Catalog Record:
The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.
Purchase; Flor de María Rodríguez.
No further accruals are expected.
The Lauro Ayestarán Collection was processed in 1996 by Susana Salgado with assistance from Mary Edsall, Rodney T. Todd and Michael A. Ferrando. This Finding Aid was prepared with Corel WordPerfect 8. In 2003, Michael A. Ferrando coded and edited the finding aid for EAD format with assitance from Deta Davis and Susan Salgado.
4,000 wire-recordings held in Musicological Section of the Museum of National History in Montevideo.
The status of copyright on the materials of the Lauro Ayestarán Collection is governed by the Copyright Law of the United States (Title 17, U.S.C.).
The Lauro Ayestarán Collection is open to research. Researchers are advised to contact the Performing Arts Reading Room prior to visiting. Many collections are stored off-site and advance notice is needed to retrieve these items for research use. Certain restrictions to use or copying of materials may apply.
Researchers wishing to cite this collection should include the following information: container number, Lauro Ayestarán Collection, Music Division, Library of Congress, Washington, D.C.
The Lauro Ayestarán Collection reveals the life-time dedication of a distinguished musicologist and avid researcher who collected the core of the Uruguayan music plus music of foreign origin performed in Uruguay, in both holograph and scores through a systematic, tireless and continuous search throughout Uruguay, including the Montevideo's flea market and dusty-old-used-book stores. He also must be remembered as a dedicated teacher with a profound understanding of pedagogy and a vast knowledge of the western hemisphere history of music, and the mind of a scholar interested in any topic related to culture. In addition of publishing a considerable number of books he collaborated as contributor to many dictionaries, encyclopedias and musical and folkloric books. A third aspect of his personality encompasses the systematic recollection of the Uruguayan folklore in situ, with a total of 4.000 wire-recordings, hold actually in the Musicological Section of the Museum of National History in Montevideo.
His collection consists primarily of scores and holographs written by Uruguayan composers where both, the art and the popular music are represented, with a comprehensive sample of the best composers in each group.
In addition, there are a representative number of works written by European composers who settled in Montevideo during the 19th century, mainly from Spain and Italy. The total collection can be divided into two major categories: A) art music, B) popular and folk music; and encompasses a period from c1830 to 1966, year of Ayestarán's death.
A) Art Music. This category encloses a period from the Spanish colonialism until contemporary times; and can be divided in several sub-categories, such as:
B) Popular and Folk Music. This category holds a significant amount of scores, almost half part of the entire collection; and can be divided in several sub-categories, such as:
Besides all the mentioned above the collection comprises about 90 works of unidentified composers. Inside this small category there are several old holographs of guitar pieces that were originally part of the Gerolamo Folle Collection, later acquired by Ayestarán in Montevideo's flea market.
He published more than one hundred articles and essays in musical and musicological magazines; and gave hundreds of lectures in universities, musical and cultural institutions. In addition he was member of the following institutions: Academia Brasileira de Musica, Rio de Janeiro; Academia Argentina de Bellas Artes, Buenos Aires; Instituto Histórico y Geográfico del Uruguay, Montevideo; International Folk Music Council, London; Asociación Española de Etnología y Folklore, Madrid; Sociedad Mexicana de Folklore, Mexico City; Instituto Panamericano de Historia y Geografía; Real Academia de Bellas Artes de San Fernando, Madrid; International Musicological Society, Basel, Switzerland; Sociedad Folklórica del Perú, Lima; Folklore Americas; Sociedad Folklórica Argentina, Buenos Aires.
It is recommended, as a valuable aid to the researcher, to refer to all the Ayestarán's books, particularly
Finally, I would like to express my gratitude to Mary Edsall, Rodney T. Todd and Michael A. Ferrando who assisted and advice me in the processing of this collection.
Susana Salgado, 1996
The Lauro Ayestarán Collection is organized in 2 series:
The Lauro Ayestarán collection consists primarily of scores and holographs written by Uruguayan composers where both, the art and the popular music are represented, with a comprehensive sample of the best composers in each group.
In addition, there are a representative number of works written by European composers who settled in Montevideo during the 19th century, mainly from Spain and Italy. The total collection can be divided into two major categories: A) art music, B) popular and folk music; and encompasses a period from c1830 to 1966, year of Ayestarán's death.
Arrangement is by composer or genre and title.
Note: piano arr. by A. Abad y Antón
Note: lyrics written on back cover
Date: [1966]
Note: lyrics written on back cover
Date: 1956
Date: 1961
Date: 1961
Date: 1945
Date: 1917
Note: part of magazine "Revista Musical y Social"
Note: copy 2 missing cover
Date: 1954
Date: 1951
Date: 1929
Date: [1912]
Date: 1948
Date: 1942
Date: 1937
Date: July 10, 1920
Ayestarán's note: "Acquired in the flea market, 1939"
Note: copy 2 missing covers
Note: lyrics written on back cover
Note: stamped with the composer signature
Note: signed by the composer
Edition: 5th ed.
Note: signed by the composer
Date: 1930
Date: 1931
Date: 1936
Date: 1935
Date: 1931
Note: English text
Published in: Montevideo
Note: signed by the composer
Date: [1901]
Date: [1901]
Note: dedicated and dated by the composer; Aug. 31, 1890
Date: [1901]
Date: 1919
Date: [1916]
Note: covers stamped with the composer signature
Date: 1919
Date: 1919
Note: signed by the composer
Note: cover stamped with the composer signature
Note: cover stamped with the composer signature
Date: 1914
Date: 1951
Note: signed by the composer; Ayestarán's note: "Acquired in the garage Linares, flea market, July 20, 1957"
Date: 1940
Note: copy 2 missing covers
Note: part of magazine "Veritas", Montevideo, Oct., Nov., Dec., 1954
Date: [1938]
Note: dedicated to Uruguayan president Gral. Alfredo Baldomir
Note: active in Montevideo 1853-1856
Date: 1926
Note: stamped with the composer signature
Note: stamped with the composer signature
Date: 1939
Note: the composer was Ginastera's composition teacher
Date: 1938
Note: dedicated and signed by the composer
Note: guitar arr. by Gerolamo Folle; Ayestarán's note: "Acquired in the flea market, 1946"
Date: 1949
Note: dedicated by the composer
Note: copy 1 contains annotations
Date: 1930
Note: in commemoration of Uruguayan constitution centennial
Date: [1919]
Date: 1946
Note: "Cantado por primera vez en Montevideo por la Prima Donna Marietta Mollo, 8 de octubre de 1863;" printed in Montevideo, 1863
Note: "Per orchesta da L Ste" [orchestra arr. by Luis Sambucetti?]
Note: signed by the composer
Date: 1951
Date: 1955
Note: signed by the composer
Note: piano arr. by A. S. Arista
Note: "A la memoria de la infortunada Irma Avegno"
Note: transcribed by A. S. Arista
Date: [1918]
Note: dedicated to Prudencio Aragón
Date: 1913
Date: 1954
Note: cover signed by the composer
Date: 1930
Date: [1930]
Date: 1942
Note: dedicated to L.A., signed and dated by the composer, Montevideo, 1945
Date: 1938
Note: arr. for 4 voices by the composer; signed and dated by the composer, 1954
Date: 1953
Date: 1953
Note: arranged by the composer from original 4 voices)
Note: winner of a musical contest in which L.A. was one of the judges; signed by L.A.
Date: 1930
Note: score contains comments about composer and poet
Date: 1955
Date: 1927
Note: arr. for 4 voices by the composer (original choir and orchestra), signed and dated by the composer, 1954
Date: 1935
Date: 1941
Date: 1940
Note: signed and dated by the composer, 1933
Note: signed and dated by the composer, 1952
Date: 1932
Note: piano arr. by the composer
Date: 1940
Date: 1931
Note: copy 1 signed and dated by the composer, 1937, copy 2 incomplete
Date: 1926
Note: text by Latin American poets
Date: 1919
Cover reads: Musica de A. Nan de Allaris
Note: "Repertorio Gardel & Razzano"
Note: "Repertorio Gardel & Razzano"
Date: 1943
Note: signed by the composer, July 7, 1922
Published in: San José
Note: donated to L.A. by Adolfo Fabregat, November 11, 1953
Date: 1894
Date: 1929
Note: arranged by F. Baldomir
Note: one score dated by the composer, August 31, 1912
Note: copy 1 with words written in pencil at end
Date: 1961
Note: pages 40-41, magazine "El reservista", Montevideo, October 1940
Note: also Pelotaris, Op. 53 by José Mateu
Date: 1888
Note: one score dedicated by the composer to violinist Alejandro Uguccioni
Note: donated to L.A. by Américo Marchales, June 1st, 1964.
Note: guitar arr. by J.C.
Ayestarán's note: "Acquired in the garage Linares, flea market, 1941"
Date: 1929
Note: dated and dedicated by the composer, July 14, 1929
Date: [1897]
Date: 1930
Note: signed, dated and dedicated by the composer, Montevideo, 1933; cover drawing by Rafael Barradas, signed and dated 1930
Date: 1939
Note: cover's drawing of the composer by Rafael Barradas
Date: 1934
Date: 1956
Note: annex to magazine "Album Musical Uruguayo", Montevideo, May 24, 1896 No. 12; copy 2 missing p. 1-4
Edition: 3rd ed.
Edition: 4th ed.
Edition: 5th ed.
Date: 1900
Note: lyrics written on back cover
Note: copy 2 is missing cover
Ayestarán's note: "José A. Battle[?]"
Ayestarán's note: "José A. Battle[?]"
Ayestarán's note: "J.A.B. José A. Battle[?]"
Note: missing cover and p. 9-11 in one score
Date: 1928
Date: 1930
Date: 1906
Edition: 2nd ed.
Note: annex to magazine "El Correo Musical", Montevideo, June 1, 1896, Año I, No. 1
Note: annex to magazine "Album Musical Uruguayo y El Correo Musical", Montevideo, September 24, 1896, Año I, No. 2
Date: 1930
Note: text by poet Luisa Luisi; contains notes about composer and poet
Note: instrumentation by Angel J. Cortacáns, signed and dated, Montevideo, October 1929.
Note: guitar transcription by maestro Caturzo; Ayestarán's note: "Acquired in "El librero de la feria," flea market, 1938"
Ayestarán's note: "Acquired in "El librero de la feria," flea market, 1938"
Includes: Amourette, valse elegante, Op. 37, by F. d'Orso
Note: active since 1850s
Note: lyrics written on back cover
Note: text by poet Walter Homero Genta
Date: 1930
Note: text by poet Edgardo U. Genta; notes about composer and poet
Note: band arr. by the composer; annex to magazine "Album Musical Uruguayo," Año 1, No 16, June 24, 1896
Note: annex to magazine "Album Musical Uruguayo y El Correo Musical," Montevideo, December 16, 1896, Año I, No. 39
Note: annex to magazine "Vida Montevideana"
Note: annex to magazine "Album Musical Uruguayo y El Correo Musical," Montevideo, January 16, 1897, Año 2, No. 43
Date: [1917]
Note: missing covers
Date: 1926
Date: 1952
Note: active since 1870s
Note: printed in the score [Buenos Aires ]"Teatro Colón's principal violoncello"
Published in: Montevideo
Note: arr. C. Bignami
Note: dedicated by the composer
Note: dedicated by the composer
Note: Dedicatory dated by the composer, Montevideo January 1, 1880
Note: one score dated and dedicated by the composer to maestro G. Strigelli, Montevideo, 1874
Note: dedicated to a friend by César Bignami's father [Giacomo Bignami], Montevideo, March 1892; additional copy of cover
Note: violin part revised by I. Chorberg
Note: dated by the dedicatee Montevideo, November 9, 1864
Note: Montevideo, February 27, 1892
Note: arr. by J. Böhr
Note: arr. by J. Böhr
Date: 1847
Note: stamped with the composer signature
Note: lyrics written on back cover
Note: stamped with the composer signature
Note: signed by the composer; donated to L.A. by Carlos Estrada, 1950
Note: printed dedicatory "A la memoire de L.M. Gottschalk"
Date: 1890
Note: dedicatory in French and signed by the composer
Note: band arr. by Francisco Spinelli, July 6, 1900
Date: 1916
Date: January 1st, 1900
Note: part of magazine "Revista Musical Ilustrada"
Date: 1908
Note: p. 1 only
Date: 1957
Note: text by Sarah Bollo; score contains notes about composer and poet
Note: transcribed by E. Brameri
Note: dated and dedicated by the composer to his teacher maestro Luis Sambucetti, Buenos Aires, September 13, 1912
Note: dated and dedicated by the composer to Francisco Sambucetti, Buenos Aires, July 1931
Note: this is the famous habanera-concertante "¿Dónde vas con mantón de Manila?"
Note: arr. Brïndis de Salas
Note: dedicated and signed by the composer
Note: part of "Archivo Roberto A. Cortacáns"
Date: 1948
Date: 1948
Date: 1948
Date: 1948
Date: 1948
Date: 1948
Date: 1948
Note: donated to L.A. by Blanca Bonavita, San José, August 21, 1959
Note: donated to L.A. by Blanca Bonavita, San José, August 21, 1959
Note: donated to L.A. by maestro Carlos Estrada, October 1949.
Note: dedicated by the composer to L.A. signed and dated Paris, May 6, 1939
Date: [1924]
Date: 1957
Note: stamped with the composer signature
Note: B-flat version
Note: B Major version
Date: 1953
Note: lyrics written on back cover
Date: 1954
Note: signed and dated by the composer, February 19, 1931; Ayestarán's note: "Donated by Alfredo Pignalosa, August 10, 1957"
Note: musical contest's first prize, Montevideo, August 1927
Date: 1930
Note: musical contest's first prize; one of the scores is signed, dated, and dedicated by the composer to orchestra conductor Virgilio Scarabelli
Note: dedicated to a new Argentinean president
Note: Barcarola-Capricho is the same work
Date: 1909
Note: belongs to "Album Música Centenario," Buenos Aires, 1910
Note: dedicated to maestro Mauricio Geeraert
Edition: 2nd ed.
Edition: 2nd ed.
Date: 1945
Date: 1949
Ayestarán's note: "Acquired in Sureda bookstore, 1947"
Note: one score with the composer dedicatory in the cover
Note: one score with the composer dedicatory in the cover
Ayestarán's note: "Acquired in Sureda bookstore, 1947"
Note: with the composer dedicatory in the cover
Ayestarán's note: "Acquired in Sureda bookstore, 1947"
Note: with the composer dedicatory
Ayestarán's note: "Acquired in Sureda bookstore, 1948"
Published in: Paysandú
Ayestarán's note: "Donated by Apolo Ronchi, 1947"
Published in: Paysandú
Ayestarán's note: "Donated by Apolo Ronchi, 1947"
Note: dedicated to L.A., signed and dated by the composer July 10, 1951
Note: dedicated to L.A., signed and dated by the composer July 11, 1951
Note: No. 13 of "Selecciones Internacionales," 1951
Date: 1955
Note: 2 scores dedicated to L.A., signed and dated by the composer July 10, 1951; 1 score dedicated to Prof. Ugo Bayron, signed by the composer
Note: copy 1 has fingerings in pencil
Date: August 25, 1900
Note: elementary school text; prologue (p. i-xi) by Dr. F.A. Berra, dated Montevideo, July 1887
Date: September 18, 1900
Edition: 2nd ed.
Note: annex to magazine "Album Musical Uruguayo", Montevideo, July 8, 1896, Año 1, No. 18
Note: dedicated to Luisa Gallo
Note: dated in pencil Montevideo, 1892
Note: dedicated to violinist Alejandro Uguccioni, Ayestarán's note: "Donated by Uguccioni's nephew, April 28, 1961"
Date: 1980
Note: piano arr. from the original by José Padilla
Includes: Cara sucia, and others not listed here
Includes: 5 pieces by Francisco and Juan Canaro
Date: 1934
Date: 1951
Date: 1935
Edition: 2nd ed.
Date: 1934
Date: 1914
Note: Grand prize, Buenos Aires 1914
Date: 1950
Date: 1926
Note: copy 1 stamped with the composer signature
Date: 1932
Date: 1938
Note: stamped with the composer signature
Note: stamped with the composer signature
See also: Se acabaron los otarios, tango
Note: score signed by maestro César Zagnoli
Note: stamped with the composer signature
Note: stamped with the composer signature
See also: Puentecito de Plata, stamped with the composer signature
Note: stamped with the composer signature
Date: 1914
Note: one score stamped with the composer signature
Note: stamped with the composer signature
Date: 1938
Note: arr. by Francisco Cabrera
Edition: 2nd ed.
Note: stamped with the composer signature
Date: 1939
Edition: 8th ed.
Date: 1949
Date: 1939
See also: La Jujeña, stamped with the composer signature
Note: stamped with the composer signature
Date: 1934
Note: stamped with the composer signature
Note: stamped with the composer signature
Note: stamped with the composer signature
Note: copy 1 contains annotations
See also: Federación
Date: 1941
Note: stamped with the composer signature
Date: 1953
Note: stamped with the composer signature; it is the same as composed by "F. y R. Canaro"
Date: 1928
Edition: 6th ed.
Note: stamped with the composer signature
Date: 1939
Note: stamped with the composer signature on the back page
Note: stamped with the composer signature
Edition: 6th ed.
Note: stamped with the composer signature
Date: 1937
Note: stamped with the composer signature
Note: stamped with the composer signature
Note: stamped with the composer signature
Note: stamped with the composer signature
Date: 1930
Note: stamped with the composer signature
Note: stamped with the composer signature
Date: 1930
Date: 1934
Date: 1932
Date: 1928
Note: signed by J. Canaro
Edition: 3rd ed.
Note: lyrics written on back cover; it is the same as composed by Francisco Canaro
Note: Composers given as: Canaro, F. y R.
Date: 1956
Note: copy 1 dedicated to L.A. and signed by the composer
Note: dedicated and signed by the composer
Note: annex to magazine "Sociedad Musical La Lira", No 2
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Date: 1952
Date: 1953
Note: annex to magazine "Album y Correo Musical," Montevideo, February 1, 1897, Año 2, No. 45
Date: [1913]
Date: 1958
Date: 1949
Note: also El cachivachero
Date: 1953
Note: dedicated to L.A. and signed by the composer
Note: dedicated to L.A., dated and signed by the composer, Montevideo July 15, 1950
Date: 1952
Date: 1952
Note: dedicated to Apolo Ronchi by the composer
Note: together with works by J. Busso Agnese and Emilia G. de Giovene
Date: 1954
Note: copy 1 contains annotations
Note: dedicated by the composer to L.A., 1965
Note: also Bronca by Pepe Salguero
Edition: 2nd ed.
Date: 1928
Note: contains fingerings in pencil
Note: pedal added on pencil
Date: [1836]
Note: attached Ayestarán's copy in pencil
See also: L. A. La música en el Uruguay, p. 564-566
Note: Varients of Surname: Cassale or Casalí
Note: score contains a written description of the tempest
Note: contains fingerings in pencil
Date: 1924
Note: stamped with the composer signature
Date: 1940
Note: dedicated and signed by the composer
Note: signed by the composer
Note: dedicated, dated and signed by the composer, January 1922
Date: 1941
Date: 1955
Date: 1927
Date: 1940
Date: 1927
Date: 1953
Date: 1937
Note: copy 1 signed by the composer
Note: copy 1 dedicated, dated and signed by the composer, June 30, 1933; copy 2 contains annotations
Date: 1932
Date: 1938
Date: 1925-1926
Note: cover is signed and dated by the composer
Note: copy 2 is missing [4] pages
Date: 1924
Date: Jan. 1, 1885
Edition: 3rd ed.
Note: copy 1 dated on the cover 1912; copy 4, 1954.
Edition: 6th ed.
Edition: 3rd ed.
Date: 1958
Date: 1958
Date: 1956
Note: dedicated and dated by the composer, June 16, 1931
Date: 1940
Date: 1957
Note: annex to magazine "Album Musical Uruguayo y El Correo Musical", Montevideo, November 16, 1896, Año 1, No. 35
Date: 1947
Edition: 2nd ed.
Note: piano arr. by Eduardo F. García
Date: 1929
Note: arr. by H. Binstok, "original Singin' in the Rain from the talking movie Hollywood Review 1929"
Note: covers missing
Date: 1901
Note: missing covers
Note: missing covers, lyrics added in ink
Note: piano arr. by V. Bertolini
Date: 1925
Date: 1947
Date: 1924
Date: 1943
Date: 1936
Date: 1946
Date: 1948
Note: one score contains dedicatory written and signed by the composer: "To Misses Martorell, Luis Cluzeau-Mortet, Montevideo, 10-19-1910"
Date: 1924
Edition: 2nd ed.
Date: 1942
Note: Holograph's reproduction, dated and signed by the composer
Date: 1930
Note: dedicated to Emilio Oribe and his wife Maruja González Villegas, signed and dated by the composer
Date: 1934
Date: 1957
Note: signed by the composer, 1 p., other p. missing.
Date: 1922
Note: on the cover: "Printed 1928", on first page "Montevideo, 1922"
Date: 1953
Date: 1940
Note: stamped with the composer signature
Date: 1934
Date: 1938
Date: 1932
Date: 1941
Date: 1924
Edition: 2nd ed.
Note: one score signed and dated by Guma Muñoz
Date: 1938
Note: one score signed and dated by the composer
Edition: 2nd ed.
Date: 1929
Includes: holograph transcription by the composer from the original piano-vocal score in pencil
Note: with a photocopy of the score's first page.
Date: 1918
Date: 1940
Date: 1931
Date: 1947
Note: written dedicatory to L.A. signed and dated by the composer
Date: 1955
Date: 1928
Date: 1952
Date: 1930
Date: 1927
Date: 1930
Date: 1931
Date: 1930
Date: 1926
Date: 1929
Date: 1929
Note: dated July 11, 1930
Date: 1931
Date: 1927
Published in: Elbaz
Date: 1930
Note: both copies contain annotations
Date: 1939
Note: score contains annotations
Date: 1917
Note: annex to magazine "Album Musical Uruguayo," Montevideo, June 24, 1896, Año 1, No. 20
Date: 1901
Date: 1901
Note: annex to magazine "Album Musical Uruguayo y El Correo Musical," Montevideo, January 1, 1897, Año 2, No. 45
Note: annex to magazine "Album Musical Uruguayo y El Correo Musical," Montevideo, September 16, 1896, Año 1, No. 27
Date: 1901
Note: Annex to magazine "Album Musical," No. 11
Note: dedicated and dated by the composer 1892
Date: 1898
Date: 1901
Note: Il piccolo Haydn by Alfredo Soffredini, arr. by Juan Coppetti; annex to magazine "El Correo Musical," Montevideo, July 30, 1896, Año 1, No. 8
Date: 1898
Edition: 2nd ed.
Edition: 2nd ed.
Note: arranged by J. Coppetti
Ayestarán's note: "Donated by Alfredo Pignalosa, August 10, 1957"
Note: dedicated by the composer
Note: signed by the composer
Date: 1948
Note: signed by the composer
Date: 1950
Date: 1951
Date: 1940
Date: 1944
Note: dedicated, dated and signed by the composer, 1918
Note: dated and signed by the composer, February 12, 1933
Note: score contains markings in pencil
Note: lyrics by the composer on cover page
Note: dated and signed by the composer, February 12, 1933
Note: lyrics (French-Spanish) by the composer on cover page
Note: score contains emendations in pencil
Date: 1940
Note: back cover contains student exercices in pencil
Note: back cover contains student annotations in pencil
Date: [1911]
Note: dated and signed by the composer, Montevideo, October 26, 1915; belongs to Roberto A. Cortacáns collection.
Note: scores written under the pseudonym Chingolo, presumably to be presented in a competition, attached typed copies of lyrics; belongs to Roberto A. Cortacáns collection.
Note: dated and signed by the composer, Montevideo, February 24, 1917; belongs to Roberto A. Cortacáns collection.
Note: dated by the composer, Montevideo, June 24, 1917; belongs to Roberto A. Cortacáns collection.
Note: dated by the composer, Buenos Aires, March 17, 1904; belongs to Roberto A. Cortacáns collection.
Note: dated by the composer, Montevideo, June 21, 1914
Note: dated by the composer, Montevideo, May 9, 1914
Note: dated August 8, 1923; attached card to L.A. related to the gift of his father's compositions, Montevideo, December 11, 1962.
Note: son of Angel J.
Note: dated and signed by the composer, Pocitos, March 3, 1912; Ayestarán's note: "Donated by Melitón Gonzalez, December 20, 1956"
Note: copy 1 dedicated and signed by the composer
Date: 1940
Date: 1940
Date: 1930
Note: contains note about composer
Date: 1938
Note: copy 1 contains annotations
Note: same as Elegía
Note: original title La última gavota
Note: one score dedicated and dated by the composer, Montevideo, July 25, 1909
Date: 1941
Date: 1940
Date: 1940
Date: 1940
Date: 1940
Date: 1940
Date: 1943
Note: score contains annotations
Note: scores dedicated and signed by the composer; copy 3 contains annotations
Edition: 1st ed.
Note: score dedicated and signed by the composer to the President of Uruguay
Edition: 3rd ed.
Note: score dedicated and signed by the composer to the President of Uruguay
Note: one score missing p. 18
Note: one score missing cover
Note: annex to magazine "Album y Correo Musical", Montevideo, February 16, 1897, Año 2, No. 47
Date: 1930
Date: 1931
Date: 1928
Date: 1928
Date: 1931
Date: 1929
Date: 1929
Date: 1929
Date: 1929
Note: this score is part of a Teatro Solís program, November 11, [1884]
Note: this score is part of a Teatro Solís program, November 13, [1884]
Note: hijo
Note: lyrics written on back cover; copy 1 stamped with the composer signature
Date: 1931
Note: stamped with the composer signature
Date: 1948
Published in: Avigliano
Note: band arr. by Luigi Caccavaio
Note: lyrics written on back cover
Date: 1924
Note: dedicated to the winners of 1924 Football Olimpics
Date: [1839-1840]
Ayestarán's note: "Donated by Duncan Sadí Baco;"
See also: L. A.: La Música en el Uruguay, Vol I, p. 575-586
Date: [1840-1847]
Ayestarán's note: "Acquired in the flea market, 1943;"
See also: L. A.: La Música en el Uruguay, Vol I, p. 718-38
Edition: 1st ed.
Note: transcribed by Juan Coppetti; Ayestarán's note: "Ediciones Mousqués - C - Montevideo"
Edition: 2nd ed.
Note: transcribed by Juan Coppetti; Ayestarán's note: "Ediciones Mousqués - C - Montevideo"
Ayestarán's note: "Very old edition, F. Lucca - E-flat - Milan"
Note: transcribed for children voices by M. C. F. (C), copy 2 contains annotations in pencil
Note: transcribed for children voices (C)
Note: transcribed for children voices; Ayestarán's note: "Ediciones Riet - C- Montevideo"
Ayestarán's note: "Ediciones Mousqués - E-flat - Montevideo"
Note: E-flat
Note: E-flat
Ayestarán's note: "Antonio Meliante Editor - E-flat - Montevideo, 1930"
Ayestarán's note: "arr. by Gerardo Grasso, Imprenta Nacional - B-flat -Montevideo, 1934," this is the official version approved by the Uruguayan Government on May 14, 1934
Ayestarán's note: "1st. edition[?], Wiegeland[?]"
Ayestarán's note: "2nd. edition, Jacobi y Dominico - F - Buenos Aires"
Ayestarán's note: "3rd. edition, Tito Ricordi - Fa - Milan."
Note: text on p. 2; Ayestarán's note: "Very old edition[?]- F-"
Ayestarán's note: "Gran Guía Estadística Sud-Americana -F- Montevideo 1896"
Ayestarán's note: "B. Schott -F- Mainz (For G. Behrens, Montevideo);" text on p. 2
Ayestarán note: "B. Schott -F- Mainz;" text on p. 2
Ayestarán note: "B. Schott -F- Mainz;" text on p. 2
Note: text on p. 2 (F)
Ayestarán note: "Arr. by Ferdinand Beyer -F- (For G. Behrens, Montevideo)"
Note: (F)
Ayestarán's note: "La Alborada, año VI, No 214 - F - Montevideo, Abril 20, 1902"
Note: text on p. 2, (F)
Ayestarán's note: "Ediciones Mousqués - F - Montevideo;" text on p. 2
Note: (F)
Note: text on p. 2, (F)
Note: text on p. 1, (F)
Note: orchestral arr. by Gerardo Grasso; copy 1 dedicated and signed by G.G.; Ayestarán's note: "G. Ricordi - E-flat - Milan"
Note: B-flat
Ayestarán's note: "Very old, belonged to Gerolamo Folle Collection, established in Montevideo ca. 1855 - D -"
Ayestarán's note: "Very old, belonged to Gerolamo Folle Collection, established in Montevideo ca. 1855 - D -"
Ayestarán's note: "Arr. by José Ma. López; Luis Filardi - G - Buenos Aires"
Ayestarán's note: "Arr. by José Ma. López; Luis Esteve - G - Montevideo"
Note: score contains fingerings and annotations in pencil
Ayestarán's note: "Antonio Meliante - E-flat - Montevideo, 1930"
Ayestrarán's note: "arr. B-flat by Benone Calcavecchia, Montevideo, July 16, 1948, printed Ricordi Americana, Bs.As."
Note: arr. by Juan Coppetti
Date: [1946]
Note: arr. by Luis Cluzeau-Mortet, 1954
See also: S. Salgado: Luis Cluzeau-Mortet, p. 183, p. 479
Note: arr. by Raúl L. Fossati
Note: centennial of the Uruguayan Anthem, Montevideo, 1845-July 12-1945
Note: It was an advertisemnt from La Madrileña (department store), 1830-Uruguay-1930
Published in: Paysandú
Ayestarán's note: "donated by Apolo Ronchi, Paysandú, 1947"
Note: Debali, José (son of F.J. Debali)
Ayestarán's note: "donated by Apolo Ronchi, Paysandú, 1947"
Date: 1897
Note: annex No. 14 to magazine "Vida Montevideana", October 3, 1897
Date: 1956
Note: Stamped with the composer signature
Date: May 1, 1871
Note: signed by the composer
Date: 1919
Note: signed Domingo Minghetti
Note: copy 1 with attached Italian-Spanish text, dedicated and signed by Domingo Dente
Note: dated and dedicated by the composer, Montevideo, 1928
Note: "Copied by Eulogio Santos, November 30, 1911"
Note: "Copied by Eulogio Santos, December 7, 1911"; attached cover of another piece.
Published in: Roma
Last p. note: "Armando Bacci [. . . ] copied, May 2, 1897"
Date: 1935
Note: stamped with the composer signature
Date: [1883]
Note: annex to magazine "Album Musical Uruguayo," Montevideo, October 24, 1896, No. 32
Note: part of magazine "Album Musical Uruguayo y El Correo Musical," Montevideo, November 16, 1896, Año 1, No. 35
Note: signed and dedicated by the composer to L.A.
Note: stamped with the composer signature
Note: stamped with the composer signature
Date: 1891
Note: text on verso
Date: 1954
Edition: 2nd ed.
Note: covers missing
Note: covers missing
Note: stamped with the composer signature
Note: stamped with the composer signature
Note: stamped with the composer signature
Date: 1937
Note: lyrics written on back cover
Date: 1928
Note: lyrics written on back cover
Edition: 7th ed.
Note: lyrics written on back cover
Edition: 2nd ed.
Date: 1935
Date: 1938
Note: lyrics written on back cover
Date: 1931
Date: 1926
Date: 1934
Date: 1936
Note: advertisement issue
Date: 1936
Ayestarán's note: "Acquired in "El librero de la feria," flea market, 1938"
Ayestarán's note: "Acquired in "El librero de la feria," flea market, 1938"
Ayestarán's note: "Acquired in "El librero de la feria," flea market, 1938"; 2-guitar arr. by Giuseppe Salvaterra
Published in: Montevideo
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Note: guitar arr. by G. Folle
Published in: Buenos Aires
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Note: arr. by Gerardo Grasso
Note: part of magazine "Album Platense", Montevideo, February 1, 1887
Note: copy 1 dedicated and signed by the composer
Note: copy 2 missing covers
Edition: 3rd ed.
Date: 1957
Date: 1957
Note: missing cover
Note: annex to magazine "Album Musical Uruguayo y El Correo Musical", Montevideo, October 8, 1896, Año I, No. 30
Note: copy 1 dedicated and dated by the composer; Dec. 12, 1911
Date: 1913
Note: arr. by F. Elpidio, the original composer is unknown
Date: 1957
Date: 1941
Date: [1896]
Note: copy 1 has fingerings in pencil
Note: lyrics written on back cover; copy 1 stamped with the composer signature
Note: scores stamped with the composer signature
Date: 1972
Date: 1948
Note: score contains fingerings in pencil
Date: 1932
Note: score contains fingerings in pencil
Date: 1938
Date: 1941
Ayestarán's note, signed and dated on score: "this work is the winner of the Department of Culture of Uruguay's Choral Music Competition, 1953"; Estrada entered both works under the pseudonym "Castalia".
Note: dedicated and signed by the composer "to my friend Ayestarán"
Date: 1952
Date: 1930
Note: dedicated and signed by the composer "to Lauro Ayestarán"
Date: 1930
Note: 2 p. only, signed and dated by the composer, Paris, January 1951
Date: 1957
Date: 1957
Note: arr. by A. Evangelisti
Note: dedicated, signed and dated by the composer, Buenos Aires, May 19, 1909
Date: March 3, 1957
Note: dedicated to L.A., signed by the composer
Includes:
Note: dedicated to L.A., dated and signed by the composer, Durazno, 1958
Note: signed by the composer
Note: dated by the composer, Durazno, November 24, 1960
Date: 1956
Note: "Revised by Roberto Lagarmilla"
Note: "Revised by Roberto Lagarmilla"
Date: 1954
Note: "Revised by Roberto Lagarmilla"
Date: [1928]
Note: with analysis of the score by L.A.
Date: 1928
Date: 1932
Date: 1932
Date: 1960
Note: score contains annotations
Date: 1955
Note: "Revised by Roberto Lagarmilla"
Date: 1938
Date: 1922
Date: 1928
Note: violin arr. by the composer
Date: 1937
Note: with pencil notes and signature by L.A.
Date: 1934
Note: copy 1 contains annotations
Note: copy 1 contains annotations, copy 2 missing cover and stamped with the composer signature
Note: original score is for guitar, piano arr. by the composer
Note: this score is part of the album "Latin-American Art Music for the piano" with works of 12 contemporary composers
Note: copy 2 is missing the violin part
Date: 1954
Date: 1955
Note: arr. for chorus a capella by Raúl H. Evangelisti
Date: 1941
Note: score contains annotations in pencil
Note: lyrics written on back cover
Note: donated to L.A. by P. Faget's grandson, composer Luis Cluzeau-Mortet
Note: signed by the composer; donated to L.A. by P. Faget's grandson, composer Luis Cluzeau-Mortet, 1946
Published in: Montevideo
Ayestarán's note: "Acquired at Librería Iguazú, February 27, 1965, for 10 cents"
Published in: Montevideo
Ayestarán's note: "Acquired at Librería Iguazú, February 27, 1965, for 10 cents"
Note: part of Album de la Sociedad Musical La Lira
Published in: Montevideo
Ayestarán's note: "Acquired at Librería Iguazú, February 27, 1965, for 10 cents"
Note: band arr. by Francisco Spinelli, Montevideo November 9, 1888
Note: lyrics written on back cover
Edition: 2nd ed.
Note: stamped with the composer signature
Note: stamped with the composer signature
Note: stamped with the composer signature
Note: stamped with the composer signature
Note: cover and 4 p. only
Note: copy 1 dedicated by the composer
Note: each piece is signed and dated by the composer, Santísima Trinidad, March 3, 4, 5, and 6, 1875
Note: signed by the composer
Note: dedicated by the composer
Date: 1903
Date: 1902
Note: copy 1 dedicated, dated and signed by the composer, Paysandú, August 14, 1902
Date: 1948
Note: dated and dedicated by the composer to L. Sambucetti, 1887
Note: dated and dedicated by the composer to L. Sambucetti, Paris, July 30, 1885
Note: dated and dedicated by the composer to L. Sambucetti, 1887
Date: [1914]
Date: 1910
Note: copy 1 contains annotations
Edition: 2nd ed.
Note: dated, signed and dedicated to L.A. by the composer, San José, May 2, 1940
Date: [1908]
Date: 1929
Note: one score dated, signed and dedicated to L.A. by the composer, San José, May 2, 1940
Note: stamped with the composer signature
Date: [1914]
Note: stamped with the composer signature
Date: [1917]
Note: stamped with the composer signature
Note: stamped with the composer signature
Note: stamped with the composer signature
Date: [1917]
Note: stamped with the composer signature
Edition: 3rd ed.
Edition: 15th ed.
Date: [1920]
Date: 1914
Note: stamped with the composer signature
Date: 1914
Note: stamped with the composer signature
Edition: 3rd ed.
Note: stamped with the composer signature
Note: guitar arr. by G. Folle
Published in: Montevideo
Note: guitar arr. by G. Folle
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Ayestarán's note: "donated by Erasmo Silva-Cabrera, July 4, 1957"
Note: Composer also known under the name: M. Font
Date: 1865
Date: [1896]
Date: 1878
Date: July 29, 1900
Note: transcription by V. Fortes
Date: 1955
Date: 1958
Date: 1924
Note: lyrics written on back cover
Date: 1941
Note: lyrics written on back cover; copy 1 dedicated by the composer to Prof. Juan Carlos Sabat Pebet
Note: dedicated by the composer to Prof. Juan Carlos Sabat Pebet
Note: signed by the composer
Date: [1892]
Note: part of magazine "Album Musical Centenario", Buenos Aires, No 2, contains photograph and a note about the composer
Note: signed by the composer
See also: El Alba (same work)
Note: part of magazine "Album musical Centenario", Buenos Aires, No 6
Date: 1918
Note: both copies signed by the composer
Edition: 2nd ed.
Date: [1910]
Note: copy 1 dedicated by the composer
Date: [1905]
Note: part of magazine "Revista Musical y Social"
Date: 1930
Published in: Montevideo
Note: signed by the composer; Ayestarán's note: "Acquired in the garage Linares, flea market, 1941"
Note: copy 1 has an attached dedicatory by the composer
Note: lyrics written on back cover
Date: 1927
Published in: Montevideo
Published in: Montevideo
Published in: Montevideo
Note: score in very poor condition; dedicated by the composer to Col. Lorenzo Latorre (Uruguayan dictator)
Published in: Minas
Note: score very frail
Note: missing covers
Date: 1905
Note: page of magazine "Montevideo", Año 1, No. 4, 30 June 1905
Date: 1902
Note: part of "Album Musical Centenario", contains photograph and biography of the composer
See also: Schoenard, Marcelo, Catalani, A., Stampanoni, Pilade, and Erbin-Arrieta, Jerónimo
Note: part of "Album Musical Centenario", No. 7
Date: 1878
Note: lyrics written on back cover
Date: 1934
Edition: 2nd ed.
Note: "the composer fought in this battle" [June 22-23, 1904]
Date: 1946
Date: 1950
Note: dedicated by the composer to L.A.
Date: [1950]
Edition: 2nd ed.
Date: [1926]
Date: [1925]
Date: 1935
Date: [1932]
Date: [1931]
Date: [1932]
Date: 1930
Date: 1958
Date: 1957
Date: 1957
Includes:
Date: 1957
Date: [1914]
Edition: 2nd ed.
Note: stamped with the composer signature
Note: stamped with the composer signature
Note: lyrics written on back cover
Note: lyrics written on back cover
Note: missing covers
Note: lyrics written on back cover
Note: guitar arr. by Gerolamo Folle; Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Note: brother of Tomás
Note: guitar arr. by Gerolamo Folle; Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Note: guitar arr. by Gerolamo Folle; Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Date: [1878]
Note: piano arr. by the composer; this is the first opera written in Uruguay
Date: 1875
Note: copy 3 missing covers
Date: 1928
Note: arr. by P. Girompini; annex to "Album Musical Uruguayo," Año 1, March 16, 1896, No 3
Edition: 2nd ed.
Note: selections from the opera, piano arr. by C. Giucci
Note: it is a 1-page fragment published in the magazine "Montevideo-Colón", 1892
Note: on the back cover list of faculty of Liceo Musical Franz Liszt
Date: 1960
Date: 1960
Note: signed and dated by the composer, Montevideo November 19, 1928
Date: [1928]
Note: p. 1 only, signed by the composer
Note: signed by the composer
Ayestarán's note: "Acquired in "El librero de la feria, 1938"
Ayestarán's note: "Acquired in "El librero de la feria, 1938"
Ayestarán's note: "Acquired in "El librero de la feria, 1938"
Ayestarán's note: "Acquired in "El librero de la feria, 1938"
Note: lyrics written on back cover
Date: 1924
Note: lyrics written on back cover
Date: [1867]
Note: score contains choreographic annotations
Note: padre
Note: lyrics written on back cover
Note: hijo
Note: dedicated, signed and dated by the composer, January 18, 1928; lyrics written on back cover
Note: part of magazine "Revista Uruguaya"
See also: copy 2 Verdi's Aida
Note: piano arr. by Galasso y Copetti
Note: annex to magazine "Revista Musical Ilustrada"
Note: annex to magazine "Revista Musical Ilustrada"
Note: annex to magazine "Revista Musical Ilustrada"
Note: annex to magazine "Revista Musical Ilustrada"
Note: annex to magazine "Revista Musical Ilustrada"
Note: annex to magazine "Revista Musical Ilustrada"
Note: piano arr. and lyrics by E. Gómez
Date: 1949
Note: dedicated to L.A., signed and dated by the composer: Salto, Sep. 30, 1954
Date: [1901]
Date: 1944
Note: copy 1 dedicated to L.A., signed and dated by the composer: June 6, 1945
Date: 1942
Date: 1943
Note: dedicated to L.A., signed and dated by the composer: July 29, 1943
Date: 1938
Note: dedicated to L.A., signed and dated by the composer: June 14, 1938
Note: dedicated to L.A., signed and dated by the composer: June 6, 1945
Date: 1951
Date: 1930
Date: 1932
Note: arr. by J. González
Note: arr. by J. González
Note: arr. by S. Arista
Note: arr. by J. González
Note: arr. by J. González
Note: arr. by J. González
Note: arr. by J. González
Note: arr. by J. González
Date: 1930
Date: 1915
Date: 1901
Note: score contains fingerings in pencil
Note: arranged by Arturo Napoleão
See also: Célèbre Tarantelle (same work)
See also: Grande tarantelle (same work)
Note: arranged by H. Kowalski
See also: Célèbre Tarantelle (same work)
See also: Grande tarantelle (same work)
Note: score contains only 1 mazurka
Date: 1857
Note: score contains fingerings
Note: arranged by C. Wachtmann for piano solo
See also: Célèbre Tarantelle (same work)
See also: Grande tarantelle (same work)
Note: score contains annotations
Note: from the album "Perles du pianiste"
Note: score contains fingerings
Note: score contains fingerings
Note: copy 2 missing pp. 11-13
See also: Les yeux créoles (same work)
Note: copy 1 contains fingerings
Note: arr. H. Rupp
Note: score printed in Montevideo
Note: same work as above
Note: copy 1 contains fingerings
Date: 1855
Note: part of an album, last page (21) only, other pages missing
Note: score contains fingerings; arr. A. Napoleão
Note: score contains fingerings
Note: score contains fingerings
Note: score contains fingerings
Note: arranged by F. Tárrega
See also: Ojos criollos (same work)
Note: copy 1 stamped with the composer signature
Note: cover stamped with the composer signature
Note: cover stamped with the composer signature
Note: annex to magazine "Revista Musical Ilustrada"
Note: dedicated by the composer
Note: dedicated by the composer
Published in: Paysandú
Ayestarán's note: "Donated by Apolo Ronchi, Paysandú, 1947"
See also: Pericón y mate amargo, same piece
Date: [1891]
Note: dedicated and signed by the composer
Date: [1864]
Note: piano arr. by the composer
Date: 1929
Edition: 3rd ed.
Note: lyrics written on back cover
Date: 1931
Note: part of a booklet related to the 1931 Carnival repertory of the troupe "Un real al 69"
Note: lyrics written on back cover; transcribed by O. Romanelli
Date: 1926
Edition: 4th ed
Date: 1929
Note: lyrics written on front cover
Date: 1928
Date: 1927
Date: 1930
Date: 1930
Date: 1930
Date: 1931
Date: 1925
Note: lyrics written on back cover
Date: 1927
Date: 1931
Note: part of a booklet related to the 1934 Carnival repertory of the troupe "Un real al 69"
Date: 1927
Date: 1927
Note: score contains musical emendations in pencil
Note: First Prize Carnaval competition, Montevideo 1932
Date: 1929
Date: 1929
Date: 1928
Date: 1892
Note: dedicated by the composer
Date: 1931
Note: copy 1 dedicated by the composer, copy 2 missing covers
Date: 1925
Edition: 3rd ed.
Date: [1901]
Note: part of magazine "Revista Uruguaya"
Note: missing cover
Note: annex to magazine "El Correo Musical," August 1896
Note: annex to magazine "Vida Montevideana" (No 19)
Edition: 3rd ed.
Note: copy 2 missing cover
Note: dedicated by the composer, copy 2 missing covers
Ayestarán's note: "Donated by Erasmo Silva-Cabrera, August 1, 1957"
Date: 1928
Date: 1935
Note: dedicated by the composer to Francisco Sambucetti
Date: 1940
Note: missing covers; score contains emendations in pencil
Edition: 2nd ed.
Note: dedicated, signed and dated by the composer, Montevideo, January 20, 1925
Note: simplified version by the composer
Note: arr. from Audran's operetta
Note: dedicated by the composer
Note: copy 2 covers only
Date: [1910]
Date: [1887]
Note: copy 1 dated and dedicated by the composer to Alejandro Uguccioni, Montevideo 1887
Note: simplified version and fingerings by the composer
Note: missing cover
Note: score contains annotations
Edition: 9th ed.
Edition: 10th ed.
Edition: 11th ed.
Date: 1939
Note: arr. by Gaspar Sagreras; missing covers
Note: arr. by Gaspar Sagreras
Date: 1953
Note: Gaspar Sagreras's version, arr. by Julio S. Sagregas
Date: 1956
Note: arr. for 1 or 2 guitars by Antonio Sinópoli
Edition: 2nd ed.
Note: dedicated by the composer
Note: part of "Revista Musical Ilustrada"
Note: copy 1 dedicated by the composer
Note: dated and dedicated by the composer, January 1930
Date: 1934
Note: dedicated by the composer to L.A.
Date: 1923
Note: dedicated by the composer to L.A.
Date: 1940
Note: dedicated by the composer to L.A.
Date: 1940
Note: dedicated by the composer to L.A.
Date: [ca. 1909]
Date: 1938
Date: 1933
Published in: Genoa
Includes: photocopy of the same
Note: dedicated, dated and signed by the composer to L. A. when he visited Ayestarán's studio in Montevideo, September 25, 1957
Note: copy 2 missing covers
Note: piano arr. by Luis Logheder, copy 2 missing cover
Note: part of magazine "Revista Musical y Social"
Date: [1903]
Note: annex to magazine "Revista Musical"
Edition: 2nd ed.
Note: lyrics written on back cover
Note: stamped with the composer signature
Date: [1951?]
Date: 1965
Date: January 1, 1924
Note: and 3 piano pieces by Navarrete, Magine, and Chopin
Note: score contains fingerings in pencil
Note: signed and dated by the composer, Montevideo, 1944-1945
Note: signed and dated by the composer, Montevideo, March 31, 1947; Ayestarán's note: "Acquired in "La cueva", July 25, 1957"
Date: 1943
Note: copy 2 missing covers
Includes: In riva al tago by P. Cesari ; Piano score. [missing covers]
Note: dedicated and signed by the composer
Note: copy 2 covers only
Date: March 30, 1877
Note: lyrics written on back cover
Note: score incomplete
Note (from L.A. in p. 2): "published probably in magazine "Mefistofeles," Buenos Aires, 1882"
Ayestarán's note: "donated by Telémaco Morales, in 1948"
Date: 1942
Date: 1942
Note: dedicated by the composer to L.A., signed and dated, February 18, 1950
Note: dedicated to Gerardo Grasso and signed by the composer
Note: hijo
Date: 1931
Ayestarán's note: "donated by Hugo Balzo, in 1949"
Date: 1958
Note: accordion arr. by Zhora Valles
Date: 1950
Date: 1931
Date: 1957
Date: 1957
Date: 1958
Note: accordion arr. by Zhora Valles
Date: 1958
Note: accordion arr. by Zhora Valles
Date: 1957
Date: 1958
Note: lyrics written on back cover
Note: lyrics written on back cover
Note: lyrics written on back cover
Note: lyrics written on back cover
Note: signed by the composer, text on back page
Published in: Montevideo
Ayestarán's note: "donated by Victoria Schenini de Belgeri, in 1950"
Note: printed cover
Note: printed covers
Note: dedicated to G. Grasso, signed and dated by the composer, August 11, 1911
Date: 1895
Note: piano arr. by Juan Llambías y Font, 4 copies dedicated and dated by the composer, 1882-1888
Date: 1958
Note: accordion arr. by Zhora Valles
Date: February 1883
Note: incomplete Vals band parts in ink
Note: signed by the composer
Date: 1942
Note: dated Montevideo, October 10, 1875
Note: stamped with the composer signature
Note: one score dedicated and signed by the composer
Note: cover with Miguel Fleta's photograph; words written on back cover
Includes: Hymne de Riego and Hymne Carliste
Published in: París
Published in: París
Note: signed and dated by the composer Montevideo, 1938; Ayestarán's note: "Donated by Roberto Lagarmilla in 1939"
Note: score has fingerings in pencil
Note: lyrics written on back cover
Note: dedicated by the composer
Note: both guitar arr. by Gerolamo Folle; Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Date: 1930
Note: stamped with the composer signature
Date: 1938
Date: [1916]
Note: hijo
Edition: 3rd ed.
Date: [1914]
Note: dedicated, signed and dated by the composer, Montevideo, August 1912
Edition: 3rd ed.
Date: 1953
Date: 1931
Date: 1935
Note: stamped with the composer signature
Date: 1954
Date: 1958
Ayestarán's note: "Acquired in the garage Linares, flea market, 1942"
Date: [1901]
Edition: 2nd ed.
Note: "operetta di Carlo Lombardo" based on Lehár's music
Note: lyrics written on back cover
Note: dedicated to "á son élève et ami Luis Sambucetti"
Note: piano arr. by G. Grossi; annex to magazine "Album y Correo Musical", March 1 and 8, 1897, No 49 and 50
Note: annex to magazine "Album Musical Uruguayo y El Correo Musical," Año 2, No 42, January 8, 1897
Note: copy 2 without cover
Date: 1912
Note: ms. contains a pencil note by Roberto Duque, author of the lyrics; "Massanet Goula, copista," dated September 1928; Ayestarán's note: "Acquired in the garage Linares, flea market, 1940"
Note: piano arr. by A. Libarona
Date: 1950
Note: same work as Glühwürmchen-Idyll
Date: January 12, 1893
Note: contains list of works
Date: 1911
Note: presumably this is an early sketch
Includes verso and p. 3 and 4:
Date: 1913
Note: presumably this is the final version
Date: July 3, 1896
Date: 1896
Date: 1986
Date: 1896
Verso: 1a. palabra (Cuarteto de cuerdas), Op. 6
Date: 1898
Published in: Pocitos
Date: 1898
Date: March 1, 1877
Date: May 20, 1878
Note: contains list of works
Date: July 14, 1878
Note: contains list of works
Date: October 1, 1878
Note: contains list of works
Note: covers missing
Date: 1894
Note: cover signed by the composer
Note: belong to a musical album, 1901
See also: Rosita
Note: part of magazine "La Revista Musical Uruguaya"
Note: covers missing
Note: part of magazine "Revista Uruguaya"
Note: dedicated to Giuseppe Oxilia
Note: copy 2 missing cover
Note: covers missing
Note: covers missing
Edition: 2nd ed.
Note: one score missing cover
Edition: 2nd ed.
Date: 1897
Note: annex to a magazine
Note: piano arr. by L. Logheder
Date: [1890]
Date: [1890]
Edition: 2nd ed.
Note: both scores missing covers
Note: annex to magazine "Album Musical Uruguayo," August 1, 1896, No 21
Note: signed by the composer
Note: dedicated to Giuseppe Oxilia
Note: part of magazine "La Revista Musical Uruguaya"
Note: scores missing covers
Date: 1924
Note: stamped with the composer signature
Edition: 9th ed.
Date: 1945
Date: 1945
Edition: 4th ed.
Date: 1945
Date: May 1849
Note: dedicated to Doña Manuelita de Rosas
Date: [1907]
Date: [1887]
Note: cover has composer name as E. Lowthian; p.[2-6]
Date: 1896
Date: April 19, 1899
Date: December 8, 1901
Date: [1910]
Note: lyrics written on back cover
Date: 1958
Ayestarán's note: "Composed by a gaucho in Tacuarembó, in 1896, copied by Juan Castillo in 1943"; included Ayestarán's copy
Date: [1914]
Note: copy 1 dedicated and signed by the composer; copy 2 missing covers
Note: stamped with the composer signature
Date: 1931
Date: 1952-1955
Date: 1955
Date: 1954
Date: 1954
Date: 1951-1955
Date: 1955
Date: 1955
Date: 1952
Date: 1911
Note: copy 1 dedicated to L. Sambucetti; copy 2 dedicated to Juan José Sambucetti, both signed by the composer
Date: [1917]
Date: 1949
Date: 1949
Note: score contains annotations
Note: signed and dated by the composer, Durazno, August 30, 1903
Date: 1948
Note: dedicated to L.A., signed and dated by the composer, Montevideo, September 23, 1956
Date: 1956
Note: copy 1 dedicated to L.A., signed and dated by the composer, Montevideo, September 23, 1956
Date: 1956
Note: copy 1 with lyrics attached, dedicated to L.A., signed and dated by the composer, Montevideo, September 23, 1956
Date: 1950
Note: photographs on cover
Date: 1949
Note: dedicated to L.A., signed and dated by the composer, Montevideo, October 1956
Date: 1949
Note: photograph on cover
Date: 1951
Date: 1947
Date: 1935
Date: 1948
Note: lyrics written on back cover
Date: 1935
Note: printed dedicatory to L.A., dedicated to L.A., signed and dated by the composer, Montevideo, August 1956
Date: 1956
Note: printed dedicatory to L.A.
Date: 1949
Date: 1956
Note: dedicated to L.A., signed and dated by the composer, Montevideo, October 1956
Date: 1953
Note: dedicated to L.A., signed and dated by the composer, Montevideo, May 10, 1954
Note: presumably a variation/arr. of the work of the same title
Date: 1954
Note: dedicated to L.A., signed and dated by the composer, Montevideo, June 1954
Note: dedicated to L.A., signed and dated by the composer, Montevideo, September 23, 1956
Date: 1949
Note: arranged by A. E. Marchales
Note: Brazilian song by unknown composer
Date: 1942
Date: 1949
Date: 1949
Date: 1951
Note: piano arr. by M. Saladino
Date: 1931
Date: 1936
Date: 1949
Date: 1928
Note: attached lyrics
Date: [1913]
Date: 1932
Date: 1947
Date: 1947
Date: 1945
Edition: 22nd ed.
Note: hijo
Note: copy 2 missing covers
Edition: 2nd ed.
Edition: 3rd ed.
Edition: 2nd ed.
Edition: 5th ed.
Edition: 3rd ed.
Date: 1955
Date: 1878
Date: 1951
Note: on back Mis ojos ciegos by José M. Contursi
Edition: 2nd ed.
Includes: 15 couplets by different composers
Note: same work as ¡Mimosa!; piano-vocal arr. by A. Ruiz
Date: [1917]
Note: same work as ¡Mimosa!; piano-vocal arr. by Eliseo Rodríguez
Note: annex to magazine "El Correo Musical", Montevideo, April 1, 1896
Note: part of magazine "La ilustración moderna"
Edition: [13th ed.?]
Note: part of magazine "La ilustración moderna"
Note: lyrics written on back cover
Note: stamped with the composer signature
Note: lyrics written on back cover
Note: copy 2 advertisement issue
Edition: 2nd ed.
Note: arr. by the composer on Rimsky Korsakoff's themes
Note: annex to magazine "El eco musical", No 1, año I, September 1, 1900
Date: 1955
Note: lyrics written on back cover
Date: [1930]
Date: 1910
Date: [1910]
Date: 1930
Note: printed by Ricordi & Co. (London) with English lyrics
Date: 1955
Date: 1957
Date: 1955
Note: arr. by N. Casuscelli
Date: 1955
Note: arr. by A. Sinópoli
Date: 1956
Note: simplified version by F. M. Díaz Loza
Note: part of the sainete La cumparsita; both covers are a collage of newspapers reviews on that sainete premiered in Buenos Aires, 1932
Note: lyrics written on back cover
Note: part of the sainete La cumparsita; both covers are a collage of newspapers reviews on that sainete premiered in Buenos Aires, 1932
Date: [1917]
Note: copy 2 is an advertisement issue
Note: part of the sainete La cumparsita; both covers are a collage of newspapers reviews on that sainete premiered in Buenos Aires, 1932
Date: 1931
Note: stamped with the composer signature
Note: part of the sainete La cumparsita; both covers are a collage of newspapers reviews on that sainete premiered in Buenos Aires, 1932
Date: 1956
Note: contains biography of the composer and photocopy of a letter from Ottorino Respighi
Note: cover by Rafael [Pérez] Barradas
Date: 1895
Note: one score dedicated and signed by the composer
Date: 1957
Date: 1957
Date: 1957
Date: 1958
Date: 1956
Date: 1956
Note: arr. by Jorge Warren
Date: 1958
Ayestarán's note: "Acquired in "Librería Sureda", 1948"
Ayestarán's note: "Acquired in "Librería Sureda", 1948"
Note: stamped with the composer signature
Note: annex to magazine "Album Musical Uruguayo y El Correo Musical", Año 2, No 44, Montevideo, January 24, 1897
Note: signed by the composer
Note: lyrics written on back cover
Note: lyrics written on back cover
Note: lyrics written on back cover
Edition: 3rd ed.
Note: lyrics written on back cover
Edition: 2nd ed.
Edition: 4th ed.
Edition: 5th ed.
Date: 1913
Note: covers missing
Date: [1906]
Note: dedicated to Julio Herrera y Obes, [1890]
Edition: 2nd ed.
Edition: 3rd ed.
Date: [1914]
Note: copy 2 missing covers
Date: 1899
Date: 1897
Date: [1931]
Note: dedicated to President Gabriel Terra
Note: copy 2 missing p. 6
Date: [1917]
Edition: 2nd ed.
Edition: 3rd ed.
Date: [1911]
Date: 1903
Edition: 3rd ed.
Edition: 2nd ed.
Note: copy 2 dated 1898, also missing covers
Note: Dedicated by the composer; front cover missing
Edition: 3rd ed.
Date: [1910]
Note: piano arr. by Gerardo Metallo
Note: dedicated "To my dear brothers Miguel, Angel María and Salvador Metallo"
Note: stamped with the "Sociedad taurina Curro Cúchares" seal
Note: both covers missing
Date: January 1908
Note: annex to magazine "El Correo Musical"
Date: [1907]
Edition: 6th ed.
Date: 1937
Note: dedicated by the composer
Date: 1899
Date: 1913
Date: 1952
Date: [1908]
Note: missing cover and p. 3-6
Edition: 5th ed.
Date: 1937
Note: arr. Nicodemo Casuscelli
Edition: 3rd ed.
Edition: 3rd ed.
Date: May 20, 1898
Note: in memoriam Cnel. Diego Lamas
Date: 1931
Note: lyrics on the back cover
Note: band arr. by Angel M. Metallo, signed and dated, Montevideo, January 17, 1892
Note: cover and p. 1 only
Date: [1906]
Edition: 2nd ed.
Edition: 3rd ed.
Note: arr. J. Sagreras
Edition: 2nd ed.
Note: dedicated and dated by the composer, Montevideo, January 11, 1918
Date: [1913]
Edition: 2nd ed.
Note: copy 2 missing covers
Edition: 6th ed.
Edition: 2nd ed.
Date: [1914]
Date: 1952
Note: arr. by Nicodemo Casuscelli
Date: 1953
Note: cover only
Note: part of magazine "Revista Musical Ilustrada", 1901
Ayestarán's note: "Acquired in the garage Linares, flea market, 1939"
Date: [1899]
Note: copy 2 missing covers
Date: [1907]
Note: missing p. 2-6
Date: [1903]
Note: score missing p. 7-8
Date: [1913]
Note: arr. G. Metallo
Note: arr. G. Metallo
Note: arr. G. Metallo
Date: 1951
Note: arr. G. Metallo
Date: 1954
Note: arr. G. Metallo
Edition: 2nd ed.
Date: [1911]
Edition: 2nd ed.
Edition: 3rd ed.
Note: copy 1 dedicated by the composer
Note: the Tres árboles battle was on March 17, 1897
Date: [1898]
Date: 1935
Date: 1953
Note: arr. Nicodemo Casuscelli
Date: [1903]
Date: 1950
Date: 1954
Date: 1954
Note: arr. Nicodemo Casuscelli
Edition: 2nd ed.
Date: [1909]
Edition: 2nd ed.
Note: missing back cover
Date: [1907]
Edition: 5th ed.
Note: annex to magazine "Vida Montevideana"
Note: missing both covers
Date: [1906]
Edition: 2nd ed.
Date: [1903]
Date: 1896
Ayestarán's note: "Donated by Alejandro Uguccioni, Abril 28, 1961"
Note: dedicated by the composer
Date: 1960
Date: 1961
Edition: 2nd ed.
Note: back cover missing
Edition: 3rd ed.
Note: score contains pencil annotations
Ayestarán's note: "Signed and dated by the composer, Montevideo, September 24, 1903; donated by Gustavo Adolfo Pérez"
Note: piano arr. by V. Miraglia
Note: annex to magazine "Album Musical Uruguayo", June 1, 1896, No 13
Note: missing cover and part of p. 1
Note: annex to magazine "El Correo Musical", August 1, 1896
Note: annex to magazine "El Correo Musical", July 16, 1896
Note: dedicated to President Idiarte-Borda; annex to magazine "Album Musical Uruguayo y El Correo Musical", Año 1, No 40, Montevideo, December 24, 1896
Note: part of magazine "La Revista Musical Uruguaya"
Date: 1930
Note: part of a magazine
Note: in memoriam Col. Diego Lamas
Note: piano arr. by F. de Mita
Edition: 5th ed.
Note: piano arr. by F. de Mita
Edition: 8th ed.
Note: piano arr. by F. de Mita
Edition: [9th ed.?]
Note: piano arr. by F. de Mita
Note: "Coro de los doctores", piano arr. by F. de Mita
Note: operetta's piano arr. by the composer
Note: operetta's piano arr. by the composer
Note: operetta's piano arr. by the composer
Note: operetta's piano arr. by the composer
Note: operetta's piano arr. by the composer
Note: annex to magazine "Album Musical Uruguayo", May 8, 1896, No 10, Año I
Note: E. Latzina (hijo)
Date: 1957
Date: [1900]
Ayestarán's note: "Acquired in the garage Linares, flea market, Abril 30, 1950"
Date: 1931
Date: 1931
Note: copy 1 has fingerings in pencil
Date: 1936
Date: 1961
Note: stamped with the composer signature
Date: 1930
Date: 1930
Note: advertisement score
Date: 1955
Note: lyrics written on back cover
Date: 1941
Note: contains composer and poet biographies
Date: 1941
Note: contains composer and poet biographies
Date: [1913]
Ayestarán's note: "Printed in 1883, according with a booklet written by the composer"
Ayestarán's note on copy 1: "Printed November 1894, according with a booklet written by the composer"; copy 2 missing cover
Note: part of magazine "Revista Musical Ilustrada"; Ayestarán's note on copy 1: "Printed February 1, 1896, according with a booklet written by the composer"
Ayestarán's note: "Printed December 21, 1885, according with a booklet written by the composer"
Ayestarán's note on copy 1: "Printed March 18, 1895, according with a booklet written by the composer"
Ayestarán's note: "Printed February 10, 1888, according with a booklet written by the composer"
Ayestarán's note on copy 1: "Printed 1884 1st. ed., according with a booklet written by the composer"
Ayestarán's note on copy 1: ["2nd. ed.?"]
Ayestarán's note on copy 1: "Printed August 1, 1885, according with a booklet written by the composer"
Ayestarán's note: "First edition printed October 1, 1884, according with a booklet written by the composer"
Edition: 2nd ed.
Note: part of magazine "El Indiscreto"
Date: [1906]
Note: covers missing
Note: copy 2 missing covers
Note: piano arr. by A. Walezky
Date: 1941
Note: contains composer and poet biographies
Date: 1929
Date: 1941
Note: contains composer and poet biographies
Date: 1932
Date: 1929
Date: 1929
Date: 1929
Date: 1929
Note: arr. from the original guitar score by C. Hontou Aguiar; it is part of a newspaper supplement
Note: from a page of the newspaper "Imparcial"
Note: on score "création Maurice Chevalier"
Date: 1948
Note: contains composer and poet biographies
Date: 1938
Note: lyrics by Estrella Genta; contains composer and poet biographies
Date: May 25, 1927
Note: 1 p. fragment; signed by the composer
Date: 1947
Note: signed by the composer; Ayestarán's note: "donated by Tomás Mujica, 1951"
Date: 1940
Note: signed by the composer
Note: signed by the composer, dedicated to Gerardo Grasso
Date: 1929
Date: 1938
Note: contains composer and poet biographies
Date: 1929
Note: both copies have fingerings in pencil and ink
Date: 1938
Date: [1914]
Note: stamped with the composer signature
Date: 1956
Note: guitar arr. by D. Prat
Note: stamped with the composer signature
Date: 1931
Note: stamped with the composer signature
Note: stamped with the composer signature
Date: 1930
Date: 1951
Date: 1951
Ayestarán's note: "From magazine "Navidad", December 25, 1899"
Date: [1924]
Date: [1860]
Note: "à mon amie L. M. Gottschalk"
Date: 1932
Note: part of magazine "Album Musical Uruguayo", No 9, May 1, 1896
Note: Also: Minuetto by J.B. (Giambattista) Grazioli
Note: part of "Revista Uruguaya", 1901
Note: annex to magazine "El Correo Musical", No 11, August 1896
Note: part of magazine "Revista Musical Ilustrada"
Date: [1896]
Note: part of magazine "Revista Musical"
Date: [1917]
Note: lyrics attached
Edition: 2nd ed.
Edition: 3rd ed.
Date: 1961
Date: 1961
Note: lyrics written on back cover
Published in: Montevideo
Note: parchment[?] with printed ornamental framing
Ayestarán's note: "Acquired in El librero de la feria, 1939"; dedicated to soprano Marietta Mollo
Note: signed and dated by the composer, Durazno, March 20, 1908
Note: signed by the composer
Note: stamped with the composer signature
Note: contains French-Spanish lyrics
Note: attached L.A. catalogue cards (2)
Note: piano arr. by B. Obeso
Edition: 2nd ed.
Note: arr. by B. Obeso; attached L.A. catalogue card
Note: missing covers
Date: 1912
Note: attached L.A. catalogue card
Date: 1937
Note: dedicated to L.A., dated and sugned by the composer, June 22, 1938
Date: 1925
Note: score contains annotations
Date: [1882]
Note: dedicated by the composer to A. Uguccioni, dated Montevideo, July 1882
Note: lyrics by Estrella Genta; contains composer and poet biographies
Note: band arr. by Domenico Gatti
Note: arr. by P. A. Iparraguirre
Edition: 2nd ed.
Date: [1930]
Note: lyrics written on back cover
Edition: 3rd ed.
Date: 1935
Note: dedicated by the composer
Date: 1958
Edition: 2nd ed.
Note: copy 1 dedicated and signed by the composer and lyricist
Note: "Chief of music in Pescara; January 24, 1876"
Note: lyrics written on back cover
Note: copy 1 with enclosed letter from the publisher, 1908
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Note: copy 1 dedicated, dated and signed by the composer, January 3, 1918; copy 2 missing covers
Date: 1917
Note: dedicated and signed by the composer
Date: 1912
Note: lyrics written on back cover
Note: dedicated by the composer to Luis Sambucetti, dated Montevideo, July 7, 1917
Ayestarán's note: "Donated by Enrique Herrera-Lerena, 1944, who acquired it in Milan c.1917"
Note: covers missing
Note: missing cover
Published in: Avigliano
Published in: Avigliano
Note: dedicated and signed by the composer
Note: lyrics written on back cover
Note: missing covers
Date: 1865
Note: score contains emendations
Note: hijo
Date: 1953
Date: 1925
Note: lyrics written on back cover
Note: by J. D. Arocep E. (Pécora)
Edition: 3rd ed.
Date: [1925]
Note: lyrics written on back cover
Note: fingerings by E. Pujol; composer signature on last page
Date: 1931
Note: fingerings by E. Pujol; dedicated to Andrés Segovia
Note: fingerings by E. Pujol; dedicated to Emilio Pujol
Note: fingerings by M. Llovet; dedicated to Miguel Llovet
Date: 1925
Note: supplement to La révue musicale, Paris, July 1, 1925
Note: fingerings by E. Pujol
Note: part of magazine "Album Musical Orfeo", May 1918; album contains biographical note on the composer and scores of Gluck, Vázquez and Mendoza
Date: 1932
Date: 1930
Date: 1947
Note: Signed and dated by the composer
Date: 1949
Edition: 2nd ed.
Note: stamped with the composer signature
Note: contains emendations; missing covers
Note: missing back cover
Note: arr. by O. Pérez-Freire
Edition: 2nd ed.
Date: 1955
Date: 1954
Published in: Brescia
Note: lyrics written on back cover
Includes: Ms. violin part in pencil
Date: [1930]
Date: 1935
Date: 1931
Note: score has fingerings in pencil
Note: copy 1 dedicatory signed and dated by the composer, Montevideo, May 1912
Date: 1957
Date: 1951
Includes: A los campeones olímpicos, 1924-1928, marcha
Date: 1932
Date: 1961
Date: 1956
Note: signed by the composer
Date: 1922
Note: copy 2 contains Loin du bal (Lejos del baile) by Julio Bellucci; part of magazine "Album Musical Uruguayo", No 11, May 16, 1896
Date: 1949
Date: 1950
Note: from magazine "Revista Musical"
Edition: 2nd ed.
Date: [1897]
Note: copy 2 missing covers
Note: copy 1 dedicated and signed by the composer
Note: copy 1 dedicated, dated and signed by the composer, July 10, 1887
Note: drawing in ink-watercolor by the composer on cover
Ayestarán's note: "Donated by Juan E. Pivel-Devoto, belonged to José Enrique Rodó's family"
Note: part of magazine "Montevideo-Colón"
Ayestarán's note: "Donated by Juan E. Pivel-Devoto, belonged to José Enrique Rodó's family"
Note: piano arr. by Juan Savini, Montevideo, July 23, 1883; Ayestarán's note: "Donated by Juan E. Pivel-Devoto, belonged to José Enrique Rodó's family"
Ayestarán's note: "Donated by Juan E. Pivel-Devoto, belonged to José Enrique Rodó's family"
Edition: 3rd ed.
Edition: 4th ed.
Note: copy 1 dedicated by the composer
Date: 1953
Note: lyrics written on back cover
Ayestarán's note: "From an album dated February 1, 1914"
Date: 1949
Note: guitar arr. by Adela del Valle
Date: 1955
Note: guitar arr. by Adela del Valle
Date: [1905]
Note: cover missing
Edition: 5th ed.
Edition: 5th ed.
Date: [1928]
Date: 1954
Date: 1941
Note: part of booklet The University Society Inc., publishers
Note: part of magazine "El Correo Musical"
Date: [1874]
Note: cover and p. 1 only
Date: 1927
Note: lyrics written on back cover
Note: dedicated, dated and signed by the composer, May 8, 1912
Date: 1956
Date: 1956
Date: 1957
Date: 1955
Date: 1955
Date: 1955
Date: 1956
Note: lyrics written on back cover; accordion piano arr. by Domingo di Vito
Date: December 2, 1872
Note: poem attached
Note: hijo
Note: part of "Album Muscial Centenario", Buenos Aires, No 2
See also: 2ème. valse Boston
See also: Deuzième valse Boston
Note: cover missing
Date: 1896
Note: covers missing
Note: arr. from the operetta "Il buffo" by César Freire
Note: annex to magazine "Album Musical Uruguayo", March 1, 1896, No 1
Note: part of magazine "Nuevo Mundo", May 14, 1920
Note: score dedicated by the composer
Edition: 2nd ed.
Edition: 3rd ed.
Date: 1942
Note: contains poem and biographies of composer and poet
Note: dedicated, signed and dated by the composer, Montevideo, November 12, 1910
Note: signed by the composer
Note: signed and dated by the composer, Montevideo, July 15, 1907; Ayestarán's note: "Donated by Virgilio Scarabelli, 1953"
Note: piano arr. by Juan Galasso
Date: 1927
Date: 1927
Note: cover in ink and watercolor[?]
Note: signed and dated by the composer, Montevideo, July 6, 1896; Ayestarán's note: "Acquired in the garage Linares, flea market, 1939"
Date: 1924
Note: lyrics written on back cover
Date: 1886
Note: copy 2 missing cover
Ayestarán's note: "Donated by Francisco Oliveras, November 5, 1954"
Note: annex to magazine "Album Musical"
Note: dedicated and signed by the composer
Note: signed by the composer; Ayestarán's note: "Donated by Virgilio Scarabelli, 1953"
Note: it is a 1 p. fragment published in the magazine "Montevideo-Colón", 1892.
Note: it is a 1 p. fragment published in the magazine "Montevideo-Colón", 1892.
Note: guitar arr. by Gaetano Porta; Ayestarán note: "Acquired in El librero de la feria, 1938"
Note: signed by the composer
Note: signed by the composer
Note: dedicated by the composer
Date: 1911
Date: 1898
Date: 1958
Ayestarán's note: "Donated by Mr. Octavio C. Assunçao, December 24, 1959"
Note: active 1837-1843
Date: [1869]
Ayestarán note: "Acquired in El librero de la feria, 1938"
Date: 1926
Edition: 1st ed.
Edition: 3rd ed.
Published in: Caposele
Ayestarán's note: "Donated by Mr. Rey. . ."
Date: 1956
Date: 1952
Date: 1939
Note: contains biographies of poet and composer
Date: 1941
Note: contains biographies of poet and composer
Date: 1937
Note: contains biographies of poet and composer
Date: 1960
Date: 1941
Note: contains biographies of poet and composer
Note: annex to magazine "El Correo Musical", No 7, Montevideo, Julio 24, 1896
Date: 1911
Note: copy 1 dedicated to Gerardo Grasso and signed by the composer
Date: 1911
Date: 1931
Date: 1927
Date: 1931
Date: 1931
Date: 1932
Note: lyrics written on back cover, copy 1 contains annotations
Note: lyrics written on back cover
Date: 1930
Date: 1930
Date: 1946
Note: dedicated and signed by the composers
Note: lyrics written on back cover
Note: annex to magazine "Album Musical Uruguayo", September 1, 1896, No 25, also Maria de Warden by Pietro Abba-Cornaglia
Date: 1954
Note: piano arr. by F. Romero
Date: [1929]
Date: 1955
Note: in collaboration with Celia Gaggero Robledo
Date: 1949
Note: contains plot, dedicated by the composer to L.A., Paysandú, 1951
Note: copy 1 dedicated by the composer to L.A., Paysandú, 1947
Date: 1942
Note: copy 1 dedicated by the composer to L.A., Paysandú, 1944
Note: copy 1 dedicated by the composer to L.A., Paysandú, 1943
Date: 1950
Note: dedicated by the composer to L.A.
Note: dedicated by the composer to L.A., Paysandú, 1944
Date: 1948
Note: copy 1 dedicated by the composer to L.A.
Date: 1950
Note: copy 1 dedicated by the composer to L.A., Paysandú, 1950
Date: 1946
Note: dedicated by the composer to L.A., Paysandú, 1946
Date: 1956
Note: dedicated by the composer to L.A., May 16, 1957
Date: 1947
Note: contains the plot of the game; dedicated by the composer to L.A., Paysandú, July 25, 1947
Date: 1934
Note: dedicated by the composer to L.A., Paysandú, August 10, 1945
Date: 1936 and 1941
Note: contains libretto and cast of characters
Note: dedicated by the composer to L.A., Paysandú, 1943
Note: dedicated by the composer to L.A., Paysandú, 1947
Date: 1929
Date: 1925
Date: 1930
Date: [1895]
Note: annex to magazine "Montevideo Musical"
Note: lyrics written on back cover
Note: annex to magazine "Album Musical"
Note: annex to magazine "Album Musical"
Note: annex to magazine "Album Musical"
Ayestarán note: "Acquired in El librero de la feria, 1938"
Ayestarán's note: "Acquired in El librero de la feria, 1938"
Ayestarán note: "Acquired in El librero de la feria, 1938"
Note: guitar arr. by Luigi Legnani; Ayestarán's note: "Acquired in El librero de la feria, 1938"
Ayestarán's note: "Acquired in El librero de la feria, 1938"
Ayestarán note: "Acquired in El librero de la feria, 1938"
Date: 1896
Ayestarán's note: "From an album dated 1901"
Date: [1837]
See also: L. A.: La Música en el Uruguay, Vol. I, p. 551-58, 642-3
Date: 1935
Note: arr. by M. Salsamendi
Note: score contains emendations
Date: 1919
Date: 1957
Note: with the composer signature (complete set) donated to L.A. by Adolfo Fabregat, in 1953
Note: son of L. S., Sr.
Note: p. 1 only
Note: "Dedicato al mio caro fratello Luigi da Giovanni J. Sambucetti" [Dedicated to my dear brother Luis by Juan J. Sambucetti], dated Montevideo, May 14, 1886
Date: 1930
Note: dedicated to different pupils
Note: dated Montevideo 1905
Note: on the cover L. Sambucetti (hijo)
Note: one score signed, dated March 7, 1890, and dedicated by the composer to Dr. F. de Mita[?]
Date: 1930
Edition: 1st ed.
Date: 1955
Date: 1936
Date: 1927
Date: 1940
Note: it is a page from the magazine "Montevideo Musical" supplement June 1, 1891
Edition: 2nd ed.
Note: only cover p., other missing
Note: from Sambucetti's arrangement of the National Anthem in 1906
Note: this 2-p. piece is published in the magazine "Montevideo-Colón", 1892
Edition: 2nd ed.
Date: 1940
Note: 1 score with violin part incomplete
See also: Tarantela, it is the same piece with insignificant modifications
Date: 1938
Note: stamped with the photographer signature, dated 1895
Edition: 2nd ed.
Date: 1928
See also: Pequeña tarantela
Date: 1938
Note: it is the Tarantela for violin and piano
Edition: 2nd ed.
Note: it is a page from an Argentinean magazine, annotations, Italian words and signature by the composer; on the back, first page of "Capricho de concierto" by Pilade Stampanoni
Note: it is a bilingual version French/Italian text
Note: contains dedicatory written and signed by the composer "To distinguished violinist A. Uguccioni, L. Sambucetti"
Date: 1936
Note: dated Montevideo, October 31, 1898; almost all Luis Sambucetti, Sr. holographs were donated to L.A. by violinist Adolfo Fabregat, grandson-in-law of the composer, in Montevideo, November 11, 1953
Note: dedicated to the Judge Dr. D. Gonzalez, signed and dated by the composer Montevideo, 21 April 1879
Note: dated July 1902, and signed Luis Sambucetti (padre)
Note: dedicated to Miss Esmeralda Bagattini Orlandi, signed and dated by the composer Montevideo, November 1897
Note: in copy 1 "Approved by the Committee of Sacred Music," signed by Fr. Augusto Rey, President
Note: dated Montevideo, 5 September 1898; Ms. copied by J. Sambucetti
Note: dedicated to A. Uguccioni and written for the Società Corale Italiana di Montevideo, September 20 1898, signed by the composer
Date: 24-9-1867
Note: attached holograph orchestra parts, arr. G. Silva, 17-6-1871
Note: dedicated by the composer to Dr. J. M. Gimenez; stamped LS on each page
Note: arr. by Gerardo Grasso signed and dated, Montevideo, June 1898 by Grasso
Date: 1897
Date: February 1898
Note: dated Montevideo, June 27, 1897
Note: dedicated "To the gracious young girl Giuseppina Diaz"
Note: handwritten note by the composer dated 1912, glued to the cover
Note: dated Montevideo, August 10, 1897
Note: dated Montevideo, February 1898
Note: dedicated "To my friend professor Carlo Strazzarino"; initialed by the composer
Date: 1913
Note: composed for the Verdi Centennial for a concert at the Instituto Verdi, in Montevideo, October 13, 1913
Note: "One part only, souvenir of my youth, year 1857;" handwritten in Italian by the composer and signed and dated by him
Note: dated Montevideo, August 1899
See also: Piccola fantasia, it is the same work
See also: Piccola fantasia, it is the same work
See also: Piccola fantasia, it is the same work
See also: Piccola fantasia, it is the same work
See also: Piccola fantasia, it is the same work
See also: Morir pensando en Dios, and Piccola fantasia, they are the same work
See also: Morir pensando en Dios, and Piccola fantasia, they are the same work
Date: 1898
Note: one of the scores has a handwritten poem by the composer, presumably for a future vocal-piano version
Date: 1940
Note: dated December 29, 1882
Note: dated 1903-21 May-1906
Note: dedicated to Sociedad Filármonica de la Paz; January 5, 1879
Note: dated Montevideo September 15, 1898
Note: dated Montevideo, August 1, 1898
Note: "Composed at the 1872 Carnival, Montevideo, February 11"
Note: "Composed and dedicated to my beloved friend D. Gonzalez", 11-1-1877"
Note: text and dedicatory ms. by the composer
Note: dedicated by "Il nono" [the grandfather] to his granddaughter, Montevideo, May 21, 1903
See also: Morir pensando en Dios and Murió pensando en Dios, they are the same work
See also: Morir pensando en Dios and Murió pensando en Dios, they are the same work
See also: Morir pensando en Dios and Murió pensando en Dios, they are the same work
Note: dated Montevideo September 27, 1898
Note: dated October 31, 1903
Note: dedicated to members of the "Reggimento Libertá"
Note: dated Montevideo, November 1897
Note: signed by the composer
Note: dated Montevideo, November 2, 1898
Note: "Dedicated to my friend and distinguished violinist A. Uguccioni; Carnival 1874, Feb. 17, Montevideo"
Note: "To my friend and distinguished violinist A. Uguccioni; Carnival 1874, Feb. 17, Montevideo"; this holograph was given to L.A. by Alejandro Uguccioni, the violinist's nephew, on April 28, 1961
Note: dated September 25, 1898
Note: dated Montevideo, May 20, 1898
Note: dated Montevideo, June 1906
Note: copyist's parts in ink
Note: dedicated Società Corale di Montevideo, dated Montevideo, September 4, 1898
Note: piano arr. by R. Sánchez-Allú
Note: piano-vocal arr. by R. Sánchez-Allú
Note: piano arr. by R. Sánchez-Allú
Note: piano arr. by R. Sánchez-Allú
Note: piano arr. by R. Sánchez-Allú from maestro Barbieri original
Note: piano arr. by R. Sánchez-Allú
Date: [1918]
Date: 1940
Edition: 3rd ed.
Date: 1926
Note: lyrics written on back cover
Note: dedicated and signed by the composer on back cover
Date: 1941
Date: 1944
Note: dedicated to L.A., dated and signed by the composer, 1937
Date: 1939
Date: 1935
Note: dedicated to L.A., dated and signed by the composer, 1932
Date: 1918
Date: 1931
Note: piano-violin arr. by G. Santórsola
Note: original melody by Humberto Giampietro; copied by Alicia M. López; signed by G. S.
Note: title on the hand painting cover: Angelica, vals, Op. 2
Date: August 31, 1911
Note: hand painting cover
Ayestarán's note: "published in La Tribuna Popular, Montevideo, March 2, 1903"
Note: annex to magazine "La Ilustración Uruguaya", August 1904
Note: annex to magazine "La Alborada", Año VI, No 250, December 28, 1902
Date: 1899
Date: [1900]
Date: [1906]
Note: copy 1 and 2 dedicated and signed by the composer
Date: [1901]
Note: missing covers
Ayestarán's note: "published Montevideo, 1899"
Note: part of magazine "Rojo y Blanco", Año II, No 29, Montevideo July 14, 1901
Ayestarán's note: "published June 1907"
Published in: Montevideo
Note: part of magazine "La Alborada", Año V, No 158, Montevideo, March 24, 1901
Ayestarán's note: "published 1903"
Date: 1938
Date: 1911
Note: signed by the composer
Note: signed by the composer
Date: 1944
Note: guitar arr. by I. Savio
Date: 1959
Date: 1955
Note: dedicated to L.A., dated and signed by the composer, Montevideo, July 19, 1960
Date: 1958
Note: signed by the composer
Note: signed by the composer
Date: 1936
Edition: 1st ed.
Note: signed by the composer
Date: 1959
Note: guitar arr. by I. Savio
Note: guitar arr. by I. Savio
Date: 1958
Date: 1959
Date: 1945
Date: 1936
Note: copy 2 missing covers
Date: [1891]
Date: [1895]
Ayestarán's note: "from an album published 1901"
Note: copy 2 missing covers
Note: dedicated to José Uguccioni and signed by the composer
Date: September 26, 1893
Note: copy 2 missing covers
Note: lyrics written on back cover
Note: dedicated and signed by the composer
Date: 1929
Date: 1940
Note: lyrics by Luis Feliú, S.J.; contains composer and poet biographies
Date: 1938
Note: lyrics by Estrella Genta; contains composer and poet biographies
Note: annex to magazine "Album Musical Uruguayo", April 1, 1896, No 7, also Andante by Víctor Grondona
Note: lyrics written on back cover
Date: 1956
Note: missing covers
Note: missing covers
Ayestarán's note: "Donated by Enrique Herrera-Lerena, 1944, who acquired it in Milan c.1917"
Note: lyrics written on back cover
Note: dedicated to Juan José Sambucetti, signed and dated by the composer, Bergamo, June 3, 1910
Note: copy 2 missing covers
Date: 1944
Note: dedicated to L.A., signed and dated by the composer, April 1944
Includes:
Date: 1876
Note: annex to "Album de la Sociedad Musical La Lira"
Date: 1954
Note: copy 1 dedicated to L.A., signed and dated by the composer, Philadelphia, May 1957
Date: 1940
Note: part of magazine "El Mundo Ilustrado"; Ayestarán's note: "¿Cayetano de Silva?"
Date: [January 1, 1902]
Note: copy 2 missing p. 5 and back cover
Date: 1954
Date: 1953
Note: guitar arr. by A. Sinopoli
Note: annex to magazine "Album Musical Uruguayo" and "El Correo Musical", Año I, No 36, Montevideo, November 24, 1896
Date: 1892
Date: 1954
Note: copy 1 dedicated by the composer
Note: arrangement of Franz Schubert's Lob der Tränen, Op. 13, No 2
Note: handwritten dedicatory to Luis Sambucetti, signed by the composer and dated in Paris, May 15, 1886
Note: arr. by H. Smiles
Note: dedicated by the composer to Gerardo Grasso, signed and dated, May 16, 1905
Ayestarán's note: "Donated by Alfredo Pignalosa, August 10, 1957"
Date: 1940
Date: 1954
Date: 1952
Date: [1842]
Note: also: Varsoviana and Minue by Dionisio Aguado
Note: Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Edition: 2nd ed.
Note: missing back cover
Date: 1911
Date: 1910
Note: lyrics written on back cover
Note: part of "Album Musical Centenario", Buenos Aires, No 6
Note: part of "Album Musical Centenario", Buenos Aires, No 2
Note: part of "Album Musical Centenario", Buenos Aires
Note: part of "Album Musical Centenario", Buenos Aires, 1910, No 5
Note: part of "Album Musical Centenario", Buenos Aires, No 7
Note: contains also Piriápolis, vals (p. 1-12)
Note: annex to "Album Musical Uruguayo", Montevideo, September 8, 1896, Año 1, No 26
Date: 1913
Note: piano arr. by E. Strauss
Note: piano arr. by E. Strauss
See also: La curiosidad, polka and Las magnolias, danza
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Other titles: Wals
Date: 1892
Date: 1930
Date: [1897]
Note: dedicated, signed and dated by the composer, Buenos Aires, July 5, 1914
Edition: 3rd ed.
Note: signed and dedicated by the composer, Buenos Aires, December 15, 1899
Note: Composer also known under the name: Giuseppe, Joseph
Note: active since c.1870
Date: 1904
Note: dedicated and dated by the composer, Montevideo, August 18, 1909
Note: score dedicated to composer Alberto Williams
Note: dedicated and dated by the composer, Buenos Aires, July 8, 1905
Note: dedicated and dated by the composer, Buenos Aires, March 3, 1901
Note: dedicated and dated by the composer, Buenos Aires, February 28, 1906
Note: dedicated and dated by the composer, Buenos Aires, October 1, 1905; p. 1-2 missing
Note: dedicated and dated by the composer, Buenos Aires, January 1, 1903
Note: Due divertimenti per piano-forte
Note: dedicated and dated by the composer, Buenos Aires, February 22, 1910
Note: dedicated and dated by the composer, Buenos Aires, January 29, 1900
Edition: 3rd ed.
Note: copy 1 dedicated and dated by the composer, Buenos Aires, June 19, 1904
Note: copy 1 dedicated to Luis Sambucetti, dated and signed by the composer, Montevideo, April 19, 1909
Edition: 4th ed.
Note: missing covers
Note: copy 1 dedicated and dated by the composer, Buenos Aires, February 24, 1901
Note: dedicated and dated by the composer, Buenos Aires, June 19, 1903
Note: dedicated and dated by the composer, Montevideo, April 7, 1908
Date: 1950
Note: lyrics written on back cover
Date: 1941
Note: band arr. by Juan Galasso; Montevideo, July 1883
Note: annex to magazine "Album Musical Uruguayo", March 8, 1896, Año 1, No 2
Edition: 14th ed.
Note: missing covers and p. 5
Date: 1929
Note: dedicated and signed by the composer
Note: band arr. and instrumentation by Gerardo Grasso
Published in: Montevideo
Note: signed by both composers
Note: cover and p. 1 only
Note: copy 1 dedicated and signed by the composer; copy 2 missing covers
Note: this is a variation of ¡Alemana...!
Edition: 2nd ed.
Edition: 4th ed.
Date: 1907
Note: stamped with the composer signature
Note: stamped with the composer signature
Note: stamped with the composer signature
Date: [1889]
Note: stamped with the composer signature
Note: composer signature on cover
Note: composer signature on cover, 1907
Note: Valverde (hijo)
Note: piano-vocal arr. by Angel Bertolini
Note: piano-vocal arr. by Angel Bertolini
Date: 1932
Date: 1931
Note: 12 p. brochure carnival 1931; contains other lyrics
Note: work written under the pseudonym "Josué", presumably to present to a musical competition
Note: same work piano-vocal version
Date: 1947
Note: part of magazine "Credo", Montevideo, Año III, No 29, Dec 29, 1941
Note: signed by the composer
Date: 1885
Date: 1935
Note: stamped with the composer signature
Note: French lyrics
Note: dedicated, signed and dated by the composer, Montevideo, April 26, 1901
Note: annex to magazine "Album Musical", No 3
Note: advertisement tango
Note: copy 1 contains fingerings in pencil
Date: 1903
Note: Composer also known under the name: Giuseppe, Joseph
Note: copy 1 dedicated by the composer
Note: annex to magazine "Vida Montevideana", No 43
Note: part of "Album Musical Uruguayo", Año 1, No 38, December 8, 1896
Note: part of magazine "La Revista Musical Uruguaya"
Note: copy 1 dedicated by the composer
Note: p.1-12 only
Ayestarán's note in copy 1: "printed before 1873 (catalogue)"
Note: copy 1 dedicated by the composer
Note: copy 2 missing p. 3-6
Note: annex to magazine "Vida montevideana", No 23
Note: copy 1 dedicated by the composer
Note: annex to magazine "Vida montevideana", No 27, January 2, 1898
Ayestarán's note: "Acquired in the garage Linares, flea market, 1941"
Date: 1958
Note: dedicated to L.A., signed and dated by the composer, San José, August 21, 1959
Note: contains fingerings in pencil
Date: 1930
Date: 1925
Note: dedicated by the composer; 1932
Date: 1929
Date: 1911
Note: Composition attributed to: Pepe y Nicolás
Date: 1912
Note: General José R. Usera; Major Nicolás Bonomi
Date: 1914
Note: page from magazine "Atlántida", Sep 11, 1919
Note: arr. by A. S. Arista
Edition: 2nd ed.
Note: arr. by T. Múgica
Note: accordion arr. by Raúl L. Fossati
Date: October 14, 1894
Date: 1956
Date: 1956
Note: annex to magazine "Album y Correo Musical", Año 2, No 46, February 8, 1897
Note: lyrics written on back cover
Date: May 1, 1876
Date: 1929
Date: 1930
Note: lyrics written on back cover
Date: 1931
Note: lyrics written on back cover
Includes: p. 2: Toni della chittarra
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Date: 1945
Note: text by Walter H. Genta
Includes: All'armi! All'armi!", himno de Garibaldi
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Date: 1926
Note: stamped with the composer signature
Date: 1955
Note: attached advertisement flyer
Note: dedicated and signed by the composer
Note: lyrics written on back cover
Note: attached pencil notes
Includes: [p. 2-4] Vals para pianoforte by Manuel Marty
Note: arr. by A. G. Villoldo
Date: [1912]
Date: [1912]
Ayestarán's note: "1st. ed. Silva Cabrera, Buenos Aires, 1906"
Note: missing covers
Date: [1912]
Date: [1912]
Date: [1908]
Note: annex to magazine "Album Musical Uruguayo", April 8, 1896, Año 1, No 6
Date: 1917
Ayestarán's note: "Acquired in the garage Linares, flea market, 1940"
Date: [1896]
Note: missing p. 1-4
Date: 1954
Note: lyrics written on back cover
Note: arr. by Arturo S. Senez
Ayestarán's note: "Donated by Alejandro Uguccioni, April 28, 1961"
Note: La rosa by J. Goula
Note: arr. by B. A. Yantorno
Note: score contains emendations
Note: stamped with the composer signature
Edition: 2nd ed.
Note: score contains emendations
Edition: 2nd ed.
Note: "Crée par Mistinguett"
Date: 1921
Note: "Crée par Mistinguett"
Date: 1936
Note: stamped with the composer signature
Edition: 2nd ed.
Note: copy 2 missing covers
Note: annex to magazine "El Correo Musical", Año I, No 2, Montevideo, June 9, 1896
Note: dedicated "A su discípulo Dn. Cruz Cerezo"
Published in: Montevideo
Note: signed by the composer
Date: 1920
Date: [1929]
Note: José Batlle y Ordoñez was president of Uruguay two periods: 1903-1906 and 1911-1914
Note: missing covers
Date: 1936
Note: arr. by R. Zerrillo
Date: 1936
Note: lyrics has emendations
Date: 1938
Note: annex to magazine "Album Musical Uruguayo", Año I, No 23, August 15, 1896
Edition: 3rd ed.
Note: part of magazine "Revista Musical"
Note: signed by the composer; dedicated to pianist Luisa G. de Giucci; the composer was "the" Uruguayan bard, a lawyer and a diplomat
Date: 1929
Note: stamped with the composer signature
Date: 1930
Note: stamped with the composer signature
Date: 1928
Note: stamped with the composer signature
Date: 1928
Note: stamped with the composer signature
Date: 1929
Date: 1931
Date: 1946
Note: 20 pieces by 12 contemporary composers, selected by F. Curt Lange; with biographical data
Date: 1942
Ayestarán's note: "Acquired in El Librero de la Feria, 1938"
Date: [1885]
Date: August 1949
Ayestarán's note: "Acquired in El Librero de la Feria, 1938"
Note: edited by K. Svetogorsky
Note: dedicated to L.A. and signed by K. Svetogorsky
Date: 1944
Ayestarán's note: "Acquired in El Librero de la Feria, 1938"
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Ayestarán's note: "Donated by Alejandro Uguccioni, April 28, 1961"
Note: lyrics written on back cover
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Vals, Le Desir, unidentified parts
Date: February 14, 1895
Published in: Montevideo
Ayestarán's note: "Acquired in Librería Sureda, 1948"
Note: signed Sara Caputi, November 6, 1940
Ayestarán's note: "Acquired in the garage Linares, flea market, 1942"
Note: lyrics written on back cover
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Date: 1940
Edition: 2nd ed.
Note: guitar arr. by G. Folle
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Date: 1937
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Date: February 1857
Published in: Bs. Aires
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Ayestarán's note: "Acquired in the flea market, 1950"
Ayestarán's note: "Acquired in the flea market, 1950"
Date: January 1, 1918
Date: July 7, 1874
Published in: Montevideo
Date: July 7, 1874
Published in: Montevideo
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Date: [1870?]
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Note: arr. by A. Ruiz
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Date: [1918]
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Date: December 11, 1888
Date: 1889
Edition: 2nd ed.
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Date: [1917]
Date: August 4, 1894
Published in: Minas
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Note: lyrics written on back cover
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Note: lyrics written on back cover
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Includes:
Ayestarán's note: "Acquired in El Librero de la Feria, 1938"
Ayestarán's note: "Acquired in the garage Linares, flea market, 1946. Belongs to Gerolamo Folle Collection"
Photographic and iconographic materials. The majority of these materials are photographic images of holographic scores for Lauro Ayestarán's book
Arrangment is subject and title.
Note: page of magazine "Album Musical Centenario", Buenos Aires
Photographs (3)
Reproduction of drawing in pencil
Note: gift of magazine "Montevideo Musical"
Photograph
Photographs of scores
Photograph of score
Note: published in "La abeja del Plata" August 5, 1837
Photographs of ms. piano-vocal score with poem
Photograph of ms. part
Photograph of ms. piano score
Photographs of ms. piano scores
Photographs of ms. violin part
Photograph of cover page
Photograph of cover page
Photograph of ms. vocal score
Photograph of cover page
Photograph of cover part
Photograph of cover page
Photograph of cover page
Photograph of cover page
Lithograph of drawing
Photograph of p. 2-4
Note: first musical magazine pub. in Montevideo
Photograph of cover page
Photograph of cover page
Photograph of ms. full score (p. 9 only)
Photograph of cover part