Fuori i barbari

http://hdl.loc.gov/loc.music/eadmus.mu010012 Mario Castelnuovo-Tedesco Papers Processed by the Music Division of the Library of Congress Music Division, Library of Congress

Washington, D.C.

2010 Guides to Special Collections in the Music Division of the Library of Congress

Catalog Record: http://lccn.loc.gov/2006579409

Finding aid encoded by Library of Congress Music Division, 2010 Finding aid written in English. Collection Summary Mario Castelnuovo-Tedesco Papers 1822-1998 (bulk 1920-1968) ML31.C39 Castelnuovo-Tedesco, Mario, 1895-1968 approximately 7,900 items 161 containers 71.0 linear feet Materials principally in Italian and English. Music Division Library of Congress

Washington, D.C.

This collection consists of materials related to the professional and personal activities of composer Mario Castelnuovo-Tedesco. It contains holograph music manuscripts, printed scores, libretti, writings, correspondence, business files, photographs, programs, clippings, and other items that document the life of this influential composer. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

People Bloch, Ernest, 1880-1959--Correspondence. Castelnuovo-Tedesco, Mario, 1895-1968--Archives. Castelnuovo-Tedesco, Mario, 1895-1968--Correspondence. Castelnuovo-Tedesco, Mario, 1895-1968--Criticism and interpretation. Castelnuovo-Tedesco, Mario, 1895-1968--Photographs. Castelnuovo-Tedesco, Mario, 1895-1968. Castelnuovo-Tedesco, Mario, 1895-1968. Castelnuovo-Tedesco, Mario, 1895-1968. Merchant of Venice. Castelnuovo-Tedesco, Mario, 1895-1968. Selections. Dallapiccola, Luigi, 1904-1975--Correspondence. Heifetz, Jascha, 1901-1987--Correspondence. Moldenhauer, Hans--Correspondence. Pizzetti, Ildebrando, 1880-1968--Correspondence. Rossi, Nick, 1924- Catalogue of works by Mario Castelnuovo-Tedesco. Rossi, Nick, 1924- --Correspondence. Rota, Nino, 1911-1979--Correspondence. Segovia, Andrés, 1893-1987--Correspondence. Strozzi, Memmi--Correspondence. Toscanini, Arturo, 1867-1957--Correspondence. Organizations Metro-Goldwyn-Mayer. Subjects Composers--Italy--Correspondence. Film composers--United States. Motion picture music. Form/Genre Clippings (Information artifacts) Correspondence. Financial records. Photographic prints. Programs (Documents) Administrative Information Provenance

Mario and Clara Castelnuovo-Tedesco first deposited music manuscripts at the Library of Congress in June 1966. A second agreement was signed in October 1970 and subsequent deposits from Clara continued until 1978. In February 2000, Lisbeth and Lorenzo Castelnuovo-Tedesco donated the remainder of the present scores, papers, and other materials to the Library.

Accruals

No further accruals are expected.

Processing History

The Mario Castelnuovo-Tedesco Papers were processed in 2009-2010 by Matthew Franke, Juliette Appold, and Christopher Hartten. The finding aid was coded for EAD by Christopher Hartten in March 2010.

Transfers

Sound recordings have been transferred to the Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division.

Related Material

A significant quantity of holograph manuscript scores, formerly on deposit, are cataloged in ML96.C34. Scores for several of the composer's works for violin are found in the Jascha Heifetz Collection (ML31.H4a). Additional scores of varying instrumentation are housed in the Moldenhauer Archives (ML31.M6).

Materials from the Mario Castelnuovo-Tedesco Papers are governed by the Copyright Law of the United States (Title 17, U.S.C.) and other applicable international copyright laws.

Access and Restrictions

The Mario Castelnuovo-Tedesco Papers are open to research. Correspondence between Mario Castelnuovo-Tedesco and his brother, Ugo Castelnuovo-Tedesco, from 1940-1947 is restricted until 2020. Two additional boxes of materials related to guitarist Andrés Segovia, principally correspondence and performance reviews, are also restricted. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.

Certain restrictions to use or copying of materials may apply.

Preferred Citation

Researchers wishing to cite this collection should include the following information: [item, date, container number], Mario Castelnuovo-Tedesco Papers, Music Division, Library of Congress, Washington, D.C.

Biographical Note Date Event 1895 April 3 Born, Florence, Italy 1909-1914 Studies at Instituto musicale Luigi Cherubini, Florence 1915 Composes war song, Fuori i barbari 1918 Receives "diploma di composizione" from Liceo musicale, Bologna 1923 Marries Clara Forti 1925 Son Pietro born 1926 Premiere performance of first opera, La mandragola, in Venice 1930 Son Lorenzo born 1931 Composes violin concerto, I profeti, for Jascha Heifetz 1932 Meets guitarist Andrés Segovia and begins composing for the guitar 1933 I profeti premiered by Arturo Toscanini and Jascha Heifetz in New York 1935 Composes incidental music for Savonarola 1938 Castelnuovo-Tedesco's work banned from radio in Italy 1939 Composes first guitar concerto for Andrés Segovia 1939 July Leaves Italy for the United States and takes up residence in Larchmont, NY 1940 Mother Noemi dies 1940 Travels to California and begins composing music for Hollywood film soundtracks 1943 Composes Sacred Service for Sabbath Eve 1944 Collaborates with Schoenberg, Stravinsky, Milhaud, and others on the Genesis suite 1946 Becomes a citizen of the United States 1953 Composes first work in a series of greeting cards on the names of dedicatees (op. 159 and 170) 1956 Composes opera after Shakespeare's The Merchant of Venice 1958 The Merchant of Venice wins the Davide Campari Prize – Concorso Internazionale La Scala 1959 Named distinguished guest professor at Michigan State University and lectures on the history of opera 1960 Composes the song cycle, Platero y yo, after the poetry of Jimenez 1961 Premiere performance of The Merchant of Venice at La Scala 1968 March 16 Dies, Beverly Hills, CA Scope and Content Note

The Mario Castelnuovo-Tedesco Papers span the period 1822-1998, with the majority of the materials dating from 1920-1968. The collection includes holograph and copyist music manuscripts, printed music, libretti, writings, personal and family correspondence, business files, photographs, programs, reviews, biographical materials, film music materials, and an assortment of books owned by the composer.

"Music" consists principally of holograph or copyist manuscripts and printed scores of Castelnuovo-Tedesco's compositions and arrangements. Many of these scores, especially the photocopied manuscripts, contain pencil or ink annotations in the hand of the composer. Works with opus numbers are distinguished from those without numbers and instrumentation is identified wherever possible. Much of this supplementary descriptive information is taken from the Catalogue of Works by Mario Castelnuovo-Tedesco by Nick Rossi. Included among the manuscripts are scores by students of Castelnuovo-Tedesco and various other composers, including Vittorio Rieti, Fernando Liuzzi, and Miklos Rozsa. Researchers are also encouraged to examine additional Castelnuovo-Tedesco manuscript materials in the Library of Congress that are closely affiliated with those from this collection. Nearly two hundred holograph scores deposited by the composer and his wife prior to 1979 are cataloged in ML96.C34, while other materials are located in the Jascha Heifetz Collection (ML31.H4a) and the Moldenhauer Archives (ML31.M6). Detailed references to these works are provided in the container list.

Castelnuovo-Tedesco's working scripts for operas, oratorios, ballets, incidental music for plays, and song cycles are arranged by opus number or title under "Libretti". Most of these materials are original adaptations of other texts: plays and poetry by Shakespeare, Savonarola, Wilde, and Alfieri, as well as the Bible. There is also a collection of texts for his abandoned Reconstruction Symphony. Scripts for films are located with the "Film music materials" series. "Writings" indexes Mario Castelnuovo-Tedesco’s published and unpublished literary works, as well as numerous substantial pieces about him by other authors. It includes drafts of books Una vita di musica, La penna perduta, and Under the Sign of Orpheus, as well as articles, essays, lectures, program notes, interviews, work lists, and musings on a variety of musical subjects. La sua fede, a bound volume of interviews with Clara Castelnuovo-Tedesco, and a revised, annotated copy of the Rossi Catalogue are standouts among the various writings about the composer.

"Correspondence" is categorically designated as "general" or "family," with the former arranged alphabetically within by correspondent. The general file chiefly contains letters to Castelnuovo-Tedesco or members of his family, with occasional attached drafts or copies of the composer's own letters. Notable correspondents include Ernest Bloch, Jascha Heifetz, Hans Moldenhauer, Ildebrando Pizzeti, Andrés Segovia, Arturo Toscanini, and many others. The largest of these files consists of letters between conductor and scholar Nick Rossi and Castelnuovo-Tedesco, as well as his family. Researchers are also advised to examine ML94 for additional letters between the composer and Pizzeti, Ernst Toch, Darius Milhaud, and others. Castelnuovo's handwritten logs of correspondence from 1947-1968 (box 128, folder 27) are especially useful points for departure. Family correspondence contains letters both to and from parents Amedeo and Noemi, sons Pietro and Lorenzo, wife Clara, and other extended family members and friends. Correspondence from Mario Castelnuovo-Tedesco appears first under each heading.

"Business files" contains files related to publishers, concert agents, recording companies, and film studios, arranged alphabetically by corporate name. Materials include contracts, correspondence, royalty statements, and receipts. A substantial portion of this material is between Castelnuovo-Tedesco’s heirs and the publishers. "Photographs" portray diverse experiences from the lives of various Castelnuovo-Tedesco family members. These images are loosely arranged by date, subject, or opus number. Included are portraits of Castelnuovo-Tedesco, snapshots of the composer with distinguished musical personalities (Cesar Cui, Walter Gieseking, Jascha Heifetz, and Igor Stravinsky), and production photographs from The Merchant of Venice, Aucassin et Nicolette, The Song of Songs, and other stage works.

Concert performances by Castelnuovo-Tedesco and performances of his works by others are documented in "Programs." Many are annotated by performers or include attached reviews. These programs continue for nearly thirty years after Castelnuovo-Tedesco’s death, culminating in the 1995 centenary concerts. Although the majority are arranged chronologically, a small subset are organized by performer or subject. "Reviews" contains clippings, telegrams, promotional materials, and other documents associated with performances of specific opus-numbered works. There are also several small scrapbooks related to particular works or concert tours, such as Castelnuovo-Tedesco’s 1924 concert tour as an accompanist to singer Salomea Kruceniski. Similar documents are also found in the "Merchant of Venice materials," a series of subject files directly related to its 1961 and 1966 staged productions.

"Biographical materials" is a topical array of financial, educational, military, and other personal documents related to Castelnuovo-Tedesco and his family members. It contains correspondence regarding the composer's emigration from Italy to the United States in 1939, including letters to Mussolini, D’Annunzio, and Alessandro Pavolini. Also included are naturalization papers, passports, datebooks, address books, lists of students, newspaper clippings, and notebooks from Castelnuovo-Tedesco's days as a student in Italy. "Film music materials" is a subject file of assorted scripts and materials, some annotated, related to motion pictures for which Castelnuovo-Tedesco composed music. The final series, "Bound materials owned by Mario Castelnuovo-Tedesco," contains annotated, inscribed, or specially bound books and scores that belonged to the composer.

Arrangement of the Mario Castelnuovo-Tedesco Papers

The Mario Castelnuovo-Tedesco Papers are organized in 12 series:

Music, 1905-1968 Libretti, 1920-1965 Writings, 1919-1997 Correspondence, 1908-1998 Business Files, 1915-1997 Photographs, circa 1900-1970s Programs, 1909-1995 Reviews, 1914-1996 Merchant of Venice Materials, 1954-1966 Biographical Materials, 1899-1977 Film Music Materials, 1941-1959 Bound Materials Owned by Mario Castelnuovo-Tedesco, 1822-1965 http://lccn.loc.gov/2006579409 Container List Container Contents 1-106 Music, 1905-1968 Works with opus number, 1910-1968 Op. 1: Cielo di Settembre (piano) Holograph manuscript score

see ML96.C34 no. 45

1/1 Printed score Op. 1: Cielo di Settembre (orchestra) 1/2 Holograph manuscript full score Op. 2: Questo fu il carro della morte (piano) Holograph manuscript score

see ML96.C34 no. 132

1/3 Printed score Op. 3: Le Roi Loys (voice, piano) Holograph manuscript piano-vocal score

see ML96.C34 no. 136

1/4 Printed piano-vocal score Op. 3: Le Roi Loys (voice, orchestra) 1/5 Holograph manuscript full score Op. 4: Ninna nanna (voice, piano) Holograph manuscript piano-vocal score

see ML96.C34 no. 127

1/6 Printed piano-vocal score Op. 4: Ninna nanna (voice, orchestra) 1/7 Printed piano-conductor score 1/8 Parts Op. 5: Fuori i barbari (voice, piano) 1/8 2 printed piano-vocal scores

Laid in: 2 postcards with printed text

Op. 6: Stella cadenti (voice, piano) 1/9 Printed piano-vocal score Op. 7: Coplas (voice, piano) 2/1 Printed piano-vocal score Op. 7: Coplas (voice, orchestra) 2/2 Holograph manuscript full score 63/1 Holograph manuscript full score 2/3-6 Parts Op. 8: Briciole (voice, piano) 3/1 Holograph manuscript piano-vocal score

see ML96.C34 no. 57

3/1 Printed piano-vocal score Op. 9: Il raggio verde (piano) Holograph manuscript score

see ML96.C34 no. 42

3/2 Printed score Op. 10: Signorine (violin, piano) Holograph manuscript score

see ML96.C34 no. 27

3/3 Printed score 3/3 Violin part Op. 11: 3 fioretti di San Francesco (voice, piano) 3/4 Printed piano-vocal score Op. 11: 3 fioretti di San Francesco (voice, orchestra) 3/5 Holograph manuscript full score 63/2 Holograph manuscript full score 3/6 Holograph manuscript piano-vocal score Op. 12: Alghe (piano) 3/7 Printed score Op. 12: Alghe (violin, piano) 3/8 Printed score Op. 13: I naviganti (piano) 4/1 Printed score Op. 14: Girotondo dei golosi (voice, piano) 4/2 3 printed piano-vocal scores Op. 15: Ritmi (violin, piano) 4/3 Printed score 4/3 Violin part Op. 16: Capitan Fracassa (violin, piano) Holograph manuscript score

see ML96.C34 no. 49

4/4 Printed score 4/4 Violin part Op. 17: Cipressi (piano) Holograph manuscript score

see ML96.C34 no. 67

4/5 Printed score 4/6 Printed score Op. 17: Cipressi (orchestra) 63/3 Holograph manuscript full score Op. 17: Cipressi (orchestra; 1940 version) 4/7 Holograph manuscript full score 63/4-5 Photocopied holograph manuscript full score 4/8-13 Parts

see also ML96.C34 no. 99

107/2 Op. 94: I giganti della Montagna 107/3-4 Op. 98: Aucassin et Nicolette 107/5 Op. 122: Sacred service for Sabbath eve 107/6-7 Op. 140: The book of Ruth 107/8 Op. 141: Evangelion 107/9-21 Op. 182: All's well that ends well 108/1-2 Op. 191: Saul 108/3-4 Op. 198: The importance of being ernest 108/5 Op. 200: The book of Esther Other works, 1954, undated 108/6 Jephtha and his daughter : a dramatic cantata 108/7-8 Miscellaneous excerpts

Includes: The odyssey (Homer); Ocho comedias y ocho entremeses, El rufián viudo, The interludes of Cervantes, Trampagos, and The widower bully (Cervantes)

108/9 Ode to Zion 108/10 Reconstruction symphony 108/11 Return to Zion 108/12 The song of Deborah 108/13 The tempest 108/14 Three psalms by Josephus 108/15-16 Tobias and the angel 108/17 The Trojan women 108/18-19 The Winter's tale 109-119 Writings, 1919-1997 Works by Mario Castelnuovo-Tedesco, 1919-1967 Books 109-113 Una vita di musica, 1967 Manuscript and typescript drafts, correspondence, partial English translations, and appendices 114/1-2 La penna perduta, 1939 Typescript drafts

Compilation of published articles by Mario Castelnuovo-Tedesco, prepared as a book

114/4-17 Under the sign of Orpheus, 1959 Manuscript and typescript drafts, correspondence, clippings, and other materials

Lecture series, prepared as a book

Articles 115/1 Alfredo Casella. La rassegna musicale, vol. 27, no. 3, (September 1957), pp. 201-204 Photocopied article 115/2 Alfredo Casella e il suo "terzo stile". Il pianoforte, vol. 6, no. 8-9, (August-September 1925), pp. 241-247 Photocopied article 115/3 Colloqui con Toscanini. Maggio musicale fiorentino, vol. 30, (1967), pp. 3-6 Printed article 115/4 From a lifetime in music: Puccini, Schoenberg, Stravinsky, and others. Grand Street, vol. 9, no. 1, (Autumn 1989), pp. 150-165 Printed article 115/5 Gianandrea Gavazzeni e "La casa di Arlecchino", 1957 Manuscript and typescript 115/6 The guitar, that beautiful and mysterious instrument... ., 1958 June Manuscript and typescript

Liner notes for Segovia: Golden Jubilee. Decca, 1958

115/7 Ildebrando Pizzetti e la sua musica corale. Il pianoforte, vol. 2, no. 8, (August 1921), pp. 233-240 Photocopied article 115/8 Incontri letterari. Letteratura, vol. 3, no. 3-4, (January-April 1955), pp. 53-65 Photocopied article 115/9 Jewish background of an exiled musician. The American Jewish Outlook, (July 26, 1940) Printed and photocopied articles

Also published as: My musical background. The Southern Israelite, (1940), and as Modern composer tells story of life. The Jewish Press, (June 21, 1940)

115/10 Kurvenaldo, 1957 Manuscript and typescript

Published in Testimonianze per Loria. Letteratura, no. 30, (1957), pp. 22-30

115/11 Leggendo "Les noces" di Strawinski. Il pianoforte, vol. 8, no. 1, (January 1927), pp. 15-25 Photocopied article 115/12 Lettera da firenze. Il pianoforte, 1921-1929 13 photocopied articles 115/13 Mendelssohn, 1964? Manuscript and typescript

Published in Enciclopedia de la musica, 1964

115/14 Il mercante di Venezia. Maggio musicale viorentino, vol. 24, (1961), pp. 23-26 Printed article 115/15 Modern Italian music. Boston Evening Transcript, (December 16, 1939) Manuscript, typescript, and printed article

Title on manuscript: About modern Italian music and about myself

115/16 Mozart a firenze, 1935 Typescript

Published in Illustrazione toscana e dell’Etruria, 2nd ser., vol. 13, (1935), pp. 37–40

115/17 Music and movies, 1940 February 29 Manuscript and typescript 115/18 Problems in writing songs, 1939 November 19-20 Manuscript and typescript

Published as: Music and poetry: problems of a writer of songs. Musical Quarterly, v. 30, no. 1 (January 1944), pp. 102-111

115/19 Music for the synagogue. Journal of Synagogue Music, vol. 5, no. 3, (December 1974), pp. 9-15 Printed article 115/20 Music of the times: a composer on writing concertos. New York Times, (October 29, 1939) Manuscript, typescript, and printed article 115/21 My experiences in Jewish music. Jewish Music Notes, (May 1951), pp. 3-4 Manuscript, typescript, and printed articles

Revised version published in Jewish Music Notes, (October 1951), p. 3

115/22 The overture-form in the music of today. Musical America, (February 10, 1940), pp. 108-110 Manuscript, typescript, and printed article

Title on manuscript: About writing overtures

115/23 La "Pisanella" di I. Pizzetti. La critica musicale, vol. 2, no. 9-10, (September-October 1919), pp. 157-169 Photocopied article 115/24 Pizzetti visto da lontano, 1956 March 19 Manuscript

Laid in: Typescript letters to Mario Castelnuovo-Tedesco, 1955-1956

Published in La citta dannunziana a Ildebrando Pizzetti, ed. M. la Morgia, 1958

115/25 Schubert, undated Manuscript and typescript

Published in Encyclopedia musicale

115/26 Schubertiade, circa 1932? Manuscript 115/27 Schumann, 1964 Manuscript and typescript

Published in Enciclopedia de la musica, 1964

115/28 Shakspere [sic] and music. Shakespeare Association Bulletin, vol. 15, no. 3, (July 1940), pp. 166-174 Manuscript and printed article 115/29 To the music editor: the Italian overture. New York Times, (April 14, 1940) Typescript and printed article 115/30 Una lettera dall' Americirca Firenze a Ildebrando Pizzetti, (March 1947) Photocopied article Program notes 116/1 Op. 94: I giganti della montagna Manuscript and typescript

Undated

116/2 Op. 98: Aucassin et Nicolette Manuscript, typescript, and printed notes

Undated

Published as "The American premiere of Aucassin and Nicolette." The Composer and Conductor, vol. 6, no. 3 (February 1964), p. 1

116/3 Op. 115: The birthday of the infanta Manuscript

Undated

116/4 Op. 151: The book of Jonah Manuscript

Undated

116/5 Op. 164: Overture to Much ado about nothing Manuscript and typescript, with photocopied musical examples

Undated

116/6 Op. 172: The song of songs Manuscript and typescript

On p. 5 of typescript: 18 Giugno, 1955

116/7 Op. 181: The merchant of Venice Manuscript and typescript

Undated

Published as "Confessioni di un autore: Il mercante di Venezia." Maggio musicale

116/8 Op. 188: Il bestiario Manuscript and typescript

Undated

116/9 Recordings of Mario Castelnuovo-Tedesco for RCA Victor Typescript

Undated

Miscellany 116/10 Catalogo delle compositioni, 1933 November 26 Bound photocopies of manuscripts; 3 vols. 116/11 Ideas about musical criticism, undated Typescript 116/12 Interviews with Mario Castelnuovo-Tedesco, 1928, 1939 Typescript and printed articles 116/13 The Jewish chapter of my autobiography, 1940 Manuscript and typescript 116/14 Lists of works and performances, undated Manuscript and typescript 116/15 Melodia (e thema), undated Manuscript and typescript 116/16 Music and poetry: problems of an opera composer, 1952 Manuscript

Lecture for the American Musicological Society

116/17 Music under Italian fascism, 1944 Manuscript

Lecture for the Musicians Congress

116/18 Notes on composers, undated Manuscript 116/19 Office of War Information broadcast, 1944 Manuscript 116/20 Perfezione di Mozart, undated Manuscript and typescript 116/21 Postscriptum [for his article on Pizzetti], 1960 August 21 Manuscript and typescript 116/22 Reminiscences of Italian festivals, undated Manuscript and typescript Works about Mario Castelnuovo-Tedesco by others, 1925-1997 Books 117/1 Rossi, Nick. Catalogue of works by Mario Castelnuovo-Tedesco. New York : The International Castelnuovo-Tedesco Society, 1997 Annotated

Laid in: Rossi, Nick. "The evolution of the complete catalogue"

117/2-3 La sua fede. UCLA, 1982 2 copies

Clara Castelnuovo-Tedesco interviewed by R. Andrade

On title page: completed under the auspices of the Oral History Program

117/4-9 Taylor, Robert. Mario Castelnuovo-Tedesco: complete bibliography (up to 1962), [1962] Annotated typescript drafts and bound volumes

On cover of final revision: June 17, 1966

118/1-6 Westby, James. Castelnuovo-Tedesco in America: The film music. UCLA, 1994 Typescript draft, photocopied musical examples, and filmography Articles 119/1 Burns, Jeffrey. Le opere di Mario Castelnuovo-Tedesco, trans. Maria L. Lazzarini. [unidentified publication], pp. 68-69 119/2 Colacicchi, Luigi. "Prestiti e affiti" musicali. Musica, pp. 135-140

Laid in: letter from Colacicchi to Mario Castelnuovo-Tedesco, 1944 December 5

119/3 Gatti, Guido M. Musicisti italiani: Mario Castelnuovo-Tedesco. La critica musicale, vol. 1, no. 10-11,(October-November 1918), pp. 197-206 119/3 Gatti, Guido M. Ricordo di Mario Castelnuovo-Tedesco. Estratto annuario accademia nazionala di S. Cecilia, (December 1969), 10 p. 119/4 Gilardino, Angelo. Ricordi di Mario Castelnuovo-Tedesco. Strumenti and musica, vol. 21, no. 4, (1968), pp. 30-32

Laid in: correspondence with Pietro Castelnuovo-Tedesco, 1995

119/4 Gilardino, Angelo. Un fiorentino a Beverly Hills. Seicorde, vol 10, no. 53, (September-October 1995), pp. 24-33 119/5 Grossman, Emery. Mario Castelnuovo-Tedesco: contemporary composer. Temple Israel Light, pp. 10-11 119/6 Liuzzi, Fernando. Un articolo di solaria, quaranta anni fa Mario Castelnuovo-Tedesco. Portico d'Ottavia, no. 7-8, (February-April 1968), pp. 53-58 119/6 Liuzzi, Fernando. Mario Castelnuovo-Tedesco. Italien Sonderheft des Anbruch, vol. 7, (August-September 1925), pp. 408-440 119/7 Lubin, Ernest. A neglected Impressionist: Castelnuovo-Tedesco. Clavier, vol. 10, no. 2, (February 1971), pp. 29-31 119/8-9 Miscellaneous articles, 1939-1947, 1958-1967, 1985-1991 119/10 Purcell, Ronald C. Mario Castelnuovo-Tedesco and the guitar. Guitar Review, no. 37, (1972), pp. 2-4 119/11 Reeves, David. The piano works of Mario Castelnuovo-Tedesco. Piano and Keyboard, no. 176, (October 1995), pp. 29-33

Laid in: correspondence with Pietro Castelnuovo-Tedesco, 1995

119/12 Rossi, Nick. The choral masterpieces of Mario Castelnuovo-Tedesco. The Choral Journal, (November 1976), pp. 5-8 119/12 Rossi, Nick. A musical portrait of Italy. Keyboard Classics, (March-April 1982), pp. 10-12 119/13 Scalin, Burton. Old Testament works by Mario Castelnuovo-Tedesco. Tatzlil, vol. 9, no. 10, (1976), pp. 19-24 119/13 Scalin, Burton. Some biblically-inspired and liturgical compositions of Mario Castelnuovo-Tedesco, [circa 1975?] 119/14-15 Takahashi, Isao, 1954, 1968, unidentified dates 6 articles from various Japanese publications Miscellany 119/16 International Castelnuovo-Tedesco Society, 1973-1985 Correspondence and publications 119/17 List of recordings, undated Principally photocopied catalog cards 119/18 Rossi, Nick, undated Program notes 120-138 Correspondence, 1908-1998 General correspondence, 1922-1998 120/1 Abreu, Sergio, 1969-1975 120/2 Afshar, Lily, 1990-1994 120/3 Albersheim, Erna, 1948-1967 120/4 Albersheim, Gerhard, 1975-1987 120/5 Almeida, Laurindo, 1970-1974 120/6 Barber, Samuel, 1940s 120/7 Barbosa-Lima, Carlo, 1979-1981 120/8 Barbirolli, John and Evelyn Rothschild, 1941-1967 120/9 Barr, Cyrilla, 1997 120/10-11 Behrend, Siegfried, 1952-1990 120/12 Bennett, Lynette, 1997 120/13 Berenson, Bernard, 1934-1941 120/14 Berman, Judith, 1978-1979, 1994 120/15 Bernstein, Leonard, 1955 120/16 Bianchi-Banclinelli, R., 1946 120/17 Black, Richard, 1995-1996 120/18 Blanchard, Henry, 1939-1940 120/19 Bloch, Ernest, 1939-1940 120/20 Blumenthal, Daniel, 1994 120/21 Bocchi, Sauro, 1995 120/22 Bocchino, Alberto, 1994 120/23 Bonaguri, Piero, 1995 120/24 Bonucci, Arturo, 1997 120/25 Botto, Andrea, 1997-1998 120/26 Boudounis, Evangelos, 1970-1971 120/27 Bronkhorst, Julia, 1998 120/28 Brostoff, Neal, 1994 120/29 Browning, Winslow, 1996-1998 120/30 Bucci, Carlo Alberto, 1995 121/1 Cagli, Corrado, undated 121/2 Caporali, Rodolfo, 1995 121/3 Capra, Marco, 1996-1997 121/4 Casella, Alfredo, 1945 121/5 Charnofsky, Jordan, 1997 121/6 Chertok, Pearl, 1972 121/7 Clurman, Judith, 1993-1998 121/8 Coen, Massimo, 1996 121/9 Colacicchi, Giovanni, 1945-1946 128/25 Condolence letters after Mario Castelnuovo-Tedesco's death, 1968 121/10 Coolidge, Elizabeth Sprague, 1938 128/26 Correspondence from various guitarists, 1953-1971, 1981-1983 128/27 Correspondence logs by Mario Castelnuovo-Tedesco, 1947-1968 121/11 Costa, Maria Lucia, 1997 121/12 Crowson, Gerald, 1997 121/13 Dallapiccola, Luigi, 1945 121/14 D’Amico, Fedele, 1969 121/15 D'Annunzio, Gabriele, 1929 121/16 Dickstein, Marcia, 1992-1995 Dilocco, Francesco

see Bucci, Carlo Alberto

121/17 Downes, Olin, 1940, 1950 121/18 Duarte, John, 1967-1978 121/19 Dunham, Katherine, 1948 121/20 Durante, Sergio, 1997 121/21 Enos, Joseph, 1954 121/22 Escovado, Robin, 1995 121/23 Estarellas, Gabriel, 1970-1974 121/24 Farrell, Eileen, 1964 121/25 Fischer-Dieskau, Dietrich, 1971-1974 121/26 Fisk, Elliot, 1994-1996 121/27 Fogo, Byron, 1994 121/28 Ford, John Scott, 1994 121/29 Frampton, Robert, 1997 121/30 Gavazzeni, G., 1954-1958 121/31 Gelenbe, Deniz Arman, 1994-1996 122/1-3 Gilardino, Angelo, 1967-1995 122/4 Gordon, Eric, 1997 122/5 Gray, Dorothy Landis, 1993-1996 122/6 Green, Noreen, 1995 122/7 Grey, Madeleine, undated 122/8 Gui, Vittorio, 1960-1964 122/9 Heifetz, Jascha, 1926-1944 122/10 Herbst, Jerry, 1945 122/11-12 Higham, Peter, 1975-1981, 1993-1994 122/13 Kahan, Sylvia, 1993 122/14 Kipnis, Igor, 1994-1996 122/15 Koonce, Frank, 1995 122/16 Kotzia, Eleftheria, 1994 123/1 Labroca, Mario, 1949-1957 123/2 Lavry, Marc, 1954 123/3 Lehmann, Azumi, 1996 123/4 Lehmann, Lotte, 1952 123/5 Leinsdorf, Erich, 1955 123/6 Leisner, David, 1995 123/7 Lemieux, Robert, 1983 123/8 Levitch, Leon, 1982-1995 123/9 Litante, Judith, 1955 123/10 Liuzzi, Fernando and Paula, 1927, undated 123/11 Liuzzi Archive, 1972 123/12 Lloyd-Webber, Julian, 1995 123/13 Loria, Arturo, 1949-1955 123/14 Louisville Symphony Orchestra, 1953-1956 123/15 Lubin, Ernest, 1949-1975 123/16 Ma, Yo-Yo, 1993-1995 123/17 Maggio Musicale, 1949-1967 123/18 Maiorca, Giuseppe, 1997 123/19 Maldi, Lamberto, 1971 123/20 Mallarme Chamber Players, 1988-1997 123/21 Margaria, Guido, 1971 123/22 Mariano, Nicky, 1965-1966 123/23 Mastik, Martin, 1993-1995 123/24 Mastrocinque, Mariadele, 1998 123/25 Matsuda, Jiro, 1967-1980 123/26 Mayer, Abe, 1942-1946 123/27 Menotti, Giam Carlo, 1956 123/28 Mercado, Andrés, 1994 123/29 Merkin Concert Hall, 1995 123/30 Mitropoukos, Dmitri, 1940 123/31-32 Moldenhauer, Hans, 1958-1980 123/33 Molinari, Jorge, 1972 123/34 Monteux, Pierre, 1945-1947 128/28-29 Miscellany, 1922-1928, 1940-1952, 1961-1966, 1979-1996, undated 123/35 Mundi, Charles, 1957 123/36 Mysior, Ilana, 1976 124/1 Napoli, Jacopo, 1950-1967 124/2 Nathan, Robert, 1971-1973 124/3 National Jewish Music Council, 1965 124/4 Nestor, Gregg, 1974-1977 124/5 Nixon, Marni, 1972, 1994 124/6 Orselli, Cesare, 1977-1995 124/7 Otero, Corazon, 1983-1995 124/8 Pagliarini, Maurizio, 1996 124/9 Parigi, Angelo, 1940 124/10 Parkening, Christopher, 1966 124/11 Passigli, Franco, 1968-1971 124/12 Perlman, Itzhak, 1993 124/13 Pisani, Michael V., 1994-1995 124/14 Pizzetti, Ildebrando, 1940-1947 124/15 Ponsillo, Cinzia, 1996 124/16 Previn, Andre, 1993-1995 124/17 Purcell, Ron, 1969-1996 124/18 Ramos, Manuel Lopez, 1966 124/19 Rawitz, Benjamin, 1990 124/20 Reed, H. Owen, 1969 124/21 Rosselli, Amelia, 1936-1953 125/1-7 Rossi, Nick, 1963-1966 126/1-13 Rossi, Nick, 1967-1993, undated 127/1 Rota, Nino, 1939-1978 127/2 Sacchetti, Arturo, 1972 127/3 Sacjs, Harvey, 1985-1991 127/4 Sagra Musicale Umbra, 1957 127/5 Scalin, Burton, 1974-1979 127/6 Scardovi, Stefano, 1996-1997 127/7 Schonberg, Harold C., 1963 160-161 Segovia, Andrés, 1950s-1980s

RESTRICTED

127/8 Segovia, Emilita, 1989-1996 127/9 Sellers, Michael, 1997 127/10 Sergo, Emanuel, 1989-1997 127/11 Sherman, Robert, 1995 127/12 Siegel, Alvin, 1969 127/13 Slonimsky, Nicolas, 1959-1961 127/14 Snijders, Trins, 1993 127/15 Sohayda, Jan, 1993 127/16 Solow, Davida and Jeffery, 1996 127/17 Soltes, Auraham, 1970 127/18 Spaulding, Albert, 1937-1942 127/19 Spivakosky, Tossy, 1942-1953 127/20 Stein, Herman, 1957 127/21 Steinberg, William, 1959 127/22 Stevens, Delores, 1995 127/23 Stokowski, Leopold, 1945 127/24-32 Strozzi, Memmi, 1939-1950, undated 127/33 Swing, Raymond Gram, 1940 127/34 Szigeti, Joseph, 1945 128/1 Takahashi, Isao, 1953-1969 128/2 Tallini, Arturo, 1994-1996 128/3 Thiel, Jean, 1969-1970 128/4 Tinturin, Glenn, 1994 128/5 Torsiglieri, Massimiliano, 1995 128/6 Toscanini, Arturo, 1929-1949 128/7 Toscanini, Elaine, 1991-1993 128/8 Toscanini, Walter, 1939-1940 128/9 Trompetter, Amy, 1995 128/10 Tulan, Fredrik, 1966-1975 128/11 UCLA Department of Theater Arts, 1962, 1971 128/12 Vannucci, Marcello, 1970-1973 128/13 Vlad, Roman, 1971-1972 128/14 Waterhouse, John, 1974-1976 128/15 Waxman, Franz, 1964 128/16 Weber, Roland von, undated 128/17 Weiss, Sidney, 1993 128/18 Westby, James, 1992-1998 128/19 Williams, John, 1961-1968 128/20 Wolfram, William, 1995 128/21 Woodfull-Harris, Douglas, 1990-1992 128/22 Yates, Stanley, 1995 128/23 Zeisl, Eugene, 1961 128/24 Zigante, Frederic, 1995 128/30 Unidentified Family correspondence, 1908-1984 Castelnuovo-Tedesco, Amedeo and Noemi 129/1-41 Mario to Amedeo and Noemi, 1911-1940 130/1-46 Mario to Amedeo and Noemi, 1941-1947 131/1-69 Amedeo to Mario, 1939-1947 Castelnuovo-Tedesco, Clara 136/8-20 Mario to Clara, 1937-1941, 1952-1957 137/1-7 Clara to Mario, 1940-1942, undated 137/8 Clara, Pietro, and/or Lorenzo to Mario, 1940 November 137/9-11 Others to Clara, 1939-1970 Castelnuovo-Tedesco, Lorenzo 136/6 Lorenzo to Mario, 1940-1941, 1964 136/7 Unidentified letter about Lorenzo, 1935 August Castelnuovo-Tedesco, Pietro 132/1-19 Mario and Clara to Pietro, 1938-1953 133/1-32 Mario and Clara to Pietro, 1954-1942 134/1-14 Pietro to Mario and Clara, 1944-1947 135/1-11 Pietro to Mario and Clara, 1948-1966 135/12 Pietro to Mario and Clara, undated, circa 1940s? 136/1 Pietro to Mario and Clara, undated, circa 1948-1950? 136/2 Pietro to Mario and Clara, undated 136/3 Pietro to Clara, 1969, 1976, 1981-1984 136/4 Pietro to others, 1942 136/5 Others to Pietro, 1940-1946, undated Other family members and friends Castelnuovo-Tedesco, Adriana 138/1-9 Mario to Adriana, 1960-1968 Castelnuovo-Tedesco, Guido 138/10-28 Mario to Guido, 1941-1959 Castelnuovo-Tedesco, Guido and Adriana 138/29 Guido and Adriana to Mario, 1940-1948 Castelnuovo-Tedesco, Lisbeth

see Miller, Lisbeth

Castelnuovo-Tedesco, Ugo 138/30-31 Ugo to Mario, 1939-1952

RESTRICTED until 2020

Emilia 138/32 Emilia to Mario, 1945-1947 Giuseppina, Nonna 138/33-34 Nonna to Clara, 1939-1941 Lilly 138/35 Lilly to Mario, 1940-1946 Marta 138/36 Marta to Mario, 1959-1941 Michele 138/33 Michele to Mario, 1942-1945 Miller, Lisbeth 138/38 Lisbeth to Mario, 1959-1964 Other family members or friends 138/39 Mario to others, 1963 138/40 Others to Mario, 1908, 1940-1947, 1961 Stone, Mr. and Mrs. Samuel 138/41 Mario to Stone family, 1954-1957 139-142 Business Files, 1915-1997 ABC Concerts 139/1 1994-1996 Affiliated Musicians, Inc. 139/2 1952-1953 Agenzia International Concerti 139/3 1952 American Music Edition 139/4 1954-1959 ASCAP 139/5-6 Correspondence, 1940-1995 139/7-9 Payment records, 1951-1967 139/10 Payment stubs, 1965-1996 139/11 Writer Performance Records, 1952, 1956-1958, 1963-1968 Associated Music Publishers 139/12 1940-1971 BBC 139/13 1961 Becker / Fehr 139/14 1916-1919 Belwin Mills 139/15 1975-1979 Musicverlag Anton J. Benjamin 139/16 1972-1979 Bèrben 139/17-18 1963-1966 C.C. Birchard and Co. 139/19 1945-1949 Boosey and Hawkes 139/20 1941-1959 Bote and Bock 139/21 1957-1995 Bruzzichelli, Aldo 139/22 1967-1995 Cal Arts 140/1 1963-1967 Carrisch 140/2 1931-1939 Chanterelle 140/3 1992-1993 J. and W. Chester 140/4 1921-1991 Collins Jr., W. Ovid 140/5 1972-1994 Columbia Pictures 140/6 1946 Crystal Records 140/7 1994-1997 Curci 140/8 1927 Delkas 140/9 1943-1946 Editions Orphée 140/10 1988 Elkan 140/11 1949-1959, 1992 EMI 140/12 1991-1992 Encore Consultants 140/13 1994-1996 Eschig 140/14 1965-1971 Carl Fischer 140/15 1931-1973 Forlivesi 140/16 1915-1967 140/17-18 Correspondence, 1949-1995 140/19 Financial documents, 1916-1976 Galaxy Music 141/1 1950-1964 141/2 Contracts, 1940-1955 141/3 Correspondence, 1940-1949 General Music 141/4 1967-1976 Mitchell Gertz 141/5 1946-1952 H. W. Gray 141/6 1951-1953 Hebrew Union College 141/7 1962-1964 Klauss Heymann 141/8 1992-1995 Leeds Music Co. 141/9 1949-1964 Lyra Music Co. 141/10 1992-1993 Edward B. Marks 141/11 1958-1966 McLaughlin and Reilly Co. 141/12 1968 Mercury 141/13 1948-1959 Michigan State University 141/14 1959 MGM 141/15 1941-1942 Mills Music, Inc. 141/16 1950-1967 Miscellaneous contracts 141/17 1946-1965 Monstrous Movie Music 141/18 1998 Morini, Albert 141/19 1937-1940 Edwin H. Morris and Co. 141/20 1953-1956 Musikstrasse 141/21 1994 Popular Pictures, Inc. 142/1 1945 RAI (Radia Italiana) 142/2 1948-1952 Record companies 142/3 1952-1978 Ricordi 142/4 1925-1938 142/5 Contracts, 1940-1961 142/6-9 Correspondence, 1939-1997 142/10 Miscellany, 1947-1948 Rubinstein-Lambro 142/11 1964-1970 La Scala 142/12 1954-1963 G. Schirmer 142/13 1951-1971 Schott 142/14 1932-1934 Senart 142/15 1926 Società italiana degli autori ed editori 142/16-17 1924-1933, 1939-1940 Suvini Zerboni, Inc. 142/18 1968-1994 Tarpinian / Alexander Bronde / Israeli Music Publishing 142/19 1951-1979 Transcontinental Music 142/20 1980-1995 Twentieth Century Fox 142/21 1949 Universal Edition 142/22 1926-1939, 1972, 1994 UPA Cartoons 142/23 1956 Weaner-Levant 142/24 1942-1947 143-146 Photographs, circa 1900-1970s 143/1 before 1900 and 1900s 7 photographs 143/2 1901 1 photograph 143/3 1908 6 photographs 143/4 1910 3 photographs, negatives 143/5 1916 1 photograph 143/6 1921 4 photographs, negatives 146/1 1921 1 photograph 143/7 1924 1 photograph 143/8 1925 11 photographs, negatives 143/9 1926 3 photographs 143/10 1928 3 photographs 143/11 1930s 16 photographs, negatives 143/12 1930s 8 photographs, negatives

Includes: J. Heifetz and C. Cui

143/13 1931 1 photograph-postcard, negatives 143/14 1932 10 photographs, negatives 143/15 1933 9 photographs

Includes: A. Toscanini

143/16 1934 Negatives 143/17 1935 5 photographs, negatives 143/18 1936 2 photographs, negatives 143/19 1937 Negatives 143/20 1938 5 photographs, negatives 143/21 1939 14 photographs, negatives 143/22 1938 or 1940 1 photograph, negatives 143/23 1940s 19 photographs, negatives 143/24 1940s 8 photographs, negatives 144/1 1940 5 photographs 144/2 1941 3 photographs 144/3 1946 6 photographs 144/4 1947 10 photographs 144/5 1948 1 photograph 144/6 1949 2 photographs 144/7 1950s 28 photographs 144/8 1950 3 photographs 146/2 1950 1 photograph 144/9 1954 3 photographs 144/10 1955 22 photographs, negatives

Includes: I. Stravinsky, W. Gieseking

144/11 1956 11 photographs 144/12 1957 7 photographs 146/3 1957? 1 photograph 144/13 1958 12 photographs 146/4 1958 1 photograph 146/5 1958 1 photograph 144/14 1959 6 photographs 146/6 1959 1 photograph 144/15 1960s 27 photographs, negatives 144/16 1960 6 photographs 146/7 1968 1 photograph 146/8 1968 1 photograph 144/17 1970s 4 photographs 144/18 Mario Castelnuovo-Tedesco, undated 3 photographs, negatives

Includes: portrait

144/19 Noemi Castelnuovo-Tedesco, undated 8 photographs 144/20 Op. 98: Aucassin et Nicolette 12 photographs 144/21 Op. 172: The song of songs 14 photographs 145/1 Op. 181: The merchant of Venice 24 photographs

Possibly from the premiere

145/2 Op. 181: The merchant of Venice, Act I 12 photographs

Possibly from the premiere

145/3 Op. 181: The merchant of Venice, Act II 21 photographs

Possibly from the premiere

145/4 Op. 181: The merchant of Venice, Act III 16 photographs

Possibly from the premiere

146/9 Unidentified, circa early 1900s Orchestra, 1 photograph 146/10 Unidentified, circa early 1900s Orchestra, 1 photograph 145/5 Unidentified and/or undated, 1952 Stages and costumes, 28 photographs 145/6 Unidentified and/or undated Negatives 145/7 Unidentified and/or undated 29 photographs

Includes: N. Rossi, A. Gilardino, S. Behrend, A. Schweitzer

145/8 Unidentified and/or undated 13 photographs 147-152 Programs, 1909-1995 Programs by date, 1909-1995 147/1-9 1909-1929 148/1-8 1930-1940 149/1-10 1941-1959, 1960s 150/1-7 1960-1970 151/1-6 1971-1989 152/1-4 1990-1995, undated Programs by performer or subject, 1929-1995 152/5 Behrend, Siegfried, 1955-1959, 1969-1980, undated 152/6 Centenial concerts, London and Florence, 1995, undated 152/7 Gieseking, Walter, 1954-1956, undated 152/8 Heifetz, Jascha, 1934, 1950-1955, 1970, undated 152/9 Mario Castelnuovo-Tedesco performances, 1929-1930, 1939

Principally with Madeleine Gray

152/10 Mario Castelnuovo-Tedesco performances, 1942-1962 152/11 Radio performances, 1954-1961, undated 152/12 Tonazzi, Bruno, 1952 152/13 Transcriptions, 1942-1954, undated 153-155 Reviews, 1914-1996 Works with opus number, 1915-1996 153/1 Op. 5: Fuori i barbari 153/2 Op. 7: Coplas 153/3-4 Op. 17: Cipressi 153/5 Op. 18: La sirenetta e il pesce turchino 153/6-9 Op. 20: La mandragola 154/1 Op. 30/1: Alt Wien 154/2 Op. 31: Concerto italiano 154/3 Op. 39: Bacco in Toscana 154/4 Op. 66: I profeti 154/5 Op. 81: Savonarola 154/6 Op. 92: Concerto for piano no. 2 154/7-8 Op. 98: Aucassin et Nicolette 154/9-10 Op. 99: Concerto for guitar and orchestra 154/11 Op. 104: Stars 154/12 Op. 115: The birthday of the infanta 155/1 Op. 116: Indian songs and dances 155/2 Op. 122: Sacred service for Sabbath eve 155/3 Op. 136: The Octoroon Ball 155/4 Op. 137: Naomi and Ruth 155/5 Op. 143: Guitar quintet 155/6 Op. 146: Concerto da Camera 155/7 Op. 158: Morning in Iowa

Laid in: manuscript copy of poem with annotations

155/8 Op. 161: The Queen of Sheba 155/9 Op. 172: The song of songs 155/10 Op. 186: Vogelweide 155/11 Op. 198: The importance of being ernest Other reviews, 1914-1937 155/12 Kruceniski tour, 1915

Includes reviews of Fuori i barbari

155/13-14 Miscellaneous reviews, 1914-1926, 1937 156 Merchant of Venice Materials, 1954-1966 156/1 Campari Competition documents, undated 156/2-4 Clippings, 1958-1966 156/5-9 Correspondence, 1958-1966 156/10 Libretto, draft, 1954 156/11 Libretto, printed, undated 156/12 Programs and production materials, 1959-1966, undated 157-158 Biographical Materials, 1899-1977 157/1 Certificates and awards, 1944-1948, undated 157/2 Clippings, 1911-1961, undated 157/3 Date books, address books, passports, 1948-1966, undated 157/4 Description of home and list of possessions, 1945, undated 157/5 Emigration documents and correspondence, 1938-1939, undated

Includes letter to Mussolini

157/6 Expense books, 1944, 1966-1967, undated 157/7 Family estate documents, 1942-1953, undated 157/8 Financial documents, 1939-1941, 1951-1953, 1961-1964, 1977, undated 157/9 Funeral documents, 1968 158/1 Genealogy documents, 1938 158/2 Income tax returns, 1940-1954 158/3 Insurance policies and receipts, 1899-1936, undated 158/4 Letters to government officials, 1938-1942, undated 158/5 List of scores given to Roman Vlad, 1940 158/6 List of students, 1951-1964, undated 158/7 Marriage certificate [Mario and Clara Castelnuovo-Tedesco], 1929, 1939, 1947, undated 158/8 Military service documents, 1915-1918 158/9 Music education records and correspondence, 1906-1918 158/10 Music exam correspondence, 1922 158/11 Music school and student notebooks, undated 158/12 Naturalization papers, 1942-1946 158/13 Obituaries, 1968-1974, 1995, undated 158/14 Performance logs, 1939-1940 158/15 School records, 1906-1918 158/16 War ration books, undated 159 Film Music Materials, 1941-1959 159/1 The day of the fox [UPA, 1948] 159/2 Desire me [MGM, 1947] 159/3 Etiquette [undated] 159/4 The long wait [Parklane Pictures, 1954] 159/5 The loves of Carmen [Columbia, 1948] 159/6 Miscellany, 1941, 1958-1959 159/7 Secret command [Torneen, 1944] 159/8 Sergeant Mike [Columbia, 1944] 159/9 Strictly dishonorable [MGM, 1951] 159/10 Time out of mind [Universal, 1947] 159/11 Undercurrent [MGM, 1946] Bound Materials Owned by Mario Castelnuovo-Tedesco, 1822-1965 Materials annotated by Mario Castelnuovo-Tedesco, 1822-1957 Canti populari toscani, ed. by Giuseppe Tigri. Florence : Barbèra, Bianchi e Co., 1860. Euripides. The Trojan women, transl. by Gilbert Murray. Oxford : Blackwell's, 1925. Hindemith, Paul. Traditional harmony. New York : Associated Music, 1944. Holy Bible. New York : Oxford University Press, undated Jiménez, Juan Ramón. Platero and I, transl. by Eloise Roach. Austin : University of Texas, 1957. Nathan, Robert. Morning in Iowa. New York : A.A. Knopf, 1944. Pentateuch with haftaroth and five megiloth, transl. by Alexander Harkavy. New York : Hebrew Publishing, undated Redi, Francesco. Poesie toscane. Firenze : Leonardo Ciardetti, 1822. Riemann, Ugo. Storia universale della musicirca Torino : Societa Tipografico, 1922. Shakespeare, William. As you like it. New York : Bigelow Smith and Co., 1909. Shakespeare, William. The merchant of Venice, ed. by A. W. Verity. Cambridge : University Press, 1951. Shakespeare, William. The tempest, ed. by M. R. Ridley. New York : E.P. Dutton and Co., 1948. Shakespeare, William. The Winter's tale, ed. by J. H. Lobban. Cambridge : University Press, 1950. Shelley, Percey Bysshe. The Poetical works of Percy Bysshe Shelley, vol. 1. Introduction by A.H. Koszul. New York : E.P. Dutton and Co., 1917. Vogelweide, Walter von der, Gedichte, ed. by Carl von Kraus. Wiesbade : Insel Verlag, 1947. Vogelweide, Walther von der. Walter von der Vogelweide altdeutsch und übertragen von Walther Bulst. Berlin, Leipzig : Tempel Verlag, undated Wilde, Oscar. The plays of Oscar Wilde. Introduction by Edgar Saltus. New York : Modern Library, [circa 1920]. Materials inscribed to Mario Castelnuovo-Tedesco, 1933-1965 Moldenhauer, Hans. Duo pianism. Chicago : Musical Press, 1950. Piatigorsky, Gregor. Cellist. New York : Doubleday and Co, 1965. Pirandello, Luigi. Maschere nude. [Italy], 1933. Pizzetti, Ildebrando. Vanna lupa. Pescia : Benedetti, 1949. Toch, Ernst. The shaping forces in music. New York : Criterion, 1948. Vaere, Ulric de. The children of Dom Sierot. Opera libretto, typescript; 11 pp. Scores by other composers, bound for Mario Castelnuovo-Tedesco, 1909, undated Beethoven, Ludwig van. Sonaten für Pianoforte und Violoncello, ed. by Friedrich Grützmacher; and Sonaten für Pianoforte und Violine

Bound together in one volume entitled "Beethoven Violoncello Sonate"

Chopin, Frédéric. Oeuvres complètes. 3 vols. Bote and Bock. Mozart, W. A. La clemenza di Tito, piano score, ed. by Gustav F. Kogel. Leipzig : Peters. Mozart, W. A. Concertos de W. A. Mozart, arr. for piano by Hummel. Henry Litolff's Verlag; and Variationen für Pianoforte solo, ed. by Köhler/Ruthardt. Leipzig : Peters.

Bound together in one volume entitled "Mozart concerto variazioni"

Mussorgsky, Modest. Boris Godunoff, nuova edizione, riveduta ritoccata e strumentata da N. Rimsky-Korsakoff, transl. by M. Delines et E. Palermi. Piano score. Moscow : Bessel and Co, 1909. Schumann, Robert. Sämtliche Lieder, vol. I ed. by Max Friedlaender and II ed. by Alfred Dörffel, Leipzig : Peters.

Bound together in one volume

Schumann, Robert. Werke für Pianoforte solo, ed. by Alred Dörffel. 5 vols.

Bound together in three volumes