Steuermann collection, 1922-1981

http://hdl.loc.gov/loc.music/eadmus.mu004007 Edward and Clara Steuermann Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress

Washington, D.C.

2008 Guides to Special Collections in the Music Division of the Library of Congress

Catalog Record: http://lccn.loc.gov/2010563514

Finding Aid encoded by Library of Congress Music Division, 2008 Finding aid written inEnglish 2010 April Editorial revisions made to this finding aid by Nancy Seeger in April 2010. Collection Summary Edward and Clara Steuermann Collection1922-1981 (bulk 1930-1980) ML31.S7 Steuermann, Edward circa 1,800 items 43 boxes 16 linear feet Collection material in English, and German Music Division Library of Congress

Washington, D.C.

Primarily ms. (holograph scores and sketches) and printed music, writings of Edward Steuermann, and correspondence of Edward and Clara Steuermann. The music includes most of Steuermann's compositions, his arrangements of works by Busoni, Poulenc, Schoenberg, Webern, and various 18th- and 19th-century composers, ms. scores of works by, among others, Hans Eisler, Erich Itor Kahn, Earl Kim, and René Leibowitz, and printed music from the 18th through the 20th centuries, many with Steuermann's annotations. Correspondence, both general and family, includes letters between the Steuermanns and Arnold Schoenberg, Anton Webern, Ferruccio Busoni, Theodor Adorno, Rudolf and Lorna Kolisch, and René Leibowitz. Writings encompass manuscript and typescript essays by Edward Steuermann, lectures and speeches, program and liner notes, interview transcripts, and letters of recommendation for students and colleagues. Writings by others about Steuermann are also included. Other material includes printed programs, clippings, papers of the Edward Steuermann Memorial Society, financial and legal papers, photographs, and materials acquired by Clara Steuermann between 1974 and 1981 concerning the activities of the International Federation of Library Associations (IFLA). Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

People Adorno, Theodor W., 1903-1969--Correspondence. Adorno, Theodor W., 1903-1969. Busoni, Ferruccio, 1866-1924. Eisler, Hanns, 1898-1962. Kahn, Erich Itor, 1905-1956. Kim, Earl, 1920-1998. Kolisch, Lorna--Correspondence. Kolisch, Lorna. Kolisch, Rudolf, 1896-1978--Correspondence. Kolisch, Rudolf, 1896-1978. Leibowitz, René, 1913-1972--Correspondence. Leibowitz, René, 1913-1972. Poulenc, Francis, 1899-1963. Schoenberg, Arnold, 1874-1951--Correspondence. Schoenberg, Arnold, 1874-1951. Steuermann, Clara--Autographs. Steuermann, Clara--Correspondence. Steuermann, Clara. Steuermann, Clara. Edward and Clara Steuermann collection. 1922-1981. Steuermann, Edward--Autographs. Steuermann, Edward--Correspondence. Steuermann, Edward. Webern, Anton, 1883-1945--Correspondence. Webern, Anton, 1883-1945. Organizations Edward Steuermann Memorial Society. International Federation of Library Associations and Institutions. International Federation of Library Associations. Subjects Composers--Autographs. Composers--Correspondence. Music librarians--United States--Autographs. Music librarians--United States--Correspondence. Pianists--Autographs. Pianists--Correspondence. Titles Steuermann collection, 1922-1981 Administrative Information Provenance

Acquired from the Steuermann family, 1977-1982.

Accruals

No further accruals are expected.

Processing History

The Edward and Clara Steuermann Collection was processed in 1993 by Claudia Widgery. The original finding aid was prepared with Corel WordPerfect 5. In 2004 the Edward and Clara Steuermann Collection finding aid was coded for EAD format by Michael A. Ferrando.

The status of copyright on the materials of the Edward and Clara Steuermann Collection is governed by the Copyright Law of the United States (Title 17, U.S.C.).

Access and Restrictions

The Edward and Clara Steuermann Collection is open to research. Researchers are advised to contact the Performing Arts Reading Room prior to visiting. Many collections are stored off-site and advance notice is needed to retrieve these items for research use. Certain restrictions to use or copying of materials may apply.

Preferred Citation

Researchers wishing to cite this collection should include the following information: container number, Edward and Clara Steuermann Collection, Music Division, Library of Congress, Washington, D.C.

Biographical Sketch

Edward Steuermann was born June 18, 1892, in Sambor, a small Polish city in eastern Galicia (now part of the Ukraine). His study of the piano began in 1904 with the Czech pianist and teacher Vilem Kurz and continued, first in Basel in 1910 and then in Berlin, with Ferruccio Busoni. His first composition teacher of note was Engelbert Humperdinck, but Steuermann's inclinations towards the modern idiom made him seek instruction elsewhere. At Busoni's suggestion, Steuermann began studying with Arnold Schoenberg in 1912, thus initiating a professional association that was to figure prominently in Steuermann's career as both composer and pianist. Beginning with Pierrot lunaire, Steuermann performed in the premiere of almost every Schoenberg work for which a pianist was required. While in Vienna, he served as the pianist for the Verein für Musikalische Privataufführungen (Society for Private Musical Performances) founded by Schoenberg in 1918 to introduce newer works there. Concurrent with these activities, Steuermann began a distinguished teaching career that would continue through the remainder of his life.

Steuermann emigrated to the United States in 1938, where he continued to perform, to teach, and to compose. His recitals encompassed both the traditional repertory, particularly the music of Beethoven, and contemporary works more in keeping with the idiom of the Schoenberg school and his own compositions. After a brief association with the New School and several summer sessions at Juilliard, Steuermann joined the Juilliard faculty in 1952 and taught there until his death. His students included Theodor W. Adorno, Alfred Brendel, Jakob Gimpel, Lorin Hollander and Joseph Kalichstein. Although his performing was limited during this period, he did continue to compose, with a piano trio (1954), the string quartet, Diary (1961), his Variations for orchestra (1958), the cantata Auf der Galerie (1963-64), and a Suite for Chamber Orchestra (1964). Notable among his earlier composing activities are his piano pieces and songs and his arrangements and transcriptions, particularly those of Schoenberg and Webern.

Clara Silvers Steuermann was born on February 10, 1922, in Los Angeles. After studying piano and composition at the City College there, she began her studies in music theory with Arnold Schoenberg at UCLA, while maintaining her study of the piano with Jacob Gimpel. She became one of Schoenberg's teaching assistants in 1942, beginning a lifelong personal association with him. Upon receiving her master's degree in 1944, at Schoenberg's and Gimpel's suggestion she moved to New York to study piano with Edward Steuermann. They were married in 1949.

Between 1951 and Edward Steuermann's death from leukemia in 1964, Clara Steuermann served as an administrative assistant at the Juilliard Opera Theater and earned a Master of Library Science from the Columbia Library School. After holding a number of positions with the New York Philharmonic, the Kingsborough Community College, and the Juilliard library, she moved with her daughters Rebecca and Rachel to Cleveland to build a library at the Cleveland Institute of Music. Her next post was at the Schoenberg Institute at the University of Southern California, where she organized the Schoenberg collection and administered the archive. Throughout her career, Steuermann was active in the Music Library Association, of which she was president for the 1975-1976 term. Her involvement with the international music-library community was also reflected by her activities in the International Federation of Library Associations (IFLA), particularly from the mid-1970's to her death in January 1982.

Scope and Content Note

The Edward and Clara Steuermann Collection consists primarily of the music (both manuscript and printed) and writings of Edward Steuermann, and the correspondence of both Edward and Clara Steuermann. The date span of the collection is from 1922 to 1981, the bulk of the materials dating from the 1930's to the 1970's.

The music in the collection includes holograph scores or sketches of most of Steuermann's compositions, both published and unpublished, as well as a number of copyist's scores and a few printed instrumental parts or scores. Steuermann's arrangements and transcriptions of works by Busoni, Poulenc, Schoenberg, Webern, and various 18th- and 19th-century composers are well represented by holograph scores also. Steuermann's collection of music by other composers includes both manuscript scores of friends and colleagues such as Hanns Eisler, Erich Itor Kahn, Earl Kim and René Leibowitz, and a large selection of printed scores of music from the 18th through the 20th centuries, many with Steuermann's annotations.

The correspondence in the collection consists of both the general and family correspondence of Edward and Clara Steuermann, dating from 1922 through Clara Steuermann's death in 1981. The general correspondence includes letters between the Steuermanns and Arnold Schoenberg, Anton Webern, Ferruccio Busoni, and Theodor Adorno. Particularly lengthy is the correspondence with Rudolf and Lorna Kolisch, René Leibowitz, and Hans Moller. The family correspondence contains primarily letters to and from Berthold and Salka Viertel and the Gielen family.

Writings in the collection encompass a broad range of materials, such as manuscript and typescript essays by Edward Steuermann, transcripts of excerpts from Steuermann's letters discussing musical matters, lectures and speeches, program and liner notes, interview transcripts, and letters of recommendation for various students and colleagues. Writings by others about Steuermann are also included, as is a typescript autobiographical essay by Steuermann's mother, Augusta Steuermann. There are a number of poetic texts as well, manuscript and typescript, in various languages, including poems by Berthold Viertel and Berthold Brecht.

Other materials include: printed programs of music composed or performed by Steuermann or his students; clippings and other printed matter; papers of the Edward Steuermann Memorial Society; a few financial and legal papers; and several photographs. Additionally there are 4 boxes of materials acquired by Clara Steuermann between 1974 and 1981 concerning the activities of the International Federation of Music Libraries (IFLA), an organization in which she was active during the last decade of her life.

Organization of the Edward and Clara Steuermann Collection

The Edward and Clara Steuermann Collection is organized in 10 series:

Writings Correspondence Music Programs Legal & Financial Papers Edward Steuermann Memorial Society Clippings Books and Periodicals International Federation of Library Associations (IFLA) Miscellany http://lccn.loc.gov/2010563514 Container List Box Contents 1 2 Writings

The Writings series is represented by two subseries: Writings of Edward Steuermann and Writings of Others.

The Writings of Edward Steuermann subseries consists of manuscript, typescript, and printed materials, published and unpublished, including lectures and speeches, program and liner notes, interview transcripts, and miscellaneous lists.

The Writings by Others subseries consists primarily of writings about Steuermann.

Arrangement is alphabetical by author and title.

1-2 Writings by Edward Steuermann 1 About music 1 Auf Reisen... Ausdruck und Geste Alban Berg Between the lines Brecht and modern music (typescript excerpts from Steuermann letters) Briefe an Karl Kraus (published in Die Fackel Nr. 811-819 (Aug. 1929), p. 91-93. Briefe an Theodor W. Adorno (from Der Komponist Theodor W. Adorno, p. 358-359) Busoni's six elegies Darmstadt (incl. transcripts of correspondence) Einfahrt nach Chicago Expression - Gesticulation Märchen vom Glück Der musikalische Eindruck (also titled: The musical hearing) The piano music of Arnold Schoenberg Über das "Naturliche" Verändert sich der musikalische Interpretationstyl? 1 Notebooks 1 #1: What is analysis; Expression and gesture (Ausdruck und Geste); Program notes for Pittsburgh; Stage-fright; Expression-Gesticulation; Bulgarian rhythm #2: Lecture; lists of names; exam questions; writing on Busoni 1 Lectures and speeches 1 Juilliard School, speech, 1964 New School for Social Research (lecture scripts and notes): Rhythm, etc. Romanticism in music and the "Kreisleriana" 1 Program and liner notes 1 Concert in memory of Erich Itor Kahn (typescript & printed) Gail Kubik recording (typescript & printed) "The Picture Puzzle" (1949) (printed) Pittsburgh, January 1958 (typescript) Schoenberg Klavierstücke (photocopy of record jacket) 1 Interviews with 1 Bergsma, William Schuller, Gunther (in manuscript and typescript forms, and as printed in Perspectives of New Music 3/1 (Fall-Winter 1964), 22-35 Stuckenschmidt, Hans Heinz 1 As teacher 1 Letters of recommendation List of students (in small red leather ring binder): alphabetical list of names, occasionally with addresses Lists of students (typescript with annotations): at Juilliard (incl. names & addresses, schedules, and exam grades); at Mozarteum in Salzburg; at Philadelphia Conservatory of Music; and at Princeton University 2 Personal 2 Address book Personal excerpts from Steuermann letters (in typed transcript) 2 Writings by Others 2 Adorno, Theodor [re Steuermann] (typescript and printed) Carter, Elliott. "Current Chronicle: New York" Musical Quarterly ?, p. 93-101. Eisler, Hanns. Gespräche mit Hans Bünge (Leipzig, 1975), p. 75-76. Mayer, Hans. "Eine deutsche Revolution. Also keine," Der Spiegel 33, 14 (August 1978), p. 124-128. Reid, Charles. "How Kleiber Brought Wozzeck to the Stage," Music and Musicians, ? (January 1958). Steuermann, Augusta [autobiographical] 2 Poetic Texts 2 Manuscript, typescript, and printed, in original language and in translation, by Steuermann(?) and others; includes typed Brecht Lieder with musical incipits in pencil 3-9 Correspondence, 1922-1981

The Correspondence series is represented by two subseries: General Correspondence and Family Correspondence.

The General Correspondence subseries consists of letters to and from Edward and Clara Steuermann.

The Family Correspondence subseries consists of letters written by Edward and Clara Steuermann and by other family members.

Arrangement is alphabetical by correspondent.

3-7 General Correspondence 3 Adler, Hermann Adorno, Theodor

Note: letters to and from, 2 folders

Alter, Georg

Note: letters to, in transcript

American Music Center Apostel, Hans Erich Armitage, Merle Badura-Skoda, Paul

Note: program with dedication; also signed by Joerg Demus - 1 BBC

Berg, Helene Berger, Arthur

Note: letters to

Bergsma, William Boonin, Joseph M.

Note: incl. contract for Dialogues

Busoni, Ferruccio

Note: and materials relating to

Bussotti, Sylvano Cameron, Basil Carnegie Institute of Technology Cerha, Friedrich Clarke, Rebecca Columbia Broadcasting System Darmstadt, 1954-1961, undated

Note: and printed material

Dartington Demus, Joerg see: Badura-Skoda, Paul 4 Deutsch, Joseph

Also includes: Edward Kronold and Stephanie Haas

Deutsch, Max Dorian, Frederick See also: Carnegie Institute of Technology Eisler, Hanns Eisner, Bruno Fiedler, Arthur Fischer, Carl, Inc. See also: Reese, Gustave Freund, Marya Fromm, Paul Haas, Stephanie see: Deutsch, Joseph "Hanover" Harris, Roy Israel, 1954-1958

Includes: 3 photographs

Jacobi, Frederick Jalowetz, Heinrich Juilliard School

Includes: Steuermann class lists and grades

Kestenberg, Leo Kenyon College

Includes: brochure for The Music Institue, Summer 1945.

Kim, Earl Kindler, Hans Kirchner, Leon Kirkpatrick, Ralph Kolisch, Rudolf, 1922-1965, undated and Lorna Kolisch

Contents:

1922-1965 (5 folders) undated carbons and transcripts photocopies of carbons in chronological folders above photocopies of letters to the Kolisches Krips, Josef Kronold, Edward & Stephanie see: Deutsch, Joseph Kubik, Gail 5 Laufer, Edward Leibowitz, René, 1948-1973, undated

Note: 3 folders

Lhevinne, Rosina Library of Congress Lieberson, Goddard See also: Columbia Broadcasting System Lympany, Moura Marschner, Wolfgang Mendel, Arthur Mennin, Peter Milhaud, Darius Moldenhauer, Hans Moller, Hans, 1936-1954, undated Monod, Jacques Louis Newlin, Dika Nono, Luigi Nordoff, Paul Peleg, Frank Persichetti, Vincent Persinger, Louis Petri, Egon Philadelphia Conservatory of Music

Includes: lists of Steuermann students

Philadelphia Free Library, Fleisher Collection Philadelphia Musical Academy Pisk, Paul A. Polnauer, Josef Porter, David Princeton University See also: Mendel, Arthur

Includes: list of Steuermann students.

"Pupils"

Note: original folder label

Rathaus, Karol Ratz, Erwin Reese, Gustave Reich, Willi Rochberg, George Rubin, Cecile E. 6 Salzburg Festspiele

Includes: list of Steuermann students and brochures, 1953-1959

Scherchen, Hermann Schoenberg, Arnold, 1912-1951

Contents:

to Schoenberg from Edward Steuermann: originals (2 p.) transcripts & photocopies of letters to Schoenberg (2 folders) from Schoenberg: 1924, 1943-1948 1949-1951 through Richard Hoffmann, secretary to Schoenberg from Clara Steuermann material concerning Schoenberg correspondence & notes re Arnold Schoenberg Gesamtausgabe Schoenberg, Gertrude Schoenberg family

Includes: photograph of Nuria Schoenberg

Schuman, William Howard Selden-Goth, Gisella Sessions, Roger Sherman, Russell (Buddy)

Note: re: Piano Suite errata

Starer, Robert Steber, Eleanor Stein, Erwin Stein, Leonard Steinberg, William Stevenson, Robert Stokowski, Leopold

Note: letter from Edward Steuermann

Stuckenschmidt, H. H. See also: Stuckenschmidt interview Suk, Josef grandson of composer Taubman, Howard Trauneck, Joseph Utah State Agricultural College See also: Wassermann, Irving Vogelsang, Konrad Wassermann, Irving Webern, Anton

Includes:

photocopies (letters & envelopes) and transcriptions of Webern letters to Steuermann envelopes from Webern to Steuermann (3) draft of Steuermann reply to Webern Weiss, Adolph Wolff, Kurt Wolpe, Stefan Zeitlin, Zvi Zelka, Charlotte Zukovsky, Paul

Includes: jacket cover of LP recording of Steuermann music

7 Miscellaneous and unidentified (4 folders) Notes on Steuermann correspondence (by Clara Steuermann) 7-10 Family Correspondence 7-8 Letters written by Edward and Clara Steuermann, 1917-1964 7 Correspondence between Edward & Clara Steuermann (1958, undated)

Contents:

Dated (1958) Undated (3 folders) Letters from Edward Steuermann to Salka Viertel (1917-1964, undated)

Contents:

1917-1964, undated (11 folders) Correspondence from 1942-1964 includes occasional letters to Steuermann's mother Correspondence from 1948-1964 also includes letters from Clara Steuermann 8 Letters from Edward and Clara Steuermann to Rosa Gielen (undated)

Dated letters have been interfiled with the Steuermann letters to Salka Viertel

Letters from Edward Steuermann to Michael Gielen (plus photocopies) Letters of Edward Steuermann, excerpted (in transcript) 8-9 Letters written by other members of Steuermann's family, 1936-1981 8 Letters from Margaret Steuermann to Salka Viertel Letters from Berthold Viertel to Edward Steuermann Letters from Salka Viertel (1964-1978, and miscellanea) (5 folders) Letters to and from Ljerko Spiller (nephew) 9 Letters from the Gielen family, 1936-1981, undated (24 folders) Letters from Michael Gielen, 1966-1981, undated (2 folders)

See also: Letters from the Gielen family

Miscellaneous programs, press releases, clippings, etc. relating to Gielen family 10-35 OV 1 OV 2 1/1-10 2/1-7 2/10 3/1-4 Music

The Music series is represented by two subseries: Music by Edward Steuermann and Music by Other Composers.

The Music by Edward Steuermann subseries is represented by two subseries: Original compositions and Arrangements and Transcriptions. These two subseries consist of manuscript and printed scores.

The Music by Other Composers subseries is represented by two subseries: Manuscript Music and Printed Music. These two subseries consist of manuscript scores and printed scores.

Arrangement is alphabetical by author and title.

10-18 OV 1 OV 2 1/1-10 2/1-10 3/1-4 Music by Edward Steuermann OV 1 OV 2 10/1-17/4 1/1-10 2/1-10 3/1-3 Original Compositions 10/1 Abendlied Holograph piano score, blue ink; 2 p.

at end: 17./8. 38, Santa Monica

also: 1 photocopy

10/1 Abendlied Holograph piano score, black ink; 3 p.

at end: 17./8. 38, Santa Monica, Calif.

also: 1 photocopy

10/1 Abendlied Copyist's piano score, pencil; 4 .

at end: 17.8.38, Santa Monica, Calif.

also: 1 photocopy

10/2-3 Auf der Galerie Holograph full score, pencil, with annotations in ink and colored pencil: 26 p.

at end: New York, 24./8. 1964

also: tone rows; partial score, pencil; texts (German and English)

also: negative photostat (BOX: 10/3)

3/1 Auf der Galerie Holograph full score, pencil, with annotations in red and blue pencil; 4 p.

at top of p. 1: 30./VI. 1963 Hannover

at end: Hannover 10./7 63; ausgeführt 16./7. Salzburg

3/1 Auf der Galerie Holograph full score, pencil, with annotations in red and blue pencil (65 mm. only); 4 p. 1/1-4 Auf der Galerie Ozalid of copyist's full score; 33 p.

at end: 24./8. 1964

also: 2 photocopies (unmarked) (BOX: 1/2)

also: 2 ozalid copies, labelled "First proof" and "Strilko work score" (BOX: 1/3-4)

10/4-5 Auf der Galerie Photocopy of copyist's score for chorus & piano; 45 p.

at end: New York, 24/8/64

2 copies

10/6 Brecht Lieder Holograph piano-vocal score in ink and pencil; [10 p.]

at end of Die Rückkehr: 20./5. 1895, New York

at end of Der Totenvogel (1st copy): 26 Mai, New York

at end of Der Totenvogel (2nd copy): 27./5., New York

at end of Gedanken über die Dauer des Exils: New York, 19./6. 95

also: typewritten text of songs

10/7 Brecht Lieder Reproduction of holograph piano-vocal score, with annotations in pencil; 11 p.

2 copies

3/2 Concerto, piano Holograph sketches for short score, pencil with annotations; 13 p., [12 p.] 10/8 Dialogues Holograph violin score, black ink on transparencies; 6 p.

at end January 19th, 1963

also: 2 copies

10/8 Dialogues Holograph violin score, blue ink with annotations in colored pencil; 3 p.

at end: January 19th 63

10/8 Dialogues Holograph violin score, pencil with annotations; Jan. 19th 63 10/9 Dialogues Holograph sketches & tone rows; 7 p. 1/5-6 OV 1 Drei Chöre Holograph full score, black ink on transparencies; 16 p.

at end of Die Nacht: New York 5./I. 56

at end of Das Lied: New York, July 6th, 1956

at end of Der Gott der Juden: 6./8. Princeton

also: ozalid copies of Die Nacht (1), Das Lied (2), and Der Gott der Juden (3) (BOX: 1/6)

Note: see oversize box OV 1

11/1-2 Drei Chöre Copyist's full score with pencil annotations, bound; 38 p.

at top of p. 1, in ink: Für Ludwig Münz

also: 3 photocopies; typewritten text (BOX: 11/2)

11/3 Drei Chöre Holograph sketches, pencil, with 2 p. ink on transparencies; 30 p. 11/4 Drei Chöre Copyist's choral score of Die Nacht only, with annotations in red pencil; 23 p.

also: 2nd copy; typewritten text

11/5 Drei Lieder Ozalid of copyist's piano-vocal score; 10 p.

2 ozalid copies; 1 photocopy

11/6 Frühlingslied Holograph piano score, ink; 3 p.

at end: 1./XI. 39

on verso of p. 3: Romanze [1 p., incomplete]

also: 1 photocopy

11/6 Frühlingslied Copyist's score, pencil; 4 p.

at end: 1./XI. 39

also: 1 photocopy

11/6 Frühlingslied Holograph sketches in ink and pencil; 4 p. 11/7 1/7 OV 1 Improvisation and allegro Holograph violin & piano score, black ink on transparencies; 19 p.

on title page: to Theodor Adorno

at end: June 21st, 1955, Florence

also: 2 ozalid copies (see oversize box OV 1) (BOX: 1/7)

11/8 Improvisation and allegro Holograph violin & piano score, black ink with pencil annotations and pasteovers; 14 p.

at end: 6./II. 55, New York

11/9 Improvisation and allegro Holograph sketches, pencil; [40 p.] 11/10 Improvisation and allegro Holograph revisions, black ink, blue ink, & pencil, on paper and transparencies; [6 p.] 11/11-12 Improvisation and allegro Ozalid of copyist's score for violin & piano with extensive annotations in red and green pencil; 26 p.

also: 2 copies of ozalid (without annotations) (BOX: 11/12)

11/13 Improvisation and allegro Printed violin part; 10 p.

12/1 Lied des Gefangenen Holograph piano-vocal score, black ink; 4 p.

at end: Februar 1912

also: 1 photocopy

12/2 Milosc skrzydlata See also: Zigeunerlied Holograph piano-vocal score, blue ink; 2 p.

at end: Sambar 1908

1/8-9 Music for instruments Holograph full score, black ink on transparencies with annotations in pencil; 42 p.

at end: 9./IX 1961 New York [signed] E. Steuermann

also: 2 photocopies (BOX: 1/9)

12/3 Music for instruments Holograph sketch of short score, pencil with annotations; 20 p.

at end: 10./8. 1960

12/4 Music for instruments Holograph sketches, pencil and other; 104 p. 12/5 Na krakowskim zamku wesele Holograph piano-vocal score, pencil (untitled, incomplete); 4 p.

also: typewritten text by Boleslaw Smialy

12/6 Nachtlied Holograph piano sketch, ink and pencil; 4 p. 12/7 Nocturne and scherzo Holograph score for clarinet & piano, pencil with annotations; 10 p.

at end: December 25th 1955

2/7 Nocturne and scherzo Holograph sketches, pencil; 22 p. 12/8 O lass uns noch Holograph piano-vocal score, black ink with pencil emendations; 3 p.

at end: 11/VII, 18.

also: 1 photocopy

12/9 Ouverture Holograph sketches and tone rows, pencil and ink 12/10 Piano piece, 1938 Holograph piano score, ink with pencil emendations; 3 p.

also: 1 photocopy

2/10 Piano piece, 1938 Holograph piano score, blue ink; 2 p.

at end: Okt. 38, N. Y.

also: 1 photocopy

Powiew w sadzie See: Zigeunerlied 1/10 Presto - Etude Piano score in ink, hand unknown; 3 p., 1 p.

at top: Sequence No. 10 (and 10A)

Prosba o skzrydlata See: Zigeunerlied 12/11-12 Quartet, strings, 1937 Holograph sketches (2 folders) 13/1 Quartet, strings, No. 1; 7 waltzes Holograph score, blue ink with pencil & pasteovers, lacks 2nd movement; 32 p. 13/2 Quartet, strings, No. 1; 7 waltzes Photocopy of holograph[?] score; 39 p.

on title page: to my friend Rudolf Kolisch

at end: September 1946, Santa Monica, California

13/3-6 Quartet, strings, No. 1; 7 waltzes Copyist's string parts; 21 p., 23 p., 23 p., 23 p.

13/7 Quartet, strings, No. 1; 7 waltzes Holograph sketches, pencil and ink 2/1 Quartet, strings, No. 2 Ozalid of holograph score; 35 p.

at end: Klastersefug[?] 1960 - New York, July 7th, 1961

also: 1 photocopy

13/8-11 Quartet, strings, No. 2 Copyist's string parts; 11 p., 11 p., 11 p., 11 p. 13/12 Quartet, strings, No. 2 Holograph sketches, pencil with annotations, and tone rows, ink 13/13 Quartet, strings, various Holograph sketches and tone rows, pencil and ink 14/1 Romanze See also: Frühlingslied Holograph piano score, ink; 10 p., 2 p.

at end: 28/10. 39

14/2 Serenade Holograph sketches for short score, pencil, and tone rows, ink; 34 p. 14/3 Soldatenlied Holograph piano-vocal score, black ink with pencil annotations; 5 p.

on title page, in pencil: Premysl 7/11 1915.

at end: Jaroslav 14./II. 1916

also: 1 photocopy

14/3 Soldatenlied Holograph piano-vocal score, incomplete: 2 p. 14/4 Sonata, piano, 1923 [?] Holograph piano score, blue ink with pasteovers; 6 p.

on title page, in red pencil: Sonata, 1923

14/5 Sonata, piano, 1925-26 Holograph piano score, ink with pencil annotations; 19 p. 14/5 Sonata, piano, 1925-26 Holograph sketches, pencil; 7 p. 14/6 2/2 Sonata, piano, 1925-26 Holograph piano score, black ink on transparencies, with pasteover; 22 p.

at end: Copied and revised March 1954 [signed] Edward Steuermann

also: 4 additional reproductions, some with annotations (BOX: 2/2)

14/7 Suite, chamber orchestra Holograph full score, pencil with blue and red pencil annotations; 41 p.

at end: New York, 19./VIII. 1964

also: negative photostat (BOX: 14/8)

14/9 Suite, chamber orchestra Holograph full score of ouverture only, black ink on transparencies; 21 p.

at end: score finished 16./4. 64; copy 25./4 64

also: 1 photocopy

14/10-12 2/3 Suite, chamber orchestra Ozalid of copyist's full score, bound, with annotations in red pencil; 39 p.

also: 3 unbound ozalid copies (BOX: 14/11-12 & BOX: 2/3)

14/13 3/3 Suite, chamber orchestra Holograph sketches, pencil with annotations in colored pencil and ink 15/1 2/4 OV 2 Suite, piano Holograph piano score, black ink on transparencies with pasteovers; 18 p.

at end: [signed] Edward Steuermann, New York (Lake Placid) 1953-54

also: 1 photocopy [see oversize box OV 2] (BOX: 2/4)

15/2 Suite, piano Ozalid of holograph piano score; 18 p.

also: typewritten but annotated list of "Ms. corrections"; 5 p., plus addendum, 2 p.

15/3 Suite, piano Ozalid of holograph piano score, with alterations; 18 p.

at top of title page: corrections noted 2/65

3 copies, labelled A, B, & C

also: 1 photocopy

15/4 Suite, piano Holograph sketches, pencil and ink; 136 p. (3 folders) 15/5 Suite, piano Printed piano score, Prelude and Melody only; 6 p.

also: 1 photocopy

15/6 Tag für Tag Holograph piano-vocal score, ink; 4 p. 15/7 Toccata and aria Holograph sketches for flute and piano, pencil, and tone rows, pencil & ink; 73 p. 16/1 Trio, for piano, violin & violoncello Ozalid of holograph score with numerous annotations in penicl, red pencil, and blue ink, and pasteovers; 43 p.

on title page, in pencil: end of April

at end: 5./I. 54

16/2-3 Trio, for piano, violin & violoncello Ozalid of copyist's score; 44 p.

at end: Jan. 5, 1954

also: 1 photocopy (BOX: 16/3)

16/4-5 Trio, for piano, violin & violoncello Ozalid of copyist's violin and cello parts; 12 p., 12 p.

also: 1 photocopy of each part

16/6 Trio, for piano, violin & violoncello Holograph sketches, pencil, and black ink on transparencies (4 p.); 54 p. 2/5 Variations for orchestra Holograph full score, black ink on transparencies with annotations; 30 p.

at end: New York 10./6. 1958

16/7 Variations for orchestra Holograph sketches, pencil, and tone rows, ink; 43 p. 16/8 Vier Klavierstücke Holograph piano score, ink with pencil annotations; 16 p., [3] p. 16/9 2/6 Vier Klavierstücke Holograph piano score, black ink on transparencies; 18 p.

on title page: Wien, 1934

at end: copy and revision - March 16th, 1958 [signed] Edward Steuermann

also: 6 extra pages of transparencies

also: pencil sketch on verso of Juilliard program, 2/26/58

also: 2 ozalid copies with pencil and red pencil annotations & 1 photocopy (BOX: 2/6)

16/10 Vier Klavierstücke Holograph title pages and sketches, pencil and ink; 5 p. 16/11 Vier Lieder Holograph piano-vocal score, ink; 8 p. 16/11 Vier Lieder Holograph piano-vocal score, ink

Contents:

Im Frühling (2 p., 2 p. pencil sketches). Note: at end: 11./5/35. Hörtest du dem nicht; 2 p. Note: at end: November, Santa Monica, Calif. Die Liebste sprach; 2 p. Note: at end: November, Santa Monica, Calif. Trabe, kleines Pferdchen; 1 p. Note: at end: 3/7. 42, Santa Monica 16/12 Vier Lieder Holograph piano-vocal score, black ink on transparencies, with annotations in blue ink; 10 p.

also: 1 ozalid copy and 1 photocopy

17/1 Wenn die zwei Schwestern Holograph piano-vocal score, ink; 4 p.

at end: November 94. Wien.

also: 1 photocopy

17/2 Zigeunerlied Holograph piano-vocal score, black ink on transparencies; 4 p.

also: 1 photocopy

Includes: holograph score of 3 songs with text by L. Staff; p. Milosc skrzydlata; Powiew w sadzie; & Prosba o skzrydlata

also: holograph prose narrative entitled "Bitte um Flugel" (& photocopy)

also: additional photocopy of 3 songs

17/2 Zigeunerlied Holograph piano-vocal score, pencil; 4 p.

Includes: Prosba o skrzydlata [and] Powiew w sadzie (2 systems only)

17/3a,b Unidentified sketches, voice and piano

2 folders

17/4a,b,c Unidentified sketches, tone rows, corrections, etc. 2/7 3/4 17/5-11 18 OV 2 Arrangements and Transcriptions Busoni, Ferruccio 17/5 Toccata; arr. Arranger's holograph piano score, black ink on transparencies; 19 p.

also: ozalid of holograph, with annotations

Haydn, Joseph 17/6 Concerto, piano, D major; Cadenzas ; 3 Kadenzen zum d dur Konzert von J. Haydn Holograph piano score in ink, with pencil; 5 p.

at end: Santa Monica, Weihnachten 1937; Merry Christmas!

also: 1 photocopy

17/6 Concerto, piano, D major; Cadenzas ; Kadenz (zum I Satz des d dur Konzertes von J. Haydn) Holograph piano score in ink, with pencil; 5 p., 1 p.

at end: 24./12. Santa Monica; Merry Christmas!

17/6 Concerto, piano, D major; Cadenzas ; Kadenz (zum I Satz des d dur Konzertes von J. Haydn) Holograph sketch; 1 p.

on verso: Tema con variazioni (pencil sketch, 1 p.)

17/7 Herbert, Victor Badinage; arr. Holograph score for two pianos, pencil; 4 p. Mozart, Wolfgang Amadeus 17/8 Concerto, piano, C major; Cadenza Holograph piano score, ink; 4 p. 17/8 Concerto, piano, C major; Cadenza Copyist's piano score, ink; 3 p.

also: 1 photocopy

17/9-10 Concerto, piano, K. 595; Cadenzas Holograph piano score of 1st- mvmt. cadenza, black ink on transparencies; 6 p.

at end: February 1950, New York, E. S.

also: 3 ozalid copies and 1 photocopy (BOX: 17/10)

17/9 Concerto, piano, K. 595; Cadenzas Holograph piano score of 1st-mvmt. cadenza, blue ink; 3 p.

at end: February 1950

17/9 Concerto, piano, K. 595; Cadenzas Holograph piano sketches of 1st-mvmt. cadenza, pencil; 7 p. 17/9 Concerto, piano, K. 595; Cadenzas Holograph piano score of 1st-mvmt. cadenza, pencil; 4 p.

at end: February 17th, 50

17/9 Concerto, piano, K. 595; Cadenzas Holograph piano score of 3rd-mvmt. cadenza, pencil; 2 p., 1 p.

at end of p. 2: Febr. 17th 50

Poulenc, François 17/11 Trois pièces; No. 2, Toccata; arr. Arranger's holograph score for 3 pianos, blue ink with pencil annotations; 8 p.

at end: Santa Monica August 1943 [signed] Edward Steuermann

also: 3 piano parts, ink, 4 p. each

17/11 Trois pièces; No. 2, Toccata; arr. Arranger's holograph score for 3 pianos, pencil; 5 p.

at end: August 1943 Santa Monica [signed] E. Steuermann

17/11 Trois pièces; No. 2, Toccata; arr. Printed piano score (Paris: Heugel, 1931); 7 p. Schoenberg, Arnold 18/1 Concerto, piano; arr. Arranger's holograph of piano-reduction of orchestral score, pencil; 17 p.

also: sketches and tone rows; 3 p.

18/2 Ode to Napoleon; arr. Arranger's holograph of piano-reduction of orchestral score, pencil; 20 p.

at end: 3./11. 1943 [signed] E.S.

also: sketches, ink and pencil; 5 p.

18/3 Verklärte Nacht; arr. Arranger's holograph score for violin, cello, and piano, ink; 36 p.

at end: 26./8. 28 [signed] E.S.

2/7 OV 2 Verklärte Nacht; arr. Reproduction of copyist's score for violin, cello, and piano, with typeset title page; 42 p.

on t. p.: to Mrs. Clara Steuermann with many thanks for sending us this beautiful version of Verklärte Nacht - Reinbert de Leeuw

Note: see oversize box OV 2

18/4 Verklärte Nacht; arr. Photocopy of copyist's score for violin, cello, and piano; 53 p.

also: violin part and cello part; 10 p., 10 p.

Schubert, Franz 18/5 Wohin; arr. for 3 pianos Arranger's holograph score for 3 pianos, blue ink; 6 p.

at end: May 34 1943 [signed] E. Steuermann

also: sketch, ink (1 p.)

also: photoreproduction with annotations in red and blue pencil

18/6 Wohin; arr. for 3 pianos Arranger's holograph score for 3 pianos, pencil; 4 p.

at end: 3./V. NYC [signed] E. Steuermann

18/7 Wohin; arr. for 3 pianos Copyist's score for 3 pianos, black ink on transparencies; 9 p.

also: copyist's parts for 2nd and 3rd pianos; 4 p., 3 p.

Schumann, Robert 3/4 Variationen; arr for 2 pianos Arr. holograph sketches for 2 piano score; 10 p. [see oversize box OV 3] Strauss, Richard 18/8-10 Die Fledermaus; themes arr. for 2 pianos Arranger's holograph score for 2 pianos, black ink on transparencies, with annotations; 56 p.

at end: 14./V. 41 E.S.

also: 1 ozalid copy and 2 photocopies (BOX: 18/9-10)

Webern, Anton 18/11 Symphony, op. 21; arr. Arranger's holograph sketch for piano; 2 p., 2 p. 19-35 2/8 10/2 Music by Other Composers 19 2/8 Manuscript Music Adorno, Theodor 19/1 Sechs Bagatellen, Op. 6 Mimeograph of piano-vocal score; 12 p.

Eisler, Hanns 19/2 Klavierstücke, op. 8 Ozalid of copyist's score; 25 p. 19/3 Thema, 11 Variationen, Coda I und Trauermusik, op. 70 Copyist's score, ink with pencil annotations; 15 p. Kahn, Erich Itor 19/4 Huit inventions Ozalid of copyist's score; 28 p. 19/5 Nenia; Judaeis qui hac aetate perierunt Ozalid of copyist's score for violoncello & piano, with annotations; 28 p.

on title page: Composita MCMXLIII

19/6 Short piano piece Blue print of Holograph piano score; 2 p.

at end: NYC Jan. 31, 1951

19/7 Sechs Bagatellen Ozalid of holograph[?] piano score; [5 p.] 19/8 Three bagatelles Ozalid of copyist's score; 19 p. Kim, Earl 2/8 Four bagatelles Ozalid of holograph[?] piano score; 13 p. Kirchner, Leon 19/9 Prelude, Song, Tocatta[sic], Fantasy, Epilogue Ozalid of holograph[?] piano score; 6 p. Leibowitz, René 19/10 Sonata quasi una fantasia, op. 43 zalid of holograph piano score; 21 p. Zenk, Ludwig 19/11 [Songs, op. 5, no. 1-4] Holograph[?] piano-vocal score, blue ink; 3 p., 2 p., 2 p., 2 p. 20-35 10/2 Printed Music Alkan, Ch. v. 20/1 Capriccio alla soldatesca, op. 50. Paris: G. Mergault & Cie., n.d.

Ed. E. M. Delaborde & I. Philipp.

P. # 13294.

10/2 Le chemin de fer, op. 27. Paris: Editions Costallat, n.d.

Ed. E. M. Delaborde & I. Philipp.

Pl. #13745

20/3 Douze etudes, op. 35. Berlin: Ed. Bote & G. Bock, n.d.

Pl. #3802.

20/4 Le tambour bat aux champs, op. 50, no. 2. Paris: Costallat & Cie, n.d.

Pl. #13404.R.

Bach, Carl Philipp Emanuel 20/5 Klavierwerke. Wien: Universal-Edition, [1902].

Ed. Heinrich Schenker.

Pl. #U.E.548.

Bach, Johann Sebastian 20/6 Capriccio. New York: Breitkopf & Härtel, 1915.

Ed. Ferruccio Busoni.

Pl. #B.B.IV.

20/7 Fugen. Klavierwerke, Band XXI. Leipzig: Breitkopf & Härtel, 1917.

Ed. Ferruccio Busoni.

Pl. #27467.

20/8 Grosse Fuge. New York: G. Schirmer, 1910.

Ed. Ferruccio Busoni.

Pl. #22004.

20/9 Klavierwerke, Band IV. Leipzig: Steingräber Verlag, n.d.

Ed. Hans Bischoff.

Pl. #152.

20/10 Partitas, French, six. New York: Kalmus, 1942.

Ed. Hans Bischoff.

21/1 Suites, English, six. New York: Kalmus, 1945.

Ed. Hans Bischoff.

Pl. #150b.74

21/2 Suite, English, no. 3, G minor. Berlin: Verlag Ullstein, 1926.

Ed. Edwin Fischer.

Pl. #T.A.289.

21/3 Suites, French, six; Suite, A minor; Suite, E-flat major. New York: Kalmus, 1945.

Ed. Hans Bischoff.

Pl. #150a.

21/4 Toccatas, organ. Leipzig: Breitkopf & Härtel, 1900.

Ed. Ferruccio Busoni.

Pl. #V.A.1371.

21/5 Toccatas. New York: Kalmus, 1948.

Ed. Hans Bischoff.

Pl. #119.

21/6 Variations, Goldberg. New York: G. Schirmer, Inc., 1938.

Ed. Ralph Kirkpatrick.

Pl. #37149.

21/7 The Well-tempered Clavichord. New York: G. Schirmer, 1895.

Ed. Ferruccio Busoni.

Note: also published 1923

Pl. #11652-11661.

22/1 Das Wohltemperierte Klavier. Leipzig: C. F. Peters, n.d.

Ed. Carl Czerny.

Pl. #7916. [2 copies]

Bartok, Béla 22/2 Im Freien. Wien: Universal-Edition, 1927.

Pl. #8892-8897.

22/3 Rumänische Volkstänze. Wien: Universal-Edition, 1918.

Pl. #U.E.5802.

Beethoven, Ludvig van 22/4 Klavierstücke. Leipzig: C. F. Peters, n.d.

Ed. Louis Koehler & Richard Schmidt.

Pl.#6442.

22/5 23/1 Sonatas, no. 1-32. Vol. I & II. New York: Kalmus, n.d.

Originial version, undedited (Urtext).

Pl. #B.124-155.

23/2-3 Sonatas. Vol. I-IV. Wien: Universal-Edition, 1945.

Ed. Heinrich Schenker.

24-25 Sonatas, no. 1-32. Vol. I & II. New York: Simon & Schuster, Inc., 1935.

Ed. Artur Schnabel.

25/2 Variationen. Band I. Leipzig: C. F. Peters, n.d.

Ed. Louis Koehler.

Pl. #6514a.

Berg, Alban 26/1 Sonata, piano, op. 1. Berlin: Verlag der Schlesinger Buch und Musikhandlung, n.d.

Pl#S.9539.

Boulez, Pierre 26/2 Sonata, piano, no. 2. Paris: Heugel et Cie, 1950.

Pl. #H.31,317.

Brahms, Johannes 26/3 Balladen, op. 10. Berlin-Leipzig: N. Simrock, n.d.

Pl. #8998.

26/4-6 Complete works for piano solo. 3 vols. New York: G. Schirmer, 1949.

Ed. Eusebius Mandyczewski.

27/1 Fantasien, op. 116. Berlin: N. Simrock, 1892.

Pl. #9875.

27/2 Klavierwerke. Sonaten, op. 1 & 2; Scherzo, no. 4; Balladen, op. 10; Rhapsodien, op. 79; Fantasien, op. 116; Drei Intermezzi, op. 117; Sechs Klavierstücke, op. 118; Vier Klavierstücke, op. 119. Wien: Univeral-Edition, n.d.

Ed. Eduard Steuermann.

Pl. #2101, 2102, 2257, 2258, 2277, 2267, 2294, 2354, 2355.

27/3-4 Kompositionen für Klavier zu 2 Händen. 2 vols. Berlin: N. Simrock, n.d.

Ed. Emil von Sauer.

From the Peters edition.

Pl. #9488.

27/5 Variationen und Fuge über ein Thema von Händel, op. 24. Berlin: N. Simrock, 1909.

Ed. Alfred Reisenauer.

Pl. #9006.

Busoni, Ferruccio 28/1-2 Elegien [and] Erscheinung; Berceuse. Leipzig: Breitkopf & Härtel, 1908.

Pl. #26042-26046, 26052, 26282.

3 copies

28/3 Kammer-Fantasie über Carmen. Leipzig: Breitkopf & Härtel, 1921.

Pl. #28666.

28/4 Sonatina. Leipzig: Jul. Heinr. Zimmermann, 1910.

Pl. #Z.4951.

Chopin, Frédéric 29 30 Complete works. The Oxford original edition of Frédéric Chopin. 3 vols. London: Oxford University Press, 1932.

Ed. Edouard Ganche.

28/5 Etüden. Wien: Universal-Edition, n.d.

Ed. M. Raoul Pugno.

Pl. #U.E.347.1582.

28/6 Préludes pour piano. Oeuvres complètes, vol. 1. Warsaw: Instytut Fryderyka Chopina, 1949.

Pl. #P.W.M.231.

Debussy, Claude 28/7 L'isle joyeuse. Paris: A. Durand & Fils, 1904.

Pl. #D.&F.6446.

Eisler, Hanns 29/1 Sonata, piano, op. 1. Wien: Universal-Edition, 1924.

Pl. #U.E.7475.

Fauré, Gabriel 29/2 Nocturnes. [S.l.]: [s.n.], n.d.

Intro. by Roger Ducasse.

Fitelberg, Jerzy 29/3 What is Benjamin? New York: Edward B. Marks Music Corp., 1950. Granados, E. 29/4 Quejas ó La Maja y el Ruiseñor. New York: International Music Co., 1941.

Pl. #501.

Hindemith, Paul 31/1 Konzertmusik für Klavier, Blechbläser und Harfen. Mainz: B. Schott"s Söhne, 1930.

Ed. Franz Willms.

Pl. #B.S.S.32814

Kirchner, Leon 31/2 Little suite for solo piano. New York: Mercury Music Corp., 1950.

Pl. #263.

Leibowitz, René 31/3 Explanation of metaphors, op. 15. New York: Bomart Music Publications, 1950.

Pl.#b mp I/9.

31/4 Vier Klavierstücke, op. 8. Wien: Universal-Edition, 1947.

Pl. #U.E.11775.

Liszt, Franz 31/5 Totentanz. Leipzig: Breitkopf & H/ärtel, 1919.

Ed. by Ferruccio Busoni.

Pl. #2483.

Mendelssohn, Felix 31/6 Rondo capriccioso, op. 14. New York: G. Schirmer, 1915.

Revised and fingered by K. Klauser.

Also published: 1877

Moniuszko, Stanislaw 31/7 Wiosna (Le printemps). Cracow: Polskie Wydawnictwo, 1950.

Transcribed by Henryk Melcer.

Pl. #P.W.M.469.

31/8 Znasz-li ten kraj? (Connais-tu le pays?) Warsaw: Warszawa Gebethner i Wolff, n.d.

Ed. Henryk Melcer.

Pl. #G.2522 W.

Mozart, Wolfgang Amadeus 31/9 Andantino aus dem 9. Klavier-Konzert, Werk 271. Leipzig: Breitkopf & Härtel, 1914.

Ed. Ferruccio Busoni.

Pl. #27568.

31/10 Rondos, fantaisies, et pièces diverses. Paris: Durand & Cie., 1917.

Revised by C. Saint-Saëns.

Pl. #D.&F.9322.

31/11 Sonatas and three fantasias for piano. New York: Kalmus, n.d.

Orig. version (Urtext).

Mussorgsky, Modest 32/1 Pictures from an exhibition. New York: Edward B. Marks Music Crop., 1941.

Pl.# 11428-29ph.

Rathaus, Karol 32/2 Ballade: Variations on a hurdy-gurdy theme. New York: Bomart Music Publications, 1950.

Pl. #bmp I/5.

Ravel, Maurice 32/3 Gaspard de la nuit. Paris: Durand & Cie, 1909.

Pl. #D.&F.7207.

32/4 Miroirs. New York: G. Schirmer, Inc., n.d.

Pl. #39078.

32/5 Le tombeau de Couperin. Paris: Durand & Cie., 1918.

Pl. #D.&F.9569.

Reger, Max 32/6 Aus meinem Tagebuch, op. 82, Heft 1-3. Leipzig: Lauterbach & Kuhn, 1904.

From the Universal Edition.

Also published: Berlin: Ed. Bote & G. Bock, 1904.

Pl. #B.&B.17046, L.&K.325, B.&B.17725.

Reger, Max 32/7 [Concerto, piano, 4 hands, op. 114]. Berlin: Ed. Bote & G. Bock, n.d.

Pl. #17358.

32/8 Episoden, op. 115. Heft I & 2. Leipzig: Lauterbach & Kuhn, n.d.

Also published: Berlin: Ed. Bote & G. Boch, 1910.

Pl. #B.&B.17526, 17527.

32/9 Fünf Humoresken, op. 20. Leipzig: Jos. Aibl Verlag, 1927.

From the Universal edition.

Also published: 1899

Pl. #U.E.1173.

32/10 Sechs Intermezzi, op. 45, Heft 1-2. Wien: Universal-Edition, 1928.

Also published: 1899

Pl. #U.E.1220

32/11 Sieben Charakterstücke, op. 32, Heft I. Leipzig: Jos. Aibl Verlag, 1899.

From the Universal edition.

Pl. #2915a.

Scarlatti, Domenico 33/1 Sonaten, 1-60. Leipzig: Breitkopf & Härtel, n.d.

Pl. #V.A.454.

Schubert, Franz 33/2-3 Sonatas, piano. Wien: Universal Edition, 1953.

Ed. Erwin Ratz. 2 vols.

Pl. #U.E.257.

Schumann, Robert 34-35 Complete works for piano solo. 6 vols. New York: Kalmus, n.d.

Ed. Clara Schumann.

35/2 Humoreske, op. 20. New York: G. Schirmer, Inc., 1901.

Ed. Max Vogrich.

Pl. #15783.

35/3 Sonaten [and] Koncert ; Op. 22. Leipzig: C. F. Peters, n.d.

Ed. Emil von Sauer.

Pl. #10495.

35/3 Sonaten [and] Koncert ; Op. 14. Wien: Jos. Eberle & Co., [1902].

Ed. Edward Schütt.

Pl. #U.E.629.

35/3 Sonaten [and] Koncert ; Op. 11. Leipzig: Peters, n.d.

Pl. #8644.

35/3 Sonaten [and] Koncert ; Koncert, op. 54. [Wien]: [Universal Edition], n.d.

Pl. #U.E.722.

35/4 Waldscenen, op. 82. Leipzig: Verlag von Bartholf Senff, n.d.

Pl. #12.

Scriabin, Aleksandr Nikolayevitch 35/5 Sonata, piano, no. 4, op. 30. Leipzig: M. P. Belaieff, 1904.

Pl. #2499.

35/6 Sonata, piano, no. 7, op. 64. Berlin: Russischer Musikverlag, n.d.

Pl. #R.M.V.184.

35/7 Sonata, piano, no. 10, op. 70. Leipzig: P. Jurgenson, n.d.

Pl. #36924.

Weber, Carl Maria von 35/8 Sonata, piano, no. 2, op. 39. Compositions for the pianoforte. New York: G. Schirmer, 1903.

Ed. Giuseppe Buonamici.

Pl. #27809.

36 Programs, 1912-1917, undated

The Programs series consists of printed and typescript programs of music performances featuring Steuermann as composer (1952-1971), Steuermann as pianist (1912-1963), and Steuermann students (1949-1969).

Arrangement is chronological by date.

36 Steuermann as composer (1952-1971) Steuermann as pianist (1912-1963) (2 folders) Steuermann students (1949-1969, undated) (5 folders) 2 OV 2 Legal & Financial Papers

The Legal & Financial Papers series is represented by two subseries: Legal Papers and Financial Papers. These two subseries consist of miscellaneous citizenship documents, contracts, and miscellaneous documents re the Steuermann estate, etc.

Arrangement is alphabetical by subject.

2 OV 2 Legal Papers 2 OV 2 Birth certificates (2 copies) (see oversize box OV 2) 2 Citizenship documents, immigration & naturalization papers, visa application 2 Contractual agreement with BMI 2 Copyright materials (registration forms, lists) 2 OV 2 War ministry papers (Wien, 1918) (see oversize box OV 2) 2 Financial Papers 2 Certification of bank account balance Estate of Edward Steuermann (correspondence & other documents) Materials re piano purchase, sale, and ownership 2 Edward Steuermann Memorial Society

The Edward Steuermann Memorial Society series consists of official documents and minutes, correspondence, and programs, including both manuscript and printed materials.

Arrangement is alphabetical by format.

2 Certificate of incorporation, by-laws, minutes of board meetings, etc. Correspondence (1965-1969) Programs (1964-1965) 2 Clippings

The Clippings series consists primarily of photocopies of clippings, divided by subject: Steuermann as composer, Steuermann as pianist, Steuermann obituaries and tributes, and articles from The New Grove Dictionary of Music and Musicians.

Arrangement is chronological by date.

2 Steuermann as composer (1927-1974, undated) Steuermann as pianist (1934-1962, undated) Obituaries and tributes New Grove articles (photocopies): "Darmstadt," "Dartington Summer School," "Donaueschingen," and "International Society for Contemporary Music" 37-38 Books and Periodicals

The Books and Periodicals series consists of publications from Edward and Clara Steuermann's library.

Arrangement is alphabetical by author and title.

37-38 Books Dorian, Frederick 37 <emph render="italic">The History of Music in Performance: The Art of Musical Interpretation from the Renaissance to our Day</emph>. New York: W. W. Norton & Co., Inc., 1942.

[Dedication by the author, 1942] Kahn, Frida.

<emph render="italic">Generations in Turmoil</emph>. Great Neck, NY: Channel Press, Inc., 1960. Liebowitz, René <emph render="italic">Le compositeur et son double: Essais sur l"Interprétation musicale</emph>. Paris?: Éditions Gallimard, 1971. <emph render="italic">L"Évolution de la musique de Bach à Schoenberg</emph>. Paris: Éditions Corrêa, 1951. <emph render="italic">Histoire de l"opéra.</emph> Paris: Éditions Buchet/Chastel, 1957. <emph render="italic">Introduction à la musique de douze sons.</emph> Paris: L"Arche, 1949. Leibowitz, René and Konrad Wolff <emph render="italic">Kahn, Erich Itor: Un grand représentant de la Musique contemporaine</emph>. Paris: Éditions Buchet/Chastel, 1958. 38 <emph render="italic">The Song of Solomon</emph>. Jerusalem: Shulammite, n.d.

Gift from parents of Steuermann student named Silvya, April 28, 1952.

Viertel, Berthold <emph render="italic">Fürchte dich nicht!</emph> New York: Barthold Fles Verlag, 1941. <emph render="italic">Der Lebenslauf</emph>. New York: Aurora Verlag, 1946. Webern, Anton <emph render="italic">Briefe an Hildegard Jone und Josef Humplik</emph>. Wien: Universal Edition, 1959. 38 Periodicals 38 L"Approdo musicale, 19-20 (1965). Liebowitz, René. "Le mal du bon musicien," Le temps modernes, no. 192, p. 1739-1750. Musical Quarterly, Vol. 52, no. 1 (January 1966). 39-42 International Federation of Library Associations (IFLA)

The International Federation Of Library Associations (IFLA) series is represented by two subseries: Files of Clara Steuermann and IFLA Publications. Files of Clara Steuermann, manuscript and typescript with some printed matter (correspondence, reports, minutes, drafts, etc.). IFLA Publications, consisting of printed matter.

Arrangement is chronological by date or alphabetically by subject or title.

39-41 Files of Clara Steuermann, 1975-1981 39 By date 39 1975 (Abstracts, article: Music Libraries, by Miriam Miller) 1977 - Correspondence 1977 - Reports, forms 1978 - Reports, minutes, newsletter article 1979 - Correspondence, memoranda 1979 - Directories, organizational chart, newsletter 1980 - Correspondence, memoranda 1980 - Minutes, reports, newsletters 1981 - Correspondence, memoranda 1981 - Committee lists, program drafts, newsletters 39-41 By subject 39 American Library Association & Music Library Association (1979) Audio-Visual Media Working Group (1978-1979) 40 Brussels Congress (1977) Conservation Section (1978-1979) Copenhagen (1979) (3 folders) Manila (1979-1980) Round Table on Music in Libraries (1978-1981) Special Libraries (serial publication) (1978-1979) (incl. March 1978 issue) Special Libraries Division (1979-1980) 41 Strbske Pleso, Czechoslovakia, Congress (1978) (2 folders) 41-42 IFLA Publications 41 Directories (1976-1981) (3 folders) 42 IFLA Annual (1974-1979) 42 IFLA Journal (1975, Vol. 1, no. 1, to 1980, Vol. 6, no. 4) 41 Other publications, 1976-1981

Contents:

1976-1977 - Progress Report 1977 - Program & List of Participants at Brussels Congress 1978 - Council Meeting Program, Tour Program, and List of Participants, Strbské Pleso, Czechoslovakia; IFLA Publications list 1979 - Statutes & Rules of Procedure and ABC for IFLA officers 1981 - INSPEL, Vol. 15, no. 1 & 3 2 Miscellany

Includes photograph of Edward Steuermann, report card of Margarete Steuermann, and miscellaneous printed material.

Arrangement is by format.

2 Photographs of Edward Steuermann (multiple copies of single studio portrait) School report card of Margarete Steuermann (first wife of Edward Steuermann) Report on the Music Institute at Kenyon College, Summer 1945 [typescript] Black Mountain College Bulletin, Music Institute, Summer 1945