No. 236.

 74) Piano fantasy [piano work] 90/74 Piano fantasy. 74 Ms. Piano solo; 56 leaves; 35.5 cm.

Note: Holograph in ink on transparent paper.

On second preliminary page: Commissioned by the Juilliard School of Music, William Schumann, President, on the occasion of its fiftieth anniversary celebration, and dedicated to the memory of William Kapell.

At end: Finished Jan. 19, '57.

Duration: 30 min.

On microfilm: MUSIC 1906, Item 75.

 90/74.1 Piano fantasy. 74.1 Ms. (ozalid). Piano solo; 56 p.; 34.5 cm. (spiral bound).

Note: Copy of holograph score ARCO 74, with holograph markings in ink and pencil.

On verso of title page: Commissioned by the Juilliard School of Music, William Schumann, President, on the occasion of its fiftieth anniversary celebration, and dedicated to the memory of William Kapell.

At end: Finished Jan. 19, '57.

Duration: 30 min.

 90/74.2 Piano fantasy. 74.2 Ms. Piano solo; (draft); 75 p.; various sizes.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 75.

 90/74.3 Piano fantasy. 74.3 Ms. Rough piano sketches; 133 p.; various sizes.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 75.

 90/74.4 Piano fantasy. New York: Boosey & Hawkes, [1957]. 74.4 Publisher's proof. Piano solo; 45 leaves.

c1957 by Boosey & Hawkes.

Plt.: B. Pa. 173.

Note: Holograph and other markings in ink and pencil throughout.

 90/74 misc Piano fantasy. 74 misc Ms. Miscellaneous leaves from the piano score; 16 leaves; various sizes.

Note: Holographs in ink on transparent paper, and photocopies of pages from published score; includes holograph two page tone row and composition structure outline for Piano fantasy in ink and pencil.

 90/74a Piano fantasy. New York: Boosey & Hawkes, [1957]. 74a Piano solo; 45 p. (2 copies, Copy 1 bound).

c1957 by Boosey & Hawkes.

Plt.: B. Pa. 173.

On title page: Commissioned by the Juilliard School of Music, William Schuman, President, on the occasion of its fiftieth anniversary celebration, and dedicated to the memory of William Kapell.

 75) The world of Nick Adams [incidental music] 91/75 The world of Nick Adams. 75 Ms. (ozalid). Full score; 85 p.; 41 cm. 91/75.1 The world of Nick Adams. 75.1 Ms. (photocopy). Full score; 83 leaves; 43.5 cm.

At bottom of first leaf: From CBS series 7 Lively Arts (TV drama).

 91/75.2 The world of Nick Adams. 75.2 Ms. Original pencil sketches (piano version); 51 p.; 39-43.5 cm.

Note: Holograph in pencil.

On accompanying folder: World of Nick Adams, original music for TV show - Nov. 10, '57.

 91/75 misc The world of Nick Adams. 75 misc

Typescript of The World of Nick Adams, a CBS-TV production from the drama series, 7 Lively Arts.; 77 leaves.

Note: Heavily marked.

 76) Orchestral variations: from Piano variations [arranged] 92/76 Orchestral variations : based on Piano variations (of 1930). 76 Ms. Full score; 73 leaves; 38 cm.

Note: Holograph in ink on transparent paper.

On second preliminary leaf: Commissioned by the Louisville Orchestra, Robert Whitney, Musical Director.

At end: Dec. 31, 1957.

Includes one page holograph first sketch score in pencil.

Duration: circa 12 min.

 92/76.1 Orchestral variations : based on Piano variations (of 1930). 76.1 Ms. (ozalid). Full score; 73 p.; 39 cm.

Note: Copy of holograph score ARCO 76, with holograph and other markings in ink and pencil throughout; some markings may be by David Walker.

At end: Dec. 31, 1957.

On microfilm: MUSIC 1906, Item 69.

 92/76.2 Orchestral variations : based on Piano variations. 76.2 Ms. (ozalid). Full score; 73 p.; 38 cm. (spiral bound).

Note: Copy of holograph score ARCO 76.

On second preliminary page: Commissioned by the Louisville Orchestra, Robert Whitney, Musical Director.

At end: Dec. 31, 1957.

Duration: circa 12 min.

 92/76.3 Orchestral variations : based on Piano variations. 76.3 Ms. (ozalid). Full score; 73 p.; 43.5 cm.

Note: Copy of holograph score ARCO 76, with holograph markings in pencil and/or crayon throughout.

On second preliminary page: Commissioned by the Louisville Orchestra, Robert Whitney, Musical Director.

At end: Dec. 31, 1957.

Duration: circa 12 min.

 92/76a Orchestral variations. London: Boosey & Hawkes, [1960]. 76a Full score; 62 p. (3 copies, Copy 1 bound).

c1932 (Piano Variations); orchestral version copyright 1960 by Boosey & Hawkes.

Plt.: F.S. 226.

Note: Holograph markings in pencil throughout Copy 1 and Copy 2.

On verso of title page: Commissioned by the Louisville Orchestra, Robert Whitney, Musical Director.

Duration: Approx. 12 min.

Based on Piano Variations - 1930.

 92/76b Orchestral variations. London: Boosey & Hawkes, [1960]. 76b Full score (miniature); 62 p.

c1932 (Piano Variations); orchestral version copyright 1960 by Boosey & Hawkes.

Plt.: F.S. 226.

On verso of title page: Commissioned by the Louisville Orchestra, Robert Whitney, Musical Director.

Duration: Approx. 12 min.

Based on Piano Variations - 1930.

 77) The tender land [suite] 93/77 The tender land : orchestral suite from the opera. 77 Ms. Full score; 100 leaves; 38 cm.

Note: Holograph in ink and pencil.

 93/77.1 The tender land : orchestral suite from the opera. 77.1 Ms. (black line print). Full score; 100 leaves (30 + 70 p.); 43 cm.

Note: Copy of holograph score ARCO 77, with holograph markings in ink and pencil throughout.

 93/77.2 The tender land : orchestral suite from the opera. 77.2 Ms. Full score (incomplete); 17 leaves; 38.5 cm.

Note: Holograph in ink.

 93/77 misc The tender land : orchestral suite from the opera. 77 misc Miscellaneous performance notes for orchestral suite; 5 leaves

Note: Holographs in ink and pencil.

 93/77a The tender land : orchestral suite from the opera. London: Boosey & Hawkes, [1960]. 77a Full score; 92 p. (3 copies, Copy 1 bound).

c1956 by Boosey & Hawkes; orchestral suite copyright 1960 by Boosey & Hawkes.

Plt.: F.S. 227.

Note: Holograph pencil markings throughout Copy 1 and Copy 2.

Laid in Copy 2: One leaf holograph performance note in ink and one leaf typescript with holograph markings in ink and pencil.

Duration: 19 min.

 93/77b The tender land : suite from opera. London: Boosey & Hawkes, [1960]. 77b Full score (miniature); 92 p.

c1956 by Boosey & Hawkes; orchestral suite copyright 1960.

Plt.: F.S. 227.

Ser. title: Hawkes Pocket Scores, No. 717.

Duration: 19 min.

 77-A) The tender land : orchestral suite from the opera [orchestra & mixed chorus] 93/77-Aa The tender land : orchestral suite from the opera. London: Boosey & Hawkes, [1960]. 77-Aa

c1956 by Boosey & Hawkes; orchestral suite copyright 1960 by Boosey & Hawkes.

Plt.: F.S. 227.

Insert to orchestral suite, includes score for mixed chorus; 45 p. (pp. 47-92) (2 copies).

English text.

Attached to inside front cover of Copy 1: One leaf typescript: "Adjustments for the orchestral score and parts of the Tender land suite when performed with mixed chorus."

 78) Three Latin-American sketches [small orchestra] 94/78 Three Latin-American sketches : for small orchestra. 78 Ms. Full score; 73 leaves (28, 45 p.); 38.5 cm.

Note: Holograph in ink on transparent paper.

Duration: 10 min.

CONTENTS:

1) Estribillo (1971) 2) Paisaje Mexicano (1959) 3) Danza de Jalisco (1959) 94/78.1 Three Latin-American sketches : for small orchestra. 78.1 Ms. (ozalid). Full score; 28, 45 p.; 38.5 cm.

Note: Copy of holograph score ARCO 78, with holograph markings in pencil throughout.

CONTENTS:

1) Estribillo (1971) 2) Paisaje Mexicano (1959) 3) Danza de Jalisco (1959)

Duration: Approx. 10 min.

 94/78.2 No. 1, "Estribillo" / for small orchestra. 78.2 Ms. (ozalid). Full score; 28 p.; 38.5 cm.

Note: Copy of holograph score ARCO 78, with holograph markings in ink and pencil throughout.

At end: Aug. 31, 1971.

Duration: 3:25.

 94/78.3 No. 2, "Paisaje Mexicano" ; No. 3, "Danza de Jalisco" / for small orchestra. 78.3 Ms. (ozalid). Full score; 45 p.; 38.5 cm. (spiral bound).

Note: Holograph markings in ink and pencil throughout.

Duration: Approx. 6:20.

 94/78.4 No. 3, "Danza de Jalisco". 78.4 Ms. (ozalid). Full score; [32] p.; 39 cm. (spiral bound).

Note: Manuscript in David Walker's hand in ink and pencil, with holograph annotations in ink and pencil.

Laid in: Ten leaf insert in ink and pencil, in David Walker's hand, on transparent paper; hand-written and typescript of "Corrections for DANZA DE JALISCO".

 94/78.5 Three Latin-American sketches. 78.5 Ms. Rough sketches; various paginations; various sizes.

Note: Holographs in ink and pencil.

 94/78a Three Latin-American sketches. London: Boosey & Hawkes, [1975]. 78a Full score; 61 p. (3 copies).

c1975 by Aaron Copland; Danza de Jalisco copyright 1968 by Aaron Copland.

Plt.: B. & H. 20262.

Note: Holograph markings in pencil throughout Copy 1 and Copy 2.

Duration: Approx. 10 min.

CONTENTS:

1) Estribillo 2) Paisaje Mexicano 3) Danza de Jalisco 94/78b Three Latin-American sketches. New York: Boosey & Hawkes, [1976]. 78b Full score (miniature); 61 p.

c1975 by Aaron Copland; Danza de Jalisco copyright 1968 by Aaron Copland; Miniature Score edition 1976.

Plt.: B. & H. 20262.

Ser. title: Hawkes Pocket Scores, No. 814.

Duration: Approx. 10 min.

 78-A) No. 3, "Danza de Jalisco" [piano solo]: from Three Latin-American sketches 94/78-A No. 3, "Danza de Jalisco" (1st version). 78-A Ms. Piano solo; 6 leaves, 35.5 cm.

Note: Manuscript in ink and pencil in hand of David Walker on transparent paper.

 94/78-A.1 No. 3, "Danza de Jalisco". 78-A.1 Ms. (ozalid). Piano solo; 6 p.; 36.5 cm.

Note: Copy of manuscript score ARCO 78-A, with holograph markings in pencil throughout.

At head: Two Mexican pieces.

 94/78-A.2 No. 3, "Danza de Jalisco". 78-A.2 Ms. (ozalid). Piano solo; 6 p.; 36.5 cm.

At head: Two Mexican pieces.

 78-B) No. 3, "Danza de Jalisco": from Three Latin-American sketches [two pianos] 94/78-B No. 3, "Danza de Jalisco" / for two pianos. 78-B Ms. Score for two pianos; 17 leaves; 38 cm.

Note: Copyist's manuscript in pencil on transparent paper; in the hand of David Walker.

At end: Arranged for two pianos Mar. 5, 1963.

 94/78-B.1 No. 3, "Danza de Jalisco" / for two pianos. 78-B.1 Ms. (ozalid). Score for two pianos; 17 p.; 38 cm.

Note: Copy of manuscript score ARCO 78-B, with markings in pencil throughout.

Manuscript in the hand of Davis Walker.

At end: Arranged for two pianos Mar. 5, 1963.

 94/78-B.2 No. 3, "Danza de Jalisco" / for two pianos. 78-B.2 Ms. (ozalid). Score for two pianos; 17 p.; 38 cm.

Note: Copy of manuscript score ARCO 78-B.

Manuscript in the hand of David Walker.

At end: Arranged for two pianos Mar. 5, 1963.

 94/78-B.3 No. 3, "Danza de Jalisco" / for two pianos. 78-B.3 Ms. Sketches for two pianos; 8 p.; 43.5 cm.

Note: Holograph in pencil.

Also includes holograph sketches in pencil arranged for two piano Mexican Landscape and Noche Mexicana; 6 p.

 94/78-Ba No. 3, "Danza de Jalisco" / for two pianos. London: Boosey & Hawkes, [1968]. 78-Ba Score for two pianos; 20 p. (2 parts in one folder).

c1968 by Aaron Copland.

Plt.: B. & H. 19627.

Note: Commissioned by the Festival Foundation for the Festival of Two Worlds in Spoleto, Italy.

This arrangement for two pianos was prepared by the composer in 1963.

 79) Dance panels [ballet] 95/79 Dance panels : in seven sections. 79 Ms. Full score; 142 leaves; 38 cm.

Note: Holograph in ink on transparent paper.

At end: Feb.- June '59. Orchestration Sept. '59.

 95/79.1 Dance panels. 79.1 Ms. (ozalid). Full score; 142 p.; 38 cm.

Note: Copy of holograph score ARCO 79, with holograph markings in ink and pencil.

At end: Feb.- June '59. Orchestration Sept. '59.

 95/79.2 Ballet for J.R. 79.2 Ms. (black line print). Full score (incomplete); 132 lvs; various sizes.

Note: Copy of holograph score ARCO 79, with holograph markings in pencil throughout.

At head: Commissioned by Jerome Robbins.

At end: Feb.-June '59. Orchestration Sept. '59.

 95/79.3 Ballet for J.R. 79.3 Ms. Orchestral sketches; unpaged; various sizes.

Note: Holographs in ink and pencil.

 95/79 misc [Dance panels]. 79 misc Mss. (holographs and ozalids). Miscellaneous pages from orchestral scores; various paginations; various sizes.

Note: Holographs in ink and pencil, and reproductions.

 41/79a Dance panels : ballet in seven sections. London: Boosey & Hawkes, [1965]. 79a Full score; 83 p. (3 copies; Copy 2 bound).

c1965 by Aaron Copland.

Plt.: B. & H. 19151, 19159.

Note: Holograph markings in pencil throughout Copy 1; Copy 2 has holograph markings in pencil, but not marked as heavily as Copy 1.

Commissioned by Jerome Robbins.

Duration: Approx. 26.5 min.

 41/79b Dance panels : ballet in seven sections. London: Boosey & Hawkes, [1965]. 79b Full score (miniature); 83 p.

c1965 by Aaron Copland.

Plt.: B. & H. 19151, 19159.

Ser. title: Hawkes Pocket Scores, No. 765.

Duration: Approx. 26 min.

 79-A) Dance panels [piano solo] 41/79-A Dance panels : ballet. 79-A Ms. (ozalid). Piano reduction; 46 p.; 36 cm. (spiral bound).

At end: Feb. - June 18, 1959.

Commissioned by Jerome Robbins.

 41/79-A.1 [Dance panels] : ballet. 79-A.1 Ms. (ozalid). Piano reduction; 46 p.; 36 cm.

At head: "First version - 1959."

Corrected copy.

At end: Feb. - June 18, 1959.

 41/79-A misc [Dance panels]. 79-A misc Mss. (holographs and ozalids). Miscellaneous pages and fragments from piano scores; various paginations; various sizes.

Note: Holographs in ink and pencil on transparent paper, and ozalid reproductions.

 41/79-Aa Dance panels : ballet in seven sections (1959; revised 1962). London: Boosey & Hawkes, [1965]. 79-Aa Piano reduction; 83 p.

c1965 by Aaron Copland.

Plt.: B. & H. 19201.

Duration: Approx. 26 min.

 80) Nonet [string orchestra] 96/80 Nonet : for solo strings. 80 Ms. (ozalid). Score for string orchestra; 36 leaves; 6 cm.

Note: Contains holograph markings in ink and pencil.

On second preliminary page: Commissioned by the Dumbarton Oaks Research Library and dedicated to Nadia Boulanger after forty years of friendship.

At end: Rock Hill, Dec. 28, 1960.

 96/80.1 Nonet : for solo strings. 80.1 Ms. (ozalid). Score for string orchestra; 36 p.; 46 cm. (spiral bound).

Note: Contains holograph markings in pencil.

On verso of title page: Commissioned by the Dumbarton Oaks Research Library and dedicated to Nadia Boulanger after forty years of friendship.

At end: Rock Hill, Dec. 28, 1960.

 96/80.2 Nonet : for solo strings. 80.2 Ms. (ozalid). Score for string orchestra; 36 leaves; 46 cm.

Note: Contains holograph markings in ink and pencil.

At end: Dec. 28, 1960.

 96/80.3 Nonet (in one movement) : for solo strings. 80.3 Ms. Score for string orchestra (incomplete, draft); [20] p. (pp. 1-11, AA-II); 38 cm.

Note: Holograph in pencil.

 96/80.4 Nonet. 80.4 Ms. Rough sketches; various paginations; various sizes.

Note: Holograph in pencil.

 96/80.5 Nonet : for solo string (in one movement). 80.5 Ms. Piano reduction; 21 p.; various sizes.

Note: Holograph in pencil.

Duration: 16.5 min.

 96/80.6 Nonet. London: Boosey & Hawkes, [1962]. 80.6 Publisher's proof. Full score for string orchestra; 34 p.

c1962 by Doosey & Hawkes.

Plt.: B. & H. 18894.

Note: holograph markings in ink and pencil throughout.

Laid in: One leaf holograph note in pencil.

 96/80 misc [Nonet : for solo strings]. 80 misc Mss. Discarded pages from score for string orchestra; 9 leaves; 46 cm.

Note: Holograph in ink with holograph markings pencil on transparent paper.

 96/80a Nonet for strings. London: Boosey & Hawkes, [1962]. 80a Full score; 24 p. (2 copies, Copy 1 bound).

c1962 by Boosey & Hawkes.

Plt.: B. & H. 18894.

Note: Holograph markings in ink and pencil throughout Copy 1.

Laid in Copy 1: Affixed inside back cover, one leaf holograph note in ink regarding the work.

 96/80aa Nonet for strings. London: Boosey & Hawkes, [1962]. 80aa String parts.

c1962 by Boosey & Hawkes.

Plt.: B. & H. 18895.

 96/80b Nonet for strings. London: Boosey & Hawkes, [1962]. 80b Full score (miniature); 34 p.

c1962 by Boosey & Hawkes.

Plt.: B. & H. 18894.

Ser. title: Hawkes Pocket Scores, No. 737.

On verso of title page: Commissioned by the Dumbarton Oaks Research Library in honor of the fiftieth wedding anniversary of Mr. and Mrs. Robert W. Bliss and dedicated to Nadia Boulanger after forty years of friendship.

Duration: 15 min.

 81) Something wild [incidental music] 116/81 Something wild. 81 Ms. Full score divided by cue numbers; various paginations; 47.5 cm.

Note: Copyist's manuscript in pencil and ink by David Walker and John B. Kennedy.

 116/81.1 Something wild. 81.1 Ms. Conductor score; 88 p.; 31.5 cm.

Note: Copyist's manuscript in pencil on transparent paper by David Walker.

 116/81.2 Something wild. 81.2 Ms. (ozalid). Conductor score; 81 p.; 33.5 cm.

Note: Copy of manuscript score ARCO 81.1 by David Walker with extensive additions and corrections in pencil.

On microfilm: MUSIC 1906, Item 52.

 116/81.3 Something wild. 81.3 Ms. (ozalid). Conductor score; various paginations; 33.5 cm. (bound).

Note: Copy of manuscript score ARCO 81.1 by David Walker, with additions and corrections in pencil.

 116/81.4 Cue 4, "The subway". 81.4 Ms. (ozalid). Conductor score; 7 p.; 32 cm. (2 copies).

Note: Copyist's manuscript by David Walker.

 116/81.5 Something wild. 81.5 Ms. Original pencil score (draft, short version); 82 p.; 38.5 cm.

Note: Holograph in pencil.

At end: Apr. to Sept. 10, '61.

On microfilm: MUSIC 1906, Item 52.107

 116/81.6 Something wild. 81.6 Mss. Orchestral parts divided by cue numbers.

Note: Copyist's manuscripts in ink and pencil.

 116/81.7 Something wild. 81.7 Ms. Sketches; [2] leaves; 32 cm.

Note: Holograph in pencil.

 116/81 misc Something wild. 81 misc Mss. Miscellaneous items relating to the film production: includes typescript of Something Wild - The City with annotations in pencil (128 leaves); shooting cues in typescript with annotations in pencil and ink which describe, in short phrases, film sequences, gives measurements of frames (in feet), and durations ([22] leaves, pp. 3-4 missing); typed letter form Sylvia Goldstein (of Boosey & Hawkes) to Mr. Copland dated May 23, 1962; and handwritten notes in ink and pencil.

Note: Manuscripts with markings in ink and pencil.

 82) Down a country lane [piano solo] 97/82 Down a country lane. 82 Ms. (photocopy). Piano solo; 2 p.; 37 cm.

Note: Contains holograph markings in pencil.

 97/82.1 Down a country lane. 82.1 Ms. Piano solo; 2 p.; 31 cm.

Note: Holograph in pencil.

 97/82.2 Down a country lane. 82.2 Ms. Sketches; [10] p.; various sizes.

Note: Holographs in ink and pencil.

 97/82.3 Down a country lane. New York: Boosey & Hawkes, [1962]. 82.3 Publisher's proof. Piano solo; 2 leaves; 26.5 x 28 cm.

c1962 by Aaron Copland.

 97/82a Down a country lane. New York: Boosey & Hawkes, [1962]. 82a Piano solo; 2 p. (2 copies).

c1962 by Aaron Copland.

Plt.: B. & H. 19030.

Note: Copy 1 contains holograph orchestral indications in pencil.

 82-A) Down a country lane [school orchestra] 97/82-A Down a country lane. 82-A Ms. Full score; 12 leaves; 46 cm.

Note: Holograph in pencil.

 97/82-Aa Down a country lane. London: Boosey & Hawkes, [1965]. 82-Aa Full score; 8 p. (3 copies).

c1962; school orchestra arrangement copyright 1965 by Aaron Copland.

Plt.: B. & H. 19091.

Ser. title: Youth Orchestra Series.

Note: Holograph markings in pencil throughout Copy 1.

 97/82-Aaa Down a country lane. London: Boosey & Hawkes, [1965]. 82-Aaa Orchestral parts (2 sets).

c1962; school orchestra arrangement copyright 1965 by Aaron Copland.

Plt.: B. & H. 19091.

Ser. title: Youth Orchestra Series.

 83) Connotations [orchestra] 106/83 Connotations : for orchestra. 83 Ms. Full score; 93 leaves; 48 cm.

Note: Holograph of original version before revisions in pencil on transparent paper, with markings in David Walker's hand in ink and pencil.

On second preliminary page: Commissioned by the New York Philharmonic in celebration of its opening season in the Lincoln Center for the Performing Arts and dedicated to the members of the orchestra and its Music Director, Leonard Bernstein, 1962.

At end: Rock Hill Sept. 11, 1962.

Duration: Approx. 20 min.

See ARCO 83.2 for original holograph pages (now withdrawn), and ARCO 83.3 for replacement pages in David Walker's hand.

On microfilm: MUSIC 1906, Item 13.

 106/83.1 Connotations : for orchestra. 83.1 Ms. (ozalid). Full score; 93 p.; 48 cm. (spiral bound).

Note: Photocopy of holograph original version ARCO 83, with holograph markings in pencil throughout.

Duration: Approx. 19.5 min.

See ARCO 83.2 for original holograph pages (now withdrawn), and ARCO 83.3 for replacement pages in David Walker's hand.

 106/83.2 [Connotations for orchestra]. 83.2 Ms. Various pages from full score original, now withdrawn; 15 leaves; 48 cm.

Note: Holograph in pencil on transparent paper.

Laid in: Holograph note in ink and pencil.

On microfilm: MUSIC 1906, Item 13.

 106/83.3 [Connotations for orchestra]. 83.3 Ms. Pages from full score, used in final version; 27 leaves; 48 cm.

Note: Manuscript in pencil on transparent paper by Aaron Copland and David Walker.

 106/83.4 Connotations : for orchestra. 83.4 Ms. Rough sketches; 41 p.; various sizes.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 13.

 106/83.5 Connotations : for orchestra. 83.5 Ms. Open score sketch; 27 p.; various sizes.

Note: Holograph in pencil.

At end: Sept. 11, '62.

On microfilm: MUSIC 1906, Item 13.

 106/83.6 [Connotations for orchestra]. 83.6 Ms. Tone row used in Connotations; 5 p.; 43.5 cm.

Note: Holograph in pencil.

 106/83.7 Connotations : for orchestra. 83.7 Ms. Condensed score (incomplete); [11] leaves; 38.5 cm.

Note: Manuscript in pencil on transparent paper by David Walker.

Laid in: 5 leaves of holograph orchestral notes in pencil.

 106/83.8 Connotations : for orchestra. 83.8 Ms. (black line print). Condensed score (incomplete); [11] leaves; 38 cm.

Note: Copy of manuscript score in pencil ARCO 83.7, with holograph markings in pencil throughout.

 106/83.9 Connotations : for orchestra. 83.9 Ms. (black line print). Condensed score (incomplete); [11] p.; 35.5 cm.

Note: Copy of manuscript score by David Walker ARCO 83.7, with holograph markings in pencil throughout.

 106/83 misc [Connotations for orchestra]. 83 misc Mss. (reproductions). Miscellaneous pages from full score (27 leaves) and photocopy of copyist's manuscript of an arrangement for piano solo (incomplete); 16 leaves.. 106/83a Connotations : for orchestra. London: Boosey & Hawkes, [1963]. 83a Full score; 82 p. (2 copies, Copy 1 bound).

c1962, 1963 by Aaron Copland.

Plt.: B. & H. 19063.

Note: Holograph markings in pencil throughout both copies.

Laid in Copy 1: 5 leaves of orchestral notes in ink and pencil.

Laid in Copy 2: One leaf of orchestral notes in ink.

Duration: 19.5 min.

 106/83b Connotations : for orchestra. London: Boosey & Hawkes, [1963]. 83b Full score (miniature); 82 p.

c1962, 1963 by Aaron Copland.

Plt.: B. & H. 19063.

Duration: 19.5 min.

 84) Music for a great city [orchestral suite] 107/84 Music for a great city. 84 Ms. (ozalid). Full score; 114 p.; 48 cm. (spiral bound).

Note: Holograph markings in pencil throughout.

At end: Apr. 13, 1964.

Concert suite developed from film score Something wild.

CONTENTS:

1) The skyline 2) Night thoughts 3) Subway jam 4) Toward the bridge 107/84.1 [No. I, "The skyline"]. 84.1 Ms. (black line print). Full score; 51 leaves; 48 cm.

At head in red pencil: uncorrected copy.

Concert suite developed from film score "Something Wild".

 107/84.2 [No. II, "Night thoughts"]. 84.2 Ms. (ozalid). Full score; [20] p. (pp. 52-71); 38 cm. (spiral bound).

Note: Holograph markings in pencil throughout.

At head in red pencil: uncorrected copy.

 107/84.3 No. III, "Subway jam". 84.3 Ms. Condensed score sketch; 8 p.; 34.5 cm.

Note: Holograph in pencil.

 107/84.4 "III Movement". 84.4 Ms. (ozalid). Full score; [13] p. (pp. 72-84); 36.5 cm.

Note: Holograph markings in pencil throughout.

 107/84.5 [No. IV, "Toward the bridge"]. 84.5 Ms. (ozalid). Full score; [30] p. (pp. 85-114); 48 cm. (spiral bound).

At head in red pencil: uncorrected copy.

 107/84.6 Music for a great city : concert suite from "Something wild". 84.6 Ms. Rough sketches; [30] p.; various sizes.

Note: Holograph in pencil and ink.

Includes 11 leaves of orchestral notes in ink and pencil.

 107/84a Music for a great city. London: Boosey & Hawkes, [1965]. 84a Full score; 100 p. (2 copies).

c1965 by Aaron Copland.

Plt.: B. & H. 19318.

Note: Holograph markings in pencil throughout Copy 1.

On second preliminary page: Commissioned by the London Symphony Orchestra in celebration of its sixtieth anniversary season and dedicated to the members of the orchestra.

Duration: Approx. 24 min.

CONTENTS:

1) Skyline 2) Night thoughts 3) Subway jam 4) Toward the bridge

Concert suite developed from film score "Something wild".

 107/84b Music for a great city. London: Boosey & Hawkes, [1965]. 84b Full score (miniature); 100 p.

c1965 by Aaron Copland.

Plt.: B. & H. 19318.

On second preliminary page: Commissioned by the London Symphony Orchestra on its sixtieth anniversary season and dedicated to the members of the orchestra.

Duration: Approx. 24 min.

 85) Emblems [band] 108/85 Emblems : for symphonic band. 85 Ms. Full score; 66 leaves; 50 cm.

Note: Manuscript in pencil by Aaron Copland and David Walker.

On title page: Commissioned by the College Band Directors National Association (1964).

At end: Nov. 10, 1964.

Duration: circa 12 min.

 108/85.1 Emblems : for symphonic band. 85.1 Ms. (ozalid). Full score; 65 p.; 51 cm. (spiral bound).

Note: Copy of manuscript score ARCO 85, with holograph band indications in pencil.

On title page: Uncorrected copy.

Commissioned by the College Band Directors National Association (1964).

At end: Nov. 10, 1964.

This version does not include page 66 of original score.

 108/85.2 Emblems : for symphonic band. 85.2 Ms. (ozalid). Full score (incomplete); 24 leaves; 51 cm.

Note: Copy of manuscript score ARCO 85.

On title page: Uncorrected copy.

Commissioned by the College Band Directors National Association (1964).

 108/85.3 Emblems : for symphonic band. 85.3 Ms. Condensed score; 24 leaves; 38 cm.

Note: Manuscript in pencil on transparent paper by David Walker.

At end: Nov. 3, 1964.

 108/85.4 Emblems : for symphonic band. 85.4 Ms. (ozalid). Condensed score; 24 p.; various sizes.

Note: Copy of original manuscript score ARCO 85.3, with holograph band indications in pencil by Aaron Copland.

 108/85.5 Emblems : for band. 85.5 Ms. Condensed score (draft); 42 p.; 34 cm.

Note: Holograph in pencil.

At end: Nov. '64 Approx.

On microfilm: MUSIC 1906, Item 18.

 108/85.6 Emblems : for band. 85.6 Ms. Rough sketches; 43 p.; various sizes.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 18.

 108/85a Emblems. 85a New York: Boosey & Hawkes, [1965] Full score and conductor score (2 volumes); 58 + 30 p. (2 copies).

c1965 by Aaron Copland.

Plt.: Q.M.B. 339.

Note: Holograph markings in pencil throughout both copies.

At head: Commissioned by the College Band Directors National Association.

 108/85aa Emblems. New York: Boosey & Hawkes, [1965]. 85aa Band parts.

c1965 by Aaron Copland.

Plt.: Q.M.B. 339.

 86) Signature : CBS Playhouse [incidental music] 42/86 Signature : CBS Playhouse. 86 Ms. Full score; [11] leaves; 38 cm.

Note: Holograph in pencil.

On second preliminary page: Commissioned by the Columbia Broadcasting System.

 42/86.1 Signature : CBS Playhouse. 86.1 Ms. (ozalid). Full score; 8 p.; 37.5 cm.

Note: Copied from holograph score ARCO 86.

On title page verso: Commissioned by the Columbia Broadcasting System.

 42/86.2 Signature : CBS Playhouse. 86.2 Ms. (ozalid). Full score; 8 p.; 38.5 cm.

Note: Copied from holograph score ARCO 86.

 42/86.3 Signature : CBS Playhouse. 86.3 Ms. (black line print). Full score; 8 p.; 38.5 cm.

Note: Copied from holograph score ARCO 86.

At head in red pencil: 1A.

 42/86.4 Signature : CBS Playhouse. 86.4 Ms. (black line print). Full score; 8 p.; 38.5 cm.

Note: Copied from holograph score ARCO 86.

At head in red pencil: 1B.

 42/86.5 Signature : CBS Playhouse. 86.5 Ms. (black line print). Full score; 8 p.; 38.5 cm.

Note: Copied from holograph score ARCO 86.

At head in red pencil: 1C.

 42/86.6 Signature : CBS Playhouse. 86.6 Ms. (black line print). Full score; 8 p.; 38.5 cm.

Note: Copied from holograph score ARCO 86.

At head in red pencil: 1D.

 42/86.7 Signature : CBS Playhouse. 86.7 Ms. Sketches; [12] p.; various sizes.

Note: Holograph in pencil.

Includes one leaf handwritten note titled "Instructions for Copyist".

 42/86.8 Signature : CBS Playhouse. 86.8 Ms. (ozalid). Full score (incomplete); 7 p.; 38.5 cm.

Note: Copied from holograph score ARCO 86.

At head in pencil: #1.

 42/86.9 Signature : CBS Playhouse. 86.9 Ms. (ozalid). Full score (incomplete); [6] p.; 38.5 cm.

Note: Copied from holograph score ARCO 86.

At head in pencil: #2.

 42/86.10 Signature : CBS Playhouse. 86.10 Ms. (black line print). Full score (incomplete); [2] p.; 38.5 cm.

Note: Copied from holograph score [ARCO 86], with Holograph markings in pencil throughout.

At head in pencil: #3.

 42/86.11 Signature : CBS Playhouse. 86.11 Ms. (ozalid). Full score (incomplete); [2] p.; 38.5 cm.

Note: Copied from holograph score ARCO 86, with holograph markings in pencil

At head in pencil: #3.

 42/86.12 [Signature : CBS Playhouse]. 86.12 Ms. (black line print). Full score (incomplete); [1] p. (page V); 38.5 cm.

Note: Copied from holograph score ARCO 86, with holograph markings in pencil throughout.

At head in red pencil: #4.

 42/86.13 Signature : CBS Playhouse. 86.13 Ms. (ozalid). Full score (incomplete); [1] p. (page V); 38.5 cm.

Note: Copied from holograph score ARCO 86, with holograph markings in pencil.

At head in pencil: #4.

 42/86.14 [Signature : CBS Playhouse]. 86.14 Ms. (ozalid). Full score (incomplete); [1] p. (page VI); 38.5 cm.

Note: Copied from holograph score ARCO 86, with holograph markings in pencil.

At head in pencil: #5.

 87) In evening air [piano work] 42/87 In evening air. 87 Ms. Piano solo; 3 p.; 34.5 cm.

Note: Manuscript in ink by David Walker.

Duration: 2:40.

 42/87.1 In evening air. 87.1 Ms. (ozalid). Piano solo; 3 p.; 34.5 cm.

Note: Copy of manuscript score ARCO 87.

 42/87.2 In evening air. 87.2 Ms. Piano solo (draft); 4 p.; 38.5 cm.

Note: Holograph in ink and pencil.

 42/87.3 In evening air. 87.3 Ms. Piano solo; (rough draft); 3 p.; 38.5 cm.

Note: Holograph in pencil.

 42/87.4 In evening air. 87.4 Ms. (ozalid). Piano solo; 3 p.; 35 cm.

Note: Copy of manuscript score ARCO 87 by David Walker.

 42/87a In evening air. London: Boosey & Hawkes, [1974]. 87a Piano solo; 3 p.

c1972 by Aaron Copland; copyright under U.C.C. 1974 by Aaron Copland.

Plt.: B. & H. 20246.

This item is not usable due to water damage. The 3 leaf photocopy included was reproduced from Aaron Copland Piano Album (1981).

 88) Eight poems of Emily Dickinson [voice & chamber orchestra] 42/88 Eight poems of Emily Dickinson. 88 Ms. (ozalid). Full score; 109 p.; 38.5 cm. (spiral bound).

Note: Holograph markings in ink and pencil throughout.

Laid in: 3 leaves of handwritten and typescript notes regarding corrections to be made in orchestral parts.

 42/88a Eight poems of Emily Dickinson. New York: Boosey & Hawkes, [1981]. 88a Full score (miniature); 101 p.

c1951 by Aaron Copland; renewed 1979; orchestration copyright 1978 by Aaron Copland.

Plt.: H.P.S. 934.

Duration: ca. 20 min.

 89) "Variations on a Shaker melody": from Appalachian spring [school orchestra] 42/89a "Variations on a Shaker melody" : from Appalachian spring. London: Boosey & Hawkes, [1967]. 89a Full score; 16 p. (3 copies).

c1960 by Aaron Copland; this arrangement copyright 1967 by Aaron Copland.

Plt.: B. & H. 19462.

Note: Holograph markings in pencil throughout Copy 1.

Ser. title: Youth Orchestra Series.

 42/89aa "Variations on a Shaker melody" : from Appalachian spring. London: Boosey & Hawkes, [1967]. 89aa Orchestral parts.

c1960 by Aaron Copland; this arrangement copyright 1967 by Aaron Copland.

Plt.: B. & H. 19510.

Ser. title: Youth Orchestra Series.

 89-A) "Variations on a Shaker melody": from Appalachian spring [two pianos] 42/89-A Variations on a Shaker melody : from Appalachian spring. New York: Boosey & Hawkes, [1984]. 89-A Publisher's proof. Score for two pianos; 12 p.

c1984 by Boosey & Hawkes, Inc.

Plt.: PDB59.

Note: Photocopy of publisher's proof.

 42/89-Aa "Variations on a Shaker melody" : from <emph render="bold">Appalachian spring</emph>/ arranged for piano four hands by Bennett Lerner. New York: Boosey & Hawkes, [1985]. 89-Aa Score for two pianos; 12 p.

c1945 by Aaron Copland; renewed 1972; this arrangement copyright 1985 by Copland.

Plt.: PDB-59.

Autograph on title page by Bennett Lerner: For Aaron, with affection. Bennett, 1985.

Duration: ca. 6 min.

 90) Inscape [orchestra] 109/90 Inscape : for orchestra. 90 Ms. (black line print). Full score; 48 p.; 50 cm. (spiral bound).

Note: Holograph markings in ink and pencil throughout.

At end: Aug. 1, 1967.

 109/90.1 Inscape : for orchestra. 90.1 Ms. (black line print). Full score; 48 leaves; 50 cm.

On title page: Uncorrected score.

At end: Aug. 1, 1967.

 109/90.2 Inscape : for orchestra. 90.2 Ms. Condensed score; 16 leaves; 38.5 cm.

Note: Copyist's manuscript in pencil on transparent paper by David Walker.

 109/90.3 Inscape : for orchestra. 90.3 Ms. (ozalid). Condensed score; 16 p.; 38.5 cm.

Note: Copy of manuscript score ARCO 90.2, with holograph orchestral indications in pencil throughout.

 109/90.4 Inscape : for orchestra. 90.4 Ms. (ozalid). Condensed score (incomplete); 16 p.; 38.5 cm.

Note: Contains holograph markings in pencil.

 109/90.5 Inscape : for orchestra. 90.5 Ms. (ozalid). Condensed score (incomplete); 5 p.; 38.5 cm.

Note: Contains holograph markings in pencil.

 109/90.6 Inscape : for orchestra. 90.6 Ms. Rough sketches; unnumbered; various sizes.

Note: Holograph in pencil.

 109/90.7 Inscape : for orchestra. 90.7 Ms. Condensed score (draft); various paginations; 34.5 cm.

Note: Holograph in pencil.

On title page: Commissioned by the N.Y. Philharmonic Orchestra in celebration of its 125th anniversary season.

 109/90 misc Inscape : for orchestra. 90 misc Mss. Miscellaneous handwritten and typescript notes regarding corrections in Inscape score; 5 leaves; various sizes. 109/90a Inscape. London: Boosey & Hawkes, [1968]. 90a Full score; 47 p. (3 copies, Copy 2 bound).

c1968 by Aaron Copland.

Plt.: B. & H. 19722.

Note: Holograph markings in pencil throughout Copy 1.

Duration: 12.5 min.

 91) Inaugural fanfare [wind ensemble] 110/91 Inaugural fanfare : for woodwinds, brass, and percussion. 91 Ms. (ozalid). Full score; 18 p.; 41 cm.

Note: Holograph and other markings in ink and pencil throughout.

On title page verso: Commissioned by the City of Grand Rapids, Michigan for its new City-County Plaza in Vandenberg Center, and the unveiling of Alexander Calder's stabile, La Grande Vitesse, First performed by the Grand Rapids Symphony Gregory Miller, Conductor, on June 14, 1969.

At end: May 1, 1969 (revised 1975).

 110/91.1 Inaugural fanfare. 91.1 Ms. (ozalid). Full score: 18 p.; 38 cm. (spiral bound).

On cover: Unrevised - do not use.

At end: May 1, 1969.

 110/91.2 Inaugural fanfare. 91.2 Ms. Rough sketch in pencil and condensed score draft; various paginations; various sizes.

Note: Holograph in pencil.

Composed for the City of Grand Rapids, Michigan (Inauguration of Calder Statue).

 110/91a Inaugural fanfare : wind ensemble. New York: Boosey & Hawkes, [1976]. 91a Full score; 19 p. (2 copies).

c1976 by Aaron Copland.

Plt.: B. Ens. 214.

 110/91aa Inaugural fanfare : wind ensemble. New York: Boosey & Hawkes, [1976]. 91aa Wind ensemble parts (2 sets).

c1976 by Aaron Copland.

Plt.: B. Ens. 214.

 92) Happy anniversary [orchestra] 110/92 Happy anniversary : a well-known tune arranged for symphony orchestra. 92 Ms. Full score; 7 leaves; 47.5 cm.

Note: Holograph in pencil on transparent paper.

On page 1: For Eugene Ormandy's seventieth birthday.

 110/92.1 Happy anniversary. 92.1 Ms. Sketches; [6] p.; various sizes.

Note: Holograph in pencil.

For Eugene Ormandy's 70th birthday.

 110/92.2 "For Eugene Ormandy's 70th birthday" (ca. 1969). 92.2 Piano solo; 1 leaf; 30.5 cm.

Note: Contains holograph markings in pencil.

 110/92a Happy anniversary : a well-known tune arranged for symphony orchestra. London: Boosey & Hawkes, [1971]. 92a Full score; 5 p. (2 copies).

c1971 by Aaron Copland.

Plt.: B. & H. 19952.

At head: For Eugene Ormandy's seventieth birthday.

Duration: Approx. 1 min.

 93) Ceremonial fanfare [brass ensemble] 110/93 Ceremonial fanfare : for brass ensemble. 93 Ms. (ozalid). Full score; 8 p. 37.5 cm.

On title page: Unedited copy.

At head: Commissioned by the Metropolitan Museum of Art.

At end: Dec. 28, 1969.

 110/93.1 Ceremonial fanfare : for brass ensemble. 93.1 Ms. (ozalid). Full score; 8 p.; 37.5 cm.

Note: Same ozalid reproduction as ARCO 93, with holograph markings in ink and pencil.

 110/93.2 Ceremonial fanfare. 93.2 Ms. Condensed score (draft); 7 p.; 34.5 cm.

Note: Holograph in pencil.

On title page: Commissioned by the Metropolitan Museum of Art for its centennial year.

 110/93.3 Ceremonial fanfare. 93.3 Ms. Sketches; [12] p.; various sizes.

Note: Holograph in pencil.

 110/93a Ceremonial fanfare : for brass ensemble. London: Boosey & Hawkes, [1974]. 93a Full score; 6 p. (3 copies).

c1974 by Aaron Copland.

Plt.: B. & H. 20187.

Note: Holograph markings in ink and pencil throughout Copy 1 and Copy 2.

On title page verso: Commissioned by the New York City Metropolitan Museum of Art in celebration of its Centennial Year - 1969.

 110/93aa Ceremonial fanfare : for brass ensemble. London: Boosey & Hawkes, [1974]. 93aa Ensemble parts.

c1974 by Aaron Copland.

Plt.: B. & H. 20187.

 94) Duo for flute and piano [chamber work] 110/94 Duo for flute and piano. 94 Ms. Score for flute and piano; 24 leaves; 38 cm.

Note: Manuscript in pencil on transparent paper by David Walker.

At end: March 9, 1971.

 110/94.1 Duo for flute and piano. 94.1 Ms. Flute part; 10 leaves; 38 cm.

Note: Manuscript in ink on transparent paper by David Walker.

 110/94.2 Duo for flute and piano. 94.2 Ms. (ozalid). Flute part (incomplete); [4] p. (pp. 7-10); 38.5 cm.

Note: Copy in part of manuscript flute part ARCO 94.1, with holograph markings in ink and pencil.

At head: uncorrected - don't use.

 110/94.3 Duo for flute and piano. 94.3 Ms. Score for flute and piano (draft); 27 p.; various sizes.

Note: Holograph in pencil.

 110/94.4 Duo for flute and piano. 94.4 Ms. Rough sketches; unnumbered; various sizes.

Note: Holograph in pencil.

 110/94.5 Duo for flute and piano. 94.5 Ms. Score for flute and piano (incomplete); 4 leaves; 38 cm.

Note: Manuscript in pencil on transparent paper by David Walker.

 110/94 misc Duo for flute and piano. 94 misc Mss. Miscellaneous pages from scores (2 leaves), and handwritten correction notes (3 leaves).

Note: Holographs in ink and pencil.

 110/94a Duo for flute and piano. London: Boosey & Hawkes, [1971]. 94a Score for flute and piano; 21 p.

c1971 by Aaron Copland.

Plt.: B. & H. 20009.

Note: Holograph markings in pencil throughout.

This edition now withdrawn.

 110/94b "Poem" : from Duo for flute and piano. London: Boosey & Hawkes, [1971]. 94b Piano score and flute part; 5 p. (pp. 2-6) + 2 p. (pp. 2-3).

c1971 by Aaron Copland.

Plt.: B. & H. 20359.

Ser. ed.: Peter Wastall.

Ser. title: Exploring Music Series: Temporary Music for Flute.

This volume also contains music by Butterworth, Hyde, Ferguson, Maxwell Davies, Lamb, and Lees.

 94-A) "Poem": from Duo for flute and piano [flute solo] 110/94-Aa No. II, "Poem" : from Duo for flute and piano [solo flute] (1971). London: Boosey & Hawkes, [1971]. 94-Aa Flute solo; [2] p. (pp. 2-3).

c1971 by Aaron Copland.

Plt.: B. & H. 20359.

Ser. ed.: Peter Wastall.

Ser. title: Exploring Music Series: Contemporary Music for Flute.

 94-B) "Duo for violin and piano" [chamber work] 110/94-B Duo for violin and piano. 94-B Ms. Violin part; 7 leaves; 38 cm.

Note: Manuscript in pencil on transparent paper by David Walker with holograph markings in pencil.

 110/94-B.1 Duo for violin and piano. 94-B.1 Ms. (photocopy). Violin part; 7 leaves; various sizes.

Note: Copy of manuscript violin part by Robert Mann ARCO 94-A, with holograph markings in pencil and ink throughout.

At head: Do not use.

 110/94-B.2 Duo for violin and piano. 94-B.2 Ms. (photocopy). Violin part; 7 leaves; various sizes.

Note: Copy of manuscript violin part by Robert Mann ARCO 94-A, with markings in pencil throughout.

 95) Threnody I : Igor Stravinsky, in memoriam [flute & string trio] 43/95 Threnody I : Igor Stravinsky, in memoriam / three-part canon for flute and string trio. 95 Ms. Full score; 3 p.; 37 cm.

Note: Holograph in ink with holograph markings in pencil.

At end: Sept. 19, 1971.

 43/95.1 Threnody I : Igor Stravinsky, in memoriam / three-part canon for flute and string trio. 95.1 Ms. Sketches; [10] p.; various sizes.

Note: Holograph in ink and pencil.

At end: Multiple dates, including Sept. 19, 1971.

 43/95a Threnodies I and II : for flute/alto flute and string trio (1971-73). London: Boosey & Hawkes, [1977]. 95a Full score and parts.

c1972 (Threnody I) and 1977 (Threnody II) by Aaron Copland.

Plt.: B. & H. 20279.

 96) Night thoughts : homage to Ives [piano work] 43/96 Night thoughts : homage to Ives. 96 Ms. Piano solo; 8 leaves; 34.5 cm.

Note: Manuscript in ink and pencil on transparent paper by Aaron Copland and David Walker.

Commissioned by the Van Cliburn International Quadrennial Competition - 1973.

 43/96.1 Night thoughts : homage to Ives. 96.1 Ms. (ozalid). Piano solo; 8 p.; 34.5 cm. (spiral bound).

Note: Copy of original manuscript ARCO 96.

Commissioned by the Van Cliburn International Quadrennial Competition - 1973.

 43/96.2 Night thoughts : homage to Ives. 96.2 Ms. Piano solo (draft); 8 p.; 35.5 cm.

Note: Holograph in pencil.

At end: Sept. 10, 1972.

Duration: Approx. 6 min.

 43/96.3 Night thoughts : Homage to Ives. 96.3 Ms. Rough sketches; various paginations; various sizes.

Note: Holograph in pencil.

 43/96a Night thoughts : homage to Ives. London: Boosey & Hawkes, [1973]. 96a Piano solo; 6 p.

c1973 by Aaron Copland.

Plt.: B. & H. 20126.

At head: Commissioned by the Van Cliburn International Quadrennial Competition - 1973.

 97) Threnody II : in memoriam, Beatrice Cunningham [chamber work] 43/97 Threnody II : in memoriam, Beatrice Cunningham. 97 Ms. (ozalid). Full score (for flute in G and string trio); 6 p.; 38.5 cm.

Note: Copy of munuscript in the hand of David Walker.

At end: May 7, 1973.

Duration: Circa 5 min.

 43/97.1 Threnody II : in memoriam, Beatrice Cunningham / for flute in G and string trio. 97.1 Ms. Full score (draft); 6 p.; 34.5 cm.

Note: Holograph in pencil.

At end: circa 5 min. May 7, 1973.

 43/97.2 Threnody II : in memoriam, Beatrice Cunningham. 97.2 Ms. Sketch; 3 p.; 34.5 cm.

Note: Holograph in pencil.

For flute in G and string trio.

For published edition of Threnody II, see Threnodies I and II, ARCO 95a.

 98) Midsummer nocturne [piano work] 43/98 Midsummer nocturne : piano solo. 98 Ms. Piano solo; 2 p.; 34.5 cm.

Note: Manuscript in ink by David Walker.

 43/98.1 Midsummer nocturne : piano solo. 98.1 Ms. (photocopy). Piano solo; 2 leaves; 35 cm. (3 copies).

Note: Copies of original manuscript ARCO 98; manuscript by David Walker.

 43/98.2 Midsummer nocturne. London: Boosey & Hawkes, [1977]. 98.2 Publisher's proof (photocopy). Piano solo; 2 p.

c1977 by Aaron Copland.

Plt.: B. Pa. 263.

Note: Contains holograph markings in ink and pencil.

 99) Mid-day thoughts [piano solo] 43/99 Mid-day thoughts : for piano. 99 Ms. Piano solo; 3 p.; 30 cm.

Note: Holograph in pencil.

At end: Sketched in 1944, completed 1982.

 43/99.1 Mid-day thoughts : for piano. 99.1 Ms. (photocopy). Piano solo; 3 p.; 29 cm.

Note: Copy of original manuscript ARCO 99.

At end: Sketched in 1944, completed 1982.

 43/99a Midday thoughts. New York: Boosey & Hawkes, [1984]. 99a Piano solo; 3 p. (2 copies).

c1984 by Aaron Copland.

Plt.: PIB-438.

Note: Copy 1 bound with Proclamation for piano in "Two Pieces for Piano." Copy 2 is a photocopy of Midday thoughts only.

 100) Proclamation for piano [piano work] 43/100 Proclamation for piano. 100 Ms. (photocopy). Piano solo: 3 p.; 28 cm.

At end: Sketched in 1973; completed 1982.

Origin of Proclamation for orchestra.

 43/100a Proclamation for piano. New York: Boosey & Hawkes, [1984]. 100a Piano solo; 3 p.

c1984 by Aaron Copland.

Plt.: PIB-438.

Note: Contains some holograph orchestra indications in pencil.

Bound in Two Pieces for Piano; includes and is filed with Midday thoughts.

 100-A) Proclamation for orchestra: from Proclamation for piano [arranged] 43/100-Aa Proclamation for orchestra : orchestrated by Phillip Ramey (1984; orchestrated 1985). [New York]: Boosey & Hawkes, [1985]. 100-Aa Full score; 10 p. (2 copies).

c1984 by Aaron Copland; orchestration copyright 1985.

At end: 1973-82 (Orchestration: March, 1985).

Transcribed from Proclamation for piano.

 111/100-A misc Proclamation for orchestra. 100-A misc Mss. Miscellaneous pages of holograph sketches from scores and parts in ink and pencil; photocopies. 112 Published Compilations of Works by Copland, 1982-1986 112/1 A Copland portrait : adapted by Clare Grundman (1985). New York: Boosey & Hawkes, [1986]. Full score; 47 p. (2 copies).

Plt.: Q.M.B. 503.

Duration: ca. 8 min.

 112/2 Album (1982). New York: Boosey & Hawkes, [1982]. Piano solos; 31 p.

CONTENTS:

1) Petit portrait 2) Down a country lane 3) Midsummer nocturne 4) In evening air 5) Piano blues No. 1 6) Piano blues No. 4 7) Saturday night waltz (from Rodeo) 8) Sentimental melody 9) The resting-place on the hill (from Our town) 10) The young pioneers 11) Sunday afternoon music 112/3 Sounding success : a Copland tribute / adapted by Clare Grundman (1985). New York: Boosey & Hawkes, [1986]. Full score; 24 p. (2 copies).

Plt.: Q.M.B. 493.

Duration: ca. 6 min.

 111 112 117A Music Composed by Copland Not Assigned ARCO Numbers, 1911-1985 111/1 "Ballade ?" See also: "Two ballads for violin and piano" BOX: xxx Ms. Condensed score draft for violin and orchestra; [1] p.; 38 cm.

Note: Holograph in pencil.

At top of page: Violin concerto (the latter work crossed out).

Dated 3/3/57 by the composer.

 111/2 "Ballade for vl. & orch." See also: "Two ballads for violin and piano" BOX: xxx Ms. Condensed score; 6 p. 38 cm.

Note: Holograph in pencil.

Dated 3/4/57 by the composer.

 111/3 [Ballade]. See also: "Two ballads for violin and piano" BOX: xxx Ms. Condensed score; [7] p., pages of music marked A-F; 43.5 cm.

Note: Holograph in pencil.

Holograph note in pencil on page [1], pointing to top of page marked A: See p. 9 as idea for preceding this.

At end: 5 min.

 111/6 "Two ballads for violin and piano" (1957). Piano score and violin part; 8 + 4 leaves; 28 cm.

Note: Computer printout.

Laid in: Letter from Benjamin Folkman to Library of Congress Music Division Chief, Jon Newsom, dated May 19, 2000.

 112/4 "Ballade of Ozzie Powell" : words on poem of Langston Hughes (1936-37). Choral score and sketches; 3 + 2 p.; 33.5 cm.

Note: Holograph in ink and pencil.

On title page: Later used as sketches for Music for Radio.

Includes photocopy of manuscript title page.

 112/5 "Corrigenda" : Copland-Shackelford organ variations (1973). Organ solo; [13] p. 28 cm.

Note: Contains holograph markings in red pencil.

 112/6 "Internationale" (1942). Piano sketch; [3] p.; 31.5 cm.

Note: Holograph in pencil.

At head: Arranged by A. C. for Koussevitsky, 5'42.

 112/7 "Into the streets May first" (ca. 1934). Piano-vocal score and sketches; [4] p.; 34 cm.

Note: Holographs in pencil.

English text by Alfred Hayes; the poem "Into the Streets May First" was published first in the New masses, May 1, 1934 and later in the Workers' song book no. 2 in 1935.

 111/4 [Miscellaneous holograph and copyist's manuscript pages in ink and pencil and photocopies of unidentified fragment from sketches, scores, and parts remaining in the collection file.] 112/8 "Motet : Psalm 28-6" (n.d.). Vocal score (SATB); [4] p.; 35 cm.

Note: Holograph in pencil.

 112/9 "Movement" : for string quartet (1921-24). New York: Boosey & Hawkes, [1988]. Score for string quartet; 13 p. (2 copies).

At head: To Vivian Perlis.

Included with this published score is a photocopy (2 leaves) of the manuscript violin part.

Written at head of the part: Dedicated to V. P. (Vivian Perlis) inventor of this work! - A. C.

 112/10 "Music Library Association 1931-1971" (1971). Melody principal and schedule of MLA seminar sessions; 2 leaves + [4] p. program.

Note: Holograph in ink, photocopy and printed program.

At end: For the M. L. A's 40th Anniversary with a salute from Aaron Copland - Rock Hill, 1971.

 112/11 "String quartet" (1965-68). Sketches for string quartet; [24] p.; 34.5 cm.

Note: Holograph in pencil.

 117A/1-6 "Tragic ground" : a musical play / text by Lynn Riggs (1945). Sketches, piano-vocal scores and libretto typescripts; unnumbered; various sizes.

Note: Holographs in ink and pencil.

This work was never produced.

 111/5 "Two ballads for violin and piano" (1957). Ms. (photocopy). Piano score; 6 p.; 43 cm.

Note: Photocopy of copyist's manuscript.

Arranged, by Bennett Lerner and Phillip Ramey for violin and piano from the music in Ballade for violin and orchestra (see Box 12/5-6), for the occasion of Copland's 88thbirthday; performed there by Roger Zehab, violin, and Bennett Lerner, piano.

 117B-117E Juvenilia, 1911-1926 117B-117D Juvenilia (arranged chronologically), 1911-1926 117B/1-14 Juvenilia (1911-1921).

17 volumes of Copland "Juvenilia"; includes exercises, compositions, sketches, instrumental and vocal parts, and ideas for operas.

Note: Holographs in pencil and ink.

 117C/1-7 Juvenilia: <emph render="italic">Schirmer manuscript music books</emph> (1917-1921).

7 volumes of A. Copland student works while studying under Robin Goldmark; includes exercises and early compositions.

Note: Holographs in pencil.

 117D/1-2 Juvenilia A: <emph render="italic">Capriccio</emph>, for violin and piano (1916?). Score for violin and piano; 1 leaf; 30.5 cm.

Note: Holograph in pencil.

At end: Around 1916?

Photocopy included.

 117D/3-4 Juvenilia B: <emph render="italic">Moment musicale</emph> - a tone poem, piano solo (1917). Piano solo; 3 lvs; 34 cm.

Note: Holograph in pencil and ink.

Photocopy included.

 117D/5-6 Juvenilia C: <emph render="italic">Melancholy, a song à la Debussy</emph> (1917). Piano-vocal score (2 versions); 2 lvs.; 34 cm.

Note: Holograph in pencil.

Photocopy included.

 117D/7 Juvenilia D: <emph render="italic">Spurned love</emph> (1917). Piano-vocal score; [5] p. (pp. 21-25); 21 x 25 cm.

Note: Holograph in pencil.

At head: Composed Nov. 2, 1917.

 117D/7 Juvenilia E: <emph render="italic">After Antwerp</emph> (1915). Piano-vocal score; [3] p. (pp. 18-20); 21 x 25 cm.

Note: Holograph in pencil.

At head: Composed Dec. 10, 1917.

 117D/8-9 Juvenilia F: <emph render="italic">Waltz caprice</emph> (1918). Sketch for piano solo; 2 lvs; 34 cm.

Note: Holograph in pencil.

Photocopy included.

 117D/8-9 Juvenilia G: <emph render="italic">Waltz caprice</emph> (1918). Piano solo; [6] p.; 34 cm.

Note: Holograph in pencil.

Photocopy included.

 117D/10-11 Juvenilia H1: <emph render="italic">Danse characteristique</emph>, for piano duet (1917-18). Score for piano duet; 4 p.; 34.5 cm.

Note: Holograph in pencil.

Photocopy included.

 117D/12-13 Juvenilia H2: <emph render="italic">Danse characteristique for orchestra</emph> (1919). Full score; 4 p.; 34.5 cm.

Note: Holograph in pencil.

Photocopy included.

 117D/7, 14 Juvenilia I: <emph render="italic">A summer vacation</emph> (1918). Piano-vocal score; [5] p. (pp. 13-17); 21 x 25 cm.

Note: Holograph in pencil.

At head: April-May 1918.

Photocopy included.

 117D/7, 15 Juvenilia J: <emph render="italic">My heart is in the east</emph> (1918). Piano-vocal score; [4] p. (pp. 29-32); 21 x 25 cm.

Note: Holograph in pencil.

At end: Composed May 1918.

Photocopy included.

 117D/16-17 Juvenilia K: <emph render="italic">Night</emph>, song with piano accompaniment (1918). Piano-vocal score; 3 p.; 34 cm.

Note: Holograph in ink.

At end: Begun July 1, 1918 Marlboro, N.Y., Finished Dec. 16, 1918 Brooklyn, N.Y.

Photocopy included.

 117D/18-19 Juvenilia L: <emph render="italic">Poème for cello with piano accompaniment</emph> (1918). Piano score and cello part; [4] + [1] p.; 34 cm.

Note: Holograph in ink.

At end: Completed Dec. 29, 1918, Brooklyn, N.Y.

Photocopy included.

 117D/20-21 Juvenilia M1: <emph render="italic">Lament</emph>, for cello and piano (1918-19). Piano score and cello part; 3 + 1 p.; 34 cm.

Note: Holograph in ink.

At end: Begun May 1918, Finished Apr. 20, 1919.

Photocopy included.

 117D/20-21 Juvenilia M2: <emph render="italic">Lament</emph>, for violin and piano (1918-19). Score for violin and piano; 2 p.; 20 x 23 cm.

Note: Holograph in pencil.

Photocopy included.

 117D/22-23 Juvenilia N: <emph render="italic">Three sonnets for piano</emph> (1920). Piano solo; [6] p.; 34 cm.

Note: Holograph in ink.

Photocopy included.

 117D/24-25 Juvenilia O: <emph render="italic">Simone</emph>, song for soprano and piano (1919). Piano-vocal score; [3] p.; 34 cm.

Note: Holograph in ink.

At end: Begun June 22, 1919, Completed Sept. 16, 1919 Brooklyn, N.Y.

Photocopy included.

 117D/26-27 Juvenilia P: <emph render="italic">Prelude for violin and piano</emph> (1919). Piano score and violin part; [4] + [1] p.; 34 cm.

Note: Holograph in ink.

At end: Begun Fleischmanns, N.Y. - Aug. 1919, completed Brooklyn, N.Y. - Nov. 28, 1919.

Photocopy included.

 117D/28-29 Juvenilia Q: <emph render="italic">Music I heard</emph>, song for soprano with piano accompaniment (1920). Piano-vocal score; 2 p.; 34 cm.

Note: Holograph in ink.

At end: Apr. 7, 1920.

Photocopy included.

 117D/30-31 Juvenilia R: <emph render="italic">Sonata for piano</emph> (1920-21). Piano solo; 26 p. 34.5 cm.

Note: Holograph in ink.

At end: 1920 - June 1921.

Photocopy included.

 117D/32-33 Juvenilia S: <emph render="italic">Prelude (Second) for violin and piano</emph> (1921). Piano score and violin part; [3] + [1] p.; 34.5 cm.

Note: Holograph in ink.

At end: February 1921.

Photocopy included.

 117D/34 Juvenilia T: <emph render="italic">Moods for piano solo</emph> (1920-21). Piano solo; 6 p.; 34.5 cm.

Holograph in ink.

 117D/35-36 Juvenilia U: <emph render="italic">Fragment for trio for violin, cello and piano</emph> (n.d.). Piano score (unfinished), and violin and cello parts; 5 + 1 + 1 p.; 34.5 cm.

Note: Holograph in ink.

Photocopy included.

 117D/37 Juvenilia V: <emph render="italic">String quartet</emph> (1921?). String parts (unfinished); [15] p.; 35.5 cm.

Note: Holograph in ink.

 117D/38 Juvenilia V: <emph render="italic">String quartet</emph> (ca. 1921). Full score (rough sketch, unfinished); [25] p.; 35.5 cm.

Note: Holograph in pencil.

At head: About 1921.

 117E Juvenilia (arranged alphabetically by title), 1911-1926 117E/1 <emph render="italic">Choral 24</emph> (1921). Piano solo; 1 leaf; 20.5 x 23.5 cm.

Note: Holograph in ink and pencil.

At head: May 12, 1921.

 117E/2 <emph render="italic">Double canon etc., etc.</emph> (n.d.) This item contains several unrelated items, including "Double Canon on Broad Theme" for piano solo, a sketch for a piano-vocal work, and a part for trombone; [25] p.; 35 cm.

Note: Holograph in pencil.

 117E/3 <emph render="italic">Fugue</emph> (n.d.). Score for four unidentified instruments; [4] p.; 35 cm.

Note: Holograph in pencil.

 117E/4 <emph render="italic">Jazzy song</emph> (1924?). Piano and vocalize score; [4] p.; 35 cm.

Note: Holograph in pencil.

At head: not used.

 117E/5 <emph render="italic">Longchamps</emph> : ballet in one act (n.d.). Piano sketches; 6 lvs.; 35 cm.

Note: Holograph in pencil.

 117E/6 <emph render="italic">Material for introduction and dance</emph> (n.d.). Piano sketches; [16] p.; various sizes.

Note: Holographs in pencil.

 117E/7 <emph render="italic">Motet</emph> (n.d.). Score for four voices; 4 p.; 35 cm.

Note: Holograph in pencil.

 117E/8 <emph render="italic">Piece for bassoon and piano</emph> (n.d.). Piano score and bassoon part; [8] + [4] p.; 35 cm.

Note: Holograph in ink and pencil.

 117E/9 <emph render="italic">Piece for clarinette and piano</emph> (n.d.). Piano score and clarinet part; [4] + [3] p.; 35.5 cm.

Note: Holograph in ink and pencil.

 117E/10 <emph render="italic">Piece for flute and piano</emph> (n.d.). Piano score and flute part; [3] + [2] p.; 34 cm.

Note: Holograph in ink and pencil.

 117E/11 [<emph render="italic">Piece for flute, clarinet and voice</emph>] (n.d.). Piano score; [3] p.; 34.5 cm.

Note: Holograph in pencil.

Written title at head of piece is indistinguishable.

 117E/12 <emph render="italic">Piece for horn and piano</emph> (n.d.). Horn part; [2] p.; 34.5 cm.

Note: Holograph in ink and pencil.

Item also contains sketches in pencil.

 117E/13 <emph render="italic">Piece for oboe and piano</emph> (n.d.). Piano score and oboe part; [4] + [2] p.; 34.5 cm.

Note: Holograph in ink and pencil.

 117E/14 <emph render="italic">Piece for trombone and piano</emph> (n.d.). Piano score and trombone part; [4] + [1] p.; 35 cm.

Note: Holograph in ink and pencil.

 117E/15 <emph render="italic">Piece for trumpet and piano</emph> (n.d.). Piano score and trumpet part; [4] + [1] p.; 35 cm.

Note: Holograph in ink and pencil.

 117E/17 <emph render="italic">Renaissance</emph> : practice song set to French words (1921). Piano-vocal score; [3] p.; 34.5 cm.

Note: Holograph in pencil.

At end: Fontainebleau Aug. 1921.

 117E/18 <emph render="italic">Schumanniana</emph> : for cello and piano (1919). Cello part; [2] p.; 31.5 cm.

Note: Holograph in ink.

At end: Sept. 10, 1919 Brooklyn, N.Y.

Item also includes Chopin Etude - op. 25, no. 12, transcribed for cello by A. Copland.

At end: Sept. 13, 1919.

 117E/19 <emph render="italic">Sea-fairies</emph> : tone poem for piano after Tennyson's poem of the same name (n.d.). Fragment of piano score; 1 leaf; 12.5 x 27.5 cm.

Note: Holograph in ink.

 117E/20 <emph render="italic">Une chanson</emph> : practice song set to French words (1921). Piano-vocal score; [3] p.; 34.5 cm.

Note: Holograph in pencil.

At end: Fontainebleau Jul. 1921.

 117F Copland Transcriptions or Arrangements of Works by Others, 1841-1988 Beethoven, Ludwig van 117F/1 <emph render="italic">Quartet, op. 131</emph> : for piano - 2 hands / transcribed for piano solo by A. Copland (n.d.). Piano solo; [1] p.; 34 cm.

Note: Manuscript in pencil by Copland.

 Brahms, Johannes 117F/24 [<emph render="italic">Intermezzo in E major, op. 116, no. 6</emph>] : piano solo / copied by A. Copland (1919). Piano solo; 2 p.; 34 cm.

Note: Manuscript in ink by A. Copland.

At end: June 25, 1919.

 117F/3 <emph render="italic">Second symphony - D major</emph> : arranged for violin, cello and piano by Aaron Copland (n.d.). Full score; 8 p.; 34.5 cm.

Note: Manuscript in pencil by Copland.

 Chopin, Frederich 117F/4 <emph render="italic">Etude, op. 10, no. 9</emph> : transcribed for cello and piano by Aaron Copland (1919). Cello part; 1 leaf; 32 cm.

Note: Manuscript in ink by Copland.

At end: June 27, 1919.

 117F/5 <emph render="italic">Etude, op. 25, no. 7</emph> : transcribed for cello and piano by Aaron Copland (1919). Piano score and cello part; [3] + [2] p.; 35 cm.

Note: Manuscript in ink and pencil by Copland.

At end: Sept. 9, 1919.

This item also contains unfinished transcription for piano of Tchaikowsky's Nutcracker Suite .

 117F/6 <emph render="italic">Two preludes - op. 28, nos. 4 and 6</emph> : transcribed for cello and piano by Aaron Copland (1919). Piano score and cello part; [2] + [1] p.; 34.5 cm.

Note: Manuscript in ink by Copland.

 Järnefelt, Armas 117F/7 <emph render="italic">Berceuse.</emph> Melody principal; [1] p.

Note: Manuscript in ink by Copland (1920).

At end: June 17, 1920.

This piece (as well as two others) was found with a published score titled "Finnish Composers' Album" (Boston Music Company). Copland copied this melody from that work.

 Madetoja, Leevi 117F/7 <emph render="italic">Little melody.</emph> Melody principal; [1] p.

Note: Manuscript in ink by A. Copland (1920).

At end: June 21, 1920.

This piece (as well as two others) was found with a published score titled "Finnish Composers' Album" (Boston Music Company). Copland copied this melody from that work.

 Mendelssohn, Felix 117F/8 <emph render="italic">La chasse (Rondo capriccioso)</emph> : transcribed for orchestra by Aaron Copland (n.d.). Full score (sketch); [14] p.; 34.5 cm.

Note: Manuscript in pencil by Copland.

 Ruggles, Carl (Charles Sprague) 117F/9 <emph render="italic">Portals</emph> : originally for string orchestra (1926) / piano reduction by A. Copland [ca. 1926]. Piano solo; 7 p.; 32 cm.

Note: Manuscript in pencil by A. Copland.

 Sibelius, Jean 117F/7 <emph render="italic">Romance.</emph> Melody principal; [1] p.

Note: Manuscript in ink by A. Copland (1920).

At end: June 17, 1920.

This piece (as well as two others) was found with a published score titled "Finnish Composers' Album" (Boston Music Company). Copland copied this melody from that work.

 Stcherbatcheff, Nicolas 117F/6 <emph render="italic">First snow</emph> : transcribed for cello and piano by Aaron Copland (1919). Piano score and cello part; [3] + [1] p.; 34.5 cm.

Note: Manuscript in ink by Copland.

At end: Oct. 13, 1919.

This item housed with Chopin's Two preludes, op. 28, nos. 4 and 6 .

 Takemitsu, Toru 117F/10 <emph render="italic">The Dorian horizon</emph> . Condensed score (sketch); [16] lvs.; 34 cm.

Note: Manuscript in pencil by A. Copland (n.d.).

 Tchaikovsky, Piotr Ilyich 117F/1 <emph render="italic">5me symphonie</emph> : transcribed for piano - two hands by A. Copland (n.d.). Piano solo; [3] p.; 34 cm.

Note: Manuscript in pencil by Copland.

 [Various composers] 117F/11 <emph render="italic">Practice orchestrations</emph> . The folder contains untitled orchestrations in several formats, instrumental parts, practice exercises, and instrumental range charts; various paginations; 34.5 cm.

Fragments of works by other composers including Claude Debussy, Igor Stravinsky, and Ernest Giraud.

Note: Manuscript in pencil by Copland (n.d.).

 118-196 Music by Others, 1912-1988

Music Manuscripts and Facsimiles by Others (1912-1988) includes some manuscripts, copies of manuscripts, copies of manuscripts (i.e. photocopies and photostats) of scores and some parts. Printed Music by Others (1841-1986) includes printed scores of original compositions and transcriptions.

Arranged alphabetically by composer, compiler, or editor, then by title.

 118-156 Music Manuscripts and Facsimiles by Others, 1912-1988 Abell, Jeff 118/1 <emph render="italic">Piano fantasy, op. 1</emph> (1970), 15 p. Adler, Samuel 118/2 <emph render="italic">Thy song expands my spirit : a tribute to "Aaron Copland" on his birthday</emph> : piano solo (1980), 8 p. Albright, William 118/3 <emph render="italic">Five chromatic dances</emph> (1976), 38 p. Allanbrook, Douglas 118/4 <emph render="italic">Third quartet</emph> (1958-59), 25 p. Ames, William 147/1 <emph render="italic">Declamation for orchestra and soprano</emph> (1972), 84 p. Amiran-Pogatsov, Emanuel 118/5 <emph render="italic">Nahamu ami</emph> (1950), 30 p.. Ardévol, José 118/7 <emph render="italic">Seis piezas</emph> : for piano (n.d.), 12 p. 118/8 <emph render="italic">Sonata a tres</emph> : para dos flautas y viola (n.d.), 16 + 3 + 3 + 3 p. 147/2 <emph render="italic">Suite cubano no. 1</emph> : para orquesta (1947), 68 p. 118/9 <emph render="italic">Suite cubano no. 2</emph> : para orquesta (n.d.), 38 p. 118/10 <emph render="italic">Tres peguenos preludios</emph> : para piano (1945), 5 p. Ashworth, William 118/11 <emph render="italic">Three dances</emph> : for piano solo (n.d.), [6] p. Avshalomov, Jacob 118/12 <emph render="italic">The taking of Tung Kuan</emph> : orchestral score (1953), 47 p. Ayala, Daniel 118/13 <emph render="italic">Mensaje telegráfico</emph> : para piano solo (1931), [3] p. Babcock, David 118/14 <emph render="italic">Piano sonata</emph> : in one movement (1973), 10 p. 118/15 <emph render="italic">Quintet</emph> [woodwinds] (1972), 23 p. 118/16 <emph render="italic">String quartet</emph> (1973), 26 p. 118/16 <emph render="italic">Suite for piano</emph> (1973), 9 p. [includes correspondence referring to both "Suite for piano" and "String quartet"]. Ballou, Esther W. 119/1 <emph render="italic">Capriccio</emph> : for violin and piano (1963), 13 + 4 p. Barber, Samuel 119/2 <emph render="italic">Happy birthday to Mary</emph> (1951), 1 leaf. Barnes, Edward 147/3 <emph render="italic">The ballad of Bill Doolin</emph> (1980), 53 p. 147/4 <emph render="italic">In the garden</emph> (1978), 70 p. 147/5 <emph render="italic">Variations for brass quintet</emph> (1980), 43 p. Bartók, Béla 119/3 <emph render="italic">Medea</emph> : ballet (1953/54), 1 leaf (incomplete reverse image photostat). Transcribed by Herbert Sandberg Beale, James 119/4 <emph render="italic">Seventh piano sonata, op. 20</emph> (1956), 20 p. 119/5 <emph render="italic">Sonata for violin & piano</emph> (1956), 36 p. Becker, John J. 119/6 <emph render="italic">Concerto arabesque</emph> : for piano & orchestra (n.d.), 41 p. Beethoven, Ludwig van 119/7 <emph render="italic">Klaviersonate in C-Moll, op. 111</emph> (1922 reproduction of autograph), 40 p. Ben-Yohanan, Asher 119/8 <emph render="italic">Fantasia</emph> : piano solo (1956), 12 p. 119/9 <emph render="italic">Festive overture</emph> (1957), 37 p. Berenholtz, Jim. 147/6 <emph render="italic">Orchestrated excerpts from "Winter" : an epic song of native</emph> <emph render="italic">Americans</emph> (1975), 42 p. Berger, Arthur 119/10 <emph render="italic">Three pieces for string quartet</emph> (1945), 17 p. 119/11 <emph render="italic">Three poems from "Words for music, perhaps" (Yeats)</emph> : voice & piano (1945), 9 p. Berio, Luciano 147/7 <emph render="italic">Opus number zoo</emph> : children's play for wind quintet (1951; rev. 1970), 12 p. Bermachea, Moises O. 119/12 <emph render="italic">Philippine airs no. 1 (Filipino composition)</emph> : piano solo (n.d.), 13 p. Bernstein, Leonard 119/13 <emph render="italic">Aaron's canon (for AC's 70th birthday)</emph> : piano solo (ca. 1970), 11 p. Beversdorf, S. Thomas, Jr. 147/8 <emph render="italic">Portrait of Carlos Chávez</emph> (1947), 38 p. Birtwistle, Harrison 119/14 <emph render="italic">Monody for Corpus Christi</emph> : for flute, violin, and horn (1959), 18 p. Bizet, Georges 148/1 <emph render="italic">Farandole</emph> : from L'arlésienne (n.d.), 21 p. Blake, David 119/15 <emph render="italic">Three choruses (1964)</emph> : for SATB to poems by R. Frost (ca. 1964), 18 p. Blitzstein, Marc 119/16 <emph render="italic">After all white horses are in bed</emph> : for voice & piano (1929), 6 p. 119/17 <emph render="italic">Mister Youse</emph> : for voice & piano (1929), [4] p. (pp. 7-10). 119/18 <emph render="italic">Song</emph> : for voice & piano (1929), [2] p. (pp. 11-12). 119/19 <emph render="italic">You are like the snow</emph> : for voice & piano (1929), 7 p. 119/20 <emph render="italic">You are like the snow</emph> : for voice & piano (1929), 7 p. (different version). Blondel, Jorge Urrutia 120/1 <emph render="italic">Opa-Opa</emph> : coro a cuatro voces mixtas "a capella" (1958), 4 p. Boone, Charles 148/3 <emph render="italic">Chinese texts</emph> (1970), 6 p. 148/2 <emph render="italic">The edge of the land</emph> (1970), 13 p. 120/2 <emph render="italic">Oblique formation</emph> : for flute and piano (1965), [10] p. 120/3 <emph render="italic">Starfish</emph> (1966), 27 p. 120/4 <emph render="italic">Vermilion</emph> : for solo oboe (1970), 4 p. Bornstein, Charles 120/5 <emph render="italic">Aaron Copland gewidmet</emph> : for piano solo (1977), 1 p. 120/6 <emph render="italic">Piano piece for Aaron Copland</emph> : piano solo (1968), 1 p. Bourque, Richard 120/7 <emph render="italic">Five Robert Frost poems, op. 9</emph> : voice & piano (n.d.), 7 p. Bowles, Paul 120/8 <emph render="italic">La despedida</emph> : piano solo (1982), 1 leaf. 120/9 <emph render="italic">Five songs</emph> : voice & piano (n.d.), 7 p. Brozen, Michael 120/10 <emph render="italic">The ways of water</emph> : cycle for voice and piano (1965), 19 p. Buenaventura, Oscar 120/11 <emph render="italic">Concerto para dos pianos</emph> (n.d.), 16 p. Butterworth, Neil 120/12 <emph render="italic">Letter to the world song cycle</emph> : for voice & piano (n.d.), 15 p. [includes correspondence from Mr. Butterworth to AC]. Cabezón, [?] 120/13 <emph render="italic">Two religious songs</emph> : for mixed chorus, SATB (n.d.), [6] p. Carter, Elliot 148/4 <emph render="italic">Holiday overture</emph> (ca. 1960), 68 p. 148/5 <emph render="italic">Holiday overture</emph> (ca. 1960), 68 p. [same version, fewer annotations]. 120/14 <emph render="italic">Sonata for cello and piano</emph> (1948), 41 + 14 p. 120/15 <emph render="italic">String quartet</emph> (1951), 101 p. Cascarino, Romeo 120/16 <emph render="italic">Fugue</emph> : piano solo (n.d.), 1 leaf. 120/17 <emph render="italic">Minuet</emph> : piano solo (n.d.), 2 p. 120/18 <emph render="italic">Rag-time</emph> : piano solo (1940), 4 p. 120/19 <emph render="italic">Sarabande</emph> : piano solo (n.d.), 2 p. 120/20 <emph render="italic">She walks in beauty</emph> : voice & piano (n.d.), 4 p. Castro, José Maria 121/1 <emph render="italic">10 improvisaciones breves</emph> : versión orquestal (1957), 78 p. 121/2 <emph render="italic">Conciertio para piano y orquesta</emph> (1955 revision), 97 p. 121/4 <emph render="italic">Cuarteto en sol</emph> : para cuerdas (1947), 14 + 7 + 7 + 7 + 6 p. 121/3 <emph render="italic">Cuarteto no. 3</emph> (1956), 45 + 9 + 9 + 9 + 8 p. 121/5 [<emph render="italic">Preludio & toccata</emph>] (1952), 34 p. 121/6 <emph render="italic">Sonata</emph> : para 2 violoncellos (1938), 30 p. Castro, Sergio de 122/1 <emph render="italic">Misterios</emph> : para orquesta (1947), 12 p. Catunda, Eunice 122/2 <emph render="italic">Salmo 82</emph> (1947), 7 p. 122/3 <emph render="italic">Sonatina</emph> : para piano (1946), 11 p. Cazden, Norman 122/5 <emph render="italic">Sonatina</emph> : piano solo (1935), 8 p. Chávez, Carlos 122/7 <emph render="italic">Soli</emph> (1933), 12 p. 122/8 <emph render="italic">Soli</emph> (1933), 12 p. Childs, Barney 122/9 <emph render="italic">Sonata for solo viola</emph> (1955/56), 14 p. Ciry, Michel 122/10 <emph render="italic">Trio, op. 20</emph> : pour hautbois, basson et piano (1946), 36 + 11 + 22 p. Citkowitz, Israel 122/11 <emph render="italic">Ah's de man</emph> : for mixed chorus (SATB), 2 p. 122/12 <emph render="italic">Five songs</emph> : from "Chamber music" by James Joyce (1929), [45] p. Cogan, Robert 122/13 <emph render="italic">Composition for string trio</emph> (1956), 8 p. 122/14 <emph render="italic">Sounds, and variations</emph> : for piano (1959-61), 16 p. Crane, Robert 122/15 <emph render="italic">Voluntary for trombone and two pianos</emph> (n.d.), 27 p. Dahl, Ingolf 156/10A <emph render="italic">Carmen canonicum for November 14, 1960.</emph> For chorus (SATTB) (1960), 1 leaf. 123/1 <emph render="italic">Trio for piano, violin and cello</emph> (1962), 56 p. Dallapiccola, Luigi 123/2 <emph render="italic">Aria</emph> : in tre strofe 1944-47), 4 p. Daus, Avraham 123/3 <emph render="italic">A group of "Zabres" in a trip</emph> (1957), 38 p. 123/4 <emph render="italic">A trip of Israeli Youth Group</emph> (1951), 38 p. 123/5 <emph render="italic">Suite for string orchestra</emph> (1952), 31 p. 123/6 <emph render="italic">Suite of songs by Rachel</emph> (1947), 15 p. 123/4 <emph render="italic">A trip of Israeli Youth Group</emph> (1951), 38 p. Davidovsky, Mario 148/6 <emph render="italic">Serie sinfonica</emph> (1959), 44 p. Davies, Peter Maxwell 123/7 <emph render="italic">Fantasia</emph> : on an In nomine of J. Taverner (1962), 22 p. 123/8 <emph render="italic">Leopardi fragments</emph> : for orchestra (1961), 30 p. 123/9 <emph render="italic">O magnum mysterium</emph> (1960), 14 p. Debussy, Claude 148/7 <emph render="italic">Golliwogg's cake walk</emph> (n.d.), 17 p. (includes 14 page typescript). Del Tredici, David 123/10 <emph render="italic">Fantasy pieces</emph> : for piano (1960), 26 p. 123/11 <emph render="italic">I hear an army</emph> : from "Chamber music" (1964), 51 p. 149/1 <emph render="italic">The last gospel</emph> : for amplified soprano solo, amplified solo group, chorus (SATB) and orchestra (1967), 47 p. 149/2 <emph render="italic">The lobster - quadrille.</emph> For chorus (SATB) & orchestra (n.d.), 113 p. 149/3 <emph render="italic">Night conjure - verse I : a cycle of songs ...</emph> (1965), 113 p. 149/4 <emph render="italic">Night conjure - verse II : a cycle of songs ...</emph> (1965), 142 p. 149/5 <emph render="italic">Pop - Pourri.</emph> For chorus (SATB) & orchestra (1968), 79 p. 123/12 <emph render="italic">Songs from James Joyce</emph> (1958), 42 p. Des Marais, Paul 123/13 <emph render="italic">Capriccio</emph> : for two pianos, percussion and celesta (1962), 62 p. Diamond, David 124/1 <emph render="italic">Andante</emph> : voice & piano (n.d.), 1 leaf. 150/1 <emph render="italic">A buoyant music : overture no. 2</emph> : for orchestra (1970), 60 p. 124/2 <emph render="italic">Chatterton</emph> : voice & piano (1946), [7] p. 124/3 <emph render="italic">Christmas tree</emph> : voice & piano (1970), 5 p. 150/2 <emph render="italic">The fall : a cycle of nine songs</emph> : for voice and piano (1970/71), 40 p. 124/4 <emph render="italic">For Aaron's birthday</emph> : 2 pianos (1988), 3 p. 124/5 <emph render="italic">Ma Tovu</emph> : for chorus (SATB) & organ (n.d.), 5 p. 124/6 <emph render="italic">Mizmor L'David : sacred service for the sabbath eve</emph> (1951), 125 p. 150/3 <emph render="italic">Music for chamber orchestra</emph> (1969), 87 p. 124/7 <emph render="italic">Six preludes</emph> : for piano (1935), 13 p. 150/4 <emph render="italic">Symphony no. 8</emph> (1960), 108 p. 124/8 <emph render="italic">This world is not my home</emph> : voice & piano (1946), 2 p. 124/9 <emph render="italic">We two</emph> : a song cycle for voice and piano (1964), 39 p. Diemente, Edward 150/5 <emph render="italic">Celebration</emph> : for wind ensemble (1969), 47 p. Dinterstein, Norman 151/1 <emph render="italic">Contrasto.</emph> For orchestra (1968), 37 p. 124/10 <emph render="italic">Poema ultrasonico</emph> : for mixed chorus a cappella (1974), 32 p. 151/2 <emph render="italic">Pound</emph> : a cycle for soprano and piano (1969), 27 p. 151/3 <emph render="italic">Refrains.</emph> For orchestra (1970/71), 146 p. Dolin, Samuel 124/11 <emph render="italic">Marchbankantata</emph> : a chamber cantata for baritone chorus (SATB), piano and synth A or Putney (with anplifier and two speakers and keyboard) (1971), 19 p. Druckman, Jacob 124/12 <emph render="italic">Concerto for violin and small orchestra</emph> (1956), 106 p. 124/13 <emph render="italic">Incenters</emph> : for trumpet, horn, trombone and orchestra (n.d.), 43 p. 124/14 <emph render="italic">Laude</emph> : piece with medieval text (1952), 16 p. 124/15 <emph render="italic">Laude</emph> : piece with medieval text / piano reduction by Paul Aron (1952), 13 p. Dukelsky, Vladimir 124/16 <emph render="italic">Tempo</emph> [?] (n.d.), 4 p. Edel, Ytzhak 125/1 <emph render="italic">Sonatine for oboe and piano</emph> (1951), 22 + 5 p. (includes oboe part and correspondence). Engel, A. Lehman 125/2 <emph render="italic">Introduction and allegretto, op. 13</emph> : for woodwinds, brass and timpani (1933), 22 p. Epstein, Alvin L 125/3 <emph render="italic">Duo for violin & piano</emph> (1958), 22 + 11 p. Farrand, Noel 125/4 <emph render="italic">String trio</emph> : for violin, viola and violincello (n.d.), 35 p. Fauberman, Harold 125/5 <emph render="italic">Quartet</emph> : for flute, oboe, viola, and cello (1956), 47 p. Feldman, Morton 125/6 <emph render="italic">Out of "Last pieces"</emph> : orchestra graph (1961), 12 p. (includes notes). Ferrari, Luc 126/1 <emph render="italic">Suite pour piano</emph> (1952), 15 p. Feuchwanger, Peter 126/2 <emph render="italic">Variations on an eastern folk tune, book I & II</emph> : for piano (1957), 25, 26 p. Fine, Irving 126/3 <emph render="italic">Music for piano</emph> (1947), 20 p. 151/4 <emph render="italic">Serious song</emph> : for string orchestra (1955), 14 p. Fine, Vivian 126/4 <emph render="italic">Four polyphonic piano pieces</emph> (n.d.), 20 p. Fitelberg, Jerzy 151/5 <emph render="italic">Concertino da camera</emph> : for violin and piano (1950/51), 30 + 15 p. Fitzer, Jack 126/5 <emph render="italic">Noel 1949</emph> (1949), 1 leaf. Flanagan, William 126/6 <emph render="italic">Time's long ago</emph> : a cycle of songs to "Poeme 87" (Herman Melville) (1951), 19 p. Foresythe, Reginald 126/7 <emph render="italic">Study in steel</emph> : for piano (n.d.), 7 p. Foss, Lukas 126/8 <emph render="italic">Folk song</emph> : for orchestra (1975/76), 35 p. 126/9 <emph render="italic">Quartet</emph> : for 2 violins, viola and cello (n.d.), 35 p. Franchetti, Arnold 127/1 <emph render="italic">The blind Geronimo and his brother</emph> : a musical tale for children (1978), 18 p. 152/2 <emph render="italic">Concertino</emph> : for flute, alto flute, piccolo, cello and percussion (1965), 21 p. 152/3 <emph render="italic">Concerto in DO for orchestra</emph> (1961/62), 59 p. 127/2 <emph render="italic">Dialoghi</emph> : to Marvin Salzberg (1960), 24 p. 152/4 <emph render="italic">In memory of John Fitzgerald Kennedy.</emph> For orchestra (1964), 65 p. (includes 3 page typescript). 127/3 <emph render="italic">Largo</emph> : piano reduction (n.d.), 20 p. 152/5 <emph render="italic">Largo for strings</emph> (1956), 8 p. 152/6 <emph render="italic">Prelude and fugue : a concert opera ...</emph> : for voices, piano and orchestra (1959), 114 p. 152/7 <emph render="italic">Sinfonia in LA</emph> (1967), 83 p. 152/1 <emph render="italic">3rd wind quintet</emph> (1963), 15 p. 127/4 <emph render="italic">Three ricercori</emph> : for winds, percussion, piano & strings (1958), 61 p. 152/8 <emph render="italic">Whate'er the theme the maiden sang ...</emph> : for soprano and orchestra (1962), 49 p. Franco, Johan 127/5 <emph render="italic">Intermezzo I</emph> : for piano (1936), 2 p. Gianneo, Luis 127/6 <emph render="italic">Sonatina</emph> : para flauta y piano (1937), 17 p. Ginastera, Alberto 127/7 <emph render="italic">Ier cuarteto de cuerdas</emph> : score and parts for strings (n.d.), 30 + 12 + 12 + 8 + 8 p. 127/8 <emph render="italic">Variaciones concertantes</emph> : para orquestra de camara (1953), 69 p. Giuffre, Jimmy 127/9 <emph render="italic">Clarinet quintet no. I</emph> (1963), 58 p. Gottlieb, Jack 128/1 <emph render="italic">Sonata for piano</emph> (1960), 38 p. Graves, Robert 128/2 <emph render="italic">Henry and Mary</emph> : song for soprano and tenor (n.d.), 1 leaf. Gross, Robert 128/3 <emph render="italic">String quartet no. 4</emph> (n.d.), 39 p. Haieff, Alexei 128/4 <emph render="italic">Allegro</emph> : for piano (n.d.), 1 leaf. 128/5 <emph render="italic">Saints' wheel</emph> : variations on a circle of fifths (1960), 6 p. Harris, Roy 128/6 [Piano reduction of unknown symphonic work] (1929), 31 p. 128/7 <emph render="italic">Piano sonata</emph> (n.d.), 19 p. 128/8 <emph render="italic">Theme from clarinet concerto</emph> (n.d.), 2 p. 128/9 <emph render="italic">Third symphony</emph> : in one movement (1939), 104 p. Hatzidakis, Manos 128/10 <emph render="italic">Matinades and dances for piano</emph> (1947), 6 p. Heilner, Irwin 128/11 <emph render="italic">Poem</emph> : words by Emily Dickinson (1928), 2 p. Horne, Henri 128/12 <emph render="italic">Rhapsodie nocturne</emph> : for piano (n.d.), 36 p. Ichiyanagi, Tossi 128/13 <emph render="italic">Toccata</emph> : for piano (n.d.) 14 p. Imbrie, Andrew 153/1 <emph render="italic">Concerto</emph> : for violin and orchestra (1954), 139 p. Ives, Charles E. 129/1 <emph render="italic">Decoration day</emph> : for orchestra (1912), 29 p. 129/2 <emph render="italic">General Booths' entrance into heaven</emph> : for voice & piano (1914), 7 p. Jones, Charles 129/3 <emph render="italic">Three pieces for piano</emph> (1943), 10 p. Karg-Elert, Siegfrid 129/4 <emph render="italic">Corale</emph> (n.d.), 1 leaf. Katz, David 129/5 <emph render="italic">Sonata for two pianos</emph> (1980), 38 p. (includes correspondence). Kennedy, John Brodbin 153/4 <emph render="italic">Inscription</emph> : symphonic movement for orchestra (1955), 18 p. 153/2 <emph render="italic">Lyric ode</emph> : for string orchestra (1959), 13 p. 129/6 <emph render="italic">Piano sonata</emph> : in one movement (1954), 15 p. 153/3 <emph render="italic">Songs of innocence</emph> : for voice and piano (1960), 21 p. Kinarthy, Rander 129/7 <emph render="italic">Faustus</emph> : piano solo (1972), 9 lvs. Kohn, Karl 129/8 <emph render="italic">Before night</emph> : for four part chorus of mixed voices (SATB) and piano (n.d.), 12 p. 129/9 <emph render="italic">Capriccios</emph> : for harp, violoncello, flute, clarinet, and piano (1962), 26 p. 129/10 <emph render="italic">Divertimento</emph> : for flute, oboe, clarinet, and bassoon (1959), 24 p. 129/11 <emph render="italic">Encounters</emph> : for flute, piccolo and piano (1966), 3 p. 153/5 <emph render="italic">Interludes</emph> : for orchestra (1964), 41 p. 130/1 <emph render="italic">Leisure and other songs</emph> : cantata for baritone and chamber ensemble (1965), 36 p. 130/2 <emph render="italic">Romanza</emph> : for baritone & piano (1965), 5 p. 130/3 <emph render="italic">Sonata da camera</emph> : for alto flute, clarinet and piano (1965), 15 p. 130/4 <emph render="italic">Three pieces</emph> : for flute and piano (1958), 10 p. 130/5 <emph render="italic">Two short pieces</emph> : for clarinet and piano (1959), 8 p. 130/6 <emph render="italic">Two songs</emph> : for soprano and piano (1964), 5 p. 130/7 <emph render="italic">When to her lute</emph> : for voice and piano (1963), 5 p. Kolar, Henry 130/8 <emph render="italic">Aphorisms for string orchestra</emph> (1963), 8 p. 130/9 <emph render="italic">Music for brasses</emph> (1968, 9 p. Kolb, Barbara 130/10 <emph render="italic">Appello</emph> (1976), 15 p. 130/11 <emph render="italic">Looking for Claudio</emph> (1975), 19 p. (includes notes). 153/6 <emph render="italic">Songs before an adieu</emph> : for soprano, flute/alto flute, guitar (1977-79), 23 p. Koprowski, Piotr P. 130/12 <emph render="italic">Concerto grosso for string ochestra</emph> (1971), 17 lvs. Korte, Karl 153/7 <emph render="italic">Symphony no. 3</emph> (1969), 151 p. Krieger, Edina 130/13 <emph render="italic">Movimento misto</emph> : para pequena orquesta (1947), 48 p. 130/14 <emph render="italic">Music da camera</emph> : para flauta, trumpete, violino e percussao (1948), 8 p. 130/15 <emph render="italic">Pecalenta</emph> : para flauta, violino, viola e celo (1946), 6 p. 130/16 <emph render="italic">Sonatina</emph> : para flauta e piano (1947), 14 p. Kubik, Gail 153/8 <emph render="italic">Divertimento II.</emph> For small orchestra (1958), 43 p. 130/17 <emph render="italic">Service of intercession for the war</emph> : <emph render="italic">a war-time litany</emph> : for men's chorus, brass and percussion (1943), 35 p. Laeser, Brian 131/1 <emph render="italic">Piece for two pianos</emph> (1973), 2 p. 131/2 <emph render="italic">Variations</emph> : on a theme by Aaron Copland (1973), 1 p. Lambro, Phillip 154/1 <emph render="italic">Miraflores</emph> : for string orchestra (1956), 3 p. Lanza, Alcides 131/3 <emph render="italic">Modulos (1965-III)</emph> : para guitarra (1966), 12 p. 131/3 <emph render="italic">Plectros II (1966-I)</emph> : para piano an electronic sounds (1965), 2 p. Layton, Billy 154/2 <emph render="italic">An American portrait : symphonic overture : for orchestra</emph> (1953), 52 p. 131/4 <emph render="italic">Five studies for violin and piano</emph> (1952), 32 p. 131/5 <emph render="italic">In my craft or sullen art</emph> : for mixed chorus and brass sextet 1956, 5 p. 131/6 <emph render="italic">O make me a mask</emph> : for mixed chorus and brass sextet (1954), 20 p. 131/7 <emph render="italic">Septet</emph> : for violin, clarinet...and percussion (1958), 47 p. 131/8 <emph render="italic">String quartet</emph> : in two movements (1956), 56 p. 131/9 <emph render="italic">Twenty-four years</emph> : for mixed chorus and brass sextet (1955), 15 p. Le Baron, Anne 131/10 <emph render="italic">Concerto for active frogs</emph> (1975), 12 p. Lee, Noël 131/11 <emph render="italic">Commentaries on a theme from A. Copland</emph> : for trumpet, clarinet and piano (1966), 19 p. 131/12 <emph render="italic">Double concert</emph> : for piano, violin, and orchestra (1964), 76 p. 131/13 <emph render="italic">Double concert</emph> : for piano, violin, and orchestra (reduction) (1964), 47 p. 132/1 <emph render="italic">Errances</emph> : for concert band (1972), 36 p. 132/2 <emph render="italic">Fantasy for orchestra</emph> : in four movements (1953; rev. 1955), 76 p. 132/3 <emph render="italic">Four etudes</emph> : for piano (second set) (1967), 24 p. 132/4 <emph render="italic">Four rhapsodies</emph> : for chorus, mezzo-soprano, and orchestra (1952; rev. 1953), 79 p. 132/5 <emph render="italic">Four rhapsodies</emph> : reduction for 2 pianos (1952), 40 p. 132/6 <emph render="italic">Paraboles</emph> : oratorio en six mouvements (1954), 66 p. 132/7 <emph render="italic">Profile</emph> : for orchestra (1959), 12 p. 132/8 <emph render="italic">Quatre chants sur Baudelaire</emph> : pour voix et piano (1971), 26 p. 132/9 <emph render="italic">Seis canciones Amarillas</emph> : cycle of songs set to poems ... for lyric soprano and piano (1959), 20 p. (2 copies). 132/10 <emph render="italic">The song of songs</emph> : cycle of songs for dramatic soprano and piano ... (1949), 21 p. 132/11 <emph render="italic">Variations</emph> : for orchestra (1959/60), 58 p. (2 copies). Lewis, Ken 133/1 <emph render="italic">Dance variations</emph> : for chamber wind ensemble (1975), 40 p. Lewis, Peter 154/3 <emph render="italic">Images (In memoriam James Agee)</emph> : for reader & orchestra (1967), 34 p. 133/2 <emph render="italic">Sweets for piano</emph> : for M.S. (1965), 19 p. Lilburn, Douglas 133/3 <emph render="italic">Duo</emph> : for 2 violins (1954), 18 p. 133/4 <emph render="italic">Elegy</emph> : songs set to poems (1947), [16] lvs. Lombardo, Robert 133/5 <emph render="italic">12 contemporary piano pieces for children</emph> (1962), 12 p. 133/5 <emph render="italic">A war ballad</emph> : for narrator and cello (1966), 4 p. 133/6 <emph render="italic">Cinque piccoli pezzi</emph> : per violino e pianoforte (1965), 6 p. 133/7 <emph render="italic">Climbing for tree frogs</emph> : four love songs for soprano and harpsichord (1969), 12 p. 133/8 <emph render="italic">Dialogue of lovers</emph> : for soprano, baritone and chamber ensemble (1966), 58 p. 133/9 <emph render="italic">Fantasy for piano</emph> (1960), 10 p. 133/10 <emph render="italic">For my daughter, Rosalia</emph> : a madrigal for 24 voices SATB (1968), 13 p. 133/11 <emph render="italic">Fourplay</emph> : for violin, percussion, bassoon & harpsichord (1970), 26 p. 133/12 <emph render="italic">Frosted window</emph> : <emph render="italic">variations on white</emph> : for soprano, bassoon, viola, percussion (1975), 7 p. 133/13 <emph render="italic">In memoriam, Michele Lombardo, 1888-1967</emph> : for bassoon, violin, viola, violoncello (1967), 5 p. 133/14 <emph render="italic">Largo</emph> : for string quartet (1969), 9 p. 134/1 <emph render="italic">Music for spring : three short pieces for horn and piano</emph> (1961), 12 + 3 p. 154/4 <emph render="italic">Orchestral aphorisms</emph> (1960), 26 p. 134/2 <emph render="italic">Orchestral fantasy</emph> (1962), 45 p. (includes concert program). 134/3 <emph render="italic">Program notes</emph> : for flute, bass clarinet, vibraphone, soprano and contrabass (1969), 15 p. 134/4 <emph render="italic">Second string quartet</emph> (1974), 23 p. 134/5 <emph render="italic">Three cinquains</emph> : for alto voice and chamber ensemble (1966), 6 p. 154/5 <emph render="italic">Three haiku for band</emph> (1961), 36 p. 134/6 <emph render="italic">Three madrigals</emph> : for three part women's chorus (1960), 9 p. 134/7 <emph render="italic">Three poems</emph> : for flute, oboe and mixed chorus (1961), 19 p. 134/8 <emph render="italic">Threnody</emph> : for strings (1964), 10 p. 154/6 <emph render="italic">Trio for brass</emph> (1959), 7 p. Lynch, David 135/1 <emph render="italic">Hymn to pan</emph> (n.d.), 52 lvs. (includes text). Martin, Frank 135/2 <emph render="italic">Der Cornet - No. 9 der Brief</emph> (1942/43), 4 p. Marty, Jean-Pierre 135/3 <emph render="italic">3 etudes</emph> : pour piano (1955), 13 p. Marzialy, Marcelle de 154/7 <emph render="italic">Quatuor.</emph> For strings (1943), 21 p. 154/8 [Unidentified orchestral score] (1945), pp. 7-35. Mattila, Edward 135/4 <emph render="italic">Thirteen ways of looking at a blackbird</emph> : for reciter, chorus and chamber ensemble (1971), 22 p. Michalsky, D[onal] 135/5 <emph render="italic">Birthday greetings - 1973</emph> : from composition class of D. Michalsky of California State University, Fullerton, Cal. 92634 ( 1973), [25] p. Milhaud, Darius 135/6 <emph render="italic">Trois chansons de Ronsard</emph> : voice & piano (1943), 8 p. Miller, Carl 135/7 <emph render="italic">April</emph> : for soprano & piano (1942), 2 p. Miller, Edward 154/9 <emph render="italic">6 canons</emph> : for alto recorder, harpsichord, and viola da gamba (1964), 6 lvs. 154/10 <emph render="italic">Anti-heroic amalgam</emph> : for orchestra (1969), 49 p. 154/11 <emph render="italic">Burlesque</emph> : 4 pianos (1965), 22 p. 135/8 <emph render="italic">Conquest</emph> : voice & piano (n.d.), 1 leaf. 135/9 <emph render="italic">Oh! the grand old Duke of York</emph> (n.d.), 1 leaf (found with compositions by Miller under the name Mother Goose). 135/10 <emph render="italic">On the death of friends in childhood</emph> : voice & piano (n.d.), 2 lvs. 154/12 <emph render="italic">Orchestral changes</emph> (1966), 33 p. 154/13 <emph render="italic">Orchestral fantasies</emph> (1968), 54 p. 154/14 <emph render="italic">Reflections : at the Bronx zoo.</emph> For orchestra (1965), 34 p. 135/11 <emph render="italic">The seven last days</emph> : for chorus, percussion, tape and silent film (1970), 11 p. [includes 1970 concert program, 5 p.] 135/12 <emph render="italic">Sinfonietta</emph> : for string orchestra (1966), 14 p. 135/13 <emph render="italic">A study for winds & strings</emph> (1959), 24 p. 135/14 <emph render="italic">Three pieces for band</emph> (1964), 24 p. 135/15 <emph render="italic">Untitled poem</emph> : voice & piano (n.d.), 1 leaf. 135/16 <emph render="italic">The young god</emph> : <emph render="italic">a vaudeville</emph> : for voice & small jazz ensemble (1968), 64 p. Miller, Jean 136/1 <emph render="italic">Beguine no. 1</emph> (1944), 2 p. 136/2 <emph render="italic">Beguine no. 2</emph> (1946), 2 p. 136/3 <emph render="italic">Canción Afrocubana</emph> : voice & piano (1945), 3 p. 136/4 <emph render="italic">Conga</emph> (1945), 3 p. 136/5 <emph render="italic">Danzón</emph> : piano solo (1943), 1 leaf. 136/6 <emph render="italic">Tropic serenade (Afrocubana)</emph> : voice & piano (1946), 2 p. Mills, Charles 154/15 <emph render="italic">Crazy Horse symphony</emph> (1957), 76 p. Moevs, R[obert] 136/7 <emph render="italic">Cantata sacra</emph> (1952), 22 p. Moss, [Lawrence] Larry 136/8 <emph render="italic">Far down the steel-gray water stretches</emph> : voice (baritone) & piano (n.d.), 3 lvs. 136/9 <emph render="italic">March</emph> : for piano (n.d.), 5 lvs. 136/10 <emph render="italic">String quartet</emph> (1957), 42 p. Nabokoff, Nicolas 136/11 <emph render="italic">Serenata estiva</emph> : string quartet (1937), 14 p. Nigg, Serge 136/12 <emph render="italic">Trois melodies, op. 9</emph> : voice & piano (n.d.), 8 p. Oberheide, Ken 136/13 <emph render="italic">Full fathom down rhapsody</emph> (n.d.), 4 lvs. O'Brien, Eugene 155/1 <emph render="italic">Dédales</emph> : for soprano and chamber orchestra (1975), 83 p. O'Connell, Glen 136/14 <emph render="italic">Comments for piano 1965</emph> (1965), 15 p. (2 copies). 136/15 <emph render="italic">Music for string quartet 1967</emph> (1967), 32 p. Onderdonk, Henry 136/16 <emph render="italic">Sonata for two pianos</emph> (1965), 47 lvs. Onofrey, Rev. Robert E. 136/17 <emph render="italic">Labyrinth, op, 46</emph> : for clarinet alone (1973), [7] p. Orgad, Ben-Zion 137/1 <emph render="italic">Biblical cantata : "The story of the spies"</emph> (1951), 58 p. 137/2 <emph render="italic">Out of the dust</emph> : quintet for mezzo-soprano (soprano), flute, bassoon, viola & violoncello (1955), [45] p. Paddack, Christopher 137/3 <emph render="italic">Alborada 1964</emph> : for piano (1964), 3 p. Palester, Roman 137/4 <emph render="italic">Study 58</emph> : full score (n.d.), 35 p. 137/5 <emph render="italic">Variations pour orchestre</emph> : partition d'orchestre (n.d.), 73 p. Parris, Robert 137/6 <emph render="italic">Sonata</emph> : for violin and harpsichord (piano) (1956), 29 p. Paxton, Glenn 155/2 <emph render="italic">Ballet</emph> : in nine sections (n.d.), 100 p. Peck, Russell 155/3 <emph render="italic">My capricorn</emph> : for orchestra (1968), 57 p. Peterson, Wayne 155/4 <emph render="italic">Chansons innocentes : II hist whist.</emph> For mixed chorus (SATB) & piano (1964), 11 p. 155/5 <emph render="italic">Metamorphoses for wind quintet</emph> (1966), 22 p. Peixe, Guerra 155/6 <emph render="italic">2me divertissement</emph> : pour orchestre á cordes (1947), 31 p. 137/7 <emph render="italic">Duo para flauta e violino</emph> (1947), 15 p. 137/8 <emph render="italic">Música</emph> : para piano (1945), 9 p. 137/9 <emph render="italic">Peça p'ra dois minutos</emph> : para piano (1947), 4 p. 155/7 <emph render="italic">Sinfonia no. 1</emph> (1945/46), 46 p. Perrin, Hal and Fleurette 137/10 <emph render="italic">Introduction to harmonizing, embellishing, and improvising</emph> : for piano (n.d.), various paginations [includes correspondence]. Pfautsch, Lloyd 137/11 <emph render="italic">Dancetudes</emph> : for piano (n.d.), [7] p. Pinkham, Daniel 138/1 <emph render="italic">Duo for violin and violoncello</emph> (n.d.), [8] p. Pompeu, Mario 138/2 <emph render="italic">Pureza</emph> : for piano (n.d.), [3] p. [includes drawing of AC by A. Rodriguez]. 138/3 <emph render="italic">The Brazil-United States anthem</emph> : for piano (1947), [3] p. + 2 leaves of text. Porter, Quincy 138/4 <emph render="italic">Suite for viola alone</emph> (1930), 5 p. Powell, Mel 138/5 <emph render="italic">Quintet</emph> : for two violins, viola, cello and piano (n.d.), 49 p. Prokofiev, Serge 155/8 <emph render="italic">Quintet</emph> : for oboe, clarinet, violin, viola and bass (n.d.), [14] p. Putsché, Thomas 138/6 <emph render="italic">Hexachord fantasies</emph> : <emph render="italic">nineteen pieces for piano</emph> (1967), 45 p. 138/7 <emph render="italic">Six preludes for piano</emph> (1961), 16 p. 155/9 <emph render="italic">Three bugs</emph> : for orchestra (1965), 30 p. Ramey, Phillip 138/8 <emph render="italic">Autumn pastorale</emph> : for piano (1980), 3 p. 138/9 <emph render="italic">Commentaries</emph> : for flute and piano (1968), 8 p. 138/10 <emph render="italic">Diversions</emph> : for piano (1965/66), 11 p. 138/11 <emph render="italic">Pen sketches</emph> : five pieces for the young pianist (1967), 7 p. 138/12 <emph render="italic">Phantasm</emph> : for flute and violin (or two violins) (1984), 27 p. 138/13 <emph render="italic">Threnody</emph> : for the Victims of Israeli Agression : for piano (1974), 2 lvs. 138/14 <emph render="italic">Toccata giocosa</emph> : for piano (1966), 3 p. 138/15 <emph render="italic">Two short pieces</emph> : for piano (1967), 4 p. Ranieri, Salvador 138/16 <emph render="italic">A tus ojos</emph> : voce e piano (n.d.), 4 p. 138/17 <emph render="italic">Danza arcaica</emph> : para piano (n.d.), 5 p. 138/18 <emph render="italic">Dos corales</emph> : para piano (n.d.), 2 p. 138/19 <emph render="italic">Niña y muñeca</emph> : para piano (n.d.), 2 p. 138/20 <emph render="italic">Ninna-Nanna 1964</emph> : per una voce e pianoforte (1964), 3 p. [includes correspondence]. 138/21 <emph render="italic">Tres invenciones para piano</emph> (n.d.), 6 p. Reid, Clement 138/22 <emph render="italic">Sons of the desert</emph> : for piano four hands (1976), 24 p. Revueltes, Silvestre 139/1 <emph render="italic">2o cuarteto (Magueyes) = Quartet no. 2</emph> : for 2 violins, viola and cello (1931), 13 + 5 + 5 + 5 + 5 p. 139/2 <emph render="italic">Cuarteto</emph> : for 2 violins, viola and cello (1930), 13 p. 139/3 <emph render="italic">Música de féria</emph> : parts for 2 violins, viola and cello (1932), 5 + 5 + 5 + 5 p. Robinson, Earl 139/4 <emph render="italic">Song of the free men</emph> : for 2 voices and piano (n.d.), 8 lvs. Rorem, Ned 139/5 <emph render="italic">A burnt ship</emph> : voice & piano (1945), 2 p. 139/6 <emph render="italic">Psalm 100 (A psalm of praise)</emph> : voice & piano (1945), 3 p. 139/7 <emph render="italic">Psalm 120 (A song of degrees)</emph> : voice & piano (1945), 2 p. Rouse, Christopher 139/8 <emph render="italic">The phoenix</emph> : flute/piccolo, percussion and piano (1973), 9 p. (2 copies). 139/9 <emph render="italic">Third stratum of empyrean</emph> (1979), 44 p. Roy, Klaus G. 139/10 <emph render="italic">St. Francis' "Canticle of the sun", op. 17</emph> : for chorus of 4 mixed voices (SATB) a cappella and solo viola (1950), 26 p. [includes additional literature]. 139/11 <emph render="italic">There is a garden in her face, op. 10</emph> : four-part chorus of mixed voices (SATB) a cappella (1940), 4 p. Sadovnikoff, Mary B. 139/12 <emph render="italic">Carol</emph> : lead sheet (1964), 2 p. 139/12 <emph render="italic">Christ, the fleur-de-lis</emph> : lead sheet (1964), 1 p. 139/13 <emph render="italic">Dover beach (Matthew Arnold)</emph> : set to music by Mary B. Sadovnikoff : for mixed chorus, brass quartet, violoncello and piano (1965), 32 p. 139/14 <emph render="italic">Five songs on Chinese texts</emph> : for medium voice & piano (1950-53), 21 p. 139/15 <emph render="italic">Love song</emph> : voice & piano (n.d.) [14] lvs. Salzberg, Marvin 140/1 <emph render="italic">String quartet I</emph> (1958), 31 p. 140/2 <emph render="italic">Theme, four short variations & fantasy</emph> (1959), 5 p. Samuel, Gerhard 156/1 <emph render="italic">Cold when the drum sounds for dawn.</emph> For orchestra (1975), 24 p. Santorsola, Guido 140/5 <emph render="italic">Aspirar</emph> : para canto y piano (1930), 3 p. 140/3 <emph render="italic">Canção triste</emph> : para piano (1934), 6 p. 140/4 <emph render="italic">Dos invenciones</emph> : para piano (1938), 6 p. 140/6 <emph render="italic">Passos perdidos na sombra</emph> : para canto y piano (1939/40), 3 p. (2 copies). Sapp, Allen 140/7 <emph render="italic">First viola sonata 1948</emph> : for viola and piano (1948), 23 p. 140/8 <emph render="italic">Four hand sonata 1944</emph> (1944), 29 p. 140/9 <emph render="italic">The little lost boy</emph> (1953), 58 p. 140/10 <emph render="italic">Second violin sonata 1948</emph> : for violin and piano (1948), 30 p. 140/11 <emph render="italic">Sonatina for piano 1945</emph> (1945), 10 p. 140/12 <emph render="italic">Suite for piano 1949</emph> (1949), 12 p. Schlein, Irving 141/1 <emph render="italic">Preludes</emph> : for piano (n.d.), 15 p. Schuman, William 141/2 <emph render="italic">Choral fanfare</emph> : for women's voices (1941), 1 leaf. 156/2 <emph render="italic">New England triptych</emph> : three pieces for orchestra (1957), 70 p. Schumann, R. 156/3 <emph render="italic">Träumerei.</emph> For orchestra (n.d.), 8 p. Schwartz, Lawrence 141/3 <emph render="italic">Theme & variations, op. 13</emph> : in G major : for orchestra (n.d.), 7 lvs. Scott, Kevin 156/4 <emph render="italic">Fanfare G.A.F. : an American overture</emph> : for symphony orchestra (1984), 51 p. Sebastiani, Pia 141/4 <emph render="italic">Preludio no. 2</emph> : para piano (1946), 6 p. Sessions, Roger H. 141/5 <emph render="italic">Choral prelude.</emph> For organ (1924/25), 2 p. (3 copies). 141/6 <emph render="italic">Choral prelude no. 2.</emph> For organ (1926/27), 3 p. 141/7 <emph render="italic">Largo : from symphony in E minor (#1)</emph> . Condensed score (1928), 9 p. 141/8 <emph render="italic">Sonata.</emph> For organ (1928-30), 48 p. [includes 3 single page inserts]. Shackleford, Rudy 141/11 <emph render="italic">9 aphorisms</emph> : for organ (1972), 20 lvs. 141/9 <emph render="italic">I sat down under his shadow.</emph> For mixed chorus (SATB) (1972), 3 p. 141/10 <emph render="italic">Im Nebel / Im Spiegel.</emph> For strings & piano (keyboard) (1971), 12 lvs. 141/12 <emph render="italic">String 4-tet no. 1.</emph> (1972), 26 lvs. Shanet, Howard 141/13 <emph render="italic">Perpetual praise.</emph> For 2 voices (1960), 2 p. (tribute to Copland's 60th birthday). Shapero, Harold 141/14 <emph render="italic">Two psalms</emph> : for mixed voices a cappella (1952), 13 p. 141/15 <emph render="italic">Variations in C minor</emph> : for piano (1947), 17 p. Shifrin, Seymour 156/5 <emph render="italic">Lament for Oedipus</emph> : for women's voices, string quartet, and piano (1957), 82 p. 142/1 <emph render="italic">The odes of Shang</emph> : for percussion, small mixed chorus & piano (1962), 41 p. Siegmeister, Elie 142/2 <emph render="italic">Four songs (Robert Frost).</emph> For voice & piano (n.d.), 14 p. Silva, Jesus Bermudez 142/3 <emph render="italic">Sonata Abril 12</emph> : piano (1965), 13 p. Sims, Ezra 142/4 <emph render="italic">Celebration of dead ladies.</emph> For voice & chamber ensemble (1976), 77 p. Smit, Leo 142/5 <emph render="italic">Academic graffiti</emph> . For voice & chamber ensemble (1962/63), 14 p. (2 copies). 142/6 <emph render="italic">Canzone: L'addio</emph> : per tenore e pianoforte (1951), 4 p. 142/7 <emph render="italic">Capriccio</emph> : for string orchestra (1958-74), 45 p. 142/8 <emph render="italic">Carol.</emph> For soprano, alto & tenor (1944), 2 p. 142/9 <emph render="italic">Channel firing</emph> : for baritone & piano (1970), 12 p. 156/6 <emph render="italic">Four kookaburra marches</emph> : for orchestra (1972), 36 p. 142/10 <emph render="italic">In a dark time</emph> : for high voice & piano (1959), 9 p. 142/11 <emph render="italic">Suite of piano pieces</emph> (1944), 28 p. 142/12 <emph render="italic">A transient view</emph> : 5 choruses for unaccompanied voices (1967), 13 p. Smith, Leland 143/1 <emph render="italic">Advice to young ladies</emph> : set for women's chorus with clarinet, violin, and violoncello (or with piano) (1963), 14 p. 143/2 <emph render="italic">Three Spanish songs</emph> : for voice & guitar (1959), 10 p. Smith, Russell 143/3 <emph render="italic">Avowal (Geständnis).</emph> For voice & piano (1974), 2 p. 143/4 <emph render="italic">Duo</emph> : for flute or oboe and bassoon or cello (1948), 3 p. 143/5 <emph render="italic">Magnificat</emph> : for soprano solo, chorus & orchestra (1969), 177 p. 143/6 <emph render="italic">Palatine songs</emph> : for high voice, vibaphone, cymbal, clarinet horn and cello (n.d.), 39 p. 143/7 <emph render="italic">River of darkness.</emph> For voice & piano (1973), 15 p. 143/8 <emph render="italic">Symphony</emph> : for alto [voice] & orchestra (1976/77), 72 p. [includes 1 page note "TO THE PERFORMERS" and 3 leaf music insert]. 143/9 [<emph render="italic">Three Preludes</emph>]. For piano (1973), 13 + 3 + 6 p. 143/10 <emph render="italic">Three songs</emph> : for high voice with piano accompaniment (1974), 14 p. 143/11 <emph render="italic">Trio</emph> : for violin, violincello & piano (1974), 55 lvs. 143/12 <emph render="italic">Variations in D</emph> : for cello & piano (1947), 12 p. Smith-Masters, Anthony B. 143/13 <emph render="italic">Piano concerto no. 2.</emph> Full score (1983), 47 p. Snavely, Chester P 143/14 <emph render="italic">Klee.</emph> For mixed chorus (SATB) (n.d.), 1 leaf. Spelman, Timothy Mather 156/7 <emph render="italic">Homesick Yankee in North Africa</emph> : rhapsody for orchestra (1945), 32 p. Starer, Robert 143/15 <emph render="italic">Ballade</emph> : for violin & orchestra (1955), 59 p. Steger, Werner 144/1 <emph render="italic">Serenade</emph> : für streichorchester (1961), 12 p. Stevens, Halsey 144/2 <emph render="italic">She's somewhere in the sunlight strong.</emph> For voice & piano (1942), 1 leaf. Striko, Anthony 144/3 <emph render="italic">Last puppet</emph> : a one set opera : for mixed chorus (SATB) and piano (1956-59), 148 p. Svane, Randy 144/4 <emph render="italic">Fantasy</emph> : for violin & piano (1973), 15 p. 144/5 <emph render="italic">Psalm 63.</emph> For voice & piano (1974), 5 lvs. 144/6 <emph render="italic">Psalm 98.</emph> For voice & piano (1974), 6 lvs. Sydeman, William J. 144/7 <emph render="italic">Homage to L'histoire du soldat.</emph> For small orchestra (1962), 44 p. Takemitsu, Toru 156/8 <emph render="italic">Eucalypts</emph> (1970), 20 p. Talma, Louise 144/8 <emph render="italic">All the days of my life</emph> : cantata for voice & chamber ensemble (1963), 45 p. Thompson, T. 144/9 <emph render="italic">Dance portraits.</emph> Piano solo (1963-65), 10 p. 144/10 <emph render="italic">Piece in slow motion</emph> : psalm for trumpet, piano, bass, cello, percussion (1965), 16 p. Thomson, Virgil 145/1 <emph render="italic">Five pieces from the Song of Solomon</emph> : for solo voice and percussion (n.d.), [11] p. 145/2 <emph render="italic">Pastorale (Portrait of Aaron Copland).</emph> For chamber ensemble (n.d.), 11 p. 145/3 <emph render="italic">Ten easy pieces and a coda.</emph> Piano solo (1926), 6 p. 145/4 <emph render="italic">Violin sonata I</emph> : violin & piano (1930), 21 p. 145/5 <emph render="italic">Violin sonata I</emph> : violin part (1930), 9 p. Thorne, Francis 145/6 <emph render="italic">Rhapsodic variations for piano and orchestra</emph> (1965), 60 p. 156/9 <emph render="italic">Symphonic variations on a Duke Ellington theme</emph> (1959), 46 p. Tosar, H. A. 145/7 <emph render="italic">"Aves errantes" de Rabindranath Tagore (Stray birds)</emph> : triptico para voz masculina y 11 instrumentistas (n.d.), 81 p. Tsamitt, Cárlos 145/8 <emph render="italic">Friso araucano</emph> : para sopraná y baritonò y orquesta (1963), unpaged. [Unidentified composer] 145/9 [<emph render="italic">Preludes I, II & III</emph>]. Piano solo (1970), 15 lvs. 156/10B [No title]. Full score for chorus and orchestra (1971), incomplete. Urquhart, R. Craig 156/11 <emph render="italic">Mix</emph> : for orchestra (1975/76), [22] p. 145/10 <emph render="italic">String quartet in five movements</emph> (n.d.), 8 p. Van Wyk, Carl 145/11 <emph render="italic">Op my Ou Ramkietjie.</emph> For voice & piano (n.d.), 6 p. 145/12 <emph render="italic">Wandellied</emph> (n.d.), 7 lvs. [Various composers] 145/13 <emph render="italic">Variations on happy birthday in tribute to Eugene Ormandy</emph> (1970), 30p. Vazzana, Anthony 145/14 <emph render="italic">Birthday greeting to Copland.</emph> For chamber ensemble (ca. 1974), 5 lvs. Vianna, Fructuofo 145/15 <emph render="italic">Sabiá : canção.</emph> For voice & piano (1938), 4 p. Villa-Lobos, Heitor 145/16 <emph render="italic">Bachianas brasileiras - no. 9</emph> : para orquestra de vozes (1945), 18 p. Waters, Emory 145/17 <emph render="italic">Three short pieces for orchestra</emph> (1976), 52 lvs. Webster, Daniel 146/1 <emph render="italic">Do you remember?</emph> For voice & piano (n.d.), 6 lvs. Wessel, Mark 146/2 <emph render="italic">String-quartette</emph> (n.d.), 29 p. (includes parts) Wilding-White, R[aymond] 146/3 <emph render="italic">Paraphernalia : a regalia of madrigalia from Chou and the South</emph> : for voice, winds, violin & piano (1960), 55 lvs. Wilson, Richard 146/4 <emph render="italic">August 22</emph> : for chorus of voices, percussion and piano (ca. 1974), 28 p. 146/5 <emph render="italic">Ballad of Longwood Glen</emph> : for tenor & harp (1975), 30 p. 146/6 <emph render="italic">In Schrafft's : a setting of W. H. Auden's poem</emph> : for mixed chorus, clarinet, harpsichord and mirimba (1979), 18 p. 146/7 <emph render="italic">Music for solo flute</emph> (1972), 11 p. 146/8 <emph render="italic">Serenade : variations on a simple march</emph> : for clarinet, viola and string bass (1978), 30 p. 146/9 <emph render="italic">Sour flowers</emph> : eight piano pieces (1979), 22 p. Witkin, Beatrice 146/10 <emph render="italic">Parameters for eight instruments</emph> (1964), 18 p. Woodard, James 146/11 <emph render="italic">Git along little dogie</emph> : for violin, voice & piano (1960), 15 p. Yannatos, James 146/12 <emph render="italic">Symphony no. 1</emph> : full score (1958), 118 p. 146/13 <emph render="italic">Three songs</emph> : voice & string quartet (1959), 8 p. Zupko, Ramon 156/12 <emph render="italic">Fixations</emph> : piano, violin, cello & tape (1974), 30 p. 157-196 Printed Music by Others, 1841-1986 Albeniz, Isaac 157/1 <emph render="italic">Iberia, 1er cahier.</emph> Madrid: Union Musical Espanola, [1906]. 157/2 <emph render="italic">Iberia, 4e cahier.</emph> Madrid: Union Musical Espanola, [1907]. Astaburuaga, René Amengual 157/3 <emph render="italic">Caricia.</emph> Santiago: Facultad de Bellas Artes de la Universidad de Chile, [1935].

Voice & piano.

 Bach, Johann Sebastian 157/4 <emph render="italic">An introduction to Bach.</emph> Cincinnati: Willis Music Co., [1946].

Piano solo.

 157/5 <emph render="italic">"Bleib' bei uns, denn es will Abend werden" : Cantate.</emph> Leipzig: Breitkopf & Härtel, n.d.

Klavierauszug mit Text.

 157/6 <emph render="italic">Brandenburg concerto no.3 -G major</emph> . New York: Broude Bros., n.d. 157/7 <emph render="italic">Choralgesange, band II.</emph> Leipzig: Edition Peters, n.d. 157/8 <emph render="italic">Clavecin bien tempere, volume I.</emph> Paris: Durand & Cie., [1915]. 157/9 <emph render="italic">Concerto in A minor : for violin.</emph> New York: G. Schirmer, Inc., [1920]. 157/10 <emph render="italic">Concerto in E major : for violin and piano.</emph> New York: G. Schirmer, Inc., [1919]. 158/1 <emph render="italic">English suites, vol 1.</emph> New York: G. Schirmer, Inc., [1896]. 158/2 <emph render="italic">French suites.</emph> New York: G. Schirmer, Inc., [1896]. 158/3 <emph render="italic">Fuga no. 8 do 1<emph render="super">o</emph>volume do clavecin bem temperado</emph> : arranjado para côro mixto a 4 vozes desiguaces por H. Villa-Lobos. Rio de Janeiro: Casa Arthur Napoleão, n.d. 158/4 <emph render="italic">Kantate Nr. 12 : "Weinen, Klagen, Sorgen, Zagen".</emph> Leipzig: Breitkopf & Härtel, [1890]. 158/5 <emph render="italic">Kantaten Nr. 20. "O Ewigke, du Donnerwort!"</emph> Leipzig: Breitkopf & Härtel, [1890]. 158/6 <emph render="italic">Kantaten Nr. 182. "Himmelskönig sei willkommen."</emph> Leipzig: Breitkopf & Härtel, [1895]. 158/7 <emph render="italic">Konzert C Moll</emph> : für Violine und Oboe oder für zwei Violinen mit Klavierbegleitung. Leipzig: Edition Peters, n.d. 158/8 <emph render="italic">Kunst der Fuge.</emph> Leipzig: C. F. Peters, n.d. 158/9 <emph render="italic">Magnificat : Klavier-Auszug.</emph> Leipzig: C. F. Peters, n.d. 158/10 <emph render="italic">Orgel-Toccata C Dur</emph> : transcr. for piano solo by F. Busoni. Leipzig: Breitkopf & Härtel, [1900]. 158/11 <emph render="italic">Orgelchoral-Vorspiele, Heft I</emph> : transcr. for piano solo by F. Busoni. Leipzig: Breitkopf & Härtel, [1898]. 158/12 <emph render="italic">Orgelwerke, Band 3.</emph> Leipzig: Steingräber-Verlag, n.d. 159/1 <emph render="italic">Präludium, Fuge, Allegro, Es Dur</emph> : transcr. for piano solo by F. Busoni. Leipzig: Breitkopf & Härtel, [1915]. 159/2 <emph render="italic">Präludium und Fuge D Dur</emph> : for piano solo. Leipzig: Breitkopf & Härtel, [1902]. 159/3 [<emph render="italic">Sonatas : for unaccompanied violin</emph>]. Berlin: Ed. Bote & G. Bock, [1908]. 159/4 <emph render="italic">Wohltemperiertes Klavier, Band II.</emph> Leipzig: C. F. Peters, n.d. Bacon, Ernst 159/5 <emph render="italic">Tributaries.</emph> Berkeley: Musical Offering, [1978].

Songs for voice & piano.

 159/6 <emph render="italic">Coal scuttle blues</emph> : for two pianos. New York: Associated Music Publishers, [1944].

Co-authored by Otto Luening.

 Barber, Samuel 159/7 <emph render="italic">Adagio for strings</emph> : arranged for organ.... New York: G. Schirmer, Inc., [1939]. 159/8 <emph render="italic">Capricorn concerto</emph> : score for flute, oboe, trumpet and strings. New York: G. Schirmer, Inc., [1945]. 196D/1 <emph render="italic">Essay for orchestra</emph> : for orchestra. New York: G. Schirmer, Inc., [1941]. 196D/2 <emph render="italic">Medea's meditation and dance of vengeance</emph> : op. 23A, for orchestra. New York: G. Schirmer, Inc., [1944]. 196D/3 <emph render="italic">Die Natali</emph> : choral preludes for Christmas, op. 37. New York: G. Schirmer Inc., [1961]. 196D/4 <emph render="italic">Piano concerto</emph> : op. 38, full score. New York: G. Schirmer Inc., [1962]. 159/9 <emph render="italic">Overture to "The school for scandal"</emph> : for orchestra. New York: G. Schirmer, Inc., [1941]. Barth, Hans (compiler) 196A/1 <emph render="italic">Piano music of today.</emph> Vienna: Universal Edition, [ca. 1936]. Bartók, Béla 159/10 <emph render="italic">Divertimento for string orchestra.</emph> London: Boosey & Hawkes, [1940]. 159/11 <emph render="italic">Etudes, op. 18.</emph> Vienna: Universal Edition, [1920].

Piano solo.

 159/12 <emph render="italic">Fünf Lieder, op. 16.</emph> : Gesang und Klavier. Vienna: Universal Editions, [1923]. 159/13 <emph render="italic">Improvisations</emph> : pour piano. Wien: Universal Editions, [1922]. 159/14 <emph render="italic">Piano-concerto no. 3.</emph> London: Boosey & Hawkes, [1947]. 159/15 <emph render="italic">Sonate</emph> : piano solo. Vienna: Universal Editions, [1927]. 159/16 <emph render="italic">Suite, op. 14</emph> : piano solo. Vienna: Universal Editions, [1918]. Beethoven, Ludwig van 160/1 <emph render="italic">Konzert G-Dur für Klavier und Orchester, op 58.</emph> Leipzig: Breitkopf & Härtel, n.d. 160/2 <emph render="italic">Piano concerto no. 1</emph> : in C major, op. 15. New York: Edwin F. Kalmus, n.d. 160/3 <emph render="italic">Quartette, op. 18</emph> [<emph render="italic">Band I</emph>] : partitur. Leipzig: C. F. Peters, n.d. 160/4 <emph render="italic">Quartette, op. 59 und op. 74</emph> [<emph render="italic">Band II</emph>] : partitur. Leipzig: C. F. Peters, n.d. 160/5 <emph render="italic">Quartette, op. 95, op. 127, op. 130</emph> [<emph render="italic">Band III</emph>] : partitur. Leipzig: C. F. Peters, n.d. 160/6 <emph render="italic">Quartette, op. 131, op. 132, op. 133, op. 135</emph> [<emph render="italic">Band IV</emph>] : partitur. Leipzig: C. F. Peters, n.d. 161/1 <emph render="italic">Sonate per pianoforte, volume II.</emph> Milano: G. Ricordi & Co., [1919]. 161/2 <emph render="italic">Sonate per pianoforte, volume III.</emph> Milano: G. Ricordi & Co., [1919]. 161/3 <emph render="italic">Symphonien no. 6-9</emph> : piano solo. Leipzig: C. F. Peters, n.d. Ben-Haim, Paul 162/1 <emph render="italic">Sonatina, op. 38</emph> : piano. Tel-Aviv: Israeli Music Publications, [1950]. Berger, Arthur 162/2 <emph render="italic">Duo for oboe and clarinet.</emph> New York: C. F. Peters, [1955]. 196D/5 <emph render="italic">Ideas of order</emph> : full score. New York: C. F. Peters, [1956]. 162/3 <emph render="italic">Three poems of Yeats from "Words for music, perhaps".</emph> New York: New Music Edition, [1950]. Berio, Luciano 162/4 <emph render="italic">Allelujah II</emph> : per cinque gruppi di strumenti. Milano: Edizioni Suvino Zerboni, [1960]. Berlioz, Hector 162/5 <emph render="italic">Absence</emph> : [from] "Les nuits d'été", op. 7, no. IV. Paris: Costallat & Cie., n.d. 162/6 <emph render="italic">Auf dem Friedhofe.</emph> Leipzig: Breitkopf & Härtel, [1841].

(3 copies)

 162/7 <emph render="italic">Die Gefangene (Erste Fassung).</emph> Leipzig: Breitkopf & Härtel, n.d. 162/8 <emph render="italic">Roman carnival overture, op. 9.</emph> New York: Associated Music Publishers, n.d. 162/9 <emph render="italic">Symphonie descriptive</emph> [<emph render="italic">Royal hunt and storm from "The trojans"</emph>]. [France]: s.n., n.d. 162/10 <emph render="italic">Villanelle</emph> : [from] "Les nuits d'été", op. 7, no. I. Paris: Costallat & Cie., n.d. Bernstein, Leonard 162/11 <emph render="italic">Overture to "Candide"</emph> : [for] orchestra. New York: G. Schirmer, Inc., [1957]. 196D/6 <emph render="italic">Kaddish (Symphony no. 3)</emph> : vocal score. New York: Amberson Enterprises, Inc., [1965]. 196D/7 <emph render="italic">Trouble in Tahiti</emph> : piano-vocal score. New York: G. Schirmer, Inc., [1953]. 162/12 <emph render="italic">Seven anniversaries</emph> : for piano. New York: M. Witmark & Sons, [1944]. Binet, Jean 162/13 <emph render="italic">Six mélodies</emph> : pour chant et piano. Paris: Éditions Maurice Senart, n.d. Blitzstein, Marc 196D/8 <emph render="italic">This is the garden : a cantata of New York for mixed chorus and orchestra</emph> . New York: Chappell & Co., [1957]. Bloch, Ernest 163/1 <emph render="italic">L'abri = The shelter</emph> : [from] Poèmes d'automne. New York: G. Schirmer, Inc., [1918]. 163/2 <emph render="italic">La vagabonde = The vagabond</emph> : [from] Poèmes d'automne. New York: G. Schirmer, Inc., [1918]. 163/3 <emph render="italic">Psaume 22.</emph> New York: G. Schirmer, Inc., [1919]. 163/4 <emph render="italic">Psaume 114.</emph> New York: G. Schirmer, Inc., [1919]. 163/5 <emph render="italic">Psaume 137.</emph> New York: G. Schirmer, Inc., [1919]. 163/6 <emph render="italic">Schelomo</emph> : violoncello & piano. Vienna: Universal Edition, [1918]. 163/7 <emph render="italic">Sonate pour violon et piano.</emph> New York: G. Schirmer, Inc., [1922]. Blondel, Jorge Urrutia 163/8 <emph render="italic">Musica folklorica ritual de La Tirana. Partitura.</emph> Santiago: Escuela y Conjuntos Nacionales, [1962]. 163/9 <emph render="italic">Tres coros infantiles de caracter Chileno.</emph> Santiago: Revista de Arte, Universidad de Chile, [1939]. Boulez, Pierre 163/10 <emph render="italic">2ème sonate</emph> : pour piano. Paris: Heugel et Cie., [1950]. 196C/1 <emph render="italic">Troisième sonate pour piano - formant 2 - trope.</emph> London: Universal Edition, [1961]. Brahms, Johannes 163/11 <emph render="italic">Clavierstücke, op. 119.</emph> Berlin: N. Simrock, [1893]. 163/12 <emph render="italic">Selected piano compositions.</emph> Boston: Oliver Ditson Company, [1910]. 163/13 <emph render="italic">Six pieces for pianoforte, op. 118.</emph> Los Angeles: R. W. Heffelfinger, n.d. 163/14 <emph render="italic">Variationen über ein Thema von Josef Haydn, Op 56a</emph> : für Orchester. Leipzig: Breitkoff & Härtel, n.d. 163/15 <emph render="italic">Variations on a theme by Paganini, op. 35.</emph> London: Augener Ltd., n.d.

Piano.

 Britten, Benjamin 164/1 <emph render="italic">An American overture (1941)</emph> : for orchestra. London: Faber Music Ltd., [1985]. 164/2 <emph render="italic">Billy Budd : an opera in four acts</emph> : vocal score. London: Boosey & Hawkes, [1951].

Includes published libretto.

 164/3 <emph render="italic">The burning fiery furnace, op. 77.</emph> London: Faber Music Ltd., [1966].

Vocal score.

 164/4 <emph render="italic">Our hunting fathers, op. 8 : symphonic cycle for soprano solo & orchestra.</emph> London: Winthrop Rogers Editions, [1936]. 165/1 <emph render="italic">The poet's echo, op. 76</emph> : high voice and piano. London: Faber Music Ltd., [1967]. 196D/9 <emph render="italic">Quartet no. 1</emph> : score. London: Boosey and Hawkes, [1942]. 165/2 <emph render="italic">Sinfonia da requiem, op. 20.</emph> London: Hawkes & Son, [1942].

Full score.

 165/3 <emph render="italic">Symphony, op. 68</emph> : for cello and orchestra. London: Boosey & Hawkes, [1963]. 165/4 <emph render="italic">Symphony, op. 68</emph> : for cello and orchestra : reduction for cello and piano. London: Boosey & Hawkes, [1963].

Note: rev. 1964

 165/5 <emph render="italic">The young person's guide to the orchestra, op. 34.</emph> London: Hawkes & Son, [1947].

Full score.

 Bruch, Max 165/6 <emph render="italic">Violin concerto in G minor, op. 26</emph> : orchestra score. New York: Edwin F. Kalmus, n.d. Bush, Alan 165/7 <emph render="italic">Relinquishment : for piano.</emph> London: Oxford University Press, [1929]. Busoni, Ferruccio 165/8 <emph render="italic">Harlekins Reigen : Rondo Arlecchinesco.</emph> Leipzig: Breitkopf & Härtel, [1917].

Partitur.

 165/9 <emph render="italic">Indianisches Tagebuch, Erstes Buch.</emph> Leipzig: Breitkopf & Härtel, [1916].

Piano.

 Buxtehude, Dietrich 165/10 <emph render="italic">Oeuvres pour orgue : passacaille, chacones, préludes et fugues, toccatas, canzonette.</emph> Paris: Éditions Maurice Senart, [1923]. Carlos, Walter 166A/1 <emph render="italic">Pompous circumstances : on a theme by Sir Edward Elgar for moog synthesizer.</emph> New York: Tempi Music Inc., [1975]. Carpenter, John Alden 166A/2 <emph render="italic">Sea drift : symphonic poem.</emph> New York: G. Schirmer, Inc., [1936]. Carter, Elliott 166A/3 <emph render="italic">Concerto for orchestra.</emph> New York: Associated Music Publishers, [1972]. 166A/4 <emph render="italic">A symphony of three orchestras.</emph> New York: Associated Music Publishers, [1978]. 196D/10 <emph render="italic">Variations for orchestra : full score</emph> . New York: Associated Music Publishers, Inc., [1957]. Caturla, Alejandro G. 166B/1 <emph render="italic">Dos poemas Afro-Cubanos</emph> : voz e piano. Paris: Éditions Maurice Senart, [1930]. Cazden, Norman 166A/5 <emph render="italic">6 preludes and fugues for piano, op. 106.</emph> Bangor: Andrews Music House, [1974]. Chabrier, Emmanuel 166A/6 <emph render="italic">Dix pièces pittoresques</emph> : pour piano. Paris: Enoch & Cie., n.d. Chagrin, Francis 166A/7 <emph render="italic">Symphony.</emph> London: Novello & Co., [1967].

Score.

 Chávez, Carlos 166A/8 <emph render="italic">Concerto for violin and orchestra</emph> : violin & piano version. New York: Mills Music, Inc., [1964]. 196/D <emph render="italic">Concerto for violin and orchestra</emph> : violin & orchestra version. New York: Mills Music, Inc., [1964]. 166A/9 <emph render="italic">Initium</emph> : for orchestra. Melville: Belwin-Mills Publishing Corp., [1975]. 166B/2 <emph render="italic">Sinfonia India</emph> : for large orchestra (1935/36), 80 p. 166A/10 <emph render="italic">Sinfonia no. 5</emph> : for string orchestra. Los Angeles: Affiliated Musicians, Inc., [1954]. 166A/11 <emph render="italic">Soli no. 2</emph> : for wind quintet. New York: Mills Music, Inc., [1963]. Chopin, Frederic 167/1 <emph render="italic">Ballades and impromptus, vol. 31</emph> : [from] <emph render="italic">Chopin's complete works for the piano.</emph> New York: G. Schirmer, Inc., [1894]. 167/2 <emph render="italic">Etudes, vol. 33</emph> : [from] <emph render="italic">Chopin's complete works for the piano, book eight.</emph> New York: G. Schirmer, Inc., [1916]. 167/3 <emph render="italic">Mazurkas, vol. 28</emph> : [from] <emph render="italic">Chopin's complete works for the piano, book two.</emph> New York: G. Schirmer, Inc., [1915]. 167/4 <emph render="italic">Scherzi and fantasy, vol. 32</emph> : [from] <emph render="italic">Chopin's complete works for the piano, book seven.</emph> New York: G. Schirmer, Inc., [1915]. 167/5 <emph render="italic">Sonatas, vol. 35</emph> : [from] <emph render="italic">Chopin's complete works for the piano, book eleven.</emph> New York: G. Schirmer, Inc., [1895]. 167/6 <emph render="italic">Waltzes, vol. 27</emph> : [from] <emph render="italic">Chopin's complete works for the piano, book I.</emph> New York: G. Schirmer, Inc., [1915]. Colgrass, Michael 196D/12 <emph render="italic">As quiet as</emph> : for orchestra. New York: MCA Music, [1969]. 196D/13 <emph render="italic">The earth's a baked apple</emph> : piano-vocal score. New York: MCA Music, [1970]. 196D/14 <emph render="italic">New people</emph> : for mezzo-soprano, viola, and piano. New York: MCA Music, [1970]. Converse, Frderick S. 167/7 <emph render="italic">American sketches : symphonic suite for orchestra.</emph> New York: Edwin F. Kalmus, [1937].

Score.

 Cordero, Roque 168/1 <emph render="italic">Sonatina ritmica</emph> : para piano. Washington, D.C.: Pan American Union, [1954]. Corelli, Arcangelo 168/2 <emph render="italic">Sonata in D, vol. 8</emph> : for violin and piano. New York: G. Schirmer, Inc., [1908]. Cósme, Luis 168/3 <emph render="italic">Mãi d'agua canta</emph> : para violino e piano. Rio: Irmãos Vitale & C., n.d. 168/4 <emph render="italic">Oração á Teiniaguá.</emph> Rio: [Irmãos Vitale & C.], n.d.

Para violino e piano.

 168/5 <emph render="italic">Salamanca do Jaráu.</emph> Porto Alegre: Luiz Cósme, [1945].

For orchestra.

 168/6 <emph render="italic">Tres Manchas</emph> : para piano. [Rio]: [Irmãos Vitale & C.], n.d. Dallapiccola, Luigi 168/7 <emph render="italic">Canti di liberazione</emph> : per coro misto e grande orchestra. Milano: Edizioni Suvini Zerboni, [1955]. 168/8 <emph render="italic">Job : una sacra rappresentazione</emph> : riduzione per canto e pianoforte. Milano: Edizioni Suvini Zerboni, [1952]. Damon, S. Foster (compiler) 196C/1 <emph render="italic">Series of old American songs.</emph> Providence: Brown University Library, 1936.

Piano-vocal score (review copy; facsimile reproductions with brief annotations).

 Danenberg, V. (compiler) 196A/2 <emph render="italic">Latviešu kora dziesma.</emph> Riga: Latvijas Valsts Izdevnieciba, [1955].

Vocal score.

 Daus, Abraham 196E/1 <emph render="italic">Songs of Rahel</emph> : for low voice, flute, and viola. New York: Leeds Music Publications, [1952]. Davies, Peter Maxwell 196C/2 <emph render="italic">String quartet.</emph> London: Schott & Co. Ltd., [1962]. Debussy, Claude 168/9 <emph render="italic">Berceuse héroïque</emph> : piano à 2 mains. Paris: A. Durand & Fils, [1915]. 168/10 <emph render="italic">Pelléas et Mélisande</emph> : partition pour chant et piano. Paris: Fromont, [1902].

copyright by A. Durand [1907].

 169/1 <emph render="italic">Preludes, 1er livre</emph> : pour piano. Paris: A. Durand & Fils, [1910]. 169/2 <emph render="italic">Preludes, 2me livre</emph> : pour piano. Paris: A. Durand & Fils, [1913]. 169/3 <emph render="italic">Twelve songs</emph> : for high voice. Boston: Oliver Ditson Company, [1913]. Del Tredici, David 169/4 <emph render="italic">Four songs : on poems of James Joyce</emph> : for voice and piano. New York: Boosey & Hawkes, [1974]. 196E/2 <emph render="italic">I hear an army</emph> : for soprano and string quartet. London: Boosey & Hawkes, [1974]. 196E/3 <emph render="italic">Pop-pourri</emph> : for soprano, rock group, chorus, and orchestra. London: Boosey & Hawkes, [1974]. 169/5 <emph render="italic">Scherzo</emph> : for piano, four hands. New York: Boosey & Hawkes, [1975]. 169/6 <emph render="italic">Soliloquy</emph> : for piano. New York: Boosey & Hawkes, [1975]. 196E/4 <emph render="italic">Syzygy</emph> : for soprano, horn and chamber orchestra. London: Boosey & Hawkes, [1974]. 169/7 <emph render="italic">Trio : for violin, viola and violoncello.</emph> Boston: Ione Press, [1974].

Also published E. C. Schirmer Music Co., [1974].

 Demets, Paris E. (editor) 196A/3 <emph render="italic">Album des 6</emph> : pour piano. Paris: E. Demets, [1920]. Diamond, David 169/8 <emph render="italic">A myriologue</emph> : for piano. New York: Southern Music Publishing Co. Inc., [1971]. 169/9 <emph render="italic">Alone at the piano : pieces for beginners.</emph> New York: Southern Music Publishers Co. Inc., [1968].

(2 copies)

 169/10 <emph render="italic">Chorale.</emph> New York: Southern Music Publishing Co. Inc., [1951].

For mixed chorus (SATB).

 169/11 <emph render="italic">Concertino : for piano and small orchestra.</emph> New York: Southern Music Publishing Co. Inc., [1969].

Reduction for two pianos.

 169/12 <emph render="italic">Concerto : for piano and orchestra.</emph> New York: Southern Music Publishing Co. Inc., [1966].

Reduction for two pianos.

 196E/5 <emph render="italic">Concerto : for small orchestra</emph> : full score. New York: Southern Music Publishing Co. Inc., [1970]. 169/13 <emph render="italic">Don't cry : song for high voice and piano.</emph> New York: G. Schirmer, Inc., [1983]. 169/14 <emph render="italic">The fall : a cycle of nine songs for voice and piano.</emph> New York: Columbia University Press, [1983]. 169/15 <emph render="italic">Homage to Paul Klee</emph> : voice & piano. Bryn Mawr, PA: Elkan-Vogel, Inc., [1973]. 170/1 <emph render="italic">Music for Shakespeare's Romeo and Juliet (1947).</emph> London: Boosey & Hawkes, [1948].

Full score.

 170/2 <emph render="italic">Music, when soft voices die.</emph> New York: Associated Music Publishers, Inc., [1944].

For voice & piano.

 170/3 <emph render="italic">Quintet : for flute, string trio and piano.</emph> New York: Southern Music Publishing Co. Inc., [1942]. 170/4 <emph render="italic">Rounds : for string orchestra.</emph> Philadelphia: Elkan-Vogel Co. Inc., [1946].

Score.

 170/5 <emph render="italic">Sonata no. 2 : for violin and piano.</emph> New York: G. Schirmer, Inc., [1982]. 170/6 <emph render="italic">String quartet no. 2</emph> : for 2 violins, viola and cello. New York: Southern Music Publishing Co. Inc., [1958]. 196E/6 <emph render="italic">String quartet no. 5</emph> : for 2 violins, viola and cello. New York: Southern Music Publishing Co. Inc., [1967]. 170/7 <emph render="italic">String quartet no. 7</emph> : for 2 violins, viola and cello. New York: Southern Music Publishing Co. Inc., [1968]. 196E/7 <emph render="italic">Symphony no. 1</emph> : full score. New York: Southern Music Publishing Co. Inc., [1969]. 196E/8 <emph render="italic">Symphony no. 4</emph> : full score. New York: Southern Music Publishing Co. Inc., [1949]. 196E/9 <emph render="italic">Symphony no. 5</emph> : full score. New York: Southern Music Publishing Co. Inc., [1968]. 196E/10 <emph render="italic">Timon of Athens</emph> : for orchestra. New York: Leeds Music Corporation, [1950]. 170/8 <emph render="italic">The tomb of Melville</emph> : for piano. New York: Leeds Music Corporation, [1950]. 170/9 <emph render="italic">Two anthems</emph> : for mixed chorus (SATB). New York: Southern Music Publishing Co. Inc., [1969]. 170/10 <emph render="italic">Warning.</emph> Bryn Mawr, PA: Elkan-Vogel, Inc., [1973].

For mixed chorus (SATB) and tubular bells.

 Diercks, John 70/11 <emph render="italic">Alleluia</emph> : SSAA a cappella. New York: Dow Music Publishers, [1958]. 170/12 <emph render="italic">How long, O Lord</emph> : SATB, organ. New York: Dow Music Publishers, Inc., [1960]. 170/13 <emph render="italic">Two psalms.</emph> New York: Dow Publishers, Inc., [1960].

For mixed chorus (SATB).

 Doolittle, Eliakim 170/14 <emph render="italic">Exhortation.</emph> Philadelphia: Elkan-Vogel, Inc., [1954].

For mixed chorus (SATB).

 Dukas, Paul 170/15 <emph render="italic">Ariane et Barbe-bleue</emph> : partition pour piano seul. Paris: A. Durand & Fils, [1906]. 171/1 <emph render="italic">The sorcerer's apprentice.</emph> New York: Edwin F. Kalmus, n.d.

For orchestra.

 Duran, Gustav (editor/compiler) 196A/4 <emph render="italic">14 traditional Spanish songs from Texas.</emph> Washington, DC: Music Division, Pan American Union, [1942]. Dvŏrák, Anton 171/2 <emph render="italic">Concerto in A minor, op. 53</emph> : for violin and piano. New York: International, n.d. Egk, Werner 171/3 <emph render="italic">Der Revisor : komische Oper in fünf Akten.</emph> Klavierauszug. [Berlin]: B. Schott's Söhne, [1957]. Einem, Gottfried 171/4 <emph render="italic">Danton's Tod : einer Oper in zwei Teilen ...</emph> . Klavierauszug mit Text. Wien: Universal-Edition, [1947]. Éloy, Jean-Claude 171/5 <emph render="italic">Equivalences</emph> : pour 18 instrumentistes. Paris: Heugel & Cie, [1965]. 171/6 <emph render="italic">Etude III</emph> : partition d'orchestre. Paris: Heugel & Cie, [1965].

(2 copies)

 Fauré, Gabriel 172/1 <emph render="italic">2e quintette, op. 115</emph> : partition et parties. Paris: A. Durand & Fils, [1921]. 172/2 <emph render="italic">2me sonate pour violon & piano, op. 108.</emph> Paris: A. Durand & Fils, [1917]. 172/3 <emph render="italic">6me nocturne : pour piano, op. 63.</emph> Paris: J. Hamelle, [1918]. 172/4 <emph render="italic">12me barcarolle : pour piano, op. 106.</emph> Paris: A. Durand & Fils, [1916]. 172/5 <emph render="italic">13e barcarolle : pour piano, op. 116.</emph> Paris: A. Durand & Fils, [1921]. 172/6 <emph render="italic">13e nocturne : pour piano, op. 119.</emph> Paris: A. Durand & Fils, [1922]. 172/7 <emph render="italic">Pelléas et Mélisande, op. 80.</emph> Paris: J. Hamelle, n.d.

For orchestra.

 172/8 <emph render="italic">Préludes, op. 103</emph> : pour piano. Paris: Heugel & Cie, [1910]. 172/9 <emph render="italic">Trio : pour piano, violon et violoncello.</emph> Paris: A. Durand & Fils, [1923]. Fennimore, Joseph 173/1 <emph render="italic">Bits and pieces</emph> : piano suite. New York: Edward B. Marks Corporation, [1970]. Fine, Irving 196E/11 <emph render="italic">Serious song for orchestra</emph> : full score. New York: Broude Brothers, [1959]. Franck, César 173/2 <emph render="italic">Prélude, fugue et variation, op. 18</emph> : pour piano à 2 mains. Paris: A. Durand & Fils, [1910]. Freed, Arnold 173/3 <emph render="italic">Acquainted with the night</emph> : for medium voice and piano. New York: Boosey & Hawkes, Inc., [1965]. Freer, Eleanor Everest 173/4 <emph render="italic">Bird song.</emph> Chicago: Music Library of Chicago, [1936].

For high voice & piano.

 Galan, Natalio 173/5 <emph render="italic">Intermedio variado</emph> : para dos pianos. La Habana: José Marti, [1960]. Gershwin, George 173/6 <emph render="italic">Concerto in F : for piano and orchestra.</emph> New York: New World Music, [1927]. Gesualdo, Don Carlo 196E/12 <emph render="italic">Illumina nos</emph> : vocal score. London: Boosey & Hawkes, [1957]. Ghedini, Giorgio Federico 173/7 <emph render="italic">Concerto dell'albatro (da "Moby Dick" di Hermann Melville)</emph> : partitura. Milano: Edizioni Suvini Zerboni, [1949]. Gluck, Christoph Willibald von 173/9 <emph render="italic">Iphigenia in Aulis : overture.</emph> New York: Associated Music Publishers, n.d.

Score.

 173/10 <emph render="italic">Orpheus : Klavierauszug.</emph> Leipzig: C. F. Peters, n.d.

Vocal score.

 Goldmark, Rubin 173/11 <emph render="italic">From the old mission : from "Prairie idylls" : a suite of four pieces for the piano.</emph> New York: G. Schirmer, [1915]. 173/12 <emph render="italic">The meadow lark : from "Prairie idylls" : a suite of four pieces for the piano.</emph> New York: G. Schirmer, [1915]. Goloubew, Eugene 173/13 <emph render="italic">Poème</emph> : pour violon et piano. Moscow: Staatsmusikverlag, [1935]. Gounod, Charles 173/14 <emph render="italic">Romeo and Juliet.</emph> New York: G. Schirmer, Inc., [1897].

Vocal score.

 Grenet, Emilio (editor) 174/1 <emph render="italic">Música popular Cubana : 80 composiciones revisadas y corregidas.</emph> La Habana: Southern Music Publishing Co., [1939].

For voice & piano.

 Grieg, Edvard 174/2 <emph render="italic">Holberg suite, op. 40.</emph> Copenhagen: Wilhelm Hansen, [1951].

For string orchestra.

Also published by Peters Edition, [1951].

 174/3 <emph render="italic">Sonata for pianoforte, op. 7.</emph> New York: G. Schirmer, [1906]. Guarnieri, Camargo 196E/13 <emph render="italic">Toada triste</emph> : for piano solo. S.l.: s.n., n.d. Haubenstock-Ramati, Roman 196C/3 <emph render="italic">Credentials.</emph> Vienna: Universal Edition, [1963].

Score.

 196E/14 <emph render="italic">Petite musique de nuit : mobile pour orchestre.</emph> Vienna: Universal Edition, [1959]. 196F/1 <emph render="italic">Symphonies de timbres.</emph> Vienna: Universal Edition, [1958].

Full score.

 Händel, Georg Friedrich 174/4 <emph render="italic">Concerto grosso, op. 6, no. 4 (A minor).</emph> New York: Broude Bros., n.d.

Score.

 Hart, Jane (compiler) 196A/5 <emph render="italic">Singing bee! : a collection of favorite children's songs.</emph> New York: Lothrop, Lee & Shepard Books, , [1982]. Haydn, Joseph 174/5 <emph render="italic">Andante con variazioni in Fm.</emph> New York: G. Schirmer, [1899].

Piano solo.

 196F/2 <emph render="italic">Koncerto C Dur: pro violoncello a orchestr</emph> : partitur. Prague: Statni hudebni vydavatelstvi, [1962]. 174/6 <emph render="italic">Sonatas, vol. I (nos. 1-10).</emph> New York: G. Schirmer, [1894].

Piano solo.

 174/7 <emph render="italic">Symphony no. 88 in G major</emph> : orchestra score. New York: Edwin F. Kalmus, n.d. 174/8 <emph render="italic">SymphonieNr. 95.</emph> New York: Edwin F. Kalmus, n.d.

Score.

 174/9 <emph render="italic">Symphonie Nr. 102, B Dur.</emph> Leipzig: Breitkopf & Härtel, n.d.

Score.

 Helfer, Walter 174/10 <emph render="italic">Appassionata</emph> : for violin and piano. Vienna: Universal-Edition, [1932]. Henze, Hans Werner 196F/3 <emph render="italic">Being beauteous : Kantate auf das gleichnamige Gedicht aus "Les illuminations" (1872/73) von Arthur Rimbaud für Koloatur-sopran, Harfe und vier Violoncelli.</emph> Mainz: Edition Schott, [1963]. Hindemith, Paul 174/11 <emph render="italic">Das Marienleben</emph> : für Sopran und Klavier. London: Schott & Co. Ltd., [1948]. 174/12 <emph render="italic">Das Marienleben, op. 27</emph> : für Sopran und Klavier. Mainz: B. Schott's Söhne, [1924]. 174/13 <emph render="italic">Reihe kleiner Stücke, op. 37</emph> : Klavier. Mainz: B. Schott's Söhne, [1927]. Honegger, Arthur 175/1 <emph render="italic">Concertino pour piano et orchestre</emph> : réduction pour 2 pianos. Paris: Éditions Maurice Senart, [1925]. 175/2 <emph render="italic">Pacific 231</emph> : réduction pour piano 4 mains. Paris: Éditions Maurice Senart, [1924]. 175/3 <emph render="italic">Le roi David</emph> : partition pour chant et piano. Lausanne: Fœtisch Frères, [1924]. 175/4 <emph render="italic">Sept pièces brèves</emph> : pour piano. Paris: Éditions de La Sirène, [1920]. Husa, Karel 175/5 <emph render="italic">Sonatina</emph> : piano 2ms. Prague: Fr. A. Urbánek A. Synové, [1947]. Instituto de Investigaciónes Musicales 196C/3 <emph render="italic">Antología del folklore musical Chileno.</emph> Santiago: Instituto de Investigaciónes Musicales, Universidad de Chile, , 1963.

part 1, 1960; part 2, 1961; part 2, 1961; part 3, Danzas de Chile, 1963.

Lead sheet with text.

Directed by Vicente Salas Viu

 Ivanov, Jānis 175/6 <emph render="italic">Simfoniia no. 7</emph> : full score. Moscow: Gosudarstvennoe Voennoe Izdatel'stvo, [1955]. Ives, Charles 196F/4 <emph render="italic">50 songs</emph> : piano-vocal score. S.l.: s.n., [1922].

Note: Published privately

 175/7 <emph render="italic">The unanswered question</emph> : for chamber orchestra. New York: Southern Music Publishing Co., Inc., [1953].

Score and parts.

 Kliuzner, Boris 176/1 <emph render="italic">Symphony.</emph> Leningrad: Soviet Composer, [1959].

Score.

 Konjović, Petar 176/2 <emph render="italic">Koštana.</emph> Belgrade: Državni Izdavački Zavod Jugoslavije, [1946].

Vocal score.

 Korngold, Erich Wolfang 176/3 <emph render="italic">The fairy tale recites and epilogue, op. 3, no. 7.</emph> New York: G. Schirmer, [1911].

Piano solo.

 Křenek, Ernst 177/1 <emph render="italic">Fünf Klavierstücke, op. 39.</emph> Vienna: Universal-Edition, [1926]. 177/2 <emph render="italic">Piano sonata no. 4.</emph> Long Island City: Bomart Music Publications, [1950]. 177/3 <emph render="italic">Violinkonzert, op. 29</emph> : violino e piano. Vienna: Universal-Edition, [1925]. Kurtz, Eugene 177/4 <emph render="italic">Conversations</emph> : pour 12 instrumentistes : partition d'orchestre. Paris: Société des Éditions Jobert, [1966]. 177/5 <emph render="italic">Le marcheur solitaire</emph> : monologue pour orchestre. Paris: Société des Éditions Jobert, [1965]. 177/6 <emph render="italic">Motivations</emph> : pour piano. Paris: Société des Éditions Jobert, [1964]. 196F/5 <emph render="italic">Symphonie pour orchestre à cordes</emph> : full score. Paris: Éditions Jean Jobert, [1962]. 177/7 <emph render="italic">Three songs from Medea</emph> : partition chant et piano. Paris: Société des Éditions Jobert, [1961]. Lee, Dai-Keong 178/1 <emph render="italic">Introduction and allegro</emph> : for string orchestra. New York: Sprague-Coleman, Inc., [1942].

Score.

 Lee, Noël 178/2 <emph render="italic">Concergences</emph> : pour flûte et clavecin. Paris: Gérard Billaudot, [1974]. Levinson, Gerald 178/3 <emph render="italic">Trio for clarinet, violoncello, and piano.</emph> Bryn Mawr, PA: Merion Music, Inc., [1985]. Liszt, Franz 178/4 <emph render="italic">Etude in D-flat major (Un sospiro).</emph> New York: G. Schirmer, n.d.

For piano.

 178/5 <emph render="italic">Hark, the lark</emph> : transcription from the song by F. Schubert. New York: Century Music Publishing Co., [1908]. 178/6 <emph render="italic">Rhapsodie hongroise no. 6 : "Au Comte Antoine D'Appony".</emph> New York: G. Schirmer, [1902].

For piano.

 178/7 <emph render="italic">Rhapsodie hongroise no. 11 : "Au Baron Fery Orczy" : pour piano.</emph> Berlin: Schlesinger'sche, n.d. Lloyd, Caroline 178/8 <emph render="italic">Paisajes</emph> : suite para piano. Bogota: Hernan Diaz, [1972]. Lopatnikoff, Nikolai 178/9 <emph render="italic">Fantasia concertante, op. 42</emph> : for violin and piano. New York: MCA Music, [1967]. 178/10 <emph render="italic">Intervals, op. 37 : 7 studies for piano.</emph> New York: Leeds Music Corporation, [1957]. 196F/6 <emph render="italic">Symphony no. 3</emph> : full score. New York: Leeds Music Corporation, [1951]. Lutoslawski, Witold 178/11 <emph render="italic">Muzyka żalobna</emph> : na orkiestre smyczkowa = <emph render="italic">Musique funèbre</emph> : pour orchestre à cordes. Warsaw: Polskie Wydawnictwo Muzyczne, [1958].

Partytura.

 Mahler, Gustav 178/12 <emph render="italic">Adagietto from Fifth symphony.</emph> Detroit: Luck's Music Library, n.d.

For string orchestra.

 178/13 <emph render="italic">Das Lied von der Erde : eine Symphonie</emph> ... : Klavierauszug mit Text. Vienna: Universal-Edition, [1911]. 178/14 <emph render="italic">Kindertotenlieder : songs on the death of infants</emph> : für eine Singstimme mit Klavier oder Orchester. Leipzig: C. F. Kahnt, [1905]. 178/15 <emph render="italic">Symphony no. 4 in G major.</emph> New York: Edwin F. Kalmus, n.d.

Score.

 Marquiset, Armand 179/1 <emph render="italic">Iz Guete.</emph> Paris: Simon, n.d.

Piano-vocal score.

 Medley, Bill and Pat Medley (arrangers) 196A/6 <emph render="italic">Standard literature, volume 3.</emph> Winona: Hal Leonard Publishing Corporation, 1983.

For piano.

 Menasce, Jacques de 179/2 <emph render="italic">Outrenuit</emph> : Cinq mélodies sur des textes de Georges Cattaui. Paris: Durand & Cie, [1953]. 179/3 <emph render="italic">Sonatina no. 2</emph> : piano solo. New York: Mercury Music Corp., [1945]. 179/4 <emph render="italic">Sonate pour alto and piano</emph> : en un mouvement. Paris: Durand & Cie, [1956]. Mendelssohn, Felix 179/5 <emph render="italic">Lieder ohne Wörte</emph> : für Pianoforte solo. Leipzig: C. F. Peters, n.d. 179/6 <emph render="italic">Trio, op. 49</emph> : for piano, violin, violoncello. London: Augener Ltd., n.d. Mexico. Secretaría de Educación Pública. (compilation) 196C/2 <emph render="italic">10 cantos para escuelas primarias y secundarias.</emph> Mexico: Ediciónes de la Sria, 1944.

Piano-vocal score.

 Meyerbeer, Giacomo 179/7 <emph render="italic">Die Afrikanerin : Oper in 3 Akten</emph> : Klavierauszug. Berlin: Ed. Bote & G. Bock, n.d. Mihály, András 179/8 <emph render="italic">Monodia (per orchestra)</emph> : partitura. Budapest: Editio Musica Budapest, [1972]. Milford, Robin 180/1 <emph render="italic">Miniature string quartet in G, op. 35.</emph> London: Oxford University Press, [1938]. Milhaud, Darius 196F/7 <emph render="italic">Les choéphores</emph> : partition d'orchestre. Paris: Heugel Editeur, [1916]. 180/2 <emph render="italic">La création du monde : ballet de blaise Cendrars</emph> : pour piano à 4 mains. Paris: Max Eschig & Cie, [1923]. 196F/8 <emph render="italic">Douzième quatuor à cordes</emph> : score. Paris: Éditions Salabert, [1948]. 196H/1 <emph render="italic">Octuor à cordes</emph> : score. Paris: Heugel Editeur, [1949]. 180/3 <emph render="italic">Saudades do Brazil : suite de danses</emph> : pour piano. Paris: E. Demets, [1922]. Mjaskovsky, Nicolai 180/4 <emph render="italic">Bizarreries : six esquisses, op. 25.</emph> Berlin: Édition Russe de Musique, [1923]. Moncayo, José Pablo 180/5 <emph render="italic">Huapango</emph> : partitura de orquesta. Mexico City: Ediciones Mexicanas de Música, [1950]. Monteverdi, Claudio 180/6 <emph render="italic">Il combattimento di Tancredi e Clorinda</emph> : per canto e pianoforte. Milano: Societa Anonima Notari, [1919]. Mortet, Luis Cluzeau 180/7 <emph render="italic">Mar de Luna</emph> : canto y piano. Montevideo: Editorial Cooperativa Interamericana de Compositores, [1941]. Mozart, Wolfgang Amadeus 180/8 <emph render="italic">Klavier-Konzert Nr. 23, A Dur, K.V. 488.</emph> Wiesbaden: Breitkopf & Härtel, n.d. 180/9 <emph render="italic">Konzert B-Dur : für Klavier und Orchester, KV 595.</emph> Leipzig: Breitkopf & Härtel, n.d. 180/10 <emph render="italic">Piano concerto no. 17 in G major, K. 453.</emph> New York: Edwin F. Kalmus, n.d.

Score.

 180/11 <emph render="italic">Piano concerto no. 20 in D minor, K. 466.</emph> New York: Associated Music Publishers, n.d.

Score.

 180/12 <emph render="italic">Sonaten</emph> : für Pianoforte 2 Händig. Wien: Universal-Edition, n.d. 180/13 <emph render="italic">Symphonie Nr. 40 G Moll, K.V. 550.</emph> Wiesbaden: Breitkopf & Härtel, n.d. 180/14 <emph render="italic">Violin concerto no. 4 in D major, K. 218.</emph> New York: Edwin F. Kalmus, n.d. Mussorgsky, Modeste 181/1 <emph render="italic">Chants et danses de la mort.</emph> St. Petersburg: W. Bessel & Co., [1911].

Piano-vocal score.

 181/2 <emph render="italic">Tableaux d'une exposition</emph> : pour piano. London: Augener Ltd., [1914]. Nabokoff, Nicolas 181/3 <emph render="italic">Contrastes et développements</emph> : pour piano. Berlin: Édition Russe de Musique, n.d. Nystedt, Knut 181/4 <emph render="italic">Spenningens land : symfonisk fantasi, op 19.</emph> Drammen: Harald Lyche & Co's Musikforlag, [1949].

Score.

 181/5 <emph render="italic">Troens triumf</emph> : suite for blandet kor a cappella. Oslo: Musikk-Huset A/S, [1954]. Orgad, Ben-Zion 181/6 <emph render="italic">Ballade for violin (unaccompanied).</emph> New York: Mercury Music Corp., [1950]. Ornstein, Leo 181/7 <emph render="italic">Danse sauvage (Wild man's dance), op. 13, no. 2.</emph> London: Schott & Co., [1915].

Piano solo.

 Pál, Kadosa 181/8 <emph render="italic">Serenade, op. 65</emph> : für Kammerorchester. Budapest: Editio Musica, Budapest, [1970]. Palestrina, Giovanni da 181/9 <emph render="italic">Stabat mater</emph> : prose à 2 chœurs. Paris: Chanteurs de St. Gervais, [1911].

For mixed chorus (SATB).

 Peixe, Guerra 181/10 <emph render="italic">3 canções.</emph> São Paulo: Ricordi Brasileira, [1955].

Canto y piano.

 Penderecki, Krzysztof 196C/4 <emph render="italic">Ofiarom Hiroszimy TREN = To the Victims of Hiroshima THRENODY : pour 52 instruments a cordes.</emph> Warsaw: P. W. P. Przedstawicielstwo, [1961].

Score.

 196C/5 <emph render="italic">Polymorphia</emph> : für 48 Streichinstrumente. Germany: Hermann Moeck, [1963].

Partitur.

 Philipp, Isidor (editor) 196B/1 <emph render="italic">Anthology of French piano music : volume I, early composers.</emph> Boston: Oliver Ditson Company, [1906].

For piano.

 Pisk, Paul 181/11 <emph render="italic">Vier Klavierstücke, op. 3</emph> : piano solo. Vienna: Universal-Edition, [1922]. Popov, Gavriil 181/12 <emph render="italic">Septet, op. 2.</emph> Moscow: Muzsektor Gosizdata Universal'noe Izdat., [1929].

Instrumental parts.

 Prokofiev, Sergei 181/13 <emph render="italic">Contes de la vieille grand'mère, op. 31</emph> : pour piano. Leipzig: Breitkopf & Härtel, [1922]. 181/14 <emph render="italic">Le pas d'acier</emph> : réduction pour piano à 2 mains.... Berlin: Édition Russe de Musique, [1928].

Includes handwritten story description.

 181/15 [<emph render="italic">Visions fugitive, op. 22</emph>]. [Germany]: A. & G., n.d.

For piano [missing cover pages and op. 22, no.1].

 Purcell, Henry 182/1 <emph render="italic">Three, four and five part fantasias for strings.</emph> London: J. Curwen & Sons Ltd., [1927].

Includes correspondence re: AC's use of score.

Score and parts.

 Rachmaninoff, Sergei 182/2 <emph render="italic">Piano concerto no. 1, op. 1</emph> : orchestral score. New York: Edwin F. Kalmus, n.d. Ramey, Phillip 182/3 <emph render="italic">Arabesque : for solo flute.</emph> New York: G. Schirmer, [1986]. 182/4 <emph render="italic">Canzona : for piano.</emph> New York: G. Schirmer, [1985]. 182/5 <emph render="italic">Epigrams</emph> : piano solo. London: Boosey & Hawkes, [1968]. 182/6 <emph render="italic">Leningrad rag</emph> : for piano. New York: Piedmont Music Company, Inc., [1974]. 182/7 <emph render="italic">Memorial</emph> : piano solo. New York: Henmar Press Inc., [1981]. Ravel, Maurice 182/8 <emph render="italic">Daphnis et Chloé</emph> : partition pour le piano réduite.... Paris: A. Durand & Fils, [1910]. 182/9 <emph render="italic">Sonatine</emph> : pour le piano. Paris: A. Durand & Fils, [1905]. 182/10 <emph render="italic">Le tombeau de Couperin</emph> : 6 pieces pour piano. Paris: A. Durand & Fils, [1918]. 182/11 <emph render="italic">Trio pour piano, violon et violoncelle.</emph> Paris: A. Durand & Fils, [1915]. Ristić, Milan 183/1 <emph render="italic">II. Simfonija</emph> : partitura. Belgrade: Edicija Udruženja Kompozitora, [1959]. Roldán, Amadeo 183/2 <emph render="italic">Motivos de son III mulata</emph> : transcripción para canto y piano. La Habana: Musicalia, [1932]. Roussel, Albert 183/3 <emph render="italic">Suite en fa</emph> : pour orchestre. Paris: A. Durand & Cie, [1927]. Ruggles, Carl 196H/2 <emph render="italic">Portals</emph> : for string orchestra. New York: American Music Edition, [1930]. Salazar, Adolfo 196H3 <emph render="italic">Cuatro letrillas</emph> : para cors a cappella. Mexico City: Ediciones Mexicanas de Música, [1948]. Salmanov, V. 184/1 <emph render="italic">Dvenadtsat'</emph> : piano-vocal score. Leningrad: Soviet Composer, [1958]. 184/2 <emph render="italic">Symphony.</emph> Moscow: Soviet Composer, [1959].

Score.

 Santa Cruz, Domingo 184/3 <emph render="italic">5 poemas trágicos</emph> : para piano solo. Santiago: s.n., [1929]. 184/4 <emph render="italic">Cantos de Soledad.</emph> Santiago: Revista de Arte, Universidad de Chile, [1936].

Piano-vocal score.

 184/4 <emph render="italic">Quartet no. 1.</emph> New York: Peer International Corporation, [1956]. Santorsola, Guido 184/5 <emph render="italic">Agonia</emph> : canto y piano. Montevideo: Editorial Cooperativa Interamericana de Compositores, [1942]. 184/6 <emph render="italic">Imágenes musicales</emph> : para piano y canto. Montevideo: A. Monteverde y Cia, [1936]. Satie, Erik 184/7 <emph render="italic">Gymnopedies : orchestrated by Claude Debussy.</emph> New York: Edwin F. Kalmus, n.d.

Score.

 Sauguet, Henri 184/8 <emph render="italic">Les forains : ballet</emph> : réduction pour piano. Paris: Rouart, Lerolle & Cie, [1946]. 184/9 <emph render="italic">La rencontre : Œdipe et la Sphinx.</emph> Paris: Heugel et Cie., [1949].

Reduction for piano.

 Scarlatti, Domenico 184/10 <emph render="italic">25 Sonaten.</emph> Leipzig: C. F. Peters, [1909].

For piano.

 184/11 <emph render="italic">Klavierwerke, Band I</emph> : piano solo. Vienna: Universal-Edition, n.d. 184/12 <emph render="italic">Opere complete per clavicembalo, volume 6.<emph render="super">o</emph> </emph> : Suites 251 a 300. Milano: G. Ricordi & C., n.d.

For piano.

 Schäffer, Bogusław 196C/6 <emph render="italic">Collage + form</emph> : for eight jazzmen and orchestra. Warsaw: P. W. P. Przedstawicielstwo, [1965].

Score.

 Schmitt, Florent 185/1 <emph render="italic">Sonate libre en deux parties enchainées</emph> : (Ad modum clementis aquae) : pour violon et piano. Paris: A. Durand & Fils, [1920]. Schoenberg, Arnold 185/2 <emph render="italic">Drei Klavier-Stücke, op. 11.</emph> Vienna: Universal-Edition, [1910]. 185/3 <emph render="italic">Fünf Klavierstücke = Five piano pieces, op. 23.</emph> Copenhagen: Wilhelm Hansen, [1923]. 185/4 <emph render="italic">Fünf Orchesterstücke, op. 16.</emph> Leipzig: C. F. Peters, [1912]. 185/5 <emph render="italic">Sechs kleine Klavierstücke, op. 19.</emph> Vienna: Universal-Edition, [1913]. 185/6 <emph render="italic">Suite fur Klavier, op. 25.</emph> Vienna: Universal-Edition, [1925]. Schubert, Franz 185/7 <emph render="italic">Compositions for the pianoforte.</emph> New York: G. Schirmer, [1897]. 185/8 <emph render="italic">Danses pour piano.</emph> Braunschweig: Henry Litolff, n.d. 185/9 <emph render="italic">Symphony no. 5 in B-flat major.</emph> New York: Associated Music Publishers, Inc., n.d.

Score.

 Schuman, William 186/1 <emph render="italic">New England triptych : three pieces for orchestra after William Billings.</emph> Bryn Mawr, PA: Merion Music, Inc., [1957].

Includes notes of AC in music manuscript.

 Schumann, Robert 186/2 <emph render="italic">Album no. 1 : piano solo.</emph> Boston: B. F. Wood Music Co., [1908]. 186/3 <emph render="italic">Cello concerto in A minor, op. 129.</emph> New York: Edwin F. Kalmus, n.d. 186/4 <emph render="italic">Davidbündler, op. 6 : Klavierwerke.</emph> Leipzig: Breitkopf & Härtel, n.d. 186/5 <emph render="italic">Fantasiestücke, op. 12</emph> : for the pianoforte. New York: G. Schirmer, [1893]. 186/6 <emph render="italic">Faschingsschwank, op. 26</emph> : for the pianoforte. New York: G. Schirmer, [1897]. 186/7 <emph render="italic">Konzert A Moll, op. 54</emph> : Klavier zu 2 Händen. Leipzig: C. F. Peters, n.d. 186/8 <emph render="italic">Phantasie, op. 17</emph> : for the pianoforte. New York: G. Schirmer, [1914]. 186/9 <emph render="italic">Piano concerto - A minor, op. 54.</emph> New York: Broude Bros., n.d.

Score.

 186/10 <emph render="italic">Scenes from childhood, op. 15</emph> : for the pianoforte. New York: G. Schirmer, [1893]. 186/11 <emph render="italic">Schumann-album, vol. 1 : songs with pianoforte accompaniment.</emph> Vienna: Universal-Edition, n.d. 186/12 <emph render="italic">Sonata for piano in G minor, op. 22.</emph> New York: G. Schirmer, [1902]. 186/13 <emph render="italic">Variations on the name "ABEGG", op. 1</emph> and <emph render="italic">Papillons, op. 2.</emph> New York: G. Schirmer, [1914]. Scott, Cyril 187/1 <emph render="italic">Sphinx, op. 63</emph> : for the pianoforte. London: Elkin & Co. Ltd., [1908]. Scriabin, Alexander 187/2 <emph render="italic">Fünfte Sonate für Klavier, op. 53.</emph> Berlin: Édition Russe de Musique, n.d. 187/3 <emph render="italic">Poème no. 1, op. 32</emph> (from <emph render="italic">Deux poèmes pour piano</emph> ). Leipzig: M. P. Belaïeff, [1904]. 187/4 <emph render="italic">Quatre préludes pour piano, op. 48.</emph> Leipzig: M. P. Belaïeff, [1906]. 187/5 <emph render="italic">Satanische Dichtung für Pianoforte, op. 36.</emph> Leipzig: M. P. Belaïeff, [1904]. 187/6 <emph render="italic">Siebente Sonate für Klavier, op. 64.</emph> Berlin: Édition Russe de Musique, [1909]. 187/7 <emph render="italic">Sonate (fa mineur) pour piano, op. 6.</emph> Leipzig: M. P. Belaïeff, [1895]. 187/8 <emph render="italic">Sonate no. 3, en fa dièse mineur pour piano, op. 23.</emph> Leipzig: M. P. Belaïeff, [1898]. 187/9 <emph render="italic">Sonate no. 10 pour piano, op. 70.</emph> Moscow: P. Jurgenson, n.d. 187/10 <emph render="italic">Trois études pour piano, op. 65, no. II.</emph> Moscow: P. Jurgenson, n.d. 187/11 <emph render="italic">Zwei Klavierstücke = Deux morceau pour piano, op 59.</emph> Berlin: Édition Russe de Musique, n.d. Seelig, Carl (compiler) 196B/2 <emph render="italic">Grotesken-Album.</emph> Vienna: Universal-Edition, [1922].

For piano.

 Seiber, Mátyás 196H/5 <emph render="italic">Ulysses</emph> : cantata for tenor solo, chorus, and orchestra : vocal score. London: Schott & Co., [1948]. Sessions, Roger 187/12 <emph render="italic">Orchestral suite from The black maskers</emph> : for orchestra. New York: Cos Cob Press, [1932]. 187/12 <emph render="italic">Quartet no. 2.</emph> New York: Edward Marks Music Corporation, [1954]. Sgambati, Giovanni 187/13 <emph render="italic">Toccata, op. 18, no. 4.</emph> New York: G. Schirmer, [1915].

For piano.

 Sahnow, Will (compiler) 196C/4 <emph render="italic">Sing as we grow.</emph> London: Workers' Music Association, 1946.

Piano-vocal score.

 Sibelius, Jean 187/14 <emph render="italic">From the land of thousand lakes : ten sketches for the pianoforte.</emph> Boston: Boston Music Co., [1911]. Smetana, Friedrich 188/1 <emph render="italic">The bartered bride overture</emph> : orchestral score. New York: Hawkes & Son, [1937]. Smit, Leo 188/2 <emph render="italic">A transient view</emph> : five choral settings for mixed voices. New York: Carl Fischer, [1976]. Stravinsky, Igor 188/3 <emph render="italic">Apollon musagète</emph> : réduction pour piano à 2 mains par l'auteur. Berlin: Édition Russe de Musique, [1928]. 188/4 <emph render="italic">Agon : ballet for twelve dancers</emph> : piano score. London: Boosey & Hawkes, [1957]. 188/5 <emph render="italic">Le baiser de la fée.</emph> Berlin: Édition Russe de Musique, [1928].

For piano.

 188/6 <emph render="italic">Capriccio pour piano et orchestre</emph> : réduction pour 2 pianos.... Berlin: Édition Russe de Musique, n.d. 188/7 <emph render="italic">Concerto en ré pour violon et orchestre</emph> : partition violon & piano. Mainz: B. Schott's Söhne, [1931]. 188/8 <emph render="italic">Concerto per due pianoforti soli.</emph> Mainz: B. Schott's Söhne, [1936]. 188/9 <emph render="italic">Grande suite de histoire du soldat</emph> : arrangement pour piano.... London: J. & W. Chester, [1922]. 188/10 <emph render="italic">J. S. Bach Choral-Variationen über das Weihnachtslied "Vom Himmel hoch da komm'ich her"</emph> : for mixed chorus and orchestra : full score. London: Boosey & Hawkes, [1956].

Includes 2 pages of notes.

 189/1 <emph render="italic">Mavre : opera bouffe en 1 acte</emph> : réduction pour chant et piano. London: Édition Russe de Musique, [1947].

Also published by Boosey & Hawkes, [1947].

 196G/7 <emph render="italic">Ode : elegiacal chant in three parts.</emph> New York: Associated Music Publishers, [1946].

Score.

 196H/7 <emph render="italic">Pulcinella suite</emph> : for orchestra. London: Boosey & Hawkes, [1924]. 189/2 <emph render="italic">Œdipus Rex : opéra oratorio en deux actes</emph> : réduction pour chant et piano. Berlin: Édition Russe de Musique, [1927].

Includes 1 page of choral notes in typescript.

 189/3 <emph render="italic">Ragtime : pour onze instruments</emph> : transcription pour piano.... Paris: Éditions de La Sirène, [1919]. 189/4 <emph render="italic">Suite de Pulcinella pour petit orchestre</emph> : partition d'orchestre (revised 1949 version). London: Boosey & Hawkes, [1949]. 189/5 <emph render="italic">Symphonie en ut pour orchestre</emph> : partitur. London: Schott & Co., Ltd., [1948]. Sullivan, Arthur, Sir 173/8 <emph render="italic">The Mikado : or, the town of Titipu</emph> : vocal score. New York: Wm. A. Pond & Co., [1885?]. Szeligowski, Tadeusz 189/6 <emph render="italic">Pieśni zielone = Chansons vertes.</emph> Warsaw: Towazystwo Wydawnicze Muzyki Polskiej, [1931].

Piano-vocal score.

 Szőllősy, András 189/7 <emph render="italic">Musica per orchestra</emph> : partitura. Budapest: Editio Musica, Budapest, [1973].

(2 copies)

 Szymanowski, Karol 189/8 <emph render="italic">IIIme sonate, op. 36</emph> : piano solo. Vienna: Universal-Edition, [1919]. 189/9 <emph render="italic">Des Hafis Liebeslieder, op. 24.</emph> Vienna: Universal-Edition, [1913]. 189/10 <emph render="italic">Masques : trois morceaux de piano, op. 34.</emph> Vienna: Universal-Edition, [1919]. 189/11 <emph render="italic">Métopes, op. 29 : piano solo.</emph> Vienna: Universal-Edition, [1922]. 189/12 <emph render="italic">Mythes : trois poèmes, op. 30</emph> : [for] violon et piano. Vienna: Universal-Edition, [1921]. 189/13 <emph render="italic">Pieśni muezzina szalonego = Le muézin passionné = Lieder des verliebten Muezzins, op. 42.</emph> Vienna: Universal-Edition, [1922].

Piano-vocal score.

 189/14 <emph render="italic">Vier Gesänge = Cztery pieśni, op. 41.</emph> Vienna: Universal-Edition, [1920].

Piano-vocal score.

 Takemitsu, Toru 190/1 <emph render="italic">Masque pour deux flûtes.</emph> Tokyo: Ongaku No Tomo Sha, [1960].

(2 copies)

 Tanifuji, Hideko 190/2 <emph render="italic">Piano album, band 1.</emph> Tokyo: Ongaku No Tomo Ed. Co., [1954]. Tansman, Alexandre 190/3 <emph render="italic">Concerto pour piano</emph> : avec accompagnement d'orchestre / réduction pour 2 pianos. Paris: Max Eschig & Cie., [1926]. 190/4 <emph render="italic">Troisième sonatine pour piano.</emph> Paris: Éditions Max Eschig, [1933]. Tartini, Giuseppe 190/5 <emph render="italic">Sonata in G minor</emph> : for violin and piano. New York: Carl Fischer, [1919]. Tcherepnin, Alexander 196H/8 <emph render="italic">Divertimento</emph> : op. 90 : full score. London: Boosey & Hawkes, [1966]. 196H/9 <emph render="italic">Symphonic prayer</emph> : full score. Bonn: Édition M. P. Belaieff, [1960]. 196H/10 <emph render="italic">Symphony no. 4</emph> : op. 91 : full score. London: Boosey & Hawkes, [1959]. Teen-agers at the Shaker Village Work Camp (compilers) 196B/3 <emph render="italic">Songs of the Shakers.</emph> Pittsfield, MA: Shaker Village Work Camp, [ca. 1956]. Thorne, Francis 190/6 <emph render="italic">Eight introspections</emph> : for piano. New York: Edward B. Marks Music Corporation, [1965]. Tippett, Michael 190/7 <emph render="italic">Concerto for double string orchestra.</emph> London: Schott & Co., Ltd., [1946].

Score.

 Toor, Frances (editor) 196B/4 <emph render="italic">Cancionero Mexicano</emph> : para piano o guitarra. Mexico: Frances Toor, [1931]. Tschaikowsky, Peter 190/8 <emph render="italic">Concerto no. 1 in B-flat minor, op 23.</emph> New York: G. Schirmer, [1905]. 190/9 <emph render="italic">Romeo and Juliet</emph> : orchestra score. New York: Edwin F. Kalmus, n.d. 190/10 <emph render="italic">Symphonie Nr. 5</emph> [in] <emph render="italic">E minor, op. 64</emph> : partitur. Wiesbaden: Breitkopf & Härtel, n.d. Tsukatani, Akihirô 190/11 <emph render="italic">Suite for strings and percussions.</emph> Tokyo: Ongaku No Tomo Sha, [1962].

Score.

 Turchi, Guido 190/12 <emph render="italic">Invettiva (dai "Carmina Burana").</emph> Vienna: Universal-Edition, [1949].

(concert program for premiere of this work enclosed)

 [Unknown] 191/1 <emph render="italic">Russkie narodnye pesni</emph> : sbornik vtoroi. Moscow: Gosudarstvennoe Voennoe Izdatel'stvo SSR, [1936]. Vitali, Tommaso 191/2 <emph render="italic">Ciaccona (in G minor) for violin and piano.</emph> New York: Carl Fischer, [1921]. Vivaldi, Antonio 191/3 <emph render="italic">Concerto</emph> [in] <emph render="italic">la mineur</emph> : violon et piano. Mayence/Leipzig: B. Schott's Söhne, [1912]. Vlasov, V. and V. Fere 191/4 <emph render="italic">The spring in Ala-Too : fragments from the ballet.</emph> Moscow: State Music Publishers, [1958].

Score.

 Wade, J. (editor) 196C/5 <emph render="italic">Christy's minstrels': 145 new songs and choruses in vocal score.</emph> London: C. Sheard, n.d.

Piano-vocal score.

(complete edition, 3 volumes in 1)

 Wagner, Richard 191/5 <emph render="italic">Lohengrin</emph> : a romantic opera in three acts. New York: G. Schirmer, n.d.

Piano-vocal score.

 192/1 <emph render="italic">The mastersingers of Nuremberg</emph> : complete vocal score. Mainz: B. Schott's Söhne, [1903]. 192/1 <emph render="italic">The mastersingers of Nuremberg</emph> : complete vocal score. New York: G. Schirmer, [1904]. 192/2 <emph render="italic">Parsifal</emph> : vocal score with piano accompaniment.... Cincinnati: The John Church Company, [1904]. 193/1 <emph render="italic">Das Rheingold</emph> : piano selection. New York: G. Schirmer, [1904]. 193/2 <emph render="italic">Siegfried Idyll.</emph> New York: Associated Music Publishers, n.d.

Score.

 193/3 <emph render="italic">Tristan and Isolda</emph> : drama in three acts. New York: G. Schirmer, [1906]. 193/4 <emph render="italic">Wagner-Liszt album</emph> : for pianoforte. New York: G. Schirmer, [1896]. Walker, William (compiler) 196B/5 <emph render="italic">The southern harmony, and musical companion : containing a choice collection of....</emph> Philadelphia: E. W. Miller, [ca. 1854]. Walton, William 193/5 <emph render="italic">Portsmouth point : an overture</emph> : full score. London: Oxford University Press, [1928]. Weber, Carl Maria von 193/6 <emph render="italic">Concertino für Klarinette und Orchester, op. 26.</emph> Wiesbaden: Breitkopf & Härtel, n.d. 193/7 <emph render="italic">Der Freischüz : romantische Oper in drei Aufzügen.</emph> Wolfenbüttel: L. Holle, n.d.

Piano-vocal score.

 Webern, Anton 193/8 <emph render="italic">11. Kantate, op. 31 : Klavierauszug mit Singstimmen.</emph> Vienna: Universal, [1951].

Vocal score.

 193/9 <emph render="italic">Drei Gesänge, op. 23</emph> : Gesang und Klavier. [Austria]: Universal Edition, [1936]. 193/10 <emph render="italic">Quartett für Geige, Klarinette, Tenorsaxophon und Klavier, op. 22</emph> : partitur. Vienna: Universal Edition, [1932].

(2 copies)

 193/11 <emph render="italic">Variationen für Klavier, op. 27.</emph> Vienna: Universal Edition, [1937]. 193/12 <emph render="italic">Vier Stücke, op. 7</emph> : Geige und Klavier. Vienna: Universal Edition, [1922]. Weill, Kurt 194/1 <emph render="italic">Aufstieg und Fall der Stadt Mahagonny</emph> : Klavierauszug. Vienna: Universal Edition, [1929].

Includes note in AC's hand re: characters.

 Weisgall, Hugo 194/2 <emph render="italic">Six characters in search of an author : opera in three acts.</emph> Bryn Mawr, PA: Merion Music, Inc., [1957].

Piano-vocal score.

 194/3 <emph render="italic">The stronger : opera in one act.</emph> Bryn Mawr, PA: Merion Music, Inc., [1957].

Piano-vocal score.

 194/4 <emph render="italic">The tenor : opera in one act.</emph> Bryn Mawr, PA: Merion Music, Inc., [1957].

Piano-vocal score.

 White, John and George Shackley (arrangers) 196B/6 <emph render="italic">The lonesome cowboy : songs of the plains and hills.</emph> New York: Geo. T. Worth & Co., [1930].

For voice and piano.

 Wilson, Domingo Santa Cruz 194/5 <emph render="italic">Viñetas</emph> : cuatro piezas para piano solo. S. Diego, Chile: Casa Amarillo, [1932]. Wilson, Richard 195/1 <emph render="italic">Eclogue</emph> : for piano. New York: Boosey & Hawkes, [1980]. Wolfe, Stanley 195/2 <emph render="italic">Symphony no. 3</emph> : full score. New York: Boosey & Hawkes, [1964]. Wolpe, Stefan 195/3 <emph render="italic">Dance : in form of a chaconne.</emph> New York: Arrow Music Press, Inc., [1941]. 195/4 <emph render="italic">Passacaglia</emph> : for piano solo. New York: New Music Edition, [1947]. 195/5 <emph render="italic">Sonata for violin and piano.</emph> New York: McGinnis and Marx, [1955].

Score & part.

 Workers' Music Association (compiler) 196C/6 <emph render="italic">Pocket song book.</emph> London: Workers' Music Association, 1948.

Lead sheet with text.

 196C/7 <emph render="italic">Sing and learn: a song book for children with tonic & staff notation.</emph> London: Workers' Music Association, 1940.

Piano-vocal score.

(second edition)

 Yashirō, Akio 195/6, 7 <emph render="italic">Symphonie pour grand orchestre.</emph> Tokyo: Ongaku No Tomo Sha, [1959]. 197-232 25/39 C-Drw 2/1-2 Writings and Oral Presentations, 1925-1988

The Writings & Oral Presentations series represent over fifty years (c. 1925-1988) of written and oral commentary on music and musicians during the lifetime of Copland and is divided into to main subseries: Writings by Aaron Copland and Writings by Others. The subseries, Writings by Aaron Copland is divided into 5 subseries: Articles, Books, Lectures & Speeches, Radio and Television. The subseries, Writings by Others extends to material written about Aaron Copland and material written about other composers, musicians, and critics or other subjects. The articles reflect the views and opinions of a wide range of notable people. The interviews almost span his entire life from 1928 to 1988 and comprise dialogues with substantive and substantial quotes by Copland. See the Index for Articles with AC Numbers for an explanation and numeric indexes of Copland's numbering system. See the Index for the Lectures and Speeches with AC Numbers for more information.

Arranged by suberies.

 197-230 C-Drw 2/1-2 Writings by Aaron Copland, 1925-1988

The writings by Aaron Copland contain the different venues that Copland employed to communicate his thoughts and ideas on music -- the growth of American music and commentary on the people or organizations that fostered composers and their music through the 1960s -- beginning in 1925 with his second published article, "What Europe Means to the Aspiring Composer", after his return from three years of musical study in France. This series is divided into Articles, Books, Lectures & Speeches, Radio and Television. Includes unpublished manuscripts, notes and outlines; letters, typescripts, galley and page proofs; published articles clippings, reviews and promotional material. See the Index for Articles with AC Numbers for an explanation and numeric indexes of Copland's numbering system. See the Index for the Lectures and Speeches with AC Numbers for more information.

Arranged by author, title or chronologically.

 197-202 229 230 Articles 197/1 A.C. (A composer) looks at LP, n.d. 197/2 A.C.: Foreword to <emph render="italic">Modern Music</emph> reprints of articles about Igor Strav[insky], n.d. Aaron Copland. Arthur Berger [Book review] See: Writings by Others, About AC, Articles: Clurman, Harold. Aaron Copland BOX: xxx 197/3 Aaron Copland: A visit to Israel, 1969 113 Aaron Copland remembers Nadia See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx 197/4 Aaron Copland talks about American music to-day, 1958 197/5 Aaron Copland writes from South America, 1947 46A 197/6 About <emph render="italic">Billy the Kid</emph>, n.d. 197/7 Active market in new music records, 1936 23 197/8 Always in my thoughts, 1953 64A America's cultural explosion - its scope and challenge See: Writings by Others, About AC, Interviews: The Playboy Panel. America's cultural explosion - its scope and challenge BOX: xxx 99A 197/9 L'america ha la sua música, 1951 197/10 America's young men of promise, 1926 197/11 The American composer gets a break, 1935 22 197/12 The American composer today, n.d. 42 197/13 American composers on records, 1959 197/14 American culture I: Music, 1956 See also: Writings by AC, Articles: Report on American music, 1956 BOX: xxx 197/15 American music since 1930, 1945 229/1 The American musical scene, 1950 59 197/16 Are my ears on wrong? A reply to Mr. Henry Pleasants, 1955 See also: Writings by AC, Articles: Modern music: 'Fresh and different' BOX: xxx 64 197/17 The art of Darius Milhaud, 1948 See also: Writings by AC, Articles: Sobre la música en el cine BOX: xxx 50 197/18 As a musician: Women's University Glee Club, n.d. 197/19 ASCAP and the symphonic composer, 1964 229/2 ASCAP and the symphonic composer, 1964 98 197/20 At the thought of Mozart, 1956 73 197/21 Baden-Baden, 1927 8 197/22 The battle of jazz and the classics, n.d. 197/23 Benjamin Britten: <emph render="italic">The Rape of Lucretia</emph>, an opera in two acts [Music review], 1947 45 197/24 Carlos Chávez - Mexican composer, 1928 197/25 Charles Ives, 1964 197/26 Claire Reis (1889-1978), 1978 See also: Writings by AC, Lectures & Speeches: Claire Reis BOX: xxx 118 197/27 Claire Raphael Reis, n.d. 198/1 The composer and his critic, 1932 18 198/2 The composer and the audience, n.d. 198/3 The composer as conductor, n.d. 198/4 The composer as critic, 1961 See also: Writings by AC, Lectures & Speeches: The composer as critic BOX: xxx 91 198/5 Composer from Brooklyn: An autobiographical sketch, 1941 198/6 The composer in America, 1923-1933, 1933 19 198/7 The composer in the United States, n.d. 198/8 The composer speaks out! Meet the composer!, n.d. 198/9 A composer's praise, 1962 92 198/10 Composer's report on music in South America, 1947 See also: Writings by AC, Articles: South American journey BOX: xxx See also: Writings by AC, Lectures & Speeches: [La música de las americas] BOX: xxx 48 198/11 Composers and composing, 1960 86 198/12 The composers get wise, 1940 32 198/13 Composers in Russia, 1960 83 198/14 Composers in the university, 1970 116 198/15 The composers of South America, 1941 198/16 The composers of South America, 1942 37 Composers without a halo See: Writings by AC, Articles: Komponisten ohne Glorienschen BOX: xxx 198/17 Composers' letters, 1963 198/18 Composing for <emph render="italic">Something wild</emph>, 1961 229/3 El compositor en los Estados Unidos, 1959 75 198/19 Contemporaries at Oxford, 1931 16 198/20 Contemporary music -- Is it peculiar?, n.d. 198/21 The contemporary scene, 1966 104 198/22 Copland on Carter, 1978 198/23 Copland salutes Boulanger, 1977 117 198/24 Cousin Michael, 1964 198/25 Creativity in America, 1952 65 198/26 Current chronicle: United States, New York, 1951 61 198/27 The danger of writing concert music, n.d. 198/28 Defends the music of Mahler [Letter to the editor], 1925 4 198/29 The dilemma of our symphony orchestra, 1956 See also: Writings by AC, Lectures & Speeches: The dilemma of our symphony orchestra BOX: xxx 76 198/30 <emph render="italic">Discoveries of a music critic</emph>, by Paul Rosenfeld [Book review], 1936 24 198/31 [Dmitri Shostakovich - 60th birthday], 1966 229/4 The essence remained. <emph render="italic">The life and music of Béla Bartók</emph> . Halsey Stevens [Book review], 1953 See also: Writings by AC, Articles: The life and music of Béla Bartók BOX: xxx 67 198/32 European festivals and premiers: A glance backward, 1960 Famous pupil recalls famous teacher See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx 198/33 Faure [sic] festival at Harvard, 1945 40

Also: Faure [sic] centennial in America

 198/34 Festival in Caracas: Recent Venezuelan event was devoted to composers of Latin America, 1954 69 198/35 Five post-romantics, 1941 36 199/1 For composers news record, n.d. 199/2 For the record! [Letter to editor?], n.d. 199/3 Foreword to Gardner Reed's book, <emph render="italic">Thesaurus of orchestral devices</emph>, n.d. 199/4 Foreword to new collection of 'The Gift to be Simple', May 1970 Four Weeks in the Soviet Union - 1960 See: Writings by AC, Articles: Composers in Russia BOX: xxx 199/5 Franz Liszt, n.d. 199/6 From a composer's journal, n.d. 199/7 From a composer's notebook, 1929 13 229/5 From the mail pouch: The composer's ob[?], A response from eleven who were represented at Critics' concerts [Letter to editor], 1942 199/8 From the '20's to the '40's and beyond, 1943 39 229/6 Gabriel Fauré, a neglected master, n.d. 199/9 The gifted listener, 1952 64 Her best pupils are famous See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx 199/10 How we listen, n.d. 229/7 In appreciation.... [Leonard Bernstein], 1978 199/11 In memory of Marc Blitzstein (1905-1964), 1964 100 229/8 An indictment of the fourth B, 1952 63 199/12 Intro[duction] to Claire Reis' book, <emph render="italic">Composers, conductors and critics</emph>, 1974 199/13 Irving Fine (1914-1962), 1962 106 199/14 Is the university too much with us?, 1970 116 199/15 Is there a revolution in the arts?, 1940 29 229/9 Jak słuchać muzyki współczesnej (Listening to contemporary music)(in Polish), n.d. 199/16 Jazz structure and influence, 1927 7 199/17 Komponisten ohne Glorienschen (Composers without a halo), 1947 199/18 Latin Americans in music, 1942 199/19 Leon Kirchner: <emph render="italic">Duo for violin and piano</emph> [Music review], 1950 58 199/20 [Letter from composer], 1954 [Letter to editor] From the mail pouch: The composer's ob[?] See: Writings by AC, Articles: From the mail pouch: The composer's ob[?], A response from eleven who were represented at Critics' concerts BOX: xxx 199/21 [Letter to editor], <emph render="italic">New York Times</emph>, 27 April 1972 199/22 [Letter to editor], <emph render="italic">New York Times</emph>, n.d. [Letter to the editor] Defends the music of Mahler See: Writings by AC, Articles: Defends the music of Mahler BOX: xxx 199/23 [Letter to editor re: Olin Downes], n.d. 199/24 [Letter to music editor], <emph render="italic">New York Times</emph>, 4 Oct. 1954 229/10 [Letters to the editor], <emph render="italic">New York Times Magazine</emph>, 14 Jan. 1950 56A 229/11 [Letters to the editor], <emph render="italic">New York Times Magazine</emph>, 4 Sept. 1966 199/25 <emph render="italic">The life and music of Béla Bartók</emph> . Halsey Stevens [Book review], 1953 List of recorded works on contemporary American composers See: Writings by AC, Articles: American composers on records BOX: xxx Listening to contemporary music See: Writings by AC, Articles: Jak słuchać muzyki współczesnej BOX: xxx 199/26 The live composer, 1939 Looking back with Aaron Copland See: Writings by AC, Books, Copland: 1900 through 1942, Miscellany: Article BOX: xxx 199/27 The lyricism of Milhaud, 1929 12 199/28 Making music in the star-spangled manner, 1960 See also: Writings by AC, Lectures & Speeches: Search for an "American" music BOX: xxx 89 Man's right to knowledge See: Writings by AC, Articles: Music and the human spirit BOX: xxx Marc Blitzstein remembered See: Writings by AC, Articles: In memory of Marc Blitzstein BOX: xxx 199/29 [Mellers, Wilfred Howard], 1965 Memorial to Paul Rosenfeld See: Writings by AC, Articles: Benjamin Britten: The Rape of Lucretia, an opera in two acts BOX: xxx 229/12 Mexican composer, n.d. 27 199/30 Miklós Rósza and Bernard Herrmann, n.d. 199/31 Milhaud: <emph render="italic">First Symphony</emph> ; <emph render="italic">In Memoriam</emph> ; <emph render="italic">Protée</emph> [Record review], n.d. Mlle. Boulanger, 80 this month, has taught greatest composers See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx Mlle. Boulanger and her bakery See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx 229/13 Modern music: 'Fresh and different', 1955 71(72) 199/32 Modern orchestration surveyed, 1930 15 229/14 A modernist defends modern music, 1949 56 229/15 Music: My way of life, 1964 102 199/33 Music and the human spirit, 1954 See also: Writings by AC, Articles: La música como aspecto del espiritu humano BOX: xxx 70,_070A 200/1 Music and the movies, 1949 See also: Writings by AC, Articles: Tip to movie goers: Take off those ear-muffs BOX: xxx See also: Writings by AC, Lectures & Speeches: Music in the movies BOX: xxx Music as an aspect of the human spirit See: Writings by AC, Articles: Music and the human spirit BOX: xxx See: Writings by AC, Articles: La música como aspecto del espiritu humano BOX: xxx 200/2 <emph render="italic">Music for the theatre</emph>, n.d. 40 200/3 Music in America: Past, present, and future, n.d. 200/4 Music in Cuba, 1941 200/5 Music in the air, n.d. 200/6 The music of Israel [Book review], n.d. 229/16 Music out of everywhere: <emph render="italic">Notes without music. An autobiography</emph>, by Darius Milhaud [Book review], 1953 66 200/7 Music since 1920, 1928 10 200/8 La música como aspecto del espiritu humano, n.d. See also: Writings by AC, Articles: Music and the human spirit BOX: xxx Tr70 200/9 La música en el extranjero, 1941 36A 200/10 La música moderna è nata in reazione a Wagner, 1951 200/11 La música per film: nuovo mezzo di espressione musicale, n.d. Tr53 Musical world honors teacher Nadia Boulanger See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx 200/12 Musikalisches Schaffen in Amerika, 1965 See also: Writings by AC, Articles: Creativity in America BOX: xxx Nadia Boulanger, master teacher: She fans musical spark See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx 200/13 Nadia Boulanger: An affectionate portrait, 1960 84 200/14 Nadia Boulanger: Mother of modern music, 1981 Nadia Boulanger at 80 still foremost music teacher See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx 200/15 Neglected works: A symposium, 1946 44 200/16 Eine neue amerikanische Komponistengeneration, 1948 See also: Writings by AC, Articles: The new 'school' of American composers BOX: xxx See also: Writings by AC, Articles: Nueva generatión de compositores norteaméricanos New music in the U.S.A. BOX: xxx See also: Writings by AC, Articles: The composer in America, 1923-1933 BOX: xxx Tr49 229/17 The new 'school' of American composers, 1948 See also: Writings by AC, Articles: Eine neue amerikanische Komponistengeneration BOX: xxx See also: Writings by AC, Articles: Nueva generatión de compositores norteaméricanos BOX: xxx 49 200/17 A note on Irving Fine, 1962 See also: Writings by AC, Articles: Irving Fine (1914-1962) BOX: xxx 229/18 A note on Nadia Boulanger, 1928 14 200/18 A note on young composers, 1935 21A 200/19 Notes on a cowboy ballet, n.d. 42 200/20 <emph render="italic">Notes without music</emph>, by Darius Milhaud [Book review], 1953 See also: Writings by AC, Articles: Music out of everywhere: Notes without music. An autobiography, by Darius Milhaud [Book review] BOX: xxx 200/21 Nueva generatión de compositores norteaméricanos, 1947 See also: Writings by AC, Articles: The new 'school' of American composers BOX: xxx See also: Writings by AC, Articles: Eine neue amerikanische Komponistengeneration BOX: xxx Tr49 200/22 On being a composer, n.d. 200/23 On the notation of music, 1944 41 200/24 On the occasion of the 70th birthday of Serge Prokofieff, 1961 200/25 One hundred and fourteen songs, 1934 20 201/1 An open letter about the BBC, 1965 103 201/2 Oper für Amerika, 1960 87 201/3 Opera for America], 1959 201/4 Our younger generation - ten years later, 1936 25 201/5 Outline of history (Nef), n.d. Paris octogenarian is a musical marvel See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx 201/6 The personality of Stravinsky, 1949 201/7 [Phonograph recordings], n.d. 201/8 <emph render="italic">Piano fantasy</emph>, 1957 201/9 <emph render="italic">Piano fantasy</emph> - the commission, n.d. 201/10 Piano music of Noël Lee, n.d. 114 Pioneer listener See: Writings by AC, Articles: Discoveries of a music critic, by Paul Rosenfeld [Book review] BOX: xxx 201/11 Playing safe at Zurich, 1926 201/12 The pleasures of music, 1959 See also: Writings by AC, Lectures & Speeches: The pleasures of music BOX: xxx See also: Writings by AC, Lectures & Speeches: Contemporary trends in music today BOX: xxx 81A 230/1 The pleasures of music, 1959 See also: Writings by AC, Lectures & Speeches: The pleasures of music BOX: xxx 81B 201/13 Portrait of a symphony, n.d. 201/14 A quarter-century reflection, 1963 94 201/15 Questions on music, n.d. Quiet city See: Writings by AC, Articles: Composers in Russia BOX: xxx 201/16 Ralph Hawkes: In memorium, 1950 201/17 Report on American music, 1956 75 201/18 Rubin Goldmark: A tribute, 1956 74 201/19 Salute to the arts and artists of Latin America, 1967 201/20 A salute to the Schwann, n.d. 123 201/21 Scherchen on conducting and Ewen on composers [Book review], 1935 21 201/22 <emph render="italic">Schoenberg and his school</emph>, by René Leibowitz [Book review], n.d. 201/23 Scores and records, 1936 26 201/24 Scores and records, Jan.-Feb. 1937 201/25 Scores and records, May-June 1937 201/26 Scores and records, 1938 201/27 Second thoughts on Hollywood, 1940 30 202/1 Serge Koussevitzky and the American composer, 1944 40 She has taught the greatest... See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx She taught many of the world's best musicians See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx Shoptalk: On the notation of music See: Writings by AC, Articles: On the notation of music BOX: xxx 202/2 Sobre la música en el cine, n.d. See also: Writings by AC, Articles: The art of Darius Milhaud BOX: xxx Tr50 202/3 Some notes on my "Music for the Theatre", 1941 See also: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx See also: Writings by AC, Radio, United States: WNCN: Aaron Copland comments, 1968-1971, Series I: Program 2, Draft BOX: xxx See also: Writings by AC, Radio, United States: WQXR: [Music for the theatre] BOX: xxx 202/4 South American journey, 1947 See also: Writings by AC, Articles: Composer's report on music in South America BOX: xxx See also: Writings by AC, Lectures & Speeches: [La música de las americas] BOX: xxx 202/5 Special fondness for B. B. [Benjamin Britten], n.d. 202/6 Stefan Wolpe: <emph render="italic">Two songs for alto and piano</emph> [Music review], 1948 51 The story behind El salón méxico, 1948 See: Subject File, Compositions, El salón méxico, Programs 1938-1942 BOX: xxx 202/7 Stravinsky and Hindemith premieres, 1932 17 202/8 Stravinsky's "Oedipus Rex", 1928 9 202/9 Talk on N. B. [Nadia Boulanger], n.d. 202/10 Tanglewood: 1952, [1952] 62A

Also: Tanglewood's future: Measures to insure continuity include extensive new scholarship program

 202/11 The teacher: Nadia Boulanger, 1960 202/12 Thomson's musical state [Book review], 1939 28 230/2 Tip to moviegoers: Take off those ear-muffs?, 1949 See also: Writings by AC, Articles: Music and the movies BOX: xxx See also: Writings by AC, Lectures & Speeches: Music in the movies BOX: xxx 53 202/13 A tribute to Nadia Boulanger, 1967 110 The tutor of eminent composers, Mlle. Boulanger going strong at 79 See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx 202/14 A visit to Israel, 1969 113 202/15 A visit to Snape, 1963 93 202/16 [A visiting composer], 1958 230/3 'A vital and varied music', n.d. 82 230/4 What Europe means to the aspiring composer, 1925 2 230/5 What is Jewish music?: <emph render="italic">The music of Israel</emph> [Book review], 1949 52 202/17 When private and public worlds meet, 1968 112 202/18 Where are we? What's been happening to so-called serious music in the sixties, n.d. 202/19 William Schuman: <emph render="italic">String quartet no. 4</emph> [Music review], 1951 230/6 Workers sing!, 1934 230/7 The world of a-tonality: Schoenberg and his school [Book review], 1949 54 202/20 The world of the phonograph, 1937 25A 202/21 The youngest generation of American composers, n.d. 202/22 Zoltán Kodály, n.d. 202/23 [Zoltán Kodály - 80th birthday], 1962 202/24 Miscellany: Notes for articles, n.d. 203-209 230/8 C-Drw 2/1 Books 203/1-3 230/8 <emph render="italic">Copland: 1900 through 1942</emph> (1984), 1970-1985, n.d.

Folders:

203/1 Correspondence, 1970-1985, n.d. 230/8 Miscellany: Article, 1984 203/2 Miscellany: Notes; Promotional material; Reviews, 1981-1984, n.d. 203/3 Uncorrected proof (bound), 1984 203/4-13 <emph render="italic">Copland on music</emph> (1960), 1959-1962, n.d.

Folders:

203/4 Correspondence, 1959-1960 203/5 Manuscript 203/6 Miscellany: Notes; Promotional Material; Reviews; Sources, 1960-1962, n.d. 203/7 Notes 203/8 Outlines 203/9 Outlines: Revised versions 203/10 Proofs, page 203/11 Typescript, draft 203/12 Typescript, corrected 203/13 Typescript, final 204/1-9 <emph render="italic">Music and imagination</emph> (1952), 1952-1974, n.d.

Folders:

204/1 Correspondence, 1952 204/2 Manuscripts 204/3 Miscellany: Promotional Material; Reviews, 1952-1974, n.d. 230/9 Miscellany: Review, proof, 1953 204/4 Proofs, galley 204/5 Proofs, galley (author's copy) 204/6 Proofs, page (incomplete) 204/7-8 Typescript, corrected 204/9 Typescript, final 205/1-9 206/1-7 <emph render="italic">The new music</emph> (1968), 1962-1969, n.d.

Folders:

205/1 Correspondence, 1962-1968, n.d. 205/2 Index 205/3 Manuscripts 205/4 Miscellany: Notes; Reviews, 1968-1969, n.d. 205/5-9 Proofs, corrected 206/1 Proofs, galley, 8/16/67 206/2 Proofs, galley, 9/21/67 206/3 Proofs, galley, 11/02/67 206/4-5 Rejected pages, Our new music 206/6 Typescript, corrected 206/7 Typescript, final 207/1-10 <emph render="italic">Our new music</emph> (1941), 1941-1948, n.d.

Folders:

207/1 Correspondence, 1941-1948, n.d. 207/2 Miscellany: Promotional material; Reviews, 1941-1947, n.d. 207/3 Outlines 207/4 Spanish edition 207/5 Typescript, draft 207/6-9 Typescript, corrected 207/10 Typescript, final 208/1-11 C-Drw 2/1 <emph render="italic">What to listen for in music</emph> (1939), 1937-1954, n.d.

Folders:

208/1 Correspondence, 1937-1939, 1953, n.d. 208/2 Hebrew edition, 1954 208/3 Miscellany: Promotional material; Reviews, 1938-1940, n.d. 230/10 Miscellany: Promotional material 208/4 Proofs, galley 208/5 Proofs, page MapCaseC-Drw 2/1 Proofs, page 208/6 Typescript, draft 208/7-8 Typescript, corrected 208/9 Typescript, final (author's copy) 208/10-11 Typescript, final (printer's copy) 209/1-8 <emph render="italic">What to listen for in music</emph> (1957), 1956-1966, n.d.

Folders:

209/1 Correspondence, 1956 209/2 Miscellany: Reviews, 1957-1966, n.d. 209/3 Notes 209/4 Proofs, galley (author's copy) 209/5 Proofs, galley (printer's copy) 209/6 Typescript, corrected 209/7 Typescript, final (author's copy) 209/8 Typescript, final (printer's copy) 209/9-11 <emph render="italic">What to listen for in music</emph>, (1988, re-issue) 1988

Proofs, page

 210-230 Lectures & Speeches 210/1 Address, graduating class, Toronto Conservatory of Music, 1950 1-LG 210/2 Address, graduating exercises, Brooklyn College, 1975 210/3 Address, graduating exercises, Juilliard School of Music, 1981 210/4-7 The aesthetic climate of today (English and Spanish), 1963 See also: Writings by AC, Lectures & Speeches: New trends in cont[emporary] music BOX: xxx 210/8 Aesthetics of modern music, 1927 See also: Writings by AC, Lectures & Speeches: Emergence of the Amer[ican] composer 1940-1955 BOX: xxx See also: Writings by AC, Lectures & Speeches: Masterpieces of modern music, Lecture I: America in music BOX: xxx 210/9 An American composer: Charles Ives, n.d. 210/9 The American composer today See: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxx See: Writings by AC, Lectures & Speeches: Composing in America (then and now) BOX: xxx 210/10 The American Composers Alliance, 1977 210/11 American contemporaries: Younger generation, 1957 19-LG 210/12 American music, ca. 1936 American music See: Writings by AC, Lectures & Speeches: "Modern" American music - Part II BOX: xxx 210/13 American music - a survey, n.d. 210/14 American music and the American scene, 1940, 1950 210/15 American scene in music, 1949 11-LV 210/16 Americans, 1940 210/17 Das amerikanische Musikleben, 1954, 1964 210/18 L'amerique et sa musique, 1949 210/19 The annual American Music Festival, n.d. 210/20 <emph render="italic">Appalachian spring</emph>, n.d. 210/21 Appreciation of modern music, 1927 210/22 The artist and society, 1959 15-LG Arts in the university See: Writings by AC, Lectures & Speeches: Role of university in the arts (Arts in the university) BOX: xxx 210/23 Berlioz - from the composer's standpoint, 1954 22-LV Bernstein, Leonard See: Writings by AC, Lectures & Speeches: L. B. [Leonard Bernstein] BOX: xxx 210/24 Boulez, 1977 210/25 Central European composers, 1950 12-LV 210/26 Claire Reis, 1978 See also: Writings by AC, Articles: Claire Reis (1889-1978) BOX: xxx 210/27 Comparative trends of recent European & American music, 1956, 1961 26-LV 210/28 The composer and his audience, 1956 10 210/29 The composer as critic, 1961 See also: Writings by AC, Articles: The composer as critic BOX: xxx 91-A 210/30 The composer as critic, n.d. 33-LV 210/31 Composer attitudes of the twenties, n.d. 210/32 The composer in the modern world, 1957 10-LG 210/33 Composer looks at music in America, 1954 25-LV 210/34 Composer today, n.d. The composer's viewpoint See: Writings by AC, Lectures & Speeches: The meaning of music BOX: xxx 210/35 Composers and conductors conference, 1942? 210/36 Composers on criticism, n.d. 210/37 Composing in America (then and now), 1962, 1964 See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxx 18-LG 210/38 Compositional phases [on my three piano works], 1959, 1961 13-LG 210/39 Compositional techniques in the 20th cent[ury], 1961 32-LV 211/1 [Contemporary composers in the United States], n.d. Contemporary music, 1960 See: Writings by AC, Lectures & Speeches: Current trends in cont[emporary] music BOX: xxx 211/2 Contemporary music: Living composers, 1938 See also: Writings by AC, Lectures & Speeches: Music in contemporary life BOX: xxx See also: Writings by AC, Lectures & Speeches: Survey of contemporary music BOX: xxx 211/3 Contemporary music: Music in the American scene, 1948 211/4 Contemporary music and its controversies, 1944 16-LV 211/5 [Contemporary music in the U. S.]: The musical panorama in the 70's, n.d. 211/6 Contemporary music in the United States, 1951, 1964 211/7 The contemporary music in the United States, n.d. Cont[emporary] music seminar See: Writings by AC, Lectures & Speeches: Seminar in contemporary music BOX: xxx 211/8 Contemporary trends in music abroad, 1954 211/9-10 Contemporary trends in music today, 1962 See also: Writings by AC, Lectures & Speeches: The pleasures of music BOX: xxx See also: Writings by AC, Articles: The pleasures of music BOX: xxx 211/11 Contrapuntal writing in cont[emporary] music in relation to Bach, 1950 9-LV 211/12 Convocation, 1967, 1969 23A-LG 230/11 Copland at USD, 1975 211/13 Copland-Sessions Concerts 1928-31, 1971 28-LG Cowell, Henry See: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell BOX: xxx La création du monde See: Writings by AC, Lectures & Speeches: Darius Milhaud BOX: xxx 211/14 Creativity and the composer, 1972, 1973 29-LG,_35-LV Creativity and the creative artist See: Writings by AC, Lectures & Speeches: Creativity and the composer BOX: xxx Creativity in America See: Writings by AC, Articles: Creativity in America BOX: xxx 211/15 Creativity in America today, 1953, 1956, 1965, 1968 6-LG 211/16 Cultural conference, n.d. 211/17 Current trends in cont[emporary] music, 1954, 1960, 1961 See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxx 21-LV 211/18 Darius Milhaud, 1948 2-LV 211/19-20 The dilemma of our symphony orchestra, 1956 See also: Writings by AC, Articles: The dilemma of our symphony orchestra BOX: xxx 14-LG 211/21 Dinner for W[illia]m Schuman, 1967 211/22 Dmitri Shostakovitch and the new simplicity, n.d. 5-LV 211/23 Effect of the cold war on the artist in the United States, [1949?] 211/24 Emergence of the Amer[ican] composer 1940-1955, 1956 211/25 La emergéncia de la música norteamericana, 1961, 1962, 1963 211/26 Fauré, n.d. 17-LV 211/27 [50th anniversary Pulitzer Prize dinner], 1966 211/28-29 Film music, 1940 See also: Writings by AC, Lectures & Speeches: Music in the movies BOX: xxx 211/30 Film music: Civitas Club, 1940 211/31-32 Film talk, 1971 35? 211/33 For Alvin Johnson, n.d. 211/34 For 8-13 year olds, 1969 25-LG 211/35-36 Forms of modern music, [193?] Four lectures on contemporary music See: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxx 212/1 [Gold medal for music], 1956 212/2 History of American music, 1947 212/3 Influence of jazz and "Everyday Music", n.d. See also: Writings by AC, Lectures & Speeches: Influence of jazz on modern music BOX: xxx See also: Writings by AC, Lectures & Speeches: Intro[duction] to r[h]ythmic considerations in Amer[ican] music BOX: xxx 7-LV 212/4 Influence of jazz on modern music, n.d. 212/5-6 Intelligent music-listening, 1937 The interpreter See: Writings by AC, Lectures & Speeches: On conducting Amer[ican] music; The interpreter from the composer's viewpoint BOX: xxx 212/7 Introducing Shostakovitch at dinner, 1949 212/8 Intro[duction] of N[adia] Boulanger as teacher, 1958 17-LG 212/9 Introduction to my music, 1952 See also: Writings by AC, Lectures & Speeches: On my music BOX: xxx 9-LG 212/10-11 Introduction to the cont[emporary] idiom: Four lectures on contemporary music, 1957-1958 See also: Writings by AC, Lectures & Speeches: Composing in America (then and now) BOX: xxx See also: Writings by AC, Lectures & Speeches: Current trends in cont[emporary] music BOX: xxx 20 212/12 Intro[duction] to r[h]ythmic considerations in Amer[ican] music, n.d. See also: Writings by AC, Lectures & Speeches: Influence of jazz on modern music BOX: xxx See also: Writings by AC, Lectures & Speeches: Influence of jazz and "Everyday Music" BOX: xxx 7-LV 212/13 [Introductory remarks for film "Brute Force"], n.d. 212/14 Is America musically mature?, 1941 212/15 Japan's composers, 1960 16-LG 212/16 Jazz and folk influences, 1944 15-LV 212/17 Jewish composers in the western world, 1951 10-LV 212/18 L. B. [Leonard Bernstein], n.d. See also: Writings by AC, Lectures & Speeches: Talk on Leonard Bernstein BOX: xxx 212/19 Latin American music, 1947-1963 31-LV Das Lied von der Erde See: Writings by AC, Lectures & Speeches: Mahler - XX cent[ury] BOX: xxx 212/20 London speech, 1965 See also: Writings by AC, Lectures & Speeches: Talk for the BBC BOX: xxx 212/21 Lotus Club, 1978 212/22 Mahler - XX cent[ury], n.d. 6-LV 212/23-24 Masterpieces of modern music, 1928-1929 See also: Writings by AC, Lectures & Speeches: Aesthetics of modern music BOX: xxx 212/25 The meaning of music, n.d. 24-LG 212/26 MENC meeting, n.d. Messiaen, Olivier See: Writings by AC, Lectures & Speeches: Music: Pro & Con II - Olivier Messiaen BOX: xxx Mexican music [III] See: Writings by AC, Lectures & Speeches: Latin American music BOX: xxx Milhaud, Darius See: Writings by AC, Lectures & Speeches: Darius Milhaud BOX: xxx 213/1 "Modern" American music - Part II, 1950, 1953 213/2 Modern Americans: Sessions; Cowell, n.d. See also: Writings by AC, Lectures & Speeches: Music: Pro & Con I - Sessions BOX: xxx Modern Japanese music See: Writings by AC, Lectures & Speeches: Japan's composers BOX: xxx 213/3 Modern piano music, 1938 18-LV 213/4 Modern piano repertoire and its interpretation, n.d. 213/5 Movie music, n.d. 213/6 Music - A composer's view (of music), 1967, 1971 22-LG 213/7 Music: Pro & Con I - Sessions, 1950 See also: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell BOX: xxx 3-LV 213/8 Music: Pro & Con II - Olivier Messiaen, 1950 4-LV Music and imagination See: Writings by AC, Books:Music and imagination BOX: xxx 213/9 Music and the other arts in contemporary America, 1955 213/10 Music for a modern world, 1949 2-LG 213/11 Music in contemporary life, 1957 11-LG 213/12 Music in the American scene I: New Phases: Cross-section, 1944 See also: Writings by AC, Lectures & Speeches: Jazz and folk influences BOX: xxx See also: Writings by AC, Lectures & Speeches: Music of the Americas BOX: xxx See also: Writings by AC, Lectures & Speeches: Music in the films BOX: xxx See also: Writings by AC, Lectures & Speeches: The problem of style-Shostokovitch vs. Schoenberg BOX: xxx 213/13 Music in the films, n.d. 8-LV 213/14 Music in the movies, n.d. See also: Writings by AC, Lectures & Speeches: Film music BOX: xxx See also: Writings by AC, Lectures & Speeches: Film music: Civitas Club BOX: xxx See also: Writings by AC, Lectures & Speeches: Film talk BOX: xxx See also: Writings by AC, Lectures & Speeches: Writing for films BOX: xxx See also: Writings by AC, Articles: Music and the movies BOX: xxx 213/15 Music in the theatre, n.d. Music of Argentina [IV] See: Writings by AC, Lectures & Speeches: Latin American music BOX: xxx 213/16 Music of the Americas, 1958 See also: Writings by AC, Lectures & Speeches: Latin American music BOX: xxx 213/17 Music of today, 1935-1936 [13?] 213/18 Music of today, 1936 213/19 Music of the 20s, 1942, 1963 230/12 Music of the 20s, 1942 213/20 Music of the 20s, 1960 213/21-22 Music of the 20s (Harvard lectures), 1952, 1954, 1959, 1960, 1962 See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxx 19-LV 213/23 Musica americana: Part I; La nuova generazione di compositori americani: Part II, 1951 La música contemporanea negli Stati Uniti See: Writings by AC, Lectures & Speeches: The contemporary music in the United States, n.d. BOX: xxx 213/24 [La música de las americas], n.d. See also: Writings by AC, Articles: Composer's report on music in South America BOX: xxx See also: Writings by AC, Articles: South American journey BOX: xxx 213/25 La música en las peliculas, n.d. La música norte americana y la escena norte americana See: Writings by AC, Lectures & Speeches: Panorama of American composers BOX: xxx La musique contemporaine aux États Unis See: Writings by AC, Lectures & Speeches: The contemporary music in the United States BOX: xxx N[adia] B[oulanger] as teacher See: Writings by AC, Lectures & Speeches: Intro[duction] of N[adia] Boulanger as teacher BOX: xxx 213/26 Nationalism in Amer[ican] music, n.d. 213/27 Nationalist trends in contemporary music, 1961 29-LV New music from Latin America See: Writings by AC, Lectures & Speeches: Latin American music BOX: xxx 213/28 New music in the Americas, n.d. New music seminar [II], Brazilian music See: Writings by AC, Lectures & Speeches: Latin American music BOX: xxx New phases: Cross-section, 1944 See: Writings by AC, Lectures & Speeches: Music in the American scene I BOX: xxx 213/29 New trends in cont[emporary] music, 1964 See also: Writings by AC, Lectures & Speeches: The aesthetic climate of today BOX: xxx 34-LV 213/30 New trends in contemporary music, 1965 34 North and South American composers See: Writings by AC, Lectures & Speeches: Latin American music BOX: xxx 213/31 Notes on G. W. Chadwick, n.d. Notes onTender land See: Writings by AC, Lectures & Speeches: The operatic problem BOX: xxx La nueva generación de compositores See: Writings by AC, Lectures & Speeches: Panorama of American composers BOX: xxx La nuova generazione di compositori americani See: Writings by AC, Lectures & Speeches: Musica americana: Part I BOX: xxx 214/1 <emph render="italic">Oedipus Rex</emph>, 1957 28-LV 214/2 On American music, [?], 1978 214/3 On conducting Amer[ican] music; The interpreter from the composer's viewpoint, 1964 21-LG 214/4 On my music, 1946, n.d. 5-LG 214/5 Opera symposium, 1953 214/6 The operatic problem, 1954, n.d. 8-LG 214/7-8 Panorama of American composers (in English and Spanish), 1947 Los placéres de la música See: Writings by AC, Lectures & Speeches: The pleasures of music BOX: xxx 214/9-10 The pleasures of music, 1959 See also: Writings by AC, Lectures & Speeches: Contemporary trends in music today BOX: xxx See also: Writings by AC, Articles: The pleasures of music BOX: xxx 214/11 Preoccupations of young composers, 1955 7-LG 214/12 Presentation of gold medal for music to Elliott Carter, 1971 214/13 Presentation of gold medal for music to Virgil Thomson, 1966 214/14 Presentation of MacDowell Medal to Robert Frost, 1962 214/15 The problem of style -- Schoenberg vs. Shostakovitch, 1944 13-LV 214/16 Recent Amer[ican] music: Comparison with Europe, 1956 27-LV 214/17 Recent European (piano) music, 1959 30-LV Reis, Claire See: Writings by AC, Lectures & Speeches: Claire Reis BOX: xxx See: Writings by AC, Articles: Claire Reis BOX: xxx See: Writings by AC, Articles: Claire Raphael Reis BOX: xxx 214/18 Remarks in Japan conference, 1967 214/19 Role of the creative artist in education, 1949 3-LG 214/20 The role of culture in the U. S., 1947 4-LG 214/21 Role of university in the arts (Arts in the university), n.d. Rubin Goldmark: A tribute See: Writings by AC, Articles: Rubin Goldmark: A tribute BOX: xxx 214/22 Schools and the arts, n.d. Schuman, William See: Writings by AC, Lectures & Speeches: William Schuman BOX: xxx 214/23 Search for an "American" music, 1960 See also: Writings by AC, Articles: Making music in the star-spangled manner BOX: xxx 214/24 Seminar in contemporary music, 1957 1 214/25 Serge Koussevitsky [sic] - the 100th anniversary, 1974 214/26 [Serious music], 1972 Sessions, Roger See: Writings by AC, Lectures & Speeches: Music: Pro & Con I - Sessions BOX: xxx See: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell BOX: xxx 214/27 The sonata - '39-41, n.d. 214/28 Des souris et des hommes, 1958 214/29 Speech on recent 'Trends' at Pulitzer Prize dinner, 1966 214/30 Speech to Academía Brasileira de Música, 1947 214/31 Stadium concert, Aug. 16, 1939 214/32 Stadium concert - Intermission talk, 1939, July 5 214/33 Stockhausen lecture, 1963 See also: Writings by AC, Radio, United States: WBAI: Stockhausen'sMomente BOX: xxx 214/34 Stravinsky, 1937 1-LV 214/35 [Style contrasts], 1941 214/36 Survey of contemporary music, 1934 214/37 Survey of contemporary music, 1940 214/38 Survey of contemporary music, n.d. See also: Writings by AC, Lectures & Speeches: Music in contemporary life BOX: xxx 14-LV 214/39 Survey of contemporary music, n.d. 214/40 Symphonic masterpieces, 1938-1939 215/1 Talk - <emph render="italic">Music magazine</emph>, n.d. 215/2 [Talk at New York University], 1970 26-LG 215/3 Talk for the BBC, 1945 See also: Writings by AC, Lectures & Speeches: London speech BOX: xxx 215/4 Talk on Leonard Bernstein, 1968 See also: Writings by AC, Lectures & Speeches: L. B. [Leonard Bernstein] BOX: xxx 215/5 Talk to university and college concert managers, 1967 215/6 [Tanglewood], 1958 215/7 [Tanglewood - A musical place], n.d. 215/8 Technical steps in sound recording, n.d. Tender landtalk (and the operatic problem) See: Writings by AC, Lectures & Speeches: The operatic problem BOX: xxx 215/9 Thirties in North America: America enters the arena of musical nations, n.d. 215/10 To band leaders [at convention], 1958 12-LG To concentrate on 3 countries - Brazil, Argentina, Mexico See: Writings by AC, Lectures & Speeches: Latin American music BOX: xxx 215/11 An uncertain glimpse into the musical future, 1972 215/12 Understanding contemporary music, 1950, 1957 20-LV 215/13 Unidentified: Miscellany 215/14 Variation form in contemporary music, 1955 215/15 Variation forms - Classical forms in cont[emporary] music, 1952 24-LV 215/16 What to listen for in music, Series I, n.d. 215/17 What to listen for in music, Series II, n.d. 215/18 William Schuman, 1971 27-LG 215/19 Words and music, 1962 20-LG 215/20 Writers and music, n.d. 215/21 Writing for films, n.d. See also: Writings by AC, Lectures & Speeches: Film music BOX: xxx 215/22 The younger generation of American composers, n.d. 215/23 Youngest generation of American composers, 1961 216-217 230/13-14 Radio Argentina 216/1 Radio Argentina, n.d. 216/2 Radio del Estado, 1947 216/3 Radio El Mundo, 1947 See also: Writings by AC, Radio, Uruguay: Radio El Espectador BOX: xxx 216/4 Radio Libertad, 1947 216/5 Radio Splendid, 1947 Nov. 6 216/6 Radio Splendid: La semana musical, 1947 Nov. 12 Australia The uncomplicated air of Aaron Copland, 1975 See: Writings by Others, About AC, Interviews: Plush, Vincent.The uncomplicated air of Aaron Copland BOX: xxx Brazil 216/7 Marc Blitzstein: The airborne symphony, n.d. 216/8 Hora do Brazil, Nov. 1941 Radio Clube de Pernambuco See: Writings by AC, Radio, Brazil: Radio Gazeta BOX: xxx Radio Espectador See: Writings by AC, Radio, Brazil: Radio Gazeta BOX: xxx 216/9 Radio Gazeta, n.d. 216/10 Radio Ministerio de Educação, 6 Oct. [?] 216/11 Radio Ministerio de Educação, 13 Oct. [?] 216/12 Radio Ministerio de Educação: Coletanea musical, 1947 Sept. 6 216/13 Radio Ministerio de Educação: Copland interview, 1947 Sept. 14 216/14 Radio Nacional: Comments by Copland, 1947 Sept. 12 216/15 Radio Nacional: Questionaire, 1947 Sept. 12 216/16 Radio Nacional: Samuel Barber, n.d. 216/17 Radio Nacional: Virgil Thomson, n.d. 216/18 Radio Roquete Pinto, 1947 Sept. 9 Radio Sociedade da Bahia See: Writings by AC, Radio, Brazil: Radio Gazeta BOX: xxx Canada 216/19 CBC: The American musical scene, 1950 See also: Writings by AC, Radio, Great Britain: BBC: The American musical scene BOX: xxx Chile 216/20 Radio La Americana: La audición "Nuevo mundo", 1941 Cuba 216/21 Radio Ministerio de Educación, n.d. 216/22 Radio Nacional, 16 Sept. [?] France 216/23 Answers to Bernard Govoty, 1955 216/24 Dupriez, Christian. La musique contemporaine aux États-Unis, 1946 216/25 La voix de l'amerique: L'amerique depuis 1939, 1946 Germany 230/13 Norddeutscher Rundfunk: Program, 1961 Great Britain 216/26 BBC: The American musical scene, 1949 See also: Writings by AC, Radio, Canada: CBC: The American musical scene BOX: xxx 216/27 BBC: Music to remember, 1962 216/28 BBC: Statement on Benjamin Britten, 1976 216/29 Benjamin Britten Obituary, 1976 Italy 216/30 Radio Rome, 1949 Switzerland 216/31 Radio Lausanne, n.d. United States 216/32 ABC: Music of today, Talk by Aaron Copland, n.d. 216/33 [American composers series], n.d. 216/34 American School of the Air: Music and the friendly arts, 1939 216/35 CBS: Columbia's Green Room, Copland and Graham, n.d. CBS: Man's right to knowledge See: Writings by AC, Articles: Music and the human spirit BOX: xxx 216/36 CBS: Modern masters series - Aaron Copland, pianist-composer, 1936 216/37 CBS: Music for a great city, 1966 216/38 CBS intermission, 1939 216/39 Interview with [Edwin] Seaver, 1942 216/40 Modern music and audience, (1939?) 216/41 WABC: Howard Barlow series, 1940 216/42 WBAI: Stockhausen's Momente, 1962-1963 See also: Writings by AC, Lectures & Speeches: Stockhausen lecture BOX: xxx 216/43 WGBH: Our American music, Series IV, 1959-1960 216/44-48 217/1-6 WNCN: Aaron Copland comments, 1968-1971 See also: Writings by AC, Radio, United States: WQXR: [Music for the theatre] BOX: xxx See also: Writings by AC, Articles: Some notes on my "Music for the theatre" BOX: xxx

Folders:

216/44 Contract 216/45 Correspondence, 1968-1971 216/46 Lists: Series I-III 216/47 Notes; Miscellany 216/48 Promotional material 217/1-6 Series I-III: Programs 1-52; 217/1-3 Draft; 217/4-6 Typescript 230/14 WNCN: Aaron Copland comments, 1968-1971

Promotional material

 217/7 WNYC: Questions, 1949 217/8 WQXR: Interview with Edwin Seaver, 1939 217/9 WQXR: Memorial to Paul Rosenfeld, 1946 217/10 WQXR: [Music for the theatre], 1942 See also: Writings by AC, Radio, United States: WNCN: Aaron Copland comments, Series I-III, Program 2, Typescript BOX: xxx 217/11 WQXR: [New trends in music], 1939 217/12 WQXR: RCA Victor Record Showcase, Interview with Aaron Copland, n.d. 217/13 WQXR: Russian war relief program, 1942 217/14 WQXR: Testimonial dinner to Dr. Koussevitzky, 1944 Uruguay 217/15 Radio Ariel, Montevideo, 1947: Interview with Maestro Aaron Copland, 1947 217/16 Radio El Espectador, 1947 See also: Writings by AC, Radio, Argentina: Radio El Mundo BOX: xxx Venezuela Venezuela See: Writings by AC, Radio, Cuba: Radio Ministerio de Educación BOX: xxx Miscellany 217/17 [Appalachian spring], n.d. 217/18 [Paul Bowles; Roy Harris; Aaron Copland], n.d. 218 C-Drw 2/2 Television Canada 218/1 CBC: The music of man: Program five "The power of invention", 1977-1978 Great Britain 218/2 BBC: Copland on Copland, 1965 218/3 BBC: Miscellany: Clippings, 1964-1980 United States 218/4-5 CBS: New York Philharmonic Young People's Concerts #1: "Music for the movie", 1969

Folders:

218/4 Miscellany 218/5 Scripts 218/6 Correspondence, miscellaneous, 1957-1981 218/7-12 WGBH: Aaron Copland: Music in the 20s, 1965

Folders:

218/7 Correspondence, 1962-1967 218/8 Lists: Music illustrations 218/9 Miscellany: Clippings; Poster (photocopy); Program guide 218/10 Schedules 218/11-12 Typescripts, Programs 1-12 218/13 WNBC: Speaking freely, 1969 218/14 WNET: The American composer, Program #1: Aaron Copland, n.d. 218/15 WNET: Bill Moyer's journal "Aaron Copland", 1976 218/16 WNET: Music in America: Copland conducts Copland, 1975 218/17 WNEV: Copland profile, 1984-1985 218/18 WQED: A Copland celebration!, 1980

Miscellany

 C-Drw 2/2 WQED: A Copland celebration!, 1980

Promotional material

 219-232 25/39 212/29 Writings by Others, 1925-1988

Writings by Others extends to material written about Aaron Copland and material written about other composers, musicians, and critics or other subjects. The articles reflect the views and opinions of a wide range of notable people. The interviews almost span his entire life from 1928 to 1988 and comprise dialogues with substantive and substantial quotes by Copland. This series is divided into About Aaron Copland, Articles, Booklets, Interviews, Libretti, Poetry and Scripts. Includes manuscripts, typescripts, unpublished and published printed material and microfilm. Arranged alphabetically by author in each category, then by title.

Arranged by author, title or chronologically.

 219-232 25/39 212/29 About Aaron Copland 219-231 212/29 Articles By Title 219/1 <emph render="italic">Aaron Copland</emph>, 1961 219/2 [<emph render="italic">Aaron Copland</emph>](in Persian), 1961 219/3 <emph render="italic">Aaron Copland</emph>, n.d. 230/16 <emph render="italic">Aaron Copland</emph>, n.d. 219/4 <emph render="italic">Aaron Copland: His flavor is personal, American</emph>, 1966-1977 219/5 <emph render="italic">Aaron Copland at 50</emph>, 1950 219/6 <emph render="italic">Aaron Copland on jazz</emph>, n.d. 219/7 <emph render="italic">Aaron Copland 75th anniversary: Dean of American composers</emph>, 1976 219/8 <emph render="italic">About Aaron Copland</emph>, n.d. 219/9 <emph render="italic">All' U. S. I. S. Aaron Copland</emph>, 1951 219/10 <emph render="italic">America gradually learns importance of artists, Copland notes</emph>, 1967 230/17 <emph render="italic">Amerikanische Komponisten: Aaron Copland</emph>, 1947 219/11 <emph render="italic">The arts at Northwestern</emph>, 1958 An award for Copland See: Writings by AC, Articles: Composers in Russia BOX: xxx 219/12 <emph render="italic">Bernstein tells of first time with Copland</emph>, n.d. 219/13 <emph render="italic">Boys High School Alumni Association: West coast chapter</emph>, 1980, 1983 219/14 <emph render="italic">Composers-in-residence</emph>, 1975 219/15 <emph render="italic">Concert, reception honor Aaron Copland on his birthday</emph>, 1981 219/16 <emph render="italic">Conferenza all'USIA: Parole e musica di Aaron Copland</emph>, 1951 219/17 <emph render="italic">Copland at 70</emph>, 1970-1971 230/18 <emph render="italic">Copland comes to town</emph>, 1977 219/18 <emph render="italic">Copland views movies as strong challenge to modern composers</emph>, 1948 Copland's "Hear Ye, Hear Ye!" and an Ibert ballet See: Writings by AC, Articles: Scherchen on conducting and Ewen on composers BOX: xxx 219/19 <emph render="italic">Copland's soundtrack</emph>, 1961 219/20 <emph render="italic">Dance Magazine awards 1979: Erick Hawkins; Aaron Copland; Jorge Donn</emph>, 1979 219/21 <emph render="italic">Una entrevista con Copland</emph>, 1932 219/22 <emph render="italic">Exchange of persons: Aaron Copland completes tour</emph>, 1948 230/19 <emph render="italic">Fontainebleau Alumni Bulletin: Music alumni news, Aaron Copland, comp '21</emph>, 1952-1954, 1961 219/23 <emph render="italic">For Aaron Copland at 80</emph>, 1980 219/24 <emph render="italic">For the people</emph>, 1939 219/25 <emph render="italic">Great guys in their day</emph>, n.d. 219/26 <emph render="italic">Great men of music</emph>, n.d. 230/20 <emph render="italic">Jazz as folk-music</emph>, 1925 230/21 <emph render="italic">The music man: Harmony in a new found land</emph>, 1959 219/27 <emph render="italic">New York state award 1975: New York Council on the Arts</emph>, 1975 219/28 <emph render="italic">The premiere of a noted composer's piece for youngsters: "Down a country lane"</emph>, 1962 212/29 <emph render="italic">Un "Retrato Musical" de Martí?...</emph>, 1953 219/30 <emph render="italic">The rise of the American composer</emph>, n.d. 219/31 <emph render="italic">S. A. musicians getting to consider New York as hub of music world</emph>, n.d. 219/32 <emph render="italic">The second hurricane</emph>, n.d. 219/33 <emph render="italic">The simple gift of genius: The music of Aaron Copland on record</emph>, 1981 219/34 <emph render="italic">The spectacular 80s</emph>, 1983-1984 219/35 <emph render="italic">Thank you, Aaron Copland</emph>, 1965 230/22 <emph render="italic">U. S. composers in a bright era</emph>, n.d. 219/36 <emph render="italic">A visit to Peekskill</emph>, n.d. 219/37 <emph render="italic">Young boro musician wins fellowship honor</emph>, 1925 By Author A. H. M. 231/7 <emph render="italic">The serried past, the full present of Aaron Copland</emph>, 1925 Affelder, Paul 219/38 <emph render="italic">The artists who create the nation's best serious music</emph>, 1963 Antheil, George 219/39 <emph render="italic">American music must grow up</emph>, 1949 Asbell, Bernard 219/40 <emph render="italic">Hear, hear new music, U.S.A.</emph>, 1961 Avery, Stanley 230/23 <emph render="italic">When we were 21</emph>, 1951 Bauer, Marion 219/41 <emph render="italic">Aaron Copland: A significant personality in American music</emph>, 1939 Beals, Kathie 219/42 <emph render="italic">Copland the living classic</emph>, 1985 Behrend, Jeanne 219/43 <emph render="italic">Preludio a cinco programas: Estudio sobre el panamericanismo musical</emph>, 1946 Berger, Arthur V. 219/44 <emph render="italic">An Aaron Copland discography</emph>, 1955 219/45 <emph render="italic">American composers: Aaron Copland, Roy Harris, Walter Piston</emph>, 1943 219/46 <emph render="italic">The home-grown Copland</emph>, 1950 219/47 <emph render="italic">The "Third Symphony" of Aaron Copland</emph>, 1948 219/48 <emph render="italic">Stravinsky and the younger American composers</emph>, 1955 Bernstein, Leonard 219/49 <emph render="italic">Aaron and Moses</emph>, 1975 See also: Writings by Others, About AC, Articles: Composers-in-residence BOX: xxx 230/24 <emph render="italic">Aaron Copland: Composer; Conductor</emph>, 1969-1970 219/50 <emph render="italic">Aaron Copland: An intimate sketch</emph>, 1970 Blitzstein, Marc 219/51 <emph render="italic">Four American composers</emph>, n.d. Boelzner, Gordon [Titles by Gordon Boelzner] See: Writings by Others, About AC, Articles: Edmunds, John BOX: xxx Bohm, Jerome D. 219/52 <emph render="italic">American composers and their critics</emph>, 1932 Bonvicini, Renzo 230/25 <emph render="italic">Ragazzi romani</emph>, 1953 Boulanger, Nadia 219/53 <emph render="italic">Tribute to Aaron Copland</emph>, 1975 Boys, Henry 219/54 <emph render="italic">Aaron Copland and his "Piano Variations"</emph>, 1933 219/55 <emph render="italic">The Amsterdam festival</emph>, 1933 Burke, Kenneth 219/56 <emph render="italic">Music: A bright evening, with musicians</emph>, 1936 Cai, Dorothy Liang-Yu 219/57 <emph render="italic">Visiting Copland</emph>, 1983 Canby, Edward Tatnall 219/58 <emph render="italic">A note on the work of Aaron Copland</emph>, n.d. Carter, Elliott The rhythmic basis of American music, 1955 See: Writings by Others, About AC, Articles: Berger, Arthur V.Stravinsky and the younger American composers BOX: xxx Chase, Mary Coyle 219/59 <emph render="italic">Sketches of those just added to roll of Pulitzer Prize winners</emph>, 1945 Chávez, Carlos 219/60 <emph render="italic">Ives y Copland</emph>, n.d. Christophe, Jean 219/61 <emph render="italic">La musique moderne: Un américain à Paris</emph>, 1971 Citkowitz, Israel 219/62 <emph render="italic">Aaron Copland - Personal note</emph>, 1953 219/63 <emph render="italic">Compositores de johe: Aaron Copland</emph>, 1948 Clement, Thom 219/64 <emph render="italic">Composer Elmer Bernstein: Scoring fantasy films</emph>, 1986 Clurman, Harold 220/1 <emph render="italic">Aaron Copland</emph> by Arthur Berger [Book review], 1953 See also: Writings by Others, Books: Berger, Arthur. Aaron Copland BOX: xxx 220/2 <emph render="italic">My friend Aaron</emph>, 1975 See also: Writings by Others, About AC, Articles: Boulanger, Nadia. Tribute to Aaron Copland BOX: xxx 220/3 <emph render="italic">Nightlife and daylight</emph>, 1947 Cogan, Alice 230/26 <emph render="italic">Musical genius like a prophet</emph>, n.d. Colapinto, Frank 220/4 <emph render="italic">Copland</emph>, 1945 Cole, Hugo 220/5 <emph render="italic">Myth of the all-American composer</emph>, 1980 220/5 <emph render="italic">Popular elements in Copland's music</emph>, 1970-1971 See also: Writings by Others, About AC, Articles: Copland at 70 BOX: xxx Commanday, Robert 230/27 <emph render="italic">At home with Aaron Copland</emph>, 1970 Conly, John M. 220/6 <emph render="italic">Aaron Copland looks ahead</emph>, 1965 Cooper, Martin 220/7 <emph render="italic">Extract from "Music Magazine"</emph>, 1953 Craft, Robert 220/8 <emph render="italic">Stravinsky: Chronicle of a friendship 1848-1971</emph>, 1970 Deutsch, Didier 220/9 <emph render="italic">Aaron Copland</emph>, 1961 Diamond, David 220/10 <emph render="italic">The composer and film music</emph>, 1941 Diana, Marta 220/11 <emph render="italic">Un coloquio en el Teatro Colon con Aaron Copland</emph>, n.d. Dickinson, Peter 220/12 <emph render="italic">Aaron Copland at eighty-five</emph>, 1985 220/13 <emph render="italic">Copland at 75</emph>, 1975 Dommett, Kenneth 220/14 <emph render="italic">Aaron Copland - An appreciation</emph>, 1980 Dorfman, Roger 230/28 <emph render="italic">Rise of a composer</emph>, 1942 Downes, Olin 220/15 <emph render="italic">Copland at 50</emph>, 1950 Drago, Erensto C. 230/29 <emph render="italic">Copland, el músico que pudo ser un asessino</emph>, n.d. Dyer, Richard 230/30 <emph render="italic">The neighborly composer</emph>, 1975 Edmunds, John and Boelzner, Gordon 220/16 <emph render="italic">Some twentieth century American composers. A selective bibliography, Part I and II</emph>, 1957-1959 Evans, Peter 220/17 <emph render="italic">Copland's middle way</emph>, 1960 220/18 <emph render="italic">First performances: Copland's "Connotations"</emph>, 1963 220/19 <emph render="italic">The thematic technique of Copland's recent works</emph>, 1959 Eyer, Ronald F. 230/31 <emph render="italic">Meet the composer: Aaron Copland</emph>, 1943 Fields, Sidney 220/20 <emph render="italic">Notes on a top composer</emph>, 1970 Fierz, Gerold 220/21 <emph render="italic">Aaron Copland</emph>, 1956 Figueiredo, Guilherme 220/22 <emph render="italic">Ora, Sr. Copland</emph>, 1948 Fine, Irving 220/23 <emph render="italic">Twentieth-century music</emph>, 1947 Finkelstein, Sidney 220/24 <emph render="italic">The music of Aaron Copland, Part I and Part II</emph>, 1951 220/25 <emph render="italic">Notes on Aaron Copland</emph>, 1948 Flanagan, William 220/26 <emph render="italic">The great American composers: Aaron Copland</emph>, 1966 Ford, Christopher 220/26 <emph render="italic">Two views of Aaron Copland</emph>, n.d. Freed, Richard 220/27 <emph render="italic">America's spirit in music: Aaron Copland</emph>, 1966 220/28 <emph render="italic">Birthday greetings to -- and from -- Aaron Copland</emph>, n.d. Frymire, Jack 220/29 <emph render="italic">Copland 68</emph>, 1968 Fuller, Donald 230/32 <emph render="italic">A symphonist goes to folk sources</emph>, 1948 G. A. T. 231/20 <emph render="italic">Da Trieste</emph>, n.d. Garrido, Pablo 220/30 <emph render="italic">Aaron Copland embajador músical de Norte-America</emph>, n.d. Garvie, Peter 220/31 <emph render="italic">Aaron Copland</emph> (English and Spanish), 1962-1963 Gelles, George 230/33 <emph render="italic">Don't forget about Copland's writing</emph>, 1976 Gill, Dominic 220/32 <emph render="italic">Copland</emph>, 1969 Goldberg, Albert 220/33 <emph render="italic">Copland film scores and critics</emph>, 1948 Goldberg, Isaac 230/34 <emph render="italic">Aaron Copland</emph>, 1929 220/34 <emph render="italic">Aaron Copland and his jazz</emph>, 1927 Goldman, Richard Franko 220/35 <emph render="italic">The Copland festival</emph>, 1960 Goléa, Antoine 220/36 <emph render="italic">Une musique savante</emph>, 1962 Goodwin, Noel 220/37 <emph render="italic">The quiet American</emph>, 1963 Guernsey, Otis L., Jr. 230/35 <emph render="italic">Function of the movie musical score</emph>, 1949 Hadjinikos, George 220/39 <emph render="italic">Versuch einer Analyse der Copland-Sonate</emph>, n.d. Hall, Roger L. 220/40 <emph render="italic">The story of 'Simple gifts': Shaker simplicity in song</emph>, 1987 Hamilton, David 220/41 <emph render="italic">Aaron Copland: A discography of the composer's performances</emph>, 1970 An Aaron Copland photo album, 1970 See: Writings by Others, About AC, Articles: Bernstein, Leonard. Aaron Copland: An intimate sketch BOX: xxx The recordings of Copland's music See: Writings by Others, About AC, Articles: Bernstein, Leonard. Aaron Copland: An intimate sketch BOX: xxx Hanson, Howard 221/1 <emph render="italic">Flowering of American music</emph>, 1949 Heinsheimer, H. W. 221/2 <emph render="italic">Aaron Copland: The making of an American composer</emph>, 1947 230/36 <emph render="italic">Aaron Copland: The making of an American composer</emph>, 1948 221/3 <emph render="italic">What price music?</emph>, 1947 Henahan, Donal 230/37 <emph render="italic">This Aaron is a musical Moses</emph>, 1975 Henderson, Robert 230/38 <emph render="italic">Copland's mark on America</emph>, 1980 Hershowitz, Alan 221/4 <emph render="italic">Copland: The music</emph>, 1980 Heylbut, Rose 230/39 <emph render="italic">America goes to the ballet</emph>, 1948 Hightower, Marvin 221/5 <emph render="italic">A retrospective for Aaron Copland, composer</emph>, 1978 Hohenlohe, Manfred 221/6 <emph render="italic">Das Buch von Aaron Copland: Unsere neue Musik</emph> [Book review], 1949 Holloway, Robin 221/7 <emph render="italic">Copland: Volume I, 1900-1942</emph> [Book review], 1985 Johnson, Harriett 230/40 <emph render="italic">Aaron Copland: Dean of American composers</emph>, 1976 Kay, Norman Aspects of Copland's development, 1970-1971 See: Writings by Others, About AC, Articles: Copland at 70 BOX: xxx 221/8 <emph render="italic">Copland: All-American composer</emph>, 1965 Keener, Andrew 221/9 <emph render="italic">Aaron Copland</emph>, 1981 Keens, William 221/10 <emph render="italic">Part of it all: A profile of Aaron Copland</emph>, 1982 Kerman, Joseph 221/11 <emph render="italic">American music: The Columbia series (II)</emph>, 1961 Kirkpatrick, John, Jr. 221/12 <emph render="italic">On Copland's music</emph>, 1928 Klein, Howard 231/1 <emph render="italic">Composers can be their own best conductors</emph>, 1966 231/2 <emph render="italic">A concert of conductors</emph>, 1964 Kolodin, Irving 221/13 <emph render="italic">Celebrating Aaron Copland</emph>, 1980 231/3 <emph render="italic">First fifty years hardest?</emph>, 1949 221/14 <emph render="italic">Music to my ears: Copland at the bowl, Samuel at Cabrillo</emph>, 1967 Koussevitzky, Olga A wise and trusted friend See: Writings by Others, About AC, Articles: Boulanger, Nadia. Tribute to Aaron Copland BOX: xxx Kriegsman, Alan M. 221/15 <emph render="italic">As American as a ten-gallon hat</emph>, 1974 Kubly, Herbert 231/4 <emph render="italic">America's no. 1 composer</emph>, 1948 Kyle, Marguerite Kelly 221/16 <emph render="italic">AmerAllegro</emph>, 1950 Lederman, Minna 231/5 <emph render="italic">Some American composers</emph>, 1947 Lerner, Bennett 221/17 <emph render="italic">Stalking American music</emph>, 1985 Lien, Connie 231/6 <emph render="italic">Going strong at 80</emph>, 1981 McLellan, Joseph 221/18 <emph render="italic">Classic Copland</emph>, 1983 Malloch, William 221/19 <emph render="italic">Copland's triumph</emph>, 1988 Masselos, William 221/20 <emph render="italic">The composer's workhorse</emph>, 1984 Matthews, David Copland and Stravinsky, 1970-1971 See: Writings by Others, About AC, Articles: Copland at 70 BOX: xxx Mattos, Edward 221/21 <emph render="italic">Aaron Copland</emph>, n.d. Mellers, Wilfred 221/22 <emph render="italic">Aaron Copland and the American idiom</emph>, 1948 Hommage to Aaron Copland, 1970-1971 See: Writings by Others, About AC, Articles: Copland at 70 BOX: xxx 221/23 <emph render="italic">Language and function in American music</emph>, 1942 Milhaud, Darius 231/8 <emph render="italic">Musique des U. S. A.</emph>, 1947 Moor, Paul 221/24 <emph render="italic">Aaron Copland</emph>, 1951 221/25 <emph render="italic">In search of a native muse</emph>, 1949 Morrill, Charles 231/9 <emph render="italic">An afternoon with Aaron Copland</emph>, 1981 Morton, Lawrence 221/26 <emph render="italic">Music notes</emph>, 1943 Nelson, Boris 221/27 <emph render="italic">Aaron Copland</emph>, 1970 Nichols, Lewis 231/10 <emph render="italic">Talk with Aaron Copland</emph>, 1952 Northcott, Bayan 221/28 <emph render="italic">Composers of the sixties</emph>, 1970 221/29 <emph render="italic">Copland in England</emph>, n.d. 221/30 <emph render="italic">Notes on Copland</emph>, 1980 O'Brien, Frances Aaron Copland, a portrait See: Writings by AC, Articles: Stravinsky and Hindemith premieres BOX: xxx Oja, Carol J. 221/31 <emph render="italic">The Copland-Sessions Concerts and their reception in the contemporary press</emph>, 1979 221/32 <emph render="italic">Cos Cob Press and the American composer</emph>, 1988 Oppens, Kurt A note on Aaron Copland, 1975 See: Writings by Others, About AC, Articles: Composers-in-residence BOX: xxx Orga, Ateş (editor) The composer speaks: Quotes from the composer See: Writings by Others, About AC, Articles: Dommett, Kenneth: Aaron Copland - An appreciation BOX: xxx Orrego-Salas, Juan 221/33 <emph render="italic">Aaron Copland: A New York composer</emph>, 1948, 1952 221/34 <emph render="italic">Aarón Copland: Un músico de New York</emph>, n.d. P. C. H. 220/38 <emph render="italic">Aaron Copland</emph>, n.d. Paddack, John Christopher 222/1 <emph render="italic">Aaron Copland</emph> (English and Spanish), 1964 Pasles, Chris 222/2 <emph render="italic">Aaron Copland: A reminder that music is a living art</emph>, 1978 Payne, Ifan 222/3 <emph render="italic">Copland on film: Indeed, the best does go on</emph>, n.d. Perlis, Vivian 222/4 <emph render="italic">Aaron Copland and the piano</emph>, 1990 Boulanger -- 20th-century music was born in her classroom See: Writings by AC, Articles: Copland salutes Boulanger BOX: xxx Perlis, Vivian and Aaron Copland 231/11 <emph render="italic">Copland and the BSO: A lasting friendship</emph>, 1981 Pettis, Ashley 231/12 <emph render="italic">Marching with a song</emph>, 1934 Plaistow, Stephen Some notes on Copland's "Nonet" See: Writings by Others, About AC, Articles: Evans, Peter. First performances: Copland's "Connotations" BOX: xxx Portela, Francisco V. 231/13 <emph render="italic">Copland, arquitecto de la música</emph>, n.d. Pottersman, Edna 231/14 <emph render="italic">Copland conducts Copland</emph>, 1972 R. A. S. 222/15 [<emph render="italic">America's young men of promise</emph>], n.d. 222/16 <emph render="italic">Musical events</emph>, 1932 Ramey, Phillip 222/5 <emph render="italic">Aaron Copland: Genial patriarch of American music</emph>, 1985 Aaron Copland at eighty: A candid talk with the composer about himself, American music and its makers, 1980 See: Writings by Others, About AC, Articles: Dommett, Kenneth: Aaron Copland -An appreciation BOX: xxx Redlich, H. F. 222/6 <emph render="italic">Music from the American continent</emph>, 1958 Reed, Philip 222/7 <emph render="italic">Copland and Britten: A composing friendship</emph>, 1990 Reti, Rudolph 222/8 <emph render="italic">Copland's "Third Symphony" termed a milestone</emph>, 1948 Roddy, Joseph 222/9 <emph render="italic">At 75, Aaron Copland is the first composer to live nicely off his notes</emph>, 1975 222/10 <emph render="italic">The case of Aaron Copland</emph>, 1976 Rosenfeld, Paul 222/11 <emph render="italic">Aaron Copland's growth</emph>, 1931 222/12 <emph render="italic">The advance of American music</emph>, 1939 222/13 <emph render="italic">Musical chronicle</emph>, 1925 Roy, Klaus George 222/14 <emph render="italic">A composer grows in Brooklyn</emph>, 1952 Salzman, Eric 222/17 <emph render="italic">Aaron Copland: The American composer is eighty</emph>, 1981 231/15 <emph render="italic">Disks: Copland</emph>, 1961 Sargeant, Winthrop 222/18 <emph render="italic">The case of Aaron Copland</emph>, 1946 Sasportes, José Estevão 222/19 <emph render="italic">Aaron Copland e a dança na América</emph>, 1961 Schonberg, Harold C. Aaron Copland See: Writings by Others, About AC, Articles: Dommett, Kenneth. Aaron Copland - An appreciation BOX: xxx 222/20 <emph render="italic">Copland symbolizes a period</emph>, 1971 Schuman, William 222/21 <emph render="italic">Aaron Copland</emph>, 1979 A 75th birthday tribute See: Writings by Others, About AC, Articles: Boulanger, Nadia. Tribute to Aaron Copland BOX: xxx Secunda, Sholom 222/22 <emph render="italic">Di groyse idishe compozitors Bloch un Copland</emph> (The great Jewish composers Bloch and Copland), 1950 Sessions, Roger 222/23 <emph render="italic">Reflections on the music life in the United States</emph>, 1956 Shapiro, Aaron 222/24 <emph render="italic">Aaron Copland wins Pulitzer Prize; Prominent as composer and author</emph>, 1945 Shostakovitch, Dmitri 222/25 <emph render="italic">Travel notes - No. 5</emph>, 1949 Slonimsky, Nicolas 222/26 <emph render="italic">"The Six" of American music</emph>, 1937 Smit, Leo 222/27 <emph render="italic">For and about Aaron on his 75th</emph>, 1975 Smith, Cecil Michener Copland's "Hear Ye, Hear Ye!" and an Ibert ballet See: Writings by AC, Articles: Scherchen on conducting and Ewen on composers [Book review] BOX: xxx 222/28 <emph render="italic">League of Composers program celebrates Copland birthday</emph>, 1950 Soria, Dorle J. Artist life, 1970 See: Writings by Others, About AC, Articles: Copland at 70 BOX: xxx Stahmer, Klaus 222/29 <emph render="italic">Aaron Copland: 75 Jahre</emph>, 1976 Stell, Loren 231/16 <emph render="italic">Aaron Copland and his influence</emph>, n.d. 231/17 <emph render="italic">Brooklyn to 'Billy the Kid'</emph>, 1980 Stemmer, Konrad 231/18 <emph render="italic">Die synchronisierte Zeitschrift</emph>, 1952 Stoddard, Hope 231/19 <emph render="italic">Aaron Copland on the composer's craft</emph>, 1949 Strode, Rosamund 222/30 <emph render="italic">Aaron Copland at Aldeburgh</emph>, n.d. Tākui, Hyūeru 222/31 <emph render="italic">Amerika no ongaku no soko o saguru</emph> (American music, a study in depth), 1960 222/32 <emph render="italic">Tsekai no mei shikishatachi</emph> (Aaron Copland - The gift of simplicity). Translated by Junji Miura, 1969 Taubman, Howard 231/21 <emph render="italic">The music of Aaron Copland</emph> (in Russian), n.d. 231/22 <emph render="italic">Scored for Americans: "Aaron Copland: His work and contribution to American music"</emph>, by Julia Smith [Book review], 1956 See also: Writings by Others, About AC, Books: Smith, Julia. Aaron Copland: His work and contribution to American music BOX: xxx 222/33 <emph render="italic">A week for youth</emph>, n.d. Temianka, Henri 222/34 <emph render="italic">On music</emph>, 1980 Thomson, Virgil Contemporary American composers, VII. Aaron Copland See: Writings by AC, Articles: Stravinsky and Hindemith premieres BOX: xxx 222/35 <emph render="italic">Copland as great man</emph>, 1946 231/23 <emph render="italic">The cult of jazz</emph>, 1925 Tircuit, Heuwell [Titles by Heuwell Tircuit] See: Writings by Others, About AC, Articles: Tākui, Hyūeru. Amerika no ongaku no soko o saguru BOX: xxx Trench, Kelly 222/36 <emph render="italic">Aaron Copland at 75</emph>, 1975 Tryon, Winthrop P. 231/24 <emph render="italic">Symphony forecast - New work by Aaron Copland for season's first concert</emph>, 1945 Vice 231/25 <emph render="italic">I concerti: Musica americana d'oggi nella conferenza di A. Copland</emph>, 1951 Walsh, Michael P.S., 1982 See: Writings by Others, About AC, Articles: Keens, William. Part of it all: A profile of Aaron Copland BOX: xxx Ward, Robert Aaron Copland: Four dance episodes from "Rodeo"[Music review] See: Writings by AC, Articles: Memorial to Paul Rosenfeld BOX: xxx Warfield, William Commentary See: Writings by AC, Lectures & Speeches: The composer as critic BOX: xxx Waterfall, Beth 231/26 <emph render="italic">Celebrating the master of American music: Aaron Copland</emph>, 1985 Waters, Edward N. 222/37 <emph render="italic">Harvest of the year: Selected acquisitions of the music division</emph>, 1967 Watson, Marcia 222/38 <emph render="italic">Copland to receive prize</emph>, 1970 Widener, William Harry 222/39 <emph render="italic">Sour blue notes sounded on alleged reds in music</emph>, n.d. Wimbush, Roger 222/40 <emph render="italic">Here and there with Roger Wimbush: Aaron Copland</emph>, 1964 See also: Writings by Others, About AC, Interviews: Wimbush, Roger.Here and there with Roger Wimbush: Aaron Copland BOX: xxx Winner, Percy 222/41 <emph render="italic">Jazz played out, American audiences inert, native composers agree</emph>, 1929 Young, Douglas The piano music, 1970-1971 See: Writings by Others, About AC, Articles: Copland at 70 BOX: xxx Zanetti, Emilia 222/42 <emph render="italic">Aaron Copland giudica il "jazzismo"</emph>, 1949 222/43-44 Books Berger, Arthur 222/43 <emph render="italic">Aaron Copland</emph> [Book reviews], 1953-1954 See also: Writings by Others, About AC, Articles: Clurman, Harold. Aaron Copland, by Arthur Berger [Book review] BOX: xxx Smith, Julia 222/44 <emph render="italic">Aaron Copland: His work and contribution to American music</emph> [Book reviews], 1956 See also: Writings by Others, About AC, Articles: Taubman, Howard. Scored for Americans: "Aaron Copland: His work and contribution to American music" BOX: xxx See also: Writings by Others, About AC, Dissertations: Smith, Julia Frances. Aaron Copland: His work and contribution to American music [Microfilm] BOX: xxx 223-224 Dissertations Bayliss et al. 223/1 <emph render="italic">Freshman research project - Aaron Copland</emph>, n.d. Butterworth, Neil 223/2 <emph render="italic">The music of Aaron Copland</emph>, n.d. Cochran, Alfred Williams 223/3 <emph render="italic">Style, structure, and tonal organization in the early film scores of Aaron Copland</emph>, 1966 Conte, David Joseph 223/4 <emph render="italic">Aaron Copland's "Piano Quartet" - An analysis</emph>, 1982 Didriksen, Helen 223/5 <emph render="italic">Strange company: Aaron Copland, Emily Dickinson, and America at mid-century</emph>, 1988 Eckstein, Herbert 223/6 <emph render="italic">Origin, nature and purpose of Aaron Copland's "Third Symphony"</emph>, 1976 Ehlers, Jeremy 223/7 <emph render="italic">A compositional study of works by Aaron Copland</emph>, 1979 Hilliard, Quincy Charles 224/1 <emph render="italic">A theoretical analysis of the symphonies of Aaron Copland</emph>, 1984 Horner, Mary Katherine Hall 224/2 <emph render="italic">The ballet suites of Aaron Copland</emph>, 1964 Kimball, Craig 224/3 <emph render="italic">On Copland: His music</emph>, 1962 Kozinn, Allan 224/4 <emph render="italic">Aaron Copland: An American composer and crusading personality</emph>, 1974-1975 Landau, Anne L. 224/5 <emph render="italic">The contribution of Jewish composers to the music of the modern world</emph>, 1946 Smith, Julia Frances 224/6 <emph render="italic">Aaron Copland: His work and contribution to American music</emph> [Microfilm], 1952 Spicknall, Joan Singer 224/7 <emph render="italic">The piano music of Aaron Copland: A performance-tape and study of his original works for piano solo</emph>, 1974 225-226 231-232 25/39 Interviews By Title 225/1 <emph render="italic">A. Copland koncertował w polsce</emph> (A. Copland had concerts in Poland), 1966

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 225/2 <emph render="italic">Aaron Copland</emph>, 1964 231/27 <emph render="italic">Aaron Copland</emph>, 1975 225/3 <emph render="italic">Aaron Copland in conversation with music in America</emph>, n.d. 225/4 <emph render="italic">Anketa: Aaron Copland</emph>, 1966

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 231/28 <emph render="italic">Classical or modern? Aaron Copland questions a common musical distinction</emph>, 1960 231/29 <emph render="italic">Composer Aaron Copeland [sic], 75, goes right on 'Doing his stuff'</emph>, 1976 Composer Copeland [sic] keeps moving towards 76 in '76, 1976 See: Writings by Others, About AC, Interviews:Composer Aaron Copeland [sic], 75, goes right on 'Doing his stuff' BOX: xxx 225/5 <emph render="italic">Copland and his music...</emph>, 1974 225/6 <emph render="italic">A leading composer looks at American music today</emph>, 1976 231/30 <emph render="italic">Listening to Aaron Copland</emph>, 1972 225/7 <emph render="italic">Noted American composer discusses his career</emph>, [1973?] By Author A. H. 232/3 <emph render="italic">Tage in Tanglewood: Unterhaltung mit Aaron Copland</emph>, 1949 See also: Writings by Others, About AC, Interviews: Hall, Roger L. BOX: xxx 232/3 <emph render="italic">'Simple gifts' tune was appealing to Aaron Copland</emph>, n.d. Amaral, Cis 225/8 <emph render="italic">Eighty years young: Aaron Copland talks with Cis Amaral</emph>, 1981 Anthony, Michael 231/31 <emph render="italic">Copland: Music for the many</emph>, 1973 Banner, Randy 231/32 <emph render="italic">Fanfare for the composer</emph>, 1981 Bedell, Thomas 231/33 <emph render="italic">The LI interview: Aaron Copland</emph>, 1980 Bessom, Malcolm E. 225/10 <emph render="italic">Conversation with Copland</emph>, 1973 Bestor, Arthur E. Is there a revolution in the arts? See: Writings by AC, Articles: Is there a revolution in the arts? BOX: xxx Black, Cobey 225/11 <emph render="italic">Eternal spring of Aaron Copland</emph>, 1974 Bookspan, Martin 225/12 <emph render="italic">Martin Bookspan introduction to Aaron Copland</emph>, 1980 Bredeman, Dan 231/34 <emph render="italic">Audience is first - Copland</emph>, 1974 Buchwald, Art 231/35 <emph render="italic">P.S. from Paris: We have music too</emph>, 1955 Burton, Humphrey 231/36 <emph render="italic">The art and life of Aaron Copland</emph>, 1965 Chase, Jeffrey K. 231/37 <emph render="italic">Internationalism: Copland notes present tastes</emph>, 1963 Clopton, Willard 225/13 <emph render="italic">Audiences need shock says Aaron Copland</emph>, 1967 Close, Roy M. 225/14 <emph render="italic">Aaron Copland recommends conducting for those over 70</emph>, 1976 Cohen, Bruce 231/38 <emph render="italic">Concordy interview - Aaron Copland</emph>, 1977 Cole, Hugo 225/15 <emph render="italic">The detached composer</emph>, 1964 Cone, Edward T. 225/16 <emph render="italic">Conversation with Aaron Copland</emph>, n.d. 225/16 <emph render="italic">Conversation with Aaron Copland</emph>, 1968 An interview with Aaron Copland on his life and music, 1968 See: Writings by Others, About AC, Interviews: Cone, Edward T. BOX: xxx Cox, Ainslee 225/17 <emph render="italic">Copland on the podium</emph>, 1971 Dower, Catherine 225/18 <emph render="italic">Aaron Copland: Giant on the contemporary music scene</emph>, 1970 Dreiblatt, Martha 225/19 <emph render="italic">Lack of tradition blocks musical progress here</emph>, n.d. Dufallo, Richard 225/20 <emph render="italic">Arts in America</emph>, 1987-1988 Eby, Starr 231/39 <emph render="italic">Copland 'One of the boys'</emph>, [1978?] Edwards, Sydney 231/40 <emph render="italic">Aaron Copland's secret ambition: An opera with elephants in it...</emph>, 1963 Elias, Albert J. 231/41 <emph render="italic">Copland: Movie music too pat</emph>, 1949 Elley, Derek 225/21 <emph render="italic">Turntable: Father figure</emph>, 1976 Fernández, Mauro Espinoza 232/1 <emph render="italic">Aaron Copland en El Salvador</emph>, 1975 Field 225/22 <emph render="italic">Interview: Aaron Copland 'Every American knows the west'</emph>, 1976 Freedman, Guy 225/23 <emph render="italic">A Copland portrait</emph>, 1977 Gereben, Janos 225/25 <emph render="italic">Ladies and gentlemen, Aaron Copland</emph>, 1974 225/26 <emph render="italic">A venerable 'Talented amateur' coming to Cabrillo</emph>, 1978 Gilbert, Douglas 225/27 <emph render="italic">Brahms-Boogie-Woogie visioned for Carnegie Hall</emph>, 1945 Glackin, William C. 232/2 <emph render="italic">A man as memorable as his music</emph>, 1975 Gräter, Manfred 225/28 <emph render="italic">Aaron Copland besucht Europa</emph>, 1957 Green, Paul S. 225/29 <emph render="italic">Washington exclusive: Dialogue with Aaron Copland</emph>, 1979 Hagler, Susan 225/30 <emph render="italic">Aaron Copland discusses his music, Hollywood, life as faculty commuter</emph>, 1944 Hall, Roger L. An interview with Aaron Copland See: Writings by Others, About AC, Articles: Hall, Roger L. BOX: xxx 225/31 <emph render="italic">The story of 'Simple gifts': Shaker simplicity in song</emph> 225/31 <emph render="italic">'Simple gifts' tune was appealing to Aaron Copland</emph>, 1981 See also: Writings by Others, About AC, Interviews: AH. BOX: xxx 225/31 <emph render="italic">Tage in Tanglewood: Unterhaltung mit Aaron Copland</emph>, n.d. Havsky, Vladimir 225/32 <emph render="italic">What makes it great: A conversation with Copland</emph>, 1970 Heinsheimer, Hans 225/33 <emph render="italic">Tanglewood</emph> (in German), n.d. Hertelendy, Paul 232/4 <emph render="italic">Aaron Copland views women from his time machine</emph>, 1978 Holbert, Allan 225/34 <emph render="italic">Copland: I don't aim to please</emph>, 1967 Holland, A. K. 225/35 <emph render="italic">Music of today: Moderns in retrospect</emph>, n.d. Hoover, Barbara 225/36 <emph render="italic">'Moses of American music' is roaming on his laurels</emph>, 1978 Hume, Paul 225/37 <emph render="italic">Copland</emph>, 1969 225/38 <emph render="italic">Strong words, music</emph>, 1969 Hurwitz, Robert 232/5 <emph render="italic">Interview: Aaron Copland</emph>, 1973 Ishii Earon Kōpurando See: Writings by Others, About AC, Articles: Tākui, Hyūeru: Amerika no ongaku no soko o saguru BOX: xxx J. D. G. 225/24 <emph render="italic">Serious music: An interview with Aaron Copland</emph>, 1961 Jones, Nina 232/6 <emph render="italic">When day's problems are done: Aaron Copland composes by night</emph>, 1962 Keener, Andrew 25/39 <emph render="italic">Interview with Aaron Copland</emph>, [1980] Kenyon, Nicholas 232/7 <emph render="italic">The scene surveyed</emph> [<emph render="italic">Copland surveys the American scene</emph>], 1975 Kriegsman, Alan M. 225/40 <emph render="italic">Aaron Copland: If America ever had a composer laureate...</emph>, 1973 232/8 <emph render="italic">Gift to be simple</emph> [<emph render="italic">Aaron Copland at intersection of American musical currents</emph>], 1973 Larry, Sheldon 232/9 <emph render="italic">New world symphonist</emph>, 1975 Lee, Laura 225/41 <emph render="italic">In the movies: Composer urges 'Musical engineers' to save customers' ears</emph>, 1941 Leishman, Katie 225/42 <emph render="italic">Turning points: Aaron Copland</emph>, 1981 Lockspeiser, Edward 225/43 <emph render="italic">Conversation with Copland</emph>, 1960 Looney, Douglas 225/44 <emph render="italic">New music? 'Fascinating'...old music? 'A warm bath'</emph>, 1969 McLaughlin, Lillian 232/10 <emph render="italic">Copland's advice: Try the moderns</emph>, 1969 McLellan, Joseph 232/11 <emph render="italic">Celebrating Copland</emph>, 1975 Markle, David 225/45 <emph render="italic">Interview with Aaron Copland 2/25/70</emph>, 1970-1973 Mason, Colin 232/12 <emph render="italic">Reluctant isolation</emph>, 1960 Mason, Eric 225/46 <emph render="italic">Counterpoint: The composer speaks</emph>, 1966 Mayer, William 225/47 <emph render="italic">The composer in the U. S. and Russia: A frank talk between Copland and Khachaturian</emph>, 1969 225/48 <emph render="italic">An historic meeting: Aram Khachaturian and Aaron Copland</emph>, [1969] 232/13 <emph render="italic">An historic meeting: Aram Khachaturian and Aaron Copland</emph>, 1969 Millais, Geoffroy 225/49 <emph render="italic">Aaron Copland talking about Benjamin Britten</emph>, 1976 Morris, Michael 225/50 [<emph render="italic">American song: Copland interview</emph>], n.d.

Reah Sadowsky as guest

 Newton, Jim 232/14 <emph render="italic">Copland keeping busy conducting</emph>, 1974 Norton, Mildred 226/1 [<emph render="italic">Aaron Copland</emph>], 1948 Oja, Carol 226/2 <emph render="italic">Aaron Copland and Minna Lederman on American music in the thirties</emph>, 1979 Overton, James L. 232/15 <emph render="italic">Copland enjoys his senior status</emph>, 1978 Perlis, Vivian 226/3 <emph render="italic">Interview of Aaron Copland</emph>, 1980-1981 226/4-8 <emph render="italic">The reminiscences of Aaron Copland</emph>, 1965-1977

Folders:

226/4 Miscellany, 1965-1977: Correspondence, Notes, Typescript Correction 226/5-8 Typescript, 1977 Phi Mu Alpha Sinfonia: National delegate representative assembly 226/9 <emph render="italic">An interview with Aaron Copland: December, 1970; February, 1971</emph>, 1970-1971 The Playboy Panel 226/10 <emph render="italic">America's cultural explosion - Its scope and challenge</emph>, n.d. Plush, Vincent 232/16 <emph render="italic">The uncomplicated air of Aaron Copland</emph>, 1975 R. B. 225/9 <emph render="italic">Música: O que dizem de nós</emph>, n.d. Ramey, Phillip 226/11 <emph render="italic">A talk with Aaron Copland</emph>, 1972 Rosenwald, Peter J. 232/17 <emph render="italic">Aaron Copland talks about a life in music</emph>, 1980 Ryan, Barbara Haddad 232/18 <emph render="italic">Aaron Copland built legend with his role in U. S. culture</emph>, 1977 Saucier, Pierre 232/19 <emph render="italic">L'avenir n'est pas auz combinaisons à douze tons</emph>, 1955 Scherer, Ron 226/12 <emph render="italic">Copland comments on compositions; Scherer interviews famed composer</emph>, 1966 Schulman, Michael 226/13 <emph render="italic">Interview</emph>, n.d. Seaman, Gerald R. 226/14 <emph render="italic">Telephone interview with Aaron Copland</emph>, 1979 Seaman, Julian 226/15 <emph render="italic">Copland sees hope in trend of moderns</emph>, 1928 Singer, Samuel L. 226/16 <emph render="italic">Copland cond</emph> [<emph render="italic">ucts</emph>], n.d. Sitts, Richard 226/17 <emph render="italic">Copland says first visit led to return</emph>, n.d. Smit, Leo 226/18 <emph render="italic">Conversation with Aaron Copland</emph>, 1980 Smith, Monica 226/19 <emph render="italic">Turntable: Copland looks ahead</emph>, 1968 Stearns, Dave 232/20 <emph render="italic">Copland - A common man's composer</emph>, 1977 Thurston, Chuck 226/20 <emph render="italic">Straight answers from Copland</emph>, 1978 Vadeboncoeur, Joan E. 226/21 <emph render="italic">Copland's composing career bloomed late</emph>, 1975 Van Sant, Rick 232/21 <emph render="italic">Composer Aaron Copland: He's still spirited at 76 [Premiere composer still youthful in outlook</emph>], 1976 Watters, Susan 232/22 <emph render="italic">Eye view: Aaron Copland on the sporting life</emph>, 1978 Wilson, Carolyn 226/22 <emph render="italic">Turntable: Cowboys and connotations</emph>, 1967 Wimbush, Roger 226/23 <emph render="italic">Here and there with Roger Wimbush: Aaron Copland</emph>, n.d. 226/23 <emph render="italic">Here and there with Roger Wimbush: Aaron Copland</emph>, 1968 See also: Writings by Others, About AC, Articles: Wimbush, Roger. BOX: xxx 227 232 Articles By Title 227/1 [<emph render="italic">Koussevitzky: Tanglewood</emph>], 1948 By Author Chávez, Carlos 227/2 <emph render="italic">Canto y melodía el dodecafonismo en México</emph>, 1954 Clurman, Harold S. 227/3 <emph render="italic">The future of jazz</emph>, 1926 Cohen, Ethel S. 227/4 <emph render="italic">Credo of a composer: Ben-Zion Orgad</emph>, n.d. Gilbert, L. Wolfe 227/5 <emph render="italic">Sour grapes of wrath</emph>, n.d. Giordano, L. 227/6 <emph render="italic">Actitudes para oír música</emph>, 1933 Glock, William 232/23 <emph render="italic">Nadia Boulanger</emph>, 1946 Henahan, Donal 227/7 <emph render="italic">And now, Virgil's odyssey</emph>, 1971 Hoover, Suzanne R. 227/8 <emph render="italic">Nadia Boulanger</emph>, 1977 Johnson, H. Earle 227/9 <emph render="italic">The need for research in the history of American music</emph>, n.d. Kennan, George F. 227/10 <emph render="italic">Seek the finer flavor</emph>, n.d. Koussevitzky, Serge 227/11 <emph render="italic">Concerning interpretation</emph> . Translated by Nina Bechtereff, 1929 Krenek, Ernst 227/12 <emph render="italic">The composer and the interpreter</emph>, 1944 Kroll, Jack 227/13 <emph render="italic">The stage is a world</emph>, 1974 Lederman, Minna 227/14 <emph render="italic">Brief encounters</emph>, n.d. Liepmann, Klaus 227/15 <emph render="italic">Music and engineers</emph>, 1950 Maisel, Edward 227/17 <emph render="italic">Charles T. Griffes: The life of an American composer</emph>, 1984 McCorkle, Donald M. 227/16 <emph render="italic">The Moravian contribution to American music</emph>, 1956 Mitsukuri, Shukichi 227/18 <emph render="italic">Japanese scales and theri [sic] harmonic treatment</emph>, 1959 Noakes, David 227/19 <emph render="italic">Nadia Boulanger: A life dedicated to the art of teaching</emph>, 1971 Perlis, Vivian Boulanger -- 20th-century music was born in her classroom See: Writings by AC, Articles: Copland salutes Boulanger BOX: xxx Pirrotta, Nino 227/20 <emph render="italic">The Eda Kuhn Loeb Music Library</emph>, 1958 Read, Gardner 232/24 <emph render="italic">Tanglewood: Investment in musical futures</emph>, 1941 Rosenfeld, Paul 227/21 [<emph render="italic">Stravinsky</emph>], n.d. Shaw, Theodore L. 227/22 <emph render="italic">The hypocrisies of criticism</emph>, 1952 Simon, Henry 227/23 <emph render="italic">Leonard Bernstein: Molto furioso</emph>, n.d. Slonimsky, Nicolas 232/25 <emph render="italic">South American composers</emph>, 1940 Souster, Tim 232/26 <emph render="italic">Organized delirium - Robert Henderson writes about the life and work of Pierre Boulez</emph>, 1969 Taubman, Howard 232/27 <emph render="italic">Tanglewood tales, or youth makes music</emph>, 1948 Terse, Paul 227/24 <emph render="italic">Charles Ives (1874-1954): Ein biographischer Überblick</emph>, 1987 Thomson, Virgil 227/25 <emph render="italic">America's musical maturity: A twentieth-century story</emph>, 1961 Weisgall, Hugo D. 227/26 <emph render="italic">Jewish music in America</emph>, 1954 Whiteside, Thomas 227/27 <emph render="italic">The blockbuster complex-III: Onward and upward with the arts</emph>, n.d. Wilson, Edmund 227/28 <emph render="italic">Paul Rosenfeld: Three phases</emph>, n.d. 227 232 Booklets By Title 227/29 <emph render="italic">Charles Edward Ives</emph>, 1942 By Author Boulanger, Nadia 227/30 <emph render="italic">Gail Kubik: Divertimenti I and II - Sonatinas for piano and clarinet and piano</emph>, 1963 Christliebb, Don 227/31 <emph render="italic">Remembrance of Lawrence Morton</emph>, n.d. Goldberg, Isaac 227/32 <emph render="italic">Jazz music: What it is and how to understand it</emph>, 1927 Naur, Robert 232/28 <emph render="italic">Leonard Bernstein</emph> (in Dutch and English), n.d. Nielsen, Tage 227/33 <emph render="italic">Danish music after Carl Nielsen</emph>, n.d. Steuermann, Edward Gail Kubik: Sonata for piano - Celebrations and Epilogue for piano, 1959 See: Writings by Others, Booklets: Boulanger, Nadia:Gail Kubik: Divertimenti I and II - Sonatinas for piano and clarinet and piano BOX: xxx Miscellaneous 227/34 Miscellany 232/29 Miscellany 227/35 232/30 Interviews Bernstein, Leonard 227/35 <emph render="italic">National Press Club</emph>, 1959 Rogers, Michael 232/30 <emph render="italic">The Rolling Stone interview: Paul Bowles</emph>, 1974 227/36-40 Libretti Arita, Nadine and Robert Courtney 227/36 <emph render="italic">Hoe-Down! A musical tribute</emph>, 1985 Davies, Peter Maxwell 227/37 <emph render="italic">Taverner</emph>, n.d. Denby, Edwin 227/38 <emph render="italic">Libretto for a play opera</emph>, n.d. 227/39 <emph render="italic">Miltie is a hackie</emph>, n.d. Lombardo, Kathleen 227/40 <emph render="italic">Savonarola</emph>, n.d. 227/42-43 Poetry García-Lorca, Federico 227/42 <emph render="italic">Walking asleep</emph>, n.d. Sannier-Salabert, Bernard 227/43 <emph render="italic">Final</emph>, 1951-1955 228/1-5 Scripts 228/1-4 Scripts: Ballet, Opera, and Play Denby, Edwin Second hurricane See: Subject File, Compositions:Second hurricane BOX: xxx Everett, Horace Tender land See: Music Manuscripts and Printed Editions by Aaron Copland, ARCO 69 misc-B BOX: xxx Graham, Martha Appalachian spring See: Correspondence, Personal: Graham, Martha BOX: xxx Kirstein, Lincoln 228/1-3 <emph render="italic">Memorial day</emph>, n.d. Page, Ruth Hear ye! Hear ye! See: Music Manuscripts and Printed Editions by Aaron Copland, ARCO 26.3 BOX: xxx Riggs, Lynn Tragic ground See: Music Manuscripts and Printed Editions by Aaron Copland: Music Composed by Copland Not Assigned ARCO Number, Box 117A/1-6 Robbins, Jerome 228/4 <emph render="italic">Bye bye Jackie</emph>, 1944 Shaw, Irwin Quiet city See: Subject File, Compositions:Quiet city(Play typescript) BOX: xxx 228/5 Scripts: Film and Television Clark, Dennis Lynton 228/5 <emph render="italic">The hanging of Ella Watson</emph>, n.d. Goetz, Ruth and Augustus Goetz The heiress See: Subject File, Compositions:The heiress(Film typescript) BOX: xxx Hellman, Lillian North star See: Subject File, Compositions:North star(Film typescript) BOX: xxx Hotchner, A. E. The world of Nick Adams See: Music Manuscripts and Printed Editions by Aaron Copland, ARCO 75 misc BOX: xxx Steinbeck, John The red pony See: Subject File, Compositions:The red pony(Film typescript) BOX: xxx See: Music Manuscripts and Printed Editions by Aaron Copland, ARCO 63 BOX: xxx [Unidentified] Ballad of Billy the kid See: Music Manuscripts and Printed Editions by Aaron Copland, ARCO 33-F BOX: xxx Wilder, Thornton Our town See: Subject File, Compositions:Our town(Film typescript) BOX: xxx 233-245 Diaries, 1910-1985

The Diaries are divided into two sections, Datebooks and Journals. The datebooks range from 1935 to 1985, except for the year 1954, and were generally used to briefly record his daily activities. The desk size books from 1942 to 1969 also enumerate the commissions offered to him by individuals and/or organizations. The pocket size books were apparently used during domestic or foreign trips. The Journals consist of notebooks which record activities, list items and report on events and trips. The material dates from his 1910 reminiscences and extends to comments about his 1973 European trip. The journal dated from 1941-1973 includes family genealogy charts. Two journals describe the creation of the music scores for two films, "The Red Pony" and "Something Wild". The date spans represent the actual span of year dates noted in the journal. See the Index for Journals with AC Numbers for an explanation and list of the journals in numeric order.

Arranged by subseries.

Because of the fragile nature of some journals, the originals and archival photocopies will not be served to researchers. Photocopies of the journals, which are placed in binders, will be available to researchers.

 233-242 Datebooks, 1935-1985

The datebooks range from 1935 to 1985, except for the year 1954, and were generally used to briefly record his daily activities. The desk size books from 1942 to 1969 also enumerate the commissions offered to him by individuals and/or organizations. The pocket size books were apparently used during domestic or foreign trips.

Includes pocket and desk daily appointment books; arranged chronologically by year, then by type.

 233/1 1935, Pocket 233/1 1936, Pocket 233/2 1937, Pocket 233/2 1938, Pocket 233/3 1939, Desk 233/4 1940, Desk 233/5 1941, Desk 233/6 1942, Desk 233/7 1943, Desk 233/8 1944, Desk 234/1 1945, Desk 234/2 1946, Desk 234/3 1947, Desk 234/4 1948, Desk 234/5 1949, Desk 234/6 1950, Desk 234/7 1951, Desk 235/1 1952, Desk 235/2 1953, Desk 235/3 1955, Desk & Pocket 235/4 1956, Desk & Pocket 235/5 1957, Desk 235/6 1957, Pocket 235/7 1958, Desk 235/8 1958, Oberlin College 236/1 1959, Desk 236/2 1959, Oberlin College 236/3 1960, Desk 236/4 1960, Pocket 236/5 1960, Oberlin College 236/6 1961, Desk 236/7 1961, Pocket 237/1 1962, Desk 237/2 1962, Oberlin College 237/3 1963, Desk 237/4 1963, Oberlin College 237/5 1964, Desk 237/6 1964, Oberlin College 237/7 1965, Desk 238/1 1965, Oberlin College 238/2 1966, Desk 238/3 1966, Oberlin College 238/4 1967, Desk 238/5 1967, Oberlin College 238/6 1968, Desk 238/7 1968, Oberlin College 238/8 1969, Desk 239/1 1969, Oberlin College 239/2 1970, Desk 239/3 1970, Oberlin College 239/4 1971, Desk 239/5 1971, Oberlin College 239/6 1972, Desk 239/7 1972, Pocket 239/7 1973, Pocket 239/8 1973, Desk 240/1 1974, Desk 240/2 1974, 1975, Pocket 240/3 1975, Desk 240/4 1976, Desk 240/5 1976, 1977, Pocket 240/6 1977, Desk 241/1 1978, Desk 241/2 1978, 1979, Pocket 241/3 1979, Desk 241/4 1980, Desk 241/5 1980, 1981, Pocket 241/6 1981, Desk 242/1 1982, Desk 242/2 1982, Pocket 242/3 1983, Desk 242/4 1984, Desk 242/5 1985, Desk 243-245 Journals, 1910-1973

The Journals consist of notebooks which record activities, list items and report on events and trips. The material dates from his 1910 reminiscences and extends to comments about his 1973 European trip. The journal dated from 1941-1973 includes family genealogy charts. Two journals describe the creation of the music scores for two films, "The Red Pony" and "Something Wild". The date spans represent the actual span of year dates noted in the journal. See the Index for Journals with AC Numbers for an explanation and list of the journals in numeric order.

Includes notebooks of varied types; arranged chronologically by year dates noted in journals.

DO NOT SERVE; ONLY SERVE BINDERS

Binder 1 = Box 243/Folders 1-16 and Box 244/Folders 1-10

Binder 2 = Box 244/Folders 11-18 and Box 245/Folders 1-18

 1910-1972 243/1 Notes for an autobiography-A 243/2 [photocopy] 1913-1962 243/3 Notes for an autobiography-B 243/4 [photocopy] 1921-1923 243/5 My trip abroad: List of performances attended in Paris; Notes on Fauré 243/6 [photocopy] 1921-1953 243/7 South American journal; McCarthy hearings (1953); Chronological list of travels 3 243/8 [photocopy] 1921-1979 243/9 Publications; Honors; Trips; Journals; Articles; Articles about; Compositions; Organizations; Lectures; TV; Radio; Recordings 243/10 [photocopy] 1927-1959 243/11 [Diary] 243/12 [photocopy] 1931-1967 243/13 Conducting activities; Orchestral and chamber music programs 243/14 [photocopy] 1941 243/15 South American diary, Aug-Dec 1941 1 243/16 [photocopy] 1941-1973 244/1 Genealogy charts; List of publ[ished] works; Degrees; Financial data 2 244/2 [photocopy] 1943-1960 244/3 List of original compositions; Disposition of original manuscripts 244/4 [photocopy] 1946-1965 244/5 Financial data 244/6 [photocopy] 1947-1976 244/7 Works conducted by AC 244/8 [photocopy] 1948 244/9 Red pony journal 244/10 [photocopy] 1949 244/11 European diary (including London trip) 4 244/12 [photocopy] 1949-1967 244/13 European notes; Quotes; Dinners at Stravinsky's home; Notes 5 244/14 [photocopy] 1954-1957 244/15 Journal of visits to Venezuela 5[?] 244/16 [photocopy] 1954-1965 244/17 Recordings; List of AC articles; Lecture engagements 12 244/18 [photocopy] 1959-1969 245/1 Financial data 245/2 [photocopy] 1960-1961 245/3 European journal; Notes on making a movie score (Something wild); White House dinner 6 245/4 [photocopy] 1962-1963 245/5 Notes on trip to Mexico-Brazil-Uruguay; Europe; Financial data 7 245/6 [photocopy] 1963 245/7 N[ew] Y[ork] Phil[harmonic]; [Charles Ives] [not in Copland's hand] 245/8 [photocopy] 1963-1964 245/9 Latin-American diary; European tour 8 245/10 [photocopy] 1965 245/11 European tour; Financial data 9 245/12 [photocopy] 1966 245/13 Japan 'diary' 10 245/14 [photocopy] 1967-1971 245/15 Europe; Israel; Financial data 11 245/16 [photocopy] 1973 245/17 [Europe]; Financial data 245/18 [photocopy] 246-314 467A 467B Correspondence, 1911-1991

The Correspondence series is divided into 2 subseries: Personal Correspondence and General Correspondence. The subseries, Personal Correspondence (1911-1991) contains letters to and from Copland with his family, teachers, fellow composers, literary figures, personal friends and acquaintances. Of particular interest are the letters with Nadia Boulanger, which extent over 50 years, and the letters with his long-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Claire Reis, Roger Sessions, Charles Ives, Arnold Schoenberg, and Virgil Thomsom. The subseries, General Correspondence (1935 to 1991) comprises a variety of day-to-day mail, which Copland reviewed, from individuals and businesses. The letters include requests to lecture and conduct and for permissions, birthday and holiday greeting cards from family, friends and school children, and fan mail.

Arranged by subseries.

 246-265 Personal Correspondence, 1911-1991

The subseries, Personal Correspondence (1911-1991) contains letters to and from Copland with his family, teachers, fellow composers, literary figures, personal friends and acquaintances.

Includes letters, telegrams and notes to and from Copland. Arranged alphabetically by name, then chronologically. Correspondents with fewer then five items, filed alphabetically, then chronologically, within a Miscellaneous folder which precedes each letter of the alphabet.

 246/1 "A" miscellaneous

Folders:

Aitken, Webster Amengual, René Amram, David Ansermet, Ernest Ashbery, John 246/2 Abravanel, Maurice, 1986 246/3-4 Adler, Clarence, 1925-1954, 1957-1968

Folders:

1925-1954 BOX: 246/3 1957-1968 BOX: 246/4 246/5 Adler, Peter, 1950-1969 246/6 Adler, Samuel, 1950-1970 246/7 Adomian, Lan, 1971-1972 246/8 Albee, Edward, 1958-1967 246/9 Allanbrook, Douglas, 1953-1967 246/10 Allers, Franz, 1942-1943 246/11 Anderson, James T., 1983 246/12 Antheil, George, 1928-1948 246/13 Ardevol, J., 1941-1956 246/14 Arnell, Anthony, 1950-1972 246/15 Art, Engelhardt, 1988-1989 246/16 Auden, W. H. (Wystan Hugh), n.d. 246/17 Austin, William, 1972-1989 246/18 Avshalomov, Jacob, 1953-1969 246/19 "B" miscellaneous

Folders:

Baker, Carroll Ballou, Esther Williamson Barer, Marshall Barraud, Henry Baxter, Anne Behrend, Jeanne Benét, William Rose Benjamin, Arthur Bennett, Richard Rodney Bentzon, Niels Viggo Berkeley, Lennox Bernat, Robert Bishop, Elizabeth Blacher, Boris Bookspan, Martin Brooks, Van Wyck Brunswick, Mark Buketoff, Igor Burkat, Leonard 246/20 Babbitt, Milton, 1954 246/21 Babcock, David, 1972-1975 246/22 Bacon, Ernst, 1970-1979 246/23 Balada, Leonardo, 1967-1972 246/24 Bales, Richard, 1950-1981 246/25 Balso, Hugo, 1942-1966 246/26 Barber, Samuel, 1944-1975 246/27 Bauer, Marion, 1951-1955 246/28 Bavicchi, John, 1956-1961 246/29 Bazelon, Irwin, 1948-1949 246/30 Bean, Betty Randolf, 1958-1981 246/31 Becker, John, 1969 246/32 Beeler, Walter, 1949-1950 246/33 Beeson, Jack, 1968-1979 246/34 Ben-Yohanan, Asher, 1951-1957 246/35 Bennett, Robert Russell, 1974 246/36 Berger, Arthur, 1941-1982 246/37 Bergsma, William, 1948-1969 246/38 Berio, Luciano, 1952-1970 246/39 Bernier, Peggy, 1938-1971 246/40 Bernstein, Elmer, 1981 247/1-2 Bernstein, Leonard, 1936-1952, 1955-1988, n.d. 246/41 Biggs, E. Power, 1953-1967 246/42 Bing, Sir Rudolf, 1979 246/43 Bliss, Sir Arthur, 1964 246/44 Blitzstein, Marc, 1929-1963, n.d. 248/1 Bloch, Suzanne, n.d. 248/2 Bloomfield, Theodore, 1948-1954 248/3 Bonaventura, Mario di, 1962-1981 248/4 Boone, Charles, 1967-1972 248/5 Boorstin, Daniel J., 1956 248/6-7 Bornstein, Charles Zachary, 1968-1980

Folders:

1968-1973 BOX: 248/6 1974-1980 BOX: 248/7 248/8-19 Boulanger, Nadia, 1920-1929, 1931-1979

Folders:

1920-1924 BOX: 248/8 1925-1929 BOX: 248/9 1931-1939 BOX: 248/10 1940-1944 BOX: 248/11 1945-1949 BOX: 248/12 1950-1959 BOX: 248/13 1960-1969 BOX: 248/14 1970-1979 BOX: 248/15 Clippings BOX: 248/16 Envelopes BOX: 248/17 Miscellaneous BOX: 248/18 Correspondence from Annette Dieudonne to Aaron Copland, 1976-1981 BOX: 248/19 248/20 Boult, Sir Adrian, 1949 248/21 Bowles, Jane, n.d. 248/22-29 Bowles, Paul, 1931-1943, 1971-1986 See also: Victor Kraft Materials, Correspondence BOX: xxx

Folders:

1931 BOX: 248/22 1932 BOX: 248/23 1933 BOX: 248/24 1934 BOX: 248/25 1935-1937 BOX: 248/26 1938-1943 BOX: 248/27 1971-1986 BOX: 248/28 Undated BOX: 248/29 249/1 Brant, Henry, 1930-1986 249/2 Bray, Byron, 1954-1976 249/3 Brennan, Pat, 1972-1983 249/4 Britten, Benjamin, 1938-1974 249/5 Brozen, Michael, 1953-1968 249/6 Bucci, Mark, 1949-1956 249/7 Burke, William, 1970-1977 249/8 Butterworth, Neil, 1975-1986 See also: Music, Music Manuscripts and Facsimiles by Others, Butterworth, Neil BOX: xxx 249/9 Byrns, Harold, 1948-1953 249/10 "C" miscellaneous

Folders:

Calder, Alexander Campos-Parsi, Hector Carvalho, Eleazar de Castelnuovo-Tedesco, Mario Castiglioni, Niccolo Castro, Juan José Cohn, Arthur Comissiona, Sergiu Conrad, Doda Corigliano, John Craft, Robert Cronkite, Walter 249/11 Cage, John, 1963-1975 249/12 Cantelli, Guido, 1956 249/13 Carpenter, John Alden, 1939-1947 249/14 Carasas, Enrique, 1972-1974 249/15 Carter, Elliott, 1945-1988 249/16 Carter, Helen, n.d. [Mrs. Elliott] 249/17 Casadesus, Mrs. Robert, 1974 249/18-19 Cascorino, Romeo, 1940-1966

Folders:

1940-1943 BOX: 249/18 1944-1966 BOX: 249/19 249/20 Cazden, Norman, 1942-1974 249/21 Chanler, Theodore, 1929-1944 249/22 Cherry, Michael, 1972-1981 249/23 Chávez, Anita, 1979-1988 249/24-29 250/1-11 Chávez, Carlos, 1928-1970, 1972-1974

Folders:

1928-1929 BOX: 249/24 1930-1932 BOX: 249/25 1933-1934 BOX: 249/26 1935-1936 BOX: 249/27 1937-1939 BOX: 249/28 1940-1943 BOX: 249/29 1944-1946 BOX: 250/1 1947-1951 BOX: 250/2 1952-1953 BOX: 250/3 1954-1957 BOX: 250/4 1958-1959 BOX: 250/5 1960-1962 BOX: 250/6 1963-1964 BOX: 250/7 1965-1968 BOX: 250/8 1969-1970 BOX: 250/9 1972-1973 BOX: 250/10 1974, n.d. BOX: 250/11 250/12 Childs, Robert Barney, 1954-1971 250/13 Churchill, Mary, 1929-1932 250/14-22 Citkowitz, Israel, 1926-1934, 1942-1967

Folders:

1926-1927 BOX: 250/14 Jan. - April 1928 BOX: 250/15 May - Aug. 1928 BOX: 250/16 Sept. - Dec. 1928 BOX: 250/17 1929 BOX: 250/18 1930 BOX: 250/19 1931-1934 BOX: 250/20 1942-1967 BOX: 250/21 Miscellaneous BOX: 250/22 250/23-26 251/1-6 Clurman, Harold, 1932-1980

Folders:

1932 BOX: 250/23 1933-1934 BOX: 250/24 1935-1939 BOX: 250/25 1940-1942 BOX: 250/26 1943-1949 BOX: 251/1 1950-1959 BOX: 251/2 1960-1969 BOX: 251/3 1970-1979 BOX: 251/4 1980, n.d. BOX: 251/5 Miscellaneous BOX: 251/6 251/7 Coe, Kenton, 1959-1973 251/8 Cogan, Robert, 1963 251/9 Colombo, Theodore, 1931-1967 251/10 Cone, Edward T., 1956-1969 251/11 Conroy, William, 1980-1981 251/12 Coolidge, Elizabeth Sprague, 1946-1952 251/13-29 252/1-46 Copland Family, 1911-1990

Folders:

Barkan, Pearl BOX: 251/13 Bergman, Josephine BOX: 251/14 Cohan, Robert BOX: 251/15 Copeland [sic], Arnold BOX: 251/16 Copeland [sic], Irving BOX: 251/17 Copland, Harris, 1921 BOX: 251/18 Copland, Harris, 1922-1935 BOX: 251/19 Copland, Irene BOX: 251/20 Copland, Laura BOX: 251/21 Copland, Leon BOX: 251/22 Copland, Milton BOX: 251/23 Copland, Ralph BOX: 251/24 Copland, Sarah BOX: 251/25 Dworkin, Glen BOX: 251/26 Furman, Max BOX: 251/27 Garfield, Ray BOX: 251/28A Gaun, Dave BOX: 251/28B Harris, John BOX: 251/29 Harris, Leo BOX: 252/1 Hecht, Albert BOX: 252/2 Hecht, Jon BOX: 252/3 Hecht, Kenneth BOX: 252/4 Hecht, Marion BOX: 252/5 Hirsch, Lewis BOX: 252/6 Kaufman, Julius BOX: 252/7 Koster, June BOX: 252/8 Koster, Lauren BOX: 252/9 Lefkowitz, Lewis BOX: 252/10 Levey, Roger and Sue BOX: 252/11 Levey, Dorothy BOX: 252/12 Levy, Mrs. Lawrence BOX: 252/13 Marcus, Burton BOX: 252/14 Marcus, Charles BOX: 252/15 Marcus, Hal BOX: 252/16 Marcus, Herbert BOX: 252/17 Marcus, John BOX: 252/18 Marcus, Joseph BOX: 252/19 Marcus, Ralph BOX: 252/20 Margolis, Lewis BOX: 252/21 Marlin, Felice BOX: 252/22 Miller, I. A. BOX: 252/23 Miller, Robert BOX: 252/24 Miscellaneous BOX: 252/25A-25B Mitchell, Irma BOX: 252/26 Mittenthal, Arnold BOX: 252/27 Mittenthal, Barbara BOX: 252/28 Mittenthal, Hyman BOX: 252/29 Mittenthal, Jake BOX: 252/30 Mittenthal, Mark BOX: 252/31 Mittenthal, M. J. BOX: 252/32 Rogers, Stephanie BOX: 252/33 Samuels, Linda BOX: 252/34 Samuels, Robert BOX: 252/35 Samuels, Sally BOX: 252/36 Shapiro, Ruth BOX: 252/37 Simbari, Jill BOX: 252/38 Somer, Hilde BOX: 252/39 Uris, Dorothy BOX: 252/40 Uris, Harold BOX: 252/41 Uris, Milton BOX: 252/42 Uris, Percy BOX: 252/43 Vanda, Bruce BOX: 252/44 Vanda, Charles BOX: 252/45 Yellin, Harold BOX: 252/46 253/1 Cordero, Roque, 1957-1987 253/2 Corman, Robert, 1949-1953, n.d. 253/3 Cornell, Robert M., 1953-1979 253/4 Corwin, Norman, 1949 253/5 Cowell, Henry, 1934-1962 253/6 Curtin, Phyllis, 1977 253/7 Custer, Arthur, 1961-1973 253/8 "D" miscellaneous

Folders:

Damrosch, Walter Daniel, Oliver Davies, Dennis Russell Delaney, Robert Deutsch, Adolph Dixon, Dean Dlugoszewski, Lucia Donovan, Richard Dorian, Frederick Duke, Vernon Dwyer, Doriot Anthony 253/9 Dahl, Ingolf, 1934-1970 253/10 Dallapiccola, Luigi, 1951-1960 253/11 Davidovsky, Mario, 1950-1974 253/12 Davies, Peter Maxwell, 1957-1964 253/13 Dello Joio, Norman, 1952-1969 253/14-16 Del Tredici, David, 1964-1986

Folders:

1964-1969 BOX: 253/14 1970-1986 BOX: 253/15 Undated BOX: 253/16 253/17 DeMenasce, Jacques, 1947-1955 253/18 DeMille, Agnes, 1942-1985 See also: Professional Papers, Business Organizations, de Mille, Agnes. BOX: xxx 253/19-21 Denby, Edwin, 1929-1962

Folders:

1929-1936 BOX: 253/19 1937-1938 BOX: 253/20 1939-1962 BOX: 253/21 253/22 Des Marais, Paul, 1948-1975 253/23-26 254/1-5 Diamond, David, 1935-1988

Folders:

1935-1939 BOX: 253/23 1940-1944 BOX: 253/24 1945-1949 BOX: 253/25 1950-1955 BOX: 253/26 1956-1959 BOX: 254/1 1960-1965 BOX: 254/2 1966-1970 BOX: 254/3 1971-1988 BOX: 254/4 Undated BOX: 254/5 254/6 Diemente, Edward P., 1967-1969 Dieudonne, Annette See: Boulanger, Nadia BOX: xxx 254/7 Dinerstein, Norman, 1963-1974 254/8 Dorati, Antal, 1946-1986 254/9 Downes, Olin, 1946-1955 254/10 Dreiblatt, Marty, 1967-1985 254/11 Druckman, Jacob, 1953-1978 254/12 Duffallo, Richard, 1967-1988 254/13 "E" miscellaneous

Folders:

Einem, Gottfried von Eisler, Hanns Elwell, Herbert Erb, Donald Etler, Alvin 254/14 Engel, Lehman, 1938-1972 254/15 Epstein, Alvin, 1954-1969 254/16 Espinosa, Guillermo, 1947-1954 254/17 "F" miscellaneous

Folders:

Feldman, Morton Fennell, Frederick Ferrier, Kathleen Fiedler, Arthur Fine, Vivian Finney, Ross Lee Frank, Waldo Fuller, Buckminster 254/18 Ficher, Jacobo, 1943-1967 254/19 Fine, Irving, 1944-1952 254/20-21 Fine, Verna, 1944-1988

Folders:

1944-1968 BOX: 254/20 1969-1988 BOX: 254/21 254/22 Fitelberg, Jerzy, 1932-1950 254/23 Fizdale, Robert, 1946-1963 254/24 Flanagan, William, 1948-1968 254/25 Foldes, Andor, 1948-1984 255/1-2 Foss, Lucas, 1943-1959, 1962-1980

Folders:

1943-1959 BOX: 255/1 1962-1980 BOX: 255/2 255/3 Franchetti, Arnold, 1958-1984 255/4 Freed, Arnold, 1969-1971 255/5 Furman, James, 1968 255/6 "G" miscellaneous

Folders:

Gabriel, Arnold Garfein, Jack Garrido, Pablo Gatti, Guido M. Gauthier, Eva Gerhard, Roberto Gerschefski, Edwin Gershwin, Ira Gieseking, Walter Gilbert, Henry F. Goehr, Alexander Goldovsky, Boris Gramatges, A. Granger, Farley Greissle, Felix 255/7 Gaburo, Kenneth, 1956-1976 255/8 Galindo, Blas, 1942-1975 255/9 George, Earl, 1969-1975 255/10-11 Ginastera, Alberto E., 1941-1979

Folders:

1941-1951 BOX: 255/10 1952-1979 BOX: 255/11 255/12 Giuffre, Jimmy, 1965-1969 255/13 Glanville-Hicks, Peggy, 1948-1954 255/14 Golde, Morris, 1953-1975 255/15 Goldman, Edwin Franko, 1942 255/16 Goldman, Richard Franko, 1941-1983 255/17 Goldmark, Rubin, 1919-1922 255/18 Goodman, Benny, 1963 255/19 Goosens, Eugene, 1942-1944 255/20 Gottlieb, Jack, 1954-1975 255/21 Gould, Morton, 1965-1980 255/22 Graham, Martha, 1941-1985

includes ballet scripts

 255/23 Green, Johnny, 1946-1972 255/24 Guarnieri, Camargo, 1941-1950 256/1 "H" miscellaneous

Folders:

Halffter, Cristóbal Hamilton, Iain Harbison, John Harris, Johana Harrison, Lou Hendl, Walter Heyward, Dorothy Hillis, Margaret Hillyer, Rafael Horowitz, Vladimir 256/2 Haieff, Alexei, 1944-1967 256/3 Hammerstein, Oscar, 1949 II 256/4 Hansel, Katherine, 1954-1956 256/5 Hanson, Howard, 1928-1980 256/6 Hardisty, Donald, 1971-1977 256/7 Harpin, Mathias P., 1963 256/8-11 Harris, Roy, 1925-1989

Folders:

1925-1929 BOX: 256/8 1930-1933 BOX: 256/9 1934-1989 BOX: 256/10 Miscellaneous BOX: 256/11 256/12 Hawkins, Erick, 1942-1950 256/13 Heidelberg, Jack, 1942-1972 256/14 Heilner, Irwin, 1933-1970 256/15 Hellman, Lillian, 1943-1966 256/16 Helps, Robert, 1954-1980 256/17 Henderson, Jack, 1950-1969 256/18 Hennagin, Michael, 1965-1974 256/19 Hennessy, Richard, 1976-1983 256/20 Hill, Edward B., 1949-1957 256/21 Hindemith, Paul, 1940-1941 256/22 Hoffman, Allen, 1971-1973 256/23 Honegger, Arthur, 1947 256/24 Huffman, Robert, 1970 256/25 Hughes, Robert, 1958-1973 256/26 Husa, Karel, 1956-1979 256/27 "I" miscellaneous

Folders:

Ichyangagi, Toshi Inge, William 256/28 Ibert, Jacques, 1950 256/29 Imbrie, Andrew W., 1956-1967 256/30 Ives, Charles E., 1932-1955

Some in the hand of his wife Harmony

 256/31 "J" miscellaneous

Folders:

Janis, Byron Janssen, Werner Johnson, Hunter Johnson, Thor Jolivet, André 256/32 Jacobi, Frederick, 1933-1950 256/33 Jacobs, Paul, 1979 256/34 James, Philip, 1952-1974 256/35 Javits, Jacob, 1964-1974 256/36-39 Johns, Erik, 1947-1978 See also: Professional Papers, Business Organizations, Johns, Erik BOX: xxx

Folders:

1947-1951 BOX: 256/36 1952-1978 BOX: 256/37 Undated BOX: 256/38 Undated BOX: 256/39 256/40 Johnstone, Winifred, 1947-1971 256/41 Jones, Charles, 1945-1949 257/1 "K" miscellaneous

Folders:

Karr, Garry Kell, Reginald Kennedy, Joan Khrennikov, Tikhon King, Coretta Scott Kirkpatrick, Ralph Kobialka, Daniel Kodály, Zoltán Kramer, A. Walter Krasner, Louis Krenek, Ernst 257/2 Kabalevsky, Dimitri, 1955 257/3 Kahn, Erminie, 1938-1949 257/4 Kahn, Sue Ann, 1979-1980 257/5 Kapell, William, 1946-1986 257/6 Kaufman, Louis, 1947-1981 257/7 Kay, Ulysses, 1940-1950 257/8 Kelly, Jack Perry, 1973-1977 257/9 Kennedy, Edward, 1966-1986 257/10 Kennedy, John Brodbin, 1968-1984 257/11-15 Kenworthy-Browne, John A., 1959-1979

Folders:

1959-1964 BOX: 257/11 1965-1979 BOX: 257/12 Undated BOX: 257/13 Undated BOX: 257/14 Undated BOX: 257/15 257/16 Kerr, Harrison, 1943-1953 257/17 Khachaturian, Aram, 1968-1973 257/18 Khrennikov, Tikhon, 1956-1982 257/19 Kirchner, Leon, 1949-1975 257/20 Kirkpatrick, John, 1942-1974 257/21 Kirstein, Lincoln, 1938-1976 257/22 Kohn, Karl, 1953-1967 257/23 Kolb, Barbara, 1972-1987 See also: Music, Manuscripts and Facsimiles by Others, Kolb, Barbara BOX: xxx 257/24 Korn, Barbara, 1957-1962 257/25 Korte, Karl, 1957-1972 257/26 Kostelanetz, André, 1941-1983 257/27 Koussevitzky, Serge, 1925-1949 257/28 Kozar, John, 1976-1980 257/29 Kraft, Rheba, 1972-1982 257/30 Kraut, Harry, 1972-1980 257/31 Kubik, Gail, 1941-1988 257/32 Kubly, Herbert, n.d. 257/33 Kurka, Robert, 1948-1954 258/1 "L" miscellaneous

Folders:

Labunski, Felix La Grange, Henry Louis Lees, Benjamin Lenya, Lotte Leyda, Jay Lockwood, Normand 258/2 Lakner, Yehoshua, 1951-1956 258/3 LaMontaine, John, 1952-1953 258/4 Landowska, Wanda, 1945 258/5 Lange, Francisco, 1942-1949 258/6 Lanza, Alcides, 1965-1969 258/7 Layton, Billy Jim, 1961-1969 258/8-10 247/7 Lederman, Minna, 1959-1983

Folders:

1959-1979 BOX: 258/8 1980-1983 BOX: 258/9 Undated BOX: 258/10 1978 Apr. 16 258/11 Lee, Dai-Keong, 1942-1969 258/12-13 Lee, Noel, 1956-1986

Folders:

1956-1986 BOX: 258/12 Undated BOX: 258/13 258/14 Leinsdorf, Erich, 1962-1965 258/15-16 Lescaze, Mary, 1930-1975

Folders:

1930-1975 BOX: 258/15 Undated BOX: 258/16 258/17 Lescaze, William, 1942-1957 258/18 Lessard, John, 1940-1967 258/19 Lewis, Peter, 1961-1967 258/20 Lisenbee, Kenneth, 1974-1975 258/21 List, Eugene, 1974-1975 258/22-23 Lombardo, Robert, 1955-1983

Folders:

1955-1969 BOX: 258/22 1970-1983 BOX: 258/23 258/24 Lopatnikoff, Nikolai, 1946-1971 258/25 Luening, Otto, 1943-1949 259/1 "Ma-Mes" miscellaneous

Folders:

Maazel, Lorin MacDowell, Roddy Machlis, Joseph MacLeish, Archibald Mahler, Fritz Malipiero, Gian Francesco Martin, Frank Martinů, Bohuslav Matsudaira, Yoritsuné Menotti, Gian Carlo Merritt, A. Tillman Messiaen, Olivier 259/2 "Mey-Mz" miscellaneous

Folders:

Mitropoulos, Dimitri Munch, Charles 259/3 MacDowell, Mrs. Edward, 1943-1953 259/4-5 Manziarly, Marelle de, 1941-1988

Folders:

1941-1988 BOX: 259/4 Envelopes BOX: 259/5 259/6 Marlowe, Sylvia, n.d. 259/7 Martirano, Salvatore, 1955-1961 259/8 Masselos, William, 1951-1971 259/9 Mata, Eduardo, 1971-1983 259/10 Mayer, William, 1967-1973 259/11 McPhee, Colin, 1934-1959 259/12 Mafano, Paul, 1963-1964 259/13 Mellers, Wilford, 1943-1975 259/14 Mennin, Peter, 1958-1978 259/15 Menuhin, Yehudi, 1959-1981 259/16 Mester, Jorge, 1954-1970 259/17 Middleton, Jean, 1942 259/18 Mignone, Francisco, 1941-1946 259/19-20 Milhaud, Darius, 1930-1975

Folders:

1930-1975 BOX: 259/19 Miscellaneous BOX: 259/20 259/21 Milhaud, Madelin, 1947-1987 259/22 Miller, Arthur, 1956-1972 259/23 Miller, Ed, 1957-1970 259/24 Miller, Robert, 1974-1978 259/25 Mills, Charles, 1950-1958 259/26 Miranda, Eduardo, 1948 259/27-28 Montgomery, Jim, 1963-1974

Folders:

1963-1964 BOX: 259/27 1965-1974 BOX: 259/28 259/29 Moore, Douglas, 1948-1963 259/30-31 Moor, Paul, 1943-1985

Folders:

1943-1965 BOX: 259/30 1966-1985 BOX: 259/31 259/32 Moreno, Salvadore, 1942-1957 259/33 Morillo, Roberto Garcia, 1942-1944 259/34 Moross, Jerome, 1942-1944 259/35-36 Morton, Lawrence, 1940-1980

Folders:

1940-1970 BOX: 259/35 1971-1980 BOX: 259/36 259/37 Mundy, Sophronus, n.d. 259/38 Musgrave, Thea, 1958-1973 260/1 "N" miscellaneous

Folders:

Neway, Patricia Nancarrow, Conlon Nin-Culmell, Joaquín North, Alex 260/2 Nabokov, Nicolas, 1945-1963 260/3 Nordoff, Paul, 1953-1970 260/4 Nystedt, Knut, 1948-1952 260/5 "O" miscellaneous

Folders:

O'Keeffe, Georgia Orgad, Ben-Zion Ornstein, Pauline (Mrs. Leo) Ozawa, Seiji 260/6 O'Brien, Eugene, 1972-1978 260/7 Odets, Clifford, 1939-1962 260/8 Okuma, Akirer, 1962-1966 260/9 Orbón, Julián, 1957-1971 260/10 Ormandy, Eugene, 1941-1980 260/11 Orrego-Salas, Juan, 1946-1981 260/12 "P" miscellaneous

Folders:

Page, Ruth Panufnik, Andrezej Paray, Paul Parkening, Christopher Parrott, Ian Peress, Maurice Petrassi, Goffredo Phillips, Burrill Piatigorsky, Gregor Pinkham, Daniel Ponce, Manuel M. Ponselle, Rosa Porter, Quincy Prausnitz, Frederick Previn, André 260/13 Palmer, Robert, 1938-1957 Page, Ruth See: Professional Papers, Business Organizations BOX: xxx 260/14 Paradise, Timothy, 1978-1981 260/15 Parris, Robert, 1949-1957 260/16 Paz, Juan Carlos, 1941 260/17 Pears, Peter, 1975-1981 260/18 Pepe, Carmine, 1975-1976 260/19-20 Perlis, Vivian, 1970-1991

Folders:

1970-1982 BOX: 260/19 1983-1991 BOX: 260/20 260/21 Perry, Julia, 1952-1954 260/22 Persichetti, Vincent, 1942-1987 260/23 Peyer, Gervase de, 1981-1982 260/24 Piston, Walter, 1933-1974 260/25 Plotts, Donald, 1964-1974 260/26 Posner, David, 1965-1974 260/27 Poulenc, Francis, 1950 260/28 Prokofieff, Serge, 1930-1933 260/29 Pyle, William, 1968-1978 261/1 "Ra-Rid" miscellaneous

Folders:

Rains, Claude Raksin, David Rathaus, Karol Read, Gardner Reich, Steve Reiner, Fritz Revueltas, Silvestre 261/2 "Rie-Rz" miscellaneous

Folders:

Rieti, Vittorio Robinson, Edward G. Rockefeller, John D., II Rockefeller, Nelson Rodgers, Richard Rodzinski, Artur Ronell, Ann Rose, Billy Rose, Leonard Rosenfeld, Paul Rosenman, Leonard Rostropovich, Mstislav Rósza, Miklós Rudel, Julius Rukeyser, Muriel 247/3-6 Ramey, Phillip, 1967-1968, 1970-1985

Folders:

1967-1968 BOX: 247/3 1970 BOX: 247/4 1971-1979 BOX: 247/5 1980-1985 BOX: 247/6 261/7 Reis, Arthur, 1978 261/8-15 Reis, Claire, 1942-1946, 1948-1949, 1952-1968, 1970-1979

Folders:

1942 BOX: 261/8 1943-1946 BOX: 261/9 1948 BOX: 261/10 1949 BOX: 261/11 1952-1959 BOX: 261/12 1960-1968 BOX: 261/13 1970-1974 BOX: 261/14 1975-1979 BOX: 261/15 261/16 Reti, Rudolph, 1948-1951 261/17 Richie, Donald, 1962-1969 261/18 Riegger, Wallingford, 1956-1957 261/19 Robbins, Jerome, 1956-1986 261/20 Rochberg, George, 1951-1968 261/21 Rogers, Bernard, 1944-1956 261/22 Rorem, Ned, 1944-1984 261/23 Rouse, Christopher, 1962-1981 III 261/24 Ruggles, Carl, 1931-1965 262/1 "Sa-Sma" miscellaneous

Folders:

Safonoff, W. Salkind, Milton Saminsky, Lazare Sargeant, Winthrop Sás, Andrés Scherchen, Hermann Scherman, Thomas Schneider, Alexander Searle, Humphrey Seeger, Charles Serebrier, José Serkin, Rudolf Serly, Tibor Sessions, Barbara Sevitzky, Fabien Shaffer, Elaine Shapey, Ralph Shaw, Robert Shepherd, Arthur Sherry, Fred Shifrin, Seymour Shneerson, Grigori Siqueira, José Slatkin, Leonard Smallens, Alexander 262/2 "Smi-Sz" miscellaneous

Folders:

Smith, Gregg Smith, Melville Smith, Oliver Sokoloff, Noel Somers, Harry Spender, Stephen Spivakovsky, Tossy Starer, Robert Stein, Gertrude (Letter to) Stevens, Bernard Stevens, Roger Stravinsky, Vera Strouse, Charles Sundgaard, Arnold Surinach, Carlos Swanson, Howard 262/3 Samuel, Gary, 1948-1966 262/4 Sanjuán, Petro, 1946-1952 262/5 Santa Cruz, Domingo, 1941-1965 262/6 Santoro, Claudio, 1942-1969 262/7 Sapp, Allen D., 1942-1953 262/8-9 Schaffer, Aaron, 1916-1921

Folders:

1916 - 1919 Aug. BOX: 262/8 1919 Sept. - 1921 BOX: 262/9 262/10 Schippers, Thomas, 1954-1974 262/11 Schoenberg, Arnold, 1949-1950 262/12 Schuller, Gunther, 1965-1977 262/13-14 Schuman, William, 1938-1986

Folders:

1938-1959 BOX: 262/13 1960-1986 BOX: 262/14 262/15-25 Sessions, Roger, 1926-1935, 1953-1973

Folders:

1926-1927 BOX: 262/15 1928 BOX: 262/16 1929 BOX: 262/17 1930 BOX: 262/18 1931 BOX: 262/19 1932 BOX: 262/20 1933 BOX: 262/21 1934 BOX: 262/22 1935 BOX: 262/23 1953-1973 BOX: 262/24 Photocopies of AC letters to RS, 1930-1935, 1953, 1960, n.d. BOX: 262/25 262/26 Shanet, Howard, 1949-1966 262/27 Shapiro, Harold, 1940-1970 262/28 Shawe-Taylor, Desmond, 1954-1973 262/29 Shostakovitch, Dmitri, 1958-1969 262/30 Sidlin, Murry, 1974-1987 262/31 Siegmeister, Elie, 1932-1988 262/32 Sims, Ezra, 1961-1981 262/33 Slonimsky, Nicholas, 1927 263/1-5 Smit, Leo, 1944-1983

Folders:

1944-1956 BOX: 263/1 1957-1969 BOX: 263/2 1970-1976 BOX: 263/3 1977-1983 BOX: 263/4 Miscellaneous BOX: 263/5 263/6 Smith, Carleton Sprague, 1940-1951 263/7 Smith, Julia, 1948-1958 263/8 Smith, Russell, 1949-1977 263/9 Steigerwalt, Gary, 1977-1979 263/10 Steinbeck, John, 1964-1972 263/11 Steinberg, William, 1946-1969 263/12 Stern, Isaac, 1960-1977 263/13 Stevens, Halsey, 1948-1955 263/14 Stevenson, Adlai, 1962-1965 263/15 Stokowski, Leopold, 1930-1969 263/16 Stravinsky, Igor, 1950-1967 263/17 Strickland, William, 1943-1954 263/18 Swanson, Howard, 1948-1967 263/19-25 Sykes, Gerald, 1925-1932, 1934-1980

Folders:

1925-1926 BOX: 263/19 1927-1928 BOX: 263/20 1929-1930 BOX: 263/21 1931-1932 BOX: 263/22 1934-1945 BOX: 263/23 1946-1960 BOX: 263/24 1961-1980 BOX: 263/25 263/26 Sykes, James, 1943-1981 263/27 Szell, George, 1947-1968 264/1 "T" miscellaneous

Folders:

Taggard, Genevieve Tansman, Alexandre Thurmond, Strom Tibbett, Lawrence Tocco, James Tosar, Héctor Tristano, Lennie Tureck, Rosalyn Turner, Charles 264/2 Takemitsu, Toru, 1966-1967 264/3 Talma, Louise, 1960-1980 264/4 Tcherepnin, Alexander, 1964-1986 264/5 Temianka, Henri, 1965-1986 264/6 Thomas, John P., 1967-1978 264/11 Thomas, Michael Tilson, 1969-1970 264/7 Thompson, Timothy, 1970 264/8 Thompson, Randall, 1950-1960 264/9 Thomson, Virgil, 1931-1988 264/10 Thorne, Francis, 1966-1978 264/12 Tippett, Michael, 1944-1970 264/13 Toback, John, 1963-1967 264/14 Toch, Ernst, 1942-1962 264/15 Tower, Joan, 1988 264/16 Trimble, Lester, 1952-1977 264/17 Turpin, Jim, 1946 264/18 "U-V" miscellaneous

Folders:

Ussachevsky, Vladimir Van Loon, Willem Hendrik Varèse, Edgar Varon, Lorna Cooke de Veress, Sándor Verrall, John Vincent, John [Unidentified]

Folders:

Unidentified BOX: 264/19 Unidentified BOX: 264/20 Unidentified BOX: 264/21 Unidentified BOX: 264/22 Unidentified BOX: 265/1 Unidentified BOX: 265/2 Unidentified BOX: 265/3 265/4 Vainio, Lempi, 1967 265/5 Van Vechten, Carl, 1944-1945 265/6 Vauaerteuryck, Mueille, 1967-1973 265/7 Vega, Aurelio de la, 1958-1959 265/8 Villa-Lobos, Heitor, 1947-1966 265/9 "W" miscellaneous

Folders:

Waart, Edo de Wallenstein, Alfred Warren, Robert Penn Waxman, Franz Watts, André Weber, Ben Weisberg, Arthur Welles, Orson Wescott, Glenway Whitemann, Paul Wilson, Edmund Wuorinen, Charles Wyler, William 265/10-11 Walker, David, 1953-1976

Folders:

1953-1976 BOX: 265/10 Undated BOX: 265/11 265/12 Ward, Robert, 1944-1987 265/13 Weisgall, Hugo, 1950-1977 265/14 Wiener, Alma, 1930-1953 265/15 Wilder, Thorton, 1948-1970 265/16 Wilson, Richard, 1969-1983 265/17 Wolpe, Stefan, 1948-1980 265/18 Wooldridge, David, 1970-1973 265/19 Wyner, Yehudi, 1947-1978 265/20 "X-Y-Z" miscellaneous

Folders:

Young, La Monte Zimbalist, Efrem 265/21 Xenakis, Iannis, 1963-1969 265/22 Zupko, Ramon, 1957-1975 266-314 467A 467B General Correspondence, 1935-1991

The subseries, General Correspondence (1935 to 1991) comprises a variety of day-to-day mail, which Copland reviewed, from individuals and businesses. The letters include requests to lecture and conduct and for permissions, birthday and holiday greeting cards from family, friends and school children, and fan mail.

Includes letters, telegrams and greeting cards. Arranged alphabetically by correspondent's name, except greeting cards, then chronologically.

 266 Aa - American Israel 267 American Jewish - Az 268 Ba - Benz 269 Ber - Boz 270 Bra - Bz 271 Ca - Caten 272 Catholic - Columbus 273 Combith - Cz 274 Da - Dz 275 Ea - Ez 276 Fa - Fz 277 Ga - Gz 278-291 Greeting Cards 467A Greeting Cards 467B Greeting Cards 292 Ha - Hec 293 Hel - Hz 294 Ia - Iz 295 Ja - Jz 296 Ka - Kz 297 La - Lz 298 Ma - Meh 299 Mel - Mz 300 Na - Ne 301 New - Nz 302 Oa - Oz 303 Pa - Philh 304 Pi - Qz 305 Ra - Rz 306 Sa - Serv 307 Sha - Spey 308 St - Sz 309 Ta - Tz 310 Ua -Uz 311 Va - Vz 312 Wa - Weste 313 Wf - Wz 314 Xa - Zz 315-383 Professional Papers, 1917-1990

The Professional Papers are divided into two sections, Business Organizations and Engagements. The Business Organizations include records that pertain to Copland's affiliation with and service for various private, public, and governmental agencies, organizations, and councils, at the local, national, and international level and material that relate to numerous publishers, agents and foundations. Voluminous records exist for the Arrow Music Press (formerly, Cos Cob Press), for which Copland served as Treasurer, and for Boosey & Hawkes, his music publisher, which include letters about score corrections for his music. Other significant material are the Copland-Sessions Concerts of Contemporary Music, the Koussevitzky Music Foundation, the League of Composers, Modern Music, the Edward MacDowell Association, and Tanglewood which includes material on the Berkshire Music Center and the Boston Symphony Orchestra. The Engagements represent correspondence and other material between organizations for which Copland performed, spoke or conducted, or from whom he was bestowed an award or honor. The organizations include orchestras, universities and colleges, festivals, museums, and societies. The most notable events are his trips to Latin America in 1941 and 1947 and his frequent appearances with the London Symphony, New York Philharmonic, and National Symphony orchestras.

Arranged by subseries.

 315-357 Business Organizations, 1922-1990 315/1 Aaron Copland Young Composers Competition, 1984, 1989 315/2 Alfred A. Knopf, Inc., 1964-1966 315/3 Alphonse-Leduc, 1928, 1957 315/4 American Academy in Rome, 1986-1987 American Academy of Arts & Letters Correspondence 315/5 1940-1959 315/6 1960-1971 315/7 1972 315/8 1973 315/9 1974 315/10 1975-1981 315/11 Notes 315/12 Programs 315/13 Speeches 315/14 American Academy of Arts and Sciences, 1968 315/15 American Committee for Democracy and Intellectual Freedom, 1940-1950 American Composers Alliance 315/16 Bulletin 315/17 Controversy with American Society of Composers, Authors, and Publishers (ASCAP) 315/18 Copyright Act of 1940 Correspondence 315/19 1939 315/20 1940 315/21 1941 315/22 1942 315/23 1943, Jan.-Jun. 315/24 1943, Jul.-Dec. 316/1 1944 316/2 1945 316/3 1949-1951 316/4 Membership Lists 316/5 Minutes of Meetings 316/6 Miscellaneous 316/7 American Council on Education, 1962, 1964 316/8 American Federation of Musicians, 1978 316/9 American Friends of the Aldeburgh Festival, 1974-1979 American International Music Fund, Inc. Correspondence 316/10 1952-1956 316/11 1957-1960 316/12 1961-1966 316/13 1967-1971 316/14 1972-1978 American Music Center Correspondence 316/15 1940-1951 316/16 1952-1988 316/17 American Music Publishers, Inc., 1965-1966 316/18 American Music Rental Library, 1940 316/19 American Musicological Society, 1978-1979 316/20 American Piano Company, 1927 American Society of Composers, Authors, and Publishers (ASCAP) 317/1 Awards Panel, 1960-1975 317/2 Board of Directors, 1974 317/3 Brochures 317/4 Bulletin 317/5 Committee Reports, 1973-1974 317/6 Contracts, 1946-1975 Correspondence 318/1 1940-1949 318/2 1950-1959 318/3 1960-1967 318/4 1968-1987 318/5 Desk Book, 1974 318/6 Financial Statements, 1961-1981 318/7 Lectures 318/8 Legal Papers 319/1 Miscellaneous Royalty Statements 319/2 1948-1960 319/3 1961-1970 319/4 1971-1980 319/5 1981-1986 319/6 1987-1989 American-Soviet Music Society 320/1 Agendas 320/2 By-Laws 320/34 Correspondence, 1946-1947 320/5 Notes for Speeches 320/6 Press Releases 320/7 Programs 320/8 American Symphony Orchestra League, Inc., 1955-1957, n.d. Arrow Music Press Inc. 320/9 American Music Center, Inc. 320/10 Background 320/11 Bank Books Bank Statements 320/12 1938-1940 320/13 1941 320/14 1947-1949 320/15 1950-1951 320/16 1952-1953 320/17 1954-1955 320/18 1959, 1972 320/19 Catalogs Checks 321/1 4/4/40-5/28/40 321/2 12/2/40-5/26/41 321/3 5/27/41-12/7/43 321/4 4/16/47-4/1/49 321/5 4/49-5/50 321/6 5/50-4/51 321/7 4/51-4/53 321/8 5/53-5/54 321/9 5/54-5/59 321/10 4/55, 11/72 Check Stubs 321/11 5/48-4/51 321/12 4/51-12/55 321/13 4/55 321/14 1/56-3/61 322/1 Contracts, 1930-1956 Correspondence 322/2 A-L, 1938-1972 American Music Center, Inc. 322/3 1942-1950 322/4 1952-1958 Arrow Music Press 322/5 1938-1942 322/6 1943-1949 322/7 1950-1972, n.d. 322/8 Associated Music Publishers & Co., 1941-1960 322/9 Barrios, Hilliard, Sain, & Co., 1949-1957 322/10 Boosey & Hawkes, Inc., 1944-1962 322/11 Broadcast Music, Inc., 1947-1957 322/12 Cone, Herbert A., 1954-1955 322/13 Engel, Lehman, 1940-1957 322/14 Harold Flammer, Inc., 1938-1940 322/15 Ives, Harmony T., 1950-1956 322/16 M-W, 1938-1972 322/17 Weissberger, L. Arnold, 1948-1952 322/18 Weissberger & Frosch, 1953-1957 322/19 "Cos Cob Press and the American Composer" by Carol Oja Deposit Receipts 323/1 1939-1941 323/2 1948-1950 323/3 1952-1962 Financial Statements 323/4 American Music Center 323/5 Arrow Music Press, Inc. 323/6 Miscellaneous 323/7 List of Composers 323/8 Miscellaneous 323/9 Notes 323/10 Production Expenditures Royalty Statements 323/11 A-B 323/12 Boosey & Hawkes 323/13 Broadcast Music, Inc. 323/14 C 323/15 D-G 323/16 H-K 323/17 L-P 323/18 Radio 323/19 R-S 323/20 T-W 323/21 Tax Records 324/1 Arts Club of Chicago, 1930 324/2 Asociación Interamericana de Música (A.I.M), 1955-1957, n.d. 324/3 Associated Musicians of Greater New York, 1966 BMG Music See: Radio Corporation of America BOX: xxx 324/4 Ballet Russe de Monte Carlo, 1942-1949 Ballet Theatre (Ballet Caravan) 324/5 Contracts, 1938-1964 324/6 Correspondence, 1938-1969 324/7 Miscellaneous Basil Douglas, Ltd. Correspondence 324/8 1961-1969 324/9 1970-1973 324/10 1974-1980 Belock Recording Co. See: Everest Records BOX: xxx 324/11 Belwin Mills Publishing Corp., 1940-1987 Berkshire Music Center See: Tanglewood BOX: xxx Berkshire Music Festival See: Tanglewood BOX: xxx Bernays & Eisner See: Friedman, Abraham BOX: xxx See: Koussevitzky Music Foundation, Inc. BOX: xxx 324/12 Black, Mrs. Charles W., 1951 Boosey & Hawkes, Inc. 324/13 Biography 324/14 Bulletins 324/15 Catalogs 324/16 Clippings, 1964-1971 Contracts 324/17 1938-1949 324/18 1950-1959 324/19 1960-1969 324/20 1970-1980 Correspondence 325/1 A-B, 1946-1988 Copland, Aaron 325/2 1938 325/3 1939 325/4 1940 325/5 1941 [Jan.-May] 325/6 1941 [June-Dec.] 325/7 1942 [Jan.-Aug.] 325/8 1942 [Sept.-Dec.] 325/9 1943 [Jan.-Mar.] 325/10 1943 [Apr.-Dec.] 325/11 1944 [Jan.-June] 325/12 1944 [July-Dec.] 325/13 1945 325/14 1946 [Jan.-June] 325/15 1946 [July-Dec.] 325/16 1947 [Jan.-July] 325/17 1947 [Aug.-Dec.] 325/18 1948 [Jan.-July] 325/19 1948 [Aug.-Dec.] 325/20 1949 [Jan.-July] 325/21 1949 [Aug.-Dec.] 325/22 1950 325/23 1951 [Jan.-Mar.] 326/1 1951 [May-Dec.] 326/2 1952 [Jan.-July] 326/3 1952 [Aug.-Dec.] 326/4 1953 326/5 1954 326/6 1955 [Jan.-June] 326/7 1955 [July-Dec.] 326/8 1956 326/9 1957 326/10 1958 326/11 1959 326/12 1960 326/13 1961 326/14 1962 [Jan.-Aug.] 326/15 1962 [Sept.-Dec.] 326/16 1963 [Jan.-June] 326/17 1963 [July-Dec.] 326/18 1964 [Jan.-Apr.] 326/19 1964 [May-Sept.] 326/20 1964 [Oct.-Dec.] 327/1 1965 [Jan.-July] 327/2 1965 [Aug.-Dec.] 327/3 1966 [Jan.-July] 327/4 1966 [Aug.-Dec.] 327/5 1967 [Jan.-July] 327/6 1967 [Aug.-Dec.] 327/7 1968 [Jan.-July] 327/8 1968 [Sept.-Dec.] 327/9 1969 327/10 1970 327/11 1971 [Jan.-June] 327/12 1971 [Sept.-Dec.] 327/13 1972 [Jan.-Aug.] 327/14 1972 [Sept.-Dec.] 327/15 1973 [Jan.-July] 327/16 1973 [Aug.-Dec.] 327/17 1974 327/18 1975 [Jan.-May] 327/19 1975 [June-Dec.] 327/20 1976 327/21 1977 328/1 1978 328/2 1979 [Jan.-Mar.] 328/3 1979 [Apr.-Dec.] 328/4 1980 328/5 1981 328/6 1982 328/7 1983 [Jan.-July] 328/8 1983 [Aug.-Dec.] 328/9 1984 328/10 1985 328/11 1986 [Jan.-Aug.] 328/12 1986 [Sept.-Dec.] 328/13 1987 [Jan.-Aug.] 328/14 1987 [Sept.-Dec.] 328/15 1988 [Jan.-May] 328/16 1988 [July-Dec.] 328/17 1989-1990 328/18 Undated 328/19 C-L, 1936-1976 328/20 M-R, 1957-1984 328/21 S-Z, 1929-1974 329/1 Invitations Lists 329/2 Materials for Works 329/3 Performances 329/4 Scores to be Sent 329/5 Works in Libraries 329/6 Memos 329/7 Miscellaneous Newsletters 329/8 Bonn, 1969-1981 329/9 Budapest, 1969 329/10 London, 1968-1990 329/11 New York, 1944-1986 329/12 Paris, 1960-1964 329/13 Notes, 1951-1977 329/14 Performance Surveys of Orchestras 329/15 Press Releases 329/16 Program Notes 329/17 Promotional Material 329/18 Receipts Royalty Statements 330/1 1939-1944 330/2 1945-1947 330/3 1948-1949 330/4 1950-1951 330/5 1952-1953 330/6 1954-1956 330/7 1957-1959 330/8 1960-1962 331/1 1963-1964 331/2 1965-1966 331/3 1967-1968 331/4 1969 331/5 1970-1971 331/6 1972-1973 332/1 1974 332/2 1975 332/3 1976 332/4 1977 332/5 1978 332/6 1979 333/1 1980-1981 333/2 1982 333/3 1983-1984 333/4 1985-1986 333/5 1988 Score Corrections 329/19 Appalachian Spring - Dance Symphony 329/20 Emblems Orchestral Score - Orchestral Variations 329/21 Piano Concerto - Third Symphony, untitled 334/1 Boston Musica Viva, 1979, 1988 Boston Symphony Orchestra Correspondence 334/2 1940-1952 334/3 1953-1969 334/4 1970-1981, n.d. 334/5 Programs See also: Tanglewood BOX: xxx 334/6 Boston University, College of Music, 1952 334/7 Bozell & Jacobs, Inc., 1981 334/8 Brandeis University, 1955-1980 334/9 British Broadcasting Co. (BBC), 1958-1986 334/10 Britten Estate, 1980-1981 CBS See: Columbia Broadcasting Systems (CBS) BOX: xxx C. C. Birchard and Company 334/11 Contract, 1937 334/12 Correspondence, 1937-1939, n.d. C-C Clubs, Inc. See: Concert Hall Society, Inc. BOX: xxx 334/13 Carl Fischer, Inc., 1935-1987 334/14 Century Association, The, 1967-1985 334/15 Chappell and Co., Inc., 1943 Charles Ives Society, Inc. 334/16 Correspondence, 1966-1984 334/17 Essays 334/18 Ives Review 334/19 Miscellaneous, 1939-1981 335/1 Charles Scribner's Sons, 1966 335/2 Chelsea House Publishers, 1967 335/3 Civic Films, Inc., 1939-1950 Columbia Artists Management Correspondence 335/4 1948-1972 335/5 1973-1977 335/6 1978-1979 335/7 1980-1984 335/8 Miscellaneous 335/9 Columbia Broadcasting System (CBS), 1936-1976 Columbia Broadcasting System (CBS) / Columbia Records 335/10 Contracts, 1935-1986 Correspondence 335/11 1946-1969 335/12 1970-1987 335/13 Miscellaneous 336/1-2 Royalty Statements, 1935-1988 336/3 Columbia Gramophone Company, Ltd., 1936 Columbia Pictures Publication, 1962-1969 See: Belwin Mills Publishing Corp. BOX: xxx 336/4 Columbia University, 1962-1969 336/5 Commonwealth Fund, 1956-1964, n.d. 336/6 Composers' Forum, 1940-1966 336/7 Composers Recordings, Inc., n.d. 336/8 Concert Hall Society, Inc. 1947-1960 336/9 Concerts Management (London) Ltd., 1958 336/10 Copland School of Music, Queens College, 1981-1985 Copland-Sessions Concerts of Contemporary Music 337/1 Article, "A Chronicle of Copland-Sessions..." by Carol Oja 337/2 Clippings, 1928-1931 337/3 Correspondence, 1928-1988 337/4 Programs 337/5 Sessions, Roger Cos Cob Press See: Arrow Music Press BOX: xxx 337/6 Crescent Productions, Inc., 1943 Cuban-American Music Group 337/7 Correspondence, 1944-1946 337/8 Miscellaneous 337/9 Publications 337/10 Curtis Publishing Company, 1959 337/11 Czech Music Foundation, 1965-1968 337/12 Decca Record Company, Ltd., 1948-1959 337/13 de Mille, Agnes, [Tragic Ground], 1945, n.d. See also: Correspondence, Personal BOX: xxx Department of State See: United States Government BOX: xxx Doubleday & Co., Inc. 337/14 Contracts, 1959, n.d. 337/15 Correspondence, 1940-1979 337/16 Royalty Statements, 1961-1988 337/17 Durand & Cie., 1950 E. C. Schirmer Music Co. 337/18 Correspondence, 1940-1965 337/19 Royalty Statements, 1932-1976 337/20 E. P. Dutton & Company, n.d. 337/21 Éditions Maurice Senart, 1922 337/22 Éditions Salabert, Inc., 1942-1976 Edward MacDowell Association, Inc. 338/1 Announcements, 1953 338/2 Annual Reports, 1957-1958 338/3 Applications 338/4 Articles, 1962-1981 Background 338/5 Alphi Chi Omega; Care and Feeding of Artists 338/6 A history of the MacDowell Colony 338/7 Story of the MacDowell Colony Bulletin 338/8 News, 1957-1966 338/9 Personal Notes of Artists, 1963 338/10 Certificate of Incorporation and By Laws, 1959-1960 338/11 Charts: Artists in Residence, 1948-1968 Clippings 338/12 1950-1965 338/13 1966-1976 Correspondence 338/14 A-B, 1962-1969 338/15 C-D, 1952-1974 338/16 E-G, 1962-1970 338/17 H-I, 1963-1975 338/18 Hale, Kay & Grant and Meyerson, 1961-1965 338/19 J-K, 1954-1967 338/20 Keene Publishing Corporation, 1961-1968 Kendall, George 338/21 1959-1966 338/22 1967-1970 339/1 L-M, 1952-1968 MacDowell, Mrs. Edward 339/2 1933-1956 339/3 1950-1957 339/4 1960-1962 339/5 1963-1964 339/6 1965-1966 339/7 1967-1969 339/8 Undated MacDowell Colony 339/9 1959-1961 339/10 1962 [Jan.-Aug.] 339/11 1962 [Sept.-Dec.] 339/12 1963 [Jan.-May.] 339/13 1963 [June-Dec.] 339/14 1964 [Jan.-July] 339/15 1964 [Aug.-Dec.] 339/16 1965 [Jan.-Aug.] 339/17 1965 [Sept.-Dec.] 339/18 1966 339/19 1967 339/20 1968 [Jan.-May] 339/21 1968 [June]-1969 340/1 1970-1971 340/2 1972-1974 340/3 1975-1976 340/4 1977-1979 340/5 1980-1990 340/6 Undated 340/7 N-Q, 1956-1968 340/8 Ruder & Finn, 1963-1968 340/9 R-S, 1961-1968 340/10 Security First National Bank, 1964 340/11 T-Z, 1959-1970 Financial Records 340/13 Income & Expenses, 1960-1966 340/12 Income & Expense Projections, 1962-1967 340/14 Miscellaneous, 1962-1967 340/15 Security Holdings, 1958-1966 Financial Reports 340/16 Fund Raising Survey, 1961 340/17 Investment, 1966-1968 340/18 Financial Statements, 1962-1966 340/19 Invitations 340/20 Lists 340/21 Maps 340/22 Meetings, 1956-1968 340/23 Memos, 1962-1980 340/24 Newsletter: Colony, 1979 340/25 Notes 340/26 Peterborough 340/27 Programs, 1963-1981 340/28 Promotional Material 340/29 Reply Cards 340/30 Reports, 1952, 1980-1981 340/31 Speeches, 1961-1971 341/1 Edwin A. Fleisher Music Collection, 1940-1951 Everest Records 341/2 Contracts, 1958-1960 341/3 Royalty Statements, 1959-1978 Everett, Horace See: Johns, Erik BOX: xxx Festival of Contemporary Music See: Yaddo (Festival of Contemporary Music) BOX: xxx 341/4 Fisk University Library, 1945 341/5 Fontainebleau School of Music, Summer Session, 1982 341/6 Ford Foundation, 1959-1979 Friedman, Abraham (Bernays & Eisner) Correspondence 341/7 1953-1964 341/8 1965 341/9 1966 341/10 1967-1968 341/11 1970-1971 Fromm Foundation (Paul Fromm) Correspondence 341/12 1959-1967 341/13 1968-1983 341/14 G. Schirmer, Inc., 1965-1985 341/15 General Learning Corporation, 1971-1977 341/16 George Enescu Society of the United States, 1986 341/17 Group Theatre, 1939, [Quiet City] H. W. Gray Co., Inc. See: Belwin Mills Publishing Corp. BOX: xxx Harvard University 341/18 Correspondence, 1951-1952, 1965 341/19 Pamphlets Harvard University Press 341/20 Contracts, 1952, 1964 341/21 Correspondence, 1953-1981 341/22 Royalty Statements, 1953-1988 341/23 Hewlett-Woodmere Public Schools, 1975 342/1 Independent Citizens' Committee of the Arts, Sciences and Professions, Inc., 1946 342/2 Institute of Contemporary Arts, 1959 342/3 Inter-American Foundation for the Arts, 1965 Inter-American Music Center See: Pan American Union BOX: xxx International Society for Contemporary Music (ISCM) 342/4 Committees, 1955-1958, n.d. 342/5 Correspondence, 1948-1966, n.d. 342/6 Minutes, 1955-1958 342/7 International Television Trading Corp., 1986 342/13 John F. Kennedy Center for the Performing Arts, 1978-1982 John Simon Guggenheim Memorial Foundation 342/8 Annual Reports, 1971-1978 342/9 Correspondence, 1925-1973 342/10 Johns, Erik, 1986 342/11 Juilliard School, 1975-1984 342/12 Kiesgen et Giovanna, Bureau International de Concerts, 1929 Koussevitzky Music Foundation, Inc. Agenda 343/1 1950-1969 343/2 1971-1981, n.d. 343/3 Articles Catalogs of Commissioned Works 343/4 1951-1952 343/5 1958, 1967 343/6 Certificate of Incorporation and By-Laws 343/7 Clippings, 1968-1979 343/8 Contracts, 1949-1951 Correspondence 343/9 A-B, 1949-1978 343/10 Bernays & Eisner, 1956-1969 343/11 C, 1957-1983 343/12 E-G, 1953-1973 343/13 H-K, 1957-1979 Koussevitzky Music Foundation, Inc. 343/14 1942-1946 343/15 1947-1949 343/16 1950-1952 343/17 1953-1959 343/18 1960-1961 343/19 1962-1968 343/20 1970-1976 343/21 1977 343/22 1978-1979 343/23 1980 343/24 1981-1982, n.d. 344/1 Koussevitzky Recordings Society, 1987-1989 Koussevitzky, Olga 344/2 1938-1965 344/3 1966-1969 344/4 1970-1974 344/5 1975-1977, n.d. 344/6 Library of Congress, 1950-1979 344/7 L-R, 1956-1975 344/8 S-Z, 1944-1973 344/9 University of Rochester, 1945-1962 344/10 Financial Statements, 1944-1978 344/11 Invitations Lists of Commissions 344/12 1946-1964 344/13 1966-1973 Lists of Suggested Composers 344/14 1955-1969 344/15 1970-1978 344/16 Undated 344/17 Memos, 1960-1979 344/18 Minutes, 1944-1970 344/19 Miscellaneous 344/20 Notice of Meetings, 1951-1974 344/21 Press Releases 344/22 Programs 344/23 Proposals 344/24 Will, Olga Koussevitzky, 1970 League of Composers, Inc. 345/1 Administrative Records, 1934-1941 Correspondence 345/2 1943-1946 345/3 1947 345/4 1948 345/5 1949 345/6 1950-1952 345/7 1953-1954, n.d. 345/8 Dinner in honor of Serge Koussevitzky 345/9-11 International Society for Contemporary Music (ISCM), 1953-1970 345/12 Miscellaneous 345/13 Leonard Bernstein Foundation, Inc., 1958-1988 Library of Congress Correspondence 346/1 1933-1942 346/2 1943-1946 346/3 1947-1949 346/4 1950-1951 346/5 1952-1956 346/6 1957-1965 346/7 1966-1971 346/8 1972-1976 346/9 1977-1980 346/10 1981-1985 346/11 1986-1987, n.d. 346/12 Inventory of Compositions 346/13 Manuscripts Disposition Records 346/14 Miscellaneous 346/15 Lili Boulanger Memorial Fund, Inc., 1949-1980 Lincoln Center for the Performing Arts, Inc. 346/16 Conferences, 1956 Correspondence 346/17 1956-1970 346/18 1971-1986 346/19 Miscellaneous 346/20 Loew's Incorporated, 1946 347/1 Marc Blitzstein Memorial Foundation, Inc., 1964 347/2 Masada, Youth Zionist Organization of America, 1937 M.C.A. Artists Ltd. (affiliate of Music Corporation of America) 347/3 Contracts, 1939-1954 Correspondence 347/4 1939-1940 347/5 1941-1944 347/6 1945-1946 347/7 1947 347/8 1948-1949 347/9 1950-1966, n.d. 347/10 Miscellaneous McGraw-Hill Book Company, Inc. 347/11 Contracts, 1937-1988 Correspondence 347/12 1937-1949 347/13 1950-1988 Royalty Statements 347/14 1938-1958 347/15 1959-1989 347/16 Mercury Theatre, 1938-1941 347/17 Metro-Goldwyn-Mayer Pictures, 1946 Modern Music 348/1 Contracts, 1965-1966 Correspondence 348/2 1965 348/3 1966 348/4 1967-1968 348/5 1970-1971 348/6 1972-1973 348/7 1974-1976, n.d. Lederman, Minna "Mink" (Mrs. Mell Daniel) 348/8 From Aaron Copland, 1944-1973, n.d. To Aaron Copland 348/9 1935-1949 348/10 1950-1969 348/11 1970-1974 348/12 Undated 348/13 Miscellaneous Music Corporation of America See: M.C.A. Artists, Ltd. BOX: xxx 348/14 Music Educators National Conference, 1942 348/15 Music Project for Television, 1981 348/16 National Association for American Composers and Conductors, 1964 348/17 National Association of Educational Broadcasters Radio Network, n.d. 348/18 National Broadcasting Company, Inc., 1956-1974 National Council of American-Soviet Friendship, Inc. Correspondence 348/19 1943-1950 348/20 Miscellaneous 348/21 National Council of the Arts, Sciences, and Professions, 1949 348/22 National Educational Broadcasting Corporation, 1962-1970 National Endowment on the Arts 349/1 Correspondence, 1967-1968, n.d. 349/2 Miscellaneous 349/3 National Foundation on the Arts and Humanities, 1966-1967 National Institute of Arts and Letters Correspondence 349/4 1941-1959 349/5 1960-1969 349/6 1970-1976 349/7 Miscellaneous National Music Council, Inc. 349/8 Bulletins 349/9 Correspondence, 1939-1942 349/10 Miscellaneous 349/11 New Music Editions, A Quarterly Publishing Modern Compositions, 1928, 1941 349/12 New School for Social Research, 1928-1975 New York Philharmonic 349/13 Contracts, 1972-1980 Correspondence 349/14 1964-1969 349/15 1970-1988 349/16 Miscellaneous 349/17 New York Public Library, 1979 349/18 New York State Council on the Arts, 1971-1974 350/1 New York World's Fair, 1939 Norris, Frank See: Black, Mrs. Charles W. BOX: xxx 350/2 Ojai Festival, 1956, 1986 350/3 Ossabaw Island Project, 1961-1969 350/4 Paderewski Fund for the Encouragement of American Composers, 1952 350/5 Page, Ruth, [Hear Ye! Hear Ye!], 1934 350/6 Pan American Union (Inter-American Music Center), 1942-1967 350/7 Paramount Pictures Corporation, 1966 350/8 Paterson Management Limited, 1965 350/9 People's Songs, Inc., 1947 350/10 Phonographic Performance Limited, 1982, 1989 350/11 PolyTel Film Ltd., 1980 Prentice-Hall Media, Inc. / Schloat Productions 350/12 Correspondence, 1969, 1971 350/13 Royalty Statements, 1971-1982 350/14 Principal Artists Productions, 1940 350/15 Prometheus Enterprises, Inc., [Something Wild], 1961 350/16 Pulitzer Prize Advisory Board, 1966-1972 Radio Corporation of America (RCA Records) 350/17 Correspondence, 1948-1953 350/18 Notes Royalty Statements 350/19 1960-1974 350/20 1975-1989 350/21 Republic Productions, Inc., 1948 Riggs, Lynn See: de Mille, Agnes BOX: xxx Rockefeller Foundation 350/22 Annual Reports, 1968, 1970-1971 350/23 Correspondence, 1963-1982 350/24 Miscellaneous 350/25 St. Martin's Press, Inc., 1982-1987 Schloat Productions See: Prentice-Hall Media, Inc. / Schloat Productions BOX: xxx 351/1 Schott's Sons, 1927, 1930-1988 Sessions, Roger See: Copland-Sessions Concerts of Contemporary Music BOX: xxx 351/2 Silver Burdett Company, 1963-1980 Smith, Oliver See: de Mille, Agnes BOX: xxx Songwriters' Protective Association 351/3 Contracts, 1956-1958 351/4 Correspondence, 1955-1958 351/5 Miscellaneous 351/6 Springate Corporation, 1974-1986 351/7 Summy-Birchard Company, 1938-1979 See also: C. C. Birchard and Company BOX: xxx Tanglewood (Berkshire Music Center, Berkshire Music Festival) 351/8 Artist Information 351/9 Brochures 351/10 Clippings Composition Department 351/11 Applicants, 1940-1964 351/12 Completed Applications, 1958 351/13 Classroom Teaching Materials 352/1 Composer Catalogues 352/2 Departmental Memos 352/3 Formal Analysis 352/4 Notes, 1961 352/5 Contracts, 1970-1980 Correspondence 352/6 A, 1953-1963 352/7 B, 1952-1960 Berkshire Music Center 352/8 1941-1942 352/9 1952-1959 352/10 1961-1988, n.d. Boston Symphony Orchestra 352/11 1939-1957 352/12 1958-1962 352/13 1963-1980, n.d. 352/14 C, 1952-1980 352/15 D-F, 1952-1980 352/16 Fromm, Paul, 1956-1971 352/17 G-Z, 1952-1988 353/1 Departmental Announcements 353/2 Faculty and Staff Lists 353/3 Faculty Board Notes 353/4 Festival Calendar of Events 353/5 Forums 353/6 Fromm Concerts and Players 353/7 Fromm Music Foundation 353/8 Happenings 353/9 Memos 353/10 Miscellaneous 353/11 Notes 353/12 Opening Exercises [remarks by Copland] 353/13 Press Releases 353/14 Programs, 1947-1960 353/15 Promotional 354/1 Reports 354/2 Scholarships 354/3 Student Lists, 1940-1963 354/4 Symposium Programs 354/5 Tanglewood Talks, 1940-1942 354/6 Television Productions of America, Inc., 1965 Thea Dispeker Artists' Representative Correspondence 354/7 1963 354/8 1964 354/9 1965 354/10 1966 354/11 1967 354/12 1968 354/13 1969 354/14 1970 354/15 1971 354/16 1972 355/1 1973 355/2 1974 355/3 1975 355/4 1976-1977, 1979 355/5 1980-1983, n.d. 355/6 Miscellaneous 355/7 Theatre Guild, 1931 355/8 Thorne Music Fund, Inc., 1967-1968 United States Government 355/9-11 Committee for Inter-American Relations Correspondence 355/12 1940-1943 355/13 1944-1949 355/14 1950-1970 356/1 Universal-Edition, 1932 Universidad de Chile 356/2 Correspondence, 1943-1944 356/3 Miscellaneous 356/4A University of Oklahoma, 1958-1959 356/4B University of Rochester, 1969-1979 356/5 Vanguard Recording Society, Inc., (West Projects, Inc.), 1960-1983 Walter W. Naumberg Foundation, Inc. Correspondence 356/6 1946-1949 356/7 1950-1951 356/8 1952 356/9 1956-1958 356/10 1960-1961 356/11 1962-1965 356/12 1966-1977 356/13 Miscellaneous Warren Schloat Productions See: Prentice-Hall Media, Inc. / Schloat Productions BOX: xxx Watts, Schuyler See: de Mille, Agnes BOX: xxx West Projects, Inc. See: Vanguard Recording Society, Inc. BOX: xxx 356/14 WGBH Educational Television, 1965 Whittlesey House See: McGraw-Hill Book Company, Inc. BOX: xxx 356/15 William Morris Agency, 1955 357/1 WNCN Radio, 1968-1970 357/2 WNDT Educational Broadcasting Corporation, 1967-1968 357/3 Workers' Music Association Ltd., 1944-1954 357/4 World Law Fund, n.d. 357/5 World Peace Conference, 1949 357/6 W. W. Norton & Company, 1957-1981 Yaddo (Festival of Contemporary Music) 357/7 Clippings 357/8 Conferences 357/9 Correspondence, 1932-1987 357/10 Notes 357/11 Programs 358-383 Engagements, 1917-1983 358/1 1917 Feb. 28, John Wanamaker, New York 358/2 1918 Jun. 21, Boy's High School 358/3 1927 Jan. 28 to 1927 Jan. 29, Boston Symphony 358/4 1927 Feb. 3, Boston Symphony (BSO in New York) 358/5 1928 Dec. 17, New School for Social Research 358/6 1929 Jan. 27, Cleveland Museum of Art 358/7 1929 Apr. 25, League of Composers / Metropolitan Opera House 358/8 [c.1933] Mar. 16, Pierre Degeyter Club 358/9 1934 Apr. 8, League of Composers 358/10 1934 May 11, Pierre Degeyter Club [lecturer] 358/11 1935 Dec. 7, Town Hall 358/12 1936 Dec. 9, Hotel Delano / League of American Writers [lecturer] 358/13 1937 Feb. 3 to 1937 Apr. 7, New School 358/14 1938 Feb. 23, High-Low Concerts / Hotel St. Regis 358/15 1938 May 27, Westminster Choir School [unclear whether AC participated] 358/16 1938 Nov. 30, Bronxville Women's Club 358/17 1939 Feb. 18, Brooklyn Museum 358/18 1939 Apr. 19, Bowdoin College 358/19 1940 Jan. 11, Brooklyn Institute of Arts and Sciences 358/20 1940 Jan. 12, Pro Musica, Inc. 358/21 1940 Dec. 5, High School of Music and Art Steigman, Benjamin M. (4,0) 358/22 1940 Dec. 12, South Orange-Maplewood Adult School [lecturer] 358/23 1941 Jan. 6, Allentown Musical Club 358/24-28 1941 Aug. 19 to 1941 Dec. 13, Latin America

Folders:

Avisada, Panagra (1,0) Corrêa de Azevedo, Luiz Heitor (1,0) Freitas, Maria de (1,0) Koseleff, Alexander (1,0) Lange, Francisco Curt (6,0) Lima, José Inácio Cabral (1,0) Moe, Henry Allen (2,0) Pereira, Antonio de Sa (1,0) Quevedo, Antonio (1,0) Rexach, Conchita (0,1) Seeger, Charles (1,0) State Department (1,0) [correspondent unreadable] Trueblood, Edward G. (1,0) Universidad de Chile (1,0) [correspondent unreadable] Valcarenglis, Guido (1,0) [not sure about last name] 359/1 1942 Feb. 18, Octave Club [lecturer] 359/2 1942 Nov. 30, Town Hall 359/3 1943 Feb. 17, Town Hall Music Forum 359/4 1943 Mar. 28, University of Redlands [lecturer] 359/5 1944 Apr. 11, University of Chicago [lecturer] 359/6 1944 May 3 to 1944 May 31, Harvard University [year is estimated] 359/7 1944 Oct. 30, Library of Congress [Appalachian Spring premiere] 359/8 1945 Feb. 22, WNYC, American Music Festival 359/9-14 1947 Aug. 14 to 1947 Nov. 28, Latin America

Folders:

Amorim, Rone (5,0) Barry, Roberto F. (2,3) Belton, William (1,0) Boxhorn, Kurt (2,0) Brown, [?] (1,0) Depenbrock, John F. (1,0) Epstein, Leonard (1,0) Espinosa, Guillermo (1,0) Farrell, Gordon (3,3) Fay, Julio Cesar (1,0) Franklin, Albert B. (2,3) Ginastera, Alberto (0,1) Gropp, Arthur E. (2,1) Halpern, Federico (1,0) Hill, Howard (1,0) Kidder, Dorothy (0,1) Lange, Francisco C. (1,0) Luckey, Robert E. (1,1) Maggi, Carlos and Julio Bayce (1,0) Miller, George E. (1,0) Murphy, Edmund R. (1,0) Radio Sociedade Merryman (1,0) Rivera, Rodolfo O. (1,1) Santa Cruz, Domingo (0,1) Vidal, Armando (1,0) 359/15 1948 Apr. 5, League of Composers 359/16 1948 Sept. 22, Ballet Russe de Monte Carlo / Metropolitan Opera House 359/17 1948 Nov. 4 to 1948 Nov. 16, University of California, Los Angeles [lecturer] 359/18 1948 Dec. 19, Modern Institute of Art 359/19 1949 Feb. 24, Composers' Forums [moderator] 359/20 1949 May 14, England / United Kingdom 359/21 1949 Oct. 17, Wellesley College [conference participant] 359/22 1950 Apr. 12, Julius Hartt Musical Foundation 359/23 1950 Apr. 20, Women's City Club of New York 359/24 1950 May 18 to 1950 May 21 Columbia University / Festival of Contemporary Music 359/25 1950 Oct. 7, Griffith Music Foundation 359/26-27 1950 Oct. 26, Agnes Scott College

Folders:

Laney, Emma May (1,0) 359/28 1950 Nov. 9, Toronto Conservatory 359/29 1950 Nov. 30, New England Conservatory 360/1 1951 Feb. 15 to 1951 Mar. 31, Europe: Italy 360/2 1951 Apr. 13, Israel 360/3 1951 Jun. 2, Italy 360/4 1951 Nov. 13 to 1952 May 15, Harvard University / Norton Lectures 360/5 1952 Apr. 29, Dartmouth College 360/6 1952 May 16, Queens College 360/7 1952 May 28, Academy of Arts and Letters 360/8 1952 Nov. 2, New Friends of Music 360/9 1953 Apr. 27, George Peabody College 360/10 1953 Aug. 31, Mexico 360/11 1954 Mar. 20, International Society for Contemporary Music 360/12 1954 Apr. 30, Europe: Switzerland / London 360/13 1954 May 12, Boston University College of Music 360/14 [1954 Nov. 28?] Latin America: Venezuela 360/15 1955 Jan. 18, Baltimore Museum of Art 360/16 1955 Feb. 17, Oberlin College 360/17 1955 Mar. 8, Town Hall 360/18-19 [1955 Apr. 18 to 1955 Nov. 30?] Europe [2 trips]

Folders:

Barraud, Henry (2,0) Gobre, [?] (1,0) Helm, Everell (1,0) Strobel, Heinrich (1,0) Sudwestfunk, Baden-Baden (1,1) 360/20-21 1956 Jan. 11, National Symphony

Folders:

Black, Ralph (1,0) Cox, Oscar (0,1) Edwards, John (0,1) 360/22-23 1956 Jan. 12, Institute of Contemporary Arts / Corcoran Gallery

Folders:

Richman, Robert (1,0) 360/24-25 [1956 Jan. 14?] Mills College

Folders:

Kirchner, Leon (1,0) Lyon, Margaret E. (1,0) 360/26-27 1956 Jan 15, Stanford University

Folders:

Crosten, William L. (1,0) 360/28 1956 Jan. 16, University of California, Berkeley

Folders:

Connors, B. J. (1,0) 360/29 1956 Jan. 17, San Francisco Museum of Art

Folders:

Peterson, Clifford R. (1,0) 360/30-31 1956 Jan. 21, Vancouver Symphony

Folders:

Philips, Robert (1,0) 360/32 1956 Mar. 15, City College of New York 360/33 1956 Mar. 27, Institute of Contemporary Arts, Corcoran Gallery 360/34 1956 Jul. 21, Chicago Symphony / Ravinia Festival Association 360/35 1956 Dec. 6, Harvard Law School 360/36 1957 Jan. 30, New School 360/37 1957 Feb. 2, Institute of Contemporary Arts / Corcoran Gallery 360/38 1957 Feb. 3, University of Pennsylvania, Philadelphia 360/39-41 1957 Mar. 28, Latin America / Festivales de Musica Latinoamericana de Caracas 360/42 1957 Apr. 24, Cornell University 360/43 1957 Apr. 28, Ford Hall Forum 360/44 1957 May 24 to 1957 May 26, Ojai Festival 360/45 1957 Jun. 8, Brandeis University 360/46-47 1957 Oct. 10 to 1958 Jan. 16, University of Buffalo 361/1 1958 Jan. 30, New York Philharmonic 361/2 1958 Feb. 1, New York Philharmonic / Young People's Concerts [contract] 361/3 1958 Feb. 13, Illinois Wesleyan University 361/4 1958 Feb. 16, Washington University 361/5 1958 Feb. 21, Northwestern University 361/6 1958 Mar. 1, International Society for Contemporary Music / Fromm Music Foundation 361/7 1958 Mar. 2, University of Iowa, Cedar Rapids 361/8 1958 Mar. 6, University of Chicago 361/9 1958 Mar. 9, University of Wisconsin, Milwaukee 361/10 1958 Mar. 6, Canadian Music Association (Ontario) 361/11 1958 Apr. 13, Chamber Music Society of Baltimore 361/12 1958 Apr. 19, University of Louisville 361/13-14 1958 May 23 to 1958 May 25, Ojai Festival

Folders:

Morton, Lawrence (1,0) [contract] 361/15 1958 Jun. 9, Oberlin College 361/16-19 1958 Aug. 20, Europe: Dartington Hall Festival / Copenhagen / Stuttgart

Folders:

Alldis, Frances C. (1,0) 361/20-21 1958 Dec. 15, Little Orchestra Society [clippings only]

Folders:

Weissel, William L. (2,0) 361/22 1959 Jan. 2, St. Louis Symphony 361/23 1959 Jan. 13, Brandeis University Club / Hunter Playhouse [program only] 361/24 1959 Jan. 24, Academy of Music [clippings only] 361/25 1959 Jan. 29, Composers' Forums [clippings only] 361/26-27 1959 Apr. 10, Boston Symphony

Folders:

Perry, Thomas D. (1,1) 361/28 1959 Apr. 19, Syracuse University [clippings only] 361/29 1959 May 4, Temple University [clippings only] 361/30 1959 Jun. 14, Boston Symphony [clippings only] 361/31 1959 Jun. 22, WQED & WQEX-Pittsburgh

Folders:

Ziegler, John W. (3,0) 361/32 [1959 Jun. 23 to 1959 Jul. 12?] Festival of Two Worlds; Spoleto [clippings only] 361/33 1959 Jul. 26, Boston Symphony / Tanglewood, Berkshire Festival

Folders:

Perry, Thomas D. (2,0) 361/34 1959 Sept. 1, Princeton University 361/35 1959 Sept. 7 to 1959 Sept. 12, Edinburgh Festival [clippings only] 361/36 1959 Oct. 9 to 1959 Oct. 10, Carnegie Institute of Technology 361/37 1959 Nov. 19 to 1959 Nov. 21, Boston Symphony

Folders:

Perry, Thomas D. (1,0) 361/38 1959 Dec. 20, Columbia Symphony Orchestra / Town Hall [pianist with Barber, Sessions, Foss and conductor for Les noces] 361/39-40 1960 Jan. 1 to Jan. 5, Boston Symphony

Folders:

Perry, Thomas D. (2,0) [contracts] 361/41-42 1960 Jan. 11, Dallas Symphony

Folders:

Adler, Samuel (2,0) Watrous, Alan (1,0) 361/43 1960 Jan 11, North Texas State College 361/44 1960 Feb. 5, National Orchestral Association 361/45-48 1960 Mar. 14, Soviet Union

Folders:

Adams, David S. (1,0) [addressed to Elaine Fry of USIA] Colwell, Frederick A. (2,0) Khrennikov, Tikhon (1,0) Morton, Byron B. (1,0) Stepanov (1,0) Weise, Robert W. (0,1) [?], Laura (1,0) 361/49-50 1960 Apr. 11 to 1960 Apr. 24, London: London Symphony / BBC

Folders:

Andrewes, John (6,0) Bowling, Mary (1,0) Cruft, John (3,0) Douglas, Basil (1,0) Fleischmann, Ernest (5,0) Glazer, Ruth (1,0) Holton, Robert W. (1,0) Mott, Gunter (1,0) Whewell, Michael (2,0) 361/51 1960 Apr. 26, Goucher College 362/1-4 1960 Apr. 29 to 1960 Jun. 17, Far East / Boston Symphony

Folders:

Perry, Thomas D. (1,0) 362/5-6 1960 Jun. 22, Europe

Folders:

Britten, Benjamin (1,1) 362/7 1960 Aug. 13, Boston Symphony [contract only] 362/8-9 1960 Aug. 15 to 1960 Aug. 24, Aspen Music Festival

Folders:

Singer, Norman (5,0) 362/10 1960 Sept. 2, Symphony of the Air

Folders:

Toobin, Jerome (1,0) 362/11-12 1960 Nov. 7 to 1960 Nov. 13, New York Philharmonic / Young People's Concerts 362/13-14 1961 Jan 10, New Orleans Symphony

Folders:

Dailey, Jack F. (1,0) 362/15 1961 Jan. 26 to 1961 Feb. 2, Composers' Showcase / Museum of Modern Art 362/16 1961 Feb. 13, New York Philharmonic 362/17-18 1961 Feb. 23, University of Massachusetts, Amherst

Folders:

Canfield, Karen Anne Reseigh (1,0) 362/19-20 1961 Mar. 2, Dumbarton Oaks

Folders:

Thacher, John S. (6,0) 362/21 1961 Mar. 11 to 1961 Mar. 12, Tri-City Symphony

Folders:

Gigante, Charles (1,0) 362/22-23 1961 Mar. 24, University of Arizona, Tucson

Folders:

Buchhauser, Andrew (1,0) 362/24-25 1961 Mar. 26, Temple Beth Israel Forum

Folders:

Spector, Eleanor W. (1,0) 362/26 1961 Apr. 19, Peabody Institute 362/27-28 1961 Apr. 20, University of Delaware

Folders:

Loudis, Anthony J. (2,0) 362/29-30 1961 Apr. 23, WJR-Detroit / Detroit Adventure

Folders:

Birenbaum, William M. (1,0) Haas, Karl (1,0) 362/31 1961 Apr. 25, Inter American Festival / Centro Interamericano de Musica

Folders:

Espinosa, Guillermo (3,0) [illegible] (1,0) 362/32 1961 Apr. 27, Brandeis University 362/33 1961 Apr. 28, Wayne State University 362/34-35 1961 May 6, Ann Arbor May Festival / Philadelphia Orchestra

Folders:

Hall, Roger (1,0) Rector, Gail (1,0) 362/36 1961 May 7, Contemporary Concerts Inc., Chicago

Folders:

Welch, John (3,0) 363/1-3 1961 May 11 to 1961 Jun. 12, Europe: United Kingdom / Yugoslavia / Spain

Folders:

Abbey, Denise (3,0) Alexander, Edward (1,0) Andrewes, John (1,0) Colwell, Frederick A. (6,1) Douglas, Basil (5,0) Henry, George D. (1,1) Horton, Rod (1,0) Mason, Francis S. (2,0) 363/4 1961 Jun. 28, Boston Symphony / Tanglewood, Berkshire Festival [contract only] 363/5-6 1962 Jan. 15, Seattle Symphony [contract only] 363/7-8 1962 Jan. 21, Vancouver Symphony 363/9-10 1962 Feb. 1 to 1962 Feb. 7, Japan

Folders:

Uemura, Kogoro (1,0) 363/11-13 1962 Feb. 8 to 1962 Mar. 1, England / United Kingdom

Folders:

Carroll, Mark (1,0) [note on letter to Mollie Waters] Douglas, Basil (1,0) Fleischmann, Ernest (2,0) Gustave, H. (1,0) [Tuneeya?], Marie (1,0) 363/14 1962 Jun. 15, CBC 363/15-16 1962 Jul. 7 to 1962 Jul. 11, Chicago Symphony / Ravinia Festival Association 363/17-19 1962 Jul. 15 to 1962 Aug. 6, Latin America

Folders:

Balzo, Hugo (0,1) Borup, Edgar S. (3,0) Brooks, Phillips (2,0) Freeman, H. Gordon (1,0) Moody, George T. (3,0) Purcell, Edward T. (2,0) Sánchez, Manuel (8,2) Talice, Rodolfo V. (1,0) Vallarta, Manuel Sandoval (1,0) Webb, James H., Jr. (3,0) 363/20 1962 Sept. 23, New York Philharmonic 363/21 1962 Oct. 3 to 1962 Oct. 5, Educational Broadcasting

Folders:

Epstein, David M. (2,0) 363/22 1962 Oct. 10, Mount Holyoke College 363/23 1962 Nov. 9, United States Information Agency 364/1 1963 Feb. 13, Wellesley College 364/2 1963 Feb. 2, Naumberg Memorial Lecture / Rutgers University

Folders:

Mann, Alfred (1,0) 364/3 1963 Mar. 14, University of Hartford / Hartt College of Music 364/4 1963 Mar. 27, Festival of Contemporary Music / University of Michigan,

Folders:

Ann Arbor 364/5-6 1963 Mar. 30, San Antonio Symphony

Folders:

Norton, Clinton E. (1,0) 364/7-8 1963 Apr. 5 to 1963 May 11, Europe: London / Germany / Italy

Folders:

Abbey, Denise (2,0) Alexander, Edward (14,4) Bogianckino, Massimo (1,1) Deary, William P. (2,0) Douglas, Basil (3,1) Ferguson, Jocelyn (1,0) Mason, Francis (1,0) Moody, George T. (1,0) Shetler, Norman (1,0) Tiburtius, T. (1,0) 364/9 1963 Jun. 29 to 1963 Jul. 28, Tanglewood, Berkshire Festival 364/10-13 1963 Sept. 9 to 1963 Oct. 20, Latin America

Folders:

Alcazar, Oscar H. (1,0) Borup, Edgar S. (1,0) Braunstein, Elizabeth (2,2) Caamaño, Roberto (4,0) Escobar, Luis Antonio (5,2) Freeman, Fulton (1,0) Fry, Elaine A. (1,0) Garrido-Lecca, Celso (2,0) Ginastera, Alberto (8,2) Golbin, Mathilde (1,0) Karnis, Michael V. (1,0) Lacerda, Carlos (1,0) Logan, Anne M. (3,0) Magary, Frank (0,1) Prensa, Seccion (1,0) Quesada, Alfonso de (8,0) Quesada, Erneste de (6,0) Quesada, Lorenzo A. (1,0) Quesada, Ricardo de (1,0) Salcedo Rojas, Alfredo (1,0) Santa Cruz, Domingo (1,1) Schroder, José (1,0) Turner, Philip A. (1,2) Vasquez, José I. (1,0) Wool, Robert M. (1,0) 364/14-16 1963 Nov. 18 to 1963 Dec. 17, Europe: Germany

Folders:

Goslick, Siegfried (1,0) Haas, Karl (1,0) Hartmann, Rudolff (1,0) Lefebre, Dodie (3,0) Pietsch, Karl Peter (1,0) Rosen, Heinz (7,3) Spilling, Willy (2,0) [written to Thea Dispeker] Warner, Robert B. (2,1) 364/17 1964 Jan. 9, New York Philharmonic 364/18 1964 Feb. 3, University of Cincinnati 364/19 1964 Feb. 6, Syracuse University 364/20 1964 Feb. 8, New York Philharmonic / Young People's Concerts

Folders:

Moseley, Carlos (1,0) 364/21-22 1964 Mar. 4 to 1964 Mar. 8, Portland Junior Symphony

Folders:

Avshalomov, Jacob (3,2) Hirsch, Elizabeth B. (2,0) 364/23-24 1964 Apr. 20, Goucher College

Folders:

Galkin, Elliot W. (2,0) 364/25-26 1964 May 4 to 1964 May 5, University of Rhode Island

Folders:

Custer, Arthur (3,1) Horn, Francis H. (1,0) 364/27 1964 May 7, New York Philharmonic 364/28-29 1964 May 14 to 1964 Jun. 19, Europe: England / Paris / Amsterdam

Folders:

Abbey, Denise (2,0) Bois, Mario (2,0) Bornoff, Jack (3,0) Bril, France-Yvonne (1,0) Burton, Humphrey (3,0) Casa Fuerte, Yvonne de (5,1) Douglas, Basil (12,2) Fleischmann, Ernest (4,0) Greissle, Felix (1,0) Hartel, Carla (1,0) Maegaard, Jan (1,0) Orem, Virginia E. (1,0) Schnutz, Rosemarie G. (4,0) Werner, Maurice (2,3) 365/1 1964 Jun. 11, Centre Culturel Americain 365/2-3 1964 Jul. 16, Stadium Concerts, Inc.

Folders:

Soria, Dorle J. (1,0) 365/4-5 1964 Jul. 23, Chicago Symphony / Ravinia Festival

Folders:

Cooper, David S. (1,0) Dern, Caroline W. (2,0) Geraghty, Helen (5,0) 365/6 1964 Aug. 3 to 1964 Aug. 16, Tanglewood / Berkshire Festival 365/7 1964 Oct. 25, Sarah Lawrence College

Folders:

Haines, Edmund (1,0) Lindsey, Elizabeth (1,0) Ward, Catherine (Mrs. Paul L.) (1,0) Ward, Paul L. (1,0) 365/8 1964 Oct. 31, Library of Congress 365/9 1964 Nov. 13, Educational Broadcasting

Folders:

Miller, Allan (1,0) 365/10-11 1964 Dec. 3, Rochester Philharmonic

Folders:

Collins, Brenda (2,0) Somogyi, Laszlo (1,0) 365/12 1964 Dec. 5, Chicago Symphony

Folders:

Edman, Silas (2,0) 365/13-14 1964 Dec. 14, Chatham College

Folders:

Eddy, Edward D. (2,1) 365/15-16 1964 Dec. 18, Pittsburgh Symphony

Folders:

Collins, Brenda (1,0) Edwards, John S. (2,0) 365/17 1965 Mar. 3, Vassar College

Folders:

Crouch, John (1,0) Middleton, Robert (4,0) 365/18-19 1965 Mar. 10, New England Conservatory

Folders:

DeVaron, Lorna Cooke (7,0) Williams, Chester W. (1,0) 365/20-21 1965 Apr. 9, Boston Symphony

Folders:

Gill, Richard T. (2,0) Leinsdorf, Erich (1,0) 365/22 1965 Apr. 19, Voice of America

Folders:

Boxer, Harold (1,0) Espinosa, Guillermo (1,0) 365/23 1965 Apr. 25, Inter-American System 365/24-25 1965 May 5 to 1965 May 7, Newton Public Schools

Folders:

Brown, Charles E. (2,1) 365/26-27 1965 May 17to 1965 May 23, Kalamazoo College

Folders:

Hammar, Russell A. (2,0) 365/28-29 1965 Jul. 6, Chicago Symphony / Ravinia Festival

Folders:

Edman, Silas (3,0) Hillis, Margaret (1,0) McGregor, Laurette (1,0) Norman, Vera (1,0) 365/30 1965 Jul. 28, New York Philharmonic

Folders:

Moseley, Carlos (1,0) Weissel, William (1,0) 365/31-32 1965 Aug. 8 to 1965 Aug. 22, Tanglewood / Berkshire Festival 365/33-34 1965 Aug. 24 to 1965 Aug. 28, New York Philharmonic [contract only] 365/35-36 1965 Aug. 31, Southern California Symphony / Hollywood Bowl 365/37 1965 Sept. 28, Yale University

Folders:

Wilson, Keith (1,0) 365/38-40 1965 Sept. 30 to 1965 Nov. 14, Europe: United Kingdom / Italy / Poland

Folders:

Adams, David S. (2,0) Ampenoff, R. (1,0) Burton, Humphrey (3,0) Carroll, Martin C. (,) Chappell, Herbert (5,2) Chávez, Quita (2,0) Cohen, Abe (1,0) [to Thea Dispeker] Dispeker, Thea (1,0) Douglas, Basil (14,4) Fleischmann, Ernest (6,0) Glock, William (1,0) Hall, R. A. (2,0) [Henriuq, Cabrille?] (1,0) Hildebrand, Suzanne (1,1) Iglesias, Antonio (1,0) Kierownika, Zica (1,0) Lefebre, Dodie (2,0) Mellers, Wilford (2,0) Mott, Gunther (1,0) Orgaz, Manuel (1,0) Paterson, Robert (2,0) Ponsonby, Robert (2,0) Schnutz, Rosemarie G. (1,0) Semlow-Horodecka, Paulina (1,0) Staehelin, Marguerite (1,0) Stephens, Bart N. (1,0) Todd, J. Douglas (2,0) Vauk, H. P. (2,1) Werner, Maurice (1,0) Zakrzewski, Szymon (1,0) 365/41-42 1965 Nov. 26, Cleveland Orchestra

Folders:

Barksdale, A. Beverly (1,0) 366/1-2 1966 Jan. 24, University of Utah, Salt Lake City [honorary doctorate given]

Folders:

Fletcher, James C. (1,0) Maryon, Edward D. (1,0) McMurrin, Sterling M. (1,0) 366/3-4 1966 Jan. 25, Utah Symphony

Folders:

Abravanel, Maurice (1,0) Collins, Brenda (1,0) Stoll, Forrest D. (1,0) [same letter as signed by E. Maryon] 366/5-6 1966 Feb. 21, California State College / California Chamber Symphony

Folders:

Strang, Gerald (3,0) Temianka, Henri (9,0) 366/7-8 1966 Feb. 23, Stanford University

Folders:

Hoglund, J. Steven (9,0) 366/9-10 1966 Mar. 2, Musica Viva Series / San Francisco Symphony

Folders:

Collins, Brenda (3,0) Scafidi, Joseph A. (8,0) 366/11-12 1966 Mar. 8, Baltimore Symphony Orchestra / Salisbury State College

Folders:

Adler, Peter Herman (4,0) Collins, Brenda (3,0) 366/13 1966 Mar. 10, Johns Hopkins University

Folders:

Adler, Peter Herman (1,0) Synodinos, John A. (1,1) 366/14 1966 Mar. 24, CBC

Folders:

Collins, Brenda (2,0) 366/15-16 1966 Mar. 25, Indiana State College / Indiana University of Pennsylvania

Folders:

Bernat, Robert (3,0) Nicholson, Arthur F. (3,0) 366/17-18 1966 Mar. 28 to 1966 Apr. 1, Inter-American Music Festival

Folders:

Morales, Luis M. Rodriguez (1,0) Parsi, Hector Campos (3,0) 366/19-20 1966 Apr. 4, International House

Folders:

Cook, Howard A. (3,0) 366/21 [1966 Apr. 20?] Instituto Nacional de Cultura y Bellas Astes / Music Festival of Caracas

Folders:

Palacios, Inocente (2,0) [both letters in Spanish] Salcedo-Bastardo, J. L. (1,0) 366/22-23 1966 Apr. 21, Philadelphia Art Alliance

Folders:

Merrick, James Kirk (1,0) Wolff, Katherine (3,0) 366/24 1966 Apr. 21, Swarthmore College

Folders:

Shane, Joseph B. (1,0) Swing, Peter Gram (2,0) 366/25 1966 Jul. 15, New York Philharmonic 366/26-27 1966 Aug. 18, Daytona Beach Festivals / London Symphony Orchestra

Folders:

Davidson, Tippen (1,0) Kassman, Eugene B. (0,1) 366/28-29 1966 Sept. 16, Japan: Nippon Columbia Musical Enterprise / Yomiuri-Nippon Symphony [2 more concerts also Sept. 21 and Sept. 27]

Folders:

Friedman, Abraham (1,0) Kugimoto, Shin (1,0) Nozaki, Tatsuya (3,0) 366/30-31 1966 Oct. 13 to 1966 Oct. 14, Library of Congress

Folders:

Spivacke, Harold (1,0) 366/32-33 [1966 Dec. 2?] Westchester Symphony Orchestra [date is approximate]

Folders:

Kahn, Betty (1,0) 366/34-35 1967 Jan. 6, Minnesota Orchestra

Folders:

Cisek, Richard M. (3,1) Collins, Brenda (1,0) Oslund, Nada M. (1,0) Strommer, Joan (3,0) Wilford, Ronald (1,0) 366/36 1967 Jan. 20, St. Paul's School

Folders:

Warren, Matthew M. (7,0) 366/37-38 1967 Jan. 28 to 1967 Feb. 4, Musica Viva Series / San Francisco Symphony

Folders:

Bernell, William (4,0) Boone, Charles (1,0) Bounan, Alma (1,0) Collins, Brenda (2,0) Felciano, Richard (1,0) Harrison, Lou (1,0) Janowski, Judie (2,0) Kohn, Karl (1,0) Le Roux, Jean-Louis (1,0) Milhaud, Madeleine (1,0) Nin-Culmell, Joaquin (1,0) Salkind, Milton (1,0) Scafidi, Joseph A. (10,6) 366/39-40 1967 Feb. 21, National Symphony

Folders:

Dougherty, Edward (1,0) Mickelwait, Marian C. (1,0) Mitchell, Alma (1,0) Rogers, Robert (2,0) 366/41-42 1967 Feb. 23, Woman's National Democratic Club

Folders:

Munroe, Mary (2,0) 366/43 1967 Mar. 12, Concert Artists Guild 366/44 1967 Mar. 28, Juilliard School 366/45-46 1967 Apr. 4, State University of New York, Buffalo

Folders:

Chamberlain, Daniel R. (2,0) 366/47-48 1967 Apr. 6, Jacksonville University

Folders:

Kinne, Frances B. (2,0) Long, Ralph G. (1,0) Peltz, Ronald (1,0) Spiro, Robert H. (2,0) Yessin, Gerson (1,0) 366/49-50 1967 Apr. 8, University of Miami

Folders:

Lee, William F. (1,0) Roberts, Paul (1,0) Williams, Clifton (2,0) 366/51 1967 Apr. 20, St. Mark's School

Folders:

Curtis, William H. (2,1) Engel, Jay G. (1,0) Pier, Fordyce C. (2,0) Sickle, Paul Van (1,0) 366/52 1967 May 4, University of Chicago

Folders:

Levin, Paul (1,0) 366/53-54 1967 May 6, Interlochen Arts Academy, National Music Camp

Folders:

Baker, Doy M. (3,0) Johnson, Thor (3,1) 366/55-56 1967 May 9, Oberlin College

Folders:

Fountain, Robert (2,1) Melcher, Robert A. (5,2) 366/57 1967 May 20, University of Chicago 366/58 1967 Jul. 9, Goldman Band / Guggenheim Memorial Concerts

Folders:

Goldman, Richard Franko (3,0) 366/59-60 1967 Aug. 8, Dartmouth College

Folders:

Bonaventura, Mario di (9,0) Hill, Mariellyn (1,0) 366/61-62 1967 Aug. 22, Southern California Symphony / Hollywood Bowl

Folders:

Collins, Brenda (1,0) 367/1-2 1967 Sept. 16 to 1967 Oct. 23, Europe: London / Vienna / Italy

Folders:

Blomdahl, Karl B. (0,1) Dispeker, Thea (1,1) Douglas, Basil (13,1) Enhorning, Magnus (1,0) Fleischmann, Ernest (0,1) Gellhorn, A. (3,0) Hilpert, Viola (1,0) Lakond, Wladimir (1,0) Le Fevre, Dodie (29,0) Nabokov, Nicolas (1,0) Paterson, Robert (5,0) Perdigaõ, M. M. de Azeredo (3,0) Quesada, Ernesto de (1,1) Quesada, Ricardo de (6,1) Sachs, Hans (3,0) Sunshine, Adrian (4,0) Tomek, Otto (1,0) Whewell, Michael (1,0) 367/3 1968 Jan. 23, Fulton County Schools

Folders:

Robinson, Don C. (2,0) 367/4-5 1968 Jan. 25, Atlanta Symphony

Folders:

Noerr, R. J. (1,0) Smith, Helen R. (1,0) White, Leslie C. (2,0) Woodward, Mrs. Leroy A. (2,0) 367/6-7 1968 Feb. 17, Richmond Professional Institute / Richmond Symphony

Folders:

Batty, L. Wayne (4,2) Cherry, Milton (2,0) Dietrick, William M. (1,0) [written to Boosey and Hawkes] Wright, James L. (7,1) 367/8 1968 Mar. 21, National Arts Club 367/9 1968 Mar. 24, State University of New York (SUNY), Downstate Medical Center

Folders:

Brooks, Chandler McC. (2,0) 367/10-11 1968 Apr. 3, Montclair State College

Folders:

Oneglia, Mario F. (4,2) 367/12-13 1968 Apr. 21 to 1968 Apr. 28, Buffalo Philharmonic

Folders:

Patrick, Mary G. (1,0) [Secretary to A. Pinsker] Pinsker, Adam A. (6,3) Wickham, Phyllis J. (2,0) 367/14 1968 May 14, Latin America 367/15 1968 May 16, Collegiate School

Folders:

Hoff, Ernestine (2,0) 367/16 1968 May 16, Rockefeller University

Folders:

Voeller, Bruce R. (3,0) 367/17-18 1968 May 24, Fellowship of Reconciliation

Folders:

Gould, Raphael (1,0) Siegmeister, Elie (1,0) 367/19-20 1968 Jun. 10 to 1968 Jun. 15, Musica Viva Series / San Francisco Symphony

Folders:

Burnell, William (2,3) Le Roux, Jean-Louis (2,1) Scafidi, Joseph A. (9,5) Wilford, Ronald A. (1,0) [?], Stanley (1,0) 367/21-22 1968 Jun. 25, New York Philharmonic

Folders:

Simons, Clara (2,0) 367/23-24 1968 Jul. 23, Chicago Symphony / Ravinia Festival

Folders:

Collins, Brenda (1,0) Gordon, Edward (3,2) McGregor, Laurette (1,0) Turkin, Marshall W. (4,0) Wellman, Barbara F. (1,0) 367/25-26 1968 Jul. 24, Civic Orchestra of Chicago

Folders:

Burgert, Mr. and Mrs. Woodward (1,0) Edwards, John S. (1,0) Peters, Gordon (3,0) 367/27-28 1968 Aug. 17, Cleveland Orchestra

Folders:

Barksdale, A. Beverly (2,1) Collins, Brenda (2,0) Lane, Louis (1,0) 367/29-30 1968 Aug. 23, Boston Symphony

Folders:

Rock, Isabel (1,0) Smith, Mary H. (3,0) 367/31-32 1968 Oct. 20 to 1968 Oct. 31, London

Folders:

Denison, John (1,0) Douglas, Basil (5,0) Greenwood, Henry (1,0) Gustave, H. (1,0) Jefferson, Alan (3,0) Lawrence, Harold (5,1) Lawrence, Mary (1,0) Lewis, Charles (1,0) Michaelis, Kurt G. (1,0) Orta, Ates (1,0) Painter, Colin (1,0) Sunshine, Adrian (2,0) Suritt, Monica (1,0) Woolf, John (1,0) 367/33 1968 Dec. 11, Congregation B'nai Jeshurun

Folders:

Pilchik, Ely E. (2,0) Summers, Norman (1,0) 367/34-36 1968 Dec. 19 to 1969 Jan. 6, Israel

Folders:

Ampenoff, Rufuia (1,0) Bart, Al (1,0) Cohen, Abe (4,3) Congleton, John D. (3,2) Dispeker, Thea (1,0) Gellhorn, A. (1,0) Gilutz, Carmella (1,0) Lakond, Wladimir (1,0) Samuel, Jochanan (1,0) Watanabe, Patricia (1,0) Weckmann, Luis (1,0) Werner, Eric (1,0) 368/1-2 1969 Jan. 22, Hartford Symphony

Folders:

Collins, Brenda (5,0) Kent, David G. (1,0) Ravitvh, B. S. (1,0) Winograd, Arthur (2,0) 368/3-4 1969 Feb. 4, Composers' Showcase

Folders:

Schwartz, Charles (4,0) 368/5-6 1969 Feb. 11, National Symphony

Folders:

Fiedler, Johanna (1,0) Flower, Margaret (1,0) Phillips, Margot (1,0) Rogers, M. Robert (11,4) 368/7 1969 Feb. 19, Civitas Club of Brooklyn

Folders:

Denonn, Bess (4,0) 368/8-9 1969 Feb. 27, University of Houston

Folders:

Horvit, Michael M. (3,1) Lach, Fredell (2,0) Matthews, James T. (1,0) Moore, Earl V. (2,1) 368/10-11 1969 Mar. 3, Houston Symphony

Folders:

Hubbard, Julia (1,0) Johnson, Tom M. (3,1) Previn, André (1,0) 368/12-13 1969 Mar. 5, Drake University

Folders:

Jackson, Paul J. (2,0) Pisoni, Michael (1,0) Pyle, Francis (3,1) 368/14-15 1969 Mar. 15 to 1969 Mar. 22, Hudson Valley Philharmonic

Folders:

Fricker, Kenneth (1,0) Monteux, Claude (1,0) Welch, John (5,3) 368/16-17 1969 Mar. 30, Sang Prize

Folders:

Kilkenny, William J. (9,1) Marsh, Robert C. (1,0) Umbeck, Sharvy G. (1,0) 368/18 1969 Apr. 7, Jewish Community Center of Baltimore

Folders:

Reubens, Ben (3,0) Reubens, Kathryn (1,0) 368/19-20 1969 Apr. 9 to 1969 Apr. 10, Baltimore Symphony Orchestra

Folders:

Goldberg, Ann (3,0) Keefer, Lubov (1,0) 368/21 1969 Apr. 16, Hofstra University 368/22 1969 Apr. 23, State University of New York (SUNY), Stony Brook 368/23-24 1969 May 1, Syracuse University

Folders:

Boatwright, Howard (1,1) Krasner, Louis (6,3) 368/25-26 1969 May 16, Pittsburgh Symphony

Folders:

Collins, Brenda (3,0) Miller, Mildred (1,0) Sell, Stephen (1,0) Steinberg, William (2,1) 368/27 1969 Jun. 1, Peabody Institute 368/28-29 1969 Jun. 19, Garden State Arts Center / New York Philharmonic

Folders:

Collins, Brenda (2,0) Houghton, Deborah (1,0) Larson, John (1,0) Mosely, Carlos (1,0) Simons, Clara (2,0) 368/30-31 1969 Jun. 28, Temple University / Zagreb Philharmonic

Folders:

Bohlen, Ann (1,0) Collins, Brenda (4,0) [includes 1 letter from G. Brobyn] Kanter, David (1,1) Keith, Betsy (1,0) Page, Robert (1,0) Stoff, Clare (1,0) 368/32-33 1969 Jul. 23 to 1969 Jul. 25, Stratford Festival

Folders:

Collins, Brenda (2,0) DiBello, Victor (1,2) 368/34-35 1969 Sept. 20, Louisville Orchestra / 'Downtown Salutes the Arts'

Folders:

Boden, Brench (1,0) Collins, Brenda (1,0) Fenn, Thomas (1,0) Johnston, Penelope A. (8,4) 368/36-37 1969 Sept. 25, Detroit Symphony

Folders:

Collins, Brenda (3,0) Harrington, Howard (2,2) Hochberg, Morris (2,1) Krato, Darlene (2,0) Lawson, Robert F. (1,0) 368/38-39 1969 Oct. 29, New York Philharmonic / Young People's Concerts

Folders:

Collins, Brenda (2,0) 368/40-41 1969 Nov. 7 to 1969 Nov. 25, Europe: Baden-Baden / Budapest / Bucharest / London [Budapest was just a visit]

Folders:

Alexander, Edward (2,1) Antunes, Juliet C. (1,0) Baruch, Gerth-Wolfgang (1,1) Dayton, Daryl D. (2,1) Douglas, Basil (1,0) Florea, Ion (14,10) Gellhorn, A. (2,0) Gustave, H. (1,0) Hafrey, Daniel J. (1,1) Hamilton, David (1,0) Lade, John (1,0) Lawrence, Harold (12,4) Lewis, Arthur W. (1,0) Orem, Virginia (1,0) Rapeanu, Valeriu (2,0) Sarai, Tibor (1,0) Sarlos, Laszlo (1,0) Scerback, Clement (1,0) Union of Composers of Romania (0,1) Wright, Tony (2,0) [illegible] (1,0) 369/1 1970 Jan. 30, Yale University 369/2 1970 Feb. 21, Charlotte Symphony 369/3-4 1970 Feb. 22, Plymouth Congregational Church

Folders:

Brunelle, Philip (6,2) 369/5 1970 Feb. 26, KSTP-Minneapolis

Folders:

Wolf, Henry (2,0) 369/6-7 1970 Feb. 26, Minnesota Orchestra

Folders:

Cisek, Richard M. (6,0) Collins, Brenda (5,0) Lancaster, Thomas (2,0) Oslund, Nada M. (2,0) Zelle, Ann (1,0) 369/8 1970 Mar. 15, Chamber Music Society of Baltimore

Folders:

Greenspan, John P. (1,0) Rothschild, Randolph S. (7,1) 369/9-10 1970 Mar. 20, Toledo Orchestra

Folders:

Coats, Gordon T. (4,2) Collins, Brenda (3,1) Houghton, Deborah (1,0) Howland, James (1,0) Peoples, Carol (1,0) 369/11-12 1970 Mar. 31, Ohio State University

Folders:

Beall, Harry S. (2,1) Kates, Stephen (2,0) Ullman, Marjorie (1,0) 369/13-14 1970 Apr. 1, Columbus Symphony / Ohio State University [lecture at OSU]

Folders:

Beall, Harry S. (1,0) Mirro, Theresa (1,0) Ullman, Marjorie (1,0) [addr. to OSU and Columbus Symphny] Whallon, Evan (3,1) [1 letter addressed to Tony Russo] 369/15 1970 Apr. 7, University of Chicago

Folders:

Meyer, Leonard B. (2,0) 369/16-17 1970 Apr. 9, Chicago Symphony

Folders:

Collins, Brenda (1,0) Edwards, John (2,1) Meine, Kenneth (1,5) The Pick-Congress (1,0) 369/18-19 1970 Apr. 23, St. Louis Symphony

Folders:

Cain, James N. (4,0) Collins, Brenda (1,0) Fox, Mrs. Carl (1,0) Janowski, Judie (1,0) 369/20-21 1970 Apr. 26, Cornell College

Folders:

Evans, Jesse G. (1,0) Strausbaugh, Joy (1,0) Wilford, Ronald (1,0) 369/22-23 1970 May 20, Rochester Philharmonic

Folders:

Cioffi, Donna M. (2,0) Collins, Brenda (4,0) Houghton, Deborah (1,0) Iannaccone, T. (1,0) Sheppard, Craig (1,0) Wilkens, Frances S. (1,0) 369/24-25 1970 Jul. 9 to 1970 Jul. 12, Interlochen Arts Academy

Folders:

Wilson, George C. (2,2) 369/26 1970 Jul. 10, Phi Mu Alpha Sinfonia Fraternity

Folders:

Neumeyer, Carl M. (3,1) 369/27 1970 Jul. 24 to 1970 Jul. 28, Tanglewood / Berkshire Festival 369/28-29 1970 Aug. 1, Cleveland Symphony / Blossom Festival

Folders:

Barksdale, A. Beverly (1,1) Carlucci, Joseph B. (2,1) Collins, Brenda (1,1) Merrill, Lindsey (3,2) Page, Shirley (1,0) 369/30 1970 Aug. 9, WCLV-Cleveland [video on Copland's works]

Folders:

Murray, Michael (2,0) 369/31-32 1970 Aug. 13, Los Angeles Philharmonic / Southern California Symphony / Hollywood Bowl

Folders:

Fleischmann, Ernest (6,5) Houghton, Deborah (1,0) Rubanoff, Jaye (2,1) Wilford, Ronald (1,0) 369/33-34 1970 Aug. 14, Los Angeles County Museum of Art

Folders:

Morton, Laurence (5,1) 369/35-36 1970 Sept. 28 to 1970 Oct. 8, Germany

Folders:

Bickel, H. W. (1,0) Blank, D. (1,0) Dispeker, Thea (1,0) Gellhorn, A. (8,0) Lichteig, Gioela (1,0) Linke, Manfred (3,0) Lutze, H. (1,0) Morris, Brewster H. (2,0) Pietsch, Karl Peter (2,2) 369/37-38 1970 Oct. 29, New York Philharmonic

Folders:

Collins, Brenda (1,0) 369/39-40 1970 Nov. 11, London Symphony Orchestra

Folders:

Andrewes, John (1,0) Douglas, Basil (6,5) East, Sylvia C. (2,0) Foggin, Myers (3,0) Goodell, Robert C. (1,0) Horner, Keith (1,0) Mellers, Wilfrid (2,0) Previn, Andre (1,1) Sascby, Richard (1,0) 369/41 1970 Nov. 18, New York University

Folders:

Patterson, Benjamin (1,0) 369/42 1970 Nov. 19 to 1970 Nov. 25, Juilliard School / Albert Schweitzer Chair in the Humanities

Folders:

Waldrop, Gideon (1,0) 370/1 1971 Jan. 16, Huntington High School 370/2-3 1971 Jan. 26, DePauw University

Folders:

Aikman, Patrick (1,0) Fitzpatrick, Thomas (1,0) White, Donald H. (8,1) 370/4-5 1971 Jan. 28, University of Wisconsin, Milwaukee

Folders:

Downey, John (1,0) 370/6-7 1971 Jan. 30, Milwaukee Symphony

Folders:

Collins, Brenda (3,0) [1 letter written to David Walker] Janowski, Judie (1,0) Schermerhorn, Kenneth (1,0) Thomas, Richard C. (1,0) 370/8-9 1971 Feb. 9, Hunter College

Folders:

Hirshbein, Omus (2,0) Hunter, Ralph (1,0) 370/10-11 1971 Mar. 11, North Carolina School of the Arts

Folders:

Ward, Robert (7,1) 370/12-13 1971 Mar. 17, University of Hartford / Hartt College of Music

Folders:

Mattran, Donald A. (2,0) 370/14-15 1971 Apr. 17, Empire Sinfonietta / WPIX-New York [studio test]

Folders:

Hughes, Richard (1,0) Zalkind, Ronald (3,0) [1 letter written to Leonard Bernstein] 370/16-17 1971 Jun. 17, New York Philharmonic

Folders:

Collins, Brenda (1,0) 370/18-19 1971 Jun. 26 to 1971 Jul. 12, Europe: France / United Kingdom

Folders:

Adams, David (1,0) Anderson, Burnett (1,0) Boulanger, Nadia (13,1) Courtinat, L. (1,0) Daziano, Gilles J. (3,0) Devigne, (1,0) Douglas, Basil (3,0) Duclos, Didier (1,0) Evarts, John (1,0) Gellhorn, A. (1,0) Grahame, G. A. (1,0) Lawrence, Harold (1,0) Lee, Noël (6,1) Macaulay, Carol (1,0) Marks, Angela (1,0) Mellers, Wilfrid (2,0) Muller, Jacqueline (1,0) O'Sullivan, Conal P. (1,0) Price, Janet (2,0) Sannier-Salabert, Bernard (2,0) Todd, J. Douglas (3,1) [Vice-Chancellor?] (3,0) Werner, Diana (2,0) 370/20-21 1971 Jul. 28, University of Toronto

Folders:

Applebaum, Louis (3,0) Brown, John (1,0) Croombs, William J. I. (1,0) Kushner, Gordon (7,1) Matejcek, Jan (3,2) 370/22-23 1971 Aug. 9, Harvard University

Folders:

Crooks, Thomas (2,0) 370/24-26 1971 Oct. 17, Evansville Philharmonic

Folders:

Christian, Minas (5,1) Downs, Hugh (1,0) Frieberg, Eloise "Chickie" (1,0) Hyatt, Richard V. (3,0) 370/27-28 1971 Oct. 31, Cornell University

Folders:

Bilson, Malcolm (1,0) [dinner invitation] Cowdery, Bill (1,0) Palmer, Robert (5,2) [no name] (1,0) [disguised invitation probably from students] 370/29-30 1971 Nov. 13, Kansas State University, Manhattan

Folders:

Cogswell, Marjorie (1,0) Steinbauer, Robert A. (11,2) 370/31-32 1971 Nov. 16, Ottawa University

Folders:

DeFries, Stanley (5,3) Klugman, Mark J. (2,0) 370/33-34 1971 Dec. 16, Empire Sinfonietta

Folders:

Zalkind, Ronald (1,0) 371/1-2 1972 Feb. 15, West Virginia University

Folders:

Bessom, Malcolm E. (2,0) Canning, Thomas (6,0) Engberg, Jon E. (1,0) Fullerton, Bob (2,0) Reyer, Carolyn (4,0) Stoneman, E. Donnell (1,1) 371/3-4 1972 Mar. 1, Jacksonville University

Folders:

Kinne, Frances B. (6,1) 371/5-6 1972 Mar. 2, University of Florida, Gainesville

Folders:

Edwardson, Mickie (1,0) Godwin, Dwight (1,0) Grigsby, John (8,4) O'Connell, Stephen C. (2,0) Poole, Reid (1,0) Troupin, Edward (3,2) 371/7-9 1972 Mar. 13 to 1972 Mar. 19, Mexico

Folders:

Burnett, Ann (1,0) Carmona, Gloria (4,0) Garrido, Vicente (1,0) Mata, Eduardo (5,3) 371/10-11 1972 Mar. 22, Los Angeles Philharmonic / Southern California Symphony / Hollywood Bowl

Folders:

Carasas, Enrique (1,0) Fleischmann, Ernest (2,0) Heifetz, Jay (1,0) Janowski, Judie (1,0) Priest, Anita (3,0) Rubanoff, Jaye (1,0) 371/12-14 1972 Apr. 3, University of Texas, Austin / Walter Prescott Webb Symposium

Folders:

Dickens, Jo Ann (1,0) Frantz, Joe B. (6,0) 371/15-16 1972 Apr. 20, University of Nebraska, Lincoln

Folders:

Moran, John P. (1,1) 371/17 1972 Apr. 30, Queens College [concert cancelled]

Folders:

Corn, Miriam (1,0) Eisman, Lawrence (3,2) Erickson, Raymond F. (1,1) 371/17-18 1972 May 31 to 1972 Jun. 2, London: New Philharmonic / BBC

Folders:

Gustave, H. (1,0) McDonald, Gerald (4,2) Padmore, Elaine (2,0) Richardson, David (3,0) 371/19-20 1972 Jul. 1, Grant Park Concerts

Folders:

Bass, Richard (4,0) Schofer, Marvin (1,0) 371/21 1972 Jul. 3, Civic Orchestra of Chicago

Folders:

Peters, Gordon (2,0) 371/22-23 1972 Jul. 29, St. Louis Symphony / Mississippi River Festival

Folders:

Cain, James N. (1,3) Pastreich, Peter (1,0) Schofer, Marvin (1,0) Silbey, Paula J. (1,0) 371/24 1972 Aug. 8, WJR-Detroit

Folders:

Haas, Karl (6,1) Keenan, Mary Lou (1,0) Zieve, Morton (2,0) [1 letter written to Museum of Modern Art] 371/25-26 1972 Aug. 10, Detroit Symphony / Meadow Brook

Folders:

Kallai, Sandor (4,2) 371/27 1972 Aug. 23, University of Hartford / Hartt College of Music 371/28-29 1972 Sept. 25, Denver Symphony

Folders:

Kent, David G. (0,1) Priestman, Brian (2,0) Schofer, Marvin (2,0) Trogdon, Jo (2,0) Voorhees, Mary Margaret and James (1,0) 371/30-31 1972 Sept. 27, University of Colorado, Boulder

Folders:

Chavez, Abraham (3,1) Collins, Walter S. (5,3) Duckworth, Guy (3,1) Imig, Warner (1,0) 372/1-2 1972 Nov. 3, Johns Hopkins University / Milton S. Eisenhower Symposium

Folders:

Blume, Michael H. (4,1) Muller, Steven (1,0) 372/3-4 1972 Nov. 11, Austin Symphony Orchestra / University of Texas, Austin

Folders:

Cohen, Candy (1,0) DeFord, John (8,6) Frantz, Joe B. (2,0) Korte, Karl (1,1) Sankey, Stuart (1,1) 372/5-6 1972 Nov. 19, Indiana University

Folders:

Bain, Wilfred C. (4,3) Christ, William B. (6,3) Eaton, John (1,0) Orrego-Salas, Juan A. (1,0) 372/7 1972 Nov. 30, University of British Columbia

Folders:

[Kent, Doug?] (1,0) Maxwell, Sheila (4,0) McCorkle, Donald M. (4,0) 372/8-9 1972 Dec. 1, Vancouver Symphony

Folders:

Crawley, Lois K. (2,0) [one letter written on a memo from D. Kent] Dunston, Douglas G. (1,1) Janowski, Judie (1,0) Kent, Douglas (8,2) Schofer, Marvin (1,0) 372/10 1973 Feb. 11, United States Air Force Band 372/11-12 1973 Feb. 14, Skidmore College

Folders:

Green, George (8,4) Molloy, Eileen (1,0) 372/13 1973 Feb. 26, Indiana Central College

Folders:

Marshall, Elise S. (3,1) 372/14-15 1973 Mar. 3, St. Paul Chamber Orchestra

Folders:

Jones, William (1,0) Reuber, Marlene M. (3,1) Schofer, Marvin (2,0) Sell, Stephen (3,1) [letter addressed to M. Schofer] Sieber, Richard E. (1,0) [addressed to Stephen Sell] 372/16-17 1973 Mar. 16, CHCH-TV-Hamilton / Hamilton Philharmonic / McMaster University

Folders:

Walker, Alan (3,0) Webster, Elizabeth (4,3) 372/18-19 1973 Apr. 1, University of Arizona, Tucson

Folders:

Henderson, Scott (1,1) [letter addressed to M. Schofer] Janowski, Judie (1,0) Schofer, Marvin (3,0) 372/20-21 1973 Apr. 4, Staten Island Community College

Folders:

Birenbaum, William M. (4,1) Schiff, Mortimer (1,0) 372/22-23 1973 Apr. 29, University of Kansas, Lawrence / Symposium of Contemporary American Music

Folders:

Davis, Jed H. (1,0) Shumway, Stanley N. (10,5) 372/24-25 1973 May 3, Music Educators National Conference (MENC): Southern Division

Folders:

Cotter, Robert R. (1,0) Robinson, Don C. (2,2) Robinson, Don C. (5,3) Simmons, James W. (4,2) Wincenc, Joseph (1,0) 372/26 1973 Jun. 1, New York Philharmonic 372/27-28 1973 Jun. 23, Grant Park Concerts

Folders:

Bass, Richard (3,1) 372/29 1973 Jun. 25, Civic Orchestra of Chicago

Folders:

Peters, Gordon (2,0) 372/30-31 1973 Aug, 18, St. Louis Symphony / Mississippi River Festival

Folders:

Cain, James N. (1,1) Middendorf, Patricia (1,0) Pastreich, Peter (1,0) Schofer, Marvin (2,0) 373/1-5 1973 Sept. 22 to 1973 Oct. 29, Europe: Budapest / Ankara, Istanbul / Prague / Madrid

Folders:

Ampenoff, Rufina (6,0) Bechyně, Václàv (1,0) Berk, Mükerrem (1,2) Gedenyi, Ildiko (0,3) Gellhorn, A. (33,3) Getchell, John S. (1,2) Hortkova, Kina (0,1) Juhász, Elöd (1,0) Karsay, Gyula (4,1) Kasanof, Anton (3,3) Küyel, Eről (1,0) Olcer, Bilge (1,0) Pauer, Jiří (1,0) Peterson, Barbara (1,1) Picon, Leon (1,0) Quesada, Ricardo (0,3) Sarlós, László (2,1) Stanley, Diane (1,0) Švestka, Karel (4,3) Varga, Bálint András (11,4) Whitestone, Annabelle (3,0) Zorek, John H. (3,0) 373/6 1973 Dec. 3, Columbia University

Folders:

Shanet, Howard (1,0) 373/7 1974 Jan 16., University of Cincinnati

Folders:

Cowden, Robert L. (5,1) Smith, Orcenith (2,0) 373/8-9 1974 Jan. 18, Cincinnati Symphony

Folders:

Bredemann, Dan (1,0) Gidwitz, John (1,0) Webster, Albert K. (2,1) 373/10-11 1974 Feb. 5, National Symphony

Folders:

Benfield, Jim (1,0) Denton, William (2,1) Dorati, Antal (4,0) Schofer, Marvin (2,0) Sidlin, Murry (1,0) 373/12-13 1974 Feb. 7, United States Information Agency

Folders:

Kelly, Gordon B. (1,0) 373/14-15 1974 Feb. 7, Woman's National Democratic Club

Folders:

Sher, Pearl H. (Mrs. Robert E.) (2,0) 373/16 1974 Feb. 20, Columbia University 373/17-18 1974 Mar. 1, Indianapolis Symphony

Folders:

Chenette, Louis F. (2,0) Harper, H. Thomas (2,0) Kumb, Fritz (1,0) Schofer, Marvin (1,0) Scott, Hubert N. (2,0) 373/19-20 1974 Mar. 23, Buffalo Philharmonic

Folders:

Cole, Robert (1,0) Harmon, Mrs. William (1,0) Schofer, Marvin (1,0) 373/21-22 1974 Mar. 26, State Univerisity of New York (SUNY), Buffalo

Folders:

Mikhashoff, Yvar (2,0) Schwarz, Terry Charles (1,0) 373/23-24 1974 Mar. 30, Brooklyn Philharmonia

Folders:

Edwards, Maurice (2,0) 373/25-26 1974 May 2, Rochester Philharmonic

Folders:

Anderson, Mrs. Don H. (1,0) Anderson, Sylvia (1,0) [letter addressed to Comp. in Perform.] Brown, Stephen B. (1,0) List, Eugene (1,1) Miller, Kenneth R. (1,0) Quattro, Mary (2,0) Schofer, Marvin (1,0) Scott, Howard H. (4,1) Venezia, Donald (1,0) [letter addressed to Mary Quattro] 373/27-28 1974 May 13, Phoenix Symphony

Folders:

Callahan, Thomas F. (1,0) Davis, Dana J. (1,0) Feldman, Nan (2,0) Gutwillig, Jacqueline (3,0) Mata, Eduardo (3,1) Moyer, Jo (2,0) Spector, Eleanor (1,0) 373/29 1974 May 19, Educational and Cultural Fund of the Electrical Industry 374/1 1974 Jul. 21, Boston Symphony / Tanglewood / Berkshire Festival 374/2-3 1974 Aug. 9 to 1974 Aug. 25, United Kingdom: International Festival of Youth / University of Keele

Folders:

Amis, John (1,0) Andrewes, John (3,0) Bennett, Arthur (2,0) Bryer, Joy (2,1) Bryer, Lionel (5,1) Dickinson, Peter (2,0) Douglas, Basil (5,2) Friese-Greene, Anthony (1,0) Kozar, John (1,0) McNair, Jenny (1,0) Pearson, Sheila (4,0) Sheppard, Craig (1,0) Wallis, Nicola (3,0) 374/4-5 1974 Oct. 10, National Symphony

Folders:

Dorati, Antal (1,0) Hanley, Katherine (1,0) Idema, Joyce (3,0) Kreeger, David Lloyd (1,0) 374/6-7 1974 Nov. 4, Cleveland Orchestra / "Copland Week"

Folders:

Barksdale, A. Beverly (4,1) Boyd, Jane (0,1) [letter from Schofer] Erb, Donald (1,1) Freedman, Frederick (1,0) Levenson, David S. (2,0) Maazel, Lorin (3,0) Maxwell, Michael (10,2) Schofer, Marvin (2,0) 374/8-9 1974 Nov. 21, University of San Diego

Folders:

LiMandri, Charles (5,4) 374/10-11 1974 Nov. 24, California Chamber Symphony

Folders:

Gualtieri, Emily (1,0) Sass, Rosalee (1,0) Temianka, Henry (8,4) 374/12-13 1974 Nov. 29, Honolulu Symphony

Folders:

Brown, Robert B. (1,1) Coats, Gordon T. (1,1) Dougherty, Barbara A. (1,0) Hite, Catherine L. (1,0) Jones, Roger (1,1) LaMar.ina, Robert (2,1) Levine, Joseph (1,0) Potter, Prudence S. (1,0) Schofer, Marvin (2,0) Zorek, John H. (1,0) 374/14-15 1975 Feb. 19 to 1975 Mar. 3, San Salvador

Folders:

Amman, Sofia (1,0) Crider, Don (2,0) Dayton, Daryl D. (2,0) Knott, Mary (1,0) Molina, Arturo Armando (1,0) 374/16-17 1975 Mar. 13, Western Connecticut State College

Folders:

Furman, James (2,1) Phi Mu Alpha Sinfonia (1,0) 374/18 1975 Mar. 16, Syracuse University 374/19-20 1975 Mar. 21, Syracuse Symphony

Folders:

Crossly, Joyse (2,0) Dolloff, Donald (1,1) Freundlich, August (3,0) Kallai, Sandor (3,0) Kells, Georgia (3,0) Krasher, Louis (3,0) Prausnitz, Frederik (1,0) 374/21-22 1975 Apr. 5, John F. Kennedy Center for the Performing Arts

Folders:

Schofer, Marvin (1,0) Scribner, Norman (3,0) 374/23-24 1975 Apr. 14, University of Delaware

Folders:

Crafton, Robert (5,2) 374/25 1975 Apr. 15, Princeton University

Folders:

American Whig-Cliosophic Society (1,0) Lesser, Eve (3,0) Stern, Peter (1,0) 374/26-27 1975 May 1, Dallas Symphony

Folders:

Battey, David A. (1,1) Glass, Michael (1,0) Gloyd, Russell S. (2,1) Jagoda, Jo Kurth (1,0) Lane, Louis (0,1) (letter enclosed with D. Battey letter) Schofer, Marvin (0,1) 374/28-29 1975 May 2, Dallas Baptist College

Folders:

Wendelburg, Norma (5,2) 374/30-31 1975 May 5, California State University, Northridge

Folders:

Fierro, Charles (3,1) Heidsiek, Ralph G. (10,4) Skapski, George J. (1,0) Vega, Aurelio de la (1,0) 374/32-33 1975 May 7, California State University, Sacramento

Folders:

Glovinsky, Ben (12,6) 374/34 1975 May 10, California Chamber Symphony

Folders:

Temianka, Henri (4,1) 375/1-2 1975 May 10, University of Southern California

Folders:

Vazzana, Anthony (8,4) Vollmer, Harold (2,1) 375/3-4 1975 May 14, Muncie Symphony Orchestra / Ball State University

Folders:

Hargreaves, Robert (2,0) Hill, Arthur D. (2,2) Pollard, Marilyn (3,1) 375/5 [1975 May 20?] Brooklyn College [date is approximate] 375/6-7 1975 Jul. 4, Minnesota Orchestra

Folders:

Britton, Linda (1,0) Dalrymple, Mrs. John S. (1,0) Engle, Donald L. (1,0) Smith, Henry Charles (1,0) 375/8 1975 Jul. 5, University of Minnesota / High School Musician's Project

Folders:

Sieber, Richard (2,0) 375/9-10 1975 Jul. 12 to 1975 Jul. 22, Aspen Music Festival

Folders:

Birdwell, Edward (1,0) Dufallo, Richard (2,0) Hardy, Gordon (3,1) Mester, Jorge (1,0) Shulman, Helen (1,0) Slater, Joe. E. (2,0) Stern, Edgar and Polly (1,0) Woodward, King R. (1,0) Zukofsky, Paul (2,0) 375/11-12 1975 Jul. 26, National Symphony

Folders:

Britz, Diane (1,0) Holmes, Gerald (3,1) Ludwig, John M. (2,1) McHenry, Robert W. (1,0) Rizzo, Francis (3,1) St. Jacques, J. Claire (2,0) 375/13 1975 Aug. 19, Boston Symphony / Tanglewood / Berkshire Festival 375/14-16 1975 Aug. 31 to 1975 Oct. 4, Europe: Copenhagen / Paris / United Kingdom

Folders:

Adam, Peter (1,0) Andersen, Lykke Poul (2,0) Andrewes, John (3,2) Bevan, Peter (1,0) Boulanger, Nadia (1,0) Burton, Anthony (1,0) Dickson, William S. (1,0) Dispeker, Thea (2,0) Douglas, Basil (16,10) Garnham, Maureen (1,0) Gellhorn, A. (16,0) Gerstein, Beverly (3,0) Golightley, Kenn (1,1) Greenberg, Rodney (3,3) Groves, Charles (1,0) Hall, Barrie (2,0) Heller, Peter (1,0) Horner, Keith (1,0) Jamison, Judith R. (1,0) Norgard, Per (1,0) Sava, Helen (1,0) Soalhat, P. and J. (2,0) Theodore Presser Company (1,0) Winder, Anne (1,0) Zago, P. (1,0) Zorek, John (1,0) 375/17-18 1975 Nov 1. to 1975 Nov. 7, Oregon Symphony / "Mr. Copland Comes West" [several local colleges involved]

Folders:

Birnbaum, Leila (3,0) Dundore, Mary Margaret (2,0) Hyslop, David (8,4) Jarrett, G. Jane (2,0) Martin, Gerry J. (1,0) Trudeau, S. John (2,0) Vallion, Nina (3,0) 375/19-21 1975 Nov. 18, Harrisburg Symphony

Folders:

Ebner, George H. (10,0) Epstein, David (4,2) Geduldig, Mrs. Michael M. (4,0) Sheppard, Walter P. (4,0) 375/22-23 1975 Nov. 19, Shippensburg State College

Folders:

Reitmeyer, John W. (5,5) Shover, Blaine (1,0) 376/1 [1975 Dec. 1?] Minnesota Orchestra 376/2-3 1975 Dec. 7, American Symphony

Folders:

Aaron, Arthur (5,0) 376/4 1975 Dec. 15, Walter W. Naumberg Foundation 376/5 1975 Dec. 16, Mark Hellinger Theatre / Martha Graham Dance Company 376/6-7 1976 Jan. 1, Toronto Symphony

Folders:

Bickford, Erica (1,0) Hachbarn, Madelene (1,0) Homburger, Walter (3,2) Morawetz, Ruth (2,0) Schofer, Marvin (2,0) Sperling, A.M. (2,0) 376/8-9 1976 Jan 16, Los Angeles Master Chorale

Folders:

Goldstein, Sylvia (1,0) Threadgill, Francis (4,0) Wagner, Roger (0,1) 376/10-11 1976 Jan. 23, San Jose Symphony / San Jose State University

Folders:

Archibeque, Charlene (1,1) Harrison, Lou (1,1) Macdonald, Annette (1,0) Thomson, Don (4,2) Winter, Michael (11,2) 376/12-13 1976 Feb. 24, National Symphony

Folders:

Denton, William L. (5,0) Dorati, Antal (1,0) Schofer, Marvin (1,0) Sidlin, Murry (2,0) Weber, Ruthanna M. (2,1) 376/14-15 1976 Feb. 27, North Carolina Symphony

Folders:

Caldwell, John T. (4,1) Gosling, John (3,1) Watson, J. Perry (6,1) 376/16-17 1976 Mar. 3, Stockholm / Konsertforeningen

Folders:

Gellhorn, A. (3,2) Koeberling, Ursula (2,0) Lodding, Henrik F. (3,0) Sherrard, Janet (1,0) 376/18 1976 Mar. 15, University of Utah, Salt Lake City

Folders:

Gardner, David P. (2,1) Gardner, Pete D. (2,1) 376/19-20 1976 Mar. 18, Utah Symphony

Folders:

Abravanel, Maurice (4,1) Beutler, Mrs. William (1,0) Burton, Dorothy (1,0) Kay, Betty L. (1,0) Landes, Carleen (1,0) 376/21 1976 Mar. 25, Harvard Club 376/22-23 1976 Mar. 26, Haverford College

Folders:

Davison, John (8,3) 376/24-25 1976 Mar. 30, Kansas City Philharmonic

Folders:

Jarratt, Howard (2,0) Loeb, Ann (1,0) Peress, Maurice (4,1) Schofer, Marvin (2,0) Sies, Nancy (4,1) 376/26-27 1976 Apr. 1, Ottawa University

Folders:

Bobbish, Carl (6,3) DeFries, Stanley (3,0) 376/28-29 1976 Apr. 9, Cincinnati Symphony

Folders:

Britz, Diane (2,0) Burlingame, Marty (1,0) Haas, Kenneth (3,1) Miller, Kenneth (2,0) Monder, Steven (1,0) Schippers, Thomas (1,1) Wulsin, Joan (1,0) 376/30-31 1976 Apr. 11, Miami University

Folders:

Cope, David (8,3) 376/32-33 1976 Apr. 22, Rochester Philharmonic

Folders:

Britz, Diane (1,0) Columbia Artists Management (1,0) Dechario, Tony H. (4,1) Scott, Howard H. (5,2) Stewart, Barbara and Jim (1,0) Webster, Michael 376/34-35 1976 Apr. 25, Kent State University

Folders:

Merrill, Lindsey (3,2) Watson, Walter (2,1) 376/36-37 1976 Apr. 30, Ann Arbor May Festival

Folders:

Rector, Gail W. (8,3) [1 letter to Philadelphia Orchestra Association] 376/38-39 1976 May 6, Buffalo Philharmonic

Folders:

Bielski, Michael (1,1) Britz, Diane (1,0) Lawrence, Harold (1,0) Schofer, Marvin (1,0) Tarbet, Natalie (1,0) Walsh, Betty (1,0) 376/40-41 1976 May 21, Ojai Festival

Folders:

Golden, Eugene (1,0) Izant, Betty (1,0) Morton, Laurence (7,4) 376/42-43 1976 May 27, Winnipeg Festival / CBC

Folders:

Redekopp, Harold (10,3) Schofer, Marvin (2,0) 377/1-2 1976 Jul. 3, Minnesota Orchestra

Folders:

Britz, Diane (1,0) Bursch, Russ (4,0) Feldman, Mary Ann (1,0) Schofer, Marvin (1,0) Trygstad, Linda (1,0) [form letter for guest conductors] 377/3-4 1976 Jul. 14, Tidewater Music Festival

Folders:

Denton, William (1,0) Levy, Robert (6,4) 377/5-6 1976 Jul. 25, National Symphony / Wolf Trap Farm Park

Folders:

Denton, William L. (1,0) Holmes, Gerald (3,1) Rizzo, Francis (2,1) Schofer, Marvin (2,0) 377/7 1976 Aug. 5, Philadelphia Orchestra / Saratoga Festival

Folders:

Britz, Diane (1,0) Harnack, Curtis (2,0) McElheran, Brock (2,0) Sokoloff, Boris (1,0) 377/8-9 1976 Aug. 6 to 1976 Aug. 21, Banff Festival of the Arts

Folders:

Adams, Jorie (4,0) Armstrong, Neil (5,2) Baril, Armand G. (3,1) Leighton, David (1,1) Temianka, Henri (2,1) Zukerman, George (1,0) 377/10-11 1976 Aug. 24, Los Angeles Philharmonic / Southern California Symphony / Hollywood Bowl

Folders:

Britz, Diane (1,0) Fleischmann, Ernest (1,1) Flynn, Norma (1,0) 377/12-13 1976 Oct. 18 to 1976 Nov. 10, Europe: Leeds Festival / University of Keele / CBS Records / University of East Anglia / Goteburg / Brussels

Folders:

Andrewes, John (3,0) Austin, J. F. (1,0) Bigsby, C. W. E. (2,1) Crisford, Jane (1,0) Dickinson, Peter (4,1) Dispeker, Thea (2,0) Douglas, Basil (13,8) Gellhorn, A. (5,1) Goehr, Alexander (4,2) Hammarstrom, Kerstin (2,0) Koeberling, Ursula (2,0) Lodding, Henrik F. (1,0) Lord Mayor of Leeds, The (1,0) MacGregor, J. (1,0) Mauroy, Jacques (4,0) Myers, Paul (1,1) Rennie, Jill (1,0) Taylor, Vivienne (2,0) Thys, H. (3,0) Ydewalle, Francoise d' (1,0) Zago, P. (1,0) 377/14 1976 Nov. 29, Tulane University [honorary doctorate also given]

Folders:

Hackney, Sheldon (1,0) Hansen, Peter S. (1,1) 377/15-16 1976 Nov. 30, New Orleans Symphony

Folders:

Blum, Lucille (1,0) Breit, Virginia (1,0) Greene, Thomas A. (1,0) Khinoy, Nina (1,0) Langlais, Mary (1,0) [dinner party hostess] Reese, Helen G. (1,0) 377/17-18 1976 Dec. 4, University of Bridgeport / Carlson Festival of Arts

Folders:

Horn, Ruth Carlson (1,0) Miles, Leland (1,0) Valante, Harrison R. (6,1) Wentzel, Ruby (4,1) 377/19-20 1977 Jan. 18, National Symphony / Inauguration Day

Folders:

Lobanov, Oleg (1,0) 377/21-22 1977 Jan. 24, Yale University

Folders:

Nelson, Philip F. (3,1) Perlis, Vivian (1,0) 377/23-24 1977 Feb. 11, Union College / American Composers' Forum

Folders:

Bucci, Jane (7,2) Duffy, John (1,0) [cc. addressed to Jane Bucci] 377/25-26 1977 Mar. 3, Occidental College

Folders:

Gross, Robert (3,2) 377/27 1977 Mar. 24, MacPhail Center for the Arts 377/28 1977 Mar. 26, Minneapolis Public Library [program 'Bookends']

Folders:

Fluck, John A. (2,1) 377/29-30 1977 Mar. 26, St. Paul Chamber Orchestra

Folders:

Britz, Diane (1,0) Davidson, J. Randall (1,0) Davies, Dennis Russell (0,3) Howland, James (1,1) Johnson, Dolores (2,0) Thompson, Mrs. Wayne (1,1) 377/31-32 1977 Mar. 27, University of Wisconsin, River Falls

Folders:

Jong, Conrad de (1,0) Wold, Elliot R. (3,3) Wolfe, Wayne (5,2) 378/1-2 1977 Mar. 29, California State University, Fullerton

Folders:

Dietzer, M'lou (1,0) Farrelly, Wallace (16,4) Karson, Burton (1,0) 378/3-4 1977 Apr. 1, University of Redlands

Folders:

Arnold, Steven David (1,0) Dawson, Eugene E. (1,0) Simonds, Mr. and Mrs. James (1,0) Wilson, Jack (6,6) 378/5-6 1977 Apr. 6, University of Oklahoma, Norman

Folders:

Hennagin, Michael (10,8) 378/7-8 1977 Apr. 26, Nebraska Wesleyan University

Folders:

Wyman, William A. (8,4) 378/9-10 1977 May 1, Denver Symphony

Folders:

Britz, Diane (1,0) Ecklund, Philip C. (2,0) Heitler, Emmett (0,0) Hobson, Mona G. (1,1) Oldenburger, Pyxie (1,0) Priestman, Brian (2,1) Schofer, Marvin (2,0) Skinner, Howard (1,0) 378/11-12 1977 Jun. 1, State University of New York (SUNY), Buffalo

Folders:

Duffy, John (0,0) [addressed to Morton Feldman] Wachob, William K. (1,0) 378/13 1977 Jun. 6, New York Philharmonic / Financial World Magazine

Folders:

Brown, Mary (1,0) Janowski, Judie (0,1) Lobanov, Oleg (1,0) O'Kelly, Patricia J. (1,0) St. Jacques, J. Claire (1,0) 378/14-15 1977 Jun. 1, National Symphony

Folders:

Oldenburger, Pyxie (1,0) Schofer, Marvin (1,0) 378/16-17 1977 Jun. 21, Temple University / Pittsburgh Symphony

Folders:

Charlick, Bruce (1,1) Kaplan, Sid (2,1) Schofer, Marvin (1,0) Wolfgong, Samuel K. (1,0) Zalkind, Ronald (1,0) Ziegler, John J. (1,1) 378/18-19 1977 Jul. 23, Santa Fe Chamber Music Festival

Folders:

McVay, Alan (1,0) [form memo] Rich, Sheldon (8,3) 378/20-21 1977 Aug. 12, Philadelphia Orchestra / Saratoga Festival

Folders:

Hankenson, Craig (1,0) Khinoy, Nina (1,0) McElheran, Brock (3,1) Orio, Dorothy (1,0) Ormandy, Eugene (1,1) Sokoloff, Boris (2,1) 378/22-23 1977 Aug. 20, Rochester Philharmonic

Folders:

Berryhauser, Jacob (1,0) Cameron, Janice (1,1) Murphy, Christine (1,0) Schofer, Marvin (1,0) 378/24 1977 Sept. 29, Library of Congress 378/25-26 1977 Oct. 15, Yale University

Folders:

Nelson, Philip F. (2,0) Polisi, Joseph W. (2,0) 378/27-28 1977 Nov. 1, Fromm Music Foundation / Harvard University

Folders:

Gratto, Christine (1,0) Learning From Performers (1,0) Vosgerchian, Luise (1,0) Yarmolinsky, Ben (1,0) 378/29-30 1977 Nov. 14, National Symphony

Folders:

Denton, William L. (4,1) Lobanov, Oleg (1,1) Rostropovich, Mstislav (2,1) Schofer, Marvin (3,1) 378/31-32 1977 Nov. 15, Johns Hopkins University / Lester Levy Lecture

Folders:

Galkin, Elliot (2,2) Muller, Steven (5,1) Stam, David H. (2,0) 378/33-34 1977 Dec. 14, Florida Philharmonic

Folders:

Kent, David (0,1) Schofer, Marvin (2,0) Trogdon, Mary Jo (1,1) 379/1-2 1978 Jan. 9, Houston Symphony

Folders:

Alexander, Robert H. (0,1) Keithan, Mary Ann (1,0) Medvitz, James T. (2,2) Parker, Patricia (1,0) Schofer, Marvin (3,2) Woolcock, Michael (1,1) 379/3-4 1978 Jan. 12, Van Cliburn Foundation

Folders:

Alexander, Robert H. (11,5) Dupree, Betty Claire (2,0) Giordano, John (1,0) 379/5-6 1978 Jan. 14, University of Tulsa

Folders:

Justice, Jim (9,6) 379/7-8 1978 Feb. 21, Baltimore Symphony Orchestra

Folders:

Britz, Diane (1,0) Goldberg, Ann (1,0) Oldenburger, Pyxie (1,0) Schofer, Marvin (1,1) 379/9-10 1978 Feb. 23, Johns Hopkins Medical Institution

Folders:

Comissiona, Sergiu (1,1) Udvarhelyi, George B. (4,0) 379/11-13 1978 Mar. 4 to 1978 Mar. 21, Australia

Folders:

Barnes, Frank (0,1) Duckmanton, T. S. (1,0) Ellis, R. E. (2,0) Gellhorn, A. (4,0) Grylls, Karen (1,0) Harrison, G. K. (1,2) Henchman, Nancy (1,0) Holmes, Helen (5,2) Hort, H. (1,0) Hughes, Anthony (1,0) James, David W. (1,0) Koeberling, Ursula (3,0) Lascelles, Gerald R. (1,1) Macourt, Merrilee (1,0) Moretti, Jean D. (6,2) Mueller, Susan (2,0) Murdoch, James (1,0) Plush, Vincent (2,2) Smart, R. (1,0) Winter, Arthur (5,4) 379/14 1978 Mar. 24, St. Paul Chamber Orchestra 379/15-16 1978 Mar. 26, National Symphony

Folders:

Idema, Joyce (2,0) Lobanov, Oleg (1,1) 379/17-18 1978 Mar. 31, American University

Folders:

Kraut, Alan and Kay Mussell (3,1) Mussell, Kay and Alan Kraut (3,1) Oldenburger, Pyxie (1,0) Turner, Lauran (1,0) [re: campus radio station interview] 379/19-20 1978 Apr. 16, United States Military Academy, West Point

Folders:

Beckwith, Charles E. (1,0) Price, David (1,0) Schofer, Marvin (1,0) 379/21-22 1978 Apr. 29, Crane School of Music / State University College, Potsdam

Folders:

Jadlos, John L. (1,1) McElheran, Janice (1,0) Thayer, Robert W. (7,5) 379/23-24 1978 May 10, Oakland University / "Aaron Copland Week"

Folders:

Allvin, Raynold (7,4) Hampton, Anna (1,0) 379/25-26 1978 May 16, Toronto Symphony

Folders:

Campbell, James (1,0) Columbia Artists Management (1,0) Cooper, Barbara (1,0) Oldenburger, Pyxie (1,0) Schofer, Marvin (1,0) 379/27-28 1978 May 21, Plymouth Congregational Church

Folders:

Brunelle, Philip (5,3) Buran, Mr. and Mrs. David (1,1) [AC's hosts] 380/1-2 1978 Jun. 3, Michigan Opera Theatre / Central Michigan University

Folders:

DiChiera, David (3,0) 380/3-4 1978 Jun. 13, National Symphony / Wolf Trap Farm Park

Folders:

Idema, Joyce (1,0) Lobanov, Oleg (0,1) Schofer, Marvin (2,1) St. Jacques, J. Claire (1,0) 380/5-6 1978 Jul. 8, St. Louis Symphony

Folders:

Gardner, Roberta (1,0) Schofer, Marvin (1,0) 380/7 1978 Aug. 25, National Symphony 380/8-10 1978 Aug. 27, Cabrillo Music Festival

Folders:

Schofer, Marvin (3,1) Wagner, Lois P. (4,2) 380/11-12 1978 Sept. 17, Norfolk Symphony

Folders:

Crociata, Francis (1,1) 380/13-14 1978 Oct. 20, Oakland Ballet

Folders:

De Domenico, Thomas (1,1) Guidi, Ronn (3,1) Hertelendy, Paul (1,0) Ober, Doris A. (1,1) Osher, Lauren (1,0) 380/15 1978 Oct. 22, University of California, Riverside

Folders:

Lucarelli, Anthony A. (4,3) 380/16-17 1978 Oct. 24, California Institute of the Arts

Folders:

England, Nicholas M. (3,1) 380/18 1978 Oct. 30, Los Angeles County Museum of Art 380/19-20 1978 Nov. 7, Indiana State University [honorary degree]

Folders:

Cowden, Robert L. (5,2) Dailey, James (3,1) Landini, Richard (1,0) Singer, Joan (1,0) 380/21-22 1978 Nov. 10, Memphis State University

Folders:

Fruchtman, Efrim (11,8) Gaver, William D. (2,1) Hudson, Anne (2,0) Roberts, David M. (1,0) Saliba, Konnie (1,0) 380/23-24 1978 Nov. 14, Tennessee Technological University

Folders:

Brahmstedt, Howard K. (1,0) Jager, Robert (13,7) 380/25-26 1978 Nov. 21, National Symphony

Folders:

Idema, Joyce (1,0) O'Kelly, Patricia J. (1,0) 380/27 1978 Dec. 6, Sarah Lawrence College

Folders:

DeCarlo, Charles (1,0) Lock, Stanley (2,1) Nosek, Cynthia (1,0) 380/28-29 1979 Jan. 27, San Antonio Symphony

Folders:

Andrews, Richard T. (1,0) Bennett, Mrs. Dale (2,0) Eisenberg, Marlene A. (1,0) 380/30-31 1979 Jan 28, Chamber Arts Ensemble [audience member, music by AC]

Folders:

Threadgill, Francis (3,2) 380/32-33 1979 Feb. 17, St. Paul Chamber Orchestra [first concert date of tour]

Folders:

Davies, Dennis Russell (1,1) Poindexter, Adele (1,1) Venittelli, Alice (9,2) Venittelli, Alice and Salvatore (2,0) Weil, Fred and Suzanne (1,0) 381/1-2 1979 Mar. 15, San Diego Symphony

Folders:

Barnhart, Linda (1,0) Eros, Peter (1,0) Hanek, Diane (1,1) Maxwell, Michael (6,1) Stalle, George (3,0) 381/3-4 1979 Mar. 19, Dance Magazine

Folders:

Philip, Richard N. (3,1) 381/5-6 1979 Apr. 9, University of Missouri, Columbia

Folders:

Craven, Gene W. (1,1) McGlothlin, Donald E. (6,2) Reuter, Paul K. (2,0) Uehling, Barbara S. (2,0) 381/7-8 1979 Apr. 19, Vermont Symphony

Folders:

Demas, Terrance (2,1) Gratwick, Joel (8,5) Guigui, Efrain (1,1) Mack, Andrew (1,0) Miller, Robert (1,0) Preece, Thayer E. (1,1) 381/9-10 1979 Apr. 26, Rochester Philharmonic

Folders:

Dechario, Tony H. (11,3) Richmond, Ken (1,0) Stein, Richard A. (1,0) 381/11-12 1979 May 4, University of Denver

Folders:

LaGuardia, Vincent C. (3,1) 381/13-14 1979 May 15, Nyack Public Schools

Folders:

DiPetrillo, John (2,1) 381/15-16 1979 May 18, Florida State University, Tallahassee

Folders:

Housewright, Wiley L. (6,4) Murray, Robert (1,0) Pittman, [Mrs.?] Maevan (1,0) Pope, W. Stuart (1,0) Schmidt, Harry (2,1) 381/17-18 1979 May 28, National Symphony

Folders:

Hankenson, Craig (1,0) Idema, Joyce (1,2) Janowski, Judie (1,0) O'Kelly, Patricia J. (1,1) 381/19-20 1979 Jun. 4, Festival Casals

Folders:

Childs, Betsy (1,0) Janowski, Judie (0,1) Mester, Jorge (5,1) 381/21 1979 Jul. 13, Lincoln Center Institute

Folders:

Dunbar, Jun. (1,0) Schubart, Mark (1,1) 381/22-23 1979 Aug. 4, National Symphony / Wolf Trap Farm Park

Folders:

Brown, Mary (1,0) Janowski, Judie (0,1) Lobanov, Oleg (1,0) O'Kelly, Patricia J. (1,0) St. Jacques, J. Claire (1,0) 381/24-25 1979 Aug. 10, Toronto Symphony

Folders:

Armstrong, J. Wray (1,1) Eisenberg, Marlene A. (1,0) Gibson, Helen R. (1,0) Mills, Jack (0,1) Mills, Jack (2,0) Scott-Patterson, Helen (1,0) 381/26-27 1979 Aug. 15, Philadelphia Orchestra / Saratoga Festival

Folders:

Chesbrough, Herbert A. (7,0) Meyer, Nancy (1,0) [form memo to conductors] Philadelphia Orchestra (0,1) Santarlasci, Joseph H. (1,0) Sokoloff, Boris (0,1) Sopko, Julie O. (1,0) 381/32-33 1979 Oct. 15, University of Arizona, Tucson [part of 1979 Tour with Minnesota Orchestra]

Folders:

Hull, Robert (1,0) Muczynski, Robert (1,1) Swanson, Philip J. (2,2) 381/28-29 1979 Nov. 12, University of Delaware

Folders:

Craig, Gary G. (5,3) Harward, Donald W. (5,3) Pressley, Dan N. (2,0) 381/30-31 1979 Nov. 14, Michigan State University

Folders:

Bloomquist, Kenneth G. (1,0) 381/32 1979 Nov. 14, Third Street Music School Settlement 381/33 1979 Nov. 27, Kansas State University, Manhattan

Folders:

Hougen, Harvey R. (3,0) Kruh, Jan (1,0) 381/34-35 1979 Dec. 1 to 1979 Dec. 2, John F. Kennedy Center for the Performing Arts

Folders:

Daly, Robert (1,0) [five other CBS employees signed letter] Futch, Judy (1,0) Galperin, Fern (1,0) Nelson, Gretchen M. (1,0) Stevens, George (3,1) Stevens, Roger (2,1) 381/36 1979 Dec. 6, Third Street Music School Settlement 382/1-2 1980 Jan 3, Brooklyn Philharmonia

Folders:

Edwards, Maurice (1,0) Kriegel, I. Stanley (1,0) 382/3-4 1980 Feb. 5, National Orchestral Association

Folders:

Adam, Claus (2,0) Goldstein, Sylvia (1,0) Schweitzer, Lois H. (4,0) 382/5-6 1980 Feb. 29, University of Pennsylvania, Philadelphia

Folders:

Narmour, Eugene (5,3) 382/7 1980 Apr. 12, Primetime Saturday / NBC News

Folders:

Lukk, Tiiu (1,1) 382/8-9 1980 Apr. 13, Buffalo Philharmonic

Folders:

Allen, Katherine (1,0) Bielski, Michael E. (1,1) Flint, Katy (1,0) Kubacki, Jane M. (3,0) Rudel, Julius (0,1) Vigorito, Vicki (1,0) Zweig, Ilene (1,0) 382/10-11 1980 May 9, Indianapolis Symphony

Folders:

Beerstein, Barbara S. (2,1) Flint, Katy (1,0) Indianapolis Symphony, Publicity (0,1) Kumb, Fritz (0,1) Lewis, Sheila (1,0) Terry, Jane (2,2) Tubesing, Pamela (2,0) Vogel, Mindy (1,0) 382/12 1980 May 11, Indianapolis Arts Chorale

Folders:

Marshall, Elise (2,1) 382/13 1980 May 26, National Symphony

Folders:

McDaniel, Sharon (2,0) [contract enclosure letters] Noerr, Robert J. (1,0) 382/14-15 1980 Jun. 1, Brown University [honorary degree awarded]

Folders:

Coakley, John P. (6,1) Ermey, William (3,0) Reichley, Robert A. (2,0) Swearer, Howard R. (3,0) [one is a dinner invitation] Vincent, Robert K. (2,0) 382/16 1980 Jun. 18, New York Philharmonic 382/17-18 1980 Jun. 28, National Symphony

Folders:

Janowski, Judie (0,1) Kukuk, Jack W. (1,1) 382/19 1980 Jul. 5, Tanglewood, Berkshire Festival 382/20-21 1980 Sept. 22, Detroit Symphony

Folders:

Bryk, Lillian (2,0) Dorati, Antal (2,1) Raeburn, Andrew (3,2) 382/22 1980 Oct. 11, New York Philharmonic 382/23-24 1980 Nov. 8, American Symphony

Folders:

Aaron, Arthur (10,0) Adkinson, Kathy (1,0) Bean, Betty Randolph (1,0) Garrick, Joel (0,0) [letter to Arthur Aaron] Wall, Linda (0,0) [letter to Arthur Aaron] Wasserman, Cece (1,0) 382/25-26 1980 Nov. 14, National Symphony

Folders:

Gray, Karen M. (1,0) Noerr, Robert (0,1) Rostropovich, Mstislav (1,2) Wall, Linda (1,0) 382/27 1980 Nov. 19, Harvard University 382/28 1980 Nov. 22, Symphony Space / Wall-to-Wall Copland and Americana 382/29-30 1980 Nov. 29 to 1980 Dec. 12, Europe: London Symphony / Brussels / Paris

Folders:

Barenboim, Daniel (1,1) Bero, Michel (7,3) Billiet, J. (1,0) Douglas, Basil (8,6) Douglas, Basil (11,9) Eden, Ursula (7,3) Garnham, Maureen (2,0) Hemmings, Peter (3,2) Lewis, Dvora (1,0) Snow, Christopher (1,0) Takach, Kathryn (1,0) Thys, H. (0,1) Worth, B. (1,0) Zago, P. (1,0) 382/31-32 1981 Jan. 9, Chamber Consortium

Folders:

Roth, Arnold W. (2,1) Wilson, Thomas (1,0) 382/33-34 1981 Mar. 20, Albany Institute

Folders:

Mikhashoff, Yvar (1,0) 382/35-36 1981 May 17, University of Nevada, Las Vegas

Folders:

Vanda, Charles (2,1) 383/1 1981 May 20, All-City High School Orchestra 383/2 1981 May 29, Juilliard School 383/3-4 1981 Jun. 27, National Symphony

Folders:

McDaniel, Sharon (2,0) [contract enclosure letters] Noerr, Robert J. (1,0) 383/5-6 1981 Jul. 5, Dallas Symphony

Folders:

Blaine, Martha T. (1,0) Harrison, Julie (3,0) Mata, Eduardo (2,0) Stone, Leonard David (1,0) 383/7-8 1981 Sept. 9, John F. Kennedy Center for the Performing Arts

Folders:

Istomin, Marta (3,0) Zukofsky, Paul (3,1) 383/9 1981 Sept. 30 to 1981 Oct. 2, Composers' Showcase 383/10-11 1982 Mar. 6, San Diego Symphony

Folders:

Atherton, David (1,0) Denton, William L. (4,2) Kobryner, Joe (2,1) 383/12-13 1982 Mar. 6, San Diego Chamber Orchestra

Folders:

Belliaeff, Marjorie (3,1) 383/14-15 1982 Apr. 28, Kansas State University, Manhattan [honorary degree]

Folders:

Acker, Duane (3,0) Cochran, Alfred W. (1,0) Steinbauer, Robert A. (9,1) Strecker, Julie (1,0) 383/16-17 1982 May 23 and 1982 Jul. 24, State University of New York, New Paltz [honorary degree]

Folders:

Chandler, Alice (2,0) Finn, William J. (4,1) Wharton, Clifton R. (1,1) 383/18-19 1982 May 30, National Symphony

Folders:

Bogdesic, Karmen (1,0) Brill, Jonathan (1,0) Janowski, Judie (1,1) O'Kelly, Patricia J. (4,0) Stull, Robert K. (2,0) 383/20-21 1982 Jun. 12, Chamber Consortium

Folders:

Freedman, Ellis J. (2,0) Roth, Arnold (4,0) 383/22 1982 Jun. 16, New York Philharmonic 383/23-24 1982 Jul. 4, Chicago Symphony / Ravinia Festival

Folders:

Bogdesic, Karmen (1,0) Janowski, Judie (2,0) 383/25-26 1982 Jul. 15, Santa Fe Chamber Music Festival

Folders:

Directors of Santa Fe Festival (1,0) Dufour, Peggy (1,0) Rich, Sheldon (7,0) 383/27-28 1982 Aug. 24, National Symphony

Folders:

White, Kevin H. (1,0) 383/29-30 1982 Dec. 7, New Haven Symphony

Folders:

Lacny, Catherine (2,1) Sidlin, Murry (2,0) 383/31 1983 Mar. 4, Composers' Showcase / Whitney Museum of American Art 383/32 1983 Jun. 1, Milwaukee Symphony

Folders:

Foss, Lucas (1,0) 383/33 1983 Jul. 16, State University of New York, Purchase 383/34-36 1983 Nov. 20, [program does not state place / sponsor]

Folders:

Notes and Lists Programs, n.d. Schedules 384-428 C-Drw 2/3 Subject File, 1923-1990

The Subject File is a composite of printed matter and material on special subjects that Copland kept. The largest and most extensive is the Composition section which consists of published clippings, magazine articles, promotional material, annotated programs and other miscellaneous items relating to performances of his compositions. In May of 1953, Copland was summoned to appear before the House Un-American Activities Committee and respond to a list of alleged "communist" affiliations. The United States Congress section documents Copland's correspondence, notes, statements and evidence during this period. Also, an annotated copy of the Congressional Record of January 16, 1953 in which the affiliations were first recorded and a transcript of the hearing are included.

The Subject File series is divided into Brochures, Bulletins, Catalogues, Clippings, Compositions, Newsletters, Notes, Opera Ideas, Programs, Promotional Materials, Recording, Tribute and Multiple Composition, United States Congress, and White House. Includes correspondence, clippings, programs, promotional material and other printed matter. Arranged alphabetically by subject; then Brochures, Bulletins, Catalogues, Compositions, Opera Ideas, Recording, Tribute and Multiple Composition, and United States Congress arranged alphabetically by title or subject; and Clippings, Newsletters, Notes, Programs and Promotional Materials arranged chronologically.

 384/1-4 Brochures 384/1 Copyright Laws 384/2 Judson O'Neill Beall Steinway Inc., 1968-69 384/3 New York World's Fair, 1964-65 384/4 Opera Survey, 1954 384/5-11 Bulletins 384/5 Alumni Honor Roll 384/6 American Music Festival 384/7 Editions Salabert 384/7 Inter-American Music Bulletin 384/8 Musicanada 384/9 Miscellaneous 384/10 Miscellaneous 384/11 Miscellaneous 385-386 Catalogues 385/1A American Academy in Rome 385/1B Art Exhibit, 1953-1958 385/2 Art Exhibit, 1960 385/3 Art Exhibit, 1960-1967 385/4 Art Exhibit, 1968-1974 385/5 Art Exhibit, 1975 385/6 Art Exhibit, 1987 386/1 Aaron Copland 386/2-8 Other Composers

Folders:

A-Ber [BOX: 386/2] Br-Car [BOX: 386/3] Co-D [BOX: 386/4] F-H [BOX: 386/5] L-O [BOX: 386/6] P-Si [BOX: 386/7] St-Z [BOX: 386/8] 386/9-13 Schools

Folders:

Academia Nazionale di Santa Cecilia [BOX: 386/9] Cambridge [BOX: 386/10] Columbia University [BOX: 386/10] Instituto Torcuato di Tella [BOX: 386/11] Oberlin [BOX: 386/12] West Point [BOX: 386/13] 387-392 Clippings, 1920-1990 387/1 1920s 387/2 1930s 387/3 1940s 387/4 1950-1955 387/5 1956-1959 387/6 1960-1961 388/1 1962-1965 388/2 1966-1967 388/3 1968-1969 388/4 1970 388/5 1971 389/1 1972-1974 389/2 1975 389/3 1976 Jan.-July 389/4 1976 Aug.-Dec. 389/5 1977 389/6 1978 390/1 1979, 197[?] 390/2 1980 390/3 1981 390/4 1982 Jan.-May 390/5 1982 June-Dec. 390/6 1983 391/1 1984 391/2 1984 Mar. 24 391/3 1985 391/4 1986 Jan.-Apr. 391/5 1986 May-Dec. 391/6 1987 392/1 1988 392/2 1989 392/3 198[?] 392/4 1990 392/5-6 Undated 392/7 Commissions 392/7 Commission correspondence (requests not accepted), schedules 393-423 Compositions Alone 393/1 Correspondence, 1984-1986 Appalachian spring, Ballet 393/2 Clippings, 1944-1960 393/3 Clippings, 1963-1976 393/4 Clippings, 1977-1984 393/5 Clippings, n.d. 393/6 Programs, 1944-1986 393/7 Promotional, 1940-1973, n.d. Appalachian spring, Orchestra suite 393/8 Clippings, 1945 393/9 Clippings, 1946-1948 393/10 Clippings, 1952-1959 393/11 Clippings, 1960-1968 393/12 Clippings, 1970-1974 393/13 Clippings, 1975-1979 393/14 Clippings, 1980-1983 393/15 Clippings, n.d. 393/16 Programs, 1944-1945 393/17 Programs, 1945-1946 393/18 Programs, 1947-1953 393/19 Programs, 1954-1961 394/1 Programs, 1961-1966 394/2 Programs, 1967-1974 394/3 Programs, 1975-1979 394/4 Programs, 1980-1984 394/5 Promotional,1953-1985, n.d. Appalachian spring, Orchestra suite for 13 Instruments 394/6 Clippings, 1947-1980 394/7 Programs, 1964-1978 394/8 Programs, 1979-1983 394/9 Promotional, 1975-1983, n.d. 394/10 Miscellaneous, 1945-1977 As it fell upon a day 395/1 Clippings, Programs, Promotional, Miscellaneous, 1923-1984 Billy the kid, Ballet 395/2 Clippings, 1939-1941 395/3 Clippings, 1942-1950 395/4 Clippings, 1960-1982 395/5 Clippings, n.d. 395/6 Programs, 1941 395/7 Promotional, 1938-1947 395/8 Promotional, 1950-1982 395/9 Promotional, n.d. 395/10 Miscellaneous, 1939-1988 Billy the kid, Orchestra 395/11 Clippings, 1940-1947 395/12 Clippings, 1951-1959 395/13 Clippings, 1961-1969 395/14 Clippings, 1970-1983 395/15 Clippings, n.d. 395/16 Miscellaneous, n.d. 395/17 Programs, 1940-1942 395/18 Programs, 1943-1948 395/19 Programs, 1950-1955 395/20 Programs, 1956-1968 395/21 Programs, 1969-1970 396/1 Programs, 1970-1974 396/2 Programs, 1975-1978 396/3 Programs, 1979 396/4 Programs, 1979-1982 396/5 Programs, n.d. 396/6 Promotional, 1955-1984, n.d. Canticle of freedom for chorus and orchestra 396/7 Clippings, Commision correspondence, Miscellaneous, 1954-1979 396/8 Programs, 1955-1977 The cat and the mouse 396/9 Clippings, Programs, 1930-1980 CBS playhouse signature 396/10 Clippings, 1966-1967 Ceremonial fanfare 396/11 Clippings, Commision correspondence, 1969-1970 396/12 Programs, 1979-1986 Choral music 396/13 Promotional, 1975-1982 The city, Film 396/14 Clippings, Programs, 1939-1941 Concerto for clarinet 396/15 Clippings, 1950-1959 396/16 Clippings, 1960-1969 396/17 Clippings, 1970-1981 396/18 Clippings, n.d. 396/19 Commission correspondence, 1946 396/20 Programs, 1950-1963 396/21 Programs, 1964-1973 396/22 Programs, 1973-1977 396/23 Programs, 1978-1980 397/1 Promotional, 1950-1963 397/2 Promotional, 1964-1970 397/3 Promotional, 1975-1978 397/4 Promotional, 1979-1984 397/5 Miscellaneous, 1963, 1965, 1971 Connotations for orchestra 397/6 Clippings, 1962 397/7 Clippings, 1963 397/8 Clippings, 1964-1973 397/9 Clippings, 1974-1981 397/10 Clippings, n.d. 397/11 Commission correspondence 1959-1960, n.d. 397/12 Correspondence, 1962, n.d. 397/13 Programs, 1962 397/14 Programs, 1962-1968 397/15 Programs, 1973-1977 397/16 Promotional, 1962-1963 Cortege macabre 397/17 Clippings, Miscellaneous, 1925-1975 397/18 Programs, 1925-1971 Dance panels 398/1 Clippings, 1963-1980 398/2 Programs, 1963 398/3 Programs, Promotional, 1965-1978 398/4 Miscellaneous, 1961-1979, n.d. Dance sypmhony 398/5 Clippings, 1928-1972 398/6 Clippings, 1973-1981, n.d. 398/7 Programs, 1931-1970 398/8 Programs, 1971-1983 398/9 Promotional, Miscellaneous, 1937-1975 Danza de Jalisco 398/10 Clippings, Programs, 1968-1970 Danzon Cubano, Two pianos 398/11 Clippings, Miscellaneous, 1942-1969, n.d. 398/12 Programs, Promotional, 1942-1960 Danzon Cubano, Orchestra suite 398/13 Clippings, 1946-1978, n.d. 398/14 Programs, 1946-1983 398/15 Promotional, 1963-1980, n.d. Dirge 399/9 Clippings, Programs, Promotional, 1955-1978 Down a country lane 399/10 Clippings, 1963-1981 Duo for flute and piano 399/11 Clippings, 1971-1986, n.d. 399/12 Commission correspondence, 1967-1969 399/13 Programs, Promotional, 1971-1989, n.d. 399/14 Miscellaneous, 1971-1976 Duo for violin and piano 399/15 Clippings, 1981, n.d. Emblems 401/6 Clippings, 1965-1976, n.d. 401/7 Programs, 1964-1967 401/8 Programs, 1970-1980 401/9 Promotional, 1965-1975 401/10 Miscellaneous, 1964, n.d. Episode 401/11 Clippings, Programs, Promotional, 1960-1978 Fanfare for the common man 401/12 Clippings, 1944-1976 401/13 Clippings, 1977 401/14 Clippings, 1978-1979 401/15 Clippings, 1980-1983, n.d. 401/16 Programs, 1944-1979 401/17 Programs, 1980-1983, n.d. 401/18 Promotional, Miscellaneous, 1946-1982 First symphony 402/1 Clippings, 1927-1969 402/2 Clippings, n.d. 402/3 Programs, 1927-1934 402/4 Programs, 1934-1935 402/5 Programs, 1936-1960 402/6 Programs, 1960-1980 Five kings, Ballet 402/7 Clippings, Correspondence, Programs, 1939 Four motets 402/8 Clippings, Programs, Promotional, 1979-1984 Grohg 402/9 Program, 1934 Happy (birthday) anniversary 402/10 Clippings, 1970-1973 402/11 Programs, 1969-1977 Hear ye! Hear ye! 402/12 Clippings, 1934-1936, n.d. 402/13 Programs, Miscellaneous, 1934-1936, n.d. Heiress, Film 402/14 Academy Award Presentation, Clippings 1948-1954, n.d. 402/15 Magazines, 1950 402/16 Promotional, Script, 1948 Hoe down (Rodeo) 402/17 Clippings, 1945-1953, n.d. 402/18 Programs, 1945-1947, n.d. An immorality 403/1 Clippings, Programs, 1962-1968 In evening air 403/2 Clippings, 1976-1978 In the beginning 403/3 Clippings, 1947-1957 403/4 Clippings, 1960-1965 403/5 Clippings, 1966-1969 403/6 Clippings, 1970-1974 403/7 Clippings, 1975-1980, n.d. 403/8 Commission correspondence, 1946 403/9 Programs, 1947-1963 403/10 Programs, 1964-1968 403/11 Programs, 1971-1984, n.d. 403/12 Promotional, 1947-1984, n.d. 403/13 Miscellaneous, 1947-1950, n.d. Inaugural fanfare 403/14 Clippings, 1969-1977 403/15 Commission correspondence, Programs, Miscellaneous, 1967-1985 Inscape 404/1 Clippings, 1967 404/2 Clippings, 1968-1973, n.d. 404/3 Programs, 1967-1970 404/4 Programs, 1970-1972 404/5 Programs, Promotional, 1973-1984 404/6 Miscellaneous, 1967-1969, n.d. Into the streets may first 410/1 New Masses, 1934 John Henry 404/7 Clippings, 1955-1979 404/8 Commission correspondence, Programs, Miscellaneous, 1940-1980 Lark 404/9 Clippings, Programs, Promotional, 1943-1981, n.d. Las agachadas 404/10 Clippings, Programs, 1942-1980, n.d. 404/11 Promotional, Miscellaneous, 1949-1963 Lento espressivo 404/12 Miscellaneous, 1985 Letter from home 404/13 Clippings, Programs, Miscellaneous, 1947-1978 404/14 Commission correspondence, Programs, Miscellaneous, 1944-1978 Lincoln portrait 405/1 Clippings, 1942-1943 405/2 Clippings, 1944-1965 405/3 Clippings, 1966-1968 405/4 Clippings, 1969-1975 405/5 Clippings, 1976-1980 405/6 Clippings, n.d. 405/7 Commission correspondence, 1942 405/8 Programs, 1942-1947 405/9 Programs, 1949-1962 405/10 Programs, 1963-1967 405/11 Programs, 1968-1976 405/12 Programs, 1977-1982, n.d. 405/13 Promotional, 1969-1983, n.d. 405/14 Miscellaneous, n.d. Mid-day thoughts 406/1 Clippings, Programs, 1983-1984 Motet 406/2 Programs, Promotional, 1934-1937 Music for a great city 406/3 Clippings, 1964 May 406/4 Clippings, 1964-1971, n.d. 406/5 Commission correspondence, 1962 406/6 Programs, 1949-1966 406/7 Programs, 1968-1980 406/8 Promotional, Miscellaneous, 1967-1978 Music for movies 406/9 Clippings, Programs, Promotional, 1943-1988 Music for radio 406/10 Clippings, Programs, Promotional, Miscellaneous, 1926-1950 Music for theater 406/11 Clippings, 1925-1933 406/12 Clippings, 1934-1941 406/13 Clippings, 1945-1981 406/14 Clippings, n.d. 406/15 Programs, 1925-1932 406/16 Programs, 1933-1940 406/17 Programs, 1941-1956 406/18 Programs, 1958-1974 407/1 Programs, n.d. 407/2 Promotional, 1928-1985, n.d. 407/3 Miscellaneous, 1941, n.d. Night thoughts 407/4 Clippings, 1974-1978 407/5 Programs, Promotional, 1972-1980, n.d. Nocturne 407/6 Program, 1972 Oct. Nonet 407/7 Clippings, 1961-1981, n.d. 407/8 Commission correspondence, 1957-1960 407/9 Programs, 1961-1965 407/10 Programs, 1966-1977 407/11 Promotional, Miscellaneous, 1960-1983, n.d. North star, Film 407/12 Clippings, 1943-1953, n.d. 407/13 Script, 1943 407/14 Miscellaneous, 1941-1954, n.d. Of mice and men, Film 407/15 Clippings, 1939-1969, n.d. 410/3 Program, n.d. Old American songs 408/1 Clippings, 1951-1967 408/2 Clippings, 1968-1978 408/3 Clippings, 1979-1981 408/4 Programs, 1951-1970 408/5 Programs, 1971-1976 408/6 Programs, 1977-1978 408/7 Programs, 1979-1981, n.d. 408/8 Promotional, Miscellaneous, 1950-1984, n.d. Orchestral variations 408/9 Clippings, 1958 408/10 Clippings, 1960-1985, n.d. 408/11 Programs, 1957-1975 408/12 Programs, 1976-1982 408/13 Promotional, Miscellaneous, 1958-1984 Our town, Film 408/14 Clippings, Programs, 1940-1988 408/15 Script, 1940 408/16 Miscellaneous, n.d. Our town, Suite 408/17 Clippings, 1940-1981, n.d. 408/18 Programs, Promotional, 1941-1982 Outdoor overture 409/1 Clippings, 1939-1973 409/2 Clippings, 1974-1983, n.d. 409/3 Commission correspondence, 1938 409/4 Programs, 1938-1946 409/5 Programs, 1947-1963 409/6 Programs, 1964-1980 409/7 Programs, 1981-1984, n.d. 409/8 Promotional, 1939-1981, n.d. 409/9 Miscellaneous, n.d. Passacaglia 409/10 Clippings, Programs, Promotional, 1963-1980, n.d. Piano concerto 409/11 Clippings, 1927-1953 409/12 Clippings, 1954-1965 409/13 Clippings, 1966-1983 409/14 Clippings, n.d. 409/15 Commission correspondence, 1943 409/16 Programs, 1926-1954 411/1 Programs, 1958-1969 411/2 Programs, 1970-1985 411/3 Promotional, Miscellaneous, 1936-1985, n.d. Piano fantasy 411/4 Clippings, 1957-1972 411/5 Clippings, 1973-1981, n.d. 411/8 Correspondence, Miscellaneous, 1956-1958, n.d. 411/6 Programs, 1957-1965 411/7 Programs, 1966-1988, n.d. 411/9 Promotional, 1957-1982, n.d. Piano music, General 411/10 Clippings, 1945-1974 411/11 Clippings, 1975-1980 411/12 Clippings, 1981, n.d. 411/13 Programs, 1923-1983, n.d. 411/14 Promotional, Miscellaneous, 1940 -1983, n.d. Piano sonata 412/1 Clippings, 1942-1947 412/2 Clippings, 1948-1960 412/3 Clippings, 1961-1970 412/4 Clippings, 1971-1972 412/5 Clippings, 1973-1981 412/6 Clippings, n.d. 412/7 Programs, 1944 412/8 Programs, 1945-1947 412/9 Programs, 1948-1957 412/10 Programs, 1958-1971 412/11 Programs, 1972-1975 412/12 Programs, 1976-1981, n.d. 412/13 Promotional, 1938-1958 412/14 Promotional, 1959-1978, n.d. 412/15 Miscellaneous, 1942-1952, n.d. Piano variations 412/16 Clippings, 1931-1965 412/17 Clippings, 1966-1982 412/18 Clippings, n.d. 412/19 Programs, 1934-1941 412/20 Programs, 1942-1952 413/1 Programs, 1953-1974 413/2 Programs, 1975-1982, n.d. 413/3 Promotional, 1930-1947 413/4 Promotional, 1948-1958 413/5 Promotional, 1959-1982, n.d. 413/6 Miscellaneous, 1951-1981, n.d. Poets song 413/7 Clippings, 1926-1974 Preamble 413/8 Clippings, Promotional, Miscellaneous, 1949-1973, n.d. 413/10 Commission correspondence, 1949 413/9 Programs, 1948-1965 Proclamation 413/11 Clippings, Promotional, Programs, 1983-1987 Quartet for piano and strings 413/12 Clippings, 1950-1975 413/13 Clippings, 1976-1986, n.d. 413/14 Programs, 1950 413/15 Programs, 1951-1953 413/16 Programs, 1954 413/17 Programs, 1955-1972 414/1 Programs, 1973-1978 414/2 Programs, 1979-1983, n.d. 414/3 Promotional, 1951-1986, n.d. Quiet city 414/4 Clippings, 1941-1959 414/5 Clippings, 1960-1975 414/6 Clippings, 1976-1981, n.d. 414/7 Play Typescript, 1939 414/8 Programs, 1939-1941 414/9 Programs, 1942 414/10 Programs, 1943-1946 414/11 Programs, 1947-1965 414/12 Programs, 1966-1972 414/13 Programs, 1973-1983 415/1 Promotional, 1942-1980 415/2 Promotional, 1981-1984, n.d. 415/3 Miscellaneous, 1941-1957, n.d. Red pony, Film 415/4 Typescript, 1947 Red pony, Suite 415/5 Clippings, 1948-1976 415/6 Clippings, Miscellaneous, 1977-1983 415/7 Correspondence, Notes, 1964-1968, n.d. 415/8 Programs, 1948-1980, n.d. 415/9 Promotional, 1942-1980 Rodeo, Ballet 415/10 Clippings, 1942-1984, n.d. 415/11 Programs, 1942-1945 415/12 Programs, 1948-1985 415/13 Promotional, 1954-1981, n.d. Rodeo, Suite 415/14 Clippings, 1947-1981 415/15 Clippings, 1972-1977 415/16 Clippings, 1978-1983 415/17 Clippings, n.d. 416/1 Programs, 1943-1948 416/2 Programs, 1950-1971 416/3 Programs, 1972-1977 416/4 Programs, 1980-1990, n.d. 416/5 Promotional, Miscellaneous, 1943-1989, n.d. El salón Mexico 400/1 Clippings, 1938-1957 400/2 Clippings, 1958-1962 400/3 Clippings, 1963-1975 400/4 Clippings, 1976-1984, n.d. 400/5 Programs, 1937-1938 400/6 Programs, 1938-1942 400/7 Programs, 1943-1946 400/8 Programs, 1948-1966 400/9 Programs, 1967-1972 401/1 Programs, 1973-1976 401/2 Programs, 1977-1978 401/3 Programs, 1979-1985 401/4 Promotional, 1954-1981, n.d. 401/5 Miscellaneous, n.d. Second hurricane 416/6 Clippings, 1936-1938 416/7 Clippings, 1938 1942 416/8 Clippings, 1942-1978 416/9 Clippings, n.d. 416/10 Photographs 416/11 Programs, 1937-1958 416/12 Programs, 1960-1978 416/13 Promotional, 1937-1985, n.d. 416/14 Script, 1937 416/15 Script, n.d. 416/16 Script, n.d. 416/17 Miscellaneous, 1941-1942, 1964, 1976-1977 416/18 Miscellaneous, n.d. Sextet 417/1 Clippings, 1947-1979, n.d. 417/2 Programs, 1939-1976 417/3 Programs, 1977-1979 417/4 Programs, 1980-1988 417/5 Promotional, 1943-1969 417/6 Promotional, 1970-1988 417/7 Promotional, Miscellaneous, n.d. Short symphony 417/8 Clippings, Programs, Promotional, 1982-1985 Short symphony no. 2 417/9 Clippings, 1935-1981, n.d. 417/10 Programs, 1934-1970 417/11 Programs, 1971-1978 417/12 Programs, 1979-1982 417/13 Promotional, Miscellaneous, 1960-1982 Something wild 417/14 Clippings, 1961-1962, n.d. Statements for orchestra 418/1 Clippings, 1942-1967, n.d. 418/2 Programs, 1942-1957 418/3 Programs, 1958-1969 418/4 Programs, 1970-1975 418/5 Programs, 1976-1981 418/6 Promotional, Miscellaneous, 1942-1976, n.d. Symphonic ode 418/7 Clippings, 1932-1980, n.d. 418/8 Programs, 1932-1978 418/9 Programs, 1979-1980 418/10 Promotional, Miscellaneous, 1932-1976 Symphonic ode - revised 418/11 Clippings, 1932-1977, n.d. 418/12 Programs, 1931-1956 418/13 Programs, 1960-1980 418/14 Miscellaneous, 1956, n.d. Symphony for organ 419/1 Clippings, 1925-1964 419/2 Clippings, 1966-1980 419/3 Clippings, 1981-1982, n.d. 419/4 Programs, 1924-1981 419/5 Programs, 1982-1983, n.d. 419/6 Promotional, Miscellaneous, 1932-1976, n.d. Tender land, Ballet 419/7 Clippings, 1978-1979 Tender land, Opera 419/8 Clippings, 1954-1962 419/9 Clippings, 1963-1975 419/10 Clippings, 1976-1987, n.d. 419/11 Correspondence, 1954-1988, n.d. 419/12 Notes, 1965, n.d. 419/13 Programs, 1954-1957 419/14 Programs, 1958-1964 419/15 Programs, 1965-1972 419/16 Programs, 1973-1977 419/17 Promotional, 1954-1982, n.d. 419/18 Script, n.d. Tender land, Suite 420/1 Clippings, 1958-1980 420/2 Programs, 1978-1990, n.d. 420/3 Programs, 1958-1959 420/4 Programs, 1960-1969 420/5 Programs, 1970-1983 420/6 Promotional, 1959-1983 Third symphony 420/7 Clippings, 1946 420/8 Clippings, 1947 420/9 Clippings, 1948-1956 420/10 Clippings, 1957-1959 420/11 Clippings, 1960-1970 420/12 Clippings, 1972-1987 420/13 Clippings, n.d. 420/14 Programs, 1946-1947 420/15 Programs, 1947 421/1 Programs, 1948-1950 421/2 Programs, 1952-1958 421/3 Programs, 1959-1962 421/4 Programs, 1965-1966 421/5 Programs, 1967-1969 421/6 Programs, 1970-1973 421/7 Programs, 1974-1976 421/8 Programs, 1977-1980 421/9 Programs, 1981-1989 421/10 Promotional, 1947-1982 421/11 Miscellaneous, 1946, 1958, n.d. Three Latin American sketches 422/1 Clippings, Miscellaneous, 1972-1981, n.d. 422/2 Programs, 1972-1977 422/3 Programs, Promotional, 1979-1982 Three songs 422/4 Program, 1986 Threnody I, II 422/5 Clippings, Miscellaneous, 1972-1978, n.d. 422/6 Programs, 1971-1982, n.d. 422/7 Promotional, 1973-1974 422/8 Promotional, 1977-1981, n.d. Twelve poems by Emily Dickinson 399/1 Clippings, 1950-1968 399/2 Clippings, 1969-1977 399/3 Clippings, 1978-1981 399/4 Poems, Programs, 1950, 1970, n.d. 399/5 Programs, 1950-1972 399/6 Programs, 1973-1980, n.d. 399/7 Promotional, 1954-1982, n.d. 399/8 Miscellaneous, 1949-1988, n.d. Two choruses for women 422/9 Clippings, Programs, Promotional 1926-1952 Two pieces for string orchestra 422/10 Clippings, 1928-1970, n.d. 422/11 Programs, 1928-1965 422/12 Promotional, 1933, n.d. Two pieces for string quartet 422/13 Clippings, 1928-1976 422/14 Programs, Promotional, 1929-1980 Two pieces for violin 422/15 Clippings, 1927-1969 422/16 Programs, Promotional, 1927-1949, n.d. Variations on a shaker melody 422/17 Clippings, Programs, 1966-1978 Violin sonata 422/18 Clippings, 1944-1956 422/19 Clippings, 1957-1968 422/20 Clippings, 1969-1981, n.d. 423/1 Programs, 1944-1945 423/2 Programs, 1946-1948 423/3 Programs, 1949-1950 423/4 Programs, 1951-1957 423/5 Programs, 1958-1968 423/6 Programs, 1969-1976 423/7 Programs, 1978-1981, n.d. 423/8 Promotional, 1944-1951 423/9 Promotional, 1952-1976 423/10 Promotional, 1977-1983, n.d. Vitebsk 423/11 Clippings, 1929-1960 423/12 Clippings, 1961-1972 423/13 Clippings, 1973-1981, n.d. 423/14 Programs, 1929-1949 423/15 Programs, 1950-1967 423/16 Programs, 1968-1976 423/17 Programs, 1977-1983 423/18 Promotional, 1946-1984, n.d. Vocalise 423/19 Clippings, Programs, 1973 What do we plant 423/20 Programs, 1946 424/1 Newsletters 424/1 The Floating Bear, 1962 424/2 Notes 424/2 Miscellaneous, 1971, n.d. 424/3 Opera Ideas, 1950-1986 424/3 Clippings, Correspondence, Notes, Script, 1950-1986 424-425 410/2 Programs, 1923-1988 424/4 1923 424/5 1930-1939 424/6 1940-1949 424/7 1950-1959 424/8 1950-1959 424/9 1960-1964 424/10 1964 424/11 1965 424/12 1966-1968 425/1 1968-1970 425/2 1970-1971 425/3 1973-1976 425/4 1977 425/5 1978-1979 425/6 1980-1988 410/2 1988 426/1 Promotional Materials, 1960-1982 426/1 1960-1982, n.d. 426/2 Recording, 1965-1985 426/2 Clippings, Promotional, 1965-1985, n.d. 426/3-7 Tribute and Multiple Composition, 1941-1991 426/3 Programs, 1941-1979 426/4 Programs, 1980-1981 426/5 Programs, 1982-1983 426/6 Programs, 1985-1990, n.d. 426/7 Promotional, 1950-1991 427/1-8 C-Drw 2/3 United States Congress: House Un-American Activities Committee, 1953-1957 427/1 C-Drw 2/3 Clippings

Folders:

1953, n.d. [BOX: 427/1] 1936-1953 [BOX: MapCase C-Drw 2/3] 427/2 Congressional Record, 1953 Jan. 16 427/3-4 Correspondence See also: Biography, Legal Papers, Attorney Correspondence BOX: xxx

Folders:

1953 Jan. - 1953 Aug. [BOX: 427/3] 1953 Sept. - 1957 Feb. [BOX: 427/4] 427/5 Evidentiary Documents 427/6 Lists 427/7 Notes 427/8 Statements 428 White House, 1945-1988 Franklin D. Roosevelt [1933-1945] 428/1 Invitations [Inaugural], 1945 John F. Kennedy [1961-1963] 428/2 Correspondence,1961-1962 428/3 Invitations (General), 1961-1962 Lyndon B. Johnson [1963-1969] 428/4 Correspondence, 1964-1965 428/5 Invitations (General), 1964-1965 428/6 Invitations (Inaugural), 1965 428/7 Invitations (Inaugural), 1965 428/8 Telegram, 1968 Gerald Ford [1974-1977] 428/9 Invitations (General), 1975-1976 Jimmy Carter [1977-1981] 428/10 Invitations (General, Inaugural), 1977-1981 428/11 Correspondence, 1977-1980 Ronald Reagan [1981-1989] 428/12 Correspondence, 1985 428/13 Invitations (General, Inaugural), 1981-1988 467C Scrapbooks

The series Scrapbooks is represented by four scrapbooks. Three of the four scrapbooks focus on specific undertakings by Copland -- the Copland-Sessions Concerts from 1924 to 1931, the Yaddo Festivals from 1932-33, and the 1978 Australian tour for which he conducted and lectured. The other scrapbook represents the beginnings of Copland's clipping file from 1924 to 1942.

Four volumes that include articles, clippings, photographs, programs and other memorabilia. Arranged chronologically.

Because of their fragile condition, all but the Australian tour scrapbook have been preserved on microfilm (Microfilm 93/20002 Mus); the original of these three volumes will not be served to the public.

 467C-1 Copland-Sessions Concerts, 1924-1931

On Microfilm: 93/20002 Mus Item 1

DO NOT SERVE ORIGINAL

 467C-3 Scrapbook, 1924-1942

On Microfilm: 93/20002 Mus Item 3

DO NOT SERVE ORIGINAL

 467C-4 Yaddo Scrapbook, 1932-1933

On Microfilm: 93/20002 Mus Item 2

DO NOT SERVE ORIGINAL

 467C-2 ABC Australian Tour, 1978

not on microfilm

 429-433 453-455 C-Drw 2/7 Biography, 1921-1988

The Biography series consists of divergent materials, some of which is biographical and others personal. The biographical material includes autobiographical notes, a notebook and assorted lists that pertain to Copland's activities and compositions, and two birthday albums. The 70th birthday album comprises "An album of composers' tributes" which contains congratulatory letters, musical salutes, poems and ink drawings from 116 composers. The 80th birthday album was presented by the National Symphony Orchestra from friends and includes congratulatory letters from President Jimmy Carter, Vice President Walter Mondale, conductor Mstislav Rostropovich, Roger L. Stevens (chairman of the John F. Kennedy Center for the Performing Arts), and international musical luminaries.

Includes correspondence, notebook, lists, two birthday albums containing letters, music manuscripts, poems, photographs and ink drawings, calling cards, clippings, miscellaneous bank, investment, insurance, medical and property records and documents, invitations, and passports. Arranged alphabetically by subject.

 Accountant Papers 429/1 H. N. Whitney, Goadby 429/2 Korsh and Krauss 429/3 Autobiographical Notes Biographical Notebook 429/4 Lectures 429/5 Writings by AC 429/6 Writings about AC 429/7 Book Reviews 429/8 Radio Appearances 429/9 Recordings 429/10 Trips 429/11 Programs Conducted 429/12 List of Works 429/13 Honors Biographical Sketches 429/15 Miscellaneous 429/16 Obituary 454 Birthday Album, 70th 455 Birthday Album, 80th 429/14A Calling Cards 429/14B Family Tree Household 429/17 Automobile 429/18 Automobile 429/19 Bank Statements 429/20 Bills: Miscellaneous 429/21 Check Stubs [1957] 430/1 Citibank: Investment Summary 430/2 Citibank: Miscellaneous 430/3 Citibank: Statement of Transactions 430/4 Horizon Gas Company 430/5 Insurance: Blue Cross 430/6 Insurance: Equitable Brokers 430/7 Insurance: Miscellaneous 430/8 Insurance: Schiff Terhune 430/9 Insurance: Schiff Terhune 430/10 Mayfair Travel 430/11 Miscellaneous 430/12 Safety Deposit Information 431/1 Stock Investment Stubs 431/2 Stock Statements 431/3 Invitations Legal Papers 431/4 Attorney Correspondence, 1946-1952 431/5 Attorney Correspondence, 1953-1967 See also: Subject File: House Un-American Activities Committee BOX: xxx 431/6 Attorney Correspondence, 1970-1978 431/7 Attorney Correspondence, 1979-1980 431/8 Attorney Correspondence, 1981 431/9 Attorney Correspondence, 1982-1984 432/1 Attorney Correspondence, 1985 432/2 Attorney Correspondence, 1986 432/3 Attorney Correspondence. 1987 432/4 Last Will and Testament Lists 432/5 Addresses 432/6 Address Books 432/7 AC American Music Collection 432/8 Composition Department Members: Tanglewood 432/9 Compositions by AC 432/10 Conducting Engagements 432/11 Lecture Engagements 432/12 AC Letter Files 432/13 Lincoln Portrait Narrators 432/14 Peekskill Archives 432/15 Photographs 432/16 Recordings 432/17 Television Appearances 432/18 Trips 432/19 Unidentified 432/20 Writings by AC Medical Records 433/1 Inoculations 433/2 Miscellaneous 433/3 Music Assistant Information 433/4 Passports 433/5 Passport Information 433/6 Passport Photos C-Drw 2/7 Peekskill House, Architectural Maps and Blueprint 453 Peekskill House, Architectural Specifications 433/7 Property Information 433/8 Property Information 433/9 Property Information 434 Rolodex 433/10 Stamp Collection 435-463 C-Drw 2/8-9 Awards, 1934-1985

The Awards series contain the artifacts that Copland received from the numerous and myriad honors and awards bestowed on him during his lifetime. Copland accepted his first honorary doctorate in music from Princeton University in 1956, and almost every year thereafter he approved another one either in humane letters or in music. The last one was a Degree of Fine Arts, "Honoris Causa", from the New School for Social Research in 1983. Other tributes conferred on Copland from 1947 to 1982 include the Presidential Medal of Freedom, awarded by President Lyndon B. Johnson in 1964, and the Kennedy Center Honors' medal in 1979. In most cases, programs, invitations, and letters accompany the actual degree, award or medal.

Citations, Medals, etc. include certificates, proclamations, plaques, medals, keys to cities and, some cases, accompanying correspondence, programs, reviews and other printed material. Arranged alphabetically by the presenter's name.

 435-438 457 458/5 C-Drw 2/8 Honorary Degrees C-Drw 2/8 Accademia Filarmonica Romana, 1963 (diploma) 438/1 Brandeis University, 1957 (printed materials) 457/1 Brandeis University, 1957 (diploma) 435/1 Brooklyn College, 1975 435/2 Brown University, 1980 438/2 The Catholic University of America, 1979 435/3 Columbia University, 1971 (printed materials) 457 Columbia University, 1971 (diploma) 438/3 Fairfield University, 1968 435/5 Harvard University, 1961 (printed materials) 458/5 Harvard University, 1961 (printed materials) 457 Harvard University, 1961 (diploma) 457/3 Illinois Wesleyan, 1958 C-Drw 2/8 Indiana State University, 1978 (diploma) 438/5 Jacksonville University, 1967 438/6 Kalamazoo College, 1965 435/6 Kansas State University, 1982 (diploma) 435/7 Kansas Sate University, 1982 (Phi Beta Kappa) 438/7 Long Island University, 1974 (printed materials) 438/8 Long Island University, 1974 (diploma) 436/2 New England Conservatory, 1977 457 New School for Social Research, 1983 (diploma) 438/9 New York University, 1970 436/3 Oberlin College, 1958 436/4 Ohio State University, 1970 436/5 Ottawa University, 1976 C-Drw 2/8 Peabody Institute, Conservatory of Music, 1969 (diploma) 436/6 Princeton University, 1956 (printed materials) 457/4 Princeton University, 1956 (diploma) 436/7 Queens College, 1981 437/3 Rutgers University, 1967 (printed materials) C-Drw 2/8 Rutgers University, 1967 (diploma) 437/4 San Francisco Conservatory of Music, 1976 435/4 University of Florida, 1972 437/5 State University of New York, New Paltz, 1982 437/6 Syracuse University, 1964 (printed materials) 457/5 Syracuse University, 1964 (diploma) 457 Temple University, 1959 (in tube) 438/11 Tulane University, 1976 457/5 University of Florida, 1972 438/4 University of Hartford, 1959 457 University of Portland, 1975 436/1 University of Michigan, 1964 437/1 University of Redlands, 1977 437/2 University of Rhode Island, 1964 438/10 University of Rochester, 1976 437/3 University of Utah, 1966 (printed materials) 457/2 University of Utah, 1966 (diploma) 437/8 University of York, 1971 (printed materials) 439-452 458-463 C-Drw 2/9 Citations, Medals, etc. 441/3 Academia Nacional de Bellas Artes, 1962 (membership) 452/1 Academia Nacional de Bellas Artes, 1963 (award) 441/5 Academy of Motion Picture Arts and Sciences, 1940 (nomination) 441/4 Academy of Motion Picture Arts and Sciences, 1943 (nomination) 441/6 Accademia Filarmonica Romana, 1963 (membership) 441/7 Accademia Nazionale di Santa Cecilia, 1956 (membership) 450/1 Accademia Nazionale Santa Cecilia, n.d. (medal) 440/4 Akademie der Künste, 1983 (membership) 440/34 Albany Institute of History and Art, 1981 (concert) 440/17 American Academy of Arts and Letters Medal, 1956 (printed materials) 441/1 American Academy of Arts and Sciences, 1951 (membership) 458/1 American Academy of Arts and Sciences, 1951 (citation) 440/6 American Chamber Orchestra, 1982 (tribute) 458/2 American Composers' Alliance, 1968 (award) C-Drw 2/9 American-Israel Cultural Foundation, 1975 (award) 440/9 American-Israel Cultural Foundation, 1976 (award) 459 ASCAP, 1945 (plaque) 441/1 ASCAP, 1946 (membership) 446/1 ASCAP, 1985 (plaque) 458/3 American Symphony, 1975 (citation) 460 American Symphony Orchestra Golden Baton Award, 1978 (baton) 440/7 Art Critic's Circle, 1963 (award) 446/3 Association of College, University and Community Arts Administrators, 1976 (plaque) 440/11 The Bohemians, 1971 (dinner) 439/1 Boys High School Alumni Association, n.d. (citation) 443/1 Boys High School Alumni Association, 1953 (plaque) 440/12 Brandeis University, 1960 (award) 451/10 Brandeis University, 1960 (medal) 440/13 Brandeis University, 1963 (tribute) 440/14 Brandeis University, 1975 (award) 451/7 Brandeis University, 1975 (medal) 441/89 Brandeis University Medal, n.d. (printed materials) 463/1 Brooklyn Academy of Music, 1961 (citation) 440/5 Chamber Symphony Society of California, 1975 (Allegro Ball) C-Drw 2/9 City of Aspen, 1975 (ACday) 447 City of Bridgeport, n.d. (key) 447 City of Buffalo, n.d. (key) 439/2 City of Chicago, 1980 (AC Day) 447 City of Cleveland, n.d. (key) 439/3 City of Cleveland, 1974 (AC Week) 439/5 City of Harrisburg, 1975 (AC Week) 447 City of Jacksonville, 1972 (key) 447 City of Kansas City, n.d. (key) 452/6 City of Los Angeles, 1975 (award) C-Drw 2/9 City of New York, 1914 (citation) 451/4 City of New York, 1970 (medal) 449/1 City of New York, 1980 (plaque) 440/22 City of New York, 1983 (concert) 439/9 City of Peekskill, 1985 (AC Week) 442/3 City of Portland, 1975 (AC Week) 440/37 City of San Jose, n.d. (letter) 447 City of San Juan, n.d. (key) 447 City of San Salvador, 1975 (key) 439/4 Commander's Cross of the Order of Merit of the Federal Republic of Germany, 1970 (printed materials) 452/12 Commonwealth of Pennsylvania, 1975 (citation) 452/14 El Concejo Municipal de San Salvador, 1974 (citation) 440/8 Consul General of the United States, 1978 (luncheon) 446/2 Cookeville, Tennessee, 1978 (plaque) 458/4 County of Los Angeles, 1964 (citation) 449/3 County of Oswego, 1979 (plaque) 440/16 Da Capo Chamber Players, n.d. (concert) 463/2 Dancemagazine, 1979 (plaque) C-Drw 2/9 École des Hautes Études Musicales de France, 1921 (award) 452/4 Edinburgh Film Festival, 1959 (award) 441/12 Friends of Music, 1964 (award) 450/2 German Cross, n.d. (medal) 451/2 Die Gesellschaft der Musikfreund, n.d. (medal) 451/8 Harvard Glee Club, n.d. (medal) 439/6 Harvard University, 1978 (citation) 441/13 Harvard University, 1934, 1944, 1951 (appointment as lecturer) 440/15 Hebrew Arts School, 1982 (dinner) 441/14 Henry Street Settlement, 1966 (award) 440/19 Institut de France, 1970 (membership) 440/24 International Capital of the Age of Enlightenment, 1979 (award) 441/11 International Congress on Nutrition, 1960 (award) C-Drw 2/9 Irving Jr. High, Salt Lake City, n.d. (salutation) 440/20A Joffrey Ballet, 1989 (dinner) 440/1 Kansas State University, 1982 (AC Festival) 459 Kennedy Center Honors, 1979 (medal) 440/20B Kennedy Center Honors, 1979 (printed materials) 459/1 Lamont School of Music, n.d. (plaque) 440/21 Library of Congress, 1981 (concert) 440/10 Los Angeles County Museum of Art, 1970 (concert) 451/9 Louisiana Council for Music and Performing Arts, n.d. (medal) 440/23 MacDowell Colony Medal, 1961 (printed materials) 451/3 MacDowell Medal, 1961 (medal) 441/15 Massachusetts Federation of Music Clubs, n.d. (award) 452/7 Mostra Internazionale d'Art Cinematografica, 1959 (award) 440/25 Mu Phi Epsilon, 1986 (citation) 441/15 Music Critic's Circle, 1944, 1946 (award) 441/16 Music Educators' National Conference, 1973 (award) 440/26 Music in the Mountains, n.d. (concert) 445/1 National Academy of Recording Arts and Sciences, 1960 (plaque) 445/2 National Academy of Recording Arts and Sciences, 1960 (plaque) 445/3 National Academy of Recording Arts and Sciences, 1962 (plaque) 445/4 National Academy of Recording Arts and Sciences, 1966 (plaque) 445/5 National Academy of Recording Arts and Sciences, 1966 (plaque) 445/6 National Academy of Recording Arts and Sciences, 1967 (plaque) 445/7 National Academy of Recording Arts and Sciences, 1974 (plaque) 445/8 National Academy of Recording Arts and Sciences, 1975 (printed materials) 446/4 National Academy of Television Arts and Sciences, 1960-61 (plaque) 444/1 National Academy of Television Arts and Sciences, 1966-67 (plaque) 451/5 National Association for American Composers and Conductors, n.d. (medal) 450/3 National Bicentennial Medal, 1976 (medal) 440/27 National Endowment for the Arts Medal, 1986 (printed materials) 441/17 National Federation of Music Clubs, 1941 (award) 441/18 National Institute of Arts and Letters, 1942 (membership) 441/19 National Institute of Arts and Letters Medal, 1956 (printed materials) 440/28 National Music Awards, 1976 (award) 441/20 National Press Club, 1974 (award) 452/8 New York State Assembly, 1985 (citation) 440/29 New York State Music Awards, 1975 (award) 463/3 New York State Music Award, 1981 (citation) 440/18 New York State Music Awards, 1981 (award) 443/2 Oakland University, 1978 (plaque) 441/21 Oklahoma City, 1943 (award) 440/30 Ovation Magazine, 1989 (award) 451/1 Paramount Center for the Arts, 1985 (medal) 439/11 Pennsylvania House of Representatives, 1990 (citation) 441/22 Philharmonic Symphony Society of New York, 1970 (membership) 442/4 Phi Mu Alpha, 1961 (membership) 448 Phi Mu Alpha, 1970 (plaque) 443/5 Phi Mu Alpha, 1972 (plaque) 443/3 Phi Mu Alpha, 1974 (plaque) 442/1 Phi Mu Alpha, 1976 (award) 443/4 Phi Mu Alpha, 1979 (plaque) 440/31 Pi Kappa Lambda, 1970 (membership) 440/32 The Pierian Sodality of 1808, 1962 (certificate) 451/6 Pittsburgh Bicentennial, 1958 (medal) 440/38 Preservation and Revitalization of Cold Springs Area, 1983 (reception) 452/2 President of Brooklyn, 1980 (award) 452/13 Presidential Medal of Freedom, 1964 (printed materials) 459 Presidential Medal of Freedom, 1964 (medal) 440/35 Pulitzer Prize, 1945 (printed materials) C-Drw 2/9 Pulitzer Prize, 1945 (diploma) 450/4 Rainier, Prince de Monaco, III, n.d. (medal) C-Drw 2/9 Royal Academy of Music, 1959 (membership) 457/5 Royal Philharmonic Society, 1970 (membership) 441/23 Royal Society for the Encouragement of Arts Manufactures and Commerce, 1960 (membership) 444/2 San Jose, n.d. (plaque) 441/24 Scholastic Teacher's National Film and Filmstrip Awards, 1960 (award) 442/2 State of Kansas, 1976 (membership) 452/10-11 State of New York, 1979 (citation- 2 copies) 439/7 State of Louisiana, 1976 (AC Days) 461/1 State of Michigan, 1980 (citation) 452/9 State of New York, 1983 (citation) 439/8 State of North Carolina, 1976 (AC Day) 452/15 State of Tennessee, 1978 (award) 439/14 State of Utah, 1976 (AC Week) 439/12 State University of New York at Potsdam, n.d. (citation) 440/36 Stereo Review, 1981 (award) 439/13 Syracuse University Chancellor's Medal, 1975 (printed materials) 459 Syracuse University Chancellor's Medal, 1975 (medal) 440/39 Tanglewood, n.d. (concert) 441/25 Third Street Music School Settlement, 1979 (award) 449/2 Town of Cortland, 1985 (plaque) 440/2 Umpaqua Community College, 1981 (AC Festival) 458/7 United States Air Force Band, n.d. (citation) 452/16 United States Senate, 1985 (citation) 441/10 Universidad de Chile, 1963 (award) 452/3 Universidad de Chile, n.d. (award) 450/5 Universidade do Estado da Guanabara, 1950 (medal) 452/5 Universidade do Estado da Guanabara, 1963 (award) 440/40 University of Leeds, 1977, (tribute) 439/10 University of Pennsylvania, 1980 (citation) C-Drw 2/9 University of Pennsylvania Glee Club, 1970 (award) 459/3 University of Pennsylvania Glee Club, 1970 (plaque) 441/26 Venezuelan Association of Authors and Composers, 1957 (award) 439/15 Washington, DC, 1980 (AC Day) 462 Westchester Council for the Arts, 1981 (plaque) 458/7 Westchester County Executive, 1981 (citation) 461/2 Westchester County Executive, 1985 (citation) 450/6 Westchester County Merit Award, n.d. (medal) 440/3 Westchester Music and Arts Camp, 1981, (festival) 440/33 William Penn College, 1983 (award) 441/27 Wisdom Magazine, n.d. (award) 441/28 Yale University Howland Medal, 1970 (printed materials) 450/7 Yale University Howland Medal, n.d. (medal) 450/8 Yale University Samuel Simons Sanford Medal, n.d. (medal) 456 464-466 509 516 519-520 C-Drw 2/10-16 Art Works, 1944-1983

The Art Works section is divided into Of Aaron Copland, Other Works, Poetry, and Posters that include drawings, caricatures, and portraits of Aaron Copland and other artistic renderings which consist of special editions of illustrated poems by various artists in different mediums. The two most illustrious artists represented are a numbered print by Pablo Picasso and an engraved color print by Marc Chagell which was part of an invitation from the Prince and Princess of Monaco for a 1967 program to honor Nadia Boulanger.

Citations, Medals, etc. include certificates, proclamations, plaques, medals, keys to cities and, some cases, accompanying correspondence, programs, reviews and other printed material. Arranged alphabetically by the presenter's name.

 456 464-465 509 516 519 Of Aaron Copland 509/3 Albee, E. (pencil sketch) 519/1 Altman, N. (right and left handprints) 509/5 Boyce, John (pencil sketch) 509/7 Frueh, A. (pencil sketch) 516/2 Frubauf, Aune (woodcut) 465 Hirsch, Joseph (portrait) 516/3 Hoffnung, Gerard (caricature reproduced in journal) 516/4 Irene (sketch) 464 Johnson, J. R. (watercolor; collage) 456/2 Nando (caricature) 516/6 Oslundigo, E. R. (watercolor) 456/3 Perrin, Joyous (ink sketch) 509/9 Re, F. (engraving, 2 copies) 519/7 Ross, Alvin (ink sketch) 509/12 Schiff, R. (ink sketch) 456/5 Schiff, R. (pencil sketch) 509/2 Unidentified (caricature) 509/1 Unidentified (caricature with Charles Ives) 519/3 Unidentified (ink sketch) 456/10 Unidentified (mounted newspaper photo of AC and Benny Goodman) 519/4 Unidentified (pencil sketch) 519/2 Unidentified (portrait) 456 466 509 516 519-520 C-Drw 2/10, 16 Other works 516/1 Chagell, Marc (Print, included in a program honoring Nadia Boulanger) 466 Children (drawings) 464 Johnson, J. R. (painting) 509/6 Keahy, Ruth (watercolor, El Saloon Mexico) C-Drw 2/16 Picasso, Pablo (numbered print of bull and horse) 509/11 Ross, A. (etching) 509/10 Ross, A. (etching, one for each month) 456/8 Unidentified (18th century songbook) 516/5 Unidentified (Japanese fabric sculpture) 519/6 Unidentified (paper collage) 520 Unidentified (Tango folio) C-Drw 2/10 Unidentified (watercolor and floor plan of AC's house) 456/13 Wolf, R. Statements on art 456 509 520 Poetry 509/4 Ammons, A., Breaking Out 456/4 Price, R., The Dream of the House 509/13 Tate, A., All is Brilling 520 Unidentified, For Aaron Copland (5 poems) 456/1 Unidentified, Patrick County, Virginia 456 519 C-Drw 2/11-15 Posters 464 Albany Institute 464 American Symphony Orchestra 464 Australian concerts 464 Basilique-Cathédrale Sante-Reparate C-Drw 2/11 Bamberger Symphoniker 519/5 Barous, Terry (senior recital) C-Drw 2/11 Beorgradska Filharmonija C-Drw 2/14 Bologna concert C-Drw 2/11 Boston Symphony Orchestra 456/9 Boston University concert C-Drw 2/11 Bowery Ensemble C-Drw 2/13 Javier Cabada 456/11 Empire Sinfonietta C-Drw 2/12 Harvest of Music Festival C-Drw 2/13 Inscape C-Drw 2/11 Israel Philharmonic C-Drw 2/11 Jordan Hall, Boston C-Drw 2/12 National Symphony Orchestra C-Drw 2/12 New York State Council on the Arts 456/12 Ojai Festival C-Drw 2/14 Parkening, Christopher C-Drw 2/15 Russian concerts C-Drw 2/13 Schiff, Richard J. C-Drw 2/11 Second hurricane 456/7 Smit, Leo (recital) C-Drw 2/14 Seymour Group, Australia C-Drw 2/11 Syracuse University concert C-Drw 2/11 Tender land C-Drw 2/14 Trieste Philharmonic (2 copies) C-Drw 2/14 Waldman, Paul C-Drw 2/14 WFNL, U.S. Guys (Ives, Copland, Bernstein) 468-494 496-514 C-Drw 2/4-6 Photographs, 1889-1985

The Photographs series contain approximately 12,000 images and date from c. 1889-1985. The largest section is the portraits of Copland alone, both formal and informal, professional and amateur. Noteworthy subjects include many rarely-seen early portraits of Aaron Copland and the majority of the photographs reproduced in Copland's two volume autobiography, "Copland, 1900-1943" (Volume I) and "Copland Since 1943" (Volume II). Photographs from these books are identified with a Roman numeral I or II, designating the volume in which it was reproduced, followed by an Arabic numeral designating the page on which the photograph is found.

A large portion of the photo images were taken by Copland's life-long friend, the professional photographer, Victor Kraft (1915-76). Among the images produced by Victor Kraft are luminaries of the American music scene from the first half of the twentieth century, including Leonard Bernstein, Marc Blitzstein, Paul Bowles, David Diamond, Lukas Foss, Serge Koussevitzky, Walter Piston and the Tanglewood Music Festival during the 1940s. In fact, a significant amount of items correspond or overlap between this series and the Victor Kraft Materials series. Illustrious photographers represented include Margaret Bourke-White, Irving Penn, Gordon Parks and Carl Van Vechten, among others. If photographic credits are not given, the photographer is, as yet, unidentified. See the Explanation of Code System for Photographs at the end of the series.

Includes black and white and color photoprints in several sizes, color slides, black and white contact prints, black and white and color negatives, and color transparencies (mostly 35mm, but includes oversize, copy and square negatives). Photoprints with and without Aaron Copland arranged by subject from the most personal and relevant to Copland to less important and significant, then roughly in chronological order; Photo Albums arranged in approximate chronological order; Color Slides arranged by subject; and Negatives arranged according to pre-existing job codes in alpha-numeric order when available, and according to newly-assigned codes arranged by subject, then numerically.

 468-485 490-494 496-499 501 503 506 507 509-512 C-Drw 2/4-6 Photoprints with Aaron Copland 468/1-4 491/1-3 506/2-9 AC Portraits: Early (1900-1930) 491/1 1906, at age 6 [enlargement of smaller print] 506/1 [1920?], "Copland 1924" (Ortho) [ I;37] 491/2 1920s, AC in Paris 491/3 ca. 1920s 506/2 1923 506/3 [1926?], "Copland in front of Koussevitzky's house, Boston, 1925" [I;101] 506/4-9 1930, 6 signed and mounted prints (Hermann Collmann) 468/3-4 Miscellaneous

Contents:

At piano Informal 468/1-2 Miscellaneous 469-472 491-492 506 512 AC Portraits: Middle (1931-1960) 492/1-3 [ca. 1930s], series, one mounted (Victor Kraft) 471/1-3 1932, series (Carl Van Vechten) 506/10 [1932], "Copland 1927" [copy of photo by Carl Van Vechten] 492/11 1946, "Studio in the Berkshires September, 1946" (Victor Kraft) 506/11 1947, signed and mounted (Irving Penn) 491/4 [1947], signed and mounted (Irving Penn) 492/13 ca. 1951, at piano, "Barn studio in Berkshires, circa 1951" (Victor Kraft) 492/14 1958, Life magazine (Gordon Parks) 492/15 1959 (Harold Shapero) 492/16 1960 (C. Manos) 491/5 Undated, 1 photo, matted (Carl Van Vechten), Undated 492/7 Undated, 2 photos (Victor Kraft) [Negs. CC-CP-N-1057-R2;22,23], Undated 492/5 Undated, 2 photos, 3 prints, Undated 471/4 Undated, 3 photos (George Platt Lynes), Undated 492/6 Undated, 2 prints, Undated 491/6-9 Undated, 8 proofs (Pach Bros.), Undated 492/8-10 Undated, At piano [Berkshires studio], Undated 492/12 Undated, [Berkshires?, outdoors] (Victor Kraft), Undated 492/4 Undated, Informal, Undated

Includes: Mexico

 512 Undated, [Massachusetts house, exterior and interior; sunset (Victor Kraft)] (Color slides) 469/1-3 Miscellaneous 470/1-4 Miscellaneous 472/1 Miscellaneous 472/2 Miscellaneous 472/5 Miscellaneous, AC at piano 472/3-4 Miscellaneous, informal 473-475 490 493 496 506 509 511 AC Portraits: Late (1961-1990) 493/4-6 1960s, proofs (Lotte Meitner-Graf) 493/11 [1960s], 2 photos, "in 60's" (Marc and Evelyne Bernheim) 493/12 [1960s], 3 photos, "in 60's" (Editta Sherman) 506/13 [ca. 1960s] 509/1 [ca. late 1960s?], mounted (Color) 493/9 1962, Apr., LIFE magazine (Yale Joel) 496/3 1970, Feb., mounted (John Hustad) 493/14 [ca. 1970s], signed and mounted 509/2-3 [ca. 1970s, outside], mounted (Color) 511/1 1971, mounted (Martha Crumb) (Color) 493/13 1972 (Bob Fullerton) 511/2 1977, signed and mounted (Leo Smit) (Color) 493/15 1978, 3 photos, signed (King Wehrle) 506/12 1979 (Hans Namuth) 496/4 1979, mounted (Mickey Adair) 493/16-20 1980, 13 photos (Suzie E. Maeder) 511/3 [ca. 1980] (Iris Posner) (Color) 509/4 [ca. 1980], matted (Color) 493/21 1981, signed (Nancy Rica Schiff) 493/22 1982, signed and mounted (Ralph Titus) 493/23 1983 (Arthur Mones) 493/24 1984, at piano (Lucy Cobos) 493/25 1985, signed (Marianne Barcellona) 511/4 [ca. 1985] (from [by?] Ann Mann) (Color) 493/2 At piano (Dennis Goulden) 493/3 Undated, At piano (Victor Kraft?) 493/1 Undated, At piano, signed by AC (Paul Moor) 474/1 Undated, Series (David Diamond) 473/2-4 Undated, Series (Editta Sherman) 493/7-8 Undated, Signed and mounted (Lotte Meitner-Graf) 493/10 Undated, 1 print (Kazuo Inoue Okayama) 473/1 Miscellaneous 473/3 Miscellaneous 474/2 Miscellaneous 475/1-3 Miscellaneous 475/5 Miscellaneous 490/1-3 Miscellaneous (Color) 475/4 Miscellaneous, AC at the piano 476/1-6 490/4 496/1-2 C-Drw 2/4 AC Family 496/1 1909, AC with sister Josephine [enlargement copy] 496/2 1935, Golden wedding anniversary banquet for AC's parents, mounted [banquet camera photo] C-Drw 2/4 1935, Golden wedding anniversary banquet for AC's parents [banquet photo, rolled] 476/6 AC with family, Undated 476/1-5 Miscellaneous, Undated 490/4 Miscellaneous (Color), Undated 477 494 AC Conducting: Middle (1930-1960) 477/1 494/1-3 Foreign Countries 494/3 1960, Berlin, conducting "Nonet" (Paul Moor) 494/1 [1960, Japan] (Kazuo Inoue Okayama) 494/2 [1960?], Japan, "Conducting in Japan" (Jun Miki) 477/1 Miscellaneous 477/2-3 494/4 United States 494/4 [1940s?, Tanglewood], 2 photos (Victor Kraft) 477/2 Miscellaneous 477/3 Unidentified 477-478 494 497 511 512A AC Conducting: Late (1961-1980s) 477 494 Foreign Countries 477/4 1963, Columbian National Symphony 477/5-8 1970, Berlin (Victor Kraft) 477/9 1970, Berlin (Peter Muck) 477/11 1970, London, London Symphony Orchestra (Julian Hahn) 477/12 1970, London, London Symphony Orchestra (Victor Kraft) 512 1970 Nov., London, London Symphony Orchestra (Victor Kraft?) (Color slides) 477/13 1980, London, London Symphony Orchestra (Crowthers) 494/5-6 1980, London, [London Symphony Orchestra?], 5 photos (Suzie Maeder) 477/10 England (Victor Kraft), Undated 477/14-15 Miscellaneous 477-478 494 497 511 512A United States 494/7 1964 Summer, New York City, Lewis Stadium, rehearsal of Lincoln Portrait with Adlai Stevenson (Marc and Evelyne Bernheim) 477/16 1970, Los Angeles (Mary Leipziger) 512 1970 Dec., New York Philharmonic Orchestra (Color slides) 494/12 [ca. 1970s], Kent State University (Jack Davis) 494/9-10 1971 Nov., Kansas State University, Copland Festival (Ralph Titus) 494/11 [1972], Austin Symphony (James E. Alvis) 477/17 [1972] Mississippi River Festival (Charles H. Cox) 497 1973 Feb. 11, United States Air Force Band and Singing Sergeants, Washington, D.C. [photo scrapbook] 511/5 1976, Saratoga Springs, 2 photos (Allen J. Winigrad) (Color) 511/6 [1976?, Saratoga Springs], 3 photos (Color) 494/13 1981 Sept., Library of Congress, conducting "Nonet" 494/8 Undated, Detroit Symphony Orchestra with William Warfield (L. Wardrop) 497 Undated, Norfolk Symphony Orchestra [photo scrapbook] 512A Undated, San Francisco [dual slides] (Color slides) 478/1-3 Unidentified and Miscellaneous 478 490 496 498 AC Conducting: Miscellaneous and Unidentified 496/5 [ca.1960s] Unidentified 498/8 Undated, 1 print (Goldstein) 498/1 Undated, 2 prints (Kenneth Love) 498/9 Undated, 4 photos, mounted (J. Fowler) 496/6 Undated, Enlarged photo (Gordon Clarke) 478/4 Undated, Series of 15 prints (Gordon Clarke) 498/2-7 Undated, Series of 17 prints (Nicholas Tucker) 478/5-6 Miscellaneous 490/5 Miscellaneous (Color) 512 Unidentified (Color slides) 478 490 AC Performing 497 At piano, 1967 Congregation of the Arts, Dartmouth College [photo album] 512 At piano, 1970 Nov., AC with André Previn and London Symphony Orchestra, "Piano Concerto" rehearsal (Color) 478/7 At piano, Undated 478/8 Film 478/9 Radio 490/7 Radio and Television (Color) 478/10 Television 490/6 Miscellaneous (Color) 478 490 AC with Composers 499/3 Barber, Samuel and Virgil Thomson, Gian Carlo Menotti, and William Schuman, ca. 1940, "AC with American composer friends" (John Stewart) 478/11 Bernstein, Leonard 478/12 Boulanger, Nadia 478/13 Boulanger, Nadia and Serge Koussevitzky 478/14 Britten, Benjamin 507/8 Koussevitzky, Serge, 1944 May, "American Composers' Testimonial Dinner in Honor of Dr. Serge Koussevitzky" 499/4 Koussevitzky, Serge and Arthur Honegger, 1947, Tanglewood (Victor Kraft) 478/15 Milhaud, Darius 499/2 Rochester, New York Conf[erence] of American Composers, 1925 478/16 Smit, Leo 512 Thomson, Virgil and Roger Sessions (Color slide) 499/1 Thomson, Virgil, Walter Piston, and Herbert Elwell, 1924, Paris 479/1-7 490/8 Miscellaneous

Folders:

479/1 Blitzstein, Marc 479/1 Diamond, David 479/1 Sneden's Landing group 479/2 Fine, Irving 479/2 Haieff, Alexei 479/2 Piston, Walter 479/3 Barber, Samuel and Gian Carlo Menotti [1945, II;65, NEG.] 479/3 Rorem, Ned 479/4 Fine, Irving 479/4 Foss, Lukas 479/4 Hindemith, Paul 479/5 Shostakovitch, Dmitri, Dmitri Kabalevsky, and Soviet group 479/5 Villa-Lobos, Heitor 479/6 Chávez, Carlos 479/6 Foss, Lukas 479/6 Ginastera, Alberto 479/6 Thomson, Virgil 479/7 Elwell, Herbert, Walter Piston, and Virgil Thomson, 1926 group, Paris 479/7 Poulenc, Francis 490/8 Piston, Walter 490/8 Other photos (Color) 480 490 499 509 AC with Conductors 499/4 Koussevitzky, Serge and Arthur Honegger, 1947, Tanglewood (Victor Kraft) 509/5 Mehta, Zubin, ca. 1980 (Color) 480/1-2 Miscellaneous 490/9 Miscellaneous (Color) 480 490 AC with Choreographers 499/6 Robbins, Jerome, J. B. Kennedy, and Arthur Gold and Robert Fizdale 499/5 Smith, Oliver and Agnes de Mille, 1942, Tanglewood (Victor Kraft) 480/3 Miscellaneous 480 490 496 499 506 AC with Performers 480/4 Gold, Arthur and Robert Fizdale 506/14 MacLeish, Archibald, 1923 499/7 Barzin, Leon and National Orchestra Association, 1975 (Ezio Petersen, UPI) 497 Dartmouth College, Congregation of the Arts, 1967 [photo scrapbook] 480/5-8 Miscellaneous

Includes: Goodman, Benny, 1970

 490/10 Miscellaneous - Performers, Composers, and Politicians (Color) 496/7 Unidentified (Bern Ketchum) 481/1-2 AC with Famous People and Politicians 481/1 Miscellaneous

Includes: John F. Kennedy, at White House

 481/2 Miscellaneous 481/3 499/8 AC with Recording and Publishing Executives 499/8 Hawkes, Ralph, ca. 1949, Tanglewood 481/3 Miscellaneous 481 490 499 AC with Friends 490/11 Bernstein, Leonard (Color) 481/4-5 Bernstein, Leonard, Tanglewood (Victor Kraft) See also: AC with Composers and Festivals and Artist Colonies, Tanglewood (Victor Kraft) BOX: xxx 499/9 Bernstein, Leonard, ca. 1940, at piano, 2 photos (Victor Kraft) 499/10 Bernstein, Leonard, 1962, at rehearsal for "Connotations" 481/6 Clurman, Harold 490/12 Ramey, Philip (Color) 499/11 Walker, David and Nadja [AC's dog], ca. 1970 481/7 Early photos, 1912-1920, n.d. 481/8-10 Miscellaneous 490/13-14 Miscellaneous (Color) 481 490 499 AC with Acquaintances 499/14 Garfein, Jack, 1961, Peekskill 499/12 LaTouche, John, 1937, on set of Rudy Burkhardt's film "145 West 21" 499/13 Mosely, Carlos (Victor Kraft) 481/11-13 Miscellaneous 490/15 Miscellaneous (Color) 481/14 490/16 C-Drw 2/5 AC with Others C-Drw 2/5 Boys High School, Brooklyn, Class of June 1918 481/14 Miscellaneous 490/16 Miscellaneous (Color) 482-483 501 Festivals and Artist Colonies 482/1 Aspen, Colorado 482/2 Ojai, California 482/3 Santa Fe, New Mexico 482/4-11 Tanglewood, [1940s] 501/1 Tanglewood, [1940s] (Color) 482/12 Tanglewood, 1985 483/1 University of Gainsville, Forida, 1972 483/2 Yaddo, 1932 483/3 Miscellaneous

Includes: MacDowell Colony

 501/2 Miscellaneous (Color)

Includes: O'Keeffe. Georgia and AC, Santa Fe

 483-484 501 503 Travel 483/4 Argentina 483/5 Brazil 483/6 Colombia 483/8 France 483/7 France, 1920s 483/9 Great Britain 483/10 Germany, Bamberg 483/11 Great Britain 483/11 Germany, Bamberg 483/12 Israel 483/13 Japan 503 Japan, 1962 Jan., "Joint U.S. - Japan Conference on Cultural and Educational Interchange January 1962" [Photo album] 483/14-15 Latin America 483/16-17 Mexico

Includes: Denby, Edwin and AC

 483/18 Peru 483/19 Poland 483/20 Portugal 483/21 Puerto Rico 484/1 Turkey 484/2 United States 484/3 USSR 484/4 Venezuela 484/5-9 Miscellaneous 501/3-4 Miscellaneous (Color) 484-485 496 499 501 C-Drw 2/6 Events Awards 484/11 "Golden Apple" 484/10 Miscellaneous 501/5 Miscellaneous, honors (Color) Birthday celebrations 484/12 1977, Johns Hopkins University 501/6 Miscellaneous (Color) Dinners 496/8 1944 May 16, "American Composers' Testimonial Dinner in Honor of Dr. Serge Koussevitzky, May 16, 1944" [banquet camera photo] C-Drw 2/6 1954 Mar. 30, "40thanniversary dinner, Amercian Society of Composers, Authors and Publsihers, The Waldorf-Astoria, March 30, 1954" 484/13 70th birthday 484/14 80th birthday, Boosey & Hawkes 484/15 Miscellaneous 501/7 Dinners and Receptions (Color) Honorary degrees 484/16 1958 June, Oberlin College 484/17 1950s 484/18-19 1960s 499/15 1971, Columbia University 484/20 1970s-1980s 501/8 Miscellaneous (Color) Lectures and Seminars 497 1967, Dartmouth College, Congregation of the Arts [photo scrapbook] 485/1 1972, University of Texas, Symposium 485/2 Miscellaneous 485/3 Press conferences and Interviews 485/4 Receptions 485-487 496 500-503 506-507 Photoprints without Aaron Copland 485 500 501 502 Composers 500/1 Berger, Arthur (Victor Kraft) 500/2-3 Bernstein, Leonard, [ca. 1947, NY Times article] (Victor Kraft) 500/4 Bernstein, Leonard, signed (Lotte Meitner-Graf) 500/5 Bernstein, Leonard and brother, [ca. 1930s] (Andrée Vilas) 485/5 Blitzstein, Marc, David Diamond, and Colin McPhee, [ca. 1940s] (Victor Kraft?) 500/6 Bowles, Paul [ca. 1930s] (Victor Kraft) 500/7 Britten, Benjamin (Andrée Vilas) 485/6 Britten, Benjamin (Victor Kraft) 500/8 Cage, John, [ca. 1947, NY Times article] (Victor Kraft) 485/7 Diamond, David, [ca. 1948] (Victor Kraft?) 485/8 Foss, Lukas, [11/47 NY Times] (Victor Kraft) 500/9 Foss, Lukas, [11/47 NY Times] (Victor Kraft) 500/10 Haieff, Alexei, [ca. 1947, NY Times article] (Victor Kraft) 500/11 Henze, Hans Werner 500/12 Honegger, Arthur and Elizabeth Sprague Coolidge, Tanglewood, [1947] (Victor Kraft) 502/18 Kennedy, J. B. (Daniel Entin) 485/9 Milhaud, Darius, [ca. 1940s] (Victor Kraft) 485/10 Piston, Walter, [ca. 1940s] (Victor Kraft) 500/13 Shapero, Harold, [ca. 1947, NY Times article] (Victor Kraft) 500/14 Stravinsky, Igor (Victor Kraft) 500/15 Thomson, Virgil, [ca. 1980s] (Nancy Rica Schiff) 500/16 Tippett, Michael (Nicholas Tucker) 485/11-13 Miscellaneous 501/11 Miscellaneous (Color) 500/17 Unidentified 486 496 502 Conductors 502/1 Boult, Sir Adrian 502/2 Davies, Meredith 502/3 Hoffman, Irwin, [ca. 1940s] (Victor Kraft) 502/4 Hoffman, Irwin, Leonard Bernstein, and Serge Koussevitzky, 1947, Tanglewood (Victor Kraft) 486/1 Koussevitzky, Serge and Olga (Victor Kraft) 496/9 Koussevitzky, Serge, signed and matted, (Lotte Neustein) 502/5-7 Shaw, Robert [1947, rehearsal at New York City Center for Harper's Bazaar] (Victor Kraft) 486/2 Miscellaneous 502/8 Choreographers 502/8 Robbins, Jerome (Victor Kraft) 486 501 502 Performers 502/9-10 Fizdale, Robert and Arthur Gold, 1947, 4 prints (Victor Kraft) 502/11-15 Kapell, William, 15 prints (Victor Kraft) 502/16-17 Newlin, D[ika?], 6 prints (Victor Kraft) 501/11 "Tender Land" production and other productions (Color) 486/3 Miscellaneous 486 501 502 Friends 502/18 Kennedy, J. B. (Daniel Entin) 486/4-5 Kraft, Victor

Includes: Kraft, Jeremy and photos [1935] (Carl Van Vechten)

 502/19 Kraft, Victor [with camera], ca.1940 501/12 Ramey, Philip (Color) 502/20 Ross, Alvin, signed (Carmen Schiavone) 486/6-8 Miscellaneous 501/13 Miscellaneous (Color) 486 500 Acquaintances 500/12 Coolidge, Elizabeth Sprague and Arthur Honegger, [1947, Tanglewood] (Victor Kraft) 486/9 Miscellaneous 486 502 506 Miscellaneous People and Subjects 502/21 "Peter Grimes" scenes (Andrée Vilas) 506/15 Mittenthal store, Texas, 1889 [copy of photo] 506/16 Tree, 1964 Feb., signed and matted (Robert Lombardo) 486/10 Miscellaneous

Contents:

Abstract (Victor Kraft) Goldmark, Rubin. Schindler, Kurt Unidentified people 487/1-3 Ballet 487/1 "Billy the Kid" 487/2 "Dance Panels", 1963, Munich 487/3 Miscellaneous 487/5-5 Motion Pictures 487/4 "North Star", [1943]

Includes photos (Margaret Bourke-White)

 487/5 Miscellaneous 487 501 Photos of Artwork 487/6 Miscellaneous 501/14 Miscellaneous (Color) 487 501 507 Houses 487/7 "Rock Hill," Peekskill, NY (Victor Kraft?) 487/8 Miscellaneous 501/15 Miscellaneous (Color) 507 Miscellaneous (Color slides) 488-489 506 510 Contact Sheets 488/1 AC Portraits: Early (1900-1930) and Middle (1931-1960) AC Portraits 488/2-3 Middle (1931-1960) 510/1 Middle (1931-1960) and Late (1961-1990) 488/4-5 Late (1961-1990) 488/6 Miscellaneous AC Conducting 510/2 Middle, Foreign Countries, 1964, [London?] 488/7-8 Miscellaneous 488/9 AC in studio AC with Composers 489/1 Foss, Lukas and Harold Shapero (Victor Kraft) 510/3 Chávez, Carlos and Harold Clurman, [ca. 1960s] (Victor Kraft) AC with others 506/17 Reception 488/10-14 Miscellaneous Travel 506/18 London, 1970 (Victor Kraft) 506/19 London, 1972 (Victor Kraft) Composers 489/2 Piston, Walter (Victor Kraft) 489/3-4 Miscellaneous Friends 510/4 Bernstein, Leonard (Victor Kraft) Performers 489/5 Fizdale, Robert and Arthur Gold (Victor Kraft) 489/6 Miscellaneous 489/7-10 Tanglewood 489/11 Miscellaneous 504 513 514 Photo Albums 504 Family: ca. late 1800s - early 1900s) 513 AC alone 513 AC with friends 513 Friends

Contents:

Clurman, Harold Kraft, Victor Lavinia, IL, [1932-34] 514 Mexico, 1932

Contents:

AC alone AC, Carlos Chávez, and Victor Kraft Landscapes 514 United States, 1932

Contents:

AC alone Kraft, Victor alone and with Paul Bowles Landscapes 508 511 512 Color Slides 508 511 512 Miscellaneous

See also: "Photoprints" container listings for color slides in specific categories.

 507-508 512 Negatives 507 508 Black and White 507 35mm and 2.5x2.5 negatives

Negatives: Not to be served see: following Explanation to code system.

 508 4x5 negatives and 5x7, 8x10 copy negatives

Negatives: Not to be served see: following Explanation to code system.

 512 Color 512 35mm, 2.5x2.5 negatives, and one 8x10 transparency 521-564 Victor Kraft Materials, 1918-1976

The Victor Kraft Materials contain approximately 40,000 items and span the years c. 1918-1976. Victor Kraft (1915-76) was a professional photographer and life-long friend of Aaron Copland. They first became acquainted in the early 1930's and maintained close contact until Kraft's death. Copland was the godfather of Kraft's only child Jeremy, a son from his second wife Rheba. Kraft's photographs appeared in such prominent publications as "Life Magazine", "Harper's Bazaar", "Junior Bazaar", and the French art journal "L'Oeil", among others.

The bulk of the photoprints and negatives document Kraft's travels in Mexico in the 1930s [and/or 1950s?] and in Brazil from 1951-53. Notable subjects include formal and informal portraits of Aaron Copland, and portraits from the 1940s and 1950s of numerous composers and performers of the American music scene, including Leonard Bernstein, Paul Bowles, Edwin Denby, Lukas Foss, Erik Johns, William Kapell, Dmitri Mitropoulos, and Robert Shaw. The Tanglewood Music Festival during the 1940s is also well represented with many historically interesting images to be found in the photoprints, as well as the contact sheets and negatives. Photoprints by other prominent photographs are represented -- Cecil Beaton (portraits of Victor Kraft and a self-portrait photocard), Ronny Jaques (a signed portrait of Carson McCullough), and Carl Van Vechten (1935 portraits of Victor Kraft). All other images are assumed to have been created by Victor Kraft unless otherwise noted. Of other interest are the series of letters to Kraft from Paul Bowles, and a sampling of Kraft's original negative sleeves which reveal insights into his systematization and methodology. See the Explanation of Code System for Photographs in the Victor Kraft Materials at the end of this series.

Includes letters, telegram, manuscript and typewritten notes, identification cards and passport, address book, bank checks and statements, receipts, purchase orders, black and white and color prints, black and white contact prints, color slides, black and white and color negatives, color transparencies (mostly 35 mm, but includes oversize, copy and square negatives), a watercolor and etching print, post cards, clippings, and maps. Biographical, Professional Papers, Photoprints, Contact Sheets, Color Slides and Printed Matter arranged by subject (Photoprints follow similar order as photoprints in Photographs series); Correspondence arranged chronologically; Artwork arranged alphabetically by subject, and Negatives arranged according to pre-existing job codes in alpha-numeric order when available, and according to newly-assigned codes arranged by subject, then numerically.

 521/1-2 Biographical 521/1 Personal Papers 521/2 Foreign Service application 521/3-4 Correspondence 521/3 Bowles, Paul, 1935-1936 521/4 Miscellaneous, 1937-1975 521/5-7 Professional Papers 521/6-7 Brazil, 1951-1953[?] 521/5 Miscellaneous 522-535 547-553 Photoprints 522/1-8 523/1-2 535/1-2 547/1 Victor Kraft: Portraits and Family 522/2-6 547/1 Portraits 522/2 Early 522/3 Early and Middle

Contents:

Portraits (Cecil Beaton) Self-portraits Self-portraits with camera 522/4 Middle

Includes: Self-portraits

 547/1 Middle with camera 522/6 Middle with camera 522/5 Middle and Late

Includes: Passport photos

 522/1,7,8 523/1-2 535/1-2 Family 522/1 Family and childhood 522/7 Alone and with Jeremy Kraft: Late 535/1-2 With Jeremy Kraft, [ca. 1970s, snapshots] (Color) 522/8 VK with others 523/1 VK with Pearl Kazin

Contents:

Brazil [curled prints] Wedding photos, 1951 523/2 Kazin, Pearl alone [curled prints] 424/1-4 535/2 547/2-12 Composers and Performers 547/2 Copland, Aaron: Portraits: [Middle] 547/3 Copland, Aaron: 1948, Tanglewood, "Copland-Milhaud with composition students" 535/2 Copland, Aaron: With others (Color)

Includes: Kraft, Jeremy

 547/6 Dancers, in studio 547/4 Foss, Lukas and Alexei Haieff 524/2 Johns, Erik and Frances Garman, [ca. 1940s?] 547/7 Kapell, William 524/1 Kraft, Victor with camera 547/5 McPhee, Colin, Walter Piston, and Igor Stravinsky 547/8 Mitropoulos, Dmitri 547/9 Robbins, Jerome 547/10 Shaw, Robert, 1947, City Center, New York 547/11 Tanglewood, 1940s

Contents:

Hofman, Irwin, conducting Percussion class Violinist, unidentified 524/3 Miscellaneous

Contents:

Haeiff, Alexei Lopatnikoff, Nicolai Mitropoulos, Dmitri 524/4 Miscellaneous 547/12 Unidentified performers, backstage 525/1-2 548/1-4 Famous People 548/1 Bowles, Paul, [ca. 1930s] 548/2 Denby, Edwin, [ca. 1930s, Mexico] 548/3 Laughton, Charles and Elsa Lanchester 548/4 McCullugh, Carson, signed (Ronny Jaques) 548/5 Rosenfeld, Isaac 525/1 Van Vechten, Carl, portrait series 525/2 Miscellaneous 525/3-7 548/7-13 Miscellaneous People 548/7 "The Captain with friend", 8 prints 548/8 Soldiers descending steps, 2 copies 525/3 Men, mostly unidentified 548/13 [Unidentified], 4 prints 525/6 [Unidentified], Children 525/7 [Unidentified], Group photos 548/9 [Unidentified], Men 525/4 [Unidentified], Women 548/12 [Unidentified], Woman, elderly 548/10-11 [Unidentified], Women, [story photos ?] 525/8-11 551/1-6 New York City 551/4 Baseball game 551/1-2 Brooklyn Bridge 525/8 Cityscapes 551/3 Columbus Circle 525/9-11 Street Scenes 551/5-6 Street Scenes 526/1-2 527/1-2 528/1-3 529/1-2 530/1-3 531/1-2 532/1-2 533/1-9 534/1-2 552/1-7 553/1-7 Foreign Countries Brazil 529/2 1951, "Maranhao Uprising, 10-16-51" [curled prints] 526/1-2 1951-52 [curled prints] 527/1-2 1951-52 [curled prints] 530/1-3 1951-52, miscellaneous [slightly curled prints] 528/1-3 1952, "Cooperativa Agraria" [curled prints] 529/1 1952, "Cooperativa Agraria" [curled prints] Guatemala 531/1-2 Guatemala photoprints, [curled prints] Mexico 533/1-7 Mexico photoprints 533/8-9 508 W114 Ca8-7621 [slightly curled prints] 532/2 "Parana Dupes" [badly curled prints] 532/1 Miscellaneous 552/1-7 Miscellaneous 553/1-7 Miscellaneous 534/1-2 Miscellaneous: Italy 534/1-2 Miscellaneous: France 534/1-2 Miscellaneous: Photo post cards 534/1-2 Miscellaneous: Unidentified 534/3-5 550/1-8 Story Photos 550/8 Butcher 550/5-7 534/3 Harper's Bazaar

Folders:

550/5 Dresden, Professor [for Harper's Bazaar ?] 550/6 Potter-Ladd, Mrs., 6/5/47 534/3 Wernick, Robert for Harper's Bazaar 550/7 Unidentified woman [for Harper's Bazaar ?] 550/1-4 Junior Bazaar, 1947 Feb., "How They Got Started"

Contents:

Brier, Mary Haas, Betty Happel, Erika Faculty 534/4-5 Miscellaneous, [mostly unidentified] 534/6 549/1-10 Fashion / Models 549/2-6 Garman, Frances 549/7-10 Models, miscellaneous 549/1 Studies, nude figures, 4 prints 534/6 Miscellaneous 534/7-9 Magazine Product Photos 534/7-9 Miscellaneous 534/10-12 535/4 550/9-10 Miscellaneous Subjects 534/11 Animals 534/12 General 550/10 General 534/10 Landscapes 535/4 Landscapes (Color) 550/9 Landscape 536-546 561-562 Contact Sheets 536/1 Kraft, Victor

Includes:

Portraits Self-portraits Composers and Performers 536/2 AC and AC with others 562 AC [rolled contact strip] 561/1 AC, in England 546/1 Mitropoulos, Dmitri 536/3 Miscellaneous 536/4 Famous people 536/5-7 Miscellaneous people 562 Miscellaneous people 561/2 Miscellaneous people 537/1 New York City United States 546/5 "Pendle Hill July 1955 w. Orders !" 546/2 Street scenes 544/3 Travel Foreign Countries 537/2-7 Brazil 538/1-4 Brazil 546/3 Brazil 539/1-2 Brazil [curled prints] 540/1-2 Brazil [curled prints] 562 Brazil [assorted subjects] 544/1 Europe

Includes: France and Spain

 541/1-2 Guatemala [curled prints]

Includes: "Gran Banda Sinfonica de Miami"

 562 Haiti [rolled contact strips] 542/1 543/1 Italy, Puglia region [photos for L'Oeil magazine] [badly curled prints]

See also: Professional Papers, Miscellaneous

 538/5-6 Mexico 562 Mexico [assorted subjects] 545 Mexico [story boards] 538/7 Miscellaneous 544/2 Unidentified 544/3 Travel / Landscapes, miscellaneous and unidentified 536/8 Story photos 536/9 Fashion model

Includes: Garman, Frances

 536/10-11 Fashion models 546/4 Fashion models 536/12 Miscellaneous subjects

Contents:

"1st Nikon Test" "Jablon-Infra-red-Warfield" [Jablonski] Is Jablonski a photographer? 536/13 Miscellaneous subjects 562 Miscellaneous subjects and unidentified 554-555 Color Slides 554 Russian slides, "Sikhote-Alin Reserve", Produced by Novosti Press Agency [Nature scenes]

FOLDER

FRAGILE, DO NOT EXPOSE TO BRIGHT LIGHT

 554 Victor and Jeremy Kraft, 1974 Sept.

BINDER

 554 AC with two unidentified people 554 [Brazil]

The dates below are the processing dates printed on the boxes in which these negatives were stored.

1951 Aug. 29 1952 May 20 1952 May 21 1952 Aug. 29, "R74" 1953 [April?] 1953 July 27 554 Italy [Pisa] 555 [Mexico?], 1954 Sept. 24, A-B-C-D

BINDER

 555 1955 Sept. 14, [Unidentified] 555 1956 Mar. 16, [Unidentified] 555 Undated and unidentified 556-559 563 Negatives 556-558 563 35mm negatives and 8x10 copy negatives

Negatives: Not to be served see: following Explanation to code system.

 559 35mm, 2.5x2.5, 4x5 negatives and transparencies (Color)

Negatives: Not to be served see: following Explanation to code system.

 560 Negative Sleeves and Wrappers 560 Sampling of sleeves with notes and identification codes by VK 564 Artwork and Miscellaneous 564/9 Brazil, 1948-49, Fundaçao Brasil Central (F.B.C.) [3 maps] 564/1 Davison, Robert[?], watercolor landscape, signed, 1948 Oct. 564/4-5 Kraft, Victor

Folders:

564/4 "The Story of Licorice," MacAndrews and Forbes Company [photos] 564/5 "Sao Paulo Celebrates Hemisphere's First Art Biennial", LOOK magazine, vol. 16, no.5, Feb. 26, 1952 [photos] 564/7 Junior Bazaar and Harper's Bazaar, miscellaneous magazine pages [photos] 564/3 Miscellaneous post cards [Reproductions of artwork] 564/2 Tsachacbosov, numbered etching print of a fish, signed, 1946 564/6 Miscellaneous magazine and newspaper clippings

Contents:

American composer portraits, 1948 [photos] Copland, Aaron, "The Story Behind El Salon Mexico" 564/8 Miscellaneous foreign publications Copland Library, 1908-1988

The Copland Library series comprises selected books on a wide range of musical and general subjects from Copland's personal library. Most are signed, usually by the author, or contain annotations or information about Copland. The books reflect Copland's wide and varied interests and include those books written by Copland and translated into various languages. Many books concentrate on Copland's interest in French culture after his years of study in Paris.

Includes published hardbacks and softbacks. Arranged in alphabetical order by author, then by title.

 Title only One hundred Japanese folk-songs. Ongaku no tomo-sha, 1960. Orquestra Sinfónica de México. 1929-30. By Author Adrian, P. G. Réflexions sur l'univers sonore. Éditions Richard-Masse, 1954.

Note: signed by author.

 Alfred Knopf Read at a luncheon given by Fannie Hurst, Anne O'Hare McCormack, and H. L. Mencken.... Alfred Knopf, 1941. Amado, Jorge ABC de Castro Alves. Livraria Martins, 1945. American Society of Composers, Authors and Publishers (ASCAP) Copyright Law Symposium, no. 21-34. Columbia University, 1986.

Note: front cover embossed with Aaron Copland.

 Andreis, Josip and Slavko Zlatic (editors) Yugoslav music. Edition Jugoslavija Beograd, 1959. Andrews, Edward D. The gift to be simple. J. J. Augustin, 1940. Anouilh, Jean Pièces brillantes. La Table Ronde, 1951. Antek, Samuel This was Toscanini. Vanguard, 1963.

Note: Presented to Copland by the Toscanini Association.

 Ausubel, Nathan (editor) A treasury of Jewish folklore. Crown, 1948. Bacon, Ernst Notes on the piano. Syracuse, 1963.

Note: signed by author.

 Bakeless, Katherine Little Story-lives of American composers. Stokes, 1941.

Note: includes Copland.

 Balzac, Honoré de Le Lys dans la Vallée. Éditions R. Simon, n.d. Bang, Herman Erzentrische Novellen. Fischer, 1921. Barolini, Antonio Elegie di Croton. Feltrinelli, 1959.

Note: signed by author.

 Bator, Victor The Béla Bartók Archives: history and catalogue. Bartók Archives, 1963.

Note: signed by author.

 Bayard, Samuel Preston (editor) Hill country tunes. American Folklore Society, 1944. Bearsley, Aubrey The later work of Aubrey Beardsley. Dover, 1967

Note: signed.

 Beck, Georg Guide to the beauty of Bamberg. Bayerische, 1969.

Note: annotations by Copland.

 Beck, Georges Darius Milhaud. Heugel, 1949. Becker, John After Geneva. London Magazine Editions, 1975.

Note: signed by author.

 Berger, Arthur Aaron Copland. Oxford, 1953.

Note: notated.

 Aaron Copland. Club du Libre Americain, 1962. Berger, Melvin Masters of modern music. Lothrop, 1970.

Note: includes Copland.

 Bergson, Henri The two sources of morality and religion. Doubleday, 1954. Bernanos, Georges Sous le soleil de Satan. Plon, 1926. Bernstein, Leonard Findings. Simon and Schuster, 1982.

Note: signed by author.

 The joy of music. Simon and Schuster, 1959.

Note: signed by author.

 Bever, Adolphe van and Paul Léautaud Poètes d'aujourd'hui. Mercure, 1922. Boccaccio, Giovanni Decameròn. Rizzoli, 1950.

Note: 2 vols.

 Borevitz, Victor B. C. E. Biggest Century Enterprise. Borevitz, 1972. Botkin, B. A. (editor) The pocket treasury of American folklore. Pocket, 1950. Boucher, Maurice La philosophie de Hermann Keyserling. Les Éditions Rieder, 1927. Breton, André Situation du surréalisme entre les deux guerres. Éditions de la Revue Fontaine, 1945. Brincourt, André La farandole. La Table Ronde, 1952. Brindle, Reginald Smith Serial composition. Oxford, 1967. Brooks, Van Wyck The pilgrimage of Henry James. Dutton, 1925. Bruyr, José L'écran des musiciens. Les Cahiers de France, 1930.

Note: signed by author.

 Honegger et son oeuvre. Éditions Corrêa, 1947. Bynner, Witter Cake. Knopf, 1926.

Note: signed by author.

 Cage, John Writing through Finnegans Wake. University of Tulsa, 1978.

Note: presented to Copland by the Oswego County Council on the Arts.

 Campos, Jorge Hernandez La parabola del Terron. 1945. Campos, Rubén El folklore y la música méxicana. Secretaría de Educación Pública, 1928. Camus, Albert L'étranger. Gallimard, 1942. Le mythe de Sisyphe. Gallimard, 1942. La peste. Gallimard, 1947. Carco, Francis Jésus-la-Caille. Artheme Fayard, n.d. Cartwright, Jean and John Cartwright Enjoy Santa Fe more. New Mexico Publishing Co., 1976. Castillo, B. Díaz del Conquista de la nueva españa, tomo II. Espasa-Calpe, 1928. Cendrars, Blaise Histoires vraies. Grasset, 1938. Chapin, Katherine Garrisoin Lament for the stolen. Centaur, 1938.

Note: signed by author.

 Chevalier, Maurice and Robert Doisneau My Paris. Macmillan, 1972.

Note: signed.

 Childs, Barney ...and other poems. Privately printed, 1955.

Note: numbered, signed by author.

 Citron, Samuel and David Diamond The golden slippers. Friends of the Jewish Theatre for Children, 1967. Clermont-Tonnerre, E. de Robert de Montequiou et Marcel Proust. Flammarion, 1925. Cober, Alan The forgotten society. Dover, 1975.

Note: signed.

 Cocteau, Jean Carte blanche. Éditions de la Sirene, 1920. Lettre à Jacques Maritain. Librairie Stock, 1926. Mon premier voyage. Gallimard, 1936. Opium. Librairie Stock, 1930. Cogley, John Report on blacklisting: II Radio-television. The Fund for the Republic, 1956. Conteurs Anglais La Venus Indienne. Bibliothèque des curieux, 1921. Copland, Aaron Att lyssna tíll muśik. Stockholm: Gebers, 1949.

Note: What to listen for, Swedish transl.; 2 hard copies.

 Att lyssna tíll muśik. Gebers, Almquist & Wiksells, 1957.

Note: What to listen for, Swedish transl.; 1970 printing, soft copy.

 Az új zene, 1900-1960. Zenemükiadó, 1973.

Note: The new music, revised and enlarged edition, Hungarian transl.; 2 copies, 1 signed, Budapest.

 Come ascoltare la musica. Garzanti, 1950.

Note: What to listen for, Italian transl.; 2 paper copies.

 Come ascoltare la musica. Garzanti, 1954.

Note: What to listen for, Italian transl.; paperback.

 Come ascoltare la musica. Garzanti, 1959.

Note: What to listen for, Italian transl.; hard copy.

 Cómo escuchar la música. Fondo de Cultura Económica, 1955.

Note: What to listen for, Spanish transl.; 2 paper copies: 8th reprint, 1984 and 10th reprint, 1988.

 Cómo escuchar la música. Fondo de Cultura Económica.

Note: What to listen for, Spanish transl.; 3 hard copies: 1st edition, 1955; 2nd edition, 1961; 3rd edition,1967.

 Como ouvir (e entender) música. Editôra Artenova, 1974.

Note: What to listen for, Portuguese transl.

 Copland on music. Doubleday, 1960. Copland on music. Andre Deutsch, 1961. Copland on music. Da Capo, 1960.

Note: 1976 reprint.

 Copland on music. Norton, n.d.

Note: soft copy, pages msg.

 Lerne Musik hören. Kasparek, 1948.

Note: What to listen for, German transl.; 2 copies.

 Luister zo naar muziek. Zomer & Keunings, n.d.

Note: What to listen for, Dutch transl.; 1 hard copy, 1 soft copy.

 Music & imagination. Mentor, 1952.

Note: paperback.

 Music and imagination. Harvard, 1952.

Note: composer copy, 2nd printing 1953.

 Music and imagination. Harvard, 1952.

Note: paperback, sixth printing, 1972.

 Music and imagination. Oxford, 1952. [Music and imagination ]. Shorinsha, Tokyo, 1962.

Note: Japanese transl.

 [Music and imagination ]. Shridhar Hari, 1962.

Note: Annotated; Marathi transl., Bombay.

 [Music and imagination ]. 1968.

Note: Russian transl., in three parts.

 Música e imaginación. Emece, 1955.

Note: 3 soft copies.

 Música y músicos contemporáneos. Editorial Losada, 1945.

Note: Our new music, 2 copies.

 Musik von heute. Humboldt, 1947.

Note: Our new music.

 The new music, 1900-1960. Norton, 1968.

Note: rev. and enlarged edition; 1 soft copy, 2 hard copies, one cased in hard cover.

 The new music, 1900-1960. MacDonald, 1968.

Note: rev. and enlarged edition; 2 hard copies.

 A nova música. Gráfica Record Editôra, 1969.

Note: The new music; 2 soft copies.

 Nueva música, 1900-1960. Editorial Letras, 1969.

Note: The new music, rev. and enlarged edition, Spanish transl.; 2 hard copies.

 Our new music, leading composers in Europe and America. Whittlesey, McGraw-Hill, 1941.

Note: 3 hard copies, 1 with notations for 1966 revision.

 Unsere neue Musik. Kasparek, 1947.

Note: Our new music, German transl.

 Vom richtigen anhören der Musik. Rowohlts, 1967.

Note: What to listen for, revised and enlarged edition, German transl.; paperback.

 What to listen for in music. Whittlesey, 1939.

Note: Accomp. Study Outline, 2 copies, annotated.

 What to listen for in music. Mentor, 1953.

Note: 2 copies.

 [What to listen for in music ] Tehran, Iran: Zavar, 1956.

Note: Persian transl.

 What to listen for in music. McGraw-Hill, 1957.

Note: revised edition.

 [What to listen for in music ]. Cairo: Hassan Irani, 1958.

Note: Arabic transl.

 [What to listen for in music. ] Tokyo: Ongaku no tomo-sha, 1965.

Note: Japanese tranls., signed by Tsukatami.

 Copland, Aaron and Vivian Perlis Copland, 1900 through 1942. St. Martin's, 1984.

Note: hardback, signed by Copland.

 Coulette, Henri The war of the secret agents. Scribner's, 1966. Counterattack Red Channels: Report of Communist influence in radio and television. American BusinessConsultants, 1950.

Note: annotations on Copland entry.

 Crevel, René Le clavecin de Diderot. Editions Surrealistes, 1932.

Note: signed, gift to Copland.

 Davison, Alvin The human body and health. American Book Company, 1908. Derais, François and Henri Rambaud L'envers du journal de Gide. Le nouveau portique, 1951. Diamond, David The Alice and Frederick Slee lectures. University of Buffalo, 1961. Dolan, Robert Emmett Music modern media. Schirmer, 1967.

Note: signed by author.

 Drutman, Irving Good company. Little, Brown, 1976. Edwards, Arthur The art of melody. Philosophical Library, 1956.

Note: signed by author.

 Eekhoud, George Escal-Vigor. Mercure de France, n.d. Le terroir incarné. La Renaissance d'Occident, 1923. Elöd, Juhász Amerikai variációk. Zenemükiadó, 1969.

Note: signed by author.

 Bernstein Story. Zenemükiadó, 1972.

Note: signed by author.

 Engel, Gabriel Gustav Mahler: song-symphonist. Bruckner Society of America, 1932.

Note: signed by author.

 Engel, Lehman Words with music. Macmillan, 1972.

Note: signed.

 Ewen, David (editor) The book of modern composers. Knopf, 1942.

Note: pencil marks, section on Copland.

 Composers of today. Wilson, 1934.

Note: Copland copy, pencil notes.

 Fennell, Frederick Time and the winds. G. LeBlanc, 1954.

Note: signed by author.

 Fernández, Justino Folklore Méxicano. Eugenio Fischgrund, n.d.

Note: signed.

 Fernández, Ramón André Gide. Éditions R.-A. Corrêa, 1931. Foote, Arthur and Walter R. Spalding Modern harmony in its theory and practice. Schmidt, 1905.

Note: Copland notes.

 Forster, E. M. Alexandria: a history and guide. Doubleday, 1961. Maurice. Edward Arnold, 1971. Fox, Ida In the wind. Antiphon, 1970.

Note: signed by author.

 France, Anatole L'anneau d'améthyste. Calmann-Levy, n.d. Franco, Enrique La música en los estados unidos. La Editora Nacional, 1955.

Note: signed by author.

 Friedman, Sanford Rip Van Winkle. Atheneum, 1980.

Note: signed by family.

 Gagliani, Oliver Oliver Gagliani. Ideograph, 1975.

Note: signed by author.

 Oliver Gagliani: a retrospective. 1984.

Note: signed.

 Gagne, Cole and Tracy Caras Soundpieces, interviews with American composers. Scarecrow, 1982.

Note: signed, includes Copland section.

 Galantière, Lewis (editor) The Goncourt journals. Doubleday, 1958. Gavoty, Bernard and Daniel Lesur Pour ou contre la musique moderne. Flammarion, 1957.

Note: signed by author.

 Genet, Jean Pompes funebres. 1948. Georges-Michel, Michel Gens de théâtre que j'ai connus 1900-1940. Brentano, 1942.

Note: signed by friend.

 Gide, André André Gide. Éditions du Capitole.

Note: numbered #897.

 Ainsi soit-il ou les jeux sont faits. Gallimard, 1952. Amyntas. Gallimard, 1925. Attendu que... Charlot, 1943. Les caves du Vatican. Nouvelle Revue Française, 1922. Les contemporains. Capitole, 1928.

Note: numbered edition.

 Corydon. Nouvelle Revue Française, 1924. Un esprit non prévenu. Éditions Kra, 1929. Et nunc Manet in te. Ides et Calendes, 1947. Les faux-monnayeurs. Gallimard, 1925. Feuillets d'automne. Mercure de France, 1949. L'immoraliste. Mercure, 1923. Incidences. Nouvelle Revue Français, 1924. Journal, 1939-1942. Gallimard, 1946. Journal, 1942-1949. Gallimard, 1950. Journal des faux-monnayeurs. Gallimard, 1927. Les nourritures terrestres. Gallimard, 1921. Nouveaux prétextes. Mercure, 1921. Les nouvelles nourritures. Gallimard, 1935. Paludes. Gaimard, 1926. Prétextes. Mercure, 1923. Retouches à mon retour de l'U.R.S.S. Gallimard, 1937. Le retour de l'enfant prodigue. Gallimard. Retour de l'U.R.S.S. Gallimard, 1936. Robert. Gallimard, 1930. Saül. Gallimard, 1922. Si le grain ne meurt, II. Nouvelle Revue Française, 1924.

Note: 3 vols.

 La symphonie pastorale. Gallimard, 1925. Voyage au Congo: Carnets de route. Gallimard, 1927. Le voyage d'Urien. Gallimard, 1929. Gide, André and J. L. Barrault Le procès: Pièce tirée du roman de Kafka. Gallimard, 1947. Goldfarb, Rabbi Israel and Samuel E. Goldfarb Friday evening melodies. Bureau of Jewish Education, 1918.

Note: signed by author.

 Gorali, Moshe; Gideon Almagor, and Moshe Bick (editors) The golden peacock. Haifa Music Museum, 1970. Gordon, Henry Evarts Vocal expression in speech. Ginn and Company, 1911. Gordon, Philip The availability of contemporary American music for performing groups... Teachers College, Columbia University, 1950.

Note: signed by author.

 Goss, Madeleine Modern music-makers. Dutton, 1952.

Note: Section on Copland.

 Graham, Martha Notebooks of Martha Graham. Harcourt Brace Jovanovich, n.d.

Note: Advance uncorrected proofs.

 Gräter, Manfred Konzertführer neue Musik. Fischer-Bucherei, 1955.

Note: signed by author.

 Green, Julien Adrienne Mesurat. Librairie Plon, 1927. Journal, 1935-1939. Librarie Plon, 1939. Journal, 1950-1954. Librarie Plon, 1955. Gregory, Horace (editor) The poems of Catullus. Grove Press, 1956.

Note: signed.

 The triumph of life. Viking, 1943. Gruen, John The private world of Leonard Bernstein. Viking Press, 1968. Hahn, Reynaldo Journal d'un musicien. Plon, 1933. Hallgren, Mauritz A. Seeds of revolt. Knopf, 1933. Hammond, Mac The horse opera and other poems. Ohio State University, 1966.

Note: signed by author.

 Harrison, Lou Lou Harrison's music primer. Peters, 1971.

Note: signed by author.

 Hayden, George The cancer of the French candystoreman... R. E. Martin, 1972.

Note: signed by author.

 Heinsheimer, Hans W. Best regards to Aida. Knopf, 1968.

Note: signed by author.

 Henriot, Émile Les livres du second rayon. Le Livre, 1926. Henry-Marx Ryls. Librairie Ollendorff, n.d. Hernan, W. J. What you want to say and how to say it in Italian. Hernan, 1920. Hindemith, Paul Testimony in pictures. Introduction by Heinrich Strobel. Schott, 1961.

Note: signed by friend.

 Hines, Robert Stephan (editor) The composer's point of view. University of Oklahoma, 1963.

Note: signed by author.

 Hoffman, E. T. A. Musikalische Novellen und Auffäße. Insel, n.d. Hoffnung, Gerard Hoffnung's musical chairs. Dobson and Putnam, 1958.

Note: signed by author.

 The maestro. Dobson, 1953.

Note: signed by author.

 Hölderlin, Friedrich Gedichte. Insel, n.d. Holguín, Guillermo Uribe Vida de un música colombiano. Libreria Voluntad, 1941.

Note: signed by author.

 Hopkins, Antony Talking about concertos. Heinemann Educational Books, 1974.

Note: signed by author.

 Howe, Mark Anthony De Wolfe The tale of Tanglewood. Vanguard Press, 1946. Hughes, Rupert (composer); Deems Taylor, and Russell Kerr (editors) Music lovers' encyclopedia. Garden City Publishing, 1939.

Note: Copland notes inserted.

 Hurst, Fannie (editor) A record of tributes to Clarence Adler.... , n.p., n.d.

Note: in celebration of the fiftieth anniversary of his music....

 Hurtado, Leopoldo Espacio y tiempo en el arte actual. Editorial Losada, 1941.

Note: signed by author.

 Estética de la música contemporanea. Biblioteca del colegio de graduados de la facultad de filosofia..., 1934.

Note: Vol. 2, signed by author.

 Introducción a la estética de la música. Ricordi Americana, 1951. Realidad de la música. Emecé Editores, 1953.

Note: signed by author.

 Instituto di Studi Verdiani Verdi. Instituto de Studi Verdiani, 1969.

Note: 7, 1966-1969.

 Jackson, George Pullen (editor) Down-east spirituals and others. J. J. Augustin, n.d. Spiritual folk-songs of early America. Dover, 1964. Jarustowski, Boris Die Dramaturgie der klassischen russischen Oper. Henschelverlag, 1957.

Note: signed by author.

 Jelinek, Hanns Anleitung zür Zwölftonkomposition. Universal-Edition, 1952.

Note: Copland pencil annotations, accompanying "Anhang".

 Johnson, Thomas (editor) Final harvest: Emily Dickinson's poems. Little, Brown, 1961. Kai, Miwa Say it in Japanese. Dover, 1954. Kierkegaard, Søren Aus dem Tagebuch des Verführers. George Muller, 1927. King, Francis E. M. Forster and his world. Scribner, 1978.

Note: signed.

 Kirkpatrick, John (editor) The music manuscripts and related materials of Charles Ives. John Kirkpatrick, Yale University, 1960.

Note: copy 17 of mimeographed catalogue, signed by author.

 Kohlhaas, Michael Aus einer alten Chronik von Heinrich von Kleist. Lesel, n.d.

Note: annotated

 Kosarin, Sol Juvenile delinquency. Vantage Press, 1956.

Note: 2 copies, both signed; letter included from author.

 Kostelanetz, Richard (editor) The new American arts. Horizon, 1965. Kramer, Aaron Denmark Vesey. Kramer, 1952.

Note: signed by author.

 Last, Jef Zuyderzée. Gallimard, 1938. Leatherman, Leroy and Martha Swope Martha Graham. Knopf, 1966.

Note: signed by authors and Graham.

 Leconte (editor) Plan de Paris. Leconte, n.d.

Note: Copland notes.

 Lee Stern Press Who is who in music, 1941. Lee Stern Press, 1941.

Note: signed, program inserted.

 Lefèvre, Frédéric Entretiens avec Paul Valéry. "Le Libre", 1926. Lenin, V. I. Imperialism: the highest stage of capitalism. International Publishers, 1939. Lewis, Richard (editor) In praise of music. Orion, 1963.

Note: signed by author.

 Lime, Maurice Gide, tel je l'ai connu. Julliard, 1952. Lobato, José Monteiro (editor) Alice no paíz das maravilhas por Lewis Carroll. Nacional, 1931. Lockspeiser, Edward (editor) Lettres inédites de Claude Debussy a André Caplet. Éditions du Rocher, 1957. Lomax, John and Alan Lomax Cowboy songs. Macmillan, 1938. Our singing country. Macmillan, 1941. Luxton, Eleanor G. Banff. Summerthought, 1975.

Note: signed by author.

 Machado, Lavínia A study of Brazilian folksongs. University of Miami, thesis, 1955. Machlis, Joseph The enjoyment of music. Norton, 1970.

Note: signed by author.

 Macintyre, Aladsair Herbert Marcuse. Viking, 1970. Madariaga, Salvador de Anglais français espagnols. Gallimard, 1930. Maeztu, María de Antología--siglo XX; Prosistas españoles. Espasa-Calpe, 1943. Maeztu, Ramiro de Don Quijote, Don Juan y la Celestina. Espasa-Calpe, 1943. Mahanna, John G. W. Music under the moon. Mahanna and Berkshire Symphonic Festival, 1935. Malipiero, Gian Francesco L'armonioso labirinto. Rosa e Ballo, 1946.

Note: signed by author.

 La pietra del Bando. Ateneo, 1945. Strawinsky. Cavallino, 1945. Malraux, André La condition humaine. Gallimard, 1933. Manos, Constantine Portrait of a symphony. Basic Books, n.d.

Note: foreword by Aaron Copland.

 Maritain, Jacques Réponse a Jean Cocteau. Librairie Stock, 1926. Martínez, Orlando Pasión de la música en Martí. La Habana, 1953. Mauclair, Camille La religion de la musique. Librairie Fischbacher, 1921. Maul, Carlos A glória escandalosa de Heitor Villa Lôbos. Livraria imperio editora, 1959.

Note: signed by author.

 Mauriac, Claude Jean Cocteau. Odette Lieutier, 1945. Maurois, André La vie de Disraeli. Gallimard, 1927. Mayer-Serra, Otto Panorama de la música mexicana. El Colegio de México, 1941.

Note: signed by author.

 McCarthy, Eugene Other things and the aardvark. Doubleday, 1969.

Note: signed by the Senator.

 McPhee, Colin Angkloeng gamelans in Bali. Overdruk uit Djawa, 1937.

Note: signed by author.

 Children and music in Bali. Overdrum uit Djawa, 1938.

Note: signed by author.

 A house in Bali. Asia Press, 1946. Meier, M. H. E. Histoire de l'amour grec dans l'antiquité. Stendhal, 1930. Mellers, Wilfrid Caliban reborn, renewal in twentieth-century music. Harper, 1967.

Note: signed.

 Francois Couperin and the french classical tradition. Dobson, n.d. Man & his music, romanticism & the 20th century. Rockliff, 1957. Messiaen, Olivier Technique de mon langage musical. Alphonse Leduc, 1944.

Note: 2 vols., text and music.

 Meyer, Leonard Emotion and meaning in music. University of Chicago, 1956.

Note: signed by author.

 Michelin France. Michelin, 1964.

Note: card inserts.

 Miller, Merle The judges and the judged. Doubleday, 1952.

Note: contains handwritten notes.

 Mintz, Marilyn The martial arts films. A. S. Barnes, 1978.

Note: signed by author.

 Montagu, Ashley On being human. Henry Schuman, 1951.

Note: includes postcard.

 Moore, Marianne Nevertheless. Macmillan, 1944. Moreno, Salvador Angeles músicos en México. Bellas Artes, 1957. Morillo, Roberto Garcia Carlos Chavez, vida y obra. Fondo de Cultura Económica, 1960. Musorgsky. Ricordi, 1943.

Note: signed by author.

 Rimsky-Korsakov. Ricordi, 1945.

Note: signed by author.

 Siete músicos europeos. Ollantay, 1949,

Note: signed by author.

 Morley, Hilda A blessing outside us. Pourboire Press, 1976.

Note: signed by author.

 Morris, R. O. The structure of music. Oxford, 1935. Morton, David Like a man in love. Yankee, 1953.

Note: signed by author.

 Mrabet, Mohammed Look & move on. Black Sparrow Press, 1976.

Note: translated and signed by Paul Bowles.

 Love with a few hairs. Braziller, 1968.

Note: tranlated by Paul Bowles.

 Nelson, Robert U. The technique of variation, a study.... University of California, 1948.

Note: signed by author.

 New Directions Dylan Thomas. New Directions, 1946. Five young American poets. New Directions, 1944.

Note: incribed & signed by friend, Paul Moor.

 Nicolson, Nigel Portrait of a marriage. Atheneum, 1973.

Note: signed.

 Norris, Harold You are this nation. Harlo, 1976.

Note: signed by author.

 Ocampo, Victoria 338171 T. E. Éditions des lettres françaises, 1942. Panufnik, Scarlett Out of the city of fear. Hodder & Stoughton, 1956.

Note: signed.

 Peare, Catherine Owens Aaron Copland his life. Holt Rinehart Winston, 1969. Pereira Salas, Eugenio Los orígenes del arte musical en Chile. Universidad de Chile, 1941.

Note: signed by author.

 Perlis, Vivian Charles Ives en el recuerdo. Editora Distribuidora Argentina, 1975.

Note: tranls. of Ives Oral History, Copland prologue, signed by Perlis.

 Perse, Saint-John Amers. Gallimard, 1957.

Note: signed.

 Peyrefitte, Roger Les cles de Saint Pierre. Flammarion, 1955. L'exilé de Capri. Flammarion, 1959. The exile of Capri. Panther, 1961. Pfleger, Karl André Gide: O filho pródigo. Stella Editora, 1943. Pickenhayn, Jorge Oscar Psicopedagogia musical. Casa Lottermoser, 1961.

Note: signed by author.

 Pike, Joseph and Frederick C. Wellstood Stratford upon Avon. Black, 1929.

Note: signed, includes letter.

 Pincherle, Marc An illustrated history of music. Reynal, 1959. Musiciens peints par eux-mêmes. Pierre Cornuau, 1939. Plaskin, Glenn Horowitz. Morrow, 1983.

Note: signed by author.

 Poole, Clifford Out of joint in the familiar. Mitre, 1972.

Note: signed by author.

 Porter, Eliot "In wildness is the preservation of the world". Kennedy Center, 1972.

Note: signed.

 Potsch, Waldemiro Brazil, land and people. Fundação Alfredo Herculano Xavier Potsch, 1960.

Note: signed by author.

 Pugsley, Betty and Richard Pugsley The sound eternal. Paraclete, 1987.

Note: Vol. 1

 Queneau, Raymond (editor) Anthologie des jeunes auteurs. Éditions J. A. R., 1955. Exercices de style. Gallimard, 1949. Râpeanu, Valeriu Călător pe două continente. Editura Albatros, 1970. Interferente spirituaĺ. Editura Eminescu, 1970. Reich, Steve Writings about music. Nova Scotia College and New York University, 1974.

Note: signed by author.

 Reis, Clair American composers of today. International Society for Contemporary Music, 1930.

Note: first edition, includes Copland, Copland pencilled notes inserted.

 American composers. International Society for Contemporary Music, 1932.

Note: second edition, Copland pencilled annotations.

 Composers in America. MacMillan, 1938.

Note: Copland annotations in revised edition.

 Richmond, Lee Night-ride. HPC, 1981.

Note: signed by author.

 Roads to spring. HPC, 1980.

Note: signed by author.

 Ridge, Lola Dance of fire. Harrison Smith and Robert Haas, 1935. Rimsky-Korsakow, Nicolas Principes d'orchestration, I, II. Édition Russe de Musique, 1914.

Note: Copland signature.

 Rivera, A. Ramon and Thelma Gruenbaum To: music and children with love. exPressAll, 1979.

Note: signed by authors, includes signed note.

 Robinson, David The confession of Andrew Clare. David McKay, 1968.

Note: signed by author.

 Romains, Jules Le dieu des corps. Gallimard, 1928. Lucienne. Gallimard, 1922. Rorem, Ned Music from inside out. George Braziller, 1967.

Note: proofs.

 The Paris diary of Ned Rorem. George Braziller, 1966.

Note: uncorrected proof.

 Rose, Barbara American art since 1900. Praeger, 1967.

Note: signed by author.

 Rosen, Charles The classical style. Faber, 1971.

Note: signed by author.

 Rosen, Heinz (editor) Ballett Theater. Suddeutscher, 1963.

Note: signed by Rosen.

 Rosenberg, Deena and Bernard Rosenberg The music makers. Columbia University, 1979.

Note: signed by authors.

 Rosner, Stanley and Lawrence E. Abt (editors) The creative experience. Grossman Publishers, 1970. Rosten, Norman Thrive upon the rock. Trident, 1965.

Note: signed by author.

 Rukeyer, Muriel Selected poems. New Directions, 1951.

Note: signed by author.

 Sachs, Maurice La chasse à courre. Gallimard, 1949. Sagiova, Marketa The art of singing. Hawthorn, 1977.

Note: signed by author.

 Salazar, Adolfo Música y sociedad en el siglo XX. La Casa de españa, 1939.

Note: Copland notes.

 La rosa de los vientos en la música europea. Orquesta Sinfónica de México, 1940. Salomon, I. L. Unit & universe. Clarke & Way, 1961. Samazeuilh, Gustave Foreword and commentary toVues sur la France par Richard Wagner. Mercure, 1943. Saroyan, William Love, here is my hat. Modern Age, 1938. Sartori, Claudio Riccardo Malipiero. Edizioni Suvini Zerboni, 1957.

Note: Italian insert typewritten, 22p.

 Sartre, Jean Paul Huis clos. Gallimard, 1945. L'imaginaire. Gallimard, 1948. Le mur. Gallimard, 1939. La nausée. Gallimard, 1938. Situations, III, IV. Gallimard, 1949. Le sursis. Gallimard, 1945. Schindler, Kurt Folk music and poetry of Spain and Portugal. Hispanic Institute in the United States, 1941.

Note: Copland annotations.

 Schlœzer, Boris de Igor Stravinsky. Claude Aveline, 1929. Schweitzer, Alfred Out of my life and thought. Mentor, 1953. Sessions, Roger Reflections on the music life in the United States. Merlin Press, 1954. Shaker Village Work Camp Songs of the Shakers. Shaker Village Work Camp, 1956. Shanks, Lynn Forrest Ensemble: the gratuitous act. Shanks, 1968.

Note: from the author.

 Shapira, Yeshayahu (editor) [Zimron: collection of songs with notes. ] Kibuts ha-me uhad, 1950. Sherburne, Donald W. A Whiteheadian aesthetic. Yale, 1961.

Note: signed by friend.

 Sires, Ina (composer and editor) Songs of the open range. C. C. Birchard, 1928. Sittner, Hans Aus Schriften und Reden. Mozartgemeinde, 1963.

Note: signed by author.

 Slaught, H. E. First principles of algebra. Allyn and Bacon, 1912.

Note: 2 copies.

 Smith, Carol Sturm Fat people. Fiction Collective, 1978. Smith, Georgia Tucker Leave it to Miss Annie. Allen Press, 1956.

Note: signed by author[?].

 Solomon R. Guggenheim Museum Fernand Léger, five themes and variations. Solomon R. Guggenheim Museum,1962. Sonneck, O. G. A survey of music in America. McQueen Press, 1913.

Note: signed by author.

 Stassinopoulos, Arianna Maria Callas. Simon and Schuster, 1981.

Note: signed by author.

 Steigman, Benjamin Accent on talent. Wayne State University, 1964.

Note: signed by author.

 Steiner, Stan The vanishing white man. Harper & Row, 1973.

Note: signed.

 Stravinsky, Igor Poétique musicale. Plon, n.d.

Note: signed with a note, by Stravinsky.

 Stravinsky, Vera Fantastic cities and other paintings. Godine, 1979.

Note: signed by author.

 Stuckenschmidt, H. H. Arnold Schönberg. Rocher, 1951. Sykes, Gerald Alienation. Braziller, 1964.

Note: 2 volumes.

 The cool millennium. Prentice Hall, 1967.

Note: signed by author.

 Foresights, self-evolution and survival. Bobbs-Merrill, 1975.

Note: signed by author.

 Thompson, Marilou Bonham Abiding Appalachia, or: where mountain and atom meet. St. Luke's Press, [1978].

Note: signed by author.

 Thompson, Oscar (editor) Great modern composers. Dodd, 1941.

Note: includes Copland.

 Toor, Frances A treasury of Mexican folkways. Crown Publishers, 1947. Traven, Bruno La rebelion de los Colgados. Insignia, 1938. Turkington, Grace A. My country. Ginn and Company, 1918. Valéry, Paul Variété. Gallimard, 1924. Vivant. Cahiers du Suc, 1946. Varga, Bálint András Zenészekkelzéneröl. Beszélgetések Világhírü Muzsikusokkal, 1972.

Note: signed by author.

 Vega, Aurelio de la The negative emotion. La Habana, 1950.

Note: signed by author.

 Vise, Sidney R. Ray Green: his life and stylistic elements of his music.... American Music Edition, Carl Fischer, 1975.

Note: DMA dissertation, letter to AC from Ray Green inserted.

 Voice of America The American Symphony Orchestra. Voice of America, 1967. Voice of America Forum Lectures The American Symphony Orchestra. Voice of America Forum Lectures, 1967.

Note: 2 copies.

 Voltaire Candide. Cluny, 1936. Vuillemin, Louis Gabriel Fauré. Durand, 1914.

Note: signed by Copland.

 Walker, Margaret For my people. Yale, 1942.

Note: signed by Claire Reis.

 Walsh, Thomas (composer) Hispanic anthology. Putnam's, 1920. Walter, Eugène Love you good. René Julliard, 1963

Note: signed by author.

 Walter, Eugène and Zev. Walter Singerie songerie. Willoughby Institute, 1958. Weinstock, Herbert (editor) Carlos Chávez: North American Press 1936-1950. Ediciónes Méxicanas, 1951. Weiss, Walter A. Solutions. 1975.

Note: signed by author.

 Wellesz, Egon Arnold Schönberg. E. P. Tal, 1921.

Note: signed by Copland.

 Wescott, Glenway The grandmothers. Harpers, 1927. Xenakis, Iannis Musique architecture. Casterman, 1971.

Note: signed by author.

 Musiques formelles. La Revue Musicale, 1963.

Note: signed by author.

 Music by Aaron Copland - Alphabetical Title Index Title of Work ARCO No. Box/Folder "After Antwerp" Juvenilia E 117D/7 LAS AGACHADAS (THE SHAKE-DOWN SONG) ARCO 48 71 ALONE ARCO 3-B 1 APPALACHIAN SPRING (BALLET FOR MARTHA) ARCO 55 28, 76-77 & Coolidge Coll. AS IT FELL UPON A DAY ARCO 6 44 "At the River": from OLD AMERICAN SONGS, SECOND ARCO 68-D et al 37 "Ballet for J.R.": original title for DANCE PANELS ARCO 79.2; 79.3 95 "Ballet for Martha": original title for APPALACHIAN SPRING ARCO 55 28, 76-77 & Coolidge Coll. [Ballade] (1957) N/A 111/3 "Ballade?"(1957) N/A 111/1 "Ballade for Violin & Orchestra" (1957) N/A 111/2 "Ballade of Ozzie Powell" N/A 112/4 "Barley Wagons": from MUSIC FOR MOVIES ARCO 49 71/49 "Beyond the Rio Grand": origin of EL SALÓN MÉXICO ARCO 28.4 99 BILLY THE KID ARCO 33 16, 63 "The Boatman's Song": from OLD AMERICAN SONGS, FIRST SET ARCO 65-A 103 "Buckaroo Holiday": from RODEO ARCO 47c, No. 1 70 CANTICLE OF FREEDOM ARCO 71 88 "Capriccio" Juvenilia A 117D/1-2 THE CAT AND THE MOUSE (HUMORISTIC SCHERZO) ARCO 1 1 "Celebration": from BILLY THE KID ARCO 33-Ea; 33-Fa; 33-Ga; 33-Ha 16, 63 CEREMONIAL FANFARE ARCO 93 110 "Une Chanson : Practice Song Set to French Words" Juvenilia 117E/20 LE CHAT ET LA SOURIS (THE CAT AND THE MOUSE) ARCO 1 1 "Ching-a-ring Chaw": from OLD AMERICAN SONGS, SECOND SET ARCO 68-E et al 37 "Choral 24" Juvenilia 117E/1 THE CITY (Incidental Music) ARCO 38 17, 65 CONCERTO FOR CLARINET ARCO 62 80 CONCERTO FOR PIANO AND ORCHESTRA ARCO 12 50 CONNOTATIONS FOR ORCHESTRA ARCO 83 106 "Conversation at the Soda Fountain": from OUR TOWN ARCO 41-Ba; 41-Bc 18 "Corral Nocturne": from RODEO ARCO 47c, No. II 70 "Corrigenda" N/A 112/5 CORTEGE MACABRE (GROHG) ARCO 8-A 47 "The Crisis": from OUR TOWN ARCO 41.2 18 THE CUMMINGTON STORY ARCO 57 29 DANCE OF THE ADOLESCENT: from DANCE SYMPHONY ARCO 11-A 49 DANCE OF THE ADOLESCENT: from GROHG ARCO 8-B et al 47 DANCE PANELS (BALLET FOR J.R.) ARCO 79 41, 95 DANCE SYMPHONY ARCO 11 49 "Danse Characteristique" Juvenilia H1 117D/10-11 "Danse Characteristique for Orchestra" Juvenilia H2 117D/12-13 "Danza de Jalisco": from THREE LATIN-AMERICAN SKETCHES ARCO 78, No. 3; 78-A; 78-B et al 94 DANZÓN CUBANO ARCO 50 72 DEUX PIECES POUR VIOLON ET PIANO (TWO PIECES FOR VIOLIN AND PIANO) ARCO 13 5 DIRGE IN WOODS ARCO 70 39 "The Dodger": from OLD AMERICAN SONGS, FIRST SET ARCO 65-Ba 103 "Double Canon etc., etc." Juvenilia 117E/2 "Dove Dance": from HEAR YE! HEAR YE! ARCO 26.5 59 DOWN A COUNTRY LANE ARCO 82 97 DUO FOR FLUTE AND PIANO ARCO 94 110 "Duo for Violin and Piano": from DUO FOR FLUTE AND PIANO ARCO 94.3 110 EIGHT POEMS OF EMILY DICKINSON ARCO 88 42 EL SALÓN MÉXICO ARCO 28 13, 99 ELEGIES ARCO 23 55 EMBLEMS FOR BAND ARCO 85 108 EPISODE (IMPROVISATION FOR ORGAN) ARCO 45 68 "Estribillo": from THREE LATIN-AMERICAN SKETCHES ARCO 78, No. 1 94 FANFARE FOR THE COMMON MAN ARCO 51 73 "Fantacia Mejicana"( "Fantasia Mexicana") : from EL SALÓN MÉXICO ARCO 28-C et al 13, 99 FIRST SYMPHONY ARCO 18 6, 52 FIVE KINGS ARCO 37 64 FIVE SENTIMENTAL MELODIES ARCO 14 5 "For Eugene Ormandy's 70th Birthday" ARCO 92 110 "Four Dance Episodes": from RODEO ARCO 47a; 47b 70 FOUR MOTETS ARCO 4 1 FOUR PIANO BLUES ARCO 60 31 "Fragment for Trio for Violin, Cello and Piano" Juvenilia U 117D/35-36 FROM SORCERY TO SCIENCE ARCO 39 17, 65 "From the Baltic to the Pacific (Loading Song)": from THE NORTH STAR ARCO 53.5 25 "Fugue" Juvenilia 117E/3 "Girls Dance": from HEAR YE! HEAR YE! ARCO 26.4 59 "The Golden Willow Tree": from OLD AMERICAN SONGS, SECOND SET ARCO 68, No. 3 36 GROHG ARCO 8 2, 46, 47 "Grovers Corners": from OUR TOWN ARCO 41 18-20, 66 HAPPY ANNIVERSARY(for Eugene Ormandy's 70th birthday) ARCO 92 110 "Have Mercy On Us, O My Lord": from FOUR MOTETS ARCO 4, No. III 1 HEAR YE! HEAR YE! ARCO 26 9-12, 58-59, 98 THE HEIRESS ARCO 61 32, 79 "Help Us, O Lord": from FOUR MOTETS ARCO 4, No. I 1 "Hoe-Down": from RODEO ARCO 47c, No. IV; 47-B; 47-Ca; 47-D et al; 47-Ea 70 "Hommage à Fauré": original title for TWO PIECES FOR STRING ORCHESTRA ARCO 16 et al 51 "The House on the Hill": from TWO CHORUSES FOR WOMEN'S VOICES ARCO 9-A et al 48 HUMORISTIC SCHERZO (THE CAT AND THE MOUSE) ARCO 1 1 "Hymn for the United Nations": original title of PREAMBLE FOR A SOLEMN OCCASION ARCO 64 103 "I Bought Me A Cat": from OLD AMERICAN SONGS, FIRST SET ARCO 65-E et al 103 IN EVENING AIR ARCO 87 42 "In Spite of Everything Which Breathes and Moves": origin of POET'S SONG ARCO 15.2 5 IN THE BEGINNING ARCO 59 31 "An Immorality": from TWO CHORUSES FOR WOMEN'S VOICES ARCO 9-B et al 48 IMPROVISATION: alternate title for VOCALIZE (VOCALISE) ARCO 17 51 IMPROVISATION FOR ORGAN: alternate title for EPISODE ARCO 45 68 INAUGURAL FANFARE ARCO 91 110 INSCAPE ARCO 90 109 "Internationale" N/A 112/6 "Into the Streets May First" N/A 112/7 "Introduction and Dance" Juvenilia 117E/6 "Jazzy Song" Juvenilia 117E/4 JOHN HENRY ARCO 42 67 JUBILEE VARIATIONS ARCO 56 28 "Juvenilia" (1911-1921) Juvenilia 117B/1-14 "Lament for Cello and Piano" Juvenilia M1 117D/20-21 "Lament for Violin and Piano" Juvenilia M2 117D/20-21 LARK ARCO 35 64 LAS AGACHADAS (THE SHAKE-DOWN SONG) ARCO 48 71 "Laurie's Song": from THE TENDER LAND ARCO 69-D et al 38 "Lento Molto (Slow Movement for String Quartet)": from TWO PIECES FOR STRING QUARTET ARCO 16; 16-A et al 51 LETTER FROM HOME ARCO 54 26-27, 74-75 LINCOLN PORTRAIT ARCO 46 21, 69 "The Little Horses": from OLD AMERICAN SONGS, SECOND SET ARCO 68-A et al 37 "Loading Song": alternate title for "From the Baltic to the Pacific"from THE NORTH STAR ARCO 53.5 25 "Long Time Ago": from OLD AMERICAN SONGS, FIRST SET ARCO 65-C et al 103 "Longchamps" Juvenilia 117E/5 "Material for Introduction and Dance" Juvenilia 117E/6 "The Medicine Chest": from FROM SORCERY TO SCIENCE ARCO 39.1 65 "Melancholy, a Song à la Debussy" Juvenilia C 117D/5-6 MIRACLE AT VERDUN ARCO 22 55 MIDDAY THOUGHTS ARCO 99 43 MIDSUMMER NOCTURNE ARCO 98 43 [Miscellaneous holograph and copyist's manuscript pages] N/A 111/4 "Moment Musicale" Juvenilia B 117D/3-4 "Moods for Piano Solo" Juvenilia T 117D/34 "Motet" Juvenilia 117E/7 "Motet: Psalm 28-6" N/A 112/8 "Movement"(for string quartet) N/A 112/9 MUSIC FOR A GREAT CITY ARCO 84 107 MUSIC FOR MOVIES ARCO 49 71 MUSIC FOR RADIO; PRAIRIE JOURNAL (SAGA OF THE PRAIRIE) ARCO 31 62 MUSIC FOR THE THEATRE ARCO 10 3, 4 "Music I Heard" Juvenilia Q 117D/28-29 "Music Library Association 1931-1971" N/A 112/10 "My Heart Is In the East" Juvenilia J 117D/7, 15 "New England Countryside": from THE CITY ARCO 38 17, 65 "Night" Juvenilia K 117D/16-17 NIGHT THOUGHTS ARCO 96 43 "Night Thoughts": from MUSIC FOR A GREAT CITY ARCO 84 107 "No Village Like Mine": from THE NORTH STAR ARCO 53-C et al 25 "Nocturne": from TWO PIECES FOR VIOLIN AND PIANO (DEUX PIECES POUR VIOLON ET PIANO) ARCO 13; 13-A et al 5 NONET FOR STRINGS ARCO 80 96 THE NORTH STAR ARCO 53 23-25, 101-102 OF MICE AND MEN ARCO 40 100, 113 OLD AMERICAN SONGS, FIRST SET ARCO 65 103 OLD AMERICAN SONGS, SECOND SET ARCO 68 36-37 OLD POEM ; AN OLD POEM VIEUX POEME (MELODIE CHINOISE) ARCO 2 et al 1 ORCHESTRAL VARIATIONS ARCO 76 92 OUR TOWN ARCO 41 18-20, 66 AN OUTDOOR OVERTURE ARCO 34 64 "Paisaje Mexicano": from THREE LATIN-AMERICAN SKETCHES ARCO 78, No. 2 94 PASSACAGLIA ARCO 5 44 PASTORALE ARCO 3-A 1 "Petites Valses": origin of GROHG ARCO 8.5 2 PIANO FANTASY ARCO 74 90 PIANO SONATA ARCO 44 68 PIANO VARIATIONS ARCO 21 55 "Piece for Bassoon and Piano" Juvenilia 117E/8 "Piece for Clarinette and Piano" Juvenilia 117E/9 "Piece for Flute and Piano" Juvenilia 117E/10 [Piece for Flute, Clarinet and Voice] Juvenilia 117E/11 "Piece for Horn and Piano" Juvenilia 117E/12 "Piece for Oboe and Piano" Juvenilia 117E/13 "Piece for Trombone and Piano" Juvenilia 117E/14 "Piece for Trumpet and Piano" Juvenilia 117E/15 "Poem": from DUO FOR FLUTE AND PIANO ARCO 94-A 110 "Poème for Cello with Piano Accompaniment" Juvenilia L 117D/18-19 POET'S SONG; SONG ARCO 15 5 PRAIRIE JOURNAL; alternate title for MUSIC FOR RADIO ARCO 31 62 "Prairie Night": from BILLY THE KID ARCO 33; 33-Fa 16, 63 PREAMBLE FOR A SOLEMN OCCASION ARCO 64 103 "Prelude": from FIRST SYMPHONY(published separately) ARCO 18-A et al 6 "Prelude for Violin and Piano" Juvenilia P 117D/26-27 "Prelude (Second) for Violin and Piano" Juvenilia S 117D/32-33 "Proclamation for Orchestra": from PROCLAMATION FOR PIANO ARCO 100-A 71 PROCLAMATION FOR PIANO ARCO 100 43 "The Promise of Living": from THE TENDER LAND ARCO 69-C et al 38 QUARTET FOR PIANO AND STRINGS ARCO 67 35 & Coolidge Coll. QUATRE MOTETS (FOUR MOTETS) ARCO 4 1 QUIET CITY ARCO 43 68 QUIET CITY (Incidental Music) ARCO 36 64 THE RED PONY ARCO 63 114-115, 81-83, 34 "Renaissance : Practice Song Set to French Words" Juvenilia 117E/17 "The Resting Place on the Hill": from OUR TOWN ARCO 41-B et al 18 RODEO ARCO 47 70 "Rondino": from TWO PIECES FOR STRING ORCHESTRA and STRING QUARTET ARCO 16; 16-B et al 51 "Saga of the Prairie": alternate title for MUSIC FOR RADIO (PRAIRIE JOURNAL) ARCO 31 62 EL SALÓN MÉXICO ARCO 28 13, 99 "Saturday Night Dance"; "Saturday Night Waltz": from RODEO ARCO 47; 47.3; 47c, No. III 70 SCHERZO HUMORISTIQUE (HUMORISTIC SCHERZO) (THE CAT AND THE MOUSE) ARCO 1 1 [Schirmer Manuscript Music Books] Juvenilia 117C/1-7 "Schumanniana : for cello and piano" Juvenilia 117E/18 "Sea-fairies : Tone Poem for Piano after Tennyson's Poem..." Juvenilia 117E/19 SECOND HURRICANE ARCO 30 14, 60-61 SECOND SYMPHONY; SHORT SYMPHONY ARCO 24 56 SENTIMENTAL MELODY: originally FIVE SENTIMENTAL MELODIES ARCO 14 5 "Serenade": alternate title for "Ukelele Serenade": from TWO PIECES FOR VIOLIN AND PIANO ARCO 13; 13-B et al 5 SEXTET ARCO 32 15 "The Shake-Down Song": alternate title for LAS AGACHADAS ARCO 48 71 SHORT SYMPHONY; SECOND SYMPHONY ARCO 24 56 SIGNATURE - CBS PLAYHOUSE ARCO 86 42 "Signature for High-Low Concerts": origin of AN OUTDOOR OVERTURE ARCO 34.1 64 "Simone : Song for Soprano and Piano" Juvenilia O 117D/24-25 "Simple Gifts": from OLD AMERICAN SONGS, FIRST SET ARCO 65-D et al 103 "Sing Ye Praises to Our King": from FOUR MOTETS ARCO 4; 4a, No. IV 1 "The Skyline": from MUSIC FOR A GREAT CITY ARCO 84 107 "Slow Movement for String Quartet": origin of "Lento Molto": from TWO PIECES FOR STRING QUARTET ARCO 16; 16-A et al 51 SOMETHING WILD ARCO 81 116 "Sonata for Piano" Juvenilia R 117D/30-31 SONATA FOR VIOLIN AND PIANO (VIOLIN SONATA) ARCO 52 22 SONG; POET'S SONG ARCO 15 5 "Song of the Fatherland": from THE NORTH STAR ARCO 53.4 25 "Song of the Guerillas": from THE NORTH STAR ARCO 53-B et al 25 "Spurned Love" Juvenilia D 117D/7 STATEMENTS FOR ORCHESTRA ARCO 25 57 & Koussevitsky Coll. "Stomp Your Foot": from THE TENDER LAND ARCO 69-B et al 38 "Story of Our Town": from OUR TOWN ARCO 41-A; 41-Ca 18 "String Quartet (1921?)" Juvenilia V 117D/37 "String Quartet (ca. 1921)" Juvenilia V 117D/38 "String Quartet (1965-68)" N/A 112/11 "Study on a Jewish Melody"; "Study on a Jewish Theme": alternate title for VITEBSK ARCO 20 55 "Subway Jam": from MUSIC FOR A GREAT CITY ARCO 84, No. 3 107 "A Summer Vacation" Juvenilia I 117D/7, 14 "Sunday Afternoon Music": from TWO CHILDREN'S PIECES ARCO 29-A 14 "Sunday Traffic": from THE CITY ARCO 38 17, 65 SYMPHONIC ODE ARCO 19 7-8, 53-54 SYMPHONIC ODE (Revised) ARCO 72 89 & Koussevitsky Coll. SYMPHONY FOR ORGAN AND ORCHESTRA ARCO 7 45 THE TENDER LAND ARCO 69 et al 38, 85-87 THE TENDER LAND (Orchestral Suite) ARCO 77 93 "That's the Idea of Freedom": from SECOND HURRICANE ARCO 30-Ba 14 THIRD SYMPHONY ARCO 58 30, 78 & Koussevitsky Coll. "Thou, O Jehovah, Abideth Forever": from FOUR MOTETS ARCO 4; 4a, No. II 1 "Three Dances": from GROHG ARCO 8.6; 8.7 2 THREE LATIN-AMERICAN SKETCHES ARCO 78 94 "Three Sonnets for Piano" Juvenilia N 117D/22-23 THRENODY I ARCO 95 43 THRENODY II ARCO 97 43 "Threshing Machine": from OF MICE AND MEN ARCO 40.4 100 "Toward the Bridge": from MUSIC FOR A GREAT CITY ARCO 84 107 "Tragic Ground" N/A 117A/1-6 "Trois Dances du Ballet Grohg": from GROHG ARCO 8.6 2 TWELVE POEMS OF EMILY DICKINSON ARCO 66 84 "Two Ballads for Violin and Piano" (1957) N/A 111/5 TWO CHILDREN'S PIECES ARCO 29 14 TWO CHORUSES FOR WOMEN'S VOICES ARCO 9 48 TWO PIECES FOR STRING ORCHESTRA ARCO 16 51 TWO PIECES FOR STRING QUARTET ARCO 16-A 51 TWO PIECES FOR VIOLIN AND PIANO ARCO 13 5 "Ukelele Serenade"; "Serenade": from TWO PIECES FOR VIOLIN AND PIANO ARCO 13; 13-B et al 5 "Variations on a Shaker Melody": from APPALACHIAN SPRING (for Band) ARCO 73 40 "Variations on a Shaker Melody": from APPALACHIAN SPRING (for School Orchestra) ARCO 89 42 VIEUX POEME (OLD POEM ; AN OLD POEM) ARCO 2 1 VIOLIN SONATA (SONATA FOR VIOLIN AND PIANO) ARCO 52 22 VITEBSK ARCO 20 55 VOCALISEor VOCALIZE (IMPROVISATION) ARCO 17 51 "Waltz": from BILLY THE KID ARCO 33-D 16, 63 "Waltz Caprice" Juvenilia F 117D/8-9 "Waltz Caprice" Juvenilia G 117D/8-9 WHAT DO WE PLANT? ARCO 27 12 THE WORLD OF NICK ADAMS ARCO 75 91 "The Young Pioneers": from TWO CHILDREN'S PIECES ARCO 29-B 14 "Younger Generation": from THE NORTH STAR ARCO 53-A et al 25 "Zion's Walls": from OLD AMERICAN SONGS, SECOND SET ARCO 68-Ba 37
Key to ARCO Numeric System: A Comprehensive Listing of Aaron Copland Numbered Music Compositions

Manscripts and Copies of Manuscripts:

All manuscripts and copies of manuscripts (i.e., ozalids, photocopies, and photostats) are assigned whole ARCO numbers and/or whole numbers with decimal point and number. Examples: Billy the Kid complete ballet, ms., [ARCO 33]; or Billy the Kid complete ballet, ms. (ozalid), [ARCO 33.1].

Published Works:

Published works are assigned ARCO numbers followed by a lower case letter, or edition suffix. In most cases (but not all), the lower case "a" indicates first editions. Subsequent editions are assigned suffixes according to the date of publication or copyright. Examples: Billy the Kid complete ballet, [ARCO 33a]; or Billy the Kid complete ballet (published 1950), [ARCO 33c]. If a work includes a score and a set of parts, separate citations are created for each unless there are less than eight parts. The ARCO number for a set of parts will be essentially the same as the accompanying score, but can be identified by a doubled edition suffix. Examples: Billy the Kid score for complete ballet, [ARCO 33a]; Billy the Kid orchestral parts, [ARCO 33aa]. In cases where there are multiple copies of a published edition, the marked or annotated copy is designated as Copy 1; however, only subsequent copies (i.e., Copy 2, Copy 3, etc.) bear the "Copy" designator.

Adaptations and Transcriptions:

Some of Copland's works have been adapted or transcribed for performance by groups of varying sizes (or genres). For instances, the work Billy the Kid has been adapted for performance by orchestra alone (large and small), concert band, and transcribed for two pianos as well as for piano solo. Different versions of a pieces are assigned an ARCO number followed by a hyphen, and an upper case letter, or genre indicator. Examples: Billy the Kid ballet suite, ms., [ARCO 33-A]; or Billy the Kid for two pianos, ms. sketches, [ARCO 33-B.3], etc. This scheme also works for published editions: the genre indicator is followed by an edition suffix. Examples: Billy the Kid for piano solo, [ARCO 33-Ca]; or Billy the Kid for violin and piano (published 1955), [ARCO 33-Gc].

As mentioned, the number assignments and genre indicators are those of the composer. Some adjustments have been made only to render items easily accessible to researchers and retrieved/returned by Music Division staff.

 Index for Articles with AC numbers

Copland numbered consecutively some of his published articles; when known, the numbers are given after the alphabetical arrangement by title in the series of the container list. Below is a listing of the works in AC numerical order.

AC No. Title Box/Folder 2 What Europe means to the aspiring composer, 1925 230/4 4 Defends the music of Mahler [Letter to the editor], 1925 198/28 7 Jazz structure and influence, 1927 199/16 8 Baden-Baden, 1927 197/21 9 Stravinsky's "Oedipus Rex", 1928 202/8 10 Music since 1920, 1928 200/7 12 The lyricism of Milhaud, 1929 199/27 13 From a composer's notebook, 1929 199/7 14 A note on Nadia Boulanger, 1928 229/18 15 Modern orchestration surveyed, 1930 199/32 16 Contemporaries at Oxford, 1931 198/19 17 Stravinsky and Hindemith premieres, 1932 202/7 18 The composer and his critic, 1932 198/1 19 The composer in America, 1923-1933, 1933 198/6 20 One hundred and fourteen songs, 1934 200/25 21A A note on young composers, 1935 200/18 21 Scherchen on conducting and Ewen on composers [Book review], 1935 201/21 22 The American composer gets a break, 1935 197/11 23 Active market in new music records, 1936 197/7 24 Discoveries of a music critic, by Paul Rosenfeld [Book review], 1936 198/30 25 Our younger generation - ten years later, 1936 201/4 25A The world of the phonograph, 1937 202/20 26 Scores and records, 1936 201/23 27 Mexican composer, n.d. 229/12 28 Thomson's musical state [Book review], 1939 202/12 29 Is there a revolution in the arts?, 1940 199/15 30 Second thoughts on Hollywood, 1940 201/27 32 The composers get wise, 1940 198/12 36 Five post-romantics, 1941 198/35 36A La música en el extranjero, 1941 200/9 37 The composers of South America, 1942 198/16 39 From the '20's to the '40's and beyond, 1943 199/8 40 Faure [sic] festival at Harvard, 1945 198/33 40 Music for the theatre, n.d. 200/2 40 Serge Koussevitzky and the American composer, 1944 202/1 41 On the notation of music, 1944 200/23 42 The American composer today, n.d. 197/12 42 Notes on a cowboy ballet, n.d. 200/19 44 Neglected works: A symposium, 1946 200/15 45 Benjamin Britten: The Rape of Lucretia, an opera in two acts [Music review], 1947 197/23 46A Aaron Copland writes from South America, 1947 197/5 48 Composer's report on music in South America, 1947 198/10 Tr49 Eine neue amerikanische Komponistengeneration, 1948 200/16 49 The new 'school' of American composers, 1948 229/17 Tr49 Nueva generatión de compositores norteaméricanos, 1947 200/21 50 The art of Darius Milhaud, 1948 197/17 Tr50 Sobre la música en el cine, n.d. 202/2 51 Stefan Wolpe: Two songs for alto and piano [Music review], 1948 202/6 52 What is Jewish music?: The music of Israel [Book review], 1949 230/5 Tr53 La música per film: nuovo mezzo di espressione musicale, n.d. 200/11 53 Tip to moviegoers: Take off those ear-muffs?, 1949 230/2 54 The world of a-tonality: Schoenberg and his school [Book review], 1949 230/7 56A [Letters to the editor], New York Times Magazine, 14 Jan. 1950 229/10 56 A modernist defends modern music, 1949 229/14 58 Leon Kirchner: Duo for violin and piano [Music review], 1950 199/19 59 The American musical scene, 1950 229/1 61 Current chronicle: United States, New York, 1951 198/26 62A Tanglewood: 1952, [1952] 202/10 63 An indictment of the fourth B, 1952 229/8 64A Always in my thoughts, 1953 197/8 64 Are my ears on wrong? A reply to Mr. Henry Pleasants, 1955 197/16 64 The gifted listener, 1952 199/9 65 Creativity in America, 1952 198/25 66 Music out of everywhere: Notes without music. An autobiography, by Darius Milhaud [Book review], 1953 229/16 67 The essence remained. The life and music of Béla Bartók . Halsey Stevens [Book review], 1953 229/4 69 Festival in Caracas: Recent Venezuelan event was devoted to composers of Latin America, 1954 198/34 70, 070A Music and the human spirit, 1954 199/33 Tr70 La música como aspecto del espiritu humano, n.d. 200/8 71(72) Modern music: 'Fresh and different', 1955 229/13 73 At the thought of Mozart, 1956 197/20 74 Rubin Goldmark: A tribute, 1956 201/18 75 El compositor en los Estados Unidos, 1959 229/3 75 Report on American music, 1956 201/17 76 The dilemma of our symphony orchestra, 1956 198/29 81A The pleasures of music, 1959 201/12 81B The pleasures of music, 1959 230/1 82 'A vital and varied music', n.d. 230/3 83 Composers in Russia, 1960 198/13 84 Nadia Boulanger: An affectionate portrait, 1960 200/13 86 Composers and composing, 1960 198/11 87 Oper für Amerika, 1960 201/2 89 Making music in the star-spangled manner, 1960 199/28 91 The composer as critic, 1961 198/4 92 A composer's praise, 1962 198/9 93 A visit to Snape, 1963 202/15 94 A quarter-century reflection, 1963 201/14 98 ASCAP and the symphonic composer, 1964 229/2 99A America's cultural explosion - its scope and challenge 226/10 100 In memory of Marc Blitzstein (1905-1964), 1964 199/11 102 Music: My way of life, 1964 229/15 103 An open letter about the BBC, 1965 201/1 104 The contemporary scene, 1966 198/21 106 Irving Fine (1914-1962), 1962 199/13 110 A tribute to Nadia Boulanger, 1967 202/13 112 When private and public worlds meet, 1968 202/17 113 Aaron Copland: A visit to Israel, 1969 197/3 113 A visit to Israel, 1969 202/14 114 Piano music of Noël Lee, n.d. 201/10 116 Composers in the university, 1970 198/14 116 Is the university too much with us?, 1970 199/14 117 Copland salutes Boulanger, 1977 198/23 118 Claire Reis (1889-1978), 1978 197/26 123 A salute to the Schwann, n.d. 201/20
Index for Lectures and Speeches with AC Numbers, All Combined

Two numbering systems by Copland were discovered during processing -- one for lectures designated as "general" or "miscellaneous" and the other for the lectures designated as "various," the former were assigned the prefix "LG" and the latter the prefix "LV." The following lists show both numbering systems in AC numeric order, combined and separately, by type of lecture.

AC No. Title Box/Folder 1-LG Address, graduating class, Toronto Conservatory of Music, 1950 210/1 1 Seminar in contemporary music, 1957 214/24 1-LV Stravinsky, 1937 214/34 2-LV Darius Milhaud, 1948 211/18 2-LG Music for a modern world, 1949 213/10 3-LV Music: Pro & Con I - Sessions, 1950 213/7 3-LG Role of the creative artist in education, 1949 214/19 4-LV Music: Pro & Con II - Olivier Messiaen, 1950 213/8 4-LG The role of culture in the U. S., 1947 214/20 5-LV Dmitri Shostakovitch and the new simplicity, n.d. 211/22 5-LG On my music, 1946, n.d. 214/4 6-LG Creativity in America today, 1953, 1956, 1965, 1968 211/15 6-LV Mahler - XX cent[ury], n.d. 212/22 7-LV Influence of jazz and "Everyday Music", n.d. 212/3 7-LV Intro[duction] to r[h]ythmic considerations in Amer[ican] music, n.d. 212/12 7-LG Preoccupations of young composers, 1955 214/11 8-LV Music in the films, n.d. 213/13 8-LG The operatic problem, 1954, n.d. 214/6 9-LV Contrapuntal writing in cont[emporary] music in relation to Bach, 1950 211/11 9-LG Introduction to my music, 1952 212/9 10 The composer and his audience, 1956 210/28 10-LG The composer in the modern world, 1957 210/32 10-LV Jewish composers in the western world, 1951 212/17 11-LV American scene in music, 1949 210/15 11-LG Music in contemporary life, 1957 213/11 12-LV Central European composers, 1950 210/25 12-LG To band leaders [at convention], 1958 215/10 13-LG Compositional phases [on my three piano works], 1959, 1961 210/38 [13?] Music of today, 1935-1936 213/17 13-LV The problem of style -- Schoenberg vs. Shostakovitch, 1944 214/15 14-LG The dilemma of our symphony orchestra, 1956 211/19-20 14-LV Survey of contemporary music, n.d. 214/38 15-LG The artist and society, 1959 210/22 15-LV Jazz and folk influences, 1944 212/16 16-LV Contemporary music and its controversies, 1944 211/4 16-LG Japan's composers, 1960 212/15 17-LV Fauré, n.d. 211/26 17-LG Intro[duction] of N[adia] Boulanger as teacher, 1958 212/8 18-LG Composing in America (then and now), 1962, 1964 210/37 18-LV Modern piano music, 1938 213/3 19-LG American contemporaries: Younger generation, 1957 210/11 19-LV Music of the 20s (Harvard lectures), 1952, 1954, 1959, 1960, 1962 213/21-22 20 Introduction to the cont[emporary] idiom: Four lectures on contemporary music, 1957-1958 212/10-11 20-LV Understanding contemporary music, 1950, 1957 215/12 20-LG Words and music, 1962 215/19 21-LV Current trends in cont[emporary] music, 1954, 1960, 1961 211/17 21-LG On conducting Amer[ican] music; The interpreter from the composer's viewpoint, 1964 214/3 22-LV Berlioz - from the composer's standpoint, 1954 210/23 22-LG Music - A composer's view (of music), 1967, 1971 213/6 23A-LG Convocation, 1967, 1969 211/12 24-LG The meaning of music, n.d. 212/25 24-LV Variation forms - Classical forms in cont[emporary] music, 1952 215/15 25-LV Composer looks at music in America, 1954 210/33 25-LG For 8-13 year olds, 1969 211/34 26-LV Comparative trends of recent European & American music, 1956, 1961 210/27 26-LG [Talk at New York University], 1970 215/2 27-LV Recent Amer[ican] music: Comparison with Europe, 1956 214/16 27-LG William Schuman, 1971 215/18 28-LG Copland-Sessions Concerts 1928-31, 1971 211/13 28-LV Oedipus Rex, 1957 214/1 29-LG, 35-LV Creativity and the composer, 1972, 1973 211/14 29-LV Nationalist trends in contemporary music, 1961 213/27 30-LV Recent European (piano) music, 1959 214/17 31-LV Latin American music, 1947-1963 212/19 32-LV Compositional techniques in the 20th cent[ury], 1961 210/39 33-LV The composer as critic, n.d. 210/30 34-LV New trends in cont[emporary] music, 1964 213/29 34 New trends in contemporary music, 1965 213/30 35? Film talk, 1971 211/31-32 91-A The composer as critic, 1961 210/29
Index for Journals with AC Numbers

Twelve of the 26 journals were numbered by Copland on the outside cover; however, the number 5 appears on two books, one with a question mark in the handwriting of Ron Caltabiano who was Copland's assistant in the 1980's.

AC# Date Contents Box/Fld. 3 1921-1953 South American journal; McCarthy hearings (1953); Chronological list of travels 243/7 1 1941 South American diary, Aug-Dec 1941 243/15 2 1941-1973 Genealogy charts; List of publ[ished] works; Degrees; Financial data 244/1 4 1949 European diary (including London trip) 244/11 5 1949-1967 European notes; Quotes; Dinners at Stravinsky's home; Notes 244/13 5[?] 1954-1957 Journal of visits to Venezuela 244/15 12 1954-1965 Recordings; List of AC articles; Lecture engagements 244/17 6 1960-1961 European journal; Notes on making a movie score (Something wild); White House dinner 245/3 7 1962-1963 Notes on trip to Mexico-Brazil-Uruguay; Europe; Financial data 245/5 8 1963-1964 Latin-American diary; European tour 245/9 9 1965 European tour; Financial data 245/11 10 1966 Japan 'diary' 245/13 11 1967-1971 Europe; Israel; Financial data 245/15
Explanation of Code System for Photographs

The negatives have been coded two ways: (1) previously-given identifying codes or (2) job numbers were maintained and conjoined with the prefix CC-CP-N (Copland Collection - Copland Photos - Negative). The negatives which did not have identifying codes or job numbers were assigned new codes with the prefix CC-CP-N- followed by X- and an Arabic numeral (i.e., CC-CP-NX-01), and arranged in ascending order. Negatives known to have been produced by Victor Kraft contain the letters "VK" in the identifying code (i.e. CC-CP-NVK-01). Any original information regarding the subjects of negatives has been transcribed onto the negative sleeves. Other codes are marked on the back of the photoprints when a corresponding negative has been identified. See the appendix for further information on the arrangement and coding system.

Arrangement codes for negatives

Original codes and all identifying information are transcribed from original wrapper or negative strips. Assigned codes, designated by an "X" following the "N" in the code, are those created by the LC processor when no original code was present. Negatives are arranged in progressive numerical order. Numerical codes precede letter codes and original codes precede assigned codes in storage arrangement. All color negatives and transparencies are coded, arranged and stored separately. The majority of the negatives in this series are by V. Kraft.

Code Definition CC = Copland Collection CP = Copland Photographs VK = Victor Kraft N = Negative X = Newly assigned code CN = Color negative CT = Color transparency

Black and white

Code Definition CC-CP-# Long sleeve; original code CC-CP-VK-# Long sleeve; original code; photos by V. Kraft CC-CP-NX# Long sleeve; assigned code CC-CP-VKX-# Long sleeve; assigned code; photo by V. Kraft CC-CP-NN# 4 in. x 5 in. sleeve; original code CC-CP-NNX-# 4 in. x 5 in. sleeve; code assigned by processor

Color

Code Definition CC-CP-NC-# Long sleeve; original code CC-CP-NCX-# Long sleeve; assigned code CC-CP-NNC-# 4 in. x 5 in.; original code CC-CP-NNCX-# 4 in. x 5 in.; assigned code CC-CP-CT-# Long sleeve; color transparencies; original code CC-CP-CTX-# Long sleeve; color transparencies; assigned code CC-CP-CTXX-# 4 in. x 5 in. or oversize; assigned code
Explanation of Code System for Photographs in the Victor Kraft Materials

The negatives have been coded two ways: (1) previously-given identifying codes or (2) job numbers were maintained and conjoined with the prefix CC-VKM-N (Copland Collection - Victor Kraft Material - Negative). The negatives which did not have identifying codes or job numbers were assigned new codes with the prefix CC-VKM-N- followed by X- and an Arabic numeral, and arranged in ascending order. Any original information regarding the subjects of negatives has been transcribed onto the negative sleeves. Other codes are marked on the back of the photoprints when a corresponding negative has been identified.

Kraft had arranged the negatives in four negative books (CC-VKM-NI-# to CC-VKM-NIV-#) with glassine sleeves. These negatives have been rehoused in acid-free sleeves and numerically and sequentially coded according to Kraft's arrangement. The original arrangement has been preserved as closely as possible. The roman numeral in the code signifies in which negative book the negative had been stored.

Arrangement codes for negatives

Original codes and all identifying information are transcribed from original wrapper or negative strips. Assigned codes, designated by an "X" following the "N" in the code, are those created by the LC processor when no original code was present. Negatives are arranged in progressive numerical order. Numerical codes precede letter codes and original codes precede assigned codes in storage arrangement. All color negatives and transparencies are coded, arranged and stored separately.

Code Definition CC = Copland Collection VKM = Victor Kraft Materials N = Negative X = Newly assigned code CN = Color negative CT = Color transparency

Black and white

Code Definition CC-VKM-N-# Long sleeve; original code CC-VKM-NX-# Long sleeve; assigned code CC-VKM-NN-# 4 in. x 5 in. sleeve; original code CC-VKM-NNX-# 4 in. x 5 in. sleeve; assigned order

Negatives

Code Definition CC-VKM-NI-# 4 in. x 5 in. sleeve; Negative Book I, numbered in original order CC-VKM-NII-# 4 in. x 5 in. sleeve; Negative Book II, numbered in original order CC-VKM-NIII-# 4 in. x 5 in. sleeve; Negative Book III, numbered in original order CC-VKM-NIV-# 4 in. x 5 in. sleeve; Negative Book IV, numbered in original order

Color

Code Definition CC-VKM-CN-# Long sleeve; original code CC-VKM-CNX-# Long sleeve; assigned code CC-VKM-CNNX-# 4 in. x 5 in. sleeve; original code CC-VKM-CT-# Color transparency; original code CC-VKM-CTX-# Color transparency; assigned code