http://hdl.loc.gov/loc.music/eadmus.mu012008 Irving Berlin Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress
Washington, D.C.
2004 Guides to Special Collections in the Music Division of the Library of Congress

Catalog Record: http://lccn.loc.gov/2012562128

Finding aid encoded by Library of Congress Music Division, 2010 Finding aid written in English. Collection Summary Irving Berlin Collection 1895-1990 (bulk 1915-1990) ML31.B48 Berlin, Irving, 1888-1989 750,000 items 915 containers 400 linear feet Material in English Music Division Library of Congress
Washington, D.C.
Irving Berlin was an American lyricist and composer of over 1,200 songs. He was also a music publisher, theater owner, and a founding member of the American Society of Composers, Authors, and Publishers (ASCAP). The collection, which documents all aspects of his life and career, contains music scores, Berlin's handwritten and typewritten lyric sheets, publicity and promotional materials, personal and professional correspondence, photographs, business papers, legal and financial records, scrapbooks filled with press clippings, awards and honors, artwork and realia. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

 People Berlin, Ellin--Correspondence. Berlin, Ellin--Photographs. Berlin, Ellin. Berlin, Irving, 1888-1989--Archives. Berlin, Irving, 1888-1989--Correspondence. Berlin, Irving, 1888-1989--Manuscripts. Berlin, Irving, 1888-1989--Photographs. Berlin, Irving, 1888-1989. Berlin, Irving, 1888-1989. Berlin, Irving, 1888-1989. Selections. Kresa, Helmy, 1904-1991. Organizations American Society of Composers, Authors and Publishers. Irving Berlin Collection (Library of Congress) Irving Berlin Music Company. Irving Berlin Music Company. Irving Berlin, Inc. Irving Berlin, Inc. Music Box Theater (New York, N.Y.) Waterson, Berlin & Snyder Co. Waterson, Berlin & Snyder Co. Subjects Composers--United States. Motion picture music--Excerpts--Scores. Music publishing--United States. Music--Manuscripts--United States. Musical films. Musical theater--United States--20th century. Musicals. Popular music--United States. Popular music--Writing and publishing--United States. Songs--Texts. Theater--United States. Form/Genre Artifacts (Object genre) Awards. Clippings (Information artifacts) Correspondence. Financial records. Photographic prints. Programs (Documents) Promotional materials. Scrapbooks. Scripts (Documents) Administrative Information Provenance

Gift of Mary Ellin Barrett, Linda Louise Emmet, and Elizabeth Irving Peters, 1992.

 Accruals

No further accruals are expected.

 Processing History

The Irving Berlin Collection was processed by Ray White and Tom Barrick. The finding aid was coded for EAD by Janet McKinney in 2010.

 Transfers

Audiovisual materials have been transferred to the Library of Congress Motion Picture, Broadcasting and Recorded Sound Division. The sound recordings have been cataloged and can be identified as part of the "Irving Berlin Collection (Library of Congress)."

 Copyright Status

Materials from the the Irving Berlin Collection are governed by the Copyright Law of the United States (Title 17, U.S.C.). and other applicable international copyright laws.

 Access and Restrictions

The Irving Berlin Collection is open to research, though some items have restricted access. In addition, boxes bearing shelf numbers beginning with "B" or "L" are stored offsite. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.

 Microfilm

The scrapbooks have been preserved on microfilm because of their fragile nature (Microfilm 92/20013 [MUS]).

 Preferred Citation

Researchers wishing to cite this collection should include the following information: [item, date, and container number, as appropriate], Irving Berlin Collection, Music Division, Library of Congress, Washington, D.C.

Biographical Sketch Date Event 1888, May 11 Born Israel Beilin to Moses Beilin and Leah Lipkin. One of eight children, his exact place of birth is unknown, although his family had been living in Tolochin, Byelorussia, (Russia) 1893 Beilin family immigrated to New York Family changed name to Baline 1901 Moses Baline died Izzy (Israel's nickname) quit school and left home to become a street singer 1905 Hired by songwriter-publisher Harry Von Tilzer to plug songs at Tony Pastor's Music Hall on 14th St., N.Y. 1906 Singing waiter at Mike Salter's Pelham Café, in Chinatown, N.Y. Began writing and performing his own lyrics and parodies 1907 Wrote lyrics for first published song, "Marie from Sunny Italy", and earned 37 cents in royalties Changed name to Irving Berlin 1908 Worked as a singing waiter at Jimmy Kelly's Wrote "The Best of Friends Must Part," the first song for which he composed both music and lyrics 1909 Hired by Ted Snyder Company, 112 W. 38th St., N.Y., as an in-house lyric writer Wrote "Dorando," his first song published by the Ted Snyder Company and first to achieve commercial success 1910 Wrote "Call Me Up Some Rainy Afternoon," his first number one selling song 1911 Dec. Became a partner with the Waterson, Berlin & Snyder publishing company, 112 W. 38th St., N.Y. 1911 First major international hit with "Alexander's Ragtime Band" Contributed four songs to the Ziegfeld Follies of 1911 1912 Feb. Married Dorothy Goetz, sister of songwriter E. Ray Goetz 1912 July Dorothy Berlin died of typhoid fever contracted in Cuba during their honeymoon 1912 Nov. Wrote "When I Lost You," his first important ballad 1914 Became a charter member of ASCAP Watch Your Step opened at the New Amsterdam Theatre, N.Y., his first score for the theater Waterson, Berlin & Snyder moved to the Strand Theatre Building at Broadway and 47th St., N.Y. Established Irving Berlin Inc., at 1571 Broadway, N.Y. 1918, Feb. 6 Became United States citizen 1918 Spring Entered the U.S. Army as a private 1918 Aug. Yip, Yip, Yaphank opened; Berlin wrote the Army show to raise money to build a service club at Camp Upton, N.Y. In the show he performed "Oh, How I Hate to Get Up In the Morning," and declined to include "God Bless America," (only to resurface 30 years later for the next World War effort) 1919 Honorably discharged from the Army Moved his offices to 1587 Broadway, N.Y. Wrote score for Ziegfeld Follies of 1919, including the hit "A Pretty Girl is Like a Melody" 1920 Built the Music Box Theatre on W. 45th St., N.Y., in partnership with Sam Harris 1921 Irving Berlin Inc. moved to 1607 Broadway, N.Y. Music Box Revue of 1921 opened at the Music Box Theatre, produced by partner Sam H. Harris 1922 Leah Baline (Irving's mother) died Music Box Revue of 1922 opened at the Music Box Theatre 1924 Met Ellin Mackay, daughter of Clarence Mackay, (owner of the postal telegraph company), and Katherine Duer Blake Wrote hits "All Alone" and "What'll I Do" Music Box Revue of 1924 opened, the fourth revue in his series at the Music Box Theatre 1925 Wrote "Always" and "Remember" The Cocoanuts opened in New York 1926, Jan. 4 Irving and Ellin married at City Hall accompanied by national press and against the wishes of her father; after an eight month honeymoon aboard the USS Leviathan, the couple returned to Manhattan 1926, Nov. 25 Daughter Mary Ellin Berlin born 1926 Dec. Wrote "Blue Skies" and on Christmas day presented it to his month old daughter, "for Mary Ellin, Christmas 1926" 1927 Ziegfeld Follies of 1927 opened, with complete score by Berlin Al Jolson sang "Blue Skies" in the first full-length soundtrack film, The Jazz Singer 1928, Dec. 1 Son Irving Berlin Jr. born (died 25 days later) 1928 The Cocoanuts opened in London Berlin wrote theme songs for the films The Awakening, Coquette, and Lady of the Pavement 1929 Wrote songs for the films Hallelujah, Mammy, including "Let Me Sing and I'm Happy," and Puttin' on the Ritz featuring the title song Film version of The Cocoanuts, shot in New York, was released 1930 Wrote the score for the film Reaching for the Moon. All but two songs were dropped due to the dying popularity of musicals 1932, Feb. 13 Face the Music opened in New York 1932, Feb. 21 Daughter Linda Louise Berlin born 1932 Songs "How Deep Is the Ocean" and "Say It Isn't So" were released 1933 Irving Berlin Inc. moved to 799 7th Ave., N.Y. As Thousands Cheer opened at Music Box Theatre; score included "Easter Parade," "Heat Wave," and "Supper Time" 1934 Appeared on cover of Time magazine 1935 New York premiere of film Top Hat, score included "Cheek to Cheek," "Isn't This a Lovely Day," and "Top Hat, White Tie and Tails" 1936, June 6 Daughter Elizabeth Irving Berlin born 1936 New York premiere of film Follow the Fleet, score included "I'm Putting All My Eggs in One Basket," "I'd Rather Lead a Band," and "Let's Face the Music and Dance" 1937 New York premiere of the film On the Avenue, score included "I've Got My Love to Keep Me Warm," and "Slumming on Park Avenue" 1938, Nov. 10 "God Bless America" introduced by Kate Smith on an Armistice Day radio broadcast 1938 Films Alexander's Ragtime Band and Carefree released 1939 Film Second Fiddle released 1940 Louisiana Purchase opened at the Imperial Theatre, N.Y. 1941 Film version of Louisiana Purchase released Wrote three songs for the war effort and donated the royalties to the following organizations: the American Red Cross ("Angels of Mercy"); the Treasury Department ("Any Bonds Today"); and the Ordinance Department ("Arms for the Love of America") 1942, July 4 This is the Army opened at the Broadway Theatre in New York; Berlin appeared in the show and sang "Oh! How I Hate to Get Up in the Morning" 1942 Aug. Film Holiday Inn premiered in New York; featured Bing Crosby's rendition of "White Christmas" 1942, Oct. 1 National tour of This is the Army opened at the National Theatre in Washington, D.C. 1943 Film version of This is the Army released, raising more than nine million dollars for Army Relief 1944 Berlin severed partnership with Saul Bornstein Irving Berlin Inc. closed Irving Berlin Music Company opened at 1650 Broadway, N.Y. 1945 This is the Army overseas tour ended Awarded the Medal of Merit by President Harry S. Truman 1946, May 16 Annie Get Your Gun opened at the Imperial Theatre, N.Y. 1946, Oct. 16 New York premiere of the film Blue Skies 1948, June 30 New York premiere of the film Easter Parade 1948 Dec. Traveled with Bob Hope to Germany to entertain American troops during the airlift 1949 Miss Liberty opened at the Imperial Theatre, N.Y. 1950 Film version of Annie Get Your Gun released Call Me Madam opened at the Imperial Theatre, N.Y. 1951 Received Tony Award for Call Me Madam score 1952 Began preliminary work on unproduced show Palm Beach, based on Cleveland Amory's book The Last Resorts 1953 Film version of Call Me Madam released 1954 Awarded the Congressional Medal of Honor by President Dwight D. Eisenhower Films White Christmas and There's No Business Like Show Business released 1955 Worked on unproduced show Sentimental Guy, based on The Legendary Mizners by Alva Johnston 1957 "Sayonara" was featured in the film of the same name 1962 Mr. President opened at the Imperial Theatre 1963 Began work on film project Say it with Music for MGM Irving Berlin Music Company moved to 1290 Avenue of the Americas, N.Y. 1966 Annie Get Your Gun revived at Lincoln Center, New York State Theater 1968 Honored with a television tribute by Ed Sullivan 1969 MGM stopped production of Say it with Music 1973 Last public appearance singing "God Bless America" at White House dinner honoring returning American prisoners of war from Vietnam 1977 Awarded the Medal of Freedom by President Gerald Ford 1986 One of twelve naturalized Americans awarded the Liberty Medal from President Ronald Reagan in celebration of the Statue of Liberty's hundredth anniversary 1988, May 11 ASCAP tribute at Carnegie Hall in celebration of Berlin's 100th birthday 1988, July 29 Ellin Berlin died 1988 Irving Berlin Music Company moved to 29 West 46th St., N.Y. 1989, Sept. 22 Died, New York City Flag flown over US Capitol in Berlin's honor 1990 June Irving Berlin Music Company moved to the Rodgers & Hammerstein Organization, 1633 Broadway, N.Y. Scope and Content Note

The Irving Berlin Collection, spanning the years 1895-1990 with the bulk of the material dating from 1915-1990, documents the life and work of one of the twentieth century's most legendary American musical figures. While the collection provides a comprehensive record of Berlin's life as a composer, lyricist, publisher and theater owner, it also serves as a resource for the study of American popular music. Berlin wrote more than 1,200 songs, including such standards as "White Christmas," "There's No Business Like Show Business," and "God Bless America," that gave a musical voice to much of the American experience of the twentieth century. A large part of his reputation also justifiably rests on his great ballads of the 1920s and 1930s, including "Always," "Cheek to Cheek," "How Deep Is the Ocean (How High Is the Sky)," "Let's Face the Music and Dance," and "What'll I Do." The materials in the Irving Berlin Collection document additional aspects of Berlin's career, such as music publishing, theater ownership, and founding membership in the American Society of Composers, Authors, and Publishers. The breadth of his activity coupled with his longevity (he died at age 101) produced one of the largest collections in the custody of the Library of Congress Music Division.

The Show Music series consists of scores, sketches, lyric sheets, and scripts from Berlin's Broadway musicals and films, including Annie Get Your Gun, This is the Army, and Holiday Inn. Much of the material in the Non-Show Music series comes from Berlin's early career. Full scores, piano-vocal scores and sketches are in the hand of various musical secretaries, primarily that of longtime secretary Helmy Kresa (1905-1991). Manuscript lyric sheets are in the hand of Irving Berlin.

The Project Files series supplements the music with clippings, promotional material, correspondence, scripts, financial and legal documents, artwork and other materials from Berlin's musicals and films. The Subject Files series contains documents relating to various business interests, including ASCAP and Berlin's Music Box Theatre, and personal items relating to his family and private life.

The Scrapbooks are filled with press clippings and show-related materials that detail Berlin's personal as well as professional accomplishments.

The Correspondence series contains extensive personal and professional correspondence that documents Berlin's relationships with family, friends, colleagues, and musical and political public figures, as well as his role in ASCAP. The personal items include letters and cards sent between Irving and his wife Ellin, and correspondence with multiple family members, including Ellin's father, Clarence Mackay. The correspondence also includes fan mail and milestone birthday wishes.

The documents in the Legal Papers series pertain to the Irving Berlin Music Co., copyright assignments, legal cases, and permission documentation. The Financial Papers series includes personal bank statements and insurance documents, household bills and receipts, correspondence, donations and contributions, royalty statements, and investments. In addition, financial records are held for the Irving Berlin Charitable Fund, Irving Berlin Music Company, and Irving Berlin, Inc.

The Photographs series contains photographs of Berlin, his family, and colleagues in the music business.

The Awards and Tributes series contains numerous tributes awarded to Berlin, many given by ASCAP. The Original Artwork series includes photographed reproductions of original paintings, and the Realia series contains personal artifacts, such as the flag that flew over the Capitol on Berlin's 100th birthday, address books, notebooks, and calendars. The final series, Non-Berlin Materials, contains music, lyrics, and screenplays by other individuals.

 Organization of the Irving Berlin Collection

The Irving Berlin Collection is organized into thirteen series:

Show Music Non-Show Music Project Files Subject Files Scrapbooks Correspondence Legal Papers Financial Papers Photographs Awards and Tributes Original Artwork Realia Non-Berlin Materials http://lccn.loc.gov/2012562128 Container List Container Contents 1-219 Show Music 32-34 Alexander's ragtime band

(Film, 1938)

 32-33 Scores and parts 32/1 Bound printed piano-vocal score; [173] p. 32/2 Bound photocopy of copyist’s manuscript piano short scores; [188] p. Alexander's ragtime band 33/1 Manuscript guitar part; [1] p. 33/1 Photocopies of copyist’s manuscript parts 33/1 Sheet music Everybody step 33/2 Sheet music For your country and my country 33/3 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 33/3 Photocopy of sheet music No cover In my harem 33/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Lazy 33/5 Manuscript piano-vocal scores; [4], 4 p. 33/5 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 33/5 Sheet music Marching along with time 33/6 Photocopies of copyist’s manuscript piano-vocal score(2); 5 p. each 33/6 Typescript lyric sheets; [4] leaves 33/7 Photocopied parts Marie 33/8 Sketch; [1] p. 33/8 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 33/8 Sheet music My walking stick

Laid in: note to copyist

 33/9 Manuscript piano-vocal score; [4] p. 33/9 Sketch; [1] p. 33/9 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 33/9 Photocopies of manuscript piano-vocal score; 5 p. each 2 copies 33/9 Photocopies of manuscript lead sheet; [1] p. each 2 copies 33/9 Printed piano-vocal score; 4 p. 33/9 Typescript and carbon copy lyric sheets; [11] leaves Now it can be told 33/10 Manuscript piano-vocal score; [4] p. 33/10 Manuscript piano score; [2] p. With annotations 33/10 Manuscript lead sheet; [1] p. 33/10 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 33/10 Photocopies of manuscript piano-vocal score; 5 p. each 2 copies 33/10 Holograph lyric sheets; [2] leaves 33/10 Typescript lyric sheets; [4] leaves Oh! How I hate to get up in the morning 33/11 Sheet music Pack up your sins and go to the devil 33/12 Fair copy (Kresa) manuscript piano-vocal score; 6 p. Ragtime violin!

Alternate title: The ragtime violin

 33/14 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Remember 33/15 Manuscript piano-vocal scores; 11 p. each SATB, SSA, TTBB 33/15 Typescript lyric sheet; [1] leaf 33/15 Sheet music Say it with music 33/16 Manuscript guitar part; [1] p. Some sunny day 33/17 Fair copy (Kresa) manuscript piano-vocal score; 4 p. That international rag

Alternate title: The international rag

 33/18 Copyist’s manuscript piano-vocal score; 5 p. 33/18 Photocopy of manuscript piano-vocal score; 5 p. With annotations 33/18 Reverse photocopy of manuscript piano-vocal score; 5 p. When I lost you 33/19 Sheet music When the midnight choo-choo leaves for Alabam’

Alternate title: When that midnight choo, choo, leaves for Alabam

 33/20 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 34 Scripts 34/1 Typescript musical sequence and outline; [11] p. each With carbon copy

At top: 3/19/42

34/1 Carbon copy typescript musical sequence and outline; [11] p. each 2 copies

Laid in: Envelope from Twentieth Century-Fox Film Corporation

On cover: Alexander’s ragtime band 1st originals

 34/1 Typescript list of musical numbers; 2 p. 34/2 Typescript story line; 93 p.

On cover: Alexander’s ragtime band, 1st [sic]

 34/2 Carbon copy of typescript storyline and screenplay; 122 p.

On cover: 2nd Alexander’s ragtime band

 34/3 Mimeograph copy of typed script; 153 p.

On cover: shooting final, January 27, 1938

1-5, 35-70 Annie get your gun

Stage, 1946; film, 1950; television, 1957; stage revival, 1966

35/1 Bound piano-vocal score; 153 p. Anything you can do 1/1 Full score #31; [36] p. 36/1 Manuscript piano-vocal scores; 3 p., [1] p. 36/1 Photocopy of copyist’s manuscript piano-vocal score; 4 p. 36/1 Fair copy (Kresa) manuscript piano-vocal score; 5 p. 36/1 Manuscript and typescript lyric sheets; [28] leaves 38/1 Parts Set A, #31 43/1 Parts Set B, #31 43/2 Parts Set B, alternate #31 Ceremonial chant 1/2 Full score #20; 10 p. 43/3 Parts Set B, #20 54/1 Parts Set D, #20 Circus (dance) 1/3 Full score; [34] p. 38/2 Parts Set A, #14 43/4 Parts Set B, #14 Colonel Buffalo Bill

Alternate title: Opening, Act I

 1/4 Full score #2; 35 p. 1/5 Full score, utility, #7; 6 p. 1/5 Full score, utility, #12A; 6 p. 36/2 Manuscript piano-vocal score; 7 p. 36/2 Photocopy manuscript piano-vocal score; 6 p. 36/2 Fair copy (Kresa) manuscript piano-vocal score; 7 p. 36/2 Typescript lyric sheets; [7] leaves 39/1 Parts Set A, utility 43/5 Parts Set B, #2 44/1 Parts Set B, new #7 44/2 Parts Set B, utility 1A, #12A, #17 54/2 Parts Set D, entrance #7 54/3 Parts Set D, utility #1A, #12A, #17 Doin' what comes natur'lly 1/6 Full score #4; 15 p. 1/7 Full score, Encore #4; 14 p. 36/3 Manuscript piano-vocal score; 2 p.

Laid in: manuscript vocal sketch; [1] p.

 36/3 Photocopy of manuscript piano-vocal score; 4 p. 36/3 Printed piano-vocal score; 3 p. each 3 copies 36/3 Typescript lyric sheets; [47] leaves 36/3 Sheet music 39/2 Parts Set A, #4 44/3 Parts Set B, #4 51/1 Parts Set C, encore 51/2 Parts Set C, opening scene #29B 54/4 Parts Set D, #4 Entr'acte 1/8 Full score, Coda; 4 p. 1/8 Full score, Ending; [1] p. 44/4 Parts Set B, #22A 54/5 Parts Set D, #22A, 23 Finale 54/6 Parts Set D, #33A Funeral march 1/9 Full score; 6 p. 51/3 Parts Set C The girl that I marry 1/10 Full scores(2); 11 p. each 1/10 Full scores #5; 11 p., 10 p. 1/11 Full score, Ballroom scene #25; 12 p. 1/12 Full score, Opening; 5 p. 1/13 Full scores, Reprise #29; 10 p., 11 p. 1/14 Full score, Waltz; p. 5-12 1/15 Full score-with "You can't get a man without a gun" #22; 14 p. 36/4 Manuscript piano score; [2] p. 36/4 Manuscript lead sheet; [1] p. 36/4 Photocopy of copyist's manuscript piano-vocal score; [2] p. 36/4 Typescript lyric sheets; [13] leaves 39/3 Parts Set A, #5 45/1 Parts Set B, #5 45/2 Parts Set B, ballroom #25 45/3 Parts Set B, new A#5 45/4 Parts Set B, reprise #29 and #29W 45/5 Parts Set B, with "You can't get a man without a gun" #22 51/4 Parts Set C 51/5 Parts Set C, new #5 51/6 Parts Set C, new, in A#5 51/7 Parts Set C, old #5 51/8 Parts Set C, opening #25 51/9 Parts Set C, reprise #29 55/1 Parts Set D, ballroom #25 55/2 Parts Set D, reprise #29 55/3 Parts, with "You can't get a man without a gun," Set D, #22 Home sweet home 51/10 Parts Set C, #26A I got lost in his arms 2/11 Full score #24; 21 p. 2/12 Full score, #24a; 23 p. 2/12 Full score, Scene change #24; 4 p. 2/13 Full score, Waltz insert; 4 p. 36/5 Manuscript piano score; [2] p. 36/5 Manuscript lead sheet; [1] p. 36/5 Sketch of lead sheet; [1] p. 36/5 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 36/5 Typescript lyric sheets; [13] leaves 36/5 Sheet music 39/4 Parts Set A, #24 and #24A 46/6 Parts Set B, #24 46/7 Parts Set B, scene change, new #24A 52/1 Parts Set C, #24 I got the sun in the morning 3/1 Full score #27; 40 p. 3/1 Full score #27A; [50] p. 3/2 Full score, 5th chorus, new #28A; [7] p. 3/3 Full score, Coda, final 12 bars; 3 p. 3/4 Full score, Intro #27A; 2 p. 3/4 Full score, Intro, new 2 bar #27A "Sun" - exit #27X, [1] p. 3/5 Full score, Scene change #29A; 5 p. 3/6 Full score, Utility #28; 11 p. 36/6 Manuscript piano-vocal score; [2] p.

At top: Sun and the moon-chorus

 36/6 Manuscript piano-vocal score; [2] p.

At top: Sun and the moon-verse

 36/6 Sketch of piano-vocal score; 8 p. 36/6 Sketch of piano-vocal score-exit; [1] p. 36/6 Photocopy of piano-vocal/conductor's score; 10 p.

At top of cover (in pencil): Jay Blackton

 36/6 Typescript lyric sheets; [27] leaves 36/6 Sheet music 39/5 Parts Set A, #27 40/1 Parts Set A, #27 and #27A 47/1 Parts Set B, #27 47/2 Parts Set B, exit #27A 47/3 Parts Set B, utility #27A 52/2 Parts Set C, scene change #29A 56/3 Parts Set D, utility #29A I'll share it all with you 3/7 Full score #26; 13 p. 3/8 Full score, Dance; [9] p. 3/8 Full score, Dance; 12 p. 3/9 Full score, Vocal and dance; [47] p. 3/9 Full score, Vocal and dance #13; 47 p. 36/7 Photocopy of copyist's manuscript piano-vocal score; 3 p. 36/7 Typescript lyric sheets; [9] leaves 40/2 Parts Set A #13 47/4 Parts Set B, #13 and #26A

Fragments

 56/4 Parts Set D, #13 56/5 Parts Set D, #26A I'm a bad, bad man 2/1 Full score #3A; 4 p. 2/2 Full score, Dance routine #3A; 8 p. 2/2 Full score, Dance-new 1st chorus #3A; 41 p. 2/3 Full score, Opening #1; 3 p. 2/3 Full score, Opening #1; 2 p. 2/4 Full score, Verse, string #2A; 4 p. 2/4 Full score, Verse #2A; 4 p. 2/5 Full score, Verse, vocal #2B; 20 p. 36/8 Manuscript piano-vocal score; 2 p. 36/8 Manuscript lead sheet; [1] p.

No lyric

 36/8 Photocopy of piano-vocal score; 4 p.

With annotations

On top: cue: we always entertain good looking strangers-giggle

 36/8 Photocopy of copyist's manuscript piano-vocal score; 4 p. 36/8 Typescript lyric sheets; [31] leaves 40/3 Parts Set A, #2A 45/6 Parts Set B, #3 45/7 Parts Set B, #3A 45/8 Parts Set B, opening #1 46/1 Parts Set B, verse #2B 46/2 Parts Set B, verse, introduction #2A 51/11 Parts Set C, verse 2A 55/4 Parts Set D, #2A 55/5 Parts Set D, opening #1 I'm an Indian too 2/6 Full score #21; 26 p. 2/7 Full score, Drum dance #19; 31 p. 2/8 Full score, Fanfare #18; [1] p. 2/9 Full score, Indian dance #2; p. 27-50 2/10 Full score, Modulation; [1] p. 36/9 Manuscript piano-vocal score; [2] p.

At top: Indian: chorus

 36/9 Manuscript piano-vocal score; [1] p.

With annotations

At top: Indian

 36/9 Photocopy of copyist's manuscript piano-vocal score; 3 p. 36/9 Typescript lyric sheets; [24] leaves 40/4 Parts Set A, #21 and #22A 46/3 Parts Set B, #21 46/4 Parts Set B, drum dance #19 46/5 Parts Set B, fanfare #18 51/12 Parts Set C, dance/fanfare #18 56/1 Parts Set D, #21, #21A 56/2 Parts Set D, drum dance #19 I'm thinking of a girl named Annie

Not used

 36/10 Manuscript piano score; [2] p. 36/10 Sketch of lead sheet; [1] p. 36/10 Sketch of piano score; [2] p. Let's go west again see also Non-show music 36/11 Copyist's manuscript piano-vocal score; 3 p. Transparencies 36/11 Typescript lyric sheet; [1] leaf Moonshine lullaby 3/10 Full score #12; [21] p. 36/12 Manuscript piano-vocal score; 2 p. 36/12 Photocopy of copyist's manuscript piano-vocal score; 3 p. 36/12 Holograph and typescript lyric sheets; [7] leaves 36/12 Sheet music 41/1 Parts Set A #12 48/1 Parts Set B #12 48/2 Parts Set B #12U 57/1 Parts Set D #12 My defenses are down 3/11 Full scores #16; 26 p. and 24 p. 36/13 Manuscript piano-vocal score; [2] p.

At top: B flat arrangement

 36/13 Manuscript piano-vocal score; [1] p.

At top: Verse defenses

 36/13 Copyist's manuscript piano score in ink; [1] p. 36/13 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 36/13 Photocopy of copyist's manuscript piano-vocal score; 4 p. 36/13 Typescript lyric sheets; [9] leaves 41/2 Parts Set A #16 48/3 Parts Set B, new #16 48/4 Parts Set B, playoff #16A 52/3 Parts Set C, #16 52/4 Parts Set C, playoff #16A 57/2 Parts Set D, #16 An old-fashioned wedding 37/1 Manuscript piano-vocal score; 5 p. 37/1 Manuscript piano-vocal score; 7 p.

With annotations

 37/1 Manuscript vocal score; [1] leaf 37/1 Copyist's manuscript piano-vocal score; 9 p., 5 p. Transparencies 37/2 Photocopy of copyist's manuscript piano-vocal score; p. 9

With pasteovers in pencil

 37/2 Photocopy of copyist's manuscript piano-vocal score; 9 p. each 2 copies 37/2 Photocopy of copyist's manuscript piano-vocal score; 5 p. 37/2 Printed piano-vocal score; 7 p. each 2 copies

No cover

 37/2 Photocopy of manuscript lead sheet; [2] p. 37/2 Typescript lyric sheets; 9 leaves Overture 4/1 Full score; 44 p. 48/5 Parts Set B Pardners

Not used

 37/3 Typescript lyric sheet; 1 leaf Sad Buffalo Bill 4/2 Full score #23; [1] p.

Laid in: folder

 48/6 Parts Set B #23 52/5 Parts Set C #23 Special-B, 2nd chorus 48/7 Parts Set B, #16M Something bad's gonna happen ('cause I feel so good)

Not used

 37/4 Manuscript piano score; [2] p. 37/4 Typescript lyric sheets; [2] leaves

With annotations

 Take it in your stride (whatever the fates decide)

Not used

 37/5 Sketch; [2] p. 37/5 Typescript lyric sheets; [8] leaves 37/5 Printed manuscript piano-vocal score; 3 p. each 2 copies There's no business like show business 4/3 Full score; [1] p. 4/3 Full score #10; 21 p. 4/3 Full score #10A; 50 p. 4/4 Full score, Circus dance #14; [46] p. 4/5 Full score, Reprise #15; 18 p. 4/5 Full score, Reprise #15A; 39 p.

Laid in: 2 manuscript conductor scores

Laid in: folder

 4/6 Full score, Utility #33; 15 p. 37/6 Manuscript piano-vocal score; [2] p.

At top: chorus

 37/6 Manuscript piano-vocal score; [2] p.

At top: verse

 37/6 Photocopies of copyist's manuscript lead sheet; [1] p. each 2 copies 37/6 Manuscript and typescript lyric sheets; [84] leaves

Some photocopies

 37/6 Sheet music 41/3 Parts Set A #10 41/4 Parts Set A, new #10 41/5 Parts Set A, reprise #15 49/1 Parts Set B, 3rd chorus, #10 49/2 Parts Set B, #10 49/3 Parts Set B, reprise #15 and #15A 49/4 Parts Set B, utility #10, #13A, #33K 52/6 Parts Set C 52/7 Parts Set C, reprise #15 57/3 Parts Set D, reprise #15 57/4 Parts Set D, utility #10A 57/5 Parts Set D, utility #13A They say it's wonderful 4/7 Full score #11; [35] p.

Laid in: manuscript conductor's score; [3] p.

Laid in: sketch; [1] p.

 4/7 Full score #11; [24] p. 4/7 Full score #11; p. 15-26, 29-30 4/7 Full score, #11A; 10 p.

Laid in: folder

 4/8 Full score #28; 25 p. 4/8 Full score #28X; [5] p.

Laid in: folder

 4/9 Full score, Utility; 10 p.

Laid in: sketch; [1] p.

 4/9 Full score, Utility #33A; 10 p. 37/7 Manuscript piano-vocal score; 2 p.

At top: chorus

 37/7 Manuscript piano-vocal score; 2 p.

At top: verse

 37/7 Manuscript lead sheet; [1] p.

No lyric

 37/7 Manuscript lead sheet; [1] p.

No lyric

At top: verse

 37/7 Typescript lyric sheets; [19] leaves 37/7 Sheet music 42/1 Parts Set A #11 49/5 Parts Set B #11 50/1 Parts Set B, reprise #28 50/2 Parts Set B, utility, finale #33A 53/1 Parts Set C #11 53/1 Parts Set C #11-R.B. arrangement 53/1 Parts Set C #11-T.R. version 53/2 Parts Set C, reprise #28

strings, reeds, brass, rhythm

 53/2 Parts Set C, reprise #28

strings, reeds, rhythm

 53/2 Parts Set C, reprise #28

strings only

 58/1 Parts Set D, reprise #28 Who do you love? I hope 5/1 Full score #26; 56 p. 5/2 Full score, Dance; [16] p. 5/3 Full score, Vocal and dance; [54] p. 37/8 Copyist's manuscript piano-vocal score; 3 p.

Transparencies

 37/8 Manuscript piano-vocal score; [2] p. 37/8 Photocopy of copyist's manuscript piano-vocal score; 3 p. 37/8 Manuscript and typescript lyric sheets; [14] leaves 42/2 Parts Set A #26 50/3 Parts Set B #26 58/2 Parts Set D #26 Who needs the birds and the bees?

Written for 1966 Lincoln Center Annie get your gun revival; not used

 37/9 Manuscript piano-vocal score; [1] p.

Introduction only

 37/9 Manuscript piano-vocal score; [3] p.

Verse and chorus only

 37/9 Photocopy of manuscript conductor's score; 6 p. 37/9 Photocopy of manuscript piano-vocal score; 3 p.

With annotations

 37/9 Photocopy of manuscript piano-vocal score; 3 p.

At top left corner: Annie get your gun [and] print copy

 37/9 Photocopies of manuscript piano-vocal score; 3 p. each 2 copies 37/9 Typescript lyric sheet; [1] leaf

With holograph annotations

 37/9 Typescript lyric sheets; [9] leaves With music

Not used

 37/10 Sketch; [2] p. 37/10 Photocopy of piano-vocal score; 3 p. each 2 copies

With annotations

 37/10 Photocopy of piano-vocal score; 3 p. each 2 copies 37/10 Typescript lyric sheets; [3] leaves

With annotations

 You can't get a man with a gun see also The girl that I marry 5/4 Full score #6; [22] p. 5/5 Full score, Fantasy #8; 3 p. 5/6 Full scores, Intro #5A(2); 2 p. 5/7 Full score, Utility; 17 p. 37/11 Manuscript piano-vocal score; [3] p. 37/11 Sketch; [1] p. 37/11 Photocopy of copyist's manuscript piano-vocal score; 4 p. 37/11 Fair copy (Kresa) manuscript piano-vocal score; 5 p. 37/11 Typescript lyric sheets; [24] leaves

With holograph annotations

 42/3 Parts Set A, #5A and #6 50/4 Parts Set B, fantasy, #8 50/5 Parts Set B, introduction #5A and #6 50/6 Parts Set B, utility #9, #30, #32 53/3 Parts Set C, introduction #5A 58/3 Parts Set D, utility #30 58/4 Parts Set D, utility #32 Bound part books 59 Flute 1 and 2 2 copies 59 Oboe 59 Clarinet 1 and 2 2 copies 59 Bassoon 59 Horns 59 Trumpet 1 and 2 60 Trumpet 1 and 2 60 Trumpet 3 60 Trombone 1 60 Trombone 2 60 Trombone 3 60 Guitar 60 Percussion 1 and 2 2 copies 61 Violin 4 copies 61 Viola 61 Cello 61 Bass Spiral bound part books 62 Conductor 62 Reed 1 62 Reed 2 62 Reed 3 62 Reed 4 62 Reed 5 62 Horn 63 Trumpet 1 and 2 63 Trumpet 3 63 Trombone 1 63 Trombone 2 63 Trombone 3 63 Piano 63 Drums 64 Violin A 2 copies 64 Violin B 2 copies 64 Viola 64 Cello 64 Bass Miscellaneous parts

Found loose in unidentified folders

 64/1 Manuscript score for oboe; [7] leaves 64/2 Manuscript and photocopied parts; [27] items

Some fragments, annotations, notes and doodles

 71-72 As thousands cheer

Stage, 1933

71/1 Bound manuscript piano-vocal score; 145 p. Ain't you comin' to the fair? 72/1 Typescript lyric sheets; [3] leaves Capone in his cell

Dropped during rehearsals

 72/2 Typescript lyric sheets; [4] leaves Debts

Alternate title: We'll all be in heaven when the dollar goes to hell

 72/3 Manuscript piano score; 5 p. 72/3 Manuscript piano score (for 2 pianos?); [4] p. 72/3 Sketches; [1], 3 p. 72/3 Typescript lyric sheets; [6] leaves Easter parade 72/4 Manuscript full scores; [20], 20 p.

Laid in: manuscript piano score; 4 p.

 72/4 Manuscript piano scores(3); 2 p. each 72/4 Sketches; 2, 1 p. 72/4 Manuscript lyric sheet (bottom half of page only); [1] leaf

Laid in: photocopy of manuscript lyric sheet "Go back to the USA" (remaining half page); [2] p.

On verso: full page (2 above mentioned half pages combined) lyrics for "To skate with me"

 72/4 Typescript lyric sheets; [3] leaves 72/4 Sheet music Eighteenth amendment repealed

Dropped before tryout

 72/5 Manuscript piano score; [2] p. 72/5 Manuscript lead sheet; [1] p. 72/5 Typescript lyric sheets; [4] leaves

With annotations

 The funnies 72/6 Manuscript piano scores; 2, 3, 3, 3 p. 72/6 Sketches; [3] p. 72/6 Printed piano-vocal score; [6] p. 72/6 Typescript lyric sheet; [1] leaf Harlem on my mind 72/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 72/7 Typescript lyric sheet; [1] leaf Heat wave 72/8 Sketches; [3] p. 72/8 Typescript lyric sheets; [9] leaves How's chances 72/9 Manuscript piano scores(2); 2 p. each 72/9 Sketch; 2 p. 72/9 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 72/9 Printed piano-vocal score; [4] p. 72/9 Typescript lyric sheets; [7] leaves Lonely heart 72/10 Manuscript piano lead sheet; [1] p. 72/10 Manuscript piano scores; 2, 3 p. 72/10 Sketch; [1] p. 72/10 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 72/10 Holograph lyric sheet; [1] leaf 72/10 Typescript lyric sheets; [2] leaves Man bites dog

Alternate title: Man bites dog opening

 72/11 Photocopy of lead sheet; 6 p. each 2 copies 72/11 Typescript lyric sheets; [8] leaves

With annotations

 Metropolitan opening

Alternate title: Opening scene, Act II

 72/12 Manuscript piano score; [4] p. 72/12 Sketch; [2] p. 72/12 Sketch (piano score); [3] p. 72/12 Typescript lyric sheets; [2] leaves Midget number

Dropped during tryout

 72/13 Manuscript piano score; [2] p. 72/13 Sketches(2); [1] p. each 72/13 Typescript lyric sheets; [2] leaves

With annotations

 72/13 Typescript lyric sheets; [3] leaves Mr. and Mrs. Hoover

Dropped during rehearsals

 72/14 Typescript lyric sheets; [2] leaves Not for all the rice in China 72/15 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 72/15 Typescript lyric sheets; [3] leaves

One with signature

 72/15 Printed piano-vocal scores; 4 p. each 2 copies Overture 72/16 Sketch; [5] p. Skate with me

Dropped after tryout; music later used for "Dance with me (tonight at the Mardi Gras)" from Louisiana purchase

72/17 Manuscript piano score; [2, 3] p. 72/17 Sketch; [1] p. 72/17 Typescript lyric sheets; [3] leaves 72/17 Photocopy of manuscript lyric sheet; [2] leaves Society wedding 72/18 Manuscript piano scores (3); [4, 4, 5] p. 72/18 Typescript lyric sheets; [9] leaves Supper time 72/19 Manuscript piano-vocal score; 4 p.

No lyric

 72/19 Manuscript piano scores; [3, 2] p. 72/19 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 72/19 Typescript lyric sheets; [4] leaves Through a keyhole see also Would you like to take a look

Alternate title: Thru a key hole

Dropped during Broadway run

 72/20 Sketch; [1] p. 72/20 Typescript lyric sheets; [2] leaves

With annotations

 To be or not to be 72/21 Manuscript piano score; [1] p. 72/21 Sketches; [1, 1] p. 72/21 Typescript lyric sheets; [2] leaves 72/22 Photocopy of script; 76 p.

Bound with one metal fastener

 73-75 Blue skies

Film, 1946

Scores and parts 73/1 Bound photocopy of manuscript piano short score; [418] p.

Inscribed to Irving Berlin

 A couple of song-and-dance men 73/2 Manuscript piano-vocal score; [4] p. 73/2 Copyist's manuscript piano-vocal score; 6 p. 73/2 Manuscript lead sheet; [1] p. 73/2 Manuscript "routine" with lyrics; [1] p. 73/2 Printed manuscript piano-vocal score; [6] p.

With annotations

 73/2 Photocopy of manuscript piano-vocal score; 6 p. 73/2 Typescript lyric sheets; [5] leaves

At top: Bing and Fred

 73/2 Typescript lyric sheets; [5] leaves (Running around in circles) getting nowhere 74/1 Manuscript piano-vocal score; 4 p. 74/1 Sketches; [3] p. 74/1 Photocopy of manuscript piano-vocal score; 4 p. 74/1 Printer's proof of piano-vocal score; [4] p. 74/1 Typescript lyric sheets; [9] leaves Have you ever tried drinking water?

Not used

 74/2 Manuscript piano-vocal score; [3] p. 74/2 Manuscript piano-vocal score; [4] p.

With annotations

 74/2 Copyist's manuscript piano-vocal score; 3 p.

Transparencies

 74/2 Photocopy of manuscript piano-vocal score; 3 p.

With annotations

 74/2 Photocopy of manuscript piano-vocal score; [3] p. 74/2 Typescript lyric sheets; [14] leaves Heat wave 74/3 Printed piano-vocal score; [5] p. 74/3 Typescript lyric sheet; [1] leaf I want you to meet my girl see Non-show music I'd rather not dance again see Non-show music I'll dance rings around you

Not used

 74/4 Manuscript piano-vocal scores; 4, 4 p. 74/4 Typescript lyric sheets; [9] leaves

With holograph annotations

 I'll see you in C-u-b-a 74/5 Manuscript vocal score; 4 p.

Duet, with annotations

 74/5 Fair copy (Kresa) manuscript piano-vocal score; 4 p.

Duet, with annotations

 74/5 Photocopy of vocal score; 4 p. each 2 copies 74/5 Typescript lyric sheets; [20] leaves

Some with holograph annotations

 74/5 Typescript lyric sheets; [2] leaves

Parody

 Puttin' on the Ritz see also Non-show music 74/6 Typescript lyric sheet; [1] leaf

New lyric

 The race horse and the flea

Not used

 74/7 Manuscript piano-vocal score; 4 p.

Transparencies, copyright 1944

74/7 Manuscript piano-vocal score; 4 p.

Transparencies, copyright 1947

74/7 Manuscript piano-vocal score; [1] p. each 2 copies

Incomplete

 74/7 Manuscript piano score; [3] p. 74/7 Sketch; [1] p. 74/7 Photocopy of illustration for cartoon; [1] p. 74/8 Printed manuscript piano-vocal score; 4 p. each 2 copies

1 version with annotations, copyright 1944

74/8 Printed manuscript piano-vocal score; 4 p. each

With annotations, copyright 1944

On top: wrong copy

Laid in: typescript lyric sheet; [1] leaf

 74/8 Printed manuscript piano-vocal score; 4 p. each 2 copies

Copyright 1947

74/8 Typescript letter; David Dreyer to Irving Berlin concerning lyric content, 1945 May 1; [2] leaves

Attached: typescript lyric sheet with annotations; [1] leaf

 74/8 Typescript lyric sheets; [8] leaves

2 with annotations

 74/8 Typescript lyric sheets; 2 p. each 2 copies

Cartoon suggestions

Laid in: cartoon suggestions from Irving Berlin to Mr. Dave Dreyer, 1945 May 23; [1] leaf

 74/8 Sheet music The road to yesterday see Non-show music

Not used

 A serenade to an old-fashioned girl 74/9 Manuscript piano-vocal score; [1] p.

At top: tag for serenade

 74/9 Manuscript piano scores; 2, 1 p. 74/9 Photocopies of manuscript piano-vocal score (2); [2] p. 74/9 Printed piano-vocal score; [2] p. 2 copies 74/9 Typescript lyric sheets; [2] leaves

With holograph annotations

 74/9 Typescript lyric sheets; [3] leaves Wilhelmina see Non-show music

Not used

 You keep coming back like a song 74/10 Manuscript piano-vocal scores; 4, 4, 3 p.

Pages 2-4 of second score are photocopies

 74/10 Manuscript piano score; [3] p. 74/10 Fair copy (Kresa) manuscript piano-vocal scores; 4 p. 74/10 Photocopies of manuscript piano-vocal scores (2); 4 p. each 74/10 Photocopy of manuscript piano-vocal scores; 4 p.

Manuscript at top: in E-flat

 74/10 Typescript lyric sheets; [7] leaves

With annotations

 74/10 Typescript lyric sheets; [2] leaves

"We keep coming back with a song," parody lyrics

 74/11 Photocopy of manuscript parts for female vocal 74/11 Photocopy of manuscript parts for male vocal Scripts 75/1 Typescript story line; [14] p.

On cover: (First rough story line), Irving Berlin, Mark Sandrich, November 14, 1944

75/1 Mimeograph copy of typescript story line; [28] p.

On cover: First treatment Irving Berlin's Blue skies, Alan Scott, February 5, 1945

75/1 Carbon copy of typed script; [38] p.

At top: Revised 5-2-45, Blue skies

75/1 Mimeograph copy of typescript; [85] p.

On cover: Blue skies, (This is considered a typed script...), Allan Scott, June 14, 1945

75/2 Mimeograph copy of typed script; [29] p.

On t.p.: July 2, 1945

75/2 Mimeograph copy of typed script; [29] p.

On t.p.: July 11, 1945

75/2 Mimeograph and carbon copy of typed script (fragments/sequences/miscellaneous); [74] p.

Some holograph(?) annotations

 75/2 Mimeograph copy of memos; [3] leaves

At top: Closing notice, Blue skies, recording program, production call sheet

 Bowery nightingale

Unproduced film, 1938

219/20 Typescript synopsis/storyline; 22 p.

On t.p.: Treatment by Irving Berlin and Lamar Trotti

 219/20 Carbon copy of typescript synopsis/storyline; 23 p. Call me madam

Stage, 1950; Film, 1953

Scores and parts 76/1 Hard bound copyist's manuscript piano-vocal score; 77 p. 76/2 Bound photocopies of copyist's manuscript piano-vocal score; [48] p. 76/2 Typescript lyric sheets (from folder); [12] p. Anthem for presentation scene

For film version, 1952

76/3 Manuscript lead sheet and negative photocopy; [1] p. each 76/3 Manuscript piano score and negative photocopy; [2] p. each 76/3 Copyist's manuscript piano scores; [2] p. each Original transparency, 2 photocopies, 1 negative photocopy

With annotations

 The best thing for you

Alternate title: The best thing for you (would be me)

 6/1 Full score, utility; 5 p. 76/4 Manuscript piano score; [2] p. 76/4 Manuscript lead sheet (3); [1] p. each

No lyric

 76/4 Photocopied piano-vocal scores; 3 p. each 2 copies

With annotations

 76/4 Fair copy (Kresa) manuscript piano-vocal scores; 3 p. 76/4 Holograph lyric sheet; [1] leaf 76/4 Typescript lyric sheets; [19] leaves 76/4 Sheet music 79/1 Vocal parts 80/9 Orchestral parts; New best thing for you 80/10 Vocal orchestral parts Blintzes from Lindy's see "Lichtenburg cheese"

Not used

 Call me madam

1967, unproduced television spectacular

 76/5 Manuscript piano-vocal score; [3] p. 76/5 Photocopied manuscript piano-vocal scores; 3 p. each 2 copies 76/5 Typescript lyric sheets; [11] leaves Can you use any money today?

Alternate title: Money

 76/6 Manuscript lead sheets(2); [2] p. each One with photocopy and negative photocopy 76/6 Sketches; [2] p. 76/6 Manuscript piano-vocal score, photocopy and negative photocopy; [3] p. each

No lyric

 76/6 Photocopied piano-vocal scores; [4] p. each 2 copies 76/6 Holograph lyric sheet; [1] leaf 76/6 Typescript lyric sheets; [9] leaves 80/11 Orchestral parts Entr'acte 6/2 Full score; 5 p. 81/1 Orchestral parts Finale, Act I 81/2 Orchestral parts 81/2 New orchestral parts Finale, Act II 6/3 Full score #28; 5 p. 6/3 New finale full score; 5 p. 81/3 Orchestral parts 81/4 New finale orchestral parts Free

Dropped from show and re-written as Snow for White Christmas, 1954

6/4 Full score #21; 13 p. 6/5 Full score, Counterpoint #24; 13 p. 6/6 Full score, Election #21; [19] p. 6/7 Full score, Incidental #23; 7 p. 6/8 Full score, Money #23, #24; 10 p. 6/9 Full score, Utility; 7 p. 6/9 Full score, Utility #24A; 24 p. 6/10 Full score, Vocal #21; 51 p. 6/11 Full score, New free - vocal (Glover) #21; p. 2-7

At top: Fixed in old new free score

 6/8 Full score, New free - vocal (Glover) #21; 7 p. 76/9 Manuscript piano-vocal score; [4] p.

No lyric

 76/9 Copyist's manuscript piano-vocal score; 5 p. Transparencies 76/9 Manuscript piano score; [2] p. 76/9 Sketch of vocal part; [1] leaf 76/9 Sketch; [1] p. 76/9 Photocopies of manuscript piano-vocal score; [4] p. each 2 copies

No lyric

 76/10 Sketch; [1] p. 76/10 Photocopy of vocal score; 6 p.

With annotations

 76/10 Photocopied piano-vocal scores; [5, 5, 4, 4, 4, 4, 4] p. 7 copies

5 with annotations

 76/10 Typescript lyric sheets; [7] leaves 79/2 Vocal parts-Free 79/3 Vocal parts-Free I 79/4 Vocal parts-Free II 79/5 Vocal parts-Free III 79/6 Vocal parts-Free IV 79/7 Vocal parts-Free V 81/5 Piano-conductor and reed parts 81/6 Bass, percussion and string parts 81/7 Counterpoint-orchestral parts 81/8 Election, new choir, new counterpoint: piano-conductor part 81/9 Election, new choir, new counterpoint: reed parts 82/1 Election, new choir, new counterpoint: brass and percussion parts 82/2 Election, new choir, new counterpoint: violin parts 82/3 Election, new choir, new counterpoint: viola, cello and bass parts 82/4 Orchestral parts-Incidental 82/5 Orchestral parts-Money exit 82/6 Utility set 1: piano-conductor and reed parts 82/7 Utility set 1: brass and percussion parts 82/8 Utility set 1: string parts 82/9 Utility set 2 83/1 Vocal: piano-conductor and reed parts 83/2 Vocal: brass and percussion parts 83/3 Vocal: string parts 83/4 New free - vocal orchestral parts Gypsy dance 6/12 Full score #10; 35 p. 83/5 Piano-conductor and reed parts 83/6 Brass and percussion parts 83/7 String parts 83/8 Piano-conductor scores 84/1 New gypsy dance: piano-conductor scores 84/2 New gypsy dance: piano-conductor scores, variant 84/3 Orchestral parts-End 84/4 Orchestral parts-Introduction The hostess with the mostes' on the ball 77/1 Manuscript piano scores; 3, 2 p. 77/1 New version: sketch; [2] p. 77/1 Original version: sketch; [2] p. 77/1 Original version: Photocopied piano-vocal scores; 7 p. each 3 copies

With annotations

 77/2 Original version: Holograph lyric sheets; [2] leaves 77/2 Original version: Typescript lyric sheets; [17] leaves 77/2 Encore: Typescript lyric sheets; [4] leaves 77/2 Ending, second scene: Typescript lyric sheets; [3] leaves 77/2 Sheet music 79/8 Vocal parts 84/5 Orchestral parts-New 84/6 Orchestral parts-Encore 84/7 Orchestral parts-New encore It's a lovely day today see also Lichtenburg Cheese 6/13 Full score, #12 reprise #1; 5 p. 6/13 Full score, #26 reprise #2; 4 p. 6/13 Full score, Utility; 5 p. 77/3 Manuscript piano score; [2] p. 77/3 Photocopied piano-vocal score; 3 p. 77/3 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 77/3 Typescript lyric sheets; [13] leaves 77/3 Reprise: typescript lyric sheet; [1] leaf 79/9 Vocal parts 79/9 Encore vocal parts 84/8 Orchestral parts 84/9 Orchestral parts-New, rehearsal 4-7 84/10 Orchestral parts-Reprise #1 84/10 Orchestral parts-Reprise #2 Lichtenburg

Original title: Cosmo's opening (Lichtenburg verse)

Alternate title: Welcome to Lichtenburg

 76/7 Manuscript piano score; [2] p. 76/7 Manuscript lead sheet; [2] p. 76/7 Photocopy of manuscript lead sheet; [2] p. 76/7 Sketch of piano score; [2] p. 76/7 Sketch; [1] p. 76/8 Printed piano-vocal scores; [5, 5, 5, 5, 2] p. 5 copies

With annotations, 1 copy is incomplete

 76/8 Photocopy and negative photocopy of piano-vocal score; 5 p. each 2 copies 76/8 Typescript lyric sheets; [5] leaves 79/10 Vocal parts-Lichtenburg 79/11 Vocal parts-Lichtenburg II 79/12 Vocal parts-Lichtenburg III 84/11 Orchestral parts 84/11 Orchestral parts-Introduction Lichtenburg cheese

Not used

 77/4 Sketch; [1] p.

At top: Cheese

On verso: sketch for "It's a lovely day today;" [1] p.

 77/4 Sketch of piano score; [2] p.

At top: Lichtenburg cheese

 77/4 Sketch; [1] p.

At top: Lichtenburg; includes "Blintzes from Lindy's"

 77/4 Typescript lyric sheet; [1] leaf

Laid in: photocopies of sketches with corresponding verses from lyric sheet; [6] p.

 Marrying for love 6/14 Full score, utility; 5 p. 77/5 Manuscript piano score; [2] p. 77/5 Sketches; [2] p. 77/5 Photocopied piano-vocal scores; [3, 4, 4] p.

1 is chorus only

 77/5 Typescript lyric sheets; [7] leaves 79/13 Vocal parts 84/12 Orchestral parts 84/13 Orchestral parts-New 84/14 Orchestral parts-Utility Mr. Monotony 77/6 Photocopied piano-vocal scores; 6 p. each 2 copies

With annotations

 Mrs. Sally Adams 77/7 Sketch of piano score; 3 p. 77/7 Printed piano-vocal scores; [5] p. each 3 copies

With annotations

 77/7 Photocopy and negative photocopies of piano-vocal score; [5] p. each 77/7 Typescript lyric sheets; [10] leaves 79/14 Vocal parts 85/1 Orchestral parts 85/2 Orchestral parts-Coda 85/3 Orchestral parts-Preview 85/4 Orchestral parts-Reprise Nuts to you

Not used

 77/8 Typescript lyric sheets; [3] leaves (Dance to the music of) The ocarina 6/15 Full score: utility; 4 p. 77/9 Sketches (3); [2, 2, 1] p. 77/9 Photocopied piano-vocal scores; [4] p. each 2 copies 77/9 Typescript lyric sheets; [8] leaves 80/1 Vocal parts 80/2 Vocal parts-The ocarina II 80/3 Vocal parts-The ocarina III 80/4 Vocal parts-The ocarina IV 80/5 Vocal parts-The ocarina V 85/5 Various orchestral scores to 4 sections 85/6 Pasteovers from orchestral parts 85/7 Orchestral parts-Dance 85/8 Orchestral parts-Encore 85/9 Orchestral parts-Mid-section? 85/10 Orchestral parts-Opening 85/11 Orchestral parts-Utility Once upon a time today 77/10 Manuscript piano score; [2] p. 77/10 Sketch; [2] p. 77/10 Photocopied piano-vocal scores; 5, [5] p. 2 copies each 77/10 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 77/10 Typescript lyric sheets; [3] leaves 85/12 Orchestral parts Our day of independence 6/16 Manuscript full score; 23 p. 6/16 Encore manuscript full score; 9 p. 77/11 Manuscript piano-vocal score; 6 p.

With annotations

 77/11 Manuscript piano-vocal score; 6 p.

At top: revised copy

 77/11 Copyist's manuscript piano-vocal score; 6, 4 p. 2 transparencies 77/11 Printed piano-vocal score; 6 p. each 2 copies

At top: piano-conductor

 77/11 Manuscript piano score; [3] p. 77/11 Manuscript violin part; 3 p. 77/11 Printed manuscript piano-vocal score; 4 p. each 2 copies 77/11 Photocopy and negative photocopy of manuscript piano-vocal score; 4 p. each 77/11 Typescript and carbon lyric sheets; [13] leaves Encore 77/11 Manuscript piano-vocal score; 4 p. 77/11 Copyist's manuscript conductor score; 4 p.

Laid in: miscellaneous part; [1] p.

 77/11 Printed piano-conductor score; 4 p. each 2 copies Our town see Our town and There's no town like our town in Non-show music Overture 6/17 Full score: #2; [25] p. Orchestral parts Set I 85/13 Piano-conductor, reed, and brass parts 85/14 String parts 85/15 Rehearsal 16 and 17 Set 2 86/1 Piano-conductor and reed parts 86/2 Brass and conductor parts 86/3 String parts Prelude and fanfare 78/1 Photocopied piano-vocal score; 3 p. 86/4 Orchestral parts Something to dance about 78/1 Photocopied piano-vocal score; 3 p. 78/1 Typescript lyric sheets; [4] leaves 86/5 Orchestral parts They like Ike 6/18 Full score; 8 p. 78/2 Manuscript piano-vocal score; [2] p.

No lyric

 78/2 Manuscript piano scores; [1, 2] p. 78/2 Sketches (2); [3] p. each

On p. 3: sketch for "Sweet potatoes"

 78/2 Photocopied piano-vocal scores; [3, 4, 4] p. 78/2 Holograph lyric sheets; [16] leaves 78/2 Manuscript lyric sheet; [1] leaf 78/2 Typescript lyric sheets; [67] leaves 80/6 Vocal parts 86/6 Orchestral parts Washington square dance 78/3 Manuscript piano-vocal score; [2] p.

Incomplete lyrics

 78/3 Manuscript piano score; [2] p.

Laid in: sketch of piano score; [1] p.

 78/3 Sketches(2); [2] p. each 78/3 Copyist's manuscript piano-vocal score; p. 4-6 Transparencies 78/3 Photocopy piano-vocal score; 6 p. each

7, with annotations

 78/3 Holograph lyric sheet; [1] leaf 78/3 Typescript lyric sheets; [17] leaves 78/3 Sheet music 80/7 Vocal parts 86/7 Orchestral parts What chance have I with love? see also Louisiana purchase

Film only

 78/4 Photocopy of piano-vocal scores; 4, 5 p. The wild men of Lichtenburg

Not used

 78/5 Manuscript piano score; [2] p. 78/5 Typescript lyric sheets; [2] leaves You're just in love 78/6 Photocopied piano-vocal score; 7 p. each 2 copies 78/6 Typescript lyric sheets; [5] leaves 80/8 Reprise vocal parts 86/8 Reprise orchestral parts Unidentified and miscellaneous manuscripts found with Call me Madam materials 78/7 Sketches (8); [1, 2, 3, 2, 1, 2, 1, 3] p. 86/9 Miscellaneous manuscript orchestral parts found with the Call me madam materials Scripts 87/1 Typed script; [109] p.

On t.p.: Rehearsal version, June 24, 1950

87/2 Typed script; [104] p.

On inside t.p.: Rehearsal version, August 14, 1950

Laid in: typed script for Act II, scene 4; [14] p.

 87/2 Carbon copy of typed script; [59] p.

On inside t.p.: Act one rehearsal version, August 14, 1950

87/3 Mimeograph copy of typed script; 124 p.

On cover: Final, Call me madam, June 3, 1952

87/4 Mimeograph copy of typed script; 121 p.

On cover: Revised final, Call me madam, July 21,1950

88/1 Mimeograph copy of typed script; 100 p. Black plastic folder

On cover: Truman version

 88/2 Mimeograph copy of typed script; [100] p. each 2 copies

Red plastic folder, on cover: Truman version

 89/1 Mimeograph copy of typed script; [87] p. each Red paper folder 89/1 Mimeograph copy of typed script; [100] p. each Red paper, brittle folder 89/2 Photocopy of typed script; [93] p. Yellow cardstock cover, 2 fasteners

Contains annotations on pages 1, 29, 39, 40, 47, 56, 59, 63

 89/3 Carbon copy of typed script; [35] p.

On t.p.: Call me madam! by Irving Berlin, Howard Lindsay, and Russel Crouse, Act I, Scene VI

Laid in: carbons of typed scripts (scenes 1-4-13 to 1-4-16) (bound by 3 fasteners); [4] p.

 89/3 Carbon copy of typed script; [17] p. Blue paper folder

Contents are for Act I, scenes 1, 2, 3 only

 89/3 Carbon copy of typed script Unbound

Incomplete; Act I, scene 4 and Act II, scene 1; [18], [23] p.

 89/4 Typescript synopsis; 21 p. 89/4 Printed libretto; 64 p.

Published by Irving Berlin Ltd., London; includes dialogue, lyrics, stage directions, photographs of each set

 89/4 Manuscript note, Hilda Schneider, Dec 7th, 1982; [1] leaf

Sent one script of Madam to Jay Blackton

 89/4 Typescript note; [1] leaf

Call me madam script including "Free" taken by Arthur Sheekman; [1] leaf

 89/5 Rehearsal schedule; [1] p. 89/5 Drawings found with orchestral (chiefly horn) parts Carefree

Film, 1938

Carefree

Not used

 90/1 Manuscript piano-vocal score; 4 p. 90/1 Photocopy of copyist's manuscript piano-vocal score; 4 p. each 2 copies 90/1 Typescript lyric sheets; [4] leaves

Some holograph annotations

 Change partners 6/19 Manuscript full score; 15 p. 90/2 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 90/2 Photocopy of copyist's piano-vocal score; 4 p. each 2 copies 90/2 Typescript lyric sheets; [6] leaves 90/3 Manuscript orchestral parts I used to be color blind 6/20 Manuscript full score #7A; 14 p. 90/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 90/4 Photocopy of copyist's manuscript piano-vocal score; 4 p. each 2 copies 90/4 Typescript lyric sheets; [5] leaves 90/5 Manuscript orchestral parts Let's make the most of our dream

Not used

 90/6 Manuscript piano-vocal score; 5 p.

With annotations

Laid in: correction leaf

 90/6 Manuscript lead sheet; [2] p.

Lyric sheet attached

 90/6 Copyist's manuscript piano-vocal score; 5 p. Transparencies 90/6 Photocopies of copyist's manuscript piano-vocal score; 5 p. each 2 copies 90/6 Typescript lyric sheets; [6] leaves The night is filled with music 90/7 Manuscript piano score; [1] p.

Fragment

 90/7 Sketch; [1] p. 90/7 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 90/7 Photocopy of copyist's manuscript piano-vocal score; 3 p. 90/7 Typescript lyric sheets; [5] leaves Since they turned Loch Lomond into swing see also Music box revue, 1938-1939

Not sung in film, instrumental only

 90/8 Photocopy of manuscript vocal part; [1] p. 90/8 Typescript lyric sheet; [1] leaf What the well-dressed man will wear

Dropped from film before production began

 90/9 Holograph lyric sheet; [1] leaf

At top: patter-men's fashion parade

 90/9 Typescript lyric sheets; [5] leaves Why do I love you see Non-show music

Not used

 Words

Not used

 90/10 Sketch; [1] p. 90/10 Typescript lyric sheets; [4] leaves The yam 90/11 Sketches; 2 p. 90/11 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 90/11 Photocopy of copyist's manuscript piano-vocal score; 6 p. each 2 copies 90/11 Typescript lyric sheets; [9] leaves 90/12 Manuscript orchestral parts-part I 90/12 Manuscript orchestral parts-part II You can be my cave man

Not used

 90/13 Manuscript lead sheet; [2] p.

Lyric sheet attached

 90/13 Copyist's manuscript piano-vocal score; 4 p. 90/13 Photocopy of copyist's manuscript piano-vocal score; 4 p. each 2 copies 90/13 Typescript lyric sheets; [5] leaves The century girl

Musical revue, 1916; Irving Berlin and Victor Herbert each wrote half the material for the revue

 Alice in Wonderland 91/1 Sketches (8); [4] p. 91/1 Sketch (verse to Alice in Wonderland & Miss Janis song); [1] p.

On verso: Sketch for "Kiss me once more"

 The chicken walk

Alternate titles: That Broadway chicken walk; Jungle ball finale

 Published version 91/2 Reverse photocopy of piano-vocal score; [4] p. 91/2 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 91/2 Typescript lyric sheets; [5] leaves Show version

Includes "Hunting for a new dance," "The chicken walk," and "Turkey trot"

 91/3 Sketches; [5, 12] p.

On verso of sheet marked "p. 11" more sketches for "The music lesson" and "Kiss me once more"

 91/5 Sketches; [7] p.

On verso of one sketch: sketch for "It takes an Irishman to make love"

 91/5 Typescript lyric sheets; [9] leaves It takes an Irishman to make love 91/4 Sketch; [1] p. 91/4 Manuscript violin part; [3] p.

With annotations

 91/4 Photocopy of sketch; [1] p.

Original manuscript is found on verso of The chicken walk sketch

 Kiss me again see The music lesson/Kiss me once more Kiss me once more see Non-show music The music lesson/Kiss me once more see also Kiss me once more and The chicken walk sketches

Alternate title: Herbert-Berlin duet

"The music lesson" is a duet for Irving Berlin and Victor Herbert which segued into Herbert's "Kiss me again," with "Kiss me once more" serving as a countermelody

 91/6 Sketches; [1, 2, 1] p. 91/6 Typescript lyric sheet; [1] leaf Laces and faces (Act III finale)

Includes: "On the train of a wedding gown"

 91/7 Sketches; 7 p. 91/7 Manuscript/typescript lyric sheets; [6] leaves 91/7 Sketch for incidental entrance music for Laces and faces; 4 p. My once-in-a-century girl

Earlier title: My wonderful century girl

 91/8 Manuscript lead sheet; [1] p. 91/8 Sketch; [1] p. 91/8 Sketch of chorus dated Aug. 3, 1916; [1] p.

At bottom: sketch for "How can you" [illegible]

On verso: sketch for "Poor little rich girls dog"

 91/8 Typescript lyric sheet; [1] leaf

With annotations

On verso: manuscript notes

 91/8 Typescript lyric sheets; [4] leaves On the train of a wedding gown see Laces and faces Turkey trot see The chicken walk Cindy Lou

Unproduced show, 1955

210/21 Typescript synopsis; [2] leaves The cocoanuts

Stage, 1925; film, 1929

Scores and parts The bell hop

Alternate title: Bell boy opening; Doin' the bellhop

 91/9 Manuscript lead sheet; [2] p. 91/9 Sketch; [4] p. 91/9 Typescript lyric sheets; [2] leaves Can't you tell?

Alternate title: Can you tell

Not used

 91/10 Sketch; [3] p. 91/10 Typescript lyric sheet; [1] leaf

With annotations

 91/10 Typescript lyric sheet; [1] leaf Everyone in the world is doing the Charleston 91/11 Manuscript piano score; [1] p. 91/11 Manuscript lead sheet; [1] p. 91/11 Typescript lyric sheets; [6] leaves Five o'clock tea 91/12 Fair copy (Kresa) manuscript piano-vocal score; 9 p. 91/12 Manuscript and typescript lyric sheets; [5] leaves Florida by the sea 91/13 Sketches; [1, 5, 1] p. 91/13 Fair copy (Kresa) manuscript piano-vocal score; 5 p. 91/13 Manuscript and typescript lyric sheets; [4] leaves Gentlemen prefer blondes 91/14 Manuscript piano score; [1] p. 91/14 Manuscript lead sheet; [1] p. 91/14 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 91/14 Typescript lyric sheets; [3] leaves Hotel of our own

Alternate titles: When we're running a little hotel of our own; Running a little hotel of our own

 91/26 Manuscript piano score; [2] p. 91/26 Manuscript lead sheet; [2] p. 91/26 Sketch; [3] p. 91/26 Manuscript and typescript lyric sheets; [6] leaves A little bungalow 91/15 Manuscript lead sheet; [1] p. 91/15 Sketches; [1, 1, 1] p. 91/15 Holograph lyric sheet; [1] leaf 91/15 Manuscript and typescript lyric sheets; [6] leaves Lucky boy 91/16 Manuscript lead sheet; [1] p.

No lyric

 91/16 Sketches; [1, 1] p. 91/16 Manuscript and typescript lyric sheets; [6] leaves Minstrel days 91/17 Manuscript conductor score; [12] p. 91/17 Photocopy of conductor score; [12] p. 91/17 Typescript lyric sheets; [4] leaves The monkey-doodle-doo 91/18 Sketches; [4, 2, 1] p. 91/18 Manuscript and typescript lyric sheets; [8] p. Opening Act II 91/19 Manuscript piano score; 6 p. Take 'im away (he's breakin' my heart) see Non-show music The tale of a shirt 91/20 Holograph lyric sheet; [1] leaf Tango melody

Alternate titles: To a tango melody; A tango melody

 91/21 Manuscript piano-vocal score; [1] leaf 91/21 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 91/21 Typescript lyric sheet; [6] p. They're blaming the Charleston see Non-show music Ting-a-ling, the bells'll ring see also Miscellaneous sketches and Why do you want to know why?

Alternate titles: Ting-a-ling

 91/22 Manuscript piano score; [2] p. 91/22 Manuscript lead sheet; [2] p.

With annotations

Laid in: typescript lyric sheet; [1] p.

 91/22 Sketch; [1] p. 91/22 Manuscript lyric sheet; [1] leaf We should care 91/23 Manuscript lead sheet; [1] p.

No lyric

 91/23 Holograph lyric sheet; [1] leaf 91/23 Typescript lyric sheets; [4] leaves What's there about me? see also What's what about me?

Dropped during rehearsals

 91/24 Manuscript piano-vocal score; [4] p.

No lyric

 91/24 Manuscript lead sheets; [1, 2] p.

1 in pencil, 1 in ink

 91/24 Manuscript lyric sheet; [1] leaf 91/24 Typescript lyric sheet; [2] leaves When my dreams come true

Film only

 91/25 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Why am I a hit with the ladies?

Alternate title: A hit with the ladies

 91/27 Manuscript piano score; [2] p. 91/27 Typescript lyric sheets; [2] leaves Why do you want to know why? 91/28 Manuscript piano score; [2] p. 91/28 Manuscript lead sheet; [2] p. 91/28 Holograph lyric sheet; [1] leaf 91/28 Typescript lyric sheets; [3] leaves

One sketch includes "Ting-a-ling, the bells'll ring"

 91/28 Photocopy of lyric sheet; [1] leaf With a family reputation see also Miscellaneous sketches

Alternate title: Family reputation

Earlier title: My family reputation

 91/29 Manuscript piano-vocal score; [4] p.

With annotations

 91/29 Manuscript piano score; [2] p.

With annotations

 91/29 Manuscript lead sheet; [1] p.

On verso: sketch of a waltz

 91/29 Manuscript lead sheet; [2] p. 91/29 Sketch; [3] p. 91/29 Manuscript and typescript lyric sheets; [5] leaves 91/30 Miscellaneous sketches

Found with Music box revue, 1923 or 1924

(A little) bungalow Laid in: manuscript piano score; [1] p. Ting-a-ling, the bells'll ring; [5] p. Waltz; [2] p. (With a family) reputation; [1] p. Scripts 92/1 Carbon copy of typed script; [60] p.

In tan folder

On cover: The Cocoanuts, Act I

 92/1 Carbon copy of typed script; [25] p.

In tan folder

On cover: The Cocoanuts, Act II, scene I

 92/2 Carbon copy of typed script; [130] p.

In yellow folder, 2 paper fasteners

 92/3 Carbon copy of typed script; [55, 34] p.

In tan folders

 The crystal ball see Music box revue, 1938-39 Curtain going up see Face the music Dance and grow thin

Musical revue, 1917

Dance and grow thin

Music by George W. Meyer

 92/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 92/4 Typescript lyric sheet; [1] leaf The Kirchner girl 92/5 Sketch; [2] p. 92/5 Manuscript and typescript lyric sheets; [2] leaves Easter parade

Film, 1948

Scores and parts Better luck next time 93/1 Photocopy of piano-vocal score; 3 p. 93/1 Typescript lyric sheets; [12] leaves A couple of swells 93/2 Copyist's manuscript piano-vocal scores; 4 p. each Transparency and photocopy 93/2 Photocopy of copyist's manuscript piano-vocal score; 4 p. 93/2 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 93/2 Holograph lyric sheet; [1] leaf 93/2 Typescript lyric sheets; [16] leaves Drum crazy 93/3 Copyist's manuscript piano-vocal score; 3 p. Transparencies 93/3 Photocopy of copyist's manuscript piano-vocal score; 4 p. 93/3 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 93/3 Holograph lyric sheets; [2] leaves 93/3 Typescript lyric sheets; [14] leaves A fella with an umbrella 93/4 Photocopy of copyist's manuscript piano-vocal score; 3 p. 93/4 Holograph lyric sheet; [1] leaf 93/4 Typescript lyric sheets; [2] leaves

With holograph annotations

 93/4 Typescript lyric sheets; [18] leaves Happy Easter 93/5 Copyist's manuscript lead sheet; [1] p. 93/5 Manuscript lead sheet; [1] p. 93/5 Printed lead sheet; [1] p. each 2 copies 93/5 Holograph lyric sheet; [1] leaf 93/5 Typescript lyric sheets; [11] leaves I love you-you love him see also Non-show music

Not used

 93/6 Photocopy of copyist's manuscript piano-vocal score; 4 p. It only happens when I dance with you 93/7 Copyist's manuscript piano-vocal score; 3 p. each Transparency and photocopy 93/7 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 93/7 Holograph lyric sheet; [1] leaf 93/7 Typescript lyric sheet; [1] leaf

With holograph annotations

 93/7 Typescript lyric sheets; [13] leaves Mr. Monotony 93/8 Printed piano-vocal scores; [8] p. each 2 copies 93/8 Manuscript and photocopied orchestral parts 93/8 Copyist's manuscript of string parts Missus Monotony 93/9 Photocopy of vocal score; 9 p. each 2 copies Steppin' out with my baby 93/10 Copyist's manuscript piano-vocal score; 3 p. Transparencies 93/10 Photocopy of copyist's manuscript piano-vocal score; 3 p. 93/10 Fair copy (Kresa) manuscript piano-vocal score; 4 p. each 2 copies 93/10 Holograph lyric sheets; [3] leaves 93/10 Typescript lyric sheets; [2] leaves

With holograph annotations

 93/10 Typescript lyric sheets; [11] p. Scripts 94/1 Carbon copies of typescript story sheets and ideas; [9] p.

On t.p.: terms of deal with 20th-Century Fox

Also on t.p.: notes on an idea for a picture called Easter parade

 94/1 Typescript draft; [29] p. Light blue folder

On t.p.: First rough draft of English version, January, 1947

94/1 Carbon copies of typescript draft; [29] p. 2 copies 94/1 Carbon copy of typescript draft; [29] p.

With holograph annotations

 94/2 Typed script; [29] p. Light blue folder

On t.p.: January 31, 1947

94/2 Carbon copies of typed script; [29] p. each 2 copies; light blue folder

On t.p.: 1/31/47

94/3 Carbon copy of typed script; [18] p. Blue folder, 2 fasteners 94/3 Carbon copy of typed script; 17 p. Blue folder 94/3 Carbon copy of typed script; [9] p. Light blue folder

On t.p.: 5/13/47

95/1 Mimeograph copy of typed script; [98] p. Blue cover is detached

On cover: MGM label, Producer, Mr. Freed, 6-6-47

95/2 Mimeograph copy of typed script; [59] p. Light blue cover 95/2 Mimeograph copy of typed script; [98] p. Orange cover Face the music

Stage, 1932

Earlier titles: Off the beat; This town of ours; Curtain going up

 Scores and parts 96/1 Bound manuscript piano-vocal score; 96 p. 96/2 Bound typescript lyric sheets; [19] p. How can I change my luck? see also Non-show music 96/3 Manuscript piano-vocal score; 5 p. 96/3 Manuscript piano scores(4); [1] p. each 96/3 Typescript lyric sheets; [2] leaves I don't wanna be married (I just wanna be friends) see also Non-show music

Alternate title: I don't want to be married

 96/4 Manuscript lead sheets; [2] p. each

4, 1 with annotations

 96/4 Manuscript piano scores; [3, 2, 3] p. each

1 with annotations

 96/4 Photocopy of manuscript piano-vocal score; [5] p. 96/4 Typescript lyric sheet; [4] leaves I say it's spinach (and the hell with it) 96/5 Manuscript piano score; [2] p. 96/5 Manuscript lead sheets; [2, 1] p. 96/5 Sketch; [2] p. 96/5 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 96/5 Typescript lyric sheets; [4] p. Investigation

Alternate title: Investigation after scene in one

 96/6 Manuscript lead sheet; [11] p. 96/6 Sketch; 9 p. 96/6 Photocopy of manuscript lyric sheet; [2] p. 96/6 Typescript lyric sheets; [20] leaves

With holograph annotations

 Let's have another cup of coffee 96/7 Manuscript piano scores(2); [2] p. each 96/7 Manuscript lead sheets(2); [2] p. each 96/7 Sketch; [2] p. 96/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 96/7 Typescript lyric sheets; [3] leaves 96/7 Photocopy of sheet music

Without cover

 97/1 Photocopies of reprise orchestral parts Lunching at the automat

Alternate title: Automat opening

 97/2 Manuscript piano score; [4] p. 97/2 Sketch; [2] p. 97/2 Typescript lyric sheets; [4] leaves Manhattan madness 97/3 Manuscript lead sheets; [2, 3] p. 97/3 Fair copy (Kresa) manuscript piano-vocal score; 6 p. 97/3 Typescript and ditto copy of lyric sheet; [2] leaves 97/3 Sheet music My beautiful rhinestone girl

Alternate title: My rhinestone girl

 97/4 Manuscript piano scores; [2, 3, 4] p. 97/4 Manuscript lead sheet; [1] p. 97/4 Sketch; [1] p. 97/4 Typescript lyric sheets; [8] leaves The nudist colony

Alternate titles: The nudist song; Let's start a nudist colony

Dropped from show

 97/5 Manuscript piano score; [2] p. 97/5 Sketches; [1, 2, 2] p. 97/5 Typescript lyric sheet; [1] leaf (Castles in Spain) On a roof in Manhattan

Alternate title: A roof in Manhattan

 97/6 Manuscript lead sheets(3); [2] p. each 97/6 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 97/6 Typescript lyric sheets; [2] leaves The police of New York

Included in earlier versions, but dropped from the final show

 97/8 Manuscript piano score; [3] p. 97/8 Sketches; [4] p. 97/8 Typescript lyric sheets; [5] leaves

1 with holograph annotations

 Reisman's doing a show

Not used

 97/9 Manuscript piano score; [4] p. 97/9 Typescript lyric sheets; [3] leaves

With annotations

 Soft lights and sweet music 97/10 Manuscript lead sheet; [2] p. 97/10 Sketches of lead sheet(2); [1] p. each 97/10 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 97/10 Typescript lyric sheets; [5] leaves 97/10 Sheet music Torch song see also Non-show music

Dropped in New York

 97/11 Manuscript piano score; [3] p. 97/11 Manuscript lead sheets (2); [2] p. each 97/11 Sketches; [2, 3, 2, 3] p. 97/11 Typescript lyric sheets; [4] leaves Two cheers instead of three

Included in earlier versions, but dropped from the final show

 97/12 Typescript lyric sheet; [1] leaf

With holograph annotations

 Well, of all the rotten shows

Opening-Second act

 97/7 Manuscript piano score; [3] p. 97/7 Manuscript lead sheets; [2, 1] p. 97/7 Typescript lyric sheets; [3] leaves

With annotations

 You must be born with it 97/13 Manuscript piano scores; [2, 3] p. 97/13 Manuscript lead sheets(2); [2] p. each 97/13 Sketch; [1] p. 97/13 Typescript lyric sheets; [4] leaves 97/14 Unidentified sketches; [2] p. Orchestral parts 97/15 Violin I 97/16 Violin II 98/1 Violin III 98/2 Violin IV 98/3 Viola 98/4 Cello 98/5 Bass 99/1 Flute 99/2 Oboe 99/3 E-flat alto sax I 99/4 E-flat alto sax II 99/5 B-flat tenor sax 100/1 B-flat trumpets I and II 100/2 B-flat trumpet III 100/3 Trombone 100/4 Banjo 101/1 Piano 101/2 Piano, extra parts 101/3 Drums Miscellaneous 101/4 Extra part book, various parts, not used 101/5 Miscellaneous orchestral parts, Torch song (old) 101/5 Manuscript parts (12)

Incomplete

 Scripts 102/1 Carbon copy of typed script; [65] p. Blue folder

On cover: Act I, Oct. 30, 1931

102/1 Typed script; [41] p. Yellow folder

On cover: Act II

 102/2 Photocopy of typed script; [112] p. No folder

Acts I and II (final version)

 102/3 Photocopy of typed script; [106] p. No folder

Next-to-last version, some Act II scenes not completed

 102/4 Carbon copies of typed script; [72] p. each 2 copies in yellow folder

On cover: Off the beat, Act I

 103/1 Photocopy of manuscript script by Moss Hart; [240] p. approx. Unbound

On t.p.: Off the beat

 103/2 Carbon copy of typed script; 57 p. Yellow folder, stapled

Original title on cover: Curtain going up

 103/3 Carbon copy of typed script; 177 p. Yellow folder

On cover: 2, This town of ours

 103/4 Carbon copy of typed script; [44] p. Yellow folder

At top: 2

 103/4 Carbon copy of typed script; [43] p. Yellow folder

At top: 4

 Facts and fables

Script by Milton H. Gropper. Idea suggested by Irving Berlin

 219/22 Typed script; [12] p. Follow the crowd see Stop! Look! Listen! Follow the fleet

Film, 1936

104/1 Bound printed piano-vocal score; 29 p. But where are you? 104/2 Manuscript piano-vocal scores; [2, 1] p. 104/2 Manuscript piano scores; [2] p. 104/2 Sketch; [1] p.

On verso: sketch for "I'd rather lead a band"

 104/2 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 104/2 Photocopy of manuscript piano-vocal score; [1] p. 104/2 Typescript lyric sheets; [3] leaves Get thee behind me, Satan 104/3 Manuscript piano score; [2] p. 104/3 Manuscript piano score; [2] p.

With annotations

 104/3 Manuscript lead sheet; [1] p. 104/3 Sketches(3); [2] p. each 104/3 Typescript lyric sheets; [6] leaves I'd rather lead a band 104/4 Manuscript piano score; [1] p. 104/4 Photocopy of piano-vocal score; [4] p. 104/4 Photocopy of sketch; [1] p.

Copied from verso: But where are you?

104/4 Typescript lyric sheets; [2] leaves I'm puttin' all my eggs in one basket 104/5 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Let yourself go 104/6 Manuscript piano score; [1] leaf 104/6 Sketch; [2] p. 104/6 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 104/6 Photocopy of piano-vocal score; [3] p. 104/6 Typescript lyric sheets; [2] leaves Let's face the music and dance 104/7 Manuscript piano-vocal score; [1] p. 104/7 Manuscript piano-solo scores; [3, 1] p. 104/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 104/7 Photocopy of piano-vocal score; [3] p. 104/7 Photocopy of sketch; [1] p.

Copied from verso of While we're dancing

104/7 Typescript and carbon copy lyric sheets; [2] leaves Moonlight maneuvers see Non-show music There's a smile on my face see Non-show music We saw the sea 104/8 Photocopy of piano-vocal score; [5] p. 104/8 Fair copy (Kresa) manuscript of piano-vocal score; 8 p. 104/8 Manuscript vocal part; [1] p. 104/8 Typescript lyric sheets; [2] leaves 104/9 Unidentified sketches; [4] p. Friar's folic of 1911 104/10 Songwriters Holograph lyric sheets; [2] leaves

At top: Piano bugs

 Holograph lyric sheets; [3] leaves

At top: Songwriters

 Good gulf program

1934

I never had a chance see Non-show music In that first revue 104/11 Typescript lyric sheet; [1] leaf Say it with music see Non-show music So help me see Non-show music Hanky panky Opera burlesque

Introduced as "The ragtime sextette" in A night with the Pierrots; curtain raiser Whirl of society and sung in Weber and Field's All Star Jubilee Production Hanky Panky, 1912

Alternate titles: Ragtime opera (Lucia); The ragtime sextette; Opera Burlesque (On the Sextette from Lucia di Lammermoor)

104/12 Manuscript score; 16 p. 104/12 Negative photocopy of printed piano-vocal score; 14 p. 104/12 Typescript lyric sheets; [6] leaves Happy holidays see Holiday inn Holiday inn

Film, 1942

Abraham 105/1 Manuscript piano score; [2] p. 105/1 Sketch; [2] p. 105/1 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 105/1 Printed piano-vocal score(2); [4] p. each 105/1 Typescript lyric sheets; [9] leaves Be careful, it's my heart 105/2 Copyist's manuscript piano-vocal scores(2); [2] p. each 105/2 Sketch of piano score; [2] p. 105/2 Sketch; [1] p.

Laid in: typescript lyric sheet; [1] leaf

 105/2 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 105/2 Photocopy of copyist's manuscript piano-vocal score; 2 p. 105/2 Typescript lyric sheets; [16] leaves 105/2 Sheet music Finale 105/3 Holograph lyric sheet; [1] leaf 105/3 Typescript lyric sheets; [6] leaves The fourth of July vocal routine

Includes "Let's say it with firecrackers" and "Song of freedom"

 105/4 Photocopies of condensed score(2); [12] p. each

At top: rec. version

 105/4 Typescript lyric sheets; [5] leaves Happy holiday 105/5 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 105/5 Photocopies of piano-vocal score(2); [1] p. each 105/5 Typescript lyric sheets; [2] leaves Happy holiday - opening chorus Part I 105/6 Photocopies of piano-vocal score(2); 4 p. each 105/6 Holograph lyric sheet; [1] leaf 105/6 Typescript lyric sheets; [11] leaves

Some with holograph annotations

 Part II 105/6 Typescript lyric sheets; [8] leaves

Some with holograph annotations

 Holiday inn 105/7 Manuscript piano score; [2] p. I can't tell a lie 105/8 Manuscript piano-vocal score; [3] p.

Laid in: manuscript piano-vocal fragment; [1] p.

 105/8 Manuscript piano-vocal score; [3] p. 105/8 Manuscript piano sketch; [1] p. 105/8 Sketch of lead sheet; [1] p. 105/8 Photocopies of manuscript piano-vocal score(2); 3 p. each 105/8 Typescript lyric sheets; [8] leaves I pledge allegiance 105/9 Manuscript piano-vocal scores(2); [2] p. each 105/9 Manuscript piano score; [1] p. 105/9 Sketch; [1] p. 105/9 Photocopies of manuscript piano-vocal scores(2); 3 p. each I remember Christmas time

Duet sung in counterpoint with White Christmas

105/10 Manuscript lead sheet; [1] p. 105/10 Manuscript vocal score; [2] p. 105/10 Photocopy of typescript lyric sheets; [2] leaves I'll capture your heart singing

Original title: Sing and dance

Film version: I'll capture her heart singing

 105/11 Sketch; [1] p. 105/11 Photocopy of short score; 6 p.

Laid in: typescript interoffice note; [1] p.

 105/11 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 105/11 Typescript lyric sheets; [19] leaves

Film version

 105/11 Typescript lyric sheets; [2] leaves

Published version

 Lazy 105/12 Typescript lyric sheet; [1] leaf

At top: second number

 Let's say it with firecrackers see also The fourth of July vocal routine 105/13 Manuscript piano-vocal score; [3] p. 105/13 Negative photocopy of printed piano-vocal score; [3] p. 105/13 Typescript lyric sheets; [9] leaves Let's start the New Year right 105/14 Manuscript piano-vocal score; [3] p. 105/14 Sketch of piano score; [2] p. 105/14 Sketch of lead sheet; [1] p. 105/14 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 105/14 Photocopy of manuscript piano-vocal score; 3 p. 105/14 Typescript lyric sheets; [6] leaves Plenty to be thankful for 105/15 Manuscript piano-vocal score; [3] p. 105/15 Sketch of lead sheet; [1] p. 105/15 Fair copy (Kresa) manuscript piano-vocal score(2); 4 p. each 105/15 Photocopies of printed piano-vocal score(2); 6 p. each 105/15 Typescript lyric sheets; [20] leaves Song of freedom see also The fourth of July vocal routine 105/16 Typescript lyric sheets; [11] leaves This is a great country

Not used

 105/17 Manuscript piano-vocal scores(7); [2, 2, 3, 3, 3, 3, 2] p. 105/17 Sketches; 7 p. 105/17 Mimeographs of manuscript piano-vocal score(2); 3 p. each 105/17 Photocopy of letter to Mark Sandrich at Paramount, June 19, 1941 105/17 Typescript lyric sheets; [27] leaves White Christmas 105/18 Manuscript piano-vocal score; [3] p. 105/18 Manuscript piano-vocal score; [3] p.

Laid in: manuscript correction leaf; [1] leaf

 105/18 Manuscript piano score; [2] p. 105/18 Manuscript lead sheet; [1] p.

Dated: 1/8/1940

At bottom: sketch; [1] p.

 105/18 Sketches; [1, 2, 4] p. 105/18 Photocopies of piano-vocal score(2); 3 p. each 105/18 Photocopies of holograph vocal part(2); [1] p. each 105/18 Typescript lyric sheets; [2] leaves

At top: Holiday inn, 4th number

 105/18 Typescript lyric sheets; [4] leaves

At top: January 8, 1940

105/18 Typescript lyric sheet; [1] leaf

At top: Christmas

 You're easy to dance with 105/19 Manuscript piano-vocal score; [5] p.

Laid in: manuscript fragment; [1] p.

 105/19 Manuscript piano-vocal score; [5] p. 105/19 Sketch of piano score; [2] p. 105/19 Sketch; [1] p. 105/19 Photocopy of manuscript piano-vocal score; 5 p. 105/19 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 105/19 Typescript lyric sheets; [15] p. Scripts 105/20 Holograph notes: [2] leaves

At top: Tentative layout for song book

 105/20 Holograph list of holidays: [1] leaf 105/20 Typescript running lists; [7] leaves 106/1 Holograph list of holidays; [1] leaf 106/1 Holograph list of holidays; [2] leaves

At top: Happy Holiday, tentative layout for song book

 106/1 Typescript list of holidays; [1] p.

Original title at top: Happy holidays

 106/1 Typescript idea and notes; 4 p. each 2, and 1 carbon copy 106/1 Typescript list of songs; [7] leaves 106/1 Typescript first rough draft for a revue; [5] p.

With holograph annotations

At top left: Copy of this sent to Capt. O'Brien for copyrighting, Feb. 16, 1939

106/1 Carbon copies of complete typescript version of above; [6] p. each

On cover: Feb. 16, 1939

106/2 Carbon copy of typed "notes on Holiday inn"; 3 p. each Blue folder; and carbon copy, no folder 106/2 Carbon copy of typed "notes on conferences..., April 21, 1941; 9 p. 106/2 Carbon copy of typed "notes on conferences..., April 28, 1941; 31 p. each 2 copies, blue folder 106/3 Carbon copy of typed script; [35] p. Unbound

On cover: 8/29/41

106/3 Carbon copy of typed script; [20] p. Blue folder

On cover: Revisions in latter portion, Sept. 27, 1941

106/3 Carbon copy of typed script; [164] p. Black spring binder

On cover: Oct. 14, 1941

106/4 Carbon copy of typed script; [51] p. Yellow paper, unbound

At top: Oct. 18, 1941, #8462, Sequence B

 106/5 Mimeograph copy of typed script; [122] p. Bound by paper fasteners 106/5 Mimeograph copy of typed script; [16] p. No cover, bound by staple

At top: Sequence E

Dated: 12/15/41

Irving Berlin musical

Unproduced

 219/23 Typescript screenplay; 25 p. The last resorts see also Wise guy

Unproduced, 1952

Alternate title: Palm beach

Apparently based on Cleveland Amory’s 1952 book, Last resorts, this was the first of Berlin’s two attempts to write a musical about brothers Wilson and Addison Mizner; the second attempt, 4 years later, was based on Alva Johnson’s The legendary Mizners, and first entitled Sentimental guy, and later, Wise guy.

 107/1 Sittin' in the sun (counting my money) see also Non-show music Typescript lyric sheet; [1] leaf 107/2 The snobs on the wrong side of the track see also Wise guy Typescript lyric sheets; [2] leaves 107/3 The top 400 people Holograph lyric sheets; [2] leaves 107/4 Typescript outlines of Act I; [12] leaves 107/4 Typescript list of possible songs for Palm Beach; [3] leaves Liberty hall

Unproduced, 1943

219/24 Carbon copy of notes; 2 p. Stapled

At top: notes on story idea

 219/24 Typed script; 8 p. each 1 ribbon, 1 carbon copy 219/24 Typed script; 9 p. 2 staples at top

At top: On train conference Liberty hall

 219/24 Carbon copy of typescript treatment; 49 p.

On t.p.: 7/21/43

Louisiana purchase

Stage, 1940

Scores and parts 107/5 Bound manuscript condensed score; around 100 p. 108/1 Bound printed piano-vocal scores(2); [60] p. each Apologia Part one: The letter

Alternate title: Opening letter

 7/1 Full score: Opening letter #1, 22 p. 108/2 Photocopies of piano-vocal score; p. 2-6, 2-3 108/2 Typescript lyric sheets; [9] leaves Part two: It's news to us (Opening)

Alternate title: Opening Chorus-It's news to us

 7/2 Full score: Opening chorus, 43 p.

At top: extra material

Laid in: Opening chorus-new introduction; [1] p.

Laid in: Opening chorus-newer introduction #2; [1] p.

Laid in: End of opening chorus; 6 p.

 7/2 Full score: Opening chorus #2, letter K, 11 p. 7/2 Full score: Opening chorus-new dance, 6 p. 108/3 Photocopies of piano-vocal score; [6, 6] p., p. 9-13 108/3 Manuscript lead sheet; [1] p. 108/3 Sketch of piano score; 5 p. 108/3 Typescript lyric sheets; [9] leaves 111/9 Manuscript and photocopy orchestral parts 7/3 Cake-walk; 41 p. 7/4 Chimes #27A; [1] p. Dance with me (tonight at the Mardi Gras) see also Skate with me from As thousands cheer

Alternate title: Tonight at the masquerade

 7/5 Full score #9

Folder only

 7/6 Full score: Waltz; [87] p. 7/7 Full score: Reprise #13A

Folder only

 7/8 Full score: Strings only; 5 p. 12/1 Vocal score; [20] p. 12/1 Vocal score; 5 p.

At top: insert for 3rd chorus (D major)

 108/4 Sketch; [1] p. 108/4 Photocopy/manuscript piano-vocal score; [7] p. 108/4 Photocopies of piano-vocal score(2); [5] p. each 108/4 Photocopies of printed piano-vocal score; p. 34-37, 36-37 108/4 Photocopy of printed piano-vocal score; [7] p.

With annotations

 108/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 108/4 Typescript lyric sheets; [3] leaves 110/6 Orchestral parts: La valsette 110/7 Orchestral parts: Cover 110/8 Orchestral parts: Reprise Entr'acte

Alternate title: New York Entr'acte

 7/9 Full score #18; 4 p. 7/9 Full score #18; 7 p. Finale Act I 7/10 Full score #17; [20] p. 7/10 Full score #17; 44 p. 7/10 Full score; 6 p. 12/2 Vocal score; 2 p. 108/5 Photocopy/manuscript piano-vocal score; [10] p. 108/5 Photocopy of printed/manuscript piano-vocal score; [9] p. 108/5 Typed script; [2] p. 110/9 Orchestral parts Finale Act II 108/6 Manuscript short score; [10] p. 108/6 Photocopy of manuscript short score; [2] p. 108/6 Typescript lyric sheets; [9] leaves

Some with holograph annotations

 110/10 Orchestral parts Finale ultimo 8/1 Full score #33; 21 p. 8/1 Full score #33; [35] p. 8/2 Full score; [1] p. 8/2 Full score: New end; 5 p. Fools fall in love 8/3 Full score #26; 49 p. 8/3 Full score #16

Folder only

 8/3 Full score: Stage hands music; 9 p.

At top: change

 12/3 Vocal score #26; 3 p. 108/7 Manuscript piano-vocal scores(2); [3] p. each 108/7 Sketches; [3] p. 108/7 Photocopies of piano-vocal score; [4, 8] p. 108/7 Photocopy of printed piano-vocal score; p. 54-57 108/7 Photocopy of printed piano-vocal score; p. 54-57

At top: #13

 108/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 108/7 Typescript lyric sheets; [3] leaves 108/7 Sheet music 110/11 Orchestral parts I'd love to be shot out of a cannon with you

Alternate title: I'd love to be shot from a cannon with you

Dropped after tryout

 8/4 Full score #23; 46 p. 8/4 Full score; [1] p.

At top: New 2 bars from "C" (last 2) to "H"

 8/5 Full score; 9 p. 108/8 Manuscript piano-vocal score; [3] p. 108/8 Sketches; [6] p. 108/8 Typescript lyric sheet; [1] leaf I'm a Quaker's daughter from the Latin quarter see Music box revue, 1939 and Non-show music

Not used

 It'll come to you

Dropped during tryout

 8/6 Full score; 11 p. 8/7 Full score: Introduction; [27] p. 108/9 Manuscript piano-vocal score; [4] p. 108/9 Photocopies of manuscript piano-vocal score(2); [4] p. each 108/9 Photocopies of manuscript piano-vocal (conductor's) score; [4, 3] p. 108/9 Photocopy of printed piano-vocal score; [4] p. 108/9 Photocopy of printed piano-vocal score (last p. manuscript); [5] p. 108/9 Fair copy (Kresa) manuscript piano-vocal score; 5 p. 108/9 Typescript lyric sheets; [8] leaves 108/9 Sheet music 111/1 Orchestral parts It's a lovely day tomorrow 9/1 Full score; 9 p. 13/1 Full score; 6 p.

Laid in: insert, p. 2 only

 9/2 Full score: Introduction #6, #7; [1] p. 9/2 Full score: Vocal; 20 p. 109/1 Manuscript piano-vocal scores; [2, 3] p. 109/1 Sketches; [5] p. 109/1 Photocopies of printed piano-vocal score(2); [3] p. each

With annotations

 109/1 Photocopies of printed piano-vocal score(2); [4] p. each

Laid in copy 2: manuscript piano-vocal score; [1] p.

 109/1 Fair copy (Kresa) manuscript piano-vocal scores(2); 4 p. each 109/1 Typescript lyric sheets; [12] leaves 109/1 Sheet music 111/2 Orchestral parts Latins know how 9/3 Full score: #21; 19 p. 9/3 Full score: #21; [38] p. 9/4 Full score: Verse, alternate #15; 3 p. 9/4 Full score: Chorus, change #22; 15 p. 9/4 Full score: Chorus, change #22; 8 p. 109/2 Manuscript piano-vocal score; [4] p.

No lyric

 109/2 Manuscript piano-vocal scores(2); [6] p. each 109/2 Sketch; [1] p. 109/2 Photocopies of piano-vocal score(2); [6] p. each 109/2 Photocopy/manuscript piano-vocal (conductor's) score; [11] p.

No lyric

 109/2 Typescript lyric sheets; [2] leaves 111/3 Orchestral parts The Lord done fixed up my soul 9/5 Full score #24; 65 p. 9/5 Full score #24; 32 p. 9/5 Full score: Ride out, new; 2 p. 9/6 Full score #15; 58 p.

Laid in: Finale I; 10 p.

On inside back cover: manuscript fragments

 9/7 Full score: For stage hands; chorus, change; 13 p. 9/7 Full score: Vocally; 41 p. 9/7 Full score: Vocally; p. 1-4 12/4 Vocal score; 28 p. 12/4 Vocal score: Interlude, end of chorale; [1] p. 109/3 Manuscript piano-vocal scores; [2, 4] p. 109/3 Sketch; [1] p. 109/3 Photocopy of manuscript piano-vocal score; [4] p. 109/3 Photocopies of printed piano-vocal scores; [4, 8, 10] p. 109/3 Sketch of vocal score; [19] p. 109/3 Typescript lyric sheet; [1] leaf

With holograph annotations

 109/3 Typescript lyric sheets; [9] leaves 109/3 Sheet music 111/4 Orchestral parts Louisiana purchase Full scores 10/1 Set A, part 1 #5; [62] p. 10/1 Set A, part 1 #5; 27 p. 10/2 Set A, part 2, modulation to B-flat; [1] p. 10/2 Reprise #8, tag 59A, 59B; [2] p.

At top: new tag on reprise #8

 10/2 Reprise #8, tag A-D; [4] p.

At top: new tag on new #8-reprise of L.P.

 10/3 Set B; [37] p.

On folder: Series of interconnecting scores: Sneak introduction, Intro, Vocal, Modulation, Dance, Letter N-ens[emble], Insert, and Reprise ending

 13/2 Set C; [21] p. 10/4 Nicodemus specialty #9B, #14; [19] p. 10/4 Nicodemus specialty #14; 10 p.

Score for woodwinds only

 13/3 Reprise, introduction; [1] p.

Incomplete

 10/5 Reprise, April specialty #7B; 15 p. 10/6 Reprise, Act I; 17 p. 10/6 Chorus for stage hands; 12 p. 10/6 Utility #9; [6] p.

Score for woodwinds only

 10/7 Opening Act II; 15 p. 10/7 Opening Act II, introduction; [1] p.

At top: 2 new last bars

 10/7 Opening Act II, new introduction; [1] p. Vocal scores 12/5 Letter N #5; 5 p. 12/5 Opening #5; 6 p. 12/5 Reprise; 6 p. Piano-vocal scores 109/4 Manuscript piano-vocal score; [4] p. 109/4 Sketches; [3] p. 109/4 Photocopies of printed piano-vocal scores; [4, 5, 6] p. 109/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 109/4 Typescript lyric sheets; [8] leaves 109/4 Sheet music 109/5 Reprise: photocopy of printed piano-vocal scores; [4, 4] p. 111/5 Orchestral parts: set B 111/6 Orchestral parts: set C 111/7 Orchestral parts 111/7 Orchestral parts: reprise Opening Act II 111/10 Orchestral parts Outside of that, I love you see also I hate you 10/8 Full score #7

Folder only

 10/9 Full score: Gaxton and Zorina #10; 40 p. 10/9 Full score: Gaxton and Zorina #10; 15 p.

Score for woodwinds only

 10/10 Full score: Specialty; 19 p. 10/11 Full score: Chorus for stage hands #11; 9 p. 10/11 Full score: Utility (stage hands) #11; 5 p.

Score for woodwinds only

 109/6 Manuscript piano score; [2] p. 109/6 Photocopy of printed piano-vocal/manuscript (conductor's) score; [7] p. 109/6 Photocopies of printed piano-vocal scores; [4, 3] p. 109/6 Fair copy (Kresa) manuscript piano score; 4 p. 109/6 Typescript lyric sheets; [4] leaves 112/1 Orchestral parts Overture 11/1 Full score; 13 p.

Score for woodwinds only

 11/1 Full score: New York (?); [13] p. 11/1 Full score: Temp(?); 6 p. Picket opening 11/2 Full score #31; 9 p. Scat 112/2 Orchestral parts Sex marches on

Originally intended for Music box revue of <date>1938-1939</date>

11/3 Full score #3; 39 p. 13/4 Full score: Encore; 17 p. 11/3 Full score: Chorus for change; 13 p.

Laid in: new ending to repeat 5; [1] p.

 109/7 Manuscript piano-vocal score; [5] p. 109/7 Manuscript piano score; [3] p. 109/7 Sketch; [2] p. 109/7 Photocopy of manuscript piano-vocal score; [5] p. 109/7 Photocopy of printed piano-vocal score; [5] p. 109/7 Photocopies of printed piano-vocal/manuscript (conductor's) score(2); [6] p. each 109/7 Typescript lyric sheets; [6] leaves 112/3 Orchestral parts 112/4 Encore orchestral parts Singing bows 112/5 Orchestral parts Voodoo chant 12/6 Vocal score; 6 p. The waltz of old Vienna see Non-show music We might have had a future see Non-show music What chance have I?

Alternate title: What chance have I with love?

 11/5 Full score #14; 5 p. 11/5 Full score #23; 17 p. 110/1 Manuscript piano-vocal score; [3] p. 110/1 Manuscript piano score; [2] p. 110/1 Sketch; [3] p. 110/1 Photocopies of printed piano-vocal scores(3); [4] p. each 110/1 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 110/1 Typescript lyric sheets; [9] leaves 110/1 Sheet music 112/6 Orchestral parts Wild about you see also Top hat

Dropped during rehearsals

 11/6 Full score #10

Folder only

 110/2 Manuscript piano-vocal scores(2); [5] p. each 110/2 Manuscript piano score; [3] p. each 110/2 Sketches; [5] p. 110/2 Manuscript/photocopies of piano-vocal score; [4, 6] p. Taped together 110/2 Fair copies (Kresa) manuscript piano-vocal score(2); 4 p. each 110/2 Typescript lyric sheets; [4] leaves 112/7 Orchestral parts You can't brush me off 11/7 Full score #28; 53 p. 11/7 Full score #28; 20 p.

Score for woodwinds only

 11/8 Full score: Scene changes #29; 9 p. 11/8 Full score: Utility #29; 4 p.

Score for woodwinds only

 11/8 Full score: Vocal cadenza; [1] p. 110/3 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 110/3 Photocopies of printed piano-vocal scores(3); [4] p. each

With annotations

 110/3 Typescript lyric sheets; [8] leaves 112/8 Orchestral parts You're lonely and I'm lonely 11/9 Full score #8; 4 p. 11/9 Full score: Introduction #12; [1] p. 11/9 Full score #12; 16 p. 11/10 Full score: Abner's specialty #14; 17 p. 11/10 Full score: Change #13, #25, #35; 9 p. 11/10 Full score: Change music #13; 5 p.

Score for woodwinds only

 11/11 Full score: Reprise #21; 23 p.

At top: Nicodemus

 11/11 Full score; 2 p.

At top: tag-Johnson dance

 110/4 Manuscript piano-vocal scores; [2, 4] p. 110/4 Manuscript piano score; [3] p. 110/4 Sketches; [2] p. 110/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 110/4 Photocopies of printed piano-vocal scores(3); [4] p. each

Laid in copy 3: manuscript fragment; [1] p.

 110/4 Holograph lyric sheet; [1] leaf 110/4 Typescript lyric sheet; [1] leaf

With holograph annotations

 110/4 Typescript lyric sheets; [5] leaves 112/9 Orchestral parts 11/12 Miscellaneous/unidentified; [6] p. 110/5 Unidentified sketches; [4] p. Scripts/librettos/miscellaneous 112/10 Mimeograph copy and photocopy of typed script; [86] p. each 113/1 Mimeograph copies of typed script; [81] p. each 2, blue folder 113/2 Carbon copy of typed script; 83 p. Unbound

At top: Mr. Berlin

 113/3 Photocopy of typed script; [100] p. Black folder

This is the revised script for the 1996 Carnegie Hall concert

 113/4 Typescript dialog booklets 10; 2 each for Abner, Alphonse, Another girl, April, and Patrice 113/5 Typescript dialog booklets 10; 2 each for Bordelaise, Boys, Buccaneers, Colonel, and Dean 113/6 Typescript dialog booklets 10; 2 each for Dean Manning, Emmy-Lou, Four Martins, Girls, and Hugh 114/1 Typescript dialog booklets 10; 2 each for Jim, Jo, Junior, L. P. Co., and Lee 114/2 Typescript dialog booklets 10; 2 each for Loganberry, Marina, Nick, Nicodemus, and Phyllis 114/3 Typescript dialog booklets 10; 2 each for Pickets, Quartette, Ralph, Secretary, and Whitfield 114/4 Typescript lyric sheet; [1] leaf

With holograph annotations

 114/4 Typescript list of running times, by scene; director’s notes and manuscript orchestrator notes; [3] leaves 114/4 Typescript cover letter and "treatment"; 7 p. Yellow paper, unbound

Laid in: envelope labeled: Morrie Ryskind, original version, Louisiana purchase, October 17, 1939

Mammy see also Mr. Bones

Motion picture, 1930

In the morning see Non-show music Knights of the road see Non-show music Let me sing and I'm happy see also Non-show music

Alternate title: Let me be a troubadour

 114/5 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 114/5 Sheet music (Across the breakfast table) Looking at you 114/6 Printed piano-vocal scores(2); 4 p. each 114/6 Typescript lyric sheet; [1] leaf My castle see Non-show music To my mammy see also How deep is the ocean (How high is the sky) 114/7 Printed manuscript piano-vocal score; 4 p. 114/7 Photocopy of sheet music

Without cover

 114/8 Typescript outline/synopsis; [17] p. Bound, blue folder 114/9 Typescript first rough outline and script; [69] p. Bound, blue folder

Dated: April 19th, 1929

114/9 Typescript scenarios; 2 p. Miss Liberty

Stage, 1949

Scores and parts 115/1 Bound manuscript piano-vocal score; 105 p.

With typescript lyric sheets

 Business for a good girl is bad

Dropped during rehearsals

 14/1 Full score #5; 14 p. 115/2 Manuscript piano-vocal score; [5] p.

With lead sheet attached

 115/2 Copyist's manuscript piano-vocal score; 6 p. Transparencies 115/2 Manuscript piano score; [2] p. 115/2 Sketch; [1] p. 115/2 Photocopy and negative photocopy piano-vocal scores; [7] p. each 115/2 Printed piano-vocal score; [6] p. 115/2 Typescript lyric sheets; [4] leaves

With annotations

 115/2 Typescript lyric sheets; [11] leaves Can-can 120/1 Manuscript and photocopy of piano part Entr'acte 14/2 Full score; 7 p. 14/2 Full score: Coda; [1] p. Orchestral parts 120/2 Version A manuscript orchestral parts (old?) 120/2 Version A manuscript and photocopies of violin part (old?) 120/3 Version B manuscript orchestral parts (old?) 120/4 Version C manuscript and photocopy orchestral parts (old?) 120/5 Version D manuscript and photocopy orchestral parts (old?) Entrance of reporters 115/3 Sketch of manuscript short score; [2] p. 115/3 Manuscript piano-vocal score; [2] p. 115/3 Photocopies of piano-vocal score(2); [2] p. each 120/6 Change: manuscript orchestral parts (old?) Exit 120/7 Manuscript brass and percussion parts 120/8 Manuscript and photocopy piano parts 120/9 Manuscript reed part 120/9 Photocopy of manuscript reed parts 120/10 Manuscript string parts Extra! Extra!

Opening chorus

 14/3 Full score: Opening curtain/opening chorus #1 and photocopy; [18] p. each 14/3 Full score: Opening chorus-introduction; 5 p. 115/4 Manuscript piano score; [7] p. 115/4 Manuscript vocal part; [4] p. 115/4 Sketches; [4] p. 115/4 Fair copy (Kresa) manuscript piano-vocal score; 9 p. 115/4 Photocopy of piano-vocal score; 8 p. 115/4 Photocopies of vocal parts(2); 5 p. each 115/4 Printed piano-vocal scores(2); 7 p. each 115/4 Typescript lyric sheets; [8] leaves 121/1 Manuscript string parts 121/2 Manuscript orchestral parts 121/3 Manuscript and photocopy orchestral parts (final version?)

On back cover of violin part B: pencil drawing of Act I

 121/4 Manuscript reed and violin parts (variants) Falling out of love can be fun 14/4 Full score #25; 8 p. 115/5 Manuscript piano-vocal score; [5] p.

On verso: sketch for "What do I have to do to get my picture in the paper?"

 115/5 Sketch; [1] p. 115/5 Photocopies of piano-vocal scores; [4, 5] p.

With annotations

 115/5 Photocopy of manuscript piano-vocal score; 4 p.

Proof

 115/5 Typescript lyric sheets; [6] leaves Orchestral scores 121/5 Version A manuscript orchestral parts (old?) 121/6 Version B manuscript and photocopies of orchestral parts (old?)

On verso of violin parts: orchestral sketch material

 121/7 Version C manuscript brass and string parts (old?) Fanfare 121/8 Manuscript orchestral parts Fight music 14/5 Full score; 3 p. 121/9 Manuscript orchestral parts(old?) Finale 115/6 Sketch; [1] p.

On verso: sketch for "Paris wakes up and smiles"

 Finale I 122/1 Manuscript orchestral parts Finale II 115/6 Sketches; [3] p. 122/2 Manuscript orchestral parts Finale ultimo 14/6 Full score and photocopy; [7] p. each 122/3 Manuscript and photocopy orchestral parts 122/4 Manuscript orchestral parts (old?)

Finale II ending attached

 Finaletto 14/7 Full score: Scene 4 #11B; 4 p. 14/7 Full score: Scene 6 #13; [1] p. 115/7 Sketch; [1] p. 115/7 Scene 6, sketches; [3] p.

On verso of 1 p.: manuscript reed 5 part for "A little fish in a big pond"

 122/5 Scene 4 manuscript and photocopy orchestral parts 122/6 Scene 6 manuscript and photocopy orchestral parts Follow the leader 14/8 Full score: jig #23; 36 p. Orchestral parts 122/7 Set A photocopy of piano-conductor part 122/8 Set A manuscript brass parts 122/9 Set A manuscript reed parts 122/10 Set A manuscript string parts 123/1 Set B manuscript and photocopy orchestral parts Give me your tired, your poor 14/9 Full score #28 and photocopy; 13 p. each 14/9 Full score #28; 9 p. 115/8 Manuscript piano-vocal score; [2] p. 115/8 Sketches; [4] p. 115/8 Sketches of vocal score; [9] p. 115/8 Photocopies of piano-vocal scores; [2] p. each

3, with annotations

 115/8 Photocopy of piano-vocal score; [1] p. 115/8 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 115/8 Typescript lyric sheet; [1] leaf 115/8 Sheet music Choral scores

3 different sets of harmonizations

 115/9 Copyist manuscript vocal scores(6); 2 p. each 115/9 Sketch of vocal score(3); [2] p. 115/9 Photocopies of vocal scores(6); 2 p. each Orchestral parts 123/2 Manuscript conductor score and parts 123/3 Version A manuscript orchestra parts

2 variants

 123/4 Version B, set 1 manuscript orchestral parts 123/4 Version B, set 1 copyist's manuscript of piano and violin parts (cut?) 123/5 Version B, set 2 manuscript orchestral parts 123/5 Version B, set 2 manuscript and photocopy orchestral parts (old?) 123/6 Incidental manuscript and photocopy of piano part

With piano-vocal score taped on

 Homework see also Just one way to say I love you reprise sketch 14/10 Full score #7, #8; 15 p. 14/11 Full score: Reprise #21; 8 p. 14/11 Full score: Reprise; p. 1-7, 23 115/10 Photocopy/manuscript piano-vocal scores; 3 p. each

4, with annotations

 115/10 Manuscript piano score; [3] p. 115/10 Manuscript vocal part; [2] p. 115/10 Sketch; [1] p. 115/10 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 115/10 Typescript lyric sheets; [26] leaves Orchestral parts 123/7 Version A manuscript orchestral parts 123/7 Version A, variants manuscript orchestral parts 123/8 Version B manuscript and photocopy orchestral parts 123/8 Version B manuscript reed part 124/1 Version C printed orchestral parts 124/2 New manuscript orchestral parts 124/3 Reprise version A manuscript orchestral parts, 2 variants (old?) 124/4 Reprise version A1 manuscript and photocopy orchestral parts, 2 variants 124/5 Reprise version B manuscript orchestral parts, 2 variants (old?) 124/6 Reprise version B1 manuscript and photocopy orchestral parts The hon'rable profession of the fourth estate

Dropped after tryout

 14/12 Full score #12; 17 p. 115/11 Copyist's manuscript piano-vocal score; 4 p. Transparencies 115/11 Sketches; [10] p. 115/11 Photocpoy of piano-vocal score; 9 p.

With holograph annotations

 115/11 Photocopies of vocal score(2); 11 p. each 115/11 Printed piano-vocal scores(2); [4] p. each 115/11 Holograph lyric sheets; [3] leaves 115/11 Typescript lyric sheets; [14] leaves 115/11 Exit, manuscript conductor's score; 3 p. 124/7 Manuscript orchestral parts (old?) I'd like my picture took

Alternate title: What do I have to do to get my picture took?

 16/14 Full score #1, #2; p. 1-22 118/1 Manuscript piano-vocal score; [4] p.

Contains short handwritten note signed by Helmy Kresa

 118/1 Sketch of manuscript piano score; 4 p. 118/1 Photocopy of piano-vocal score; 3 p. 118/1 Typescript lyric sheets; [3] leaves 118/1 Sheet music 137/3 Set A manuscript orchestral parts, 2 slightly different versions 137/4 Set B manuscript orchestral parts I'll know better the next time see also Non-show music

Alternate titles: The next time I fall in love; Next time

 16/2 Full score #25; 9 p. 16/2 Full score-Encore #25 old; 5 p. 131/5 Manuscript orchestral parts 131/5 Encore manuscript orchestral parts If I had never been born

Not used

 115/12 Manuscript, photocopy and negative photocopy lead sheets; [1] p. each 115/12 Manuscript (Kresa) lead sheet; 2 p. 115/12 Typescript lyric sheets; [7] leaves Just one way to say I love you 14/13 Full score #10, #11; [14] p. 14/13 Full score: Introduction, new #11; 12 p. 116/1 Manuscript piano scores; [2, 1] p.

2, 1 incomplete

Laid in: typescript lyric sheet; [1] leaf

 116/1 Sketches; [3] p. 116/1 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 116/1 Photocopy of piano-vocal score; 3 p. 116/1 Printed piano-vocal score; 3 p.

With annotations

 116/1 Typescript lyric sheets; [5] leaves 116/2 Incidental: Sketch; [2] p.

On verso: manuscript reed 4 part for "A little fish in a big pond"

 116/2 Reprise: Sketch; [2] p.

On verso: sketch for "Homework"

 124/8 Photocopy of piano-conductor part 124/8 Printed orchestral parts 124/9 New manuscript orchestral parts 124/10 Baritone manuscript orchestral parts (old?) 124/11 Incidental manuscript orchestral parts Let's take an old-fashioned walk

Originally written for Easter parade, then intended for Stars on my shoulders

15/1 Full score #7, version A; 17 p. 15/2 Full score #6, #7, version B; [69] p. 15/2 Full score: New score #7, version B; [11] p. 15/3 Full score #6, version C; 22 p. 15/4 Full score: Change #7A, version D; 17 p. 15/5 Full score: Version ?; [1] p. 15/6 Full score: Reprise #7A, #19; 5 p. 116/3 Manuscript piano-vocal scores; [6, 4] p. 116/3 Manuscript piano scores; [2, 1] p. 116/3 Sketches; [7] p. 116/3 Sketch of orchestral part; [1] p. 116/3 Sketches of manuscript vocal score; [4] p. 116/3 Fair copy (Kresa) manuscript piano-vocal score; 6 p. 116/3 Photocopy of piano-vocal score; [5] p. 116/3 Photocopies of vocal score(2); 4 p. each 116/3 Printed piano-vocal scores(2); 5 p. each 116/3 Typescript lyric sheets; [6] leaves

With holograph annotations

 116/3 Typescript lyric sheets; [9] leaves 125/1 Manuscript conductor/reed parts 125/2 Version A printed orchestral parts 125/3 Version B manuscript brass parts 125/4 Version B manuscript and photocopy piano and percussion parts 125/4 Version B manuscript piano parts (variant?) 125/5 Version B manuscript and photocopy string parts 125/6 Version B alternate ending manuscript orchestral parts 125/6 Version B1 vocal D-flat manuscript orchestral parts 125/7 Version C new manuscript conductor/reed/brass/percussion parts 126/1 Version C new manuscript and photocopy string parts 126/2 Version C new key manuscript reed/brass/percussion parts 126/3 Version C new key manuscript string parts 126/4 Version C2 manuscript reed parts 126/5 Version C3 manuscript and photocopy conductor/reed parts 126/6 Version D change photocopy of orchestral parts 126/7 Version D1 change manuscript and photocopy orchestral parts 126/8 Version D2 change manuscript orchestral parts 126/9 Dance photocopy of piano part 126/10 Reprise manuscript and photocopy orchestral parts A little fish in a big pond see also Finaletto sketches and Just one way to say I love you incidental 15/7 Full score #4, #5; 14 p. 15/7 Full score: Fishes #4B, #5A; 22 p. 15/8 Full score: Reprise?-dock closing #16; 4 p. 116/4 Manuscript piano score; [2] p.

Laid in: typescript lyric sheet; [1] leaf

 116/4 Manuscript vocal part; [1] p. 116/4 Sketch; [1] p. 116/4 Sketch of orchestral parts; [1] p. 116/4 Photocopies of piano-vocal scores; [3, 3, 4] p. 116/4 Printed piano-vocal scores(2); 3 p. each 116/4 Typescript lyric sheets; [9] leaves 116/5 Sketches; [2] p. 116/6 Reprise: Sketch; [1] p. 127/1 Version A orchestral parts 127/2 Version B orchestral parts, 2 variants (old?) 127/3 Version C manuscript and photocopy orchestral parts 127/4 Version D printed orchestral parts 127/5 Manuscript and photocopy conductor and reed parts 127/6 Manuscript brass/piano/percussion parts (old?) 127/7 Manuscript string parts 127/8 Variant photocopies of piano part 127/8 Variant photocopy of piano part and piano-vocal score, taped on 127/9 Dock closing manuscript and photocopy orchestral parts 127/9 Dock closing photocopy of cello part Me an my bundle 15/9 Full score #22, #24; 26 p. 116/7 Manuscript piano-vocal score; [4] p. 116/7 Manuscript piano score; [3] p. 116/7 Manuscript lead sheet; [1] p. 116/7 Sketch; [1] p. 116/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 116/7 Photocopies of piano-vocal score(2); 3 p. each 116/7 Printed piano-vocal scores(2); 3 p. each 116/7 Typescript lyric sheets; [2] leaves

With holograph annotations

 116/7 Typescript lyric sheets; [8] leaves 128/1 Veresion A manuscript orchestral parts 128/2 Version A1, set A manuscript and photocopy of conductor and reed parts 128/3 Version A1, set A manuscript brass and percussion parts 128/4 Version A1, set A manuscript and photocopy string parts 128/5 Version A1, set B manuscript and photocopy orchestral parts (old?) 128/5 Version A1, set B manuscript orchestral fragments (old?) Miss Liberty 15/10 Full score #15 and photocopy; 22 p. each 15/11 Full score: Alternate ending? and photocopy; 5 p. each 15/12 Full score: March-crossover #14; 15 p. 116/8 Manuscript piano scores; [2, 3] p. 116/8 Sketches; [4] p. 116/8 Manuscript vocal parts; [1, 2] p. 116/8 Fair copy (Kresa) manuscript piano-vocal score; 7 p. 116/8 Photocopies of piano-vocal scores; [6, 2, 2] p. 116/8 Photocopies of vocal score(2); 3 p. each 116/8 Printed piano-vocal scores(2); 7 p. each 116/8 Typescript lyric sheets; [9] leaves 116/8 Pattery to liberty: Sketch; [2] p.

At top: Miss Liberty (Finale Act I)

Laid in: typescript lyric sheet; [1] leaf

 129/1 Version A manuscript conductor parts 129/2 Version A manuscript reed parts 129/3 Version A manuscript brass/percussion parts 129/4 Version A manuscript string parts 129/5 Version B manuscript orchestral parts 129/6 Crossover set A photocopy of orchestral parts 129/7 Crossover set B photocopy of conductor and reed parts 129/8 Crossover set B photocopy of brass/piano/percussion parts 129/9 Crossover set B photocopy of string parts 129/10 Change music to Bartholdi's studio manuscript orchestral parts The most expensive statue in the world 16/1 Full score #2; [23] p. 16/1 Full score #2; p. 20-22 16/1 Full score: Exit #4B; [3] p. 116/9 Manuscript vocal score; 4 p. 116/9 Sketches; [3] p. 116/9 Photocopies of piano-vocal scores; [8, 8, 7] p.

With annotations

 116/9 Photocopy of vocal score; 4 p. 116/9 Printed piano-vocal scores(2); 7 p. each 116/9 Fair copy (Kresa) manuscript piano-vocal score; 10 p. 116/9 Holograph lyric sheets; [2] leaves 116/9 Typescript lyric sheets; [10] leaves 130/7 Manuscript and photocopy conductor and reed parts 130/8 Manuscript and photocopy brass/percussion/string parts 131/1 Manuscript brass and percussion parts (old?) 131/2 Manuscript orchestral parts, variants 131/3 Exit manuscript and photocopy orchestral parts 131/4 Incidental manuscript orchestral parts (old?) Mrs. Monotony 13/5 Full score; 21 p. 15/13 Full score #17; 11 p. 15/14 Full score: Dance #18; 21 p. 116/10 Copyist's manuscript piano-vocal score; 6 p. 116/10 Photocopies of piano-vocal score; [6] p. each

8, with annotations

 116/10 Typescript lyric sheet; [1] leaf 116/10 Sheet music 130/1 Version A manuscript orchestral parts 130/2 Version A1 manuscript orchestral parts 130/3 Version B manuscript orchestral parts 130/4 Dance manuscript and photocopy conductor parts 130/5 Dance manuscript reed/brass/percussion/string parts 130/6 Encore manuscript orchestral parts Only for Americans 16/3 Full score #9, introduction #10; [53] p. 16/3 Full score-Exit #10B; [2] p. 16/4 Full score: Introduction; [1] p. 117/1 Manuscript piano-vocal score; 6 p. 117/1 Manuscript piano score; [2] p. 117/1 Manuscript vocal part; [3] p. 117/1 Sketch; [1] p. 117/1 Photocopies of piano-vocal scores; [5, 6] p.

With annotations

 117/1 Typescript lyric sheets; [22] leaves

Includes a radio version

 117/1 Typescript lyric sheets; [5] leaves

"Only in America," different lyrics set to same music; not used

 131/6 Manuscript conductor parts 131/7 Manuscript reed parts 131/8 Manuscript brass parts 131/9 Manuscript piano part 131/10 Manuscript string parts 132/1 Exit-manuscript and photocopies of orchestral parts

On t.p.: Change music to left bank

 Only in America see Only for Americans Opening chorus #1 see Extra! Extra! Opening curtain see Extra! Extra! Overture 16/5 Full score; 37 p. 132/2 Manuscript orchestral parts 132/3 Act II, part I-curtain raiser; manuscript and photocopy orchestral parts 132/4 Act II, part 3-curtain raiser; manuscript and photocopy orchestral parts Paris wakes up and smiles see also Finale 16/6 Full score #9; 23 p. 16/6 Full score: Vocal; 3 p. 117/2 Manuscript piano-vocal score; [3] p. 117/2 Manuscript piano score; [1] p. 117/2 Manuscript vocal part; [2] p. 117/2 Sketch; [1] p. 117/2 Photocopy of piano-vocal score; 2 p. 117/2 Photocopies of vocal score; 2, 3, 3 p.

1 without words

 117/2 Typescript lyric sheets; [11] leaves 132/5 Manuscript and photocopy conductor and reed parts, several slightly different versions 132/6 Manuscript and photocopy brass and percussion parts, several slightly different versions 132/7 Manuscript and photocopy string parts, several slightly different versions 133/1 Manuscript orchestral parts 133/2 New key-manuscript orchestral parts with pasteovers 133/3 Vocal-manuscript orchestral parts Poem incidental 16/7 Full score #6; 7 p. 133/4 Set A orchestral parts 133/5 Set B orchestral parts The policeman's ball 16/8 Full score #20; 18 p. 16/9 Full score: Opening #22; 3 p. 16/10 Full score: Utility; 4 p. 117/3 Manuscript piano score; [2] p. 117/3 Manuscript vocal score; [2] p. 117/3 Photocopy of piano-vocal score; 3 p. 117/3 Photocopies of piano-vocal score; 5 p. each

2, with annotations

At top: 2nd chorus

 117/3 Photocopies of vocal score; 8 p. each

3, with annotations

 117/3 Printed piano-vocal scores(2); 3 p. each 117/3 Typescript lyric sheets; [5] leaves 133/6 Manuscript and photocopy conductor and reed parts, several slightly different versions 133/7 Manuscript brass and percussion parts, several slightly different versions 133/8 Manuscript string parts, several slightly different versions 133/9 Opening-manuscript and photocopy orchestral parts, several slightly different versions (old?) 133/10 Utility-manuscript orchestral parts (old) The Pulitzer Prize

Not used

 16/12 Full score #27; 11 p. 117/4 Copyist's manuscript vocal score; 5 p. Transparencies 117/4 Sketch of piano-vocal score(2); [1, 11] p. 117/4 Sketch; [5] p. 117/4 Photocopies of piano-vocal scores; [10, 10, 5, 6, 4] p.

With annotations

 117/4 Photocopies of vocal score(2); 5 p. each 117/4 Holograph lyric sheets; [2] leaves 117/4 Typescript lyric sheets; [16] leaves

Some with annotations

 133/11 Manuscript orchestral parts (old) Selections 134/1 Set of parts for each instruments In original part folders 135/1 Reed 1, old parts 135/2 Reed 2, old parts 135/3 Reed 3, old parts 135/4 Reed 4, old parts 135/5 Reed 5, old parts 136/1 Manuscript and photocopy conductor's scores and sketches Sing a song of Sing Sing 117/5 Copyist's manuscript piano-vocal score; 5 p. Transparencies 117/5 Manuscript lead sheet; [4] p.

With lyrics

 117/5 Manuscript piano score; [2] p. 117/5 Sketch of piano-vocal score; [1] p. 117/5 Sketch of melody; [2] p. 117/5 Photocopies of piano-vocal score; 5, [5] p. 117/5 Printed piano-vocal scores(2); 5 p. each 117/5 Typescript lyric sheets; [10] leaves

Some with holograph annotations

 The story of Nell and the Police Gazette see also Mr. Monotony

Not used

 117/6 Copyist's manuscript piano-vocal score; [7] p. Transparencies 117/6 Photocopy of piano-vocal score; [5] p. 117/6 Printed piano-vocal score; 5 p.

With annotations

At top: Mister Monotony (original title)

 117/6 Printed piano-vocal scores(2); 5 p. each 117/6 Typescript lyric sheets; [3] leaves Tombs incidental 16/11 Full score: Pt. 1, verse #26; [3] p.

Taken from "I love you"

 136/2 Part 1 manuscript orchestral parts (old?) 136/2 Part 2 manuscript orchestral parts (old?) The train 16/13 Full score #17; 25 p. 136/3 2nd train manuscript orchestral parts (old?) 136/4 Set A manuscript and photocopy conductor and reed parts 136/5 Set A manuscript and photocopy brass, piano and percussion parts 136/6 Set A manuscript string parts 136/7 Set B manuscript orchestral parts (old?) 136/7 Set B manuscript trumpet part (old?)

Includes: The train-introduction, taped on

 136/8 Introduction manuscript orchestral parts (old?) 136/8 Manuscript orchestral fragments (old?) What do I have to do to get my picture in the paper? see also Falling out of love can be fun

Dropped after tryout

 117/7 Manuscript piano-vocal score; [4] p. 117/7 Copyist's manuscript piano-vocal scores(2); 4 p. each 117/7 Manuscript piano score; [2] p. 117/7 Manuscript vocal score; [2] p. 117/7 Sketch; [1] p. 117/7 Photocopies of piano-vocal scores; 4 p. each

2, with annotations

 117/7 Printed piano-vocal scores(2); 5 p. each 117/7 Typescript lyric sheets; [13] leaves 137/1 Manuscript orchestral parts 137/2 Dance manuscript and photocopy orchestral parts

2, 1 is piano only

 A woman's place is in the home see Non-show music You can have him 16/15 Full score #18 and photocopy; 14 p. each 118/2 Manuscript piano-vocal score; [3] p.

No lyrics

 118/2 Manuscript vocal part; [2] p. 118/2 Sketches; 3 p. 118/2 Photocopies of piano-vocal score(2); 4 p. each 118/2 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 118/2 Typescript lyric sheets; [9] leaves 137/5 Set A manuscript and photocopy orchestral parts 137/6 Set B manuscript orchestral parts 137/7 Set C manuscript and photocopy orchestral parts 118/3 Miscellaneous piano-vocal scores; [60] p. Taped together 118/4 Unidentified sketches; [2] p. 137/8 Unidentified orchestral parts; [23] p. Selections 119/1 Photocopy of miscellaneous vocal parts and scores of several selections, version A Taped together 119/2 Photocopy of miscellaneous vocal parts and scores of several selections, version B Taped together 119/3 Photocopies of manuscript piano-vocal scores and piano score Taped together 119/4 Printed manuscript piano-conductor parts Taped together 119/5 Typescript lyric sheets; [3] leaves Various titles per page Scripts/libretti/miscellaneous 138/1 Typed script: Acts 1-1-5, 1-1-6, 1-5-43; [3] p.

With holograph annotations

 138/1 Typed script; [45] p. Unbound

On t.p.: Act I

 138/1 Carbon copy of typed script; [45] p.

On cover: cast - arranged, roughly, in groups of importance

 138/2 Typed script; 46 p. Unbound

On t.p.: Act I

 138/2 Typed script; 26 p. Unbound

On t.p.: Act II

 138/3 Typed script and outline; 40 p.

At top of title page: Second draft, Act I

 138/3 Typed script; p. 6-33

Incomplete

At top right: 2-2-6

 138/4 Typed script; [110] leaves Bound, red folder

On top of t.p.: Ok'd script

 138/4 Carbon copy of typed script; [110] leaves Bound, red folder 138/4 Mimeograph copy of typed script; [100] leaves Bound, burgundy folder 138/4 Carbon copy of typed script; [94] leaves Bound, red folder, legal size 139/1 Carbon copies of typed script; [98] p. each 2, bound, green folders 139/2 Manuscript checklist; typescript libretto sheet insert; manuscript musical cue sheets; manuscript list for show; [17] p. Mr. Bones

Mr. Bones is an earlier title for the 1930 film Mammy

139/3 Typescript story line: Acts I & II; [8] p.

On t.p.: synopsis of play with music, Story by Irving Berlin

 139/3 Typed script and carbon copy: Act I; [28] p. each Blue folder

Incomplete

 139/4 Carbon copy of typed script: Act I; [110] p. Blue folder 139/4 Carbon copy of typed script: Act II; [60] p. Blue folder 139/5 Carbon copy of typed script; [37] p. Grey folder

On cover: Mr. Bones, original

 139/5 Carbon copy of typed script; [36] p. Grey folder

On cover: Mr. Bones, 1st copy

 139/6 Typed script; [61] p. Unbound

On cover: Mr. Bones, Act I

Laid in: hand script letter from Jim, (James Gleason); [1] leaf

 139/6 Typed script; [20] p. Unbound

On cover: Mister Bones, Act II

 139/7 Carbon copy of typed script; [20] p.

On cover: Act II, scenes 1 & 2

 139/7 Carbon copy of typed script; [29] p.

On cover: Act II, scenes 3 & 4

 139/7 Typescript synopsis of scenes 1, 2 & 3; 3 p.

On t.p.: Act II

 139/7 Typed script; 5 p.

On cover: Act I, scene 2

 139/7 Typescript title page; [1] p.

With description and credits for Mr. Bones

 Mr. President

Stage, 1962

Scores and parts Act I-curtain 17/1 Full score #45; [5] p.

Laid in: Act I-end, insert; [4] p.

 143/7 Orchestral parts Almost 140/1 Sketch; [1] p. Anybody can write 17/2 Full score #48A; [14] p. 17/3 Full score-Introduction #48; 3 p. 140/2 Manuscript piano-vocal score; [3] p. 140/2 Photocopies of piano-vocal score; 4 p. each

2, with annotations

 140/2 Printed piano-vocal scores (2); 4 p. each 140/2 Typescript lyric sheets; [10] leaves

Dated: Feb., 1956 [Sentimental guy]

 140/2 Typescript lyric sheets; [9] leaves

Dated: May, 1962 [revised for Mr. President]

 143/8 Orchestral parts 143/9 Intro-orchestral parts 143/9 2nd chorus-orchestral parts Bardahl 17/4 Full score #66; [7] p. 143/10 Orchestral parts 143/10 Intro-orchestral parts Bows 17/5 Full score #66; [22] p. 143/12 New bows-orchestral parts Change to scene 10 17/6 Full score #35; [4] p. 143/13 Orchestral parts Change to scene 24 17/7 Full score #52; [2] p. Close scene 14 17/8 Full score; [4] p. 144/1 Orchestral parts Don't be afraid of romance 17/9 Full score #30; [16] p. 17/9 Introduction full score #30; [1] p. 17/10 Dance full score #30; 16 p. 17/11 Reprise full score #50; [3] p. 17/12 Utility full score #30; [13] p. 140/3 Manuscript piano-vocal score; [3] p.

Laid in: typescript lyric sheet; [1] leaf

 140/3 Copyist's manuscript piano-vocal score; 3 p. Transparencies 140/3 Photocopies of manuscript piano-vocal score, version 1; 3 p. each 2 copies 140/3 Photocopies of manuscript piano-vocal score, version 2; 2 p. each 2 copies 140/3 Printed piano-vocal scores(2); [3] p. each 140/3 Typescript lyric sheets; [4] leaves 144/2 Orchestral parts 144/2 Dance orchestral parts 144/3 Utility orchestral parts 144/4 I'll get your wrap orchestral parts 144/5 New utility orchestral parts Empty pockets filled with love 17/13 Full score #42; [22] p. 17/13 Insert full score; [2] p. 17/14 Encore full score #43; [1] p. 17/15 Exit full score #43; 2 p. 140/4 Manuscript piano-vocal score; 4 p. 140/4 Copyist's manuscript piano-vocal score; 8 p. Transparencies 140/4 Photocopies of manuscript vocal score(2); [2] p. each 140/4 Typescript lyric sheets; [3] leaves 140/4 Sheet music 144/6 Nu-nu (out of show) orchestral parts 144/6 Variant orchestral parts 144/7 Encore/exits (variants) orchestral parts End: Act I 17/16 Full score #45; [5] p. 17/17 Insert full score #45; [1] p.

At top: Introduction to #45 alternate Act I

 17/18 Out full score #45; [7] p. 17/19 Alternate end (out) full score #45A; [6] p. 17/20 New, new end: Act I (out?) full score; [1] p. each 2 versions 144/8 New orchestral parts 144/9 Alternate End Act I orchestral parts 144/10 Segue from Open scene 15 orchestral parts

Taped on: alternate End Act I

 End: Governor scene 17/21 Full score #61; [5] p. 145/1 Orchestral parts End: scene II 17/22 Full score #37; [1] p. 145/2 Orchestral parts Entr'acte 17/23 Full score #46; [4] p. 17/23 Old full score #46; [2] p. 145/3 In our hide away-utility: orchestral parts Exit 17/24 Full score; [3] p. 17/24 Full score; [2] p.

At top: Romance to (?)

 145/4 Orchestral parts Finale Act II 140/5 Typescript lyric sheets; [4] leaves The first lady 17/25 Full score #7, 7A; [15] p. 17/26 Encore full score; #7B; [9] p. 17/27 Intro full score #7, 7A; [3] p. 17/28 Melos full score #61; [3] p. 140/6 Manuscript piano-vocal score; [5] p. 140/6 Copyist's manuscript piano-vocal score; 5 p. 140/6 Manuscript lead sheet; [1] p. 140/6 Sketches; [3] p. 140/6 Photocopies of piano-vocal scores; 5 p. each

3, different covers

 140/6 Holograph lyric sheet; [1] leaf 140/6 Typescript lyric sheets; [14] leaves 140/6 Sheet music 145/5 Encore-orchestral parts 145/6 Encore-orchestral parts 145/7 Intro-orchestral parts 145/7 Melos-orchestral parts Glad to be home see also I keep running away from you 17/29 Full score #62; [2] p. 17/30 Full score #47; [18] p. 17/31 Full score #47; [11] p. 17/32 Exit full score #47C; [3] p. 17/33 Tag full score #47B; [4] p. 17/34 Tag full score #47B (old); [4] p. 140/7 Manuscript piano-vocal scores; 4, [1, 2] p.

Laid in: printed piano-vocal score; 4 p.

 140/7 Copyist's manuscript piano-vocal score; 4 p. Transparencies 140/7 Printed piano-vocal scores(2); 4 p. each

With annotations

 140/7 Typescript lyric sheets; [6] leaves 140/7 Sheet music 2 copies 143/1 Photocopy of manuscript vocal part; [2] p. 143/1 Photocopy of manuscript vocal score; 8 p. 143/2 New-Photocopies of manuscript vocal score; 7 p. each

8, variations

 145/8 Orchestral parts 145/9 Orchestral parts (old?) 145/10 Exit-orchestral parts 145/10 Tag-orchestral parts 143/1 Photocopy of manuscript vocal part; [2] p. 143/1 Photocopy of manuscript vocal score; 8 p. 143/2 Photocopies of manuscript vocal score; 7 p. each

8, variations

 Hadai 17/35 Full score 17/35 Full score #10, #27A; [2] p. 145/11 Orchestral parts Henderson 17/36 Full score #58, #58A; [7] p. 145/12 Orchestral parts I'm gonna get him 17/37 Full score #53, #59; [13] p. 140/8 Manuscript piano-vocal score; [4] p. 140/8 Copyist's manuscript piano-vocal scores; [5] p. each 2, transparencies 140/8 Sketches; [3] p. 140/8 Printed piano-vocal score; 4 p.

Laid in: sketch for piano-vocal score; [1] p.

 140/8 Printed piano-vocal scores; [4, 4, 5, 5] p.

With annotations

 140/8 Holograph lyric sheet; [1] leaf 140/8 Typescript lyric sheets; [12] leaves 140/8 Sheet music 145/13 Orchestral parts If you haven't got an ear for music see Non-show music In our hideaway 18/1 New full score #6; [10] p. 18/2 Intro, old full score #6; [28] p. 18/3 Utility full score; [5] p. 18/4 New fishing full score #63C; 4 p. 140/9 Manuscript piano-vocal score; [3] p. 140/9 Copyist's manuscript piano-vocal score; 3 p. 140/9 Sketch; [1] p.

On verso: sketch for "The younger generation"

 140/9 Printed piano-vocal scores; [3] p. each

2, with annotations

 140/9 Typescript lyric sheets; [2] leaves 140/9 Sheet music 146/1 Orchestral parts (old) 146/2 New arrangement orchestral parts 10/1/62 146/3 New arrangement orchestral parts 10/9/62 and 10/10/62 146/4 New arrangement orchestral parts 9/10/62 146/5 Ending orchestral parts 146/5 Exit orchestral parts 146/6 Intro orchestral parts 146/7 Utility #21 orchestral parts 146/8 Utility #63C orchestral parts 146/9 Utility #65 orchestral parts 146/10 New #64A orchestral parts 146/11 Verse orchestral parts Is he the only man in the world? see also Where is the song of songs for me?

Alternate title: Is she the only woman in the world?

 18/5 Full score #58B; [8] p. 18/6 New full score #70; [6] p. 18/7 Old full score #22A; [11] p. 18/8 Full score #22; [15] p.

Laid in: Intro and recording insert; [1] leaf

 18/9 Reprise full score #48C; [5] p. 18/10 Utility full score; [6] p. 140/10 Manuscript piano-vocal score; [4] p. 140/10 Copyist's manuscript piano-vocal score; 3 p. Transparencies 140/10 Sketch; [1] p. 140/10 Printed piano-vocal scores; 3 p. each

5, some with annotations

 140/10 Holograph lyric sheet; [1] leaf 140/10 Typescript lyric sheets; [11] leaves 140/10 Sheet music 143/3 Photocopies of manuscript vocal part(2); [1] p. each 143/3 Photocopies of manuscript vocal score(2); 3 p. each 146/12 Orchestral parts 146/13 Insert-recording orchestral parts 146/14 Intro orchestral parts 146/15 Reprise orchestral parts 147/1 Utility orchestral parts 147/2 Utility orchestral parts

"Laugh it up" utility taped on

 143/3 Photocopies of manuscript vocal part(2); [1] p. each 143/3 Photocopies of manuscript vocal score(2); 3 p. each It gets lonely in the White House see also Stars on my shoulders 18/11 Full score #15; 25 p. 18/11 Full score #15A; [11] p. 18/12 New full score #15A; [9] p. 18/13 Close scene 4 full score #17; [2] p. 18/13 Close scene 4, full score new #17; [2] p. 18/14 Encore full score #15B; [4] p. 18/15 Encore, full score new #15B; [4] p. 18/16 Intro full score #15; [2] p. 18/17 Scene 10 full score #36; [4] p. 140/11 Manuscript piano-vocal score; [3] p. 140/11 Copyist's manuscript piano-vocal score; 3 p. 140/11 Manuscript piano score; [2] p. 140/11 Manuscript lead sheet; [1] p. 140/11 Printed piano-vocal score; 3 p.

Laid in: manuscript piano-vocal score; [2] p.

 140/11 Printed piano-vocal scores(2); [3] p. each

At top: Stars

 140/11 Printed piano-vocal scores(2); [3] p. each

At top: Mr. President

 140/12 Holograph lyric sheet; [1] leaf 140/12 Typescript lyric sheets; [14] leaves 140/12 Sheet music 147/3 Orchestral parts 147/4 New orchestral parts 147/5 Close, scene 4 orchestral parts 147/5 Close, scene 4, new orchestral parts 147/6 Encore orchestral parts 147/6 Encore, new orchestral parts 147/7 Close, scene 4 orchestral parts 147/7 Close, scene 4, new orchestral parts 147/8 Scene 10 orchestral parts I've got an ear for music see Non-show music I've got to be around 18/18 Full score #12A; 10 p. 18/19 New full score #64; [4] p. 18/20 Melos full score #27; [3] p. 18/21 Reprise, new full score #64; [2] p. 140/13 Manuscript piano-vocal score; [6] p.

Taped to score: manuscript piano-vocal score for "The secret service"

 140/13 Copyist's manuscript piano-vocal score; 3 p. Transparencies 140/13 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 140/13 Printed piano-vocal scores; [3] p. each

3, some with annotations

 140/13 Typescript lyric sheets; [2] leaves 140/13 Sheet music 147/9 Orchestral parts 147/10 New orchestral parts 147/11 Intro orchestral parts 147/12 Melos orchestral parts 147/13 Reprise, new orchestral parts Laugh it up see also Is he the only man in the world? utility orchestral parts 18/22 Full score #40; [17] p. 18/22 Full score #63; [7] p. 18/23 Full score #48; [3] p. 18/24 Utility full score; [8] p. 141/1 Manuscript piano-vocal score; 3 p.

No lyric

 141/1 Manuscript lead sheet; [1] p. 141/1 Copyist's manuscript piano-vocal score; 4 p. Transparencies 141/1 Sketch; [1] p. 141/1 Printed manuscript piano-vocal scores; 4 p. each

5, some with annotations

 141/1 Holograph lyric sheets; [4] leaves 141/1 Typescript lyric sheets; [12] leaves

With annotations

 147/14 Orchestral parts 147/15 Variant(?) orchestral parts 147/16 Change orchestral parts 147/17 Intro orchestral parts 147/18 Reprise orchestral parts 148/1 Utility orchestral parts Let's go back to the waltz

Alternate title: Take me back to the waltz

 18/25 Full score #3; [42] p.

On folder: Let's go back to the waltz-dance

 141/2 Manuscript piano-vocal score; [2] p.

Laid in: typescript lyric sheet; [1] leaf

 141/2 Copyist's manuscript piano-vocal score; 2 p. 141/2 Sketch; [2] p. 141/2 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 141/2 Printed piano-vocal score; 2 p. each

2, with annotations

 141/2 Typescript lyric sheets; [4] leaves

2 sheets include "The only dance I know" lyrics

 141/2 Sheet music 143/4 Photocopy of manuscript vocal part; [1] p. 143/4 Photocopy of manuscript vocal score; 3 p. 143/4 Second refrain-photocopies of manuscript vocal score; 5 p. each

3, with annotations

 148/2 Orchestral parts 148/3 New intro 143/4 Photocopy of manuscript vocal part; [1] p. 143/4 Photocopy of manuscript vocal score; 3 p. 143/4 Second refrain-Photocopies of manuscript vocal score; 5 p. each

3, with annotations

 Meat and potatoes 18/26 Intro full score #3; [1] p. 18/27 Utility full score; [5] p. 141/3 Manuscript piano-vocal score; [3, 2] p. 141/3 Copyist's manuscript piano-vocal scores; 3 p. each 2, transparencies 141/3 Printed piano-vocal scores; 3 p. each

5, some with annotations

 141/3 Printed piano-vocal score-reprise; 3 p. 141/3 Typescript lyric sheets; [8] leaves 141/3 Sheet music 148/4 Orchestral parts 148/5 New orchestral parts 148/6 Reprise orchestral parts 148/7 Reprise #2 orchestral parts 148/8 Utility orchestral parts Midway 18/28 Full score open #54, #56; [2] p. 148/9 Midway open orchestral parts Mr. President 141/4 Sketch; [1] p. Nepotism see Non-show music Once every four years 18/29 Full score #38; [20] p. 141/5 Manuscript piano-vocal score; [5] p. 141/5 Copyist's manuscript piano-vocal score; 3 p. Transparencies 141/5 Sketch; [2] p. 141/5 Printed piano-vocal scores(2); [3] p. each 141/5 Typescript lyric sheets; [4] leaves 141/5 Sheet music 141/5 New verse-photocopies of piano-vocal scores(2); [2] p. each 143/5 Photocopies of manuscript vocal part(2); [2] p. each 143/5 Photocopies of manuscript vocal score(3); 6 p. each 148/10 Orchestral parts The only dance I know see also Let's go back to the waltz lyric sheets

Alternate title: Song for belly dancer

 19/21 Full score-old version; [9] p. 19/22 Full score-new mm. 87-90; [1] p. 19/23 Full score-new mm. 160-176; [5] p. 19/24 New full score; [10] p. 19/24 New key, A minor full score; 24 p. 19/25 New ending, alternate B full score; [1] p. 19/26 New ending, alternate full score; [17] p. 141/11 Manuscript piano-vocal score; [3] p. 141/11 Copyist's manuscript piano-vocal score; 4 p. 141/11 Printed piano-vocal scores(2); 4 p. each 141/11 Sheet music 150/1 Orchestral parts 150/2 New orchestral parts 150/3 New ending orchestral parts Open scene 13 148/11 Orchestral parts Open scene 14 19/1 Full score #41; [5] p. 148/11 Orchestral parts Open scene 15 19/2 Full score #39, #44; 2 p. 148/12 Orchestral parts Open 23 19/3 Full score #49; [4] p. 148/13 Orchestral parts Opening 19/4 Full score #1A; [8] p. 141/6 Manuscript piano-vocal score; [3] p. 141/6 Copyist's manuscript piano-vocal score; 5 p. Transparencies 141/6 Sketch; [1] p. 141/6 Printed manuscript piano-vocal scores; 5, 5, 5, 3 p.

With annotations

 141/6 Printed manuscript piano-vocal scores; 3, 3, 5 p. 141/6 Typescript lyric sheets; [8] leaves 149/1 Orchestral parts Opening-Act II 19/5 Full score #46A; [3] p. 149/2 Orchestral parts Overture 19/6 Full score; [30] p. 19/7 Full score (out?); [3] p. 19/8 Full score (Connecting material?); [4] p. 149/3 Orchestral parts Pigtails and freckles 19/9 Full score #25A; [11] p. 19/10 Intro (version A) full score #25; [2] p. 19/11 Intro (version B) full score #25; [1] p. 19/12 Reprise #53, new full score #48; [3] p. 19/12 Reprise? full score; [6] p. 19/13 Utility full score; [5] p. 141/7 Manuscript piano-vocal score; [3] p. 141/7 Copyist's manuscript piano-vocal score; 3 p. 141/7 Sketch; [2] p. 141/7 Printed piano-vocal scores; 3 p. each

2, with annotations

 141/7 Typescript lyric sheets; [2] leaves 141/7 Sheet music 149/4 Orchestral parts 149/5 Ending orchestral parts 149/6 Intro orchestral parts 149/6 Intro (recording) orchestral parts 149/7 Melos orchestral parts 149/8 Reprise orchestral parts 149/8 Reprise #1 orchestral parts 149/8 Transp. orchestral parts 149/9 Utility orchestral parts Poor Joe

Dropped before tryout

 141/8 Manuscript piano-vocal score; [3] p. 141/8 Copyist's manuscript piano-vocal score; 3 p. 141/8 Sketch; [2] p. 141/8 Printed piano-vocal scores(3); [3] p. each 141/8 Typescript lyric sheets; [3] leaves 141/8 Sheet music Pravda 19/14 Full score #20; [6] p. 149/10 Orchestral parts President change and dance-opening Act I, scene 3 19/15 Full score #8; [5] p. 149/11 Orchestral parts Princess 17/35 Full score 149/12 Orchestral parts Princess entrance see Hadai 149/13 Orchestral parts Private citizen 141/9 Sketch; [1] p. Russian airport 149/14 Orchestral parts The secret service see also I've got to be around 19/16 Utility full score; [9] p. 19/17 Full score #13; [17] p. 19/18 Encore full score #13A; [5] p. 19/19 Scene 9, new full score #32; [6] p. 19/20 Open full score #63D; [5] p. 141/10 Copyist's manuscript piano-vocal score; 5 p. 141/10 Printed piano-vocal scores; 5 p. each

3, with annotations

 141/10 Typescript lyric sheets; [9] leaves 141/10 Sheet music 149/15 Orchestral parts 149/16 Encore orchestral parts 149/17 End scene 9 orchestral parts 149/18 Open 29 orchestral parts 149/19 Utility orchestral parts They love me 19/27 Full score #24; [23] p. 19/28 (Change?) full score #24D; [1] p. 19/29 Chorus full score #24D; [2] p. 19/30 Second encore full score #24B; [8] p. 141/12 Manuscript piano-vocal scores; [6] p.

No lyric

 141/12 Copyist's manuscript piano-vocal score; 4 p. 141/12 Sketches; [6] p. 141/12 Printed piano-vocal scores; 4 p. each

2, with annotations

 141/12 Typescript lyric sheets; [13] leaves

Some with holograph and hand script annotations

 141/12 Sheet music 150/4 Orchestral parts This is a great country 20/1 Full score #67; [12] p.

Taped to score: manuscript notes

 20/2 Finale full score #68; [6] p. 20/3 Recording full score; [2] p. 20/4 Melos full score #67A; [10] p. 20/5 Utility full score; [5] p. 141/13 Manuscript piano-vocal scores; 4 p. 141/13 Copyist's manuscript piano-vocal score; 4 p. 141/13 Printed manuscript piano-vocal scores(4); 4 p. each 141/13 Typescript lyric sheets; [2] leaves 141/13 Sheet music 143/6 Photocopies of manuscript vocal part(2); [2] p. each 150/5 Conductor's score and parts 150/6 Orchestral parts 150/7 Finale orchestral parts 150/7 Finale orchestral parts

Ending (recording) taped on

 150/8 Melos orchestral parts 150/9 Utility orchestral parts 150/10 Utility orchestral parts 150/11 Utility orchestral parts Trip 20/6 Full score #23; [33] p. 20/7 Changes full score #23; p. 1-3, 22, 23, 23A 150/12 Orchestral parts Untitled 150/13 Orchestral parts Vignette E-Russian vignette 20/8 Full score #23; [2] p. 150/14 Orchestral parts Vignette F-Washington vignette 20/9 Full score #19; [3] p. 150/15 Orchestral parts Vignette G 20/10 Full score, change #33; [2] p. 150/16 Orchestral parts Vignette H 20/11 Full score, change #34; [1] p. 150/17 Orchestral parts Vignette J 20/12 Full score #63A; [2] p. 150/18 Orchestral parts (out of show?) Vignette K 20/13 Full score #63B; [2] p. 150/19 Orchestral parts Why shouldn't I like me? see Non-show music The Washington twist Full scores 20/14 Opening twist #2; [8] p. 20/15 #11, dance #51; [32] p. 20/16 New; p. 10-20 20/17 New #47; 14 p. 20/18 Dance, changes; 9 p. 20/19 Reprise #51, reprise/dance new key; [4, 6] p. 20/20 Reprise/dance, new #51; 4 p. 141/14 Copyist's manuscript piano-vocal score; 2 p. 141/14 Sketch; [2] p. 141/14 Sketch of piano-vocal score; [5] p. 141/14 Photocopies of manuscript piano-vocal score; [1] p. each

2, verse only

 141/14 Photocopies of manuscript piano-vocal score; [2] p. each

5, chorus and patter only

 141/14 Holograph lyric sheets; [2] leaves 141/14 Typescript lyric sheets; [3] leaves 141/14 Sheet music 150/20 Orchestral parts 150/21 New orchestral parts 151/1 Old material? orchestral parts 151/2 New, revised orchestral parts 151/3 Opening twist orchestral parts 151/4 New Washington twist orchestral parts 151/5 Leslie orchestral parts 151/6 Reprise orchestral parts 151/7 New, reprise orchestral parts 151/8 Reprise, dance orchestral parts Who would have thought see Pigtails and freckles You need a hobby 20/21 Full score #48; [13] p. 20/22 Dance (version A) full score #48; 20 p. 20/23 Dance (version B) full score #48; [18] p. 20/24 Ending full score #48; 2 p. 141/15 Copyist manuscript lead sheet; [1] p. 141/15 Printed manuscript lead sheet; [1] p. 141/15 Printed piano-vocal score; p. 4-7 141/15 Typescript lyric sheets; [2] leaves 151/9 Orchestral parts 152/1 Dance (old) orchestral parts 152/2 Dance (new) orchestral parts 20/25 Unidentified incidental music; [1] p. 141/16 Unidentified sketches; [4] leaves 141/16 Unidentified holograph lyrics; [1] leaf On cardboard 141/16 Typescript lyric sheets; [23] leaves Taped together 142/1 Manuscript and photocopies of sketches and scores; [87] leaves

On cover: J.B. (Jay Blackton, conductor) original material?

 142/2 Manuscript and photocopies of sketches and scores for cue music; [35] leaves

On cover: Phil Lang

 142/3 Miscellaneous manuscript and photocopies of sketches and scores; [20] leaves 152/3 Unidentified incidental music orchestral parts 152/4 Unidentified orchestra pasteovers Orchestral parts: individual books for instrument/conductors 152/5 Conductor's original production parts 153/1 Rehearsal piano original parts 153/2 Violin B-2 original parts 153/3 Conductor's original part folder

Folder only

 153/3 Reed 4 original part folder

Folder only

 154/1 Conductor cue music/lead sheets, found together in folder 154/2 Reed 1 154/3 Reed 2 154/4 Reed 3 154/5 Reed 3-inserts 155/1 Reed 5 155/2 Reed 6 155/3 Horn 155/4 Trumpet 1-2 155/5 Trumpet 3 155/6 Trombone 1 156/1 Trombone 2 156/2 Guitar 156/3 Harp 156/4 Piano (extras) 156/5 Drums 156/6 Violin A 157/1 Violin A2 157/2 Violin B1 157/3 Violin B2 157/4 Viola 157/5 Cello 158/1 Bass Recording 158/2 Conductor 158/3 Reed 1 158/3 Reed 2 158/3 Reed 3 158/4 Reed 4 158/4 Reed 5 158/5 Trumpet 1-2 158/5 Trumpet 3 158/5 Trombone 1 158/5 Trombone 2 158/6 Harp 158/6 Guitar 158/6 Piano 158/6 Percussion 1 158/6 Percussion 2 158/7 Drums 2 158/8 Violin A3 159/1 Violin A4 159/2 Violin B3 159/3 Violin B4 159/4 Viola 2 159/5 Viola 3 160/1 Cello 2 160/2 Cello 3 160/3 Violin A1 160/3 Violin A2 160/3 Violin A3 160/3 Violin A4 160/3 Violin B1 160/3 Violin B2 160/3 Violin B3 160/4 Viola 1 160/4 Viola 2 160/4 Viola 3 160/4 Cello 1 160/4 Cello 3 160/4 Bass Selections 161/1 Copyist’s manuscript of conductor lead sheets (piano sketch masters) 161/2 Copyist's manuscript violin parts (no good?) 161/3 Copyist's manuscript violin parts (out of show?) 161/4 Copyist’s manuscript orchestral parts for utility numbers only 161/5 Copyist’s manuscript orchestral parts 162/1 Manuscript and photocopy parts for regular production and also recording 162/2 Manuscript, photocopy, typescript and copyist’s manuscript parts, libretto sheets, and pasteovers (out of show) Miscellaneous 162/3 Manuscript conductor’s notes, orchestrator’s notes, signs, etc. 162/4 Hand script lists of running order and typescript song lists Orchestral parts: individual books 163A Conductor - Act I (Jay Blackton) 163A Conductor - Act II (Jay Blackton) 163B Conductor (piano-assistant conductor) 163B Conductor (associate-Woody Kessler) 164/1 Trumpet 1 & 2 164/1 Trumpet 3 165/1 Trombone 1 165/1 Trombone 2 165/1 Horns 1 & 2 166/1 Reeds 1 166/1 Reeds 2 166/1 Reeds 3 167/1 Reeds 4 167/1 Reeds 5 168/1 Violin A1 168/1 Violin A2 168/1 Violin B 1 & 2 169/1 Viola 1 169/1 Cello 169/1 Bass 170/1 Guitar 170/1 Percussion 170/1 Harp Scripts/miscellaneous 171/1 Mimeograph copy of typed script; [118] p. 2 copies, blue plastic folders

On t.p.: Mr. President, reherasal version 7/2/62

171/1 Mimeograph copy of typed script; [131] p. Black plastic cover

On top right: p. 1

 171/2 Typed script and carbon copies of typed script; [194] p. Unbound

At top: (revised) May 23rd, 1962

171/3 Typed script and carbon copies of typed script; [72] p. Unbound 171/3 Typescript notes; [3] leaves

Typed on Howard Linday and Russell Crouse letterhead

 171/3 Typescript lists for scenes, cast, vignettes, and miscellaneous; [30] leaves Unbound Mizner project or Mizner story see The last resorts and Wise guy More cheers

Unproduced revue, 1934

Moon over Napoli

(This is the only song written for More cheers before the show was abandoned. The song was later published and copyrighted for release.)

 172/1 Manuscript piano score; [1] p. 172/1 Typescript lyric sheets; [2] leaves Music box revue, 1921 172/2 Leather-bound manuscript piano-vocal score; 223 p.

Includes typescript lyric sheets

 At the court around the corner 172/3 Manuscript lead sheet; [2] p. Behind the fan 172/4 Manuscript piano score; [2] p. Dance of the seasons

Alternate title: Dancing the seasons away

 172/5 Sketch; 2 p.

At top: Haig & Keene (performed by Richard W. Keene and Emma Kaig)

 Dance your troubles away 172/6 Manuscript piano score; [2] p. 8 notes in a scale number(?) 172/7 Sketch of lead sheet; [3] p. Everybody step see also Music box revue, 1938-1939 172/8 Manuscript piano-vocal score; [2] p. 172/8 Photocopy of manuscript piano-vocal score; [2] p. 172/8 Typescript lyric sheets; [6] leaves I'm a dumbbell 172/9 Manuscript lead sheet; [1] p. The legend of the pearls 172/10 Manuscript lead sheet; [1] p. My little book of poetry 172/11 Sketch of piano-vocal score; [6] p. 172/11 Sketch of lead sheet; [2] p. 172/11 Typescript lyric sheets; [3] leaves Opening chorus

Includes "What's in the queer-looking bundle?" and "Where am I?"

 172/12 Manuscript lead sheet; [1] p. The schoolhouse blues 172/14 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Tell me with a melody

London production (1923) only

 172/15 Manuscript piano score; [2] p. They call it dancing see also Music box television spectacular and Non-show music 172/16 Manuscript lead sheet; [1] p. 172/16 Fair copies (Kresa) manuscript piano-vocal scores; 4 p. each 2 copies We work while you sleep

Alternate title: Burglar song

 172/13 Sketch; [4] p. 172/13 Holograph lyric sheet; [1] leaf Music box revue, 1922 Bring on the pepper 172/17 Fair copy (Kresa) manuscript piano-vocal score; 5 p. Crinoline days 172/18 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Diamond horseshoe

Alternate title: My diamond horseshoe of girls

 172/19 Fair copy (Kresa) manuscript piano-vocal score; 3 p. I'm looking for a daddy longlegs see Non-show music Lady of the evening 172/20 Sketch of vocal score; [3] p. 172/20 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 172/20 Sheet music Montmartre see also Music box television spectacular 172/21 Manuscript lead sheet; [1] p. 172/21 Sketch of piano-vocal score; [1] p. Pack up your sins and go to the devil 172/22 Manuscript piano-vocal scores; [6], 7 p. 172/22 Sketch; [3] p. Music box revue, 1923 Climbing up the scale 173/1 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Jazz no. 173/2 Manuscript full score; 10 p. Little butterfly

Alternate title: Butterfly

Chorus melody was used for verse in Home again; 2nd verse is same as verse for Too many sweethearts

173/3 Manuscript lead sheet; [2] p. 173/3 Sketches; [16] p. 173/3 Photocopy of printed music; [3] p.

With annotations

Found with "Home again"

 One girl 173/4 Manuscript piano-vocal score; [2] p.

No lyric

 173/4 Sketches; [7] p. Only a rose

From The vagabond king, music by Rudolf Friml

 173/5 Printed piano-vocal score; [3] p. Opening Act I 173/6 Manuscript full score; [77] p. An orange grove in California 173/7 Manuscript full score; [8] p. 173/7 Manuscript lead sheet; [5] p. 173/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Sextette 173/8 Manuscript full score; [24] p. 173/8 Manuscript piano-vocal score and ditto copy; 10 p. each 173/8 Typescript lyric sheets; [2] leaves

With annotations

 173/8 Typescript lyric sheets; [5] leaves 173/8 Manuscript orchestral parts Song of the vagabonds

From The vagabond king, music by Rudolf Friml

 173/9 Printed piano-vocal score; [4] p. Venetian Isles see also I'll miss you in the evening 173/10 Printed piano-vocal score; [4] p.

With holograph annotations

 The waltz of long ago

Alternate titles: A waltz of long ago; Waltz song

 173/11 Manuscript full score; 43 p. 173/11 Sketches; [5] p. When you walked out, somebody else walked in 173/12 Fair copies (Kresa) manuscript piano-vocal scores (2); 4 p. each Music box revue, 1924 Alice in Wonderland

Alternate title: Come along with Alice

 173/13 Sketch; [1] p. 173/13 Photocopy of sketch; [1] p. 173/13 Holograph lyric sheets; [2] leaves 173/13 Manuscript lyric sheet; [1] leaf 173/13 Typescript lyric sheets; [3] leaves Bandana ball 173/14 Sketches; [6] p. 173/14 Manuscript lyric sheets; [2] leaves 173/14 Typescript lyric sheets; [5] leaves Broadway scene see Catskill mountains scene The call of the south 173/15 Manuscript lead sheets; [2] p. 173/15 Manuscript lyric sheet; [1] leaf 173/15 Typescript lyric sheets; [2] leaves 173/15 Photocopies of typescript lyric sheets; [2] leaves 173/15 Sheet music

Without cover

 Catskill mountains scene see also I want to be a ballet dancer

Alternate title: Catskills opening

Includes "Broadway scene," and "Where is my little old New York?"

 173/16 Sketches; [10] p.

Includes sketch for "Come to Greenwich Village"

 173/16 Photocopies of sketches; [8] p.

Lyrics penciled in

 173/16 Manuscript and typescript lyric sheets; [12] leaves Come to Greenwich Village see Catskill mountain scene A couple of senseless censors

Alternate titles: Censor song; We're a couple of senseless censors

 173/17 Manuscript lyric sheets and program notes; [6] leaves Don't send me back to Petrograd

Alternate titles: Don't send me back

 173/18 Manuscript lead sheets(3); [2] p. each 173/18 Holograph lyric sheets; [2] leaves 173/18 Manuscript lyric sheet; [1] leaf 173/18 Typescript lyric sheets; [4] leaves Don't wait too long

Used for post-Broadway tour

 173/19 Manuscript lead sheet; [1] p. 173/19 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 173/19 Typescript lyric sheets; [3] leaves I want to be a ballet dancer 173/20 Manuscript lead sheet; [1] p.

On adjoining page: manuscript lead sheet of "New York" from "Catskill mountain scene"; [1] p.

Laid in: manuscript lyric sheet for "Swanee river" and unidentified sketch; [1] leaf, [1] p.

 173/20 Holograph lyric sheet; [1] leaf 173/20 Typescript lyric sheets; [2] leaves In the shade of a sheltering tree 173/21 Sketch; [1] p. 173/21 Manuscript lyric sheet; [1] leaf 173/21 Typescript lyric sheets; [2] leaves 173/21 Photocopy of sheet music

Incomplete

 Listening

Dropped from show

 173/22 Manuscript lead sheets; [1, 2] p.

On verso of one page: sketch for "Tell her in the springtime"

 173/22 Manuscript lyric sheet; [1] leaf 173/22 Typescript lyric sheets; [3] leaves Rockabye, baby 173/23 Manuscript lead sheet; [2] p. 173/23 Sketch; [2] p. 173/23 Manuscript lyric sheet; [4] p. 173/23 Typescript lyric sheets; [5] leaves Tell her in the springtime 173/24 Photocopy of manuscript lead sheet; [1] p.

Original is on verso of sketch for Listening

173/24 Manuscript lyric sheets; [2] leaves 173/24 Typescript lyric sheets; [2] leaves Tokyo blues 173/25 Sketches; [14] p. 173/25 Typescript lyric sheets; [3] leaves Unlucky in love

Dropped from show

 173/26 Manuscript lead sheet; [2] p. 173/26 Holograph lyric sheet; [1] leaf 173/26 Typescript lyric sheets; [2] leaves Where is my little old New York? see Catskill mountains scene Who 173/27 Manuscript lead sheet; [3] p. 173/27 Holograph lyric sheet; [1] leaf 173/27 Manuscript lyric sheet; [1] leaf 173/27 Typescript lyric sheets; [4] leaves Wild cats

Alternate title: Oh, those wild cats

 173/28 Manuscript lead sheet; [1] p. 173/28 Holograph lyric sheet; [1] leaf 173/28 Typescript lyric sheets; [3] leaves Yiddisha eskimo see Non-show music Music box revue, 1938-1939

The crystal ball

Unproduced revue

 Back to back see also Second fiddle 174/1 Typescript lyric sheets; [2] leaves Commercial photography

Alternate title: In the magazines

Includes the song "Simmons bed"

 174/3 Holograph lyric sheets; [6] leaves 174/3 Typescript lyric sheets; [6] leaves Columnists' song

Alternate titles: The crystal ball-opening in two scenes; The world is in a mess; See you tomorrow

 174/4 Holograph description of scene and lyric sheets; [6] leaves 174/4 Typescript lyric sheets; [5] leaves

Includes one page of lyrics for "An old fashioned tune always is new"

 Endorsement song

Alternate title: Celebrity endorsements; In the ads

 174/2 Holograph lyric sheets; [3] leaves 174/2 Typescript lyric sheets; [4] leaves Everybody step see also Music box revue, 1921 174/5 Typescript lyric sheets; [2] leaves Hey there, you-manager see Opening-Act III Hitler and Mussolini 174/6 Typescript lyric sheets; [2] leaves How'd you like what you saw so far? see Opening-Act II I'm a Quaker's daughter from the Latin Quarter see also Non-show music 174/7 Typescript lyric sheets; [2] leaves I'm sorry for myself see also Second fiddle

Not used

 174/8 Holograph lyric sheet; [1] leaf 174/8 Typescript lyric sheet; [1] leaf In the early Grecian days see Opening and Opening-Act I It's in three acts instead of the usual two see Opening-Act I Joseph P. Kennedy and prominent American women

Alternate title: We wanted to be present at court, dear Joe

 174/19 Holograph lyric sheet; [1] leaf 174/19 Typescript lyric sheets; [3] leaves Lost and found bureau 174/9 Typescript lyric sheets; [4] leaves Many are the changes see Opening-Act II Now here is the written endorsement see Endorsement song An old fashioned tune always is new see also Second fiddle 174/10 Typescript lyric sheets; [2] leaves Opening

Includes "Tickets, please" and "In the early Grecian days"

 174/11 Holograph notes and lyrics; [7] leaves 174/11 Typescript lyric sheets; [6] leaves

Some with annotations

 Opening-Act I (the present, 1939)

Includes "Tickets, please," "In the early Grecian days," "We know that you first-nighters," "Sherwood, Behrman, Anderson, and Rice," and "It's in three acts instead of the usual two"

 174/12 Holograph description/outlines and lyrics; [12] leaves 174/12 Typescript description/outlines and lyrics; [18] leaves

With holograph notes

 Opening-Act II (the future, 1959)

Includes "Many are the changes" and "How'd you like what you saw so far?"

 174/13 Holograph description/outlines and lyrics; [10] leaves 174/13 Typescript description/outlines and lyrics; [9] leaves Opening-Act III (the past)

Includes "Hey there, you-manager" and "This word-and-music patter"

 174/13 Holograph description/outlines and lyrics; [5] leaves 174/13 Typescript description/outlines and lyrics; [3] leaves Patter to Vaudeville show 174/14 Typescript lyric sheets; [2] leaves

Found with This is the Army

174/18 Holograph notes; [3] leaves 174/18 Typescript lyric sheets and notes; [16] leaves

With annotations

 Put some clothes on, dear 174/20 Typescript lyric sheets; [2] leaves Quintuplets' song 174/14 Holograph lyric sheets; [2] leaves 174/14 Typescript lyric sheets; [4] leaves Sherwood, Behrman, Anderson, and Rice see Opening-Act I Simmons bed see Commercial photography Since they turned Loch Lomond into swing see also Carefree 174/15 Typescript lyric sheets; [2] leaves Society bums 174/16 Holograph lyric sheet; [1] leaf 174/16 Typescript lyric sheets; [3] leaves

One leaf signed by Irving Berlin

 The song of the metronome see also Second fiddle 174/17 Typescript lyric sheet; [1] leaf This word-and-music patter see Opening-Act III Tickets, please see Opening and Opening-Act I We know that you first-nighters see Opening-Act I Miscellaneous 174/21 Holograph notes (with typescript and carbon copies); [3] leaves

At top: possible ideas

 174/21 Typescript notes; [1] leaf

At top: see you tomorrow

 Music box television spectacular

Unproduced, 1957

Everybody step

Commercial spot for Coca-cola

 174/22 Typescript lyric sheets; [3] leaves Is she the only girl in the world? 174/23 Copyist's manuscript piano-vocal score; 3 p. Transparencies 174/23 Typescript lyric sheet; [1] leaf

Dated, May 5th, 1954

174/23 Typescript lyric sheet; [1] leaf

On verso: holograph lyrics for "When love was all"

 Go home and tell it to your wife see Wise guy Lady of the evening see also Music box revue, 1922

Commercial spot for Oldsmobile

 174/24 Typescript lyric sheets; [2] leaves Mary and Perry and George 174/25 Sketch of piano-vocal score; [4] p. 174/25 Sketch of lead sheet with lyrics; [2] p. 174/25 Manuscript lyric sheet; [1] leaf 174/25 Typescript lyric sheets; [6] leaves Montmartre see also Music box revue, 1922 174/26 Manuscript piano-vocal score; [3] p.

No lyrics

 174/26 Typescript lyric sheets; [2] leaves 174/26 Photocopy of sheet music

No cover

 Music box opening 174/27 Manuscript piano-vocal score; 8 p.

No lyrics

 174/27 Sketch; [2] p. 174/27 Holograph lyric sheets; [2] leaves 174/27 Typescript lyric sheet; [1] leaf

With holograph and manuscript annotations

 174/27 Manuscript lyric sheets; [2] leaves 174/27 Typescript lyric sheets; [13] leaves They call it dancing see also Music box revue, 1921 and Non-show music 174/28 Typescript lyric sheets; [2] leaves The toddle see Non-show music The way it was see Non-show music When love was all see also Is she the only girl in the world? 174/29 Photocopy of sketch; [1] p. 174/29 Typescript lyric sheets; [2] leaves

With holograph annotations

 174/29 Typescript lyric sheets; [3] leaves You're fun to be with see Non-show music Off the beat see Face the music

One of three earlier titles for Face the music

On the avenue

Film, 1937

Earlier title: Out front

 Scores and parts 175/1 Printed bound piano-vocal scores; 31 p. each 2 copies The girl on the Police Gazette 175/2 Manuscript lead sheet; [1] p.

Holograph at top: Police gazette, June 1934, Irving Berlin

 175/2 Manuscript piano score; [2] p. 175/2 Sketches; [3] p. 175/2 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 175/2 Photocopies of piano-vocal score; 5, 4 p. 175/2 Negative photocopy of piano-vocal score; 5 p. 175/2 Printed piano-vocal score; 5 p. 175/2 Typescript lyric sheets; [5] leaves He ain't got rhythm 175/3 Manuscript piano-vocal scores; 5, [5] p. 175/3 Sketch; [1] p. 175/3 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 175/3 Photocopy of piano-vocal score; 5 p. 175/3 Typescript lyric sheets; [8] leaves He ain't got rhythm (Ritz Brothers specialty) 175/4 Photocopy of piano-vocal score; 12 p. 175/4 Carbon copies of lyric sheets; [2] p. each 3, bound by staple I've got my love to keep me warm 175/5 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 175/5 Photocopies of piano-vocal score; 4 p. each 2 copies 175/5 Typescript lyric sheets; [7] leaves On the steps of Grant's tomb

Not used

 175/6 Manuscript piano-vocal score; [4] p. 175/6 Photocopy of manuscript piano-vocal score; 5 p.

With annotations

 175/6 Typescript lyric sheets; [5] leaves Slumming on Park Avenue 175/7 Manuscript piano-vocal score; [3] p. 175/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 175/7 Photocopies of piano-vocal score(2); 4 p. each 175/7 Typescript lyric sheets; [12] leaves Swing, sister!

Not used

 175/8 Typescript lyric sheets; [5] leaves This year's kisses 175/9 Manuscript piano-vocal scores; [2, 2, 3] p. 175/9 Sketch of manuscript piano-vocal score; [3] p. 175/9 Fair copies (Kresa) of manuscript piano-vocal scores(2); 4 p. each 175/9 Photocopies of piano-vocal scores(2); [2] p. each 175/9 Typescript lyric sheets; [5] leaves 175/9 Sheet music You're laughing at me 175/10 Fair copies (Kresa) of manuscript piano-vocal score(2); 4 p. each 175/10 Photocopies of piano-vocal scores; 5, [3] p. 175/10 Typescript lyric sheets; [5] leaves Scripts/miscellaneous 175/11 Mimeograph copy of typed script; [81] leaves Blue folder

On cover: Out front (earlier title for On the avenue), revised rough draft, March 19, 1936

Miscellaneous production/staging notes 175/12 Typescript contract; [1] leaf

Screen play credits

 175/12 Typescript production and staging notes; [23] leaves Out front see On the avenue Professional children's school show

Unproduced, 1947

219/25 Holograph notes; [3] leaves On yellow lined paper

At top: notes on the character "Small fry"

 219/25 Typescript notes; [2] p. each 2 copies

One with holograph annotations

Title at top: notes on Professional school show

 219/25 Carbon copies of typescript notes; [2] p. each 4 copies

Manuscript at top right on two copies: Sept. 24, 1947

Reaching for the moon

Film, 1930

Earlier title: Love in a cottage

Alternate title: Four two hundred production

All songs were dropped before the film's release, with the exception of "When the folks high up do the mean low down" and "Reaching for the moon" as instrumental background music

 Scores and parts 176/1 Unbound piano-vocal scores; [48] p. In folder

On cover: complete

Laid in: typescript instrumentation list; [1] leaf

 Broker's ensemble (Don't sell America short)

Alternate title: Opening chorus

 176/9 Manuscript full score; 10 p. 176/9 Manuscript piano-vocal score(2); 4 p. each 176/9 Sketches; 10 p. 176/9 Photocopies of manuscript piano-vocal score(2); 4 p. each 176/9 Typescript lyric sheets; [3] leaves

With annotations

 176/9 Typescript lyric sheets; [12] leaves 176/9 Manuscript parts Do you believe your eyes or do you believe your baby? 176/2 Manuscript piano score; [2] p. 176/2 Manuscript lead sheet; [2] p. 176/2 Sketch; [2] p.

Verse 2 only

 176/2 Photocopy of manuscript piano-vocal score; [4] p. 176/2 Typescript lyric sheets; [7] leaves

One leaf with annotations

 How much I love you see also Non-show music

Not used

Verse later used for How deep is the ocean?

176/3 Manuscript full score; 22 p. 176/3 Manuscript parts If you believe

Lyrics as sung in There's no business like show business

176/4 Typescript lyric sheet; [1] leaf (I ask you) is that nice? see also Non-show music

Not used

 176/5 Copyist's manuscript lead sheet; [1] p. 176/5 Typescript lyric sheets; [2] leaves It's yours

Alternate title: Ask for the moon

176/6 Manuscript full score; 23 p. 176/6 Manuscript lead sheet, typescript lead sheet, letter concerning copyright; [3] leaves

These three items were found in the same folder, bound by a staple

 176/6 Sketch; [2] p. 176/6 Sketch-new verse; [4] p. 176/6 Holograph lyric sheet; [1] leaf 176/6 Typescript lyric sheets; [6] leaves 176/6 Manuscript parts The little things in life 176/7 Manuscript score; 15 p. 176/7 Manuscript piano-vocal scores; [5, 5, 4] p. 176/7 Manuscript lead sheets(3); [2] p. each 176/7 Ditto copies of piano-vocal score(2); 6 p. each 176/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 176/7 Typescript lyric sheets; [10] leaves 176/7 Manuscript parts 176/8 Reminiscence manuscript full score; 7 p. 176/8 Reminiscence manuscript parts 176/8 Finish of picture manuscript piano-vocal score; [3] p. Reaching for the moon 177/1 Manuscript full score; 18 p. 177/1 Sketches(3); [2] p. each 177/1 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 177/1 Photocopy of manuscript piano-vocal score; [3] p.

On cover: new verse-moon

 177/1 Photocopy of manuscript piano-vocal score; 3 p.

Incomplete

 177/1 Ditto copies of manuscript piano-vocal score(2); 4 p. each 177/1 Typescript lyric sheets; [4] leaves Stock market-reprise

Includes the song "What a lucky break for me"

 177/2 Sketch of lead sheet; [2] p. A toast to prohibition

Earlier title: The bootleggers' song

 177/3 Manuscript full score; 17 p. 177/3 Sketch; [1] p. 177/3 Photocopies of piano-vocal score(2); [4] p. each 177/3 Photocopy of piano-vocal score; [4] p.

With lyric annotations

 177/3 Typescript lyric sheets; [8] leaves 177/3 Manuscript parts Wedding and crash

Alternate titles: Brokers' song; They're going down (Brokers' and customers' song)

 177/4 Manuscript lead sheet; 2 p. 177/4 Sketch; [2] p.

At top: Wedding-Stock brokers, Intro

 177/4 Sketch; [4] p.

At top: End of wedding

 177/4 Typescript lyric sheet; [1] leaf

With holograph annotations

 What a lucky break for me see also Stock market-reprise

Alternate title: Lucky break

 177/5 Manuscript piano-vocal scores; [5, 6, 3] p. 177/5 Manuscript piano score; [2] p. 177/5 Manuscript lead sheet; [2] p. 177/5 Manuscript lead sheet; [2] p.

With annotations, no lyric

 177/5 Manuscript lead sheet; [4] p.

Melody only

 177/5 Typescript lyric sheets; [7] leaves When the folks high up do the mean low down 177/6 Manuscript full score; [15] p. 177/6 Manuscript piano-vocal score; [4] p. 177/6 Manuscript lead sheet; [2] p. 177/6 Typescript lyric sheets; [4] leaves 177/6 Typescript choreography and vocal lines; [3] leaves You've gotta do right by me 177/7 Sketches of lead sheet; [2] p. 177/7 Typescript lyric sheets; [4] leaves

With carbons

 Scripts/miscellaneous 178/1 Typed script/story; 11 p. Unbound

At top: Love in a cottage

 178/1 Typed script; [78] p. Unbound 178/1 Typed script/story; 112 p. Bound, light blue cover

On cover: Love in a cottage

 178/2 Typed script; [124] p. Carbons in blue folder

Laid in: typescript lyric sheets; [21] leaves

 178/3 Typed script; [150] leaves Carbons in blue folder 178/4 Holograph/typescript/carbon copy lyric sheets; [18] leaves

Found with Mr. Bones script material

 Holograph lyric sheet: Broker's opening chorus Holograph lyric sheet: If you believe-verse Typescript lyric sheet: Opening chorus broker's ensemble #1 Typescript lyric sheet: Do you believe your eyes or do you believe your baby Typescript lyric sheet: How much I love you-verse and 2 choruses Typescript lyric sheet: How much I love you-reprise #7 Typescript lyric sheet: How much I love you-#13 Typescript lyric sheet: What a lucky break for me-verse and 2 choruses Typescript lyric sheet: If you believe-reprise #8 Carbon copy lyric sheet: If you believe-verse, chorus, patter for preacher, #6 Carbon copy lyric sheet: If you believe-reprise #14

May be the same as #8

 Typescript lyric sheet: Little things in life-verse, chorus, patter, #9 Typescript lyric sheet: Little things in life-reprise, #11 Typescript lyric sheet: Little things in life and How much I love you Typescript lyric sheet: Lucky break-reprise #10 Carbon copy lyric sheet: Reprise of Stock market chorus and Love song Carbon copy lyric sheet: When the folks high up do the mean low down #12 178/5 Holograph notes, titles, key words; [5] leaves 178/5 Carbon copies of typescript outline; [24] leaves Unbound on legal size paper 178/5 Carbon copies of typescript notes and script; [24] leaves 178/5 Carbon copies of typescript outlines and script sheets; [9] leaves 178/5 Mimeograph copy of news release; [4] leaves Say it with music

Unproduced film, 1963-65

Scores and parts Always the same 179/1 Manuscript piano-vocal scores; [2, 3] p. 179/1 Sketches(2); [1] p. each 179/1 Printed manuscript piano-vocal scores(2); 4 p. each 179/1 Typescript lyric sheets; [12] leaves Don't wait too long 179/2 Manuscript piano-vocal score; [3] p.

With annotations

 179/2 Printed manuscript piano-vocal score(2); 3 p. each A guy on Monday see A man to cook for I used to play it by ear 179/3 Manuscript piano-vocal score; [3] p. 179/3 Copyist's manuscript piano-vocal score; 3 p. Transparencies

Laid in: Manuscript on Russ Goudey's Radio Music Service paper; [1] leaf

 179/3 Sketch; [2] p. 179/3 Printed manuscript piano-vocal scores(2); 3 p. each

With annotations

 179/3 Printed manuscript piano-vocal scores(2); 3 p. each 179/3 Typescript lyric sheets; [2] leaves 179/3 Old version printed manuscript piano-vocal score; 3 p. 179/3 Old version typescript lyric sheets; [3] leaves It's the same in every language see Non-show music I wanna dance with the girl in my arms see Non-show music Long as I can take you home 179/4 Manuscript piano-vocal score; 3 p. 179/4 Sketch; [3] p. 179/4 Printed piano-vocal score; 3 p.

With annotations

Laid in: manuscript piano-vocal corrections (to be inserted); [1] leaf

 179/4 Printed piano-vocal scores(2); 3 p. each 179/4 Typescript lyric sheets; [5] leaves

With annotations

 179/4 Typescript lyric sheets; [5] leaves Love leads to marriage

Alternate title: Love leads to weddings

Originally written for Wise guy

179/5 Manuscript piano-vocal score; [3] p. 179/5 Sketches; [2] p. 179/5 Photocopy of manuscript piano-vocal score; [3] p. 179/5 Printed manuscript piano-vocal scores(2); 3 p. each 179/5 Typescript lyric sheets; [7] leaves A man to cook for

Includes: A guy on Monday; One-man woman

 179/6 Copyist's manuscript piano-vocal score; 4 p. On reverse transparencies 179/6 Sketches; [15] p. 179/6 Photocopy of manuscript piano-vocal score; 4 p.

One top: One man woman, Say it with music

 179/6 Printed manuscript piano-vocal scores; 4, 3 p.

2, with annotations

 179/6 Printed manuscript piano-vocal scores; 4, 3 p. 2, 2 copies each 179/6 Typescript lyric sheets; [12] leaves One-man woman see A man to cook for Outside of loving you, I like you

Alternate title: Outside of loving him, I like him

 179/7 Manuscript piano-vocal score; [3] p. 179/7 Sketch; [1] p. 179/7 Photocopies of piano-vocal scores(2); 3 p. each 179/7 Printed manuscript piano-vocal score; 3 p. 179/7 Typescript lyric sheets; [10] leaves

Some with annotations

Outside of loving him, I like him; [3] leaves

Outside of loving you, I like you; [7] leaves

 The PX 179/8 Manuscript piano-vocal score; [4] p. 179/8 Printed manuscript piano-vocal scores(2); 5 p. each 179/8 Typescript lyric sheets; [5] leaves The ten best undressed woman 179/9 Manuscript piano-vocal score; 3 p. 179/9 Sketch; [1] p. 179/9 Photocopy of manuscript piano-vocal score; [3] p. 179/9 Printed manuscript piano-vocal scores(2); 3 p. each 179/9 Typescript lyric sheets; [4] leaves Whisper it 179/10 Manuscript piano-vocal score; [3] p. 179/10 Photocopy of manuscript piano-vocal score; [3] p. 179/10 Printed manuscript piano-vocal score; 3 p. 179/10 Typescript lyric sheets; [5] leaves Miscellaneous 179/11 Manuscript and typescript song lists/musical sequences; [7] leaves 179/11 Miscellaneous lyric sheets, listed by title

Found with "Say it with music" folder

 It'll come to you; [1] leaf It's the same in every language; [3] leaves Musical continuity for Sophia Loren sequence; [2] p. each 3 copies

Various lyrics

 Oh, how I hate to get up in the morning; [2] leaves Play a simple melody (Benny Goodman reference); [4] leaves Say it with music; [2] leaves Scripts 180/1 Typed script dated April 13, 1939; 20 p. 180/1 Typed script dated May 10, 1939; 19 p. 180/1 Typed script dated May 12, 1939; 5 p. 180/1 Typed script dated June 13, 1939; 145 p. 180/2 Typed script dated June 21, 1939; 143 p. 180/2 Typed script dated July 12, 1939; 12 p. 180/2 Typed script dated September 16, 1939; 29 p. 180/3 Typed script dated September 18, 1939; 33 p.

Laid in: Typescript letter to Irving Berlin from D. Zanuck on Twentieth Century-Fox paper; [1] leaf

 180/3 Typed script dated September 18, 1939; 33 p. 180/3 Typed script dated September 23, 1939; 20 p.

Laid in: Typescript memo with 2 pages attached; [3] leaves

On inside back cover: casting notes in pencil

 180/3 Typed script dated September 23, 1939; 20 p. 181/1 Typed script dated September 30, 1939; 23 p. 181/1 Typed script dated October 9, 1939; 39 p.

Holograph notes throughout

 181/1 Typed script dated October 9, 1939; 39 p. 181/1 Typed script dated October 9, 1939; 39 p.

On cover: Revised treatment; D.Z. conference

On t.p.: Revised treatment by Garrett Fort

 181/2 Typed scripts (1939); 23, 23, 26 p. Unbound on yellow paper

With annotations

 181/2 Typed scripts (1939); [4] p. Unbound on yellow paper

Manuscript opening sentence: National Broadcasting Corp. Offices...

 182/1 Typed script dated November 4, 1963; 22 p. 182/1 Typed script dated December 26, 1963; 52 p. 182/1 Typed script, no date; 89 p. 182/2 Typed script dated February 14, 1966; 127 p. 182/2 Typed script dated May 15, 1967; 117 p. 182/3 Holograph notes; [14] leaves 182/3 Typed script and story line; 5 p.

On top, about 1954

Second fiddle

Film, 1939

183/1 Photocopy of manuscript condensed score; [152] p. Bound Back to back see also Music box revue, 1938-1939 184/1 Manuscript piano-vocal score; [3, 4] p. 184/1 Manuscript piano scores; [2] p. 184/1 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 184/1 Photocopies of piano-vocal scores; 4 p. each 2 copies 184/1 Printed piano-vocal score; 5 p. 184/1 Typescript lyric sheets; [10] leaves 184/1 Patter-photocopy of piano-vocal score; [1] p. I poured my heart into a song 184/2 Manuscript piano-vocal scores; [4, 5] p. 184/2 Manuscript piano score(3); [2] p. each 184/2 Manuscript lead sheet; [1] p.

On verso: sketch for "When winter comes"

 184/2 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 184/2 Photocopies of piano-vocal score(2); [5] p. each 184/2 Typescript lyric sheets; [11] leaves

One with holograph annotations

 I'm sorry for myself see also Music box revue, 1938-1939 184/3 Manuscript piano-vocal scores(2); 2 p. each 184/3 Sketch; [1] p. 184/3 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 184/3 Photocopies of piano-vocal scores(2); 2 p. each 184/3 Printed piano-vocal score; 2 p. 184/3 Typescript lyric sheets; [8] leaves An old fashioned tune always is new see also Music box revue, 1938-1939 184/4 Manuscript piano-vocal scores; [3, 4] p. 184/4 Manuscript piano score; [2] p. 184/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 184/4 Photocopy of piano-vocal score; 4 p. each 3 copies

Some annotations

 184/4 Typescript lyric sheets; [7] leaves 184/4 Sheet music The song of the metronome see also Music box revue, 1938-1939 184/5 Manuscript piano-vocal scores; [4, 4] p. 184/5 Manuscript piano score; [2] p. 184/5 Manuscript lead sheet; [1] p. 184/5 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 184/5 Photocopies of piano-vocal score(2); 5 p. each 184/5 Printed piano-vocal scores(2); [1] p. each 184/5 Typescript lyric sheets; [5] leaves When winter comes see also I poured my heart into a song lead sheet 184/6 Manuscript piano-vocal score; [4], 5 p. 184/6 Manuscript piano score; [2] p.

Typescript lyric sheet; [1] leaf

 184/6 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 184/6 Photocopies of piano-vocal score(2); 5 p. each 184/6 Printed piano-vocal scores(2); [5] p. each 184/6 Holograph lyric sheet; [1] leaf 184/6 Typescript lyric sheets; [7] leaves Sentimental guy see Wise guy Silver platter

Unproduced, 1957

Louise 185/1 Sketch; [1] p. On the road to Downeyville

Alternate title: On the road to Downieville

 185/2 Manuscript lead sheet; [1] p. 185/2 Sketch; [1] p. Silver platter 185/3 Manuscript piano-vocal score; 4 p. 185/3 Copyist's manuscript piano-vocal score; p. 4 only

Incomplete

 185/3 Sketch; [1] p.

Dated: May 1, 1957

185/3 Sketch; [1] p.

Dated: May 22, 1957

185/3 Printed manuscript piano-vocal scores(2); 4 p. each 185/3 Typescript/manuscript lyric sheets; [4] leaves 185/4 Unidentified sketches; [3] p. Sing with the stars

Unproduced film, c. 1945

Stars on my shoulders

Unproduced musical, 1948

Beautiful Brooklyn 185/5 Manuscript piano-vocal score; [3] p. 185/5 Manuscript piano score; [1] p. 185/5 Sketch; [1] p. 185/5 Typescript lyric sheets; [7] leaves A beautiful day in Brooklyn 185/6 Manuscript piano-vocal score; [4] p. 185/6 Copyist's manuscript piano-vocal score; 4 p. Transparencies 185/6 Manuscript piano score; [2] p. 185/6 Printed piano-vocal scores(2); 4 p. each 185/6 Typescript lyric sheets; [4] leaves Funny when you're left with nothing more to say 185/12 Manuscript piano-vocal score; [3] p.

With annotations

 185/12 Copyist's manuscript piano-vocal score; 3 p. Transparencies 185/12 Manuscript lead sheet; [1] p. 185/12 Sketch of piano score; [2] p. 185/12 Printed piano-vocal scores(2); 3 p. each 185/12 Holograph lyric sheets; [2] leaves 185/12 Typescript lyric sheets; [4] leaves If we weren't married 185/7 Copyist's manuscript piano-vocal score; 3 p. Transparencies 185/7 Sketches; [3] p. 185/7 Photocopy and negative photocopy of sketches; [3] p. each 185/7 Holograph lyric sheets; [2] leaves

On verso: manuscript lyric sheet for "The old man"

 185/7 Typescript lyric sheets; [6] leaves It gets lonely in the White House see also Mr. President 185/8 Copyist's manuscript piano-vocal score; 3 p. Transparencies 185/8 Typescript lyric sheet; [1] leaf It's a lovely day for a walk

Not used, also intended for Blue skies

185/9 Manuscript piano-vocal score; 7 p.

At top: new arrangement, revised

 185/9 Manuscript piano-vocal score; [2-4, 2-4] p.

Incomplete

At top: extra pages

 185/9 Manuscript piano-vocal score; 7 p.

At top: old arrangement, revised

 185/9 Manuscript lead sheets; [1, 1, 2] p. 185/9 Photocopy of piano-vocal score; 7 p. 185/9 Holograph lyric sheet; [1] leaf 185/9 Typescript lyric sheets; [19] leaves

Some holograph annotations

 John Jacob Astor 185/10 Manuscript piano-vocal score; [5] p. 185/10 Manuscript piano score; [2] p. 185/10 Sketch; [2] p. 185/10 Photocopy and negative photocopy of piano-vocal score; [5] p. each 185/10 Typescript lyric sheets; [4] leaves

Some holograph annotations

 Let's keep in touch while we're dancing 185/11 Sketches; [3] p. 185/11 Holograph lyric sheet; [1] leaf 185/11 Typescript lyric sheets; [4] leaves Monohan and Callahan see Non-show music A roof over my head see also Non-show music 185/13 Manuscript piano-vocal scores(2); [3] p. each 185/13 Sketches; [7] p. 185/13 Sketches of piano score; [3] p. 185/13 Typescript lyric sheets; [9] leaves What can you do with a general? see White Christmas Scripts/miscellaneous 185/14 Holograph song lists; [6] leaves

2 song lists with different 2nd acts

 185/14 Typed outline-Act I, scenes 1-6; 2 p. On yellow paper

Outline of story

 185/14 Typescript notes and carbon copy on second Act; 7 p. each

Holograph annotations on both copies

At top of carbon copy: Dictated by Mr. Berlin 1/27/48

185/14 Carbon copy of typescript (rough) outline of Act 2; 8 p.

At top of carbon copy: Dictated by Mr. Berlin 1/28/48

185/15 Typed script; 71 p. Grey folder 185/15 Carbon copy of typed script; 83 p. Blue folder

With some typescript copy

 185/15 Carbon copy of typed script; 64 p.

No cover

 185/15 Manuscript notes; [2] leaves

From Irving Berlin's secretary

 Stop! Look! Listen!

Stage, 1915

Original title: Blow your horn

Working title in London: Follow the crowd

 Blow your horn 186/1 Fair copy (Kresa) manuscript piano-vocal score; 3 p. Everything in America is ragtime

Alternate title: Ragtime finale

 186/2 Fair copy (Kresa) manuscript piano-vocal score; 5 p. Oozums little snoozums is oo 186/3 Holograph lyric sheet; [1] leaf

On Hotel Vendig, Philadelphia, stationery

 186/3 Holograph lyric sheet; [1] leaf

On Ritz-Carlton Hotel, Philadelphia, stationery

 186/3 Carbon copy and ditto copy of typescript lyric sheet; [2] leaves Sailor song

Dropped after tryout

 186/4 Sketch; [1] p. Take off a little bit see Non-show music When I get back to the U.S.A. see Non-show music When I'm out with you 186/5 Manuscript lead sheet; [2] p. 186/6 Unidentified/miscellaneous sketches

In order found

 Cover page; [1] p. Unidentified sketch; [1] p. Unidentified sketch; [1] p. Until I fell for you; [1] p. The harem blues; [1] p. Waltz melody; [1] p.

On verso: sketch for "Piano song"; [1] p.

 Unidentified sketches; [8] p. There's no business like show business

Film, 1954

Scores and parts After you get what you want you don't want it see also Non-show music

Originally published in 1920

187/1 Copyist's manuscript piano-vocal score; 3 p. each 2, on transparencies 187/1 Sketch of piano-vocal score; [3] p. 187/1 Photocopies of piano-vocal score(2); [3] p. each 187/1 Printed piano-vocal score; [2] p. But I ain't got a man

Not used

 187/2 Printed piano-vocal score(2); 4 p. each

Laid in: note from copyist to Irving Berlin

 187/2 Copyist's manuscript piano-vocal score; 4 p. Transparencies 187/2 Photocopies of copyist's manuscript piano-vocal score; 4 p. each

2, with annotations

 187/2 Typescript lyric sheet; [1] leaf

With holograph annotations

 187/2 Typescript lyric sheets; [2] leaves I can make you laugh (but I wish I could make you cry)

Not used

 187/3 Manuscript piano-vocal score; [4] p. 187/3 Manuscript piano-vocal score; [4] p.

Chorus only

 187/3 Printed piano-vocal scores(4); 2 p. each

With annotations

 187/3 Manuscript lyric sheets; [2] leaves 187/3 Typescript lyric sheets; [9] leaves If you believe see also Reaching for the moon 187/4 Manuscript piano-vocal score; 6 p.

Laid in: manuscript fragment; [1] leaf

 187/4 Manuscript piano-vocal scores; 5, 6 p. 187/4 Copyist's manuscript piano-vocal score; 6 p. Transparencies 187/4 Manuscript lead sheets; [5, 2] p. 187/4 Manuscript piano score; [4] p. 187/4 Sketches; [5, 1] p.

Laid in: typescript lyric sheet; [1] leaf

 187/4 Photocopies of piano-vocal score(2); 6 p. 187/4 Typescript lyric sheets; [11] leaves 187/4 Sheet music

Published for 4-part song

 The gal on the calendar see Non-show music A man chases a girl (until she catches him) 187/5 Copyist's manuscript piano-vocal score; 3 p. Transparencies 187/5 Sketch of piano score; [2] p. 187/5 Sketch; [1] p. 187/5 Typescript lyric sheets; [8] leaves 187/5 Sheet music 2 copies

Without cover

 Mister Monotony

Deleted from film

 187/6 Photocopies of manuscript piano-vocal score(2); 6 p. each 187/6 Typescript lyric sheet; [1] leaf A sailor's not a sailor (till a sailor's been tattooed) 187/7 Manuscript piano-vocal score; [5] p. 187/7 Copyist's manuscript piano-vocal score; 5 p. Transparencies 187/7 Sketch; [2] p. 187/7 Fair copy (Kresa) manuscript piano-vocal score; 5 p. 187/7 Manuscript lyric sheets; [2] leaves 187/7 Photocopies of piano-vocal score; [5] p. each

3, one with annotations

 187/7 Typescript lyric sheets; [3] leaves There's no business like show business see also Annie get your gun 187/8 Copyist's manuscript lead sheet; [1] p. Transparency

At top: Motion picture version

 When it's peach blossom time in Lichtenburg

Not used

 187/9 Manuscript piano-vocal score; [3] p.

At top: There's no business like show business

 187/9 Copyist's manuscript piano-vocal score; 3 p. 187/9 Sketch; [1] p. 187/9 Photocopies of piano-vocal score(2); 3 p. each 187/9 Manuscript lyric sheet; [1] leaf 187/9 Typescript lyric sheets; [5] leaves Scripts 188/1 Mimeograph copy of typed script; 94 p. Blue folder

On cover: Writer's working script, June 12, 1952

188/1 Mimeograph copy of typed script; [95] p. Orange folder

On cover: First draft continuity, June 17, 1952

188/2 Mimeograph copy of typed script; 97 p. Grey folder

On cover: Second revised temporary, Feb. 4, 1953

188/2 Mimeograph copy of typed script; [106] p. Blue folder

On cover: Final, Dec. 17, 1953

188/3 Mimeograph copy of typed script; 109 p. Orange folder

On cover: Revised final, Feb. 11, 1954

This is the Army

Musical, 1942; Film, 1943

Scores and parts Acrobats 21/1 Full score; 3 p. see also With my head in the clouds 21/1 Full score; 7 p. see also I'm getting tired so I can sleep 195/1 Orchestral parts

Drum and 1st violin parts only

 Act I-curtain changer/Change of guard see also Change of guard 21/2 Full score; 3 p. Air corps 21/3 Full score; [38] p. 21/4 New part full score #1; [21] p. 21/4 Full score #2; 6 p. 21/4 Full score #3; 5 p. 21/5 Exit full score; 8 p. 195/2 Orchestral parts see also American eagles 195/3 I, II, and III orchestral parts 195/4 Exit orchestral parts 195/5 Radio orchestral parts 195/6 Song orchestral parts Alexander's ragtime band 21/6 Full score; 9 p. 195/7 Orchestral parts

Trombone and baritone parts only

 America 195/8 Orchestral parts

Includes "Star-spangled banner" and "Hail to the chief"

 American eagles see also Air corps 21/7 Full score #27; 1-15, 36, 37 p.

At top: (and) Head in the clouds

 189/2 Manuscript piano-vocal score; [3] p. 189/2 Printed piano-vocal scores; 2 p. each 2 copies 189/2 Fair copies (Kresa) of manuscript piano-vocal scores(2); 3 p. each 192/1 Manuscript vocal scores; [3, 7, 4, 2] p.

Includes "With my head in the clouds"

 192/1 Photocopies of vocal parts

Includes "With my head in the clouds"

 192/2 Ditto copies of vocal parts

Includes "With my head in the clouds"

 The Army's made a man out of me 21/8 Full score; [31] p. 21/8 Full score #15; 30 p. 189/3 Manuscript piano-vocal score; [3] p. 189/3 Sketches of piano score; [3] p. 189/3 Ditto copy of manuscript piano-vocal score; 3 p. 189/3 Printed piano-vocal scores; 2 p. each

4, some with annotations

 189/3 Fair copies (Kresa) of manuscript piano-vocal score(2); 4 p. each 189/3 Typescript lyric sheets; [4] leaves 192/3 Manuscript vocal score; [2] p. 192/3 Photocopies of vocal parts 192/3 Ditto copies of vocal parts 195/9 Orchestral parts Ballet 22/1 Full score #1; [6] p.

Condensed score-sketches

 22/1 Full score #28; [83] p. 196/1 Orchestral parts 196/1 Insert-orchestral parts Blue skies 196/2 Canteen-orchestral parts Change of guard see also Act I-curtain changer/Change of guard 22/2 Full score; [2] p. 196/3 Orchestral parts Cook routine 196/4 Orchestral parts Dressed up to kill see This time lyric sheets Dressed up to win see This time lyric sheets Daddy's coming home on a furlough

Alternate titles: Daddy's furlough; A soldier's dream

 189/4 Manuscript piano-vocal score; [2] p. 189/4 Manuscript piano score; [1] p. 189/4 Typescript lyric and script sheets

With holograph annotations

Daddy's furlough; 11, 9, 9, 7, 7 p.

A soldier's dream(3); 5 p. each

 189/4 Typescript lyric sheets; [2] leaves England and America see Non-show music Egyptian anthem 196/5 Orchestral parts Entra'cte 196/6 Orchestral parts

Trumpet parts only

 Exit music 196/7 Orchestral parts The Fifth Army is where my heart is 22/3 Full score; [9] p. 22/3 Full score; [13] p. 189/5 Sketch; [2] p.

Laid in: typescript memo

 189/5 Holograph lyric sheets; [2] leaves 189/5 Typescript lyric sheets; [5] leaves 189/5 Sheet music 2 copies

Reduced, no cover

 189/5 Sheet music 2 copies 196/8 Orchestral parts 196/9 Exit-orchestral parts Finale 22/4 Full score; [27] p. 22/5 Ending full score; [1] p. 22/5 Intro full score; [1] p. 22/6 Full score #2; [10] p. Finale I 197/1 Orchestral parts God bless America 22/7 Full score; 7 p. 22/8 Fanfare full score; [1] p. 192/4 Manuscript vocal scores; [2, 1] p. 192/4 Photocopies of vocal score(3); [1] p. each 192/4 Manuscript vocal parts 192/4 Photocopies of vocal parts 197/2 Manuscript orchestral parts 197/3 Printed orchestral parts God save the king 22/9 Full score; 4 p. 197/4 Orchestral parts Heaven watch the Philippines

Used during tour only

 22/10 Full score; 5 p. 22/10 Modulation full score; [1] p. 22/11 Finale full score; 6 p. 22/10 Insert full score; [1] p. 189/7 Manuscript piano-vocal score; [2] p. 189/7 Manuscript piano-vocal score; [1] p. 189/7 Printed manuscript piano-vocal scores(2); [1] p. each 189/7 Printed lyric sheets(2); [1] leaf each 189/7 Typescript lyric sheets; [3] leaves 192/5 Manuscript vocal score; [2] p. 192/5 Manuscript vocal parts 197/5 Orchestral parts How about a cheer for the Navy? 23/1 Full score; [55] p. 23/2 Finale full score #23B; 36 p. 189/6 Typescript lyric sheets and stage directions; [5] leaves 189/8 Manuscript piano-vocal score; 4 p. 189/8 Sketch of piano score; [2] p. 189/8 Ditto copy of piano-vocal score; [4] p. 189/8 Printed piano-vocal scores(2); 3 p. each 189/8 Fair copy (Kresa) manuscript piano-vocal score; [4] p. 189/8 Typescript lyric sheet; [1] leaf

With holograph annotations

 192/6 Manuscript vocal score; [2] p. 192/6 Photocopies of vocal parts 197/6 Orchestral parts Hymn of the Soviet Union see also Marseillaise 198/1 Orchestral parts I get along with the Aussies

1945 tour only

 189/9 Manuscript piano-vocal score; [2] p.

No lyric

 189/9 Manuscript lead sheet; [1] p. 189/9 Sketch; [1] p. 189/9 Photocopy of manuscript piano-vocal score; [2] p. 189/9 Typescript lyric sheets; [5] leaves I left my heart at the stage door canteen see also Opening of Act II (Jane Cowl number) 23/3 Full score #12; [22] p. 23/4 Minstrel show-reprise full score #25E; 11 p.

Laid in: manuscript vocal score; [1] leaf

 189/10 Manuscript piano scores; [2] p. each 189/10 Manuscript piano-vocal score; [4] p. 189/10 Printed piano-vocal scores(3); [3] p. each 189/10 Fair copies (Kresa) of manuscript piano score; [3, 4] p. 189/10 Typescript lyric sheets; [2] leaves

With holograph annotations

 189/10 Typescript lyric sheets; [7] leaves

With annotations

 189/10 Sheet music 192/7 Manuscript/printed vocal scores; [7, 5, 3] p. 192/7 Photocopies of vocal parts 192/8 Reprise-manuscript vocal score; [4] p. 192/8 Reprise-photocopies of vocal parts 198/2 Oxford-orchestral parts I'm getting tired so I can sleep 23/5 Full score #8; 15 p. 23/6 Full score; 1-16 p. 23/7 Reprise full score #26; 32 p.

Laid in: manuscript conductor's part/score; [4] p.

 189/11 Manuscript piano-vocal score; [4] p. 189/11 Manuscript piano score; [2] p. 189/11 Printed piano-vocal scores; 3 p. each

4, with annotations

 189/11 Fair copies (Kresa) of manuscript piano-vocal score(2); [4] p. each 189/11 Typescript lyric sheets; [6] leaves 192/9 Manuscript vocal scores; [6, 8] p. 192/9 Ditto copies of vocal parts 198/3 Orchestral parts 198/4 Orchestral parts

At top: Acrobats

 198/5 Orchestral parts

Canteen tap routine of Tired

In my cozy little foxhole by the sea 189/12 Manuscript piano-vocal score; [3] p. 189/12 Copyist's manuscript piano-vocal score; [3] p. 189/12 Typescript lyric sheets; [6] leaves Intermezzo 198/6 Orchestral parts

Violin parts only

 Italian anthem 198/7 Orchestral parts

Trombone II part only

 It's a lovely day tomorrow (to be caught in the rain)? 198/8 Orchestral parts Jap-German sextette see also Welcome yellow Aryans

Alternate title: Aryans under the skin

 24/1 Full score #28; 14 p. 189/13 Manuscript piano-vocal score; [5] p. 189/13 Manuscript piano score; [2] p. 189/13 Printed piano-vocal scores(2); 4 p. each 189/13 Typescript lyric sheets; [6] leaves Juggler routine 24/2 Full score-4 routines; 7, 4, 3, 5 p.

Contents: Juggler I; Juggler II: Mandy, Juggler III: Sgt. & I are buddies; Juggler IV: Army's made a man out of me

 193/1 Photocopies of vocal parts 198/9 Orchestral parts

Contents: I (This is the Army, Mr. Jones); II (Mandy), III (My Sergeant and I are buddies); IV (The Army's made a man out of me)

 198/10 Manuscript and photocopy orchestral parts

Contents: I (This is the Army, Mr. Jones); II (Mandy), III (My Sergeant and I are buddies); IV (The Army's made a man out of me); V (Mandy); VII (I'm getting tired so I can sleep); X (I left my heart at the stage door canteen); XII (The Army has made a man out of me)

 The kick in the pants 24/3 Full score; 24 p. 24/3 Dance full score; 35 p. 24/3 2nd chorus full score; [4] p. 24/3 Insert full score; [2] p. 189/14 Manuscript piano-vocal scores(3); 5 p. each 189/14 Typescript lyric sheets; [4] leaves 198/11 Orchestral parts 198/11 Insert-orchestral parts Kitchen police see also Yip, Yip, Yaphank

Alternate title: Poor little me

 189/15 Manuscript piano-vocal score; [3] p. Ladies of the chorus 24/4 Full score; 44 p. 24/5 Full score; [37] p. 189/16 Manuscript piano score; [4] p. 189/16 Printed piano-vocal scores(2); 7 p. each 189/16 Typescript lyric sheets; [6] leaves 189/16 Typescript lyric sheet; [1] leaf

Partial lyrics

On verso: lyric sheet for "The youth parade"

 199/1 Orchestral parts Lorina 199/2 Orchestral parts Mandy/I'd rather see a minstrel show see also Ziegfeld follies of 1919

Alternate title: Mandy finale minstrel show

 24/6 Full score; 23 p. 24/6 Finale full score #16; 22 p. 189/17 Manuscript piano-vocal score; [6] p. 189/17 Printed piano-vocal scores(2); 5 p. each 189/17 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 189/17 Typescript lyric sheets; [2] leaves 193/2 Manuscript vocal scores; [9, 2] p. 193/3 Photocopies of vocal parts 193/4 Ditto copies of vocal parts 199/3 Orchestral parts Marseillaise 25/1 Full score; 7 p. 25/1 "Hymn of the Soviet Union" full score; 5 p. 199/4 Orchestral parts My British buddy

Alternate title: My English buddy

 25/2 Full score; 10 p.

Laid in: manuscript piano-vocal score; [3] p.

 189/18 Sketch; [1] p.

With Irving Berlin's autograph and holograph notes

 189/18 Sketch of piano score; [1] p. 189/18 Printed piano-vocal score; 4 p.

On top: From the overseas production of This is the Army

189/18 Typescript lyric sheets; [3] leaves 193/5 Manuscript vocal score; 4 p. 193/5 Manuscript vocal parts 199/5 Orchestral parts 199/5 Exit-orchestral parts My Sergeant and I are buddies

Earlier title: My Captain and I are buddies

 25/3 Full score; 11 p. 25/3 Full score; 21 p. 25/4 Full score #10 and new routine; 17, 10 p.

Laid in: manuscript full score; [1] p.

 190/1 Manuscript piano-vocal score; [3] p. 190/1 Manuscript lead sheet; [2] p.

At top: song and dance routine

 190/1 Manuscript piano score; [3] p. 190/1 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 190/1 Printed piano-vocal scores(2); 3 p. each 2 copies each 190/1 Typescript lyric sheets; [7] leaves 199/7 Orchestral parts O-for a dress 200/1 Orchestral parts Off to France 25/5 Full score; 14 p. Oh! how I hate to get up in the morning see also Miscellaneous-program notes/song lists/rules and regulations 25/6 Full score; 11 p.

Arranged in the key of "A" major

 25/7 Full score; 17 p.

Arranged in the key of "A-flat" major

 25/8 Full score; 14 p.

Arranged in the key of "G" major

 190/3 Typescript lyric sheets; [6] leaves Quartette before Oh! How I hate to get up in the morning-ballet 190/3 Photocopy of lead sheet; 2 p.

With annotations

 190/3 Typescript lyric sheets; [2] leaves Orchestral parts 200/3 Key of A-flat 200/4 Key of A-flat, with pasteovers 200/5 Key of G, with pasteovers 200/6 Key of G, photocopies Oh! how I love to be home 25/9 Full score; 20 p. 25/10 Exit full score; 9 p. 25/10 My British buddy exit full score; 8 p. 25/10 Kick in the pants exit full score; 9 p. Oh, to be home again 25/11 Full score; 10 p. 190/2 Manuscript piano score; [1] p. 190/2 Manuscript lead sheet; [1] p. 190/2 Sketch of piano-vocal score; [3] p. 190/2 Typescript lyric sheets; [2] leaves

With holograph annotations

 190/2 Typescript lyric sheets; [15] leaves 200/7 Orchestral parts 200/8 Exit-orchestral parts Opening (The Army and the Shuberts depend on you) see also Opening chorus (Some dough for the Army relief) 25/12 Full score; 11 p. 190/4 Manuscript piano-vocal score; [4] p. 190/4 Photocopy of piano-vocal score; 4 p. 190/4 Holograph lyric sheet; [1] leaf 190/4 Typescript lyric sheets; [3] leaves

With annotations

 190/4 Typescript lyric sheets; [7] leaves

Includes stage directions and lyrics for "Opening chorus (Some dough for the Army relief)" and "This is the Army, Mr. Jones"

 190/4 New opening typescript lyric sheets; [5] leaves 201/2 Orchestral parts Opening chorus (Some dough for the Army relief) see also Opening (The Army and the Shuberts depend on you) lyric sheets 25/13 Full score #5; 21 p.

Laid in: "Officers speech #4" i.e., "Opening (The Army and the Shuberts depend on you)"; [8] p.

 25/13 Full score #5; 16-35 p. 190/5 Manuscript piano-vocal score; 4 p. 190/5 Manuscript piano score; [4] p. 190/5 Printed piano-vocal scores(2); 5 p. each 190/5 Typescript lyric sheets; [2] leaves 194/1 Manuscript vocal score; [2] p.

No lyrics

 194/1 Ditto copies of vocal parts Opening of Act II (Jane Cowl number) see also I left my heart at the stage door canteen 190/6 Manuscript piano score; 4 p. 190/6 Printed piano-vocal scores(2); 6 p. each 190/6 Typescript lyric sheets; [11] leaves 190/6 Typed outline and routine; [7] leaves 201/1 Orchestral parts Overture 26/1 Full score; 38 p. 26/2 Full score-alternate version; 30 p. 26/3 Full score #2; 22 p.

Laid in: Overture #3-1st modulation, sheet A; [1] p.

Laid in: Overture #3-2[?] after Army; [3] p.

Laid in: unidentified manuscript full score; [1] p.

 201/3 Orchestral parts Pinky's routine-insert 201/4 Orchestral parts A pretty girl is like a melody 201/5 Orchestral parts Radio Harlem-vocal end 201/6 Orchestral parts Reprise-canteen-minstrel show 201/7 Orchestral parts Second act-opening 26/6 Full score #25; 21 p.

On page 1: "Stage door canteen" routine

 Sergeant Dick Bernie 201/8 Orchestral parts Shoo shoo stomp 26/4 Full score; 4 p. Siboney 26/5 Full score; 21 p. Stage door canteen see also Second act-opening Full scores 26/7 Lovely day; 5 p. 26/7 Pretty girl; 8 p. 26/7 Blue skies-canteen; 4 p. 26/7 Canteen-Oxford; 19 p. 26/8 Vocal F; 20 p.

Laid in: Opening of Second Act, printed piano-vocal score with annotations; 6 p.

 That Russian winter 27/1 Intro/vocal full score #21; [15] p. 27/2 Full score; 20 p. 190/7 Manuscript piano score; [3] p. 190/7 Photocopy of piano-vocal score; [3] p.

With sketch

 190/7 Printed piano-vocal scores(2); 2 p. each 190/7 Holograph lyric sheet; [1] leaf 190/7 Typescript lyric sheet; [1] leaf

With holograph annotations

 190/7 Typescript lyric sheets; [4] leaves 201/9 Orchestral parts

Piano part only

 That's what the well-dressed men in Harlem will wear 27/3 Full score; 82 p. 27/4 Full score; [67] p. 27/5 Insert full score #22; 3 p.

On cover: Letter 11, 12

 27/5 Insert full score #22; 5 p.

On cover: Insert 19, 20, 21, 22

 27/6 Full score; p. 1-6, 10-12 There are no wings on a foxhole

Song for the US army infantry

Used on tour only

 27/7 Full score; 19 p.

Laid in: Interlude; [1] p.

 27/8 Infantry-no wings-exit full score; 8 p. 190/8 Manuscript piano-vocal score; [4] p. 190/8 Manuscript piano scores(2); [2] p. each 190/8 Manuscript lead sheet; [2] p. 190/8 Photocopies of manuscript lead sheet(2); [2] p. each 190/8 Photonegative of manuscript lead sheet; [2] p. 190/8 Printed piano-vocal scores(2); [2] p. each 190/8 Typescript and photocopied lyric sheets; [13] leaves 190/8 Sheet music 194/2 Manuscript vocal parts 201/10 Orchestral parts 202/1 Exit-orchestral parts This is the Army, Mr. Jones see also Opening (The Army and the Shuberts depend on you) 28/1 Full score #1; 25 p. 28/1 Full score #2; 27 p. 28/1 This is the Army, Mr. Jones full score #6; 33 p. 190/9 Manuscript piano-vocal scores(2); 5 p. each 190/9 Sketches; [3] p. 190/9 Printed piano-vocal scores(2); 4, 3 p. 2 copies each 190/9 Fair copy (Kresa) manuscript piano-vocal score; 5 p. 190/9 Holograph lyric sheets; [2] leaves 190/9 Typescript and photocopied lyric sheets; [12] leaves 190/9 Sheet music 193/6 Manuscript vocal score; [2] p.

No lyrics

 194/3 Manuscript vocal score; [2] p. 194/3 Photocopies of vocal parts 202/2 #1-Orchestral parts 202/2 #2-Orchestral parts 202/3 Melody-Orchestral parts This time (Closing)

Alternate title: Closing

 28/3 Full score #14, #30B; 16 p.

Also included in score: This time-first ending; 9 p.

 190/10 Manuscript piano-vocal scores; [4, 3] p. 190/10 Manuscript lead sheet; [1] p.

On verso: lead sheet for "Hear me, Lord" by Glad Robinson Youse

 190/10 Sketch of piano score; [3] p. 190/10 Sketches; [5] p. 190/10 Printed piano-vocal scores(2); 4 p. each 190/10 Typescript lyric sheets Original version; [5] leaves "Dressed up to kill"; [2] leaves "Dressed up to win"; [3] leaves 190/10 Sheet music 194/4 Photocopies of vocal parts 194/4 Ditto copies of vocal parts 202/4 Orchestral parts "V" for victory

Words and music by Bissell Palmer, found in TITA folder

 190/11 Typescript lyric sheets; [2] leaves Ve don't like it

Used for tour only

 191/1 Manuscript piano-vocal score; [3] p. 191/1 Sketch of piano score; [2] p. 191/1 Sketch; [1] p. 191/1 Ditto copies of piano-vocal score(2); 4 p. each 191/1 Typescript lyric sheets; [10] leaves W.A.C. 28/2 Sketch full score; 8 p. 28/2 II full score; 3 p. 202/5 Orchestral parts Welcome yellow Aryans see also Jap-German sextette

Alternate title: Aryans under the skin

 191/3 Manuscript piano-vocal scores; [4, 3, 3, 3] p. 191/3 Manuscript piano scores; [1, 2] p. 191/3 Sketch of piano-vocal score; [3] p. 191/3 Sketch; [1] p. 191/3 Typescript lyric sheets; [7] leaves What are we gonna do with all the jeeps?

Alternate title: When the boys come home

Used for tour only

 191/2 Manuscript piano-vocal scores(2); [4] p. each 191/2 Manuscript piano score; [3] p. 191/2 Printed piano-vocal score; 3 p.

Publisher's proof

 191/2 Typescript lyric sheets; [8] leaves 191/2 Sheet music 2 copies

Without covers

 191/2 Photocopy of sheet music 2 copies

Without covers

 191/2 Negative photocopy of sheet music

Without cover

 202/6 Orchestral parts What does he look like? (That boy of mine) 191/4 Manuscript piano-vocal scores; [3, 2] p. 191/4 Manuscript piano-vocal score; [1] p.

Verse only

 191/4 Manuscript piano score; [2] p. 191/4 Ditto copies of piano-vocal score; 3 p. each

2, with lyric annotations

 191/4 Typescript lyric sheets; [9] leaves What the well-dressed men in Harlem wear 191/5 Manuscript piano-vocal scores; 3, 12 p. 191/5 Sketches of piano-vocal score; [2, 2] p. 191/5 Sketches of piano score; [1, 1] p. 191/5 Printed piano-vocal scores(2); 2 p. each 191/5 Typescript lyric sheets; [7] leaves 202/7 Version A orchestral parts 203/1 Version B orchestral parts 203/2 New orchestral parts White Christmas 203/3 Orchestral parts

Clarinet part only

 With my head in the clouds see also Acrobats 191/6 Manuscript piano-vocal score; [3] p. 191/6 Manuscript piano score; [2] p. 191/6 Sketch; [1] p. 191/6 Printed piano-vocal scores(2); 2 p. each 191/6 Fair copies (Kresa) of manuscript piano-vocal score(2); 3 p. each 191/6 Typescript lyric sheets; [15] leaves

Some annotations

 194/5 Manuscript vocal score; [1] p. 203/4 Acrobats-orchestral parts

Drum and string parts only

 203/4 Entra'cte-orchestral parts Yip, Yip, Yaphanker's introduction 191/7 Photocopy of printed piano-vocal score; 4 p.

No cover

 191/7 Typescript lyric sheets; [1] leaf You'll never know 203/5 Orchestral parts Unidentified 28/4 Full score; 8 p. 28/5 Full score; [4] p.

Contents: Before this is the Army; Before Bernie; McCall; Before understudy of Truex?

 28/6 Full score; [1] p.

At top: Mod to TITA II m Gb

 28/7 Full score; [1] p. 28/8 Full score; [1] p.

At top: 1st ending from Sh?? to full cho[ru]s

 189/1 Printed piano-vocal scores; 55 p. each 2 copies, bound Scripts/miscellaneous Miscellaneous-program notes/song lists/rules & regulations 191/8 Holograph list; [1] leaf

Rules and regulations for cast

 191/8 Holograph song list; [2] leaves 191/8 Typescript lyric sheets; [1] leaf 191/8 Typescript rules for hostess; [14] leaves 191/8 Typescript song list; [5] leaves 191/8 Typescript program order, misc.; [4] leaves 191/8 Typescript sheets; [6] leaves

Routine outline for "Oh! how I hate to get up in the morning"

 Miscellaneous lyrics 191/9 Typescript lyric sheets; [135] leaves 204/1 Mimeograph copy of typed script; 131 p. Light blue folder

On cover: Irving Berlin's This is the Army (Temporarily)

 204/1 Typescript notes; 5 p. Unbound 204/2 Typed script; [54] p. Blue folder

With annotations

On second t.p.: Lyrics and music by Irving Berlin, 1942

204/3 Typescript outline of show; 16 p. Blue folder

Date at bottom of cover: February 4, 1943

204/3 Typed script; 4 p. Unbound

Manuscript in top left corner: Mr. Berlin

 204/3 Typed script; 3 p. Unbound

At top: This is the Army alternate montage

 204/4 Mimeograph copy of typed script; 71 p. Orange folder

Date on t.p.: March 1, 1943, second revised final

 204/5 Mimeograph copy and typed script; [120] p. Brown folder

Date on cover: Jan. 18, 1943

204/6 Mimeograph copy of continuity and breakdown-Act I; [19] p.

Laid in: memo from LeRoy Prinz to Irving Berlin explaining attachments; [1] leaf

 204/6 Mimeograph copy of breakdown-Act II, scenes I & II; [19] p.

Laid in: memo from LeRoy Prinz dated: February 8, 1943; [1] leaf

 204/6 Mimeograph copy of "Musical breakdown and continuity of American eagles and Oh, how I hate..."; [5] p.

Laid in: memo from LeRoy Prinz dated: February 9, 1943

204/7 Carbon copy of typescript memo; [1] leaf

Date at top: April 5, 1943

204/7 Mimeograph copy of typed script; [7] p. On memo letterhead

Date at top: May 24, 1943

204/7 Mimeograph copy of typed script; [2] p.

Laid in: memo from LeRoy Prinz (changes for page 3); [1] leaf

Date at top: February 6, 1943

Tin Pan Alley

Unproduced, 1938-40

205/1 Typescript notes and carbon copy; 5 p. each

Date on top right corner: April 18, 1938

205/1 Typescript notes and carbon copy; 5 p. each

Date on top right corner: May 2, 1939

205/1 Typescript song lists and notes and carbon copies; [30] p.

Includes some holograph annotations

 205/1 Typescript list; 3 p.

Non-Berlin shows performed during 1930-37

205/2 Mimeograph copy of typed script; 147 p. Brown folder

Printed on cover: Shooting final, August 15, 1940

Laid in: photocopy from the magazine Hollywood song. The complete film and musical companion (No mention of Berlin in credits. His notes and song lists were apparently not used?)

 This town of ours see Face the music Top hat

Film, 1935

205/3 Printed piano-vocal score; [20] p. Bound Cheek to cheek 205/4 Manuscript piano-vocal score; 6 p. 205/4 Manuscript piano score; [4] p. 205/4 Sketch of piano score; [2] p. 205/4 Sheet music Isn't this a lovely day 205/5 Sketches of piano score(2); [2] p. each

Laid in: carbon copies of typescript lyric sheets

 No strings (I'm fancy free)

Alternate title: Fancy free

 205/6 Sketch of lead sheet; [3] p. 205/6 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 205/6 Printed piano-vocal score; [4] p. The piccolino

Earlier title: The lido

205/7 Fair copy (Kresa) manuscript piano-vocal score; 5 p. Top hat, white tie and tails 205/8 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 205/8 Sheet music Wild about you see also Louisiana purchase

Not used

 205/9 Copyist's manuscript piano-vocal score; 5 p. 205/10 Unidentified sketch; [1] p. Watch your step

Stage, 1914

207/1 Bound piano-vocal score; [107] p. Don't be stingy 207/2 Sketches(2); [1] p. each Caruso song

Alternate title: Finale

 207/3 Manuscript lyric sheets; [3] leaves Evening exercise see Non-show music Homeward bound 207/4 Sketch; [1] p. 207/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 207/4 Holograph lyric sheet; [1] leaf Husbands-wives-sweethearts

Not used

 207/5 Sketch of piano-vocal score; [9] p.

With annotations

 207/5 Typescript lyric sheets; [3] leaves I hate you see also Outside of that I love you

Dropped during rehearsals

 207/6 Sketches; [2] p. 207/6 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 207/6 Holograph lyric sheets; [2] leaves 207/6 Typescript lyric sheets; [1] leaf

With annotations

 I love to have the boys around me 207/7 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 207/7 Holograph lyric sheets; [1] leaf 207/7 Typescript lyric sheets; [4] leaves If they were all like you see also Non-show music

Not used

 207/8 Manuscript lead sheet; [1] p. 207/8 Holograph lyric sheet; [1] leaf 207/8 Typescript lyric sheets; [2] leaves I'm a dancing teacher now

Alternate titles: The dancing teacher; Since I became a dancing teacher

 207/9 Typescript lyric sheet; [1] leaf I'm getting strong for you see Non-show music Lead me to love 207/10 Sketch; [1] p. Lock me in your harem and throw away the key

Alternate title: Lock me in your harem and throw the key away

Dropped during rehearsals

 207/11 Holograph lyric sheet; [1] leaf 207/11 Typescript lyric sheet; [1] leaf

With holograph annotations

 The minstrel parade 207/12 Sketches; [6] p. 207/12 Typescript lyric sheet; [1] leaf Move over 207/13 Manuscript lead sheets; [1, 1] p. 207/13 Sketch; [2] p. 207/13 Holograph lyric sheets; [4] leaves 207/13 Typescript lyric sheets; [2] leaves Musical demon 207/14 Holograph lyric sheet; [1] leaf Office hours

Alternate title: Opening chorus; Typewriter song; Entrance of relatives

 207/15 Typescript lyric sheet; [1] leaf 207/15 Manuscript lead sheet; [2] p. 207/15 Typescript lyric sheets; [3] leaves Opera burlesque scene 207/16 Manuscript lead sheet-Sextette section; [1] p. 207/16 Manuscript lead sheet-Rigoletto section; [2] p.

Laid in: sketch for "When I'm in love"

 207/16 Sketches; [6] p. 207/16 Sketch for Madam Butterfly section; [3] p. 207/16 Holograph lyric sheets; 5 leaves 207/16 Typescript lyric sheet; [1] leaf Play a simple melody see also Miscellaneous lyric sheets from Say it with music

Alternate title: A simple melody

 207/17 Copyist's manuscript piano-vocal score; 3 p. Transparencies 207/17 Sketch; [1] p. 207/17 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Ragtime opera medley

Alternate titles: Old operas in a new way; Finale Act II-opera medley

 207/18 Typescript cue sheet; [1] leaf Settle down in a one-horse town 207/19 Holograph lyric sheets; [2] leaves 207/19 Typescript lyric sheet; [1] leaf Show us how to do the fox-trot 207/20 Holograph lyric sheets; [2] leaves The syncopated walk 207/21 Manuscript lead sheet; [1] p. 207/21 Sketch; [1] p. 207/21 Holograph lyric sheets; [2] leaves 207/21 Typescript lyric sheets; [6] leaves There's a fire burning down in my heart

Not used

 207/22 Sketch; [1] p. 207/22 Typescript lyric sheet; [1] leaf There's a girl on my mind see also Non-show music

Not used

 207/23 Sketch; [1] p. 207/23 Typescript lyric sheets; [2] leaves They always follow me around 207/24 Manuscript lead sheet; [1] p. 207/24 Typescript lyric sheets; [6] leaves 207/25 Printed piano-vocal score; p. 4-48

From printed songbook

 They're dancing teachers

Not used

 207/26 Sketch; [1] p. 207/26 Holograph lyric sheet; [1] leaf 207/26 Typescript lyric sheet; [1] leaf Watch your step 207/27 Manuscript piano-vocal score; [4] p. 207/27 Sketch; [1] p. 207/27 Typescript lyric sheet; [1] leaf

With holograph annotation

 What is love? 207/28 Manuscript/typescript vocal part; [1] p. When I discovered you 207/29 Manuscript piano score; [1] p. 207/29 Holograph lyric sheets; [2] leaves 207/29 Typescript lyric sheets; [2] leaves When I get back to my hometown

Not used

 207/30 Sketch; [2] p. 207/30 Holograph lyric sheet; [1] leaf 207/30 Carbon copies of typescript lyric sheets; [4] leaves 207/30 Photocopies of typescript and manuscript lyric sheets; [8] leaves 207/30 Manuscript lyric sheet; [1] leaf

Revised lyrics for Irving's 50th birthday in 1938, renamed "When you get back to my home town", alternate title "Give my regards to Hiram Brown the grocery man"

 When it's nighttime in Dixieland see Non-show music When I'm in love see also Opera burlesque scene

Not used

 207/31 Sketches(2); [1] p. each 207/31 Photocopy of sketch; [1] p.

Photocopied from verso of Madam Butterfly from Opera Burlesque

207/31 Typescript lyric sheets; [3] leaves White Christmas

Film, 1954

Scores and parts 208/1 Bound condensed score; [481] p. Bells see also Ziegfeld follies of 1920 208/2 Photocopy of manuscript piano-vocal score; 4 p. 208/2 Typescript lyric sheets; [2] leaves The best things happen while you're dancing 208/3 Copyist's manuscript piano-vocal score; 3 p. Transparencies 208/3 Sketch of piano-vocal score; [4] p. 208/3 Copyist's manuscript parts; [24] p. Transparencies in folder

Conductor, piano, voice, A-B violins, C violins, viola, cello, 3rd clarinet, bass clarinet, 2nd trumpet, 1st trumpet, 1st clarinet, 2nd clarinet, 3rd trumpet, 2nd trombone, 1st trombone, bass, drums, guitar, and photocopies of bass clarinet, cello and 2 drum parts

On folder: girl vocal, F

 208/3 Copyist's manuscript parts; [21] p. Transparencies in folder

Conductor, piano, voice, A-B violins, C violins, viola, cello, 3rd clarinet, bass clarinet, 2nd trumpet, 1st trumpet, 1st clarinet, 2nd clarinet, 3rd trumpet, 2nd trombone, 1st trombone, bass, drums, guitar, and photocopy of piano-vocal score (with annotations)

On folder: boys key

 208/3 Printed piano-vocal scores; 2 p. each

3, 1 with annotations

 208/3 Typescript lyric sheets; [3] leaves Choreography 209/1 Copyist's manuscript piano-vocal score; 3 p. Transparencies 209/1 Sketch of manuscript piano-vocal score; [3] p. 209/1 Typescript lyric sheets; [6] leaves Count your blessings instead of sheep 209/2 Copyist's manuscript piano-vocal score; 3 p. Transparencies

On folder: girls key of G, G to A

Laid in: copyist's manuscript parts (transparencies); [21] p.

 209/2 Sketches; [5] p. 209/2 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 209/2 Photocopies of piano-vocal score(2); 3 p.

Laid in 1 copy: typescript lyric sheet; [1] leaf

 209/2 Holograph lyric sheets; [3] leaves 209/2 Manuscript lyric sheet (Helmy Kresa); [1] p. 209/2 Typescript lyric sheets; [11] leaves A crooner, a comic

Not used

Earlier version: A singer, a dancer

Adapted from Monohan and Callahan

209/3 Manuscript piano-vocal score; [4] p.

At top: version for Crosby and O'Connor

 209/3 Copyist's manuscript piano-vocal score; 5 p. Transparencies 209/3 Manuscript piano-vocal score; [1] p.

Incomplete, with annotations

 209/3 Printed piano-vocal score; 3 p.

With annotations

 209/3 Printed piano-vocal score; [5] p.

No lyrics, with annotations

 209/3 Printed piano-vocal score; 3 p. Transparencies 209/3 Printed piano-vocal score(2); 3 p. each 209/3 Printed piano-vocal scores(2); [5] p. each 209/3 Typescript lyric sheets; [8] leaves Gee, I wish I was back in the Army 28/9 Manuscript full score; 11 p. 28/9 Manuscript conductor score; 3 p. 28/9 Manuscript parts 209/4 Copyist's manuscript piano-vocal score; 3 p. Transparencies 209/4 Sketches; [5] p. 209/4 Photocopy of piano-vocal score; [1] p.

With annotations

 209/4 Typescript lyric sheets; [3] leaves How does a pilot spend his furlough

Not used

Same music as What does a soldier want for Christmas?; this version originally intended for Sayonara

209/5 Manuscript piano-vocal score; 7 p.

Vocal only

 209/5 Photocopy of manuscript piano-vocal score; 7 p.

Original title is crossed out: What does a soldier want for Christmas

 209/5 Typescript lyric sheets; [7] leaves I'd rather see a minstrel show 209/6 Typescript lyric sheets; [8] leaves Love, you didn't do right by me 209/7 Copyist's manuscript piano-vocal score; 3 p. Transparencies 209/7 Sketch of piano-vocal score; [3] p. 209/7 Copyist's manuscript parts Transparencies

On folder: boy key, G, C# to D

 209/7 Copyist's manuscript parts Transparencies

On folder: girl key, D, G# to A

 209/7 Photocopies of printed piano-vocal score(2); [2] p. each 209/7 Typescript lyric sheets; [6] leaves The old man see also If we weren't married from Stars on my shoulders

Earlier title: (We'll follow) the old man

 209/8 Copyist's manuscript piano-vocal score; 2 p. Transparencies 209/8 Manuscript piano-vocal score; [3] p. 209/8 Manuscript lead sheet; [1] p. 209/8 Sketches of piano-vocal score; [5] p. 209/8 Sketches; [5] p. 209/8 Photocopies of manuscript piano-vocal scores; 3, 2, 2 p. 209/8 Printed piano-vocal scores(2); [3] p. each 209/8 Typescript lyric sheet; [1] leaf

Holograph signature

 209/8 Typescript lyric sheets; [6] leaves Sisters 209/9 Manuscript piano-vocal score; [1] p.

Chorus only

 209/9 Copyist's manuscript piano-vocal score; 3 p. Transparencies 209/9 Sketch of piano-vocal score; [2] p.

Laid in: sketch of piano score; [2] p.

 209/9 Photocopy of manuscript piano-vocal score; 3 p. 209/9 Printed piano-vocal scores(2); [2] p. each 209/9 Typescript lyric sheets; [2] leaves Snow see also Free from Call me madam 209/10 Copyist's manuscript piano-vocal score; 4 p. Transparencies 209/10 Fair copy (Kresa) manuscript piano-vocal score; 5 p. 209/10 Photocopy of manuscript piano-vocal score; 4 p.

Laid in: manuscript piano-vocal score (incomplete); [1] p.

Original title crossed out at top: Free

 209/10 Photocopy of typescript lyric sheet; [1] leaf

Copied from bottom of lyric sheet, for original see The most

209/10 Typescript lyric sheets; [3] leaves What can you do with a General?

Originally written for Stars on my shoulders

209/11 Manuscript piano-vocal score; [5] p. 209/11 Sketch of piano score; [2] p. 209/11 Sketch; [2] p. 209/11 Photocopy of manuscript piano-vocal score; 4 p.

Laid in: sketch of piano score; [1] p.

Laid in: typescript lyric sheet; [1] leaf

 209/11 Typescript lyric sheets; [4] leaves

With holograph annotations

 209/11 Typescript lyric sheets; [8] leaves 209/12 Manuscript piano-vocal scores(2); [5] p. each 209/12 Copyist's manuscript piano-vocal score; 5 p. Transparencies 209/12 Photo negative of manuscript piano-vocal score; [5] p. 209/12 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 209/12 Sheet music

Without cover

 What does a soldier want for Christmas?

Music later used for How does a pilot spend his furlough?

209/13 Manuscript piano-vocal score; 7 p.

No lyrics

 209/13 Copyist's manuscript piano-vocal score; 7 p. Transparencies 209/13 Sketch; [2] p. 209/13 Photocopies of piano-vocal score; 7 p. each 2, 2 copies each 209/13 Photocopy of copyist's manuscript piano-vocal score; 7 p. 209/13 Manuscript lyric sheet; [1] leaf 209/13 Typescript lyric sheets; [7] leaves

Some with annotations

 When it's night time in Dixie land see also Non-show music

Originally written for Watch your step

209/14 Copyist's manuscript piano-vocal score; 3 p. Transparencies 209/14 Photocopy of manuscript piano-vocal score; 3 p. Scripts 210/1 Carbon copies of typescript story notes for White Christmas(3); 7 p. each 210/2 Mimeograph & carbon copies of typed script; [235] p. Black binder

Laid in: photocopy of researcher's notes on contents of the binder; [1] leaf

 211/1 Mimeograph & carbon copies of typed script; [202] p. Black binder

Laid in: photocopy of researcher's notes on contents of the binder; [1] leaf

 211/2 Mimeograph & carbon copies of typed script; [179] p. Black binder

Laid in: photocopy of researcher's notes on contents of the binder; [1] leaf

 Wise guy see also The last resorts

Unproduced, 1956

Apparently based on Cleveland Amory’s 1952 book, Last resorts; the earlier title, The last resorts, was the first of Berlin’s two attempts to write a musical about brothers Wilson and Addison Mizner; the second attempt, 4 years later, was based on Alva Johnson’s The legendary Mizners, and first entitled Sentimental guy, and later, Wise guy.

 Scores and parts Anybody can write see Mr. President Card sense 212/1 Sketches; [4] p. 212/1 Typescript lyric and script sheets; [13] leaves Dallas/I like New York

Sung separately and then together in counterpoint

 212/2 Sketches; [2] p. 212/2 Typescript lyric sheets; [10] leaves Gold 212/3 Sketches; [3] p.

Laid in: typescript song list; [1] leaf

 212/3 Typescript lyric sheets; [5] leaves

Some with annotations

 Go home and tell it to your wife

Alternate title: You can't do this to me

 212/4 Manuscript lead sheet; [2] p. 212/4 Sketch; [2] p. 212/4 Photocopy of manuscript piano-vocal score; [2] p. 212/4 Holograph lyric sheets; [2] leaves 212/4 Typescript lyric sheets; [4] leaves I never want to see you again 212/5 Manuscript piano-vocal score; [5] p.

With "patter", incomplete

 212/5 Sketches; [4] p. 212/5 Typescript lyric sheet; [1] leaf

With shorthand annotations

 212/5 Typescript lyric sheets; [4] leaves It takes more than love to keep a lady warm 212/6 Manuscript piano-vocal score; [3] p. 212/6 Manuscript lead sheet; [1] p. 212/6 Typescript lyric sheets; [8] leaves

One sheet with holograph annotations

 Klondike Kate 212/7 Manuscript piano-vocal score; [3] p. 212/7 Sketch; [3] p. 212/7 Typescript lyric sheetes; [5] leaves Love leads to marriage see Say it with music Love is for boys 212/8 Typescript lyric sheets; [4] leaves

At bottom: Dec. 13th, 1955, dictated over phone from hospital

 Opening the Mizner story

Alternate titles: Three more minutes to midnight (opening); Two more minutes to midnight (opening chorus)

 212/9 Manuscript piano-vocal score; [5] p. 212/9 Sketch; [2] p. 212/9 Typescript lyric sheets; [7] leaves The snobs on the wrong side of the tracks see also The last resorts 212/10 Manuscript lead sheet; [1] p. 212/10 Sketch; [2] p. 212/10 Holograph lyric sheet; [1] leaf 212/10 Typescript lyric sheets; [10] leaves You'd make a wonderful wife for some man 212/11 Typescript lyric sheets; [4] leaves You're a sentimental guy 212/12 Manuscript piano-vocal score; [4] p.

With annotations

 212/12 Copyist's manuscript piano-vocal scores(2); 4 p. each 212/12 Sketch; [2] p. 212/12 Manuscript lyric sheet; [1] leaf 212/12 Typescript lyric sheets; [5] leaves You're a sucker for a dame

Alternate title: I'm a sucker for a dame

 212/13 Sketch of piano-vocal score; [4] p. 212/13 Sketch; [2] p. 212/13 Typescript lyric sheets; [8] leaves

Some with holograph annotations

 Scripts/miscellaneous 212/14 Typed draft of script; [67] leaves Red folder

Laid in (front cover): photocopies of the following songs and typescript lyrics: Mizner story, a typescript list of 11 songs and a reprise for Act I and 4 songs; Opening chorus, description of setting, 3 choruses and tag, 1/5/56; Card sense, chorus, 4/12/56; Love leads to marriage - chorus, 3/5/56; I’m gonna get him - verse and 2 choruses, 3/5/56; You’re a sucker for a dame - verse and 2 choruses, 11/28/55; The snobs on the wrong side of the tracks - one chorus only, 11/29/55; You’re a sentimental guy - verse and 2 choruses, 12/4/56; I never want to see you again - chorus, patter, second chorus, 4/10/56; Anybody can write - 2 pages, verse and 3 choruses, 2/10/56; Is she the only girl in the world? - chorus, 5/5/54

212/15 Typed scripts; 29, 12, 32 p. Bound

On t.p.: Sentimental guy (tentative title)

 212/16 Typed script and carbon copy; 13 p. each Stapled

On t.p.: Musical play based on Alva Johnston's The legendary Mizners

212/16 Typed script; 18 p. Stapled, two loose pages

This is an alternate version of previous

 212/16 Typescript synopsis of second act with carbon copy; [1] p. each

Manuscript on top: Dec. 1956

212/17 Typescript/carbon song lists and miscellaneous; [10] leaves

Manuscript note on Irving Berlin memo paper: interesting correspondence re Mizner story in 1956 Abe Berman file

 Yip, Yip, Yaphank

Stage, 1918

213/7 Bound manuscript piano-vocal score; [47] p.

On cover: Original manuscript of Yip yip yaphank presented to Paul Block by his friend the author and composer Irving Berlin

 Bevo see Ziegfeld follies of 1919 Come along, come along, come along see Ziegfeld follies of 1920

Alternate title: Floradora sextette

 Ding dong

Originally written for The canary, 1918

213/8 Typescript lyric sheets; [3] leaves 214/1 Manuscript orchestral parts Down from the follies see Miscellaneous lyric sheets

Alternate title: Follies opening

 Dream on, little soldier boy 213/9 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Ever since I put on a uniform

Alternate title: What a difference a uniform will make

 214/2 Manuscript orchestral parts I can always find a little sunshine in the YMCA

Alternate title: The YMCA

 213/10 Manuscript lead sheets (2); [4] p. each 213/10 Fair copy (Kresa) manuscript piano-vocal score; 3 p. Kitchen police (poor little me) see also This is the Army 213/11 Manuscript piano-vocal score; [3] p. 214/3 Manuscript orchestral parts Kiss me, sergeant see Miscellaneous lyric sheets

Not used

 Love interest

Alternate title: Love interest (I love you)

 213/1 Full score; 10 p. Mandy 213/2 Full score; [23] p. Oh! How I hate to get up in the morning Alexander's ragtime band and This is the Army now 213/12 Photocopies of piano-vocal score(2); [6] p. each

Inscription by Irving Berlin to Mrs. J.F. Bell

 213/12 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 213/12 Photocopies of typescript lyric sheets; [2] leaves Opening act 213/3 Full score; 35 p. Overture 213/3 Full score; [11] p. Page boys 213/13 Sketch; [1] p.

On verso: untitled cello part marked in ink with the name "Dan Coslas"

 Ragtime razor brigade 213/4 Full score; 11 p. 213/14 Manuscript lead sheets; [2, 1] p. 213/14 Sketch; [2] p. 213/14 Photocopies of typescript lyric sheets; [2] leaves Send a lot of jazz bands over there

Alternate title: Jazz land

 213/5 Full score; [24] p.

Laid in: manuscript lead sheet (chorus only); [1] p.

 213/15 Manuscript lead sheet; [3] p. The sterling silver moon see Mandy

Alternate title: Under the sterling silver moon

 We live at Upton with Major General Bell

Alternate title: General Bell song

 213/16 Photocopies of lead sheet(2); [1] p. each

At top: violin part

 213/16 Photocopies of manuscript lyric sheet(2); [1] p. each 213/16 Typescript lyric sheets; [3] leaves We're on our way to France 213/6 Full score; 10, 11 p. 213/17 Manuscript piano-vocal scores; 3, [3] p. 213/17 Sketch; [1] p. Miscellaneous 213/18 Manuscript conductor lead sheets; [28] p. 213/18 Manuscript conductor lead sheets; [32] p. In folder

On cover: conductors score, P.F.C. Siegel

 213/19 Typescript lyric sheets Follies opening; Ragtime razor brigade; Kiss me Sergeant; [2] leaves Soldier boy; Bevo; My country 'tis of thee; Mandy; Y.M.C.A.; [1] leaf When we got back to the USA; [1] leaf Finale of Act II, scene 1; [5] leaves Manuscript orchestral parts by instrument 214/4 Flute 214/5 Oboe 214/6 Clarinet 1 214/7 Clarinet 2 and 3 214/8 Bassoon 215/1 Horn 215/2 Trumpet 1 215/3 Trumpet 2 and 3 215/4 Trombone 215/5 Tuba 215/6 Drum 216/1 Violin 1 216/2 Violin 1 (second stand) 216/3 Violin 2 216/4 Violin 2 (second stand) 216/5 Bass 216/6 Extra flute 216/7 Extra clarinet 216/8 Extra bassoon 216/9 Extra horn 216/10 Extra trumpet/cornet 216/11 Extra trombone 216/12 Extra tuba 216/13 Extra percussion 217/1 Extra violin 1A 217/2 Extra violin 1B 217/3 Extra violin 1C 217/4 Extra violin 2 217/5 Extra viola 217/6 Extra cello 217/7 Extra bass 217/8 Miscellaneous orchestral parts-fragments 217/9 Unidentified orchestral parts Ziegfeld follies of 1910 Grizzly bear

Music by George Botsford

Alternate titles: The grizzly bear; The dance of the grizzly bear

 218/1 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Ziegfeld follies of 1911 Doggone that chilly man 218/2 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Ephraham played upon the piano see Non-show music Woodman, woodman, spare that tree!

Irving Berlin/Vincent Bryan

 218/3 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Ziegfeld follies of 1916 In Florida among the palms 218/4 Holograph lyric sheet; [1] leaf Ziegfeld follies of 1919 Lyric folder

Program notes on back

 218/5 Typescript lyric sheets; [28] leaves T.p.: [1] leaf Opening-The follies salad: [2] leaves King Cole (by Stamper and Buck): [1] leaf King Cole's song (by Stamper and Buck): [1] leaf Miami (by Victor Jacobi): [1] leaf Goodbye sunshine hello moon! (by Stamper and Buck): [1] leaf Sweet sixteen (by Stamper and Buck): [1] leaf You're the finest of them all (by Stamper and Wolf): [2] leaves Shimmee town (by Stamper and Buck): [1] leaf Tulip time (by Stamper and Buck): [1] leaf My orchard of girls (by Stamper and Buck): [1] leaf Minstrel show finale (by Irving Berlin): [2] leaves Mandy (by Irving Berlin): [1] leaf Harem life (by Irving Berlin): [1] leaf Who was King Solomon's favorite wife? (by Irving Berlin): [1] leaf Beautiful faces need beautiful clothes (by Irving Berlin): [1] leaf

Dropped from show

 Circus ballet (by Irving Berlin): [1] leaf The Bolsheviki man (by Irving Berlin): [1] leaf My tambourine girl (by Irving Berlin): [1] leaf Minstrel show (by Irving Berlin): [1] leaf Beautiful faces need beautiful clothes

Not used in Follies of 1919, interpolated in Broadway brevities of <date>1920</date>

Later intended for Easter parade in 1947, but dropped before production

 218/6 Manuscript piano-conductor score; [4] p. 218/6 Manuscript parts 218/6 Manuscript piano score; [1] p. 218/6 Manuscript lead sheets(2); [2] p. each 218/6 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 218/6 Photocopy of typescript lyric sheet; [1] leaf Bevo

Originally introduced in Yip, yip, yaphank

218/7 Sketch; [1] p. 218/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Follies opening 218/8 Manuscript lead sheet; [1] p. Harem life (Outside of that every little thing's all right)

Alternate title: Harem life

 218/9 Manuscript lead sheet; [1] p. 218/9 Photocopy of typescript lyric sheet; [1] leaf I'd rather see a minstrel show see also This is the Army 218/10 Manuscript full score; 79 p. 218/11 Manuscript piano-vocal sketch; [2] p. 218/11 Sketch; [3] p. 218/11 Photocopy of typescript lyric sheets; [3] leaves Look out for the Bolsheviki man

Alternate title: The Bolsheviki man

Dropped after tryout

 218/12 Manuscript lead sheet; [1] p. 218/12 Photocopy of typescript lyric sheet; [1] leaf Mandy see also This is the Army

Alternate title: Sterling silver moon

 218/13 Manuscript lyric sheet (2nd verse); [1] leaf

At bottom: 2nd verse of Pretty girl is like a melody

 218/13 Sheet music

Without cover, with annotations

 My tambourine girl 218/14 Manuscript lead sheet; [1] p. 218/14 Manuscript vocal score; [2] p.

Quartette, no lyrics

 218/14 Manuscript vocal parts; [1] p. each

Bass, baritione and tenor only; no lyrics

 218/14 Photocopy of typescript lyric sheet; [1] leaf A pretty girl is like a melody see also Non-show music 218/15 Manuscript score; 8 p. A syncopated cocktail 218/16 Manuscript lead sheet; 1 p.

With sketch material

 Who was King Solomon's favorite wife? see Lyric folder and You cannot make your shimmy shake on tea You cannot make your shimmy shake on tea 218/17 Sketches; [4] p.

Other titles on sketches: Prologue; Solomon

 Ziegfeld follies of 1920 Bells see also White Christmas 218/18 Manuscript full score; 49 p. 218/18 Manuscript score; 4 p.

Inserts for full score

 218/18 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Chinese firecrackers

Alternate title: Chinese fantasy

 218/19 Manuscript full score; [23] p. 218/20 Manuscript lead sheets; [1, 2] p. 218/20 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 218/20 Typescript lyric sheets; [2] p. 218/21 Special dance full score; 10 p. Come along sextet

Alternate title: Come along

 218/22 Manuscript conductor lead sheet; [1] p. 218/23 Manuscript full score; [52] p.

Includes introduction

 Floradora

Found with "Come along sextet"

 218/24 Manuscript conductor lead sheet; [2] p. The girls of my dreams

Alternate version: The girl of your dreams

 218/25 Manuscript full score; 14 p. 218/26 Manuscript lead sheet; [1] p. 218/26 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 218/26 Manuscript lyric sheet; [1] leaf 218/26 Typescript lyric sheets; [3] leaves I live in Turkey

Dropped before Broadway opening

 219/1 Typescript lyric sheet; [1] leaf 219/1 Photocopy of typescript lyric sheet; [1] leaf Intermission scene 219/2 Manuscript full score; [84] p. The leg of nations 219/3 Manuscript full score; 31 p. 219/4 Manuscript lead sheet; [1] p. 219/4 Typescript lyric sheet; [1] p. 219/4 Photocopies of typescript lyric sheet; [2] p. The syncopated vamp 219/5 Manuscript lead sheet; [1] p. 219/5 Sketch; [1] p. 219/5 Typescript lyric sheets; [2] p. Tell me, little gypsy 219/6 Manuscript lead sheet; [1] p. 219/6 Typescript lyric sheets; [2] p. Ziegfeld follies of 1927 Cantor specialty 219/7 Sketches; [6] p.

Also contains sketches for "My New York" and "Learn to sing a love song"

 In those good old Bowery days

Not used

 219/8 Manuscript piano score; [2] p. 219/8 Typescript lyric sheets; [4] leaves It all belongs to me 219/9 Sketches of manuscript lead sheet(2); [2] p. each 219/9 Typescript lyric sheets; [3] leaves It's up to the band see Non-show music The jungle jingle 219/10 Manuscript piano score; [2] p. 219/10 Manuscript piano score; [2] p.

On cover: different refrain

 219/10 Typescript lyric sheets; [2] leaves Learn to sing a love song see also Cantor specialty and Non-show music 219/11 Typescript lyric sheet; [1] leaf My New York see also Cantor specialty 219/12 Photocopies of typescript lyric sheets; [2] leaves Ooh, maybe it's you

Alternate title: Maybe it's you

 219/13 Manuscript parts Opening chorus 219/14 Manuscript piano score; [7] p.

At top: Boy's opening

 219/14 Manuscript piano score; 9 p.

At top: Opening follies '27

 Ribbons and bows 219/15 Manuscript piano score; [2] p. 219/15 Typescript lyric sheets; [3] leaves Shaking the blues away 219/16 Typescript lyric sheets; [3] leaves

Laid in: holograph music list

 Tickling the ivories

Alternate titles: Ticklin' the ivories; Tickle the ivories

 219/17 Manuscript piano score; [2] p. What makes me love you? 219/18 Manuscript piano score; [2] p. Why should he fly at so much a week? (when he could be the Sheik of Paree)

Not used

 219/19 Typescript lyric sheets; [2] leaves You have to have "it" in Hollywood see Non-show music Unidentified show music Gee, but it's great to be a chorus girl

Alternate title: opening chorus

 206/1 Typescript lyric sheet; [1] leaf Porter scene 206/2 Manuscript lyric sheet; [1] p. Act I-opening curtain-opening chorus 206/3 Manuscript part; [2] p.

Drum only

 Merman ending-#17 206/4 Photocopy of sketch; [1] p.

1st measure only

From verso of Don't call me, I'll call you

Nobody child 206/5 Manuscript part; [2] p.

At top: director

 Opening train scene-opening chorus 206/6 Manuscript lead sheet; [4] p. 206/6 Manuscript piano-vocal score; [10] p.

No lyrics

 Playoff #1, Cue #2 206/7 Manuscript parts Special chorus 206/8 Photocopies of manuscript piano score(2); [1] p. each Valse no. 2 206/9 Manuscript score; 7 p.

At top: Haunted violin co. (on stage), by Irving Berlin, score by Stephen O. Jones

 World 206/10 Manuscript parts 29-31, 220-250 3 Non-Show Music

Although this section is categorized as non-show music, many items filed here are merely sketches or song fragments and the original intention of the song or melody is not known. Therefore, the song in question could have been written for a show, but without any evidence for this, these items have been filed as song titles in the Non-Show Music series. Confirmed show music was also found and kept among the non-show materials, giving an opportunity to study Berlin's skill at recycling material.

 Abie sings an Irish song 220/1 Manuscript lead sheet; [1] p. 220/1 Typescript lyric sheets; [2] leaves Advertising 220/2 Manuscript lead sheet; [1] p. 220/2 Manuscript piano score; [2] p. Aesop (that able fable man) 220/3 Manuscript piano-vocal score; [3] p. 220/3 Printed piano-vocal scores(2); 3 p. each

With annotations

 220/3 Printed piano-vocal scores(2); 3 p. each 220/3 Typescript lyric sheets; [4] leaves

With annotations

 220/3 Typescript lyric sheets; [2] leaves After the honeymoon

Music by Ted Snyder

 220/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. After you get what you want you don't want it see also There's no business like show business 220/5 Photocopy of printed piano-vocal score; p. 3-5 220/5 Typescript lyric sheets; [2] leaves Alexander and his clarinet

Music by Ted Snyder

Alternate title: Alexander and his clarionet

 220/6 Copyist's manuscript piano-vocal score; [4] p. 220/6 Fair copies (Kresa) of manuscript piano-vocal score; 4 p. each 2 copies Alexander Solzhenitsyn 220/7 Typescript lyric sheets; [3] leaves Alexander's ragtime band 221/1 Manuscript score and miscellaneous parts; 4 [1, 1] p. 221/1 Typescript lyric sheets of parody versions

Dated April 10, 1972; [2] leaves

Dated June 23, 1987; [2] leaves

 221/1 Sheet music 221/2 Manuscript parts 221/3 Manuscript and photocopy parts (strings)

Includes introduction - Clarion to Alexander’s

 221/4 Manuscript and photocopy parts (winds, reeds, brass, percussion, harp, piano)

Includes introduction - Clarion to Alexander’s

 221/5 Printed score and parts 2 copies

Simplified version

 221/6 Printed score and parts

Marching band arrangment by Moffit

 221/6 Printed choral arrangements 2 copies of each

SATB, SAB, SSA, 2-pt

 221/7 Printed parts with score Reduced size

Arranged by Achneebiegl (text is in German)

 29/1 Photocopy of printed score

Marching band arrangment by Bocook

 29/1 Photocopy of printed parts

Marching band

 All aboard for Manhattan 222/1 Photocopy of holograph lyric sheet; [1] leaf 222/1 Photocopy of holograph lyric sheet; [1] leaf

Verso of above

Original is verso of holograph lyric sheet for "Midnight eyes"

All alone 222/2 Manuscript lead sheet; [2] p. 222/2 Manuscript lyric sheet; [1] leaf 222/2 Photocopy of sheet music

Without cover

 All by myself 222/3 Manuscript piano-vocal score; [4] p. All I bring to you is love 222/4 Manuscript lead sheets(5); [1] p. each 222/4 Manuscript piano scores; [3, 2, 2] p. 222/4 Typescript lyric sheets; [8] leaves All I need is love 222/5 Holograph lyric sheet; [1] leaf All my love and kisses 222/6 Holograph lyric sheet; [1] leaf All of my life 222/7 Manuscript piano-vocal score; [3] p. 222/7 Manuscript lead sheet; [1] p. 222/7 Manuscript piano score; [2] p. 222/7 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 222/7 Photocopies of manuscript piano-vocal score(2); [4] p. each 222/7 Typescript lyric sheets; [3] leaves All she does is sit around the house 222/8 Typescript lyric sheets [3] leaves All that I bring is love 222/9 Sketch; [1] p. Along came Ruth 222/10 Manuscript lead sheet; [1] p.

On verso: sketch

 222/10 Typescript lyric sheets; [3] leaves 222/10 Photocopy of sheet music

Incomplete

 Always 222/11 Manuscript lead sheet; [1] p.

With holograph lyrics

Signed 3 times by Irving Berlin

 222/12 Manuscript piano score; [2] p. 222/12 Typescript and manuscript lyric sheets; [5] leaves 222/12 Typescript lyric sheets; [5] leaves

Parody by Buddy DeSylva

 222/12 Typescript lyric sheet; [1] leaf

Parody

At top: J. Mathis-I'll be loving you always

 222/12 Sheet music 222/12 Miniature sheet music 222/13 Manuscript vocal scores; 10 p. each

SATB, SSA, TTBB

 Always treat her like a baby see also Treat her like a baby 222/14 Manuscript piano-vocal score; [3] p. An angel from heaven 222/15 Holograph lyric sheets; [2] leaves Angels of mercy 222/16 Manuscript piano-vocal score; [2] p.

With holograph title and signature

 222/16 Manuscript piano-vocal score; 3 p. 222/16 Manuscript piano score; [2] p.

With holograph notes and Irving Berlin's signature

 222/16 Manuscript piano score(2); [2] p. each 222/16 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 222/16 Typescript lyric sheets; [9] leaves

3 with holograph notes

 Any bonds today? 222/17 Manuscript piano-vocal score; [6] p.

E-flat major

 222/17 Manuscript piano-vocal score; [4] p.

F major

 222/17 Manuscript lead sheet; [2] p. 222/17 Photocopy of manuscript piano-vocal score; 4 p.

New version

 222/18 Publisher's proof of piano-vocal score; 5 p. 222/18 Negative photocopy of piano score; [4] p. 222/19 Typescript lyric sheets; [23] leaves

Some with holograph annotations

 222/19 Typescript lyric sheets; [3] leaves

New patter

 222/19 Sheet music Any love today? 222/20 Manuscript lead sheets(2); [1] p. each 222/20 Typescript lyric sheets; [5] leaves Anything you can do 222/21 Sheet music; 8 p. each

4 versions (SATB, SAB, SSA, and duo)

 Araby 222/22 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Arms for the love of America 222/23 Manuscript piano-vocal score; [3] p. 222/23 Manuscript piano score; [3] p. 222/23 Typescript lyric sheets; [14] leaves

Some with holograph annotations

 222/23 Sheet music 222/24 Manuscript parts As long as I can remember 222/25 Sketch; [1] p. Ask for the moon see also It's yours 222/26 Sketches; [4] p. At peace with the world 222/27 Manuscript piano-vocal score; [4] p. 222/27 Manuscript piano score; [2] p. 222/27 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 222/27 Typescript lyric sheets; [3] leaves At the acrobatic ball 222/28 Typescript lyric sheet; [1] leaf At the coconut grove 222/29 Sketch; [1] p. 222/29 Typescript lyric sheet; [1] leaf

With holograph annotations

 222/29 Typescript lyric sheet; [1] leaf At the devil's ball 222/31 Fair copy (Kresa) manuscript piano-vocal score; 5 p. At the poker ball 222/30 Typescript lyric sheets; [3] leaves Baby 223/1 Sketches; [3] p. 223/1 Typescript lyric sheet; [1] leaf Baby, how soon will the day be? 223/2 Sketches; [2] p. Baby wants to go bye-bye 223/3 Manuscript lead sheets; [12] p. Back again 223/4 Typescript lyric sheet; [1] leaf

With annotations

 Back home 223/5 Typescript lyric sheet; [1] leaf Bandit band 223/6 Photocopy of manuscript piano score; [2] p.

Original is on verso of Roaming Romeo

The battle hymn of the United Nations 223/7 Typescript lyric sheets; [2] leaves Be careful 223/8 Manuscript lead sheet; [1] p. 223/8 Sketch; [1] p. 223/8 Typescript lyric sheet; [1] leaf Beautiful chorus girls 223/9 Ditto copy of typescript lyric sheet; [1] leaf

At bottom: Copyright 1911 by Ted Snyder Co.

 A beautiful photograph 223/10 Holograph lyric sheet; [1] leaf Because I love you 223/11 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Becky is shimmying now 223/12 Manuscript lead sheet; [1] p. 223/12 Typescript lyric sheet; [1] leaf 223/12 Photocopy of pp. 210-211 from the book Irving Berlin and ragtime America Becky's got a job in a musical show

Alternate title: Becky joined a musical show

 223/13 Typescript sheet; [1] leaf Begging for love

Alternate title: Just begging for love

Introduced in Shoot the works

29/2 Manuscript full score

Cut time, arranged by F. Tours

 29/3 Manuscript full score

3/4 time, arranged by F. Tours

 29/4 Manuscript full score

3/4 time, arranger not identified

 223/14 Manuscript piano score; [5] p. 223/14 Manuscript parts 223/14 Sheet music Berlin intro 223/15 Manuscript score; 12 p. 223/15 Sketch; [1] p. 223/15 Manuscript parts Bit by bit (medley) 223/16 Sketch; [2] p. Blue river see also Please let me come back to you 223/17 Printed piano-vocal score; 2 p.

With annotations; original title Please let me come back to you is crossed out

 223/17 Manuscript lyric sheet; [1] leaf 223/17 Typescript lyric sheets; [2] leaves Blue skies 223/18 Manuscript vocal scores; 10 p. each

SATB, SSA, TTBB

 223/18 Printed piano-conductor score and parts 2 copies

Spanish arrangement, at top: Cielo azul

 223/18 Typescript lyric sheets; [3] leaves

Parody, 1975

Bobby 223/19 Typescript lyric sheets; [2] leaves Brains 223/20 Typescript lyric sheet; [1] leaf

With holograph annotations

 The bride went home with her mother (and the groom went back to his wife) 223/21 Typescript lyric sheets; [3] leaves Bring back my lovin' man 223/22 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Bring back the days 223/23 Sketch; [1] p. 223/23 Typescript lyric sheets; [4] leaves Bring me a ring in the spring and I'll know that you love me 223/24 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Bring your money to me

Alternate title: Cuddle up to any other girl

 224/24 Holograph lyric sheet; [1] leaf On Hotel Plymouth stationery Butterfingers 223/25 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 223/25 Typescript lyric sheets; [9] leaves Call again 224/1 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 224/1 Typescript lyric sheet; [1] leaf

On back: holograph lyrics for "When Johnson’s quartette harmonize"

 Call me up some rainy afternoon 224/2 Fair copy (Kresa) manuscript piano-vocal score; 3 p. The call of my broken heart 224/3 Holograph lyric sheet; [1] leaf Call of south 224/4 Photocopy of sketch; [1] p.

Original manuscript is on verso of The pullman porters on parade

Can-can 224/5 Sketches; [4] p. Careless 224/6 Manuscript lead sheets; [1, 2] p. 224/6 Sketches(2); [2] p. each 224/6 Typescript lyric sheet; [1] leaf Carter and Mondale 224/7 Typescript lyric sheet; [1] leaf Chase all your cares (and go to sleep baby) 224/8 Manuscript lead sheet; [1] p.

No lyrics

 224/8 Sketches; [3] p. 224/8 Typescript lyric sheet; [1] leaf

With annotations

 224/8 Typescript lyric sheets; [6] leaves Christmas-time seems years and years away

Music by Ted Snyder

 224/9 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Church 224/10 Sketch; [1] p. The circus is coming to town

Introduced in Everything

224/11 Manuscript lead sheet; [1] p. 224/11 Fair copy (Kresa) manuscript piano-vocal score; 5 p. City of dreams 224/12 Sketch; [1] p. Cling to me 224/13 Manuscript lead sheet; [1] p. 224/13 Sketch; [1] p.

On verso: sketch for "With all my heart and soul"

 Cohen owes me ninety-seven dollars 224/14 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 224/14 Holograph lyric sheets; [3] leaves Colored Romeo

Music by Ted Snyder

 224/15 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Come along to toy town

Introduced in Charles Dillingham’s 1918 stage production Everything

224/16 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Come back Antonio 224/17 Sketch; [2] p. 224/17 Typescript lyric sheet; [1] leaf Come back to me 224/18 Sketch; [1] p. Come back to me my melody

Music by Ted Snyder

 224/19 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Coquette 224/20 Manuscript piano score; [3] p.

With violin obligato

Laid in: note about arrangement

 224/20 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 224/20 Typescript lyric sheet; [1] leaf 224/20 Sheet music 2 copies

No cover

 Count sheep 224/21 Manuscript vocal score; [4] p. Cry 224/22 Sketch; [2] p. Cuddle up 224/23 Fair copies (Kresa) of manuscript piano-vocal score(2); 4 p. each The czars left the gates wide open 224/25 Typescirpt lyric sheet; [2] leaves Daddy came home 225/1 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Dance 225/2 Typescript lyric sheet and carbon copy; [2] leaves Dat's-a my girl

Alternate title: Dat's-a my gal

 225/3 Fair copy (Kresa) manuscript piano-vocal score; 4 p. The day after tomorrow 225/4 Typescript lyric sheet and carbon copy; [2] leaves Dear doctor 225/5 Carbon copy of typescript lyric sheet; [3] leaves

Includes two photocopies

 Dear Mayme, I love you

Music by Ted Snyder

 225/6 Manuscript piano-vocal score; [4] p. 225/6 Fair copy (Kresa) manuscript piano-vocal score; 4 p. The devil has bought up all the coal 225/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Do it again 225/8 Manuscript piano-vocal score; [4] p. 225/8 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 225/8 Holograph lyric sheet; [1] leaf 225/8 Typescript lyric sheet; [1] leaf Do your duty, doctor! (Oh, oh, oh, oh, doctor)

Music by Ted Snyder

Alternate title: Do your duty doctor and cure my pain

 225/9 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Don't blame it all on the music 225/10 Typescript lyric sheet; [1] leaf

With holograph annotations

 225/10 Typescript lyric sheets; [4] leaves Don't call me, I'll call you 225/11 Sketches; [7] p. 225/11 Typescript lyric sheets; [10] leaves Don't forget to remember

Alternate title: Don't forget to remember me

 225/12 Manuscript piano-vocal score; 4 p.

No lyric

 225/12 Manuscript piano-vocal score; 4 p. Don't know words enough 225/13 Typescript lyric sheet; [2] leaves Don't leave your wife alone 225/14 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Don't take your beau to the seashore

Irving Berlin/E. Ray Goetz

 225/15 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Don't you remember Mary Brown? 225/16 Holograph lyric sheet; [1] leaf On The Breakers Hotel stationery Dorando 225/17 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Down in Chattanooga 225/18 Fair copy (Kresa) manuscript piano-vocal score; 4 p. each 2 copies Down in my heart 225/19 Manuscript piano-vocal score; [4] p. 225/19 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Down on my uncle Jerry's farm 225/20 Manuscript lead sheet; [1] p. 225/20 Typescript lyric sheet; [1] leaf Down to the Folies Bergere

Irving Berlin/Vincent Bryan/Ted Snyder

 225/21 Fair copy (Kresa) manuscript piano-vocal score; 5 p. Down where the jack o'lanterns grow

Interpolated in The Cohan review of <date>1918</date>

Alternate title: Down where the pumpkins grow

 225/22 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Draggy rag

Alternate title: Dat draggy rag

225/23 Manuscript piano-vocal score; [3] p. 225/23 Fair copy (Kresa) manuscript piano-vocal score; 3 p. Dreams 225/24 Sketch; [1] p. Dreams, just dreams

Music by Ted Snyder

 225/25 Manuscript piano-vocal score; [3] p. 225/25 Fair copy (Kresa) manuscript piano-vocal score; 3 p. Drink, brothers, drink

Vincent Bryan/Irving Berlin

 225/26 Typescript lyric sheet; [1] leaf Easter parade 226/1 Typescript lyric sheet; [1] leaf

British version, sonnet

 226/1 Holograph lyric sheet; [1] leaf 226/1 Typescript lyric sheets; [3] leaves 226/1 Printed parts 2 copies

Arranged by Leidzen

 226/2 Printed score and parts 2 copies

Simplified version, arranged by Van Auken

 226/3 Printed condensed score and parts for concert band 2 copies

Arranged by Bennett

 226/4 Printed condensed score and parts for concert orchestra 2 copies

Arranged by Bennett

 Eight little songwriters 226/5 Typescript lyric sheet; [1] leaf The elevator man going up! Going up! Going up! Going up!

Alternate title: Going up going up going up going up (with the elevator man)

 226/6 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 226/6 Holograph lyric sheet; [1] leaf 226/6 Typescript lyric sheet; [1] leaf England and America

Written for This is the Army, but not used

 226/7 Manuscript piano-vocal score; [2] p. 226/7 Typescript lyric sheets; [3] leaves Ephraham played upon the piano

Irving Berlin/Vincent Bryan

Originally written for Ziegfeld follies of <date>1911</date>

226/8 Manuscript piano-vocal score; [4] p. 226/8 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Evening exercise

Written for Watch your step, but not used

 227/1 Typescript lyric sheet; [1] leaf Ever since I met you I'm a nut 227/2 Typescript lyric sheet; [1] leaf The Everleigh Club 227/3 Typescript lyric sheets; [2] leaves Every instrument in the band 227/4 Sketch; [1] p. Everybody knew but me 227/5 Manuscript piano-vocal score; 3 p. Transparencies 227/5 Manuscript piano-vocal score; [2] p. 227/5 Manuscript lead sheets; [1, 2] p. 227/5 Manuscript piano score; [2] p. 227/5 Manuscript piano score and sketch; [2, 1] p. 227/5 Sketch; [2] p. 227/5 Typescript lyric sheets; [17] leaves 227/5 Photocopy of piano-vocal score; 3 p.

With annotations

 Everybody step 227/6 Typescript lyrics; [1] leaf

For Coca-Cola commercial

 227/6 Printed parts 2 copies Everything is rosy now for Rosie

Irving Berlin/Grant Clarke

 227/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 227/7 Photocopy of manuscript lead sheet; [1] p.

With two accompanying melodies

Original filed with

Eyes of youth

Introduced in The eyes of youth

227/8 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Eyes to see with 227/9 Manuscript piano-vocal score; 3 p. 227/9 Photocopies of manuscript piano-vocal score; 3 p. each 2 copies 227/9 Typescript lyric sheets; [2] leaves

With annotations

 227/9 Typescript lyric sheets; [7] leaves Fatima 227/10 Sketch; [1] p. Fiddle-dee-dee

Alternate title: He played it on his fid-fid-fiddle-dee-dee

 230/11 Typescript lyric sheet; [1] leaf The fireman's ball 227/11 Manuscript lead sheet; [1] p. Flagwaving 227/12 Typescript lyric sheets; [5] leaves Follow me around

Interpolated in My best girl

227/13 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Follow the crowd

Interpolated in Queen of the movies

227/14 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Footsteps 227/15 Sketch; [1] p. 227/15 Typescript lyric sheets; [6] leaves For George Gershwin 227/16 Typescript lyric sheet; [1] leaf 227/16 Printed lyric sheets; [3] leaves For the very first time 227/17 Manuscript lead sheet; [1] p. 227/17 Manuscript piano score; [2] p. 227/17 Copyist manuscript piano-vocal score; 3 p. Transparencies 227/17 Typescript lyric sheets; [10] leaves 227/17 Sheet music Four horsemen of the puckered lips 227/18 Sketch; [1] p. Free again 227/19 Typescript lyric sheets; [2] leaves The freedom train 227/20 Typescript lyric sheets; [7] leaves 227/20 Sheet music

No cover

 The friar's parade

Introduced in the Friar's frolic of <date>1916</date>

227/21 Fair copy (Kresa) manuscript piano-vocal score; 5 p. Froelich tanz 227/22 Manuscript lead sheet; [1] p.

On verso: unidentified sketch

 From here to Shanghai 227/23 Fair copy (Kresa) of manuscript piano-vocal score; 4 p. 227/23 Holograph lyric sheet; [1] leaf From now on 227/24 Sketch; [2] p. Furnishing a home for two

Introduced in The society buds

227/25 Manuscript lead sheet; [1] p. 227/25 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 227/25 Holograph lyric sheet; [1] leaf 227/25 Typescript lyric sheet; [1] leaf The gal on the calendar

Written for There's no business like show business, but not used

 227/26 Manuscript piano-vocal score; [2] p. 227/26 Sketch; [1] leaf

On American Airlines pamphlet, flight 401 March 6/54

227/26 Photocopies of manuscript piano-vocal score; [2] p. each 2 copies 227/26 Printed piano-vocal score; [2] p. each 2 copies

At top: Prod. A.729 - There’s no business like show business

227/26 Typescript lyric sheets; [5] leaves The garbage man 227/27 Typescript lyric sheets; [3] leaves The garden of girls 227/28 Typescript lyric sheets; [2] leaves The gates are wide open

Alternate title: The gates are open wide

 227/29 Manuscript lyric sheet; [1] leaf 227/29 Typescript lyric sheets; [2] leaves Getting nowhere

Alternate title: Running around in circles getting nowhere

Originally in Blue skies

227/30 Model for children's book; 8 p.

Cutouts pasted together

 The girl that I marry 227/31 Printed score and parts

Marching band

 Give my regards to Fred Astaire 227/32 Manuscript lead sheet; [1] p. 227/32 Typescript lyric sheet; [1] leaf Go back to the U.S.A. see also Easter parade 227/33 Typescript lyric sheet; [1] leaf

On verso: 1⁄2 page ms. lyric for Easter parade

227/33 Photocopy of original lyric sheet; [2] leaves

Originals are filed with Easter parade

God bless America Original version 30/1 Manuscript lead sheet; [1] p.

God bless America is second of three melodies on page

 30/1 Typescript lyric sheet and carbon copy; [2] leaves First revision 30/1 Publisher's proof of sheet music; 5 p.

First proof, Oct. 31, 1938

30/1 Negative photocopy of manuscript lead sheet; [1] p.

Oct. 25, 1938

30/1 Carbon copy of typescript lyric sheet; [1] leaf

Oct. 25, 1938

30/1 Publisher's proof of sheet music; 5 p.

Second proof, Nov. 4, 1938

Final revision 30/1 Manuscript piano score; [2] p.

Nov. 2, 1938, in the hand of Helmy Kresa

 30/1 Manuscript lead sheet; [1] p.

In the hand of Helmy Kresa

At top: changed version

 30/1 Copyist's manuscript piano-vocal score; [4] p.

Prepared for publication

 30/1 Manuscript piano-vocal score; [4] p.

No introduction

 30/1 Negative photocopy of manuscript lead sheet; [1] p.

At top: changed version

 30/1 Photocopies and negative photocopy of holograph lead sheet; [4] leaves

Signed

Refrain only

 30/1 Manuscript choral score; [2] p. 30/1 Manuscript choral parts 30/1 Typescript lyric sheets; [3] leaves 30/1 Sheet music 30/1 Manuscript duet lead sheet; 3 p.

With countermelody We're on our way to France

Laid in: sheet music for We're on our way to France

30/1 Manuscript lead sheet; [1] p.

Fragment, first 3 measures

 30/2 Photocopy of publisher's proof for sheet music

Narration with music, copyright 1979

30/3 Photocopy of score and parts; [35] p.

Arranged by John Edmondson

 227/1 Printed condensed scores and parts for concert orchestra 2 copies

Arranged by Kresa

 228/1 Printed parts 2 copies

Arranged by Donnelly and Mott

 228/2 Printed score and parts 2 copies

Arranged by Ringwald

On top: Orchestration to accompany the Waring choral arrangement

 228/3 Printed scores and parts 2 copies

Simplified version

 228/4 Printed scores and parts 2 copies

Arranged for gospel choir and band

 229/1 Manuscript parts

With annotations

 229/2 Ditto copy of parts

With pencil annotations

 229/3 Printed parts 229/3 Photocopy of printed parts 229/4 Printed condensed score and parts 2 copies 229/4 Sheet music 229/5 Printed parts

Pasted to manuscript paper

Arranged by Kresa

 God gave you to me 229/6 Fair copy (Kresa) manuscript piano-vocal score; 4 p. God's gift 229/7 Manuscript lead sheet; [1] p. Going back to Italy 229/8 Manuscript on blank staff paper; [1] p.

On verso: unidentified sketch

 The gold in a golden wedding day 229/9 Typescript lyric sheet; [2] leaves Gone 229/10 Manuscript lead sheet; [1] p. Goodbye, France (You'll never be forgotten by the USA) 229/11 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 229/11 Typescript lyric sheet; [1] p. Goodbye, girlie, and remember me

Music by George W. Meyer

 229/12 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Goody, goody, goody, goody, good 229/13 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Grandfather 229/14 Manuscript lead sheet and photocopies; [1] p. each 3 copies Growing gray 229/15 Manuscript lyric sheet; [1] leaf

In shorthand

 229/15 Typescript lyric sheets; [2] leaves Guitar 229/16 Sketch; [1] p. Gypsy number 229/17 Manuscript piano score; [2] p. Happy holiday 230/1 Printed choral arrangement; 11 p. Happy little chorus girl 230/2 Typescript lyric sheet; [1] leaf Happy little country girl 230/3 Manuscript lead sheet; [1] p. 230/3 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 230/3 Typescript lyric sheets; [2] leaves Happy new year blues 230/4 Manuscript piano score; [2] p. 230/4 Manuscript lead sheet; [2] p. 230/4 Fair copy (Kresa) manuscript piano-vocal score; 5 p. 230/4 Typescript lyric sheets; [6] leaves 230/4 Sheet music Harry, Abe, and Jack 230/5 Manuscript piano score; [2] p. The haunted house 230/6 Sketch; [1] p. 230/6 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 230/6 Typescript lyric sheet; [1] leaf Hawaiian blues 230/7 Holograph lyric sheet; [1] leaf 230/7 Typescript lyric sheet; [1] leaf He didn't wake up one morning 230/8 Typescript lyric sheet; [1] leaf

With holograph annotations

 230/8 Typescript lyric sheet; [1] leaf 230/8 Printed lyric sheet; [1] leaf He doesn't know what it's all about 230/9 Manuscript piano score; [2] p. 230/9 Manuscript lead sheet; [2] p. 230/9 Typescript lyric sheets; [2] leaves He never comes home at all

Alternate title: He never goes home at all

 230/10 Typescript lyric sheets; [2] leaves

With holograph annotations

 He promised me 230/12 Fair copy (Kresa) manuscript piano-vocal score; 3 p. He walks in his sleep 230/13 Holograph lyric sheet; [1] leaf Help me to help my neighbor 230/14 Manuscript piano-vocal score; 2 p. Transparencies 230/14 Manuscript piano score; [3] p. 230/14 Manuscript lead sheet and lyrics; [2] p. 230/14 Publisher's proof of printed piano-vocal score; 3 p. 230/14 Photocopy of manuscript piano-vocal score; 2 p. 230/14 Typescript lyric sheets; [5] leaves 230/14 Sheet music Here's to Flo 230/15 Typescript lyric sheet; [1] leaf

With holograph annotations

On Ziegfeld Follies stationery

 Herman, let's dance that beautiful waltz

Music by Ted Snyder

 230/16 Fair copy (Kresa) manuscript piano-vocal score; 4 p. He's a devil in his own home town

Irving Berlin/Grant Clarke

 230/17 Fair copy (Kresa) manuscript piano-vocal score; 4 p. He's a rag picker 230/18 Sketch; [1] p. 230/18 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 230/18 Photocopy of sheet music He’s getting too darn big for a one-horse town 230/19 Fair copy (Kresa) manuscript piano-vocal score; 4 p. He's just that kind of a man 230/20 Holograph lyric sheet; [1] leaf He's so good to me 230/21 Manuscript piano-vocal score; [4] p. 230/21 Fair copy (Kresa) manuscript piano-vocal score; [4] p. Hey, wop

Alternate title: Hey wop, it's seven o'clock, get up

 230/22 Typescript lyric sheet; [1] leaf High up-new chorus 230/23 Manuscript piano score; [1] p. Hildegarde 230/24 Sketch; [1] p. Hiram's band

Irving Berlin/E. Ray Goetz

 230/25 Manuscript piano score; 7 p. 230/25 Fair copy (Kresa) manuscript piano score; 7 p. Home again 230/26 Typescript lyric sheets; [3] leaves

This melody is from the chorus of Little butterfly

Home again blues

Irving Berlin/Harry Akst

 230/27 Fair copy (Kresa) manuscript piano-vocal score; 3 p. Home on my mind 230/28 Sketch; [1] p. Homesick 230/29 Fair copy (Kresa) manuscript piano-vocal score; 3 p. Homework 230/30 Printed parts Honey, let me take back what I said 230/31 Manuscript lyric sheet; [1] leaf How about me? 230/32 Copyist's manuscript piano-vocal score; 2 p. How can I change my luck? see also Face the music 230/33 Sketch; [2] p. 230/33 Typescript lyric sheets; [2] leaves How can I forget (When there's so much to remember)? 230/34 Manuscript lead sheet; [2] p. 230/34 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 230/34 Sheet music 2 copies How can you [illegible] 230/35 Photocopy of sketch; [1] p.

At bottom and verso: sketches of The century girl [ and] Poor little rich girls dog

Original is filed under "My once in a century girl" from The century girl

How deep is the ocean? see also To my mammy and How much I love you 230/36 Manuscript piano score; [2] p. 230/36 Sketch; [2] p. 230/36 Typescript lyric sheets; [13] leaves 230/36 Sheet music 2 copies 230/36 Photocopies of sheet music 2 copies, incomplete How did I ever live without you 230/37 Holograph lyric sheet; [1] leaf How do you do it, Mabel, on twenty dollars a week? 230/38 Manuscript piano-vocal score; [4] p. 230/38 Fair copy (Kresa) manuscript piano-vocal score; 5 p. How many times? 230/39 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 230/39 Typescript lyric sheet; [1] leaf How much I love you

Written for Reaching for the moon

Verse later used for How deep is the ocean?

230/40 Manuscript piano-vocal score; [4] p. 230/40 Manuscript piano-vocal score; [3] p.

Chorus only

 230/40 Manuscript piano scores; [2] p. each 2 copies 230/40 Manuscript lead sheet; [2] p. 230/40 Manuscript lead sheets; [1] p. each 3 copies

No lyrics

 230/40 Manuscript lead sheets; [2] p. each 3 copies

No lyrics

 230/40 Sketches; [1] p. each 2 copies

Chorus only

 230/40 Typescript lyric sheets; [12] leaves How was I to know 230/41 Manuscript lead sheet; [1] p. 230/41 Typescript lyric sheet; [1] leaf How's your heart? 230/42 Typescript lyric sheets; [3] leaves Hurry back to my bamboo shack 230/43 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Hustle along 230/44 Manuscript lead sheet; [1] p. I am leaving tonight on the Midnight Express 231/1 Manuscript lyric sheet; [1] p.

In shorthand

 231/1 Typescript translation of shorthand; [1] p.

With annotations

 I beg your pardon, dear old Broadway 231/2 Fair copy (Kresa) manuscript piano-vocal score; 5 p. I can die with a smile on my face 231/3 Manuscript lead sheet; [1] p.

On verso: unknown sketch

 I can't do it by myself

1986 version of You can't do it by yourself

231/4 Typescript lyric sheets; [2] leaves I can't do without you

Alternate title: Without you

 231/5 Manuscript piano-vocal score; [3] p.

No lyrics

 I can't remember 231/6 Manuscript piano-vocal score; [3] p.

No lyrics

 231/6 Manuscript piano score; [2] p. 231/6 Sketch; [1] p. 231/6 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 231/6 Typescript lyric sheet; [1] leaf 231/6 Sheet music I could be a sweet heart to you 231/7 Sketch; [1] p. I could live on love and kisses 231/8 Manuscript lead sheet; [1] p. 231/8 Typescript lyric sheets; [4] leaves I couldn't speak any English 231/9 Holograph lyric sheet; [1] leaf I don't think we'd better send them back 231/10 Typescript lyric sheets; [6] leaves I don't want to be married see also Face the music 231/11 Typescript lyric sheet; [1] leaf I felt that something was going to happen

Alternate title: Something was going to happen

 231/12 Holograph lyric sheet; [1] leaf I have everything 231/13 Sketch; [1] p. I have just one heart for just one boy

Alternate title: I have just one heart

Introduced in The canary

231/14 Fair copy (Kresa) manuscript piano-vocal score; 4 p. I haven't got a home to go to 231/15 Typescript lyric sheets; [2] leaves I just wanna know my baby loves me 231/16 Manuscript lead sheet; [1] p. I keep running away from you

Later revised to become Glad to be home from Mr. President

231/17 Copyist's manuscript piano-vocal score; 2 p. 231/17 Manuscript lead sheet; [1] p.

May, 1955

231/17 Manuscript lead sheet; [2] p.

April, 1957

231/17 Printed manuscript lead sheets; 2 p. each 2 copies 231/17 Typescript lyric sheets; [9] leaves I know that lady 231/18 Holograph lyric sheet; [1] leaf I like Ike 31/1 Manuscript full score; 21 p. 31/1 Manuscript lead sheet; [3] p. 31/1 Manuscript parts 31/1 Sheet music

Piano/4 part vocal

 I love a small town 231/19 Typescript lyric sheet; [1] leaf

With annotations

Manuscript on verso: 427 St. Ann's Ave., George Robinson

 I love my neighbor 231/20 Sketches(3); [5] p. 231/20 Manuscript lyric sheet; [1] leaf 231/20 Typescript lyric sheet; [2] leaves I love to quarrel with you 231/21 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 231/21 Typescript lyric sheet; [1] leaf I love to stay at home 231/22 Manuscript piano-vocal score; [4] p. 231/22 Fair copy (Kresa) manuscript piano-vocal score; 4 p. I love you more each day

Music by Ted Snyder

 231/23 Fair copy (Kresa) manuscript piano-vocal score; 5 p. I love you - you love him see also Easter parade 231/24 Copyist's manuscript piano-vocal score; 3 p. Transparencies 231/24 Manuscript piano-vocal score; [1] p. 231/24 Manuscript lead sheet; [1] p. 231/24 Photocopies of manuscript piano-vocal score; 3 p. each 2 copies 231/24 Holograph lyric sheet; [1] leaf 231/24 Typescript lyric sheet; [1] leaf

With annotations

 231/24 Typescript lyric sheets; [11] leaves I might go home tonight

Vincent Bryan/Irving Berlin

 231/25 Typescript lyric sheet; [1] leaf I never had a chance

Introduced on Gulf Oil's Good gulf program by Frank Parker

 231/26 Manuscript lead sheet; [1] p.

Feb., 1933

231/26 Manuscript lead sheet; [1] p.

Mar., 1934

231/26 Sketch; [1] p. 231/26 Typescript lyric sheets; [5] leaves I paid my income tax today 231/27 Manuscript piano-vocal score; [3] p. 231/27 Manuscript piano score; [1] p. 231/27 Sketches; [7] p. 231/27 Typescript lyric sheets; [9] leaves 231/27 Sheet music 2 copies

Without cover

 I still like Ike 31/2 Manuscript full score; 10 p. 31/2 Manuscript piano-conductor score and parts 31/2 Manuscript vocal score; [2] p.

Arranged for male voices

 31/2 Printed manuscript vocal sheets; [1] p. each 2 copies

Arranged for male voices

 232/1 Manuscript piano-vocal score; 9 p. 232/1 Copyist's manuscript piano-vocal score; [1] 8 p. Transparencies 232/1 Copyist's manuscript lead sheet; [1] p. Transparency

Arranged for male voices

 232/1 Sketches(2); [2] p. 232/1 Printed piano-vocal scores; 8 p. each 2 copies

With annotations

 232/1 Printed piano-vocal scores; 8 p. each 2 copies 232/1 Holograph lyric sheets; [5] leaves 232/1 Typescript lyric sheets; [16] leaves 232/1 Printed piano-vocal score; 17 p.

Collection of 'Ike' songs by Irving Berlin

 I threw a kiss in the ocean

Alternate title: I spoke to the ocean

 232/2 Manuscript piano-vocal score; [4] p. 232/2 Manuscript lead sheet with piano score; [2] p.

Verse only

 232/2 Manuscript piano score; [3] p. 232/2 Printed manuscript piano-vocal scores; [4] p. each 2 copies 232/2 Typescript lyric sheets; [10] leaves 232/2 Sheet music 2 copies

Without cover

 232/2 Sheet music I wanna dance with the girl in my arms

Written for Say it with music

232/3 Typescript lyric sheets; [5] leaves I want a harem of my own 232/4 Manuscript lead sheet; [1] p.

With annotations

 232/4 Typescript lyric sheet; [1] leaf I want to go back to Michigan (down on the farm)

I want to go back to Michigan down on the farm

 232/5 Manuscript lead sheet; [2] p.

Laid in: sketch; [2] p.

 232/5 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 232/5 Typescript lyric sheets; [3] leaves I want to go back to the farm 232/6 Manuscript lead sheet; [1] p.

At top: Belle Baker

 232/6 Holograph lyric sheets; [3] leaves

On verso of one leaf: holograph lyrics for "Someday you'll come back to me"

 232/6 Typescript lyric sheets; [2] leaves I want to jazz my troubles away

Alternate title: I want to dance my troubles away

 232/7 Typescript lyric sheets; [7] leaves I want to marry you 232/8 Photocopy of typescript lyric sheet; [1] leaf

Original from I'll make you love me lyric sheet

 I want you to meet my girl

Written for Blue skies, but not used

 232/9 Typescript lyric sheet; [1] leaf I wasn't doing anything wrong 232/10 Typescript lyric sheets; [2] leaves I went to a doctor 232/11 Typescript lyric sheet; [1] leaf

With annotations

 I wish that you was my gal, Molly

Music by Ted Snyder

 232/12 Manuscript piano-vocal score; [4] p. I'd rather see a minstrel show 232/13 Photocopy of sheet music

Without cover

 I'd rather not dance again

Written for Blue skies, but not used

 232/14 Manuscript piano-vocal score; [3] p.

No lyric

 232/14 Typescript lyric sheet; [1] leaf

With annotations

 232/14 Typescript lyric sheets; [4] leaves If all the girls I knew were like you 232/15 Fair copy (Kresa) manuscript piano-vocal score; 4 p. If I had my way (I'd be a farmer) 232/16 Typescript lyric sheets; [2] leaves If I had my way, I'd live among the gypsies 232/17 Manuscript piano-vocal score; 3 p. 232/17 Typescript lyric sheet; [1] leaf 232/17 Typescript history of the song; [3] leaves If I had you 232/18 Manuscript piano-vocal score; [4] p. 232/18 Fair copy (Kresa) manuscript piano-vocal score; 4 p. If I thought you wouldn't tell

Music by Ted Snyder

 232/19 Fair copy (Kresa) manuscript piano-vocal score; 4 p. If it wasn't for my wife and baby 232/20 Typescript lyric sheet; [1] leaf If only you belonged to me (and I belonged to you) 232/21 Manuscript piano score; [2] p. 232/21 Manuscript lead sheet; [1] p. 232/21 Sketch; [2] p. If that’s your idea of a wonderful time (take me home)

Alternate title: If that's your idea of a wonderful time-take me home

 232/22 Manuscript piano-vocal score; [3] p. 232/22 Fair copy (Kresa) manuscript piano-vocal score; 5 p. If the managers only thought the same as mother

Music by Ted Snyder

 232/23 Fair copy (Kresa) manuscript piano-vocal score; 5 p. If they were all like you see also Watch your step 232/24 Sketch; [2] p. If you believe 232/25 Manuscript score; 24 p. 232/25 Manuscript parts If you didn’t know how old you were

Alternate title: Old men

 232/26 Typescript lyric sheets; [7] leaves If you don't like my apples 232/27 Typescript lyric sheet; [1] leaf

With annotations

 232/27 Typescript lyric sheets; [2] leaves If you don’t want me (why do you hang around?)

Alternate title: If you don't want me

 232/28 Fair copy (Kresa) manuscript piano-vocal score; 3 p. If you don’t want my peaches (you’d better stop shaking my tree) 232/29 Manuscript piano-vocal score; [4] p. 232/29 Fair copy (Kresa) manuscript piano-vocal score; 2 p. If you haven't got an ear for music see also I've got an ear for music

Written for Mr. President, but not used

 232/30 Manuscript piano-vocal score; [3] p. 232/30 Printed piano-vocal scores; 3 p. each 2 copies 232/30 Typescript lyric sheets; [2] leaves If you know how to strut 232/31 Manuscript piano score; [3] p. Ike for four more years 232/32 Manuscript piano-conductor score with parts; [3] p.

Key of C major

On title page of score: general utility

 232/33 Manuscript piano-conductor score with parts; [3] p.

Key of E-flat major

On title page of score: Mr. Berlin's arr.

 232/34 Manuscript score; [8] p.

Key of E-flat major

Arranged by Glover

On title page of score: solo arr.

 232/34 Manuscript score; [8] p.

Key of C major

Arranged by Glover

 232/34 Copyist's manuscript piano-vocal score; [1] p. each 2 copies, transparencies 232/34 Manuscript piano-vocal score; [2] p. 232/34 Printed manuscript piano-vocal score; [1] p. each 2 copies 232/34 Printed piano-vocal score; [1] p. 232/34 Typescript lyric sheets; [4] leaves 232/34 Manuscript piano score and parts; [14] p. Transparencies

Titles have been cut away from top of all pages

 232/34 Copyist's manuscript vocal part; [1] p. Transparency

At top left: Mixed voices

 232/34 Copyist's manuscript vocal part; [1] p. Transparency

At top left: Male voices (T.T.B.B.)

 Ike, Ike (the Yiddish ball player) see also Jake! Jake! The Yiddish ball player 233/1 Manuscript lead sheet; [1] p. 233/1 Sketch; [1] p.

Title on verso: Ike & Ike

 233/1 Typescript lyric sheets; [3] leaves I'll hang on to you like last winter's hat 233/2 Sketch; [1] p. I'll know better the next time see also Miss Liberty

Alternate titles: The next time I fall in love; Next time

 233/3 Copyist's manuscript, photocopy and negative photocopy of piano-vocal score; 5 p. each

No lyric

 233/3 Copyist's manuscript piano-vocal score; [4] p.

No lyric

 233/3 Sketch; [1] p. 233/3 Fair copy (Kresa) manuscript piano-vocal score; [3] p. 233/3 Holograph lyric sheet; [1] leaf 233/3 Typescript lyric sheets

With annotations

 1957; [5] leaves 1982; [4] leaves 1985; [4] leaves I'll make it warm for you 233/4 Typescript lyric sheet; [1] leaf

At bottom: Original

 I'll make you love me 233/5 Sketch; [1] p. 233/5 Holograph lyric sheet; [1] leaf 233/5 Typescript lyric sheet; [1] leaf I'll miss you in the evening see also Venetian Isles 233/6 Manuscript piano-vocal score; [3] p. I'll still remember you 233/7 Typescript lyric sheet; [1] leaf I'll take you back to Italy

Alternate title: Sunny Italy

Introduced in Jack o'lantern

233/8 Fair copy (Kresa) manuscript piano-vocal score; 4 p. I'm a happy married man

Music by Ted Snyder

 233/9 Manuscript piano-vocal score; [3] p. 233/9 Fair copy (Kresa) manuscript piano-vocal score; 3 p. I'm a Quaker's daughter from the Latin Quarter see also Music box revue, 1938-1939 233/10 Typescript lyric sheet; [1] leaf I'm afraid, pretty maid, I'm afraid 233/11 Manuscript piano-vocal score; [4] p. 233/11 Fair copy (Kresa) manuscript piano-vocal score; 5 p. I'm beginning to miss you 233/12 Manuscript piano-vocal score; 2 p. Transparencies 233/12 Manuscript lead sheet; [1] p. each 2 copies 233/12 Typescript lyric sheets; [2] leaves I'm crazy 'bout you 233/13 Sketch; [1] p. I'm down in Honolulu looking them over 233/14 Sketch; [1] p.

On verso: unidentified sketch

 233/14 Fair copy (Kresa) manuscript piano-vocal score; 3 p. I'm getting old in New Guinea 233/15 Typescript lyric sheet; [1] leaf I'm getting strong for you

Written for Watch your step, but not used

 233/16 Holograph lyric sheets; [2] leaves 233/16 Typescript lyric sheet; [1] leaf

With holograph annotations

 I'm going back to the farm 233/17 Fair copies (Kresa) manuscript piano-vocal score; 5 p. each 2 copies I'm going on a long vacation

Music by Ted Snyder

 233/18 Manuscript piano-vocal score; [3] p. 233/18 Fair copy (Kresa) manuscript piano-vocal score; 3 p. I'm going to hang around

Alternate title: I'll hang around

 233/19 Typescript lyric sheet; [1] leaf I'm gonna pin my medal on the girl I left behind

Introduced in Ziegfeld follies of <date>1918</date>

Alternate title: I'll pin my medal on the girl I left behind

 233/20 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 233/20 Typescript lyric sheets; [2] leaves I'm happy 233/21 Manuscript parts I'm looking for a daddy longlegs

Alternate title: Daddy long legs

 233/22 Fair copy (Kresa) manuscript piano-vocal score; 4 p. I'm not afraid 233/23 Copyist's manuscript piano-vocal score; 3 p. Transparencies 233/23 Manuscript piano-vocal score; [3] p. 233/23 Manuscript lead sheet; [2] p.

No lyrics

 233/23 Manuscript lead sheet; [1] p.

With lyrics

 233/23 Sketch; [1] p. 233/23 Printed manuscript piano-vocal scores; 3 p. each 2 copies 233/23 Holograph lyrics on envelope; [1] leaf 233/23 Typescript lyric sheets; [3] leaves 233/23 Sheet music 2 copies

Without cover

 I'm not prepared 233/24 Fair copy (Kresa) manuscript piano-vocal score; [4] p. I'm playing fire 233/25 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 233/25 Typescript lyric sheets; [9] leaves I'm Spanish 233/26 Manuscript score; 18 p. I gave her my heart in Acapulco

Alternate title: In Acapulco

 233/27 Manuscript lead sheet; [1] p. 233/27 Manuscript piano score; [2] p. 233/27 Printed manuscript piano-vocal scores; 3 p. each 2 copies 233/27 Holograph lyric sheet; [1] leaf

Found in In old San Juan folder on back of typescript lyric sheet

 233/27 Typescript lyric sheet; [6] leaves 233/27 Sheet music 2 copies

Without cover, with annotations

 233/27 Sheet music 2 copies

Without cover

 233/28 Orchestra parts

Arranged for orchestra, key of A-flat major

 233/29 Orchestra parts

Arranged for orchestra, key of B-flat major

 233/30 Orchestra parts

Arranged for orchestra, key of F major

 In Napoli 234/1 Typescript lyric sheet; [1] leaf In old San Juan 234/2 Sketches; [3] p. 234/2 Typescript lyric sheet; [1] leaf

With annotations

 234/2 Typescript lyric sheets; [5] leaves In the morning

Introduced in Mammy

234/3 Manuscript lead sheet; [1] p. In the twilight 234/4 Photocopy of holograph lyric sheet; [1] leaf Innocent Bessie Brown 234/5 Manuscript piano-vocal score; [4] p. Inspiration 234/6 Sketches; [2] p. Is everybody satisfied? 234/7 Holograph lyric sheet; [1] leaf Is that nice? see also (I ask you) Is that nice? from Reaching for the moon 234/8 Manuscript lead sheets; [1] p. each 2 copies

No lyrics

 234/8 Sketch; [2] p. Israel 234/9 Copyist's manuscript piano-vocal score; 2 p. Transparencies 234/9 Sketch; [1] p.

dated Oct. 29, 1959

234/9 Sketch; [1] p.

dated Nov. 2, 1959

234/9 Sketch; [2] p.

dated Nov. 6, 1959

234/9 Printed manuscript piano-vocal scores; 2 p. each 2 copies 234/9 Typescript lyric sheets; [10] leaves It isn't what he said, but the way he said it 234/10 Manuscript piano-vocal score; [4] p. I'm a sucker for a dame see You're a sucker for a dame It takes more than love 234/11 Typescript lyric sheet; [1] leaf Italian song 234/12 Sketch; [1] p.

At top near title: Belle Baker

 It's a walk-in with Walker 234/13 Piano-vocal score printed on back of newspaper and photocopy; [2] p. each 234/13 Typescript lyric sheets; [5] leaves It's about time 234/14 Typescript lyric sheets; [4] leaves

With annotations

 234/14 Typescript lyric sheets; [6] leaves It's all in the game

Alternate title: Come on and make me angry

 234/15 Holograph lyric sheet; [1] leaf It's the little bit of Irish 234/16 Manuscript piano-vocal score; 3 p. 234/16 Typescript lyric sheets; [3] leaves It's the same in every language

Introduced in Say it with music

234/17 Sketch; [5] p. 234/17 Typescript lyric sheets; [2] leaves

With annotations

 234/17 Typescript lyric sheets; [7] leaves It's up to the band

Originally written for Ziegfeld follies of <date>1927</date>

234/18 Photocopy of sheet music

Without cover

 I've got a lot of love for you

Alternate title: I love your Ma

 234/19 Manuscript lead sheet; [1] p. 234/19 Typescript lyric sheets; [2] leaves I've got a song 234/20 Sketch; [2] p. I've got an ear for music see also If you haven't got an ear for music 234/21 Sketch; [2] p. 234/21 Typescript lyric sheets; [2] leaves I've got my Captain working for me now 234/22 Fair copy (Kresa) manuscript piano-vocal score; 5 p. 234/22 Typescript lyric sheet; [1] leaf I've got to catch a train, goodbye 234/23 Manuscript lead sheet; [1] p. 234/23 Typescript lyric sheets; [4] leaves I've got to have some lovin' now 234/24 Manuscript piano-vocal score; [3] p. I've lost my heart 234/25 Sketches; [2] p.

On verso: sketch with quotation from "La Marseillaise"

 I've written another melody 234/26 Holograph lyric sheet; [1] leaf I've written another song 234/26 Typescript lyric sheet; [1] leaf Jake! Jake! The Yiddish ball player see also Ike, Ike (the Yiddish ball player) 234/27 Manuscript piano-vocal score; [4] p. 234/27 Sketch; [1] p. Jingle belles 31/3 Manuscript score; 17 p.

Laid in: Carbon copy of typescript notes for live show; [1] leaf

 31/3 Manuscript parts 234/28 Typescript lyric sheet; [1] leaf

Below title: Opening title for the six Rockettes

 Just a blue serge suit 234/29 Typescript lyric sheets; [8] leaves 234/29 Sheet music 2 copies

Without cover

 Just a little while 234/30 Sketch; [1] p. Just for you 234/31 Typescript lyric sheet; [1] leaf Just like the rose 234/32 Negative photocopy of sheet music

No cover

 Just passing through 234/33 Typescript lyric sheets; [2] leaves Just tunes 234/34 Sketches; [1] p. Kate (Have I come too early, too late?)

Alternate title: How much longer must I wait, Kate

 234/35 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 234/35 Holograph lyrics on memo; [1] leaf 234/35 Typescript lyric sheets; [5] leaves Keep away from the man with the automobile

Alternate title: Keep away from the fellow who owns the automobile

 234/36 Fair copies (Kresa) manuscript piano-vocal score; 4 p. each 2 copies Keep on walking 234/37 Manuscript piano-vocal score; [4] p. 234/37 Typescript lyric sheets; [3] leaves 234/37 Manuscript parts

1st violin only

 Kiss me once more see also The music lesson/Kiss me once more and Alice in Wonderland sketch

Coutermelody for Victor Herbert's "Kiss me again"

 234/38 Typescript lyric sheets; [2] leaves Kiss your sailor boy goodbye 234/39 Manuscript piano-vocal score; [4] p. 234/39 Manuscript lead sheet; [1] p. 234/39 Sketch; [1] p. 234/39 Typescript lyric sheets; [2] leaves Kisses without love 234/40 Sketch; [6] p. 234/40 Photocopy of manuscript piano-vocal score; 3 p. 234/40 Typescript lyric sheets; [2] leaves

With annotations

 234/40 Typescript lyric sheets; [15] leaves Knights of the road

Introduced in Mammy

234/41 Typescript lyric sheet; [1] leaf Knitting song 234/42 Manuscript lead sheet; [1] p.

Laid in: sketches; [2] p.

 Lady 235/1 Manuscript lead sheet; [2] p. 235/1 Photocopy of manuscript piano-vocal score; 4 p. 235/1 Typescript lyric sheet; [1] leaf Learn to sing a love song see also Ziegfeld follies of 1927 235/2 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 235/2 Photocopy of sketch; [1] p.

Original is on verso of Cantor specialty

235/2 Photocopy of sheet music

Without cover

 Let me love you just a little bit 235/3 Holograph lyric sheets; [2] leaves 235/3 Typescript lyric sheet; [1] leaf Let me sing 31/4 Printed lyrics on cardboard; [1] p. 31/4 Typescript lyric sheet; [1] leaf 31/4 Typescript lyric sheets; [3] leaves

2nd chorus only, with story notes

 31/4 Printed lyric sheets; [2] p. 3 copies Let me sing and I'm happy see also Mammy

Includes Al Jolson/Irving Berlin duo for 50th birthday radio tribute to Berlin

 235/4 Holograph lyric sheets; [2] leaves 235/4 Typescript lyric sheets; [2] leaves Carbon Let the gate swing open 235/5 Typescript lyric sheets; [6] leaves Let's go west again

Written for Annie get your gun, but not used

 235/6 Manuscript piano-vocal score; [3] p. 235/6 Typescript lyric sheets; [2] leaves The lido

Music later became The piccolino

235/7 Sketch of piano-vocal score; 7 p.

No lyrics

 Lindy 235/8 Sketch; [1] p. A little love to start with 235/9 Typescript lyric sheets; [2] leaves A little old church in England 235/10 Manuscript piano scores; [2] p. each 2 copies 235/10 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 235/10 Typescript lyric sheet; [1] leaf Little old fashioned parlor 235/11 Sketch; [1] p. A little sympathy 235/12 Manuscript lead sheet; [1] p.

Holograph signature and dated: Aug. 2, 1932

235/12 Sketch of piano score; [2] p. 235/12 Typescript lyric sheets; [4] leaves Love and the weather 235/13 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 235/13 Typescript lyric sheets; [2] leaves

With annotations

 235/13 Sheet music Love with a beat 235/14 Sketch of piano-vocal score; 3 p. 235/14 Sketch; [1] p. 235/14 Typescript lyric sheets; [2] leaves Love without romance 235/15 Manuscript lead sheet; [1] p. Love's labor lost 235/16 Typescript lyric sheet; [1] leaf Lucky strike 235/17 Manuscript piano score; [3] p. A lullaby with a beat 235/18 Typescript lyric sheets; [2] leaves The man in the moon is getting angry 236/1 Typescript lyric sheets; [2] leaves Mandy 236/2 Sheet music 2 copies

At top: Eddie Cantor’s big song hit in Kid Millions

Marie from sunny Italy 236/3 Manuscript piano-vocal scores; 4 p. each 2 copies Maybe it's because I love you so much

Alternate title: Maybe I love you too much

 236/4 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 236/4 Typescript lyric sheet; [1] leaf

With holograph annotations

 236/4 Typescript lyric sheets; [4] leaves Me 236/5 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 236/5 Sheet music 2 copies Me and my Melinda see also Me and my piano 236/6 Manuscript piano-vocal score; [4] p. 236/6 Manuscript piano score; [2] p. 236/6 Manuscript lead sheets; [1] p. each 3 copies 236/6 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 236/6 Printed manuscript piano-vocal score; [3] p. each 2 copies 236/6 Typescript lyric sheets; [10] leaves Me and my piano see also Me and my Melinda 236/7 Typescript lyric sheets; [2] leaves Mending the old world (making it new) 236/8 Holograph lyric sheets; [2] leaves 236/8 Typescript lyric sheet; [1] leaf

With holograph annotations

 236/8 Typescript lyric sheets; [4] leaves Merry merry 236/9 Manuscript piano score; [2] p.

At top: Chorus only, no lyric

 Midnight eyes 236/10 Holograph lyric sheet; [1] leaf

On verso: holograph lyrics for "All aboard for Manhattan"

 236/10 Typescript lyric sheet; [1] leaf

At bottom: Original

 Million dollar girl 236/11 Typescript lyric sheet; [1] leaf The minor melody 236/12 Sketch; [1] p. Mister monotony

Alternate titles: Mr. Monotony, Missus Monotony, Mrs. Monotony

see also the following shows that interpolate the Mr./Mrs. Monotony title: Call me madam, Easter parade, Miss Liberty, There’s no business like show business)

 236/13 Sketch; [1] p. 236/13 Reverse photocopy of piano-vocal score; [6] p. Transparencies 236/13 Printed piano-vocal score; 5 p. each 2 copies 236/13 Typescript lyric sheets; [19] leaves

With some annotations

 Missus monotony 236/13 Photocopies of manuscript piano-vocal score; [9] p. each 2 copies 236/13 Typescript lyric sheets; [5] leaves Mona 236/14 Sketch; [1] p.

On verso: sketch of "You’re gonna be the death of me"

 Monohan and Callahan

Written for Stars on my shoulders

236/15 Manuscript lead sheet and photocopies; [3] p.

No lyrics

 236/15 Typescript lyric sheet; [1] leaf

With annotations

 236/15 Typescript lyric sheets; [4] leaves Moon 236/16 Sketch; [2] p. Moonlight maneuvers

Written for Follow the fleet, but not used

 236/17 Photocopy of manuscript piano-vocal score; [3] p. 236/17 Typescript lyric sheets; [4] leaves More than only a girl 236/18 Manuscript piano score; [2] p. More than silver, more than gold 236/19 Manuscript lead sheet; [1] p. 236/19 Sketch; [1] p. 236/19 Typescript lyric sheets; [2] leaves The most 236/20 Sketch; [1] p. 236/20 Typescript lyric sheets; [8] leaves The mustache is different (but the words are the same) 236/21 Manuscript piano-vocal score; [3] p. Transparencies

No lyrics

 236/21 Manuscript piano score; [2] p. 236/21 Sketch; [1] p. 236/21 Typescript lyric sheets; [2] leaves Moving picture 236/22 Holograph lyric sheet; [1] leaf

(First line: I weep and weep and giggle)

 Mister Jolson

Alternate title: Mr. Jolson

 236/23 Holograph lyric sheets; [3] leaves 236/23 Manuscript lead sheet; [1] p.

No lyrics

 236/23 Typescript lyric sheets; [3] leaves

One with annotations on verso

 236/23 Photocopies of piano-vocal score; [3] p. each 3 copies Mr. Monotony see Mister Monotony Mr. President of ASCAP

(ASCAP 40th anniversary, March 30, 1954)

 236/24 Manuscript lead sheet; 3 p.

With lyrics

 236/24 Manuscript lead sheet; [3] p.

No lyrics

 236/24 Typescript lyric sheets; [8] leaves

With annotations

 236/24 Typescript lyric sheets; [3] leaves 236/24 Printed program of event Mrs. Astor's party 236/25 Sketch; [1] p. Musical mose 236/26 Typescript lyric sheet; [1] leaf My castle

Written for Mammy as a counterpoint melody to Nora, but not used

 236/27 Manuscript lead sheet; [3] p. 3 copies

No lyrics

 236/27 Manuscript lead sheet; [1] p.

No lyrics, chorus only

Countermelody for Nora written by title

 236/27 Typescript lyric sheets; [8] leaves My dreams were of a wondrous love 236/28 Holograph lyric sheet; [1] leaf My favorite song (reminds me of my favorite girl) 236/29 Manuscript lead sheet; [1] p. My heart is mended now (come back and break it again) 236/30 Manuscript lead sheet; [1] p. 236/30 Typescript lyric sheets; [2] leaves My gal in Italy 236/31 Holograph lyric sheet; [1] leaf My little feller 236/32 Sketch; [1] p. 236/32 Manuscript piano-vocal score; [4] p. 236/32 Manuscript piano score; [2] p. 236/32 Ozalid piano-vocal score; 4 p. 236/32 Typescript lyric sheet; [1] leaf My old pal 236/33 Manuscript piano-vocal score; [3] p. 236/33 Manuscript lead sheet; [1] p. 236/33 Typescript lyric sheets; [7] leaves My old sweetheart 236/34 Typescript lyric sheet; [1] leaf My sweetie 236/35 Typescript lyric sheet; [1] leaf My tango man 236/36 Sketch; [1] p. 236/36 Sketch; [1] p.

At top: Tango dance

 236/36 Typescript lyric sheets; [3] leaves My wife’s gone to the country (hurrah! hurrah!)

(Lyrics co-authored with George Whiting and music by Ted Snyder)

 236/37 Fair copy (Kresa) manuscript piano-vocal score; 3 p. Nancy 237/1 Typescript lyric sheets; [2] leaves Nepotism

Written for Mr. President, but not used

 237/2 Manuscript lead sheet; [1] p. 237/2 Typescript lyric sheets; [4] leaves The new moon 237/3 Manuscript piano-vocal scores(2); [4] p. each 237/3 Typescript lyric sheet; [1] leaf A new way to say I love you 237/4 Manuscript lead sheet; [1] p.

No lyrics

 237/4 Typescript lyric sheets; [3] leaves Next to your mother, who do you love?

Music by Ted Snyder

 237/5 Fair copy (Kresa) manuscript piano-vocal score; 4 p. N.G. 237/6 Sketch; [1] p. The night is filled with jazzbows

Alternate title: Manhattan madness

 237/7 Holograph lyric sheet; [1] leaf No man is good enough 237/8 Manuscript lead sheet, photocopy and negative photocopy; [1] p. each

With annotations

 237/8 Manuscript lyric sheet; [1] leaf 237/8 Typescript lyric sheets; [3] leaves No one could do it like my father 237/9 Manuscript piano-vocal score; [3] p.

Laid in: typescript lyric sheets with remaining verses and choruses; [2] leaves

 Nobody knows and nobody seems to care 237/10 Sheet music Nora

Written to be sung in counterpoint with My castle

237/11 Sketches(3); [1] p. each 237/11 Manuscript lead sheet; [2] p. 237/11 Holograph lyric sheet; [1] leaf 237/11 Typescript lyric sheet; [1] leaf

With annotations

 237/11 Typescript lyric sheets; [6] leaves Norma 237/12 Manuscript lead sheet; [1] p. Not because you're beautiful 237/13 Manuscript shorthand lyric sheets; [3] leaves 237/13 Typescript lyric sheets; [4] leaves

With annotations

 237/13 Typescript lyric sheets; [8] leaves Now 237/14 Manuscript lead sheet; [1] p. O sole mio 238/1 Sketch; [1] p. Oh! How he can dance 238/2 Manuscript piano score; [2] p. Oh! How I hate to get up in the morning 238/3 Sheet music The old maid's ball

Alternate title: The old maids' ball

 238/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 2 copies 238/4 Printed 1st violin part 238/4 Typescript lyric sheets; [2] leaves Old songs 238/5 Typescript lyric sheets; [11] leaves On account of you 238/6 Manuscript lead sheet; [1] p. 238/6 Manuscript piano score, photocopy and negative photocopy; [2] p.

At top: lyric to chorus only

 238/6 Typescript lyric sheets; [3] leaves

Laid in: photocopy of letter concerning related songwriting of Irving Berlin; [1] leaf

 On revival day

Alternate title: Revival day

 238/7 Manuscript lead sheet; [1] p. One kiss led to another 238/8 Sketch; [1] p. 238/8 Sketch of piano-vocal score; [2] p. 238/8 Typescript lyric sheets; [9] leaves One thing 238/9 Sketch; [1] p. Only a girl 238/10 Holograph lyric sheet; [1] leaf

Signed by Irving Berlin and dedicated to Miss Aimee Raudnitz

 Only God can make a tree 238/11 Holograph lyric sheet; [1] leaf 238/11 Typescript lyric sheets; [4] leaves Operation vittles 31/5 Manuscript full instrumental score; 12 p. 31/5 Manuscript instrumental parts 31/6 Manuscript full vocal score; 26 p. 31/6 Manuscript vocal parts 238/12 Sketch; [3] p. 238/12 Copyist's manuscript piano-vocal score; 3 p. each Transparency and 2 copies 238/12 Typescript lyric sheet; [1] leaf 238/12 Typescript lyric sheets; [3] leaves

Parody version

 Opus I 238/13 Sketch; [1] p.

At top: New show

 Opus 1001 238/14 Sketch; [1] p. Oriental ways 238/15 Typescript lyric sheet; [1] leaf Our town see also There's no town like our town

Written for Call me madam, but not used

 238/16 Manuscript piano score, photocopy and negative photocopy; [1] p. each 238/16 Sketch; [1] p. 238/16 Typescript lyric sheets; [8] leaves Out of this world into my arms 238/17 Copyist's manuscript piano-vocal scores; [3] p. each Transparency and 2 copies 238/17 Manuscript piano-vocal score and negative photocopy; [3] p. each 238/17 Manuscript lead sheet; [1] p. 238/17 Typescript lyric sheets; [4] leaves 238/17 Sheet music 2 copies

Without cover

 Over the sea, boys 238/18 Typescript lyric sheet; [1] leaf Paint me a picture of the man I love 238/19 Typescript lyric sheet; [1] leaf Pantomania 238/20 Manuscript piano score; [2] p. 238/20 Sketch; [1] p.

Manuscript on verso: Burton Lane

 Paris in thirty hours 238/21 Manuscript piano score; [2] p. The passion flower 238/22 Typescript lyric sheets; [3] leaves Peace 238/23 Typescript lyric sheets; [2] leaves Peace song 238/24 Sketch; [1] p. Peacock walk 238/25 Sketches; [2] p. Piano man

Music by Ted Snyder

 238/26 Fair copies (Kresa) of manuscript piano-vocal score; 4 p. each 2 copies Pick, pick, pick, pick on the mandolin, Antonio 238/27 Manuscript piano-vocal score; [4] p. each Pickaninny Mose 238/28 Typescript lyric sheets; [2] leaves Pigs 238/29 Typescript lyric sheets; [4] leaves Please let me come back to you see also Blue river 238/30 Manuscript piano-vocal score; [2] p. 238/30 Sketch; [1] p. 238/30 Photocopies of piano-vocal score; 2 p. each 2 copies 238/30 Typescript lyric sheets; [2] leaves The popular song

(For the United Songwriters of America “Beefsteak dinner”)

 238/31 Photocopies and printed copies; [10] p. Poor little chambermaid 238/32 Typescript lyric sheet; [1] leaf Poor little rich girl's dog

Introduced in Rambler Rose

238/33 Photocopy of sketch; [1] p.

Laid in: photocopies of sketches for "My once-in-a-century girl" and "How can you...[illegible]"

 238/33 Typescript lyric sheets; [4] leaves Potash and perlmutter 238/34 Sketch; [1] p. The president's birthday ball 238/35 Manuscript piano-vocal score; [2] p. 238/35 Sketch of piano score; [3] p. 238/35 Typescript lyric sheet; [1] leaf

With holograph annotations

 238/35 Typescript lyric sheets; [18] leaves 238/35 Sheet music 2 copies A pretty girl is like a melody see also Ziegfeld follies of 1919 238/36 Manuscript piano-vocal scores; [10] p. each

SATB, TTBB, SSA

 238/36 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 238/36 Sheet music The pullman porters on parade

Alternate title: Pullman porters parade

 238/37 Sketch; [1] p.

On verso: sketch for "Call of south"

 Push the table away 238/38 Typescript lyric sheet; [1] leaf Puttin' on the ritz

Introduced in 1930 film Puttin’ on the ritz; later in 1939 film Idiot’s delight; and 1946 in Berlin’s Blue skies

238/39 Printed manuscript piano-vocal score; 4 p.

New Park Avenue lyrics

 238/39 Typescript lyric sheets; [2] leaves

Original Lenox Avenue lyrics

 238/39 Typescript lyric sheets; [7] leaves

New lyric

 238/39 Typescript lyric sheet; [1] leaf

Parody of verse, 1986

Rag picking man 239/1 Sketch; [1] p. The ragtime jockey man 239/2 Manuscript piano-vocal score; [4] p. 239/2 Holograph lyric sheets; [6] leaves 239/2 Typescript lyric sheets; [2] leaves Ragtime preacher 239/3 Manuscript lead sheet; [3] p.

With annotations

 239/3 Manuscript piano score; 3 p. Ragtime soldier man 239/4 Holograph lyric sheets; [2] leaves 239/4 Typescript lyric sheet; [1] leaf Red Cross 239/5 Holograph sketch; [1] p.

Signed by Irving Berlin

 Remember me 239/6 Sketch; [2] p. Revival day see On revival day Rhumba 239/7 Sketches; [2] p. Rhythm song 239/8 Sketch; [1] p.

At top right: Al Lewellen

On verso: unidentified sketch

 Right this way 239/9 Manuscript lyric sheet; [1] leaf The road that leads to love 239/10 Photocopy of piano-vocal score; [4] p. The road to yesterday 239/11 Typescript lyric sheet; [1] leaf

At bottom: Brought in 8-27-45

Roaming Romeo 239/12 Manuscript piano score; [2] p.

On verso: manuscript piano score with annotations for "Bandit band"; [2] p.

 A roof over my head see also Stars on my shoulders 239/13 Typescript lyric sheets; [3] leaves Roses of yesterday

Alternate title: Roses

 239/14 Typescript lyric sheet; [1] leaf 239/14 Sheet music 2 copies

Without cover

 Russian 239/15 Manuscript lead sheet; [1] p.

Holograph title and signature

 Russian lullaby 239/16 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 239/16 Typescript lyric sheet; [1] leaf

Lyric credit to Rubey Cowen

 The Russians are coming 239/17 Typescript lyric sheets; [3] leaves Sadie Salome (go home)

Irving Berlin/Edgar Leslie

Alternate title: Sadie Salome go home!

 239/18 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Sam, Sam (the man what am) 1957 239/19 Manuscript piano-vocal score; [2] p. 239/19 Manuscript lead sheet; [1] p. 239/19 Typescript lyric sheets; [3] leaves 1958 239/19 Copyist's manuscript lead sheet; [1] p. 239/19 Manuscript lyric sheet; [1] leaf 239/19 Printed lead sheet; [1] p.

With annotations

 239/19 Printed lead sheets; [1] p. each 2 copies 239/19 Typescript lyric sheet; [1] leaf 1960 239/19 Typescript lyric sheet; [1] leaf

On verso: shorthand notes

 1961 239/19 Copyist's manuscript piano-vocal score and vocal score; [3] p. Transparencies 239/19 Manuscript piano-vocal score; [3] p. 239/19 Printed piano-vocal score; 2 p. 239/19 Typescript lyric sheets; [4] leaves 1962 239/19 Copyist's manuscript piano-vocal score; 3 p. 239/19 Printed manuscript piano-vocal score; 2 p.

With annotations

 239/19 Printed manuscript piano-vocal score; 3 p. 239/19 Typescript lyric sheets; [4] leaves Samuel Brown (the operatic watier) 239/20 Typescript lyric sheet; [1] leaf (I'm) San Francisco bound 239/21 Manuscript piano-vocal score; [4] p. 239/21 Manuscript piano-vocal score; [3] p.

Chorus only

 239/21 Manuscript piano score; [2] p. 239/21 Typescript lyric sheets; [3] leaves 239/21 Manuscript parts

1st violin only

 Santa Claus - a syncopated Christmas song

(Published in the New York World Magazine, December 24, 1916)

 239/22 Typescript lyric sheet; [1] leaf Save a little bit for me 239/23 Holograph lyric sheets; [2] leaves Say it isn't so 239/24 Manuscript piano score; [3] p. 239/24 Manuscript lead sheet; [1] p. 239/24 Typescript lyric sheets; [5] leaves 239/24 Sheet music 239/25 Manuscript conductor score and parts Say it with music 239/26 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 239/26 Printed condensed score and parts

For marching band

 239/27 Typescript lyric sheets and photocopy of lead sheet; [2, 1] p.

New lyrics written for the TV show 100 years of music

239/27 Typescript lyric sheets; [5] leaves

Written for ASCAP

 239/27 Typescript lyric sheets; [3] leaves

Written for Say it with music, the movie

 Sayonara 240/1 Copyist's manuscript piano-vocal score; 4 p. Transparencies 240/1 Manuscript piano-vocal score; [2] p.

In pencil

 240/1 Manuscript piano-vocal score; [2] p.

Black ink

 240/1 Manuscript lead sheet; [1] p. 240/1 Sketch 240/1 Printed piano-vocal scores; [2] p. each 4 copies

With annotations

 240/1 Printed piano-vocal scores; [2] p. each 2 copies

Key of B-flat major

 240/1 Printed piano-vocal scores; [2] p. each 2 copies

Key of F major

 240/2 Printed lead sheet; [2] p.

In German with annotations

 240/2 Typescript lyric sheets; [9] leaves 240/2 Typescript lyric sheets; [5] leaves

In German

 240/2 Typescript lyric sheets; [5] leaves

In Italian

 240/2 Typescript lyric sheet; [1] leaf

In Spanish

 See if I care 240/3 Sketch; [3] p. Seeing things through eyes of love 240/4 Typescript lyric sheets; [2] leaves

One leaf has holograph annotations

 Sell my shack in Hackensack 240/5 Typescript lyric sheet; [1] leaf

With holograph annotations

 Sentimental journey 240/6 Sketch; [1] p. Sentimental melody 240/7 Sketch; [1] p. Shadows 240/8 Holograph lyric sheet; [1] leaf

On verso: typescript letter from Joseph Schenck to Irving Berlin

 240/8 Typescript lyric sheet; [1] leaf Shakespeare speech

Alternate title: Friar's club speech

 240/9 Holograph lyric sheet; [1] leaf 240/9 Typescript lyric sheets; [2] leaves

On Irving Berlin stationery

 She's graceful and pretty 240/10 Sketch; [1] p. 240/10 Holograph lyric sheet; [1] leaf 240/10 Typescript lyric sheets; [6] leaves Singing commercial 240/11 Sketch; [1] p. Sittin’ in the sun counting my money see also The last resorts

Alternate title: Sittin’ in the sun countin’ my money

Originally intended for The last resorts and then White Christmas, but not used

 240/12 Manuscript piano-vocal score; [4] p. 240/12 Manuscript piano score; [3] p. 240/12 Manuscript lead sheet; [1] p. 240/12 Copyist's manuscript piano-vocal scores; [3] p. each 2 copies, transparencies 240/12 Sketch; [1] p. 240/12 Printed manuscript piano-vocal score; 3 p. 240/12 Typescript lyric sheets; [15] leaves Sixteen, sweet sixteens 240/13 Manuscript piano score; [3] p. 240/13 Holograph lyric sheet; [1] leaf 240/13 Typescript lyric sheets; [2] leaves Sleep baby see Chase all your cares (and go to sleep, baby) Smile and show your dimple 240/14 Typescript lyric sheet; [1] leaf 240/14 Photocopy of sheet music

Without cover

 Snookey ookums

Alternate title: Snooky ookums

Originally written in 1913, interpolated into Easter parade in 1948

240/15 Manuscript piano-vocal score; [3] p. 240/15 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 240/15 Sheet music 2 copies

Without cover

 So help me

Introduced on the Good gulf program

240/16 Typescript lyric sheets; [6] leaves Somebody's coming to my house

Alternate title: Someone is coming to my house

 240/17 Manuscript lead sheet; [1] p. 240/17 Typescript lyric sheet; [1] leaf Someday you'll come back to me 240/18 Manuscript lead sheet; [1] p. 240/18 Photocopy of holograph lyric sheet; [1] p.

Photocopied from verso of I want to go back to the farm

Someone else may be there while I'm gone 240/19 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Somewhere (but where is it?) 240/20 Manuscript lead sheet; [1] p. 240/20 Typescript lyric sheets; [5] leaves Song for Sophie 240/21 Manuscript piano-vocal scores; [3] p. each 2 copies 240/21 Typescript lyric sheets; [6] leaves Song for the Russian people 240/22 Typescript lyric sheets; [4] leaves Song for the U.N. 240/23 Sketches; [11] p. 240/23 Printed manuscript piano-vocal score; [1] p.

With annotations

 240/23 Printed manuscript piano-vocal score; 6 p. 240/23 Typescript lyric sheets; [13] leaves 240/23 Sheet music The song is ended (but the melody lingers on) 240/24 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 240/24 Sheet music Song writer's speech 240/25 Manuscript lead sheet; [2] p. 240/25 Typescript lyric sheets; [1] leaf each 2 copies

1 with annotations

 240/25 Photocopy typescript lyric sheets; [2] leaves

With copyright added

 Spanish love

Vincent Bryan/Irving Berlin/Ted Snyder

 240/26 Manuscript piano-vocal score; [4] p. Spooning in the new-mown hay

Irving Berlin/Vincent Bryan

 240/27 Typescript lyric sheet; [1] leaf Spring song melody 240/28 Holograph lyric sheets; [2] leaves 240/28 Typescript lyric sheets; [8] leaves Springtime 240/29 Manuscript lead sheet; [1] p. Stage door song 240/30 Typescript lyric sheet; [1] leaf Stay down here where you belong 240/31 Manuscript piano-vocal score; [4] p. 240/31 Sketch; [2] p. 240/31 Holograph lyric sheet; [1] leaf 240/31 Typescript lyric sheet; [1] leaf Stop that rag (keep on playing, honey)

Music by Ted Snyder

Alternate title: Stop that rag, keep on playing

 240/32 Manuscript piano-vocal score; [4] p. The sun's shining down at last 240/33 Typescript lyric sheets; [2] leaves Sunshine 240/34 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Swanee shuffle

Introduced in Hallelujah

240/35 Manuscript piano score; [2] p. 240/35 Manuscript lead sheet; [2] p. 240/35 Printed manuscript lyric sheet; [1] leaf 240/35 Typescript lyric sheets; [7] leaves Sweet potatoes 240/36 Photocopy of sketch; [1] p.

Original manuscript is on verso of sketch for They like Ike from Call me madam

Sweeter than sugar (is my sweetie) 240/37 Manuscript lead sheet; [1] p. Sweetheart, if I had you 240/38 Typescript lyric sheet; [1] leaf Take a little tip from father

Music by Ted Snyder

 241/1 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Take ‘im away (he’s breakin’ my heart)

Alternate title: Take him away (he's breaking my heart)

Intended for The cocoanuts; dropped during rehearsals

 241/2 Manuscript lead sheets; 2 p. each 2 copies

No lyrics

 241/2 Typescript lyric sheet; [1] leaf Take me back to the garden of love (parody) 241/3 Typescript lyric sheet; [1] leaf Take me with you, soldier boy 241/4 Manuscript piano-vocal score; 3 p. 241/4 Sketch; [1] p. 241/4 Typescript lyric sheets; [5] leaves 241/4 Photocopies of manuscript piano-vocal score; 3 p. each 2 copies Take off a little bit more 241/5 Sketch; [1] p. The tattooed man

Lyrics by Edgar Leslie and Grant Clarke; Music by Irving Berlin

 241/6 Photocopy of manuscript lead sheet; [1] p. 241/6 Typescript lyric sheets; [2] leaves

With holograph annotations

 241/6 Photocopy of typescript lyric sheet; [1] leaf Teach me to cuddle up 241/7 Holograph lyric sheet; [1] leaf Tell all the folks in Kentucky (I'm comin' home) 241/8 Sketch; [3] p. 241/8 Manuscript lyric sheet; [1] leaf Tell it like it is 241/9 Typescript lyric sheets; [2] leaves Tell me when 241/10 Typescript lyric sheet; [1] leaf

Manuscript on verso: Maurice De Jac

 Telling lies

Music by Henriettta Blanke-Belcher

 241/11 Manuscript piano-vocal score; [3] p. “Thank you, kind sir!” said she

Music by Ted Snyder

 241/12 Manuscript piano-vocal score; [3] p. Thanks for the memory (parody)

Written for Bob Hope’s 1948 Christmas tour to Germany

 3/6 Copy of souvenir program 241/14 Typescript lyric sheets; [3] leaves Memory closing #1 241/14 Manuscript parts Thanx America 241/15 Sketch; [1] p.

Dated: Oct. 19, 1939

That dying rag

Alternate title: The dying rag

 241/16 Manuscript piano-vocal score; [3] p. That Kazzatsky dance 241/17 Manuscript piano-vocal score; [3] p. That mesmerizing Mendelssohn tune

Subtitle: Mendelssohn rag

 241/18 Fair copy (Kresa) manuscript piano-vocal score; 3 p. That opera rag

Music by Ted Snyder

 241/19 Manuscript piano-vocal score; [3] p. That revolutionary rag

Introduced in The royal vagabond

241/20 Photocopies of sheet music That tired melody 241/21 Holograph lyric sheets; [2] leaves That wonderful tango

Alternate title: Tango

 241/22 Sketch; [2] p.

On verso: shorthand notes

 241/22 Typescript lyric sheet; [1] leaf That's how I love you 241/23 Manuscript piano-vocal score; [4] p. That's how I love you, Mike 241/24 Holograph lyric sheets; [2] leaves That's just why I love you 241/25 Typescript lyric sheet; [1] leaf That's my idea of paradise

Introduced in The society buds

241/26 Manuscript piano-vocal score; [4] p. There must be an easier way 241/27 Sketches; [2] p. There's a corner up in heaven 241/28 Typescript lyric sheet; [1] leaf There's a girl in Arizona

Lyrics by Edgar Leslie and Grant Clarke; Music by Irving Berlin

 241/29 Manuscript piano-vocal score; [3] p. There's a girl in my head 241/30 Manuscript piano score; [1] p. 241/30 Sketch; [2] p. There's a girl on my mind see also Watch your step 241/31 Typescript lyric sheet; [1] leaf There's a smile on my face

Written for Follow the fleet, but not used

 241/32 Manuscript piano-vocal scores; [3] p. each 3 copies 241/32 Sketch; [2] p. 241/32 Photocopy of piano-vocal score; [3] p. 241/32 Typescript lyric sheets; [6] leaves There's no town like our town see also Our town 241/33 Sketch; [1] p. 241/33 Typescript lyric sheet; [1] leaf These are the happy days 241/34 Sketches; [2] p. They all took a drink of it

Alternate title: Kentucky rye

 241/35 Holograph lyric sheet; [1] leaf They call it dancing see also Music box television spectacular and Music box revue, 1921

1957 revision

 241/36 Typescript lyric sheet; [1] leaf They can't pick on Dick any 241/37 Manuscript shorthand lyric; [1] leaf 241/37 Typescript lyric sheets; [2] leaves They say it's full of Indians 241/38 Manuscript piano-vocal score; [3] p.

No lyric

 241/38 Manuscript piano-vocal score; [2] p. Transparencies

No lyric

 241/38 Sketch; [1] p. 241/38 Photocopy of manuscript piano-vocal score; [3] p.

No lyric

 241/38 Negative photocopy of manuscript piano-vocal score; [3] p.

No lyric

 241/38 Ditto copies of manuscript piano-vocal score 2 copies

No lyric

 241/38 Typescript lyric sheets; [2] leaves

With holograph annotations

 241/38 Typescript lyric sheets; [2] leaves They were all out of step but Jim 241/39 Fair copy manuscript piano-vocal score; 4 p. 241/39 Sheet music They won't be pushed in the sea 241/40 Typescript lyric sheets; [4] leaves They're on their way to Mexico 241/41 Manuscript piano-vocal score; [4] p. They're blaming the Charleston 241/42 Typescript lyric sheet; [1] leaf They've got me doin' it now 241/43 Manuscript lead sheet; [1] p. 241/43 Typescript lyric sheet; [1] leaf This is America 241/44 Manuscript piano-vocal score; [4] p. 241/44 Holograph notes and lyrics; [7] leaves 241/44 Typescript lyric sheets; [13] leaves This is a great country 31/7 Manuscript full score; 9 p. 31/7 Manuscript parts This is the life 241/45 Fair copy (Kresa) manuscript piano-vocal score; 5 p. This time it's love 241/46 Manuscript lead sheet; [1] p. 241/46 Sketches; [5] p. Three score and ten

Alternate title: Now that I've reached threescore and ten

 241/47 Typescript lyric sheets; [2] leaves Till this crazy world is sane again 241/48 Manuscript shorthand lyric sheet; [1] leaf 241/48 Typescript lyric sheets; [2] leaves Till we hang the paper hanger 241/49 Manuscript piano-vocal score; [2] p. 241/49 Manuscript lead sheet; [1] p. 241/49 Sketch; [2] p. 241/49 Typescript lyric sheets; [2] leaves Tip the waiter 241/50 Manuscript lead sheet; [1] p. 241/50 Typescript lyric sheet; [1] leaf 241/50 Holograph lyric sheet; [1] leaf Tipperary 241/51 Sketch; [1] p. To be forgotten

Alternate title: Forgotten (a memory that's soon to be); A memory that's soon to be forgotten

 241/52 Manuscript piano-vocal score; [4] p. 241/52 Manuscript piano score; [2] p. 241/52 Manuscript lead sheets(2); [2] p. each 241/52 Fair copies (Kresa) of manuscript piano-vocal score; 4 p. each 2 copies 241/52 Manuscript lyric sheet; [1] leaf 241/52 Typescript lyric sheets; [6] leaves 241/52 Sheet music To hear a band 241/53 Sketch; [4] p. To the good old U.S.A.

Alternate title: Let every true American man

 241/54 Holograph lyric sheet; [1] leaf The toddle

Originally written for Music box revue television spectacular

241/55 Manuscript piano-vocal score; [3] p. 241/55 Sketch; [1] p. 241/55 Holograph lyric sheets; [2] leaves 241/55 Typescript lyric sheets; [3] leaves Together we two 241/56 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Tomorrow 241/57 Typescript lyric sheets; [2] leaves Too many sweethearts see also Little butterfly 241/58 Manuscript piano score; [2] p. 241/58 Manuscript lead sheet; [1] p. 241/58 Typescript lyric sheet; [1] leaf Torch song see also Face the music 241/59 Photocopy of sketch; [2] p. 241/59 Typescript lyric sheet; [1] leaf Tra-la, la, la! 241/60 Sketch; [2] p. Treat her like a baby see also Always treat her like a baby 241/61 Typescript lyric sheet; [1] leaf The trouble with love 241/62 Typescript lyric sheet; [1] leaf

With annotations

 Tum-tiddle-dee-um-tum 241/63 Manuscript lead sheet; [1] p. 241/63 Typescript lyric sheets; [2] leaves

One with annotations

 'Twas a wonderful night for waltzing 241/64 Manuscript lead sheet; [1] p. 241/64 Sketches; [7] p. 241/64 Manuscript lyric sheet; [1] leaf 241/64 Typescript lyric sheets; [7] leaves Uncle Sam 242/1 Sketch; [1] p. Under the palms 242/2 Holograph lyric sheet; [1] leaf Until 242/3 Holograph lyric sheet; [1] leaf

On envelope

 Vote, America 242/4 Typescript lyric sheets; [6] leaves Wait until you're married 242/5 Manuscript lead sheet; [1] p. 242/5 Typescript lyric sheets; [6] leaves Waiting at the end of the road 242/6 Manuscript piano-vocal score; [3] p. 242/6 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 242/6 Manuscript parts 242/6 Holograph lyric sheet; [1] leaf 242/6 Typescript lyric sheets; [3] leaves Wait'll you land in dear old Texas 242/7 Holograph lyric sheet; [1] leaf Waltz 242/8 Manuscript lead sheet and sketches; [2] p. The waltz of old Vienna

Earlier title: Nobody dances in Vienna (you can't goose-step to a waltz)

Written for Louisiana purchase, but not used

 242/9 Manuscript piano-vocal score; [4] p.

Without piano introduction

 242/9 Manuscript piano-vocal score; [3] p.

With piano introduction

 242/9 Manuscript piano score; [2] p. 242/9 Photocopy of piano-vocal score; [4] p. 242/9 Typescript lyric sheet; [5] leaves The way it was

Written for Music box revue television spectacular

242/10 Manuscript piano-vocal score; [3] p. 242/10 Typescript lyric sheets; [5] leaves We had a wonderful honeymoon 242/11 Typescript lyric sheet; [1] leaf

With holograph annotations

 We have much to be thankful for 241/13 Manuscript lead sheet; [1] p. We might have had a future

Written for Louisiana purchase, but not used

 242/12 Typescript lyric sheets; [3] leaves We still like Ike 242/13 Copyist's manuscript piano-vocal score; 4 p. Transparencies 242/13 Printed piano-vocal score; 4 p. each 2 copies Welcome, comrades, welcome 242/14 Sketch; [2] p. 242/14 Typescript lyric sheets; [2] leaves Welcome home 242/15 Manuscript piano-vocal score; [4] p. We'll meet again 242/16 Holograph lyric sheet; [1] leaf We'll never know 242/17 Copyist's manuscript piano-vocal score; [1] p. 242/17 Manuscript piano score; [2] p. 242/17 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 242/17 Typescript lyric sheets; [2] leaves 242/17 Sheet music We've had a lovely evening 242/18 Manuscript shorthand notes; [1] leaf 242/18 Typescript lyric sheet; [1] leaf What am I gonna do?

Alternate titles: What am I goin' a do?

 242/19 Holograph lyric sheet; [1] leaf 242/19 Photocopy of typescript lyric sheet; [1] leaf What can a songwriter say? see Let me sing and I'm happy What can you give a man who has everything 242/20 Typescript lyric sheets; [3] leaves What color is love?

Alternate title: The color of love

 242/21 Typescript lyric sheets; [4] leaves What did I do?

Alternate title: The color of love

 242/22 Sketches; [2] p. What did you do to me? 242/23 Typescript lyric sheets; [2] leaves What this country needs

Includes 1980 version for Ronald Reagan

 242/24 Typescript lyric sheets; [4] leaves What'll I do? 242/25 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 242/25 Printed parts What's good enough for your father is good enough for you

Alternate title: It was good enough for your father

 242/26 Typescript lyric sheet; [1] leaf What's what about me? see also What's there about me 242/27 Sketch; [3] p. When 242/28 Typescript lyric sheets; [2] leaves When a three star general’s daughter meets a four star general’s son

Alternate title: When a one star general’s daughter meets a four star general’s son

 242/29 Copyist's manuscript piano-vocal score; [2] p. 242/29 Sketch; [1] p. 242/29 Printed piano-vocal score; [2] p.

With annotations

Laid in: sketch material to be inserted; [1] p.

 242/29 Printed piano-vocal score; [2] p. each 2 copies

At top: when a one star...

 242/29 Printed piano-vocal score; [2] p. each 2 copies

At top: when a three star...

 242/29 Typescript lyric sheets; [7] leaves When I get back to the U.S.A.

Written for Stop! Look! Listen!

242/30 Manuscript piano-vocal score; [4] p. When I leave the world behind 242/31 Copyist's manuscript piano-vocal score; [2] p. Transparencies 242/31 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 242/31 Printed manuscript piano-vocal score; 2 p. each 3 copies 242/31 Sheet music When I'm alone I'm lonesome 242/32 Fair copy (Kresa) manuscript piano-vocal score; 4 p. When I’m thinking of you

Alternate title: When I'm thinking of you I'm thinking of a wonderful love

 242/33 Manuscript piano-vocal score; [3] p. When it rains, sweetheart, when it rains 242/34 Manuscript piano-vocal score; [4] p. 242/34 Sketch; [1] p. When it's nighttime in Dixieland see also White Christmas

Written for Watch your step, but dropped after tryout

 242/35 Manuscript piano-vocal score; [3] p. 242/35 Manuscript piano score; [2] p. 242/35 Printed piano-vocal score; 3 p.

With annotations

 When Johnson’s quartette harmonize

Alternate title: When Johnson's quartet harmonize

 243/1 Holograph lyric sheet; [1] leaf 243/1 Typescript lyric sheet; [1] leaf 243/1 Photocopies of holograph lyrics from verso of lyric sheet for Call me; [2] leaves When the man is dead and gone 243/2 Condensed score with parts 243/3 Manuscript lead sheets; [1, 2] p. 243/3 Sketch; [1] p. 243/3 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 243/3 Typescript lyric sheets; [13] leaves 243/4 Sketch of vocal score; 9 p. 243/4 Printed manuscript vocal scores; 9 p. each 2 copies 243/4 Sheet music When the black sheep returns to the fold 243/5 Typescript lyric sheet; [1] leaf

Recitation only

 When they began to play 243/6 Holograph lyric sheet; [1] leaf

On Hotel Algonquin, NYC stationery

 When this crazy world is sane again 243/7 Manuscript lead sheet; [1] p. 243/7 Sketch; [3] p. 243/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 243/7 Typescript lyric sheets; [11] leaves 243/8 Manuscript vocal score; [4] p. 243/8 Printed manuscript vocal scores; [8] p. each 2 copies 243/9 Manuscript parts When you kiss an Italian girl 243/10 Manuscript piano-vocal score; [4] p. Where are the peaceful Indians 243/11 Typescript lyric sheet; [1] leaf Where is the song of songs for me? see also Is he the only man in the world? 243/12 Manuscript piano score; [2] p. 243/12 Manuscript lead sheet; [2] p. 243/12 Typescript lyric sheets; [3] leaves Wherever you are 243/13 Manuscript piano-vocal score; [4] p. While we're dancing 243/14 Sketches; [2] p.

On verso: sketch for "Let's face the music and dance"

 243/14 Sketch; [1] p. The whistling rag

Alternate title: Whistling rag

 243/15 Manuscript piano-vocal score; [4] p. White Christmas 244/1 Manuscript piano score; 5 p. 244/1 Sheet music

Piano solo

 244/1 Sheet music

2 versions

 244/1 Photocopied sheet music

2 versions: Italian and Spanish

 244/2 Parts 244/3 Printed parts

1st, 2nd, 3rd, and solo cornet parts only

Arranged by Bennett

 244/3 Printed parts for band 2 copies

Arranged by Leidzen

 244/3 Printed chorus scores; 8 p. each 2 copies 244/3 Printed piano-vocal score; 8 p. 244/3 Printed condensed scores; 7 p. each 4 copies 244/4 Printed condensed score and parts for band 2 copies 244/4 Printed condensed score and parts for orchestra 244/5 Printed condensed score and parts 2 copies

Simplified version

 Whose little heart are you breaking now?

Alternate title: Whose foolish heart are you breaking now?; Whose loving heart are you breaking now?

 245/1 Holograph lyric sheet; [1] leaf

Attached: typescript lyric sheet with annotations; [1] leaf

 245/1 Typescript lyric sheets; [4] leaves

One with annotations

 Why can't you be sweet more often 245/2 Sketch; [1] p. 245/2 Typescript lyric sheets; [2] leaves Why did we have to fall in love 245/3 Typescript lyric sheets; [4] leaves Why do I love you 245/4 Typescript lyric sheets; [4] leaves Why I love my baby 245/5 Manuscript piano score; [2] p. Why shouldn't I like me?

Written for Mr. President, but not used

 245/6 Typescript lyric sheets; [2] leaves Wilhelmina 245/7 Copyist's manuscript piano-vocal score; 4 p. Transparencies 245/7 Sketch of manuscript piano-vocal score; 4 p.

Laid in: piano score insert; [2] p.

 245/7 Photocopy of piano-vocal score; 4 p.

With annotations

 245/7 Photocopies of piano-vocal score; 4 p. each 2 copies 245/7 Typescript lyric sheets; [6] leaves 245/7 Sheet music With all my heart and soul 245/8 Photocopy of sketch; [1] p.

Photocopy from verso of Cling to me

With you 245/9 Manuscript piano-vocal score; [4] p. 245/9 Manuscript lead sheets; [1, 2, 2, 2] p. 245/9 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 245/9 Typescript lyric sheets; [4] leaves Without love 245/10 Manuscript lyric sheet; [1] leaf 245/10 Typescript lyric sheets; [9] leaves A woman's place is in the home

Written for Miss Liberty, but not used

 245/11 Manuscript piano-vocal score; [2] p. 245/11 Sketch; [7] p. 245/11 Photocopy of sketch material; [3] p. 245/11 Negative photocopy of sketch material; [3] p. 245/11 Typescript lyric sheet; [1] leaf

With annotations

 245/11 Typescript lyric sheets; [2] leaves Won't you love me 245/12 Typescript lyric sheet; [1] leaf Words without music 245/13 Typescript lyric sheets; [2] leaves Would you like to take a look see also Through a keyhole

Alternate title: Through a keyhole

 245/14 Sketch; [1] p. Yankee doodle and obligato 245/15 Sketch; [1] p. Yasha Michaelowfsky’s melody 245/16 Typescript lyric sheet; [1] leaf The Yiddisha ball 245/17 Typescript lyric sheet; [1] leaf Yiddisha Eskimo

Written for Music box revue, <date>1924</date> , but not used

 245/18 Manuscript lead sheet; [2] p. 245/18 Manuscript lyric sheets; [2] leaves 245/18 Typescript lyric sheet; [1] leaf 245/18 Photocopy of manuscript lead sheet; [2] p.

With lyrics added in pencil

 Yiddisha eyes 245/19 Manuscript piano-vocal score; [4] p. Yiddisha nightingale 245/20 Manuscript piano-vocal score; [4] p. Yiddisha professor

Alternate title: The Yiddisha professor

 245/21 Manuscript piano-vocal score; 5 p. Yiddisha wedding 245/22 Photocopies of typescript lyric sheets; [2] leaves Yiddle, on your fiddle, play some ragtime 245/23 Fair copies (Kresa) manuscript piano-vocal score; 3 p. each 2 copies You can tell 245/24 Manuscript piano score; [1] p. You can't do it by yourself see also I can't do it by myself

Alternate titles: He can't do it by himself; I can't do it by myself

 245/25 Typescript lyric sheets; [7] leaves You can't lose the blues with colors 245/26 Manuscript piano-vocal score; [4] p.

At top left: original key

 245/26 Manuscript piano-vocal score; [4] p.

Waltz arrangement

 245/26 Manuscript piano-vocal score; [3] p.

Dated: 1/16/56

Incomplete lyrics after first page

 245/26 Copyist's manuscript piano-vocal score; 3 p. Tranpsarencies 245/26 Manuscript lead sheet; [2] p.

Dated: 1/13/56

Additional manuscript lead sheet attached titled "sponsor"

 245/26 Sketch; [1] p. 245/26 Typescript lyric sheets; [4] leaves

With holograph annotations

 245/26 Typescript lyric sheets; [14] leaves 245/26 Sheet music

Without cover

 You could be beautiful 245/27 Manuscript piano-vocal score; [3] p. 245/27 Manuscript lead sheet; [1] p.

On verso: sketch

 245/27 Photocopy of manuscript piano-vocal score; [3] p. 245/27 Typescript lyric sheets; [9] leaves You gotta believe in Santa Claus 245/28 Sketch; [1] p. 245/28 Typescript lyric sheets; [2] leaves You have to have ‘it’ in Hollywood

Alternate title: You got to have 'it' in Hollywood

Originally written for Ziegfeld follies of <date>1927</date>

245/41 Manuscript piano score; [2] p.

On cover: Cantor, Loews State, Thurs.

 245/41 Typescript lyric sheet; [1] leaf You picked a bad day out to say goodbye 245/29 Manuscript lead sheet; [1] p. 245/29 Typescript lyric sheet; [1] leaf You will never grow old 245/30 Manuscript lead sheet; [1] p.

On verso: sketch

 245/30 Holograph lyric sheets; [2] leaves The younger generation 245/31 Photocopy of manuscript lead sheet; [2] leaves

Photocopied from verso of manuscript lead sheet: In our hideaway, from Mr. President

Your automobile is burning, Abie 245/32 Typescript lyric sheet and photocopy; [1] leaf each Your love is showing 245/33 Typescript lyric sheets; [2] leaves You're an uptown gal with a downtown heart 245/34 Holograph lyric sheets; [2] leaves You're fun to be with

Originally written for Music box television spectacular

245/35 Sketch; [1] p. 245/35 Typescript lyric sheets; [2] leaves You’re goin’ to lose your baby someday 245/36 Manuscript lead sheet; [1] p. 245/36 Typescript lyric sheets; [3] leaves You're gonna be the death of me 245/37 Photocopy of sketch; [1] p.

Photocopied from verso of Mona

The youth parade see also Ladies of the chorus lyric sheet 245/38 Typescript lyric sheets; [5] leaves 245/38 Photocopies of letters

From Irving Berlin to Mrs. Roosevelt and a letter from Mrs. R to Irving Berlin

 You've got me hypnotized 245/39 Copyist's manuscript piano-vocal score; [4] p. You've got to be way out to be way in

Written for an unproduced television version of Call me madam

245/40 Sketches; [9] p. 245/40 Typescript lyric sheets; [3] leaves 245/40 Typescript lyric sheets; [3] leaves

Dated: May, 1966

245/40 Typescript lyric sheets; [4] leaves

Dated: April, 1967

245/40 Typescript lyric sheets; [5] leaves

Dated: June-July, 1971

245/40 Photocopy of piano-vocal score; 3 p.

With annotations

 245/40 Photocopies of piano-vocal score; 3 p. each 2 copies You’ve got your mother’s big blue eyes 245/42 Manuscript lead sheet; [1] p. 245/42 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 245/42 Typescript lyric sheet; [1] leaf Songbooks/folios printed 246/1 Armed Forces songfolio, January 1951 2 copies 246/1 Armed Forces songfolio, March 1955 246/1 Army hit kit for soldier shows, 1950 edition 2 copies

Laid in: letter from Music Dealers Service, Inc.

 246/1 Army hit kit of popular songs, October 1950 2 copies

Laid in: letter from Music Dealers Service, Inc.

 246/1 Army hit kit for soldier shows, Volume X 246/1 Army songbook 246/2 Easy Ever Green, Bosworth organ series ; 22 p.

German publication

 246/3 Irving Berlin song folio no. 1 for voice and piano; 24 p. Red hardbound cover 246/3 Irving Berlin song folio no. 1 for voice and piano; 24 p. Blue hardbound cover 246/3 Irving Berlin song folio no. 1 for voice and piano; 24 p. each 2 copies

With holograph autographs

 246/4 Irving Berlin waltzes no. 1 for voice and piano; 24 p. Red hardbound cover 246/5 Irving Berlin folio for lead guitar, rhythm guitar and bass; 23 p. each 2 copies 246/5 Irving Berlin songs arranged for the Uke by Roy Smeck; 48 p.

With annotations

Laid in: manuscript fret chart for uke; [1] leaf

 247/1 Irving Berlin selection for G and C electric chord organs with lyrics; 15 p. each 2 copies 247/1 Irving Berlin for all organs, with lyrics; 35 p. 247/1 That’s show business: Hal Leonard organ adventure series; 48 p. each 2 copies 247/1 Berlin’s best for all electronic organs with words, vol. 1; 65 p. 247/1 Unforgettables; 52 p. 247/2 Irving Berlin fifty standards; 50 p.

Piano or organ book

 247/2 Irving Berlin fifty standards; 50 p.

B-flat book

 248/1 25th anniversary folio 4 copies

1st publication, arranged for use by Sweet Adelines, Inc.

With annotations

 248/2 25th anniversary folio 2 copies

2nd publication, arranged for use by Sweet Adelines, Inc.

 248/3 25th anniversary folio; [49] p. Photocopy and manuscript vocal scores 248/4 25th anniversary folio; 70 p. Publisher's proof

Arranged for use by Sweet Adelines, Inc.

 248/5 25th anniversary folio; approximately 70 p. Printed, photocopied manuscript with annotations and paste-overs Songs for men - barber shop arrangements 248/6 Printed music; [15] leaves

With annotations

Laid in: manuscript notes about published arrangements; [4] p.

 Berlin's best, volume I 249/1 Typescript forward by Edward Jablonski; [2] p. each 5 versions 249/1 Printed covers for proof; [2] p. each 6 versions

With annotations

 Berlin's best, all electronic organs folio, volume I 249/2 Manuscript piano-vocal scores and first proofs; 6 leaves

With annotations

Titles: Lady of the evening, Lazy, This year’s kiss

 249/2 Proof of title page glued to cardboard for support; [1] p.

With annotations

 249/2 Printed forward by Edward Jablonski; [1] p. 249/2 Printed piano-vocal scores; [25] titles

With tape, paste-overs, and annotations

Titles: All by myself; Always; Be careful, it’s my heart; Cheek to cheek; Doin’ what comes natur’lly; Everybody step; Give me your tired, your poor; God bless America; How deep is the ocean; I got the sun in the morning; It’s a lovely day tomorrow; Lady of the evening; Lazy; Oh! how I hate to get up in the morning; Play a simple melody; Remember; Say it isn’t so; Soft lights and sweet music; There’s no business like show business; They say it’s wonderful; This is the Army, Mr. Jones; This year’s kisses; Top hat, white tie and tails; When I leave the world behind; When I lost you

 Berlin's best, piano solo folio album, volume I 249/3 Manuscript piano scores; [25] leaves

With annotations

 249/3 Typescript content page; [1] leaf 249/3 Printed proof of content page; [1] leaf 249/4 Method for organ; [14] p.

Cardboard keyboard, music with paste-overs, numbering system

 Miscellaneous and unidentified manuscript and lyric sheets 250/1 Music lesson and lead sheet; [2] p.

Holograph at bottom: 1st lead sheet ever taken down by Irving Berlin, Aug. 16, 1932

250/1 Key signatures and notes on staff; [1] p.

Holograph?

 Miscellaneous lyrics 250/2 Holograph lyric sheets; [2] leaves

No titles

 All that they will find (ink on cardboard) Don't wake me...when Harry 250/2 Manuscript lyric sheets; [2] leaves Bradleys

Berlin hand?

 You've often heard a crowd of people 250/2 Typescript sheets; [7] leaves

With titles

 Back again The best part of a party's when it's over I'll be babysitting tonight The lyricist's lament The one who is loved Oscar Hammerstein Small comment 250/2 Typescript sheets; [6] leaves

Without titles, first words only

 The hour's late... I wonder how Stephen Foster... The man who would rather be right... Roses, roses, roses reminds... We met in a singles bar... What this country needs is a laugh... Miscellaneous manuscripts 250/3 Sketches with lyric fragments; [5] leaves

Transcribed from shorthand

 Come back to me... I am a person... I have what you... Last time...gave me your undivided attention I want somebody near me... Unidentified manuscripts sorted in chronological order

The order is established by identifying the address on the staff paper and how it corresponds to the dates of employment at the company’s address: 112 West 38th Street = 1909-1914; Strand Theatre Bldg. = 1914-1919; 1607 Broadway = 1921-1933; 799 Seventh Ave. = 1934-1944. This is merely a way to approximate the dates knowing full well the possibility of inconsistency for changeover to the new address.

 250/4 Sketches and lead sheets; [56] leaves

Address on staff paper: 112 West 38th Street

 250/5 Sketches and lead sheets; [18] leaves

Address on staff paper: Strand Theatre Bldg., Broadway at 47th

 250/5 Sketches and lead sheets; [23] leaves

Address on staff paper: 1607 Broadway

 250/5 Sketches and lead sheets; [7] leaves

Address on staff paper: 799 Seventh Avenue

 250/6 Sketches and lead sheets; [60] leaves

No address on staff paper

 251-280, 508-509, 543, 585, B 190-192 3 Project Files 251/1 After dinner murder - holograph synopsis, undated; [1] leaf Alexander's ragtime band 251/2 Clippings, 1938 Jan. - Sept. 19 251/3 Clippings, 1938 Sept. 20-30 251/4 Clippings, 1938 Oct. - Dec. 251/6 Publicity materials for preview and opening night, 1938 251/5 Radio and television promotional plugs, 1947 251/7 Story notes/song selection, 1936-1938 251/8 All of my life, 1944-1945 251/9 Angels of mercy, 1942 Annie get your gun 251/10 Clippings, 1966 Jan. - June 251/11 Clippings, 1966 July - Dec. 251/12 Clippings, 1973-1975 251/13 Clippings, 1977 Jan. - June 251/14 Clippings, 1977 July - Dec. 251/15 Clippings, 1978-1983 251/16 Clippings, 1986-1989 251/17 Commercials, 1957 251/18 Congratulation telegrams regarding opening night, 1946 Correspondence 252/1 Cohen, Godfrey 252/2 Gans, Marjorie 252/3 Kaise, Yukio 252/4 Jackson, Theodore R. 252/5 Reinheimer, Howard 252/6 Shawnee Press, Inc., 1966-1978 252/7 Miscellaneous, 1946-1982, undated Financial papers B 190-192 Box office receipts 252/8 London sales, 1947-1949 252/9 London sales, 1950-1951 Royalty statements 252/10 1950-1959 252/11 1960-1969 252/12 1970-1975 252/13 undated 252/14 Legal documents, 1950 543 Photographed scene paste-ups (oversize) possibly for souvenir booklet; 29 items 585 Pencil drawing and sketch of costume design (oversize) 585 Photocopy of Indian Chief Running Bull photograph (oversize) 585 Photograph paste-ups (oversize) possibly for souvenir booklet 252/15 Production photographs (University of Minneapolis), undated 252/16 Miscellaneous data, undated 252/17 Miscellaneous telegrams/greetings, 1946-1961 252/18 Any bonds today, 1941-1945 As thousands cheer 253/1 Clippings, 1933 Financial papers 253/2 Statements and receipts, 1934 May - Sept. 253/3 Statements and receipts, 1934 Oct. - 1935 May Blue skies 254/1 Clippings, correspondence, notes, miscellaneous 1944-1945, undated 254/2 Promotion materials from Paramount Pictures, undated Broadcasts - radio and television 254/3 1933-1937 254/4 1938-1939 254/5 1941 254/6 1942-1943 254/7 1944 Feb. - Aug. 254/8 1944 Aug. - Dec. 254/9 1945-1949 254/10 1950 254/11 1957, 1965 254/12 Scripts, undated - I.B. and Eddie Cantor; I.B. and George Jessel 254/13 Miscellaneous, undated Call me madam 255/1 Clippings, 1953-1989 Correspondence 255/2 Berman, Abraham, 1950-1973 255/3 Bernstein, Herman, 1950-1963 255/4 Chandler, Al, 1950-1959 255/5 Chappell & Co. Ltd., 1954-1963 255/6 Chappell & Co. Ltd., 1964-1970 255/7 Cohen, George W., 1951-1956 255/8 Cohen, Godfrey, 1952-1960 255/9 Colton, Edward E., 1951-1952 255/10 German TV (legal), 1959-1969 255/11 Hayward, Leland, 1950-1973 255/12 Hoyt, Howard, 1953 255/13 Jackson, Theodore R., 1952-1968 255/14 Pryor, Saul P., 1950 255/15 Schwartz, Alan U., 1968 255/16 Twentieth-Century Fox Film Corp., 1951-1967 255/17 Watterberg, Sidney, 1955-1956 255/18 Whitehead, Allan, 1955-1974 255/19 Miscellaneous, A-N 255/20 Miscellaneous, O-Z Financial papers 256/1 Royalties, 1950-1953 256/2 Royalties, 1954-1965 256/3 Royalties, 1966-1975, undated 256/4 Legal documents, 1950-1956, undated 256/5 Printed matter, undated 256/6 Production notes, undated 256/7 Ticket lists, 1950, undated 256/8 Miscellaneous, 1954-1970 256/9 Carefree; publicity materials, undated 256/10 Careless, 1939-1961 256/11 Century Girl, The; photocopy of program, 1916 Easter parade 508/1 Clippings; rough drafts; notes 508/2 Printed promotional advertisements 256/12 Notes 256/13 Film cue sheets, 1938-1965 256/14 First citizen of song: script, 1942 256/15 The First Christmas, re: White Christmas,1948, undated 256/16 Follow the fleet: clippings, 1936 God bless America Clippings 257/1 1940 257/2 1954 June 24 - July 16 257/3 1954 July 17 257/4 1954 July 18-22 257/5 1954 July 23-31 257/6 1954 Aug. - 1955 Feb. 15 257/7 1955 Feb. 20-23 257/8 1955 Feb. 24 - Dec. 257/9 1973-1986 Correspondence 258/1 Berlin, Ellin 1939-1971 258/2 Berlin, Irving 1948-1966 258/3 Berman, Abraham 1955-1971 258/4 Bornstein, Saul H. 1938-1942 Boy Scouts of America 258/5 1940 258/6 1941 258/7 1942-1945 259/1 1947-1959 259/2 1955 259/3 1960-1989 259/4 Bunche, Ralphe, 1962-1971 259/5 Camp fire girls, 1940-1942 259/6 Children village, 1964-1971 259/7 Cohen, Godfrey, 1951-1963 259/8 Collins, Ted, 1939-1940 259/9 Duberstein, Aaron, 1956-1970 259/10 Fox, Harry, 1939-1970 259/11 Gilbert, Francis, 1944-1951 Girl Scouts of America 259/12 1940-1950 259/13 1951-1959 260/1 1960-1989 260/2 Photographs, 1954 260/3 Jackson, Theodore, 1953-1986 260/4 Lawler, T. Newman, 1958-1971 260/5 Malino, Jerome E., 1969-1977 260/6 Phipps, Harriet, 1950-1976 260/7 Roosevelt, Eleanor, 1949-1958 260/8 Smith, Kate, 1939-1940 Swope, Herbert Bayard 260/9 1939-1949 261/1 1950-1958 261/2 1958 (personal) 261/3 Tunney, Gene, 1949-1970 261/4 Upton, J. Duane, 1969-1970 261/5 Widerman, Persis, 1950-1951 261/6 Young men's Christian association, 1951-1969 Miscellaneous 261/7 A-F 261/8 G-J 261/9 K-O 261/10 P-Z Financial papers 262/1 Bank statements, 1949-1971 262/2 Correspondence, 1956-1965 262/3 Bank statements, 1966-1971 Royalty statements 262/4 1949-1951 262/5 1955-1963 262/6 1964-1976 262/7 Taxes, 1954-1971 262/8 Legal documents/contracts, 1940-1972 Permission files 263/1 1949-1960 263/2 1963-1965 263/3 1966-1967 263/4 1968 263/5 1969 263/6 1970 263/7 1971 263/8 1972-1982 Printed matter 264/1 1940-1957 264/2 1958-1967 264/3 undated Requests for contributions 264/4 1964 264/5 1965 264/6 1966 264/7 1967 264/8 1968 264/9 1969 265/1 1970 265/2 1961 265/3 1974 265/4 1975 265/5 Miscellaneous 265/6 Great white hope, The, 1968 265/7 Gypsy, undated 265/8 Holiday inn, 1942 265/9 Irving Berlin album, undated 265/10 The last resorts, 11-19-1952 265/11 Lord done fixed up my soul, The, 1940 Louisiana purchase 265/12 Clippings, 1941-1942 265/13 Correspondence; miscellaneous, 1939-1942 Financial papers 265/14 Box office statements/receipts, 1940 Apr. - Aug. 265/15 Box office statements/receipts, 1940 Sep. - Dec. 266/1 Box office statements/receipts, 1941 Jan. - July 266/2 Box office statements/receipts, 1941 Oct. - Dec. 266/3 Box office statements/receipts, 1942 Jan. - Apr. 266/4 Marie from sunny Italy - publishing contract, 1907 Miss Liberty 266/5 Clippings, 1950-1965, undated Correspondence 266/6 Benton and Bowles, Inc., 1953 266/7 Berman, Abe, 1949-1955 266/8 Ellis Island foundation, 1983-1988 266/9 Fields, William, 1949-1950, undated 266/10 Lazar, Irving, 1954 266/11 Mann, Gene, 1950 266/12 Samrock, Victor, 1949-1950 266/13 Miscellaneous, 1949-1985 266/14 Data, 1948-1989 266/15 Financial papers, 1949-1954, undated 266/16 Financial papers - ticket information, 1949-1950, undated 266/17 Invitations, 1968 Legal papers: correspondence 267/1 Colton, Edward E., 1954 267/2 Lawler, T. Newman, 1949-1954 267/3 Miscellaneous, 1949-1967 267/4 Legal documents, 1949-1954 267/5 Permissions, 1967-1985 267/6 Photographs, undated 267/7 Miscellaneous, 1949-1970, undated Mr. President 267/8 Advertising, 1964, undated 267/9 Auditions, 1964 267/10 Clippings, 1962 267/11 Clippings, 1963-1964 Correspondence 267/12 Bernstein, Herman, 1962-1963 267/13 Chandler, Al, 1962-1964 267/14 Cohen, Godfrey, 1962 267/15 Columbia records, 1962-1963 267/16 Hayward, Leland, 1963-1965 267/17 Jackson, Theodore R., 1962-1967 267/18 Lindsay, Howard, 1964 267/19 Vian, John, 1963-1964 267/20 Miscellaneous 267/21 Miscellaneous fan mail, 1962-1963, undated Financial papers 268/1 Expense summaries, 1962-1963 268/2 Royalties, 1962-1968 268/3 Miscellaneous, 1962-1966 Legal correspondence 268/4 Berman, Abraham, 1962-1967 268/5 Laskey, Floria V. 268/6 Legal documents, 1962-1963 268/7 Miscellaneous, 1962, undated 268/8 Printed matter 268/9 Tickets, 1962 Oct. 15 3/6 Painted poster: “If you see this flag-waving...Do you know of a better flag to wave?” Music box revue(s) 268/10 Cast/songs, undated 268/11 Clippings, 1924 On the avenue 268/12 Advertising pamphlet, 1937 268/13 Clippings, 1936 268/14 Clippings, 1937 Jan. - June 268/15 Clippings, 1937 July - Dec. 268/16 Miscellaneous, undated 268/17 One hundred songs, 1940 Dec. 10 268/18 Operation vittles, 1948 268/19 Puttin' on the Ritz, 1983 268/20 Russian lullaby, song cartoon, 1932 Say it with music 268/21 Auditions, 1954 268/22 1963-1964 268/23 1965-1988, undated 269/1 Second fiddle, 1939 269/2 The secret of songwriting, book outline, undated 269/3 Show stopper, 1972 269/4 Song folio, 1964 269/5 Stars on my shoulders, 1948 269/6 Tea leaves - auditions, 1945 269/7 There are no wings on a foxhole, 1944 269/8 There's no business like show business, 1952-1954, undated This is the Army 269/9 Advertising, 1942-1943 269/10 Army emergency relief, 1944-1964 3/6 Artwork for curtain design, pencil and ink 3/6 Artwork for scene at Rome Opera House, 1944, matted, watercolor and ink 269/11 Background, 1942-1943, undated 269/12 Box office Blue Ribbon Award 269/13 Broadcasts, 1942-1943 269/14 Citation and dedication, 1944 269/15 Clippings, 1943-1982 269/16 Company lists, 1943-1945 269/17 Congratulations, 1943 269/18 Congratulatory telegrams, 1942 269/19 Contributions, 1942 269/20 Copyright, undated Correspondence - Berlin family 269/21 1944 Aug. 7 269/22 1944 Aug. 8 269/23 1944 Aug. 9 269/24 1944 Aug. 10 269/25 1944 Aug. 11 1945 Apr. 9 269/26 A-J 270/1 J-R 270/2 R-Z Correspondence - general 270/3 A.S. Beck shoes, 1942 270/4 Actor's fund, 1942 270/5 Adiss, Justin and Rorke, Hayden, 1944-1945 270/6 Ambraz, Simon P., 1942-1945 270/7 American Red Cross, 1942-1945 270/8 American women's voluntary services, Inc., 1943 270/9 Anderson, Alan, 1942-1967 270/10 Army pictorial center, 1964 270/11 A miscellaneous, 1941-1945 270/12 Bamberger, Leon J., 1963 270/13 Behrman, Sam N., 1942 270/14 Bradley, Omar, 1943 270/15 Brenizer, H.C., 1942-1944 270/16 British broadcasting corp., 1943 270/17 British service charities committee, 1943-1944 270/18 Brylawski, Fulton, 1942 270/19 B miscellaneous, 1942-1948 270/20 Capitol records, Inc., 1947 270/21 Carrier, Paul S., 1942 270/22 Chandler, Al, 1957-1959 270/23 Churchill, Clementine S., 1944 270/24 Clark, Mark W., 1944 270/25 Cochran, Charles B. & Evelyn, 1943 270/26 Cohen, George W., 1942-1954 270/27 Cohen, Godfrey, 1949-1954 270/28 Cohn, Harry, 1942 270/29 Columbia broadcasting system, Inc., 1943 270/30 Coward, Noel, 1943 270/31 Cusick, F.P.H., 1945 270/32 C miscellaneous 270/33 Deyers, Jacob L., 1943-1944 270/34 Disston, Harry, 1945 270/35 Dorfman, Nat N., 1942-1943 270/36 Dreyfus, Louis, 1942-1943 270/37 Dubarry, Frank, 1942 270/38 D miscellaneous, 1942-1945, 1968 270/39 Eisenhower, Dwight D., 1944 271/1 E miscellaneous, 1943-1944 271/2 Faruk I, King of Egypt, 1944 271/3 Fischer, Carl, 1942-1945 271/4 Fox, Harry, 1952-1966 271/5 Freeman and Greenberg, 1942-1950 271/6 Frink, J.L., 1945 271/7 F miscellaneous, 1942-1945 271/8 Glaise, Fred L. Jr., 1943-1944 271/9 Green, Abel, 1942-1945 271/10 Grogan, Stanley L., 1943-1944 271/11 Guaranty trust company, 1947/ 271/12 G miscellaneous, 1940-1946 271/13 Hirsch, Samuel, 1942 271/14 H miscellaneous, 1942-1945 271/15 I miscellaneous, 1942-1944 271/16 Jackson, Theodore R., 1965-1977 271/17 Josephy, Willard E., 1945 Johnson, Charles F.H. 271/18 1942-1943 271/19 1944-1952 271/20 J miscellaneous, 1942-1945 271/21 Kennedy, Joe Jr., 1943 271/22 Kennedy, Kathleen, 1943 271/23 K miscellaneous, 1942-1962 271/24 Lawrence, Jock, 1943-1944 271/25 Lee, John C.H., 1943-1945 271/26 Levine, Jules, 1943-1945 271/27 Life magazine, 1942 271/28 Lissauer, Robert S., 1943 271/29 Long, E. John, 1944 271/30 Logan, Joshua, 1943 271/31 Longo, Ann, 1986 271/32 Ludlow, Ben, 1942 271/33 Lyons, Leonard, 1942 271/34 L miscellaneous, 1942-1954 271/35 MacArthur, General Douglas and Jean, 1945 271/36 Marshall, George C., 1942-1946 271/37 McCarthy, Frank, 1942-1946 271/38 Mary, Queen of England, 1944 271/39 Mitchell, P. Lincoln, 1942 271/40 Mountbatten, Edwina, 1943-1944 271/41 M miscellaneous, 1942-1945 272/1 Nimitz, Chester W., undated 272/2 N miscellaneous, 1942-1955 272/3 Osborn, Frederick, 1941-1942 272/4 Owings, Dorsey, 1942-1946 272/5 O miscellaneous, 1942-1949 272/6 Paramount pictures, 1942 272/7 Patterson, Robert P., 1942-1944 272/8 Phillipson, Irving, 1942-1952 272/9 Price, Waterhouse & Co., 1944-1946 272/10 P miscellaneous 272/11 Q miscellaneous, 1944 272/12 Rankin, A.H., 1942-1944 272/13 RKO radio pictures, Inc., 1947 272/14 Rockford musical festival, 1959 272/15 Roosevelt, James, 1945 272/16 Royal bank of Canada, 1944 272/17 R miscellaneous, undated 272/17.1 Schumann, Walter, 1942 272/18 Screen actors guild, 1942-1943 272/19 Select theatres corporation, 1942 272/20 Schubert, Lee, 1942 272/21 Sidney, Robert, 1942-1945 272/22 Simon, Louis, 1942-1945 272/23 State department, U.S., 1944 272/24 Stone, Ezra, 1942-1943 272/25 Supplee, H. Clay M., 1942 272/26 Surles, Alexander, 1942-1944 272/27 S miscellaneous, 1942-1955 272/28 Treasury department, 1944-1950 272/29 Twentieth-Century Fox Films, 1949 272/30 T miscellaneous, 1942-1964 272/31 U miscellaneous, 1943 272/32 Unidentified, 1942-1944 272/33 V miscellaneous, 1942-1943 272/34 Walt Disney productions, 1943 War department - Army emergency relief 272/35 1942 273/1 1943 273/2 1944-1949 273/3 1964-1968 War department 273/4 Bureau of public relations, 1942-1973 273/5 Chief of Army Air Forces, 1942 273/6 Miscellaneous, 1941-1943 Warner Brothers pictures, inc. 273/7 1942 273/8 1942, (continued) 273/9 1943 Jan. - July 273/10 1942 Aug. - Dec. 273/11 1944 274/1 1945 274/2 1946 274/3 1947 274/4 1948 274/5 1949-1951 274/6 1954-1964 274/7 Washer, Ben, 1943-1945, undated see also Diary of Ben Washer 274/8 Weybright, Victor, 1943 274/9 Wilson, Waher K., 1948-1950 274/10 Winchell, Walter, 1942 274/11 Witsell, Edward F., 1951-1957 274/12 W miscellaneous 274/13 Young, Marvin, 1943-1945 274/14 Zissu and Marcus, 1947-1950 274/15 Currency from tour, undated 274/16 Daily status reports, 1943 509/1 Diary (leather bound) of Ben Washer 274/17 Diary notes, 1943 274/18 England and Ireland - Irving Berlin visit, 1943-1944 274/19 England - miscellaneous, 1943 Financial papers 275 Bank statements, 1943 Oct. - 1957 May 276/1 Bills and expenses, 1942-1957 276/2 Correspondence - Bodkin, Tommy, 1942-1943 276/3 Correspondence - Music publishing division, 1942-1943 276/4 Film rental, 1944 Royalties 276/5 1943 276/6 1944 276/7 1945 276/8 1946-1947 276/9 1948 276/10 1949-1950 277/1 1951 277/2 1952 277/3 1953 277/4 1954 277/5 1955 277/6 1956 277/7 1957 277/8 1963-1966 277/9 Statistics, 1943-1946 277/10 Taxes, 1956 277/11 Honolulu, 1945-1947 277/12 Information sheet, 1945 277/13 Interviews, 1943-1944 277/14 Invitees (lists), 1943-1944 277/15 Itineraries and activities: Irving Berlin, 1944-1945 277/16 Itineraries and activities: Irving Berlin, 1943-1945 277/17 Kwato Island, Papua Legal papers 277/18 Corporation documents, 1942-1954 278/1 Correspondence: Berman, Abe L., 1942-1956, undated 278/2 Correspondence: Gilbert, Francis, 1942-1951 278/3 Letters of commendation, 1944-1945 278/4 Liberation bulletin, 1945 278/5 Logistics, 1945 278/6 Medal for merit, 1944 278/7 Medical report on company, 1945 278/8 Memory jogging, undated 509/4 Miscellaneous materials 278/9 Newsletters, newspapers, etc., 1945 278/10 Notices, 1942-1945 278/11 Orders, 1943-1945 278/12 Orchestration, undated 278/13 Permission, 1951-1975 278/14 Phillippines, 1945 3/6 Posters (3) for overseas advertising 278/15 Press, 1941-1944 3/6 Press: autographed quote to be published in “Variety” acknowledging the New York Press, pencil 278/16 Press conference, 1945 278/17 Printed matter, 1942-1945 279/1 Programs, 1943-1945, undated 279/2 Reunion, 1987 279/3 Savings bonds - clippings, 1941 509/2 Souvenir book? - unfinished: paste-ups and artwork 279/4 Staff, 1942-1943 279/5 Theatre employees, 1942 279/6 Theater section qualification form, 1942 279/7 Tickets, 1942-1943 279/8 Treasures and ticket sellers, 1941 279/9 WACS - Misses the Army, 1943 Overseas division 279/11 1943 (1 of 2) 279/12 1943 (2 of 2) 279/13 1944 (1 of 2) 279/14 1944 (2 of 2) 279/15 1945 279/16 1946 509/3 Radio broadcast materials; Cpl. Milton Rosenstock, conductor 279/17 1954 279/18 1955 279/19 1956 279/20 Officers speech, by Irving Berlin 279/10 Miscellaneous, 1941-1944, undated 280/1 To Broadway with love, undated 280/2 Two dancing cops, undated 280/3 Watch your step, undated 280/4 When I leave the world behind, undated White Christmas 280/5 Clippings, 1954-1988 280/6 Original story idea, 1953, undated 280/7 Song/music lists, 1953, undated 280/8 Tour, 1954, undated 280/9 Miscellaneous Yip Yip Yaphank 280/10 Clippings, 1918 280/11 Correspondence, 1918 280/12 Production notes (holograph), undated Miscellaneous 280/13 Clippings, 1913-1969 280/14 Clippings, 1970-1989 280/15 Commercials, 1957, undated 280/16 Projects, 1930-1969, undated 281-296, 510, 578-580, B 193-205, L 4 3 Subject Files 281/1 Advertising, 1927-1966 281/2 (All) Army Entertainment Contest, 1955-1959 281/3 American Academy of Dramatic Arts, 1964 281/4 American Council for Emigres in the Profession, 1955-1965 281/5 American Dramatists, 1927-1935 281/6 Ancient Accepted Scottish Rite Bodies of NY, 1926-1969 281/7 Arlen, Harold (published magazine article by Edward Jablonski) 281/8 Army Hit Kits, 1944-1945 ASCAP 281/9 1927-1990 282/1 Carnegie Hall celebration - Irving Berlin's 100th birthday, 1987-1988 282/2 On parade, 1940-1941 282/3 Program listings, 1932-1938 282/4 Program listings, 1939-1942 282/5 Songs in the public domain, 1985-1990 282/6 Speech (President of ASCAP) for dinner honoring I.B., undated 282/7 Astaire, Fred, (Philharmonic Hall: 1972-1973 season program featuring article on Astaire) 282/8 Astaire, Les Grandes Ballets Canadiens, programs and correspondence, 1983-1985 283/1 Authors' League of America, Inc.1938-1943 283/2 Automobiles: Irving Berlin's 283/3 Avon Products, Inc. (Easter Parade collector's plate), 1985 283/4 Baker, Josephine, clipping, 1931 283/5 Barrett, Mary Ellin, clippings, 1981 Berlin, Ellin 283/6 Bank cards and telephone calling cards, undated 283/7 Clippings, 1948-1988, undated Correspondence 283/8 1922-1977, undated 283/9 Sympathy A-L, 1988 283/10 Sympathy M-Z,1988 283/11 Dog registration certificate, 1965 283/12 Financial correspondence, 1927-1960 283/13 Legal documents: trust and will, 1947-1977 283/14 Legal documents and correspondence concerning trust, 1943 283/15 Loan of Katherine Duer Mackay portrait, 1959 285/11 Nurses' reports, 1987-1988 283/16 Passports and passport applications, 1953-1982 283/17 Report (school) cards, 1915-1921 3/6 School diploma, 1921 283/18 Safe deposit box key (in envelope), Chemical Bank, undated 283/19 Social Security card, undated Writings The Best of Families 284/1 Bound, uncorrected proof 284/2 Manuscript outlines and drafts 284/3 Typescript draft with annotations 284/4 Photocopy of typescript draft 284/5 Typescript drafts, laid in: manuscript inserts, 1 of 5 284/6 Typescript drafts, laid in: manuscript inserts, 2 of 5 284/7 Typescript drafts, laid in: manuscript inserts, 3 of 5 285/1 Typescript drafts, laid in: manuscript inserts, 4 of 5 285/2 Typescript drafts, laid in: manuscript inserts, 5 of 5 285/3 Notes; correspondence 285/4 Notebook 285/5 Land I Have Chosen: filming contract; dust jacket 285/6 Poppies, Pronouns, and Poilus: article published in unidentified magazine 285/7 Silver Platter: dust jacket 285/8 Unfinished novel, manuscript and typescript drafts in Ellin’s hand, 1 of 2 285/9 Unfinished novel, manuscript, typescript and photocopies of draft, 2 of 2 285/10 Unfinished speech, "International Court of Justice": manuscript and typescript speech and notes 286/1 Unidentified: composition book, laid in: manuscript notes 286/2 Unidentified: drafts 286/3 Unidentified: miscellaneous notes 286/4 Unidentified: typescript, with annotations, 1 of 3 286/5 Unidentified: typescript, with annotations, 2 of 3 286/6 Unidentified: typescript, with annotations, 3 of 3 286/7 Miscellaneous notes Berlin, Irving 287/1 Army papers, 1918, 1943-1945 287/2 Biographical clippings, 1920's-1950's 287/3 Biographical clippings, 1960's-1988, undated 287/4 Biographical writings about Irving Berlin 287/5 Clippings: salutes/tributes, 1958-1987 Clippings: Irving Berlin birthdays/obituaries/tributes 288/1 80th birthday, 1968, notes for the Ed Sullivan show; [2] p. 288/1 85th birthday, 1973 288/2 90th birthday, Jan. - May 10, 1978 288/3 90th birthday, May 11, 1978 288/4 90th birthday, May 12, 1978 288/5 90th birthday, May 13 - June, 1978 288/6 90th birthday, July - Dec., 1978 288/7 91st & 92nd birthday, 1979-1980 288/8 93rd birthday, 1981 288/9 94th birthday, 1982 288/10 95th birthday, 1983 288/11 96th & 97th birthday, 1984-1985 288/12 98th birthday, 1986 288/13 99th birthday, Jan. - June 1987 288/14 99th birthday, July - Dec. 1987 289/1 100th birthday, Jan. - Apr. 1988 289/2 100th birthday, May 1-7, 1988 289/3 100th birthday, May 8, 1988 289/4 100th birthday, May 9-11, 1988 289/5 100th birthday, May 12, 1988 289/6 100th birthday, May 13-17 1988 289/7 100th birthday, May 18-24 1988 289/8 100th birthday, May 25 - June, 1988 289/9 100th - 101st birthdays, July 1988 - June 1989 289/10 Obituaries/tributes, Sept. 1989 289/11 Obituaries/tributes, Oct. 1989 289/12 Obituaries/tributes, Nov. 1989-1990, undated 290/1 Irving Trust: vault/safe box, 1954, 1966-1967, undated 290/2 Medical papers (vaccination/immunization records), 1941-1984 290/3 Memberships, 1927-1943 290/4 Naturalization certificate, 1918 290/5 Passports and passport applications, 1938-1970 290/6 Social Security card, 1941 290/7 Visiting cards, undated 290/8 War Department: identification cards, 1943-1944 290/9 (Last) Will and testament, 1974 Berlin, Irving and Ellin 290/10 Family tree research, undated 290/11 Marriage, certificate of, 1926 290/12 Power of attorney, Ellin Berlin to Irving Berlin, 1974-1977 290/13 Brookhaven (home of Camp Upton) Irving Berlin awarded honorary citizen, 1979-1982 290/14 Bucknell University, correspondence regarding Francis Gilbert Scholarship Fund, 1940-1952 290/15 Celebrities on parade: lists of entrants, undated 290/16 Christmas: gifts, invitations, 1965-1976 290/17 Congressional Gold Medal, 1943-1956 291/1 Concerts, miscellaneous, undated 291/2 Dumbo, 1941 291/3 Educational Music Division, miscellaneous, 1942-1943 291/4 Employee miscellaneous 291/5 Freedom Train, 1946-1947 291/6 Freedom Train, 1948-1951, undated 291/7 The Friars Club, 1913-1991 291/8 George M. Cohen Memorial, 1956-1959 291/9 Girl Scouts, 1953-1954 291/10 Grand Street Boy's Association, Inc., 1927-1978 291/11 Hal Leonard Publisher's Catalogues (6), 1978-1980 291/12 Invitations, 1942-1983, undated 291/13 Juilliard School of Music, 1967-1979 291/14 Juilliard School of Music, 1980-1989 291/15 Korean War: printed propaganda pamphlet, Irving Berlin endorsement, undated 291/16 The Lambs, 1927-1982, 1990 B 205 Mr. Roberts (show), miscellaneous financial papers Music Box Theatre 292/1 Advertising, 1955, undated 292/2 Contracts of employment, 1945-1969 292/3 Contributions, 1938-1957 Correspondence 292/4 Alter, Benjamin E., 1964-1971 292/5 Albany Savings Bank, 1950-1954 292/6 Aznavour, Charles, 1970 292/7 Berlin, Irving, 1949-1966 292/8 Berman, Abraham L., 1949-1973, undated 292/9 Building maintenance, 1949-1975 292/10 Cassar, Anthony, 1962 292/11 Department of Law, NY, 1969 292/12 Kunen, Edith H., 1964-1975 292/13 Lawler, T. Newman, 1949-1951 292/14 Lawrence, Lawrence S., 1963-1965 292/15 Malino, Jerome E., 1951-1954 292/16 League of New York Theatres, 1951-1966 292/17 McGauley, Hugh, 1953-1955 292/18 McNamara, John, 1964 292/19 Milley, Howard M., 1970 292/20 Montgomery, Robert H., 1951-1957 292/21 O'Brien, Driscoll & Raftery, 1950-1961 292/22 O'Connor, Walter G., 1950-1966 292/23 Playwright's Company, 1949-1966 292/24 Schoenfield, Gerald, 1962-1966 292/25 Select Operating Corporation, 1951-1966 292/26 Select Theatres Corporation, 1951-1966 292/27 Schubert, John, 1954-1958 292/28 Schubert, Lee, 1950-1951 292/29 Stewart, Charles, 1949-1964 292/30 Swope, Herbert Jr., 1963 292/31 Treacy, Stephen, 1948, 1965 292/32 Whitehead, Robert, 1956 292/33 Wright, Horace, 1965-1970 292/34 Miscellaneous, A-I 292/35 Miscellaneous, J-Z 293/1 Finance report, 1929-1962, undated B 193-204 Financial statements 293/2 Insurance, 1950-1969 293/3 Permission, 1955-1963 293/4 Printed matter, 1939-1955 293/5 Real estate, 1920-1923 293/6 Real estate, 1928-1944 293/7 Real estate, 1949-1971 293/8 Tax summaries, 1940-1975 293/9 Tony Award playbill, 1970 293/10 Theatre operator employees, 1961 293/11 Treasurers and ticket sellers, 1956-1961 293/12 Miscellaneous, 1936-1970, undated 293/13 Music Box Theatre: show title: correspondence 294/1 Affairs of state, 1950-1951 294/2 Angela, 1967-1969 294/3 Any Wednesday, 1964-1966 294/4 Banderol, 1962 294/5 Black Widow, 1954 294/6 Bus stop, 1955 294/7 The dark at the top of the stairs, 1957 294/8 Daughters of silence, 1961 294/9 Dear me, the sky is falling, 1963 294/10 A far country, 1961 294/11 First love, 1961 294/12 Five finger exercise, 1959-1960 294/13 Flight to Egypt, 1952 294/14 Have I got a girl for you, 1963-1965 294/15 Infidel Caesar, 1962 294/16 Invitation to March, 1961 294/17 Inquest, 1970 294/18 Irma la Douce, 1959 294/19 Julia, Jake and Uncle Joe, 1960 294/20 Libby, 1962 294/21 Lost in the stars, 1950 294/22 Love and kisses, 1963 294/23 Love is a time of day, 1969 294/24 Love tree, 1959 294/25 The male animal, 1952 294/26 Mother courage, 1962 294/27 A night at the operetta, 1975 294/28 Once there was a Russian, 1961 294/29 Picnic, 1953-1954 294/30 A place for Polly, 1970 294/31 The pleasure of his company, 1959 294/32 The ponder heart, 1956 294/33 Rashomon, 1959 294/34 Romulus, 1961 294/35 Scatch, 1970 294/36 Semi-detached, 1963 294/37 Separate tables, 1956 294/38 The solid gold Cadillac, 1955 294/39 Under the yum yum tree, 1960 294/40 A very special baby, 1956 294/41 Waiting for Godot, 1955 294/42 Music Publisher's Contract Employees, 1942-1944 294/43 Music, Music, 1974 294/44 My British buddy, song contest, 1943-1944 see also Photographs 294/45 National Music Publisher's Association, 1966 294/46 New York Lodge, No. 1, B.P.O. Elks, 1927-1946 295/1 Piano(s) Irving Berlin's, 1927-1936 295/2 Requests for appearances, 1945-1998, undated 295/3 Requests for donations, no reply, 1926-1985, undated 295/4 Requests for publication, 1958-1974 295/5 Religious/devotional, 1942-1977 295/6 Rodgers and Hammerstein repertory, 1960-1964 295/7 Rostropovich, Mstislav: New York Times clippings w/comment by Irving Berlin 295/8 Saints and Sinners, (mens club souvenir; typed song list: “Irving Berlin Medley”), undated 295/9 Satirical Musical Comedy & Revue, (carbon copy of typescript leaf), at top: D.B. Muir, 1929-41 295/10 Savoy records, printed promotional matter, 1947 295/11 Songs (Irving Berlin) used in films (typescript, photocopied) 510 Songs (Irving Berlin): published, bound and unbound 295/12 Songs (Irving Berlin): published by Waterson, Berlin & Snyder Songs (Irving Berlin): Frank Tours' reference cue cards 578 Alpha by title: Abraham - Virginia Lou 579 Alpha by title: Waiting - Z; alpha by note pitches: A - F# 580 Alpha by note pitches: Gz - Gg 296/1 Songs (Irving Berlin): manuscript, typescript, carbons and photocopies of lists; [120] leaves 296/2 Songs (Irving Berlin): typescript and carbon copy of song titles with facts; [3] leaves 296/3 Songs, (various composers): patriotic with the word “America” in the title, undated L4 Songs, looseleaf notebook: tracking copies/arrangements distributed, 1950-1964 296/4 Songwriter’s Hall of Fame, undated 296/5 Stamp collection 296/6 Stationery: IBMC 296/7 Theaters, 1953 296/8 They say it's wonderful, (musical revue saluting Irving Berlin, clippings), 1981 296/9 Tin pan alley clippings, 1981-1982 296/10 Travel: miscellaneous 296/11 TV distribution, undated 296/12 United Nations programs, 1967-1970 296/13 Voice of America: Salute to President Eisenhower, 1958; Salute to Irving Berlin, 1958 296/14 White House Correspondent's Association: President Eisenhower, 1954 296/15 Wine cellar, 1942 296/16 Ziegfeld Follies program, 1910 296/17 Miscellaneous, 1941, undated 296/18 Unidentified holograph manuscript; [2] leaves 511-515, 544-566, 570, 577 Scrapbooks

Microfilm #92/20013 will be served for scrapbooks.

 511 Book 1, 1910-16

Alexander's ragtime band; Watch your step

 512 Book 2, 1910-1916

Up and down Broadway; Stop! Look! Listen!

 513 Book 3, 1914-1915

Watch your step; Mr. & Mrs. Vernon Castle

 544 Book 4, 1922-1947

General clippings

 514 Book 5, 1936-1938

Top hat; Follow the fleet; On the Avenue; personal

 514 Book 6, 1936-1937, 1938-1940

On the Avenue; Alexander's ragtime band; general

 545 Book 7, 1938-1942

Alexander's ragtime band; Carefree; This is the Army

 546 Book 8, 1938-1940

God Bless America

 547 Book 9, 1940

God Bless America

 548 Book 10, 1940-1941, 1947

God Bless America

 548 Book 11, Oct. 1940

publicity, God Bless America

 549 Book 12, 1941-1942

Any bonds today; Arms for the love of America

 550 Book 13, 1941-1942

God Bless America; Holiday Inn; TITA; general

 551 Book 14, 1942

This is the Army

 551 Book 15, 1942, 1944

Camp Upton; This is the Army

 552 Book 16, 1942

This is the Army, press releases, ticket sales

 552 Book 17, 1942

This is the Army, Pittsburgh

 552 Book 18, 1942-1943

This is the Army

 553 Book 19, 1942-1946

General clippings

 553 Book 20, 1942

This is the Army, Boston

 553 Book 21, 1942

This is the Army, Auditorium-St. Louis

 553 Book 22, 1942

This is the Army, Chicago

 554 Book 23, 1942-1946; 1949

This is the Army

 555 Book 24, 1943

This is the Army, film

 570 Book 25, 1943

This is the Army, film

 570 Book 26, 1943

This is the Army, Warner Brothers press book #1

 570 Book 27, 1943

This is the Army, Warner Brothers press book #2

 570 Book 28, 1943

This is the Army, Warner Brothers press book #3

 570 Book 29, 1943

This is the Army, Warner Brothers press book #4

 556 Book 30, 1943-1944

This is the Army, London

 556 Book 31, 1945-1955

Gold medal; Blue Skies

 557 Book 32, 1946-1966

Annie get your gun, Freedom train

 515 Book 33, 1946

Blue skies, London

 558 Book 34, 1946-1952

Blue skies; White Christmas; Call me madam

 559 Book 35, 1947-1951

Miss Liberty, Easter parade

 560 Book 36, 1949-1953

Call me madam, London notices

 561 Book 37, 1952-1957

General Eisenhower

 562 Book 38, 1952-1955

There's no business like show...; White Christmas

 563 Book 39, 1958-1964

General clippings

 564 Book 40, 1961-1963

Mr. President

 565 Book 41, 1963, 1965-1978

General clippings

 566 Book 42, 1988

100th birthday

 577 Scrapbook of medals and citations 297-376 Correspondence

Irving and Ellin Berlin Irving Berlin to Ellin Berlin (Mackay) 297/1-70 1924-1975, undated Ellin Berlin (Mackay) to Irving Berlin 298/1-10 1924-1928 299/1-28 1929-1981, undated Berlin family: general correspondence 300/1 Balin, Charles, 1980 300/2 Baline, Benjamin (from Irving Berlin), circa 1917, 1938, 1944 300/3 Baline, Milton, 1944-1966 300/4 Baline, Russell and Edythe, 1967, 1981-1988, undated 300/5 Barrett, Edwin, 1968 300/6 Barrett, Edwin and Esther, 1959-1962 300/7 Barrett, Irving, 1988 300/8 Barrett, Marvin, 1988, undated 300/9 Barrett, Mary Ellin, 1930-1992, undated 300/10 Beizer, Estelle Marholin, 1962-1977 300/11 Berlin grandchildren, 1988 300/12 Berlin, Jay, 1983, undated 300/13 Blake, Katherine, 1919-1925 300/14 Blake, Katherine to Ellin Berlin, 1915-1916, undated 300/15 Blake, Katherine to Irving Berlin, 1925, undated 300/16 Breitbart, Mildred, 1968-1988 300/17 Broad, Alice, 1966 300/18 Duer, Caroline, 1942 300/19 Emmett, Linda and Eduard, 1981, undated 300/20 Emmett, Pauline (Mrs. Watson), 1963-1976 300/21 Fisher, Emily, undated 300/22 Grau, Katherine (Mackay O'Brien), 1964-1989, undated 300/23 Hammond, Esme (O'Brien), 1950 300/24 Hawkins, Katherine (Mackay), undated 300/25 Hawkins, Robert, 1986 300/26 Heisig, Mary Rose (Mackay) and William, 1962-1988 300/27 Kahn, Irving B., 1942, undated 300/28 Kahn, Ruth (Berlin), 1937 300/29 Kleinman, Naomi, 1988 300/30 Libson, Ethel and Maurice, 1988 300/31 Liebeskind, Marilyn, 1968 300/32 Liebeskind, William, 1987 300/33 Liebester, Sadie, 1950-1979, undated 300/34 Mackay, Anna (Case), 1941-1974, undated Mackay, Clarence 301/1 1915-1916 301/2 1917 301/3 1918 301/4 1919 301/5 1920 302/1 1921-1922 302/2 1923-1924 302/3 1925-1929 302/4 Ellin's undated letters from school, 1915-1921 302/5 Miscellaneous, undated 303/1 Mackay, John (Willie) and Gwen, 1926-1988, undated 303/2 Mackay, Marie Louise, undated 303/3 Mackay, Michael and Beth, 1981 303/4 Mackay, Patrick, undated 303/5 Martin, Tara, 1987 303/6 Matson, Elizabeth, 1981 303/7 Mintz, Rose Marholin, undated 303/8 O'Brien, John, 1988 303/9 O'Brien, Katherine "K", 1926-1954, undated 303/10 Oitker, Patricia, 1978 303/11 Peters, Elizabeth and Alton, undated 303/12 Reinhart, Mary Louise, 1962 303/13 Rice, Aaron Edward, 1940 Rice, Gussie Berlin 303/14 1915-1940 303/15 1942-1980, undated 303/16 Ellin Berlin to Gussie, 1921-1963, undated 303/17 Irving Berlin: als, circa 1913 303/18 Irving Berlin: als, 1915 303/19 Irving Berlin: als, circa 1918 303/20 Irving Berlin: als, Apr. 1922 303/21 Irving Berlin: als, June 1922 303/22 Irving Berlin: als, 1925 303/23 Irving Berlin: als, Mar. - Apr. 1926 303/24 Irving Berlin: als, 1929 303/25 Irving Berlin: als, 1937 303/26 Irving Berlin: als, 1938 303/27 Irving Berlin: als, 1958 303/28 Irving Berlin: als, undated 303/29 Robinson, Ethel, 1988 303/30 Robinson, Lilyan, Martha, Minnie, Sophie, Syd, 1942-1988 303/31 Rodman, Jacqueline, 1989 303/32 Rodman, Sheila, 1989 303/33 Rosenberg, Mary M., 1954-1978, undated 303/34 Semuel, Samual and Kate Marholin, 1968-1969 303/35 Sirkin, Jack, 1984 303/36 Smith, Alice and Alex, 1987 303/37 Wadsworth, James J., 1942 303/38 Weigand, Mary Louise O'Brien, 1943 303/39 Whitestone, Bertie, 1988 303/34 Miscellaneous, 1958 General correspondence 304/1 Abbott, George, 1946-1987, undated 304/2 Abbott, John, 1945 304/3 Abrams, Jerry, 1942-1944 304/4 Academy of Motion Picture Arts and Sciences, 1943-1987 304/5 Ackerley, Harry, 1955-1977, undated 304/6 Actor's Equity, 1948 304/7 Actor's Fund of America, 1940-1987 304/8 Actor's Studio, 1949-1956 304/9 Adams, Samuel, 1943-1945 304/10 Adaskin, John, 1940-1945 304/11 Ager, Milton and Cecilia, 1948-1979 304/12 Agnew, Spiro, 1973 304/13 Albert, Eddie, 1949, undated 304/14 Albert, Frank, 1946-1959, undated 304/15 Alexander, Esther E., 1943 304/16 Alexander, Shana, 1980 304/17 Alfred E. Smith Memorial, 1945-1964 304/18 Algonquin Round Table Lunch, "The Ten Year Lunch", 1987 304/19 Allen, Kenneth G., 1962-1985, undated 304/20 Allen, Steve, 1951-1959 304/21 Allers, Franz, 1966-1983 304/22 Ameche, Don, 1988 304/23 American Airlines, 1953-1965 304/24 ABC, American Broadcasting Co., 1957-1983 304/25 American Cancer Society, 1946-1952 304/26 American Civil Liberties Union, 1950-1957 304/27 American Defense Preparedness Association, 1981-1982 304/28 American Federation of Television and Radio Artists, 1952-1966 304/29 American Film Institute, 1975 304/30 American Friends of the Hebrew University, 1942 304/31 American Guild of Authors and Composers, 1965-1983 304/32 American Hebrew, 1943-1949 304/33 American Heritage Foundation, 1950-1951 304/34 American Israelite, 1955 304/35 American Jewish Joint Distribution Committee, 1948-1960 304/36 American Jewish Tercentenary Committee, 1953-1962 304/37 American Legion, 1949-1964 304/38 American National Theater Academy, 1949-1955 304/39 American Red Cross, 1939-1988 304/40 American Red Mogen David for Israel, 1949-1950 304/41 American Theatre Wing, 1942-1987 305/1 Anderson, Alan, 1946-1986 305/2 Anderson, Maxwell, 1948-1950 305/3 Andrews, Julie, 1968-1985, undated 305/4 Andrews Sisters, 1949 305/5 Annenberg, Walter H., 1949 305/6 Arden, Victor, 1942-1949 305/7 The Arena Stage, 1987-1988 305/8 Arlen, Harold, 1942-1986, undated 305/9 Arlington War Memorial Association, Inc., 1946 305/10 Armstrong, Louis, 1957 305/11 Army and Air Force Recruiting Show - Roll Call, 1948 305/12 Army Emergency Relief, 1971-1988 305/13 Army, United States Department of, 1951-1978 305/14 Arnaz, Lucie, 1978 305/15 Arrowhead Springs Corporation, 1939-1941 305/16 Arvey, Jacob, 1958 ASCAP 305/17 1907-1918 305/18 1937-1942 305/19 1943-1945 305/20 1946-1949 305/21 1950 305/22 1951 305/23 1952 306/1 1953-1954 306/2 1955-1956 306/3 1957 306/4 1958 306/5 1959 306/6 1960-1962 306/7 1963-1964 306/8 1965-1966 306/9 1967 306/10 1968-1969 306/11 1970-1972 307/1 1973-1974 307/2 1975-1979 307/3 1980-1984 307/4 1985-1988 307/5 1989, undated 307/6 Mill, E.C.1940 307/7 Paine, John G., 1940-1941 307/8 Publisher's Classification Committee, 1941-1948, undated 307/9 Association of the United States Army, 1956-1957 Astaire, Fred 307/10 1941-1973 307/11 1974-1986 307/12 1987-1988 307/13 Aucoin, Lionel A., 1942-1945 307/14 Aurand, Henry, 1952 307/15 Auriol, Vincent, 1951 307/16 Auslander, Joseph, 1941-1942 307/17 Author's League of America, 1942-1958, undated "A" miscellaneous 308/1 Aa-Al 308/2 Am-Ar 308/3 As-Az 309/1 Bacall, Lauren, 1957 309/2 Bagley, Ben, 1967 309/3 Bailey, Pearl, 1971-1983, undated 309/4 Baker, James A., 1988 309/5 Balaban, Barney, 1942-1968, undated 309/6 Baldwin, Horace S., 1949-1956 309/7 Ball, Ernest, 1987 309/8 Ballard, Kaye, 1962-1972 309/9 Ballard, Lucinda, 1946-1949 309/10 Bankhead, Tallulah, 1951-1968 309/11 Barrie, Erwin, 1972-1974 309/12 Bassey, Shirley, 1969 309/13 Bastia, Pascal, 1950-1955 309/14 Bataan News, 1947 309/15 Batigne, Rene, 1951-1969, undated 309/16 Bayne, Gertrude, 1955-1981, undated 309/17 Behrman, Sam, 1941-1958, undated 309/18 Beilin, Andre, 1948-1963 309/19 Bel Geddes, Norman, 1948 309/20 Bell, John, 1953-1988 309/21 Bell, Lillian, 1950 Bellson, Louis see Bailey, Pearl 309/22 Belviso, Thomas H., 1961-1962 309/23 Ben-Gurion, David, 1963 309/24 Benington, Arthur, 1942-1943 309/25 Bennett, Michael, 1973-1983 309/26 Bennett, Robert Russell, 1955-1956 309/27 Bennett, Tony, 1978 309/28 Benny, Jack, 1949-1974 309/29 Benson, Dorie, 1942 309/30 Benter, Charles, 1941 309/31 Benton & Bowles, Inc., 1942-1957 309/32 Bergreen, Laurence, 1987 309/33 Berle, Milton, 1949-1954 Berman, Abraham L. 309/34 1940-1941 309/35 1942-1944 309/36 1945-1949 309/37 1950-1951 309/38 1952-1953 310/1 1954-1956 310/2 1957-1959 310/3 1960-1963 310/4 1964-1965 310/5 1966 310/6 1967-1968 310/7 1969 310/8 1970-1971 310/9 1972-1975 310/10 Berman, Pandro, 1937 310/11 Bernstein, Herman, 1950-1963 310/12 Bernstein, Louis, 1948-1956 310/13 Betz, Betty, 1947-1951, undated Beverly Hills Hotel 310/14 1945-1947 310/15 1953-1955 310/16 Beverly Wilshire Hotel, 1941-1944 310/17 Big Band Society, 1985 310/18 Billings, Zeb, Publishing and Promotions, 1966-1969, undated 310/19 Billingsley, Sherman, 1946-1956 311/1 Blackstone, Milton, 1949-1955 311/2 Blackton, Jay, 1946-1958, undated 311/3 Blackwell, Earl, 1973-1980 311/4 Blake, Eubie, 1982 311/5 Blitzstein, Marc, 1942 311/6 Blumenthal, A.C., 1948-1949 311/7 Bloom, Ben, 1931-1973 311/8 B'nai Brith, 1942-1989, undated 311/9 Bock, Robert L., 1947 311/10 Bodkin, Thomas, 1941-1946 311/11 Bolger, Ray, 1968 311/12 Bordoni, Irene, 1949 Bornstein, Saul 311/13 1923-1935 311/14 1936-1937 311/15 1938-1939 312/1 1940-1944 312/2 Bourke, Victor, 1951-1967 312/3 Box office, 1954-1955 312/4 Box Office Digest, 1946-1958 312/5 Boy Scouts of America, 1942-1982 312/6 Boyd, J. Clement, 1941 312/7 Boys Club of America, 1942-1980 312/8 Boys Club of New York, 1982-1985 312/9 Bradley, Omar, 1965-1969 312/10 Brand, Harry, 1937-1981 312/11 Brandeis University, 1962-1965 312/12 Brandt, Harry, 1943-1953 312/13 Brazil, Government, 1969 312/14 Bregman, Jack, 1946-1967, undated 312/15 Brenner, Jean, 1976-1980, undated 312/16 Brenizer, H.C., 1942-1947 312/17 Brewer, Teresa, 1987 312/18 Brice, Fanny, 1949 Bricker, Seymour 312/19 1969-1975 313/1 1976-1978 313/2 1979-1980 313/3 1981-1982 313/4 1983-1984 313/5 1985-1986 313/6 1987 314/1 1988-1989 314/2 Bricusse, Leslie, 1969 314/3 Brigham Young University, 1976 314/4 Briscoe, Robert, 1948-1949 314/5 British Broadcasting Corporation, 1952-1989 314/6 Broadway Association, 1959-1983 314/7 Brooks, Harold, 1942-1950 314/8 Brown, Chamberlain, 1946-1949 Brown, David and Helen Gurley 314/9 1966-1979 314/10 1980-1989 314/11 Brown, Frey, 1939-1940 314/12 Brown, Jalmer O., 1942-1943 314/13 Brown, Joe E., 1942-1943 314/14 Brown, Nachio H., 1960-1963 314/15 Bruyere, Gaby, 1954 314/16 Brynner, Yul, 1978 314/17 Buck, Pearl S., 1942-1949 314/18 Buckley, James, 1975 314/19 Buckley, William F., 1983 314/20 Bucknell University, 1936-1983 314/21 Bunche, Ralph, 1946-1987 314/22 Bunnelle, Robert, 1943 314/23 Burke, Billy, 1951-1955, undated 314/24 Burnett, Carol, 1973-1978 314/25 Burns, Ethel, 1960-1961 314/26 Burns, George, 1963-1976 314/27 Butt, Alfred, 1950-1951 "B" miscellaneous 315/1 B-Baz 315/2 Bea-Ben 315/3 Ber-Bez 315/4 Bha-Blz 315/5 Bo 316/1 Bra-Brn 316/2 Bro-Brz, Bu 316/3 Bu-Bz 316/4 "B" unidentified, 1950-1951 316/5 Caesar, Irving, 1965-1986, undated 316/6 Cagney, James, 1975-1978 316/7 Cahn, Sammy, 1965-1987 316/8 California, University of, 1949-1977, undated 316/9 Camera 3 - PBS Licensing Agreement, 1985-1987 316/10 Camp Fire Girls, 1947-1948 316/11 Campbell, Vance, 1943 317/1 Canadian Broadcast Corporation, 1941-1962 317/2 Candide, Paul, 1978-1989 317/3 Cantor, Eddie, 1942-1962 317/4 Capitol Records, Inc., 1947-1967, undated 317/5 Capote, Truman, 1948 317/6 Capra, Frank, circa 1940 317/7 Carlton, Joseph R., 1949-1972 317/8 Carnegie, Dale, 1943-1952 317/9 Carnegie Hall, 1986 317/10 Carson, Johnny, 1978 317/11 Carstairs, John Paddy, 1943 317/12 Cartier-Bresson, Henri, 1962 317/13 Carter, Jimmy, 1977-1979 317/14 Caskey, John F., 1944 317/15 Castle, Irene, 1951 317/16 Catalfamo, Joseph, 1956-1972 317/17 Catholic Actors Guild of America, 1949-1988 317/18 Catholic Charities, 1955-1984 317/19 Catholic Interracial Council, 1971 317/20 Catton, Bruce, 1968 317/21 CBS (Columbia Broadcasting System), 1956-1986, 1988 317/22 Cecil, Warwick, & Cecil, Inc. 1933-1934 317/23 Cellar, Emanual, 1943-1973 317/24 Cerf, Bennett, 1942-1966 317/25 Cerf, Phyllis, 1948 317/26 Cerrato, Joseph A., 1958-1959 317/27 Chagall, Marc, 1963 317/28 Chamlin, Max, 1978-1988 Chandler, Al 317/29 1943-1945 317/30 1946-1966, undated 317/31 Hilda Schneider's Files: Chandler, Al, 1947-1963, undated 317/32 Chapman, John, 1942-1945, 1961-1962, undated Chappell Music 318/1 1946-1975 318/2 1976-1990 318/3 Chatanooga Civic Chorus, 1948 318/4 Cherniavsky, Josef, 1948-1952 318/5 Cherry Lane Music Publishing Co. Inc., 1986 318/6 Chevalier, Maurice, 1965-1970 318/7 Chiang Kai-Shek, Madame, 1943 318/8 Chicagoland Music Festival, 1942-1954 318/9 Christie, Harold, 1950-1953 318/10 Church, Campbell, 1937-1945 318/11 Churchill, Winston, 1963 318/12 Churchill, Winston S. (II), 1970 318/13 Citizens Committee for the Army and Navy, Inc., 1942 318/14 Clark, Dick, 1974-1978 318/15 Clark, Mark, 1948 318/16 Clark, Tom C., 1949 318/17 Clay, Lucius, 1950 318/18 Clemens, Cyril, 1950-1975 318/19 Cleveland, Arthur, 1944 Clinchy, Everett 318/20 1939-1951 319/1 1952-1985, undated 319/2 Clooney, Rosemary, 1976-1988 319/3 CNN, 1986 319/4 Codd, L.A., 1942-1944 319/5 Cohan, George M., 1916-1942 319/6 Cohan, Georgette, 1944, 1978 319/7 Cohen, Alexander, 1970-1978, 1987 319/8 Cohen, Asher, 1942 319/9 Cohen, Carolyn, 1983-1987 Cohen, George 319/10 1936-1941 319/11 1942 319/12 1943 319/13 1944-1946 319/14 1947-1951 320/1 1952-1954 320/2 1955-1963 320/3 1964 320/4 1965-1966 320/5 1967-1968 320/6 1969-1985 320/7 Cohen, Godfrey, 1948-1961 320/8 Cohn, Harry, 1942-1958, undated 320/9 Cole, Nat King, 1957 320/10 Collins, Ted, 1942-1963 320/11 Collins, William I., 1945 320/12 Columbia Pictures Corporation, 1942-1955, 1983 320/13 Columbia Records Inc., 1948-1968 320/14 Columbia Special Products, 1980 320/15 Columbia University, 1948-1986 321/1 Committee for the Celebration of the President's Birthday, 1941-1942 321/2 Commitee for the First Amendment, 1947 321/3 Committee to Unite America, 1973 321/4 Common Cause, 1951 321/5 Como, Perry, 1946-1964 321/6 Compass Fair Inc., 1964 321/7 Composers and Lyricists Guild of America, 1963 321/8 Composers' Showcase, Inc., 1967-1968 321/9 Congregation Emanu-el, 1947-1988 321/10 Congressional Medal of Honor Society, 1967 321/11 Connelly, Reg, 1943-1946 321/12 Consolidated Edison Company of New York, 1942-1973 321/13 Constant, John M., 1942 321/14 Coogan, Jackie, 1979 321/15 Cook, Mary, 1948-1978, undated 321/16 Cooke, Terence Cardinal, 1968-1982 321/17 Coots, J. Fred, 1950-1962 321/18 Copyright Office, United States, 1942-1976 321/19 Cornell, Katherine, 1942 321/20 Coronet, 1943-1949 321/21 Coslow, Sam, 1947-1973 321/22 Cosmopolitan, 1950-1956, 1989 321/23 Costain, T.B., 1943 Coventry, Leroy 321/24 1939-1940 321/25 1941 321/26 1942 321/27 Coviello, Barbara, 1945 321/28 Coward, Noel, 1951-1963 321/29 Cox, Leonard, 1945 321/30 Hilda Schneider's Files: Cramer and Traveline - 1922 re: "Constantly", 1922 321/31 Cramer, Edward, 1968-1987 321/32 Crawford, Joan, 1947-1966 321/33 Crider, Lynne, 1942 321/34 Crocker, Betty, 1955 321/35 Cronauer, Charles, 1949-1950 321/36 Crosby, Bing, 1942-1977 321/37 Crosby, John, 1948-1988, undated 321/38 Crouch, Kenneth, 1942-1963 321/39 Crouse, Russell and Anna, 1942-1987, undated 321/40 Csida, Joseph, 1949-1965 321/41 Cukor, George, 1963-1981 321/42 Cuomo, Mario, 1983 322/1 Cutis, Jack, 1933-1950, undated "C" miscellaneous 322/2 Ca-Cap 322/3 Car-Caz 322/4 Cba-Che 322/5 Chi-Ciz 322/6 Cla-Clz 322/7 Coa-Com 322/8 Con-Cos 322/9 Cot-Cz 322/10 "C" unidentified 323/1 Daley, Richard, 1957 323/2 D'Aligny, Georges Picot, 1947-1953 323/3 Dalrymple, Jean, 1956-1978, undated 323/4 D'Amato, Alphonse, 1988-1989 323/5 Damon Runyon Cancer Fund, 1949-1965 323/6 Dampp-Chaser, Inc., 1964-1966 323/7 Daniels, Danny, 1966-1984 323/8 Daniels, Howard, 1944-1945 323/9 Davis, Bette, 1943-1962 323/10 Davis, Meyer, 1942-1966 323/11 Davis, Sammy, 1978 323/12 Day, Dennis, 1952-1954 323/13 De Sapio, Carmine, 1955 323/14 De Sylva, Buddy, 1939-1942 323/15 Decca Record, 1946-1950, undated 323/16 Democratic National Committee, 1948-1949 323/17 Dennis, Bruce, 1942 323/18 Deutsch, Herman, 1943 323/19 Devine, Helen C., 1985 323/20 Dietrich, Marlene, 1939 323/21 Dietz, Howard, 1942-1976 323/22 DiMaggio, Joe, 1978 323/23 Disabled American Veterans, 1944-1951 323/24 Disney, Walt, 1945, 1953, 1983-1989 323/25 Dore Schary Productions, 1963 323/26 Dorfman, Nat, 1942-1973 323/27 Dolan, Robert E., 1946-1986 323/28 Donnell, Dorothy, 1940 323/29 Dom, Francis E., 1953-1956 323/30 Dorsey, Jimmy, 1956 323/31 Doubleday and Company, Inc., 1955-1969 Douglas, Eunice 323/32 1939-1943 323/33 1944-1954, undated 323/34 Douglas, Mike, 1973-1978 323/35 Douglas, Walter, 1942-1949 323/36 Down Beat Publishing Co. Inc., 1940-1952 323/37 Downer, John W., 1942-1943 323/38 Dover, William B., 1937-1938 323/39 Dramatists' Guild, 1941-1980 Dreyer, Dave 324/1 1935-1943 324/2 1944-1945 324/3 1946-1986 325/1 Dreyfuss, Louis, 1942-1966 325/2 Dreyfus, Max, 1944-1954 325/3 Duberstein, Aaron, 1975-1986 325/4 Ducan, Ruth and Vivian, 1942-1943 325/5 Dudley, Countess of, 1949 325/6 Dudley, Lee and John, 1975-1987, undated 325/7 Duffus, Carlton, 1942-1943 325/8 Emma Lazarus Commemorative Committee: Duhl, Benjamin, 1971-1977 325/9 Duncan, Gordon, Lt. Col., 1949-1955, undated 325/10 Dunne, Irene, 1951 325/11 Durante, James, 1951-1957 "D" miscellaneous 325/12 Da 325/13 De 325/14 Di 326/1 Do 326/2 Dr 325/3 Du-Dz 326/4 Eckstein, Gustas, 1942-1948 326/5 Ed Sullivan Show, 1968 326/6 Edens, Roger, 1942-1970 326/7 Editions Irving Berlin (France), 1953-1959 326/8 Educational Alliance, 1966-1980 326/9 Edwards, Gus, 1940-1946 326/10 Edwards, Heber L., 1942 326/11 Edwards, Leo, 1941-1968 326/12 Einstein, Albert, 1950 326/13 Eisenhower, Dwight, 1945-1981 326/14 Eisenhower, Dwight (statue), 1981-1983 326/15 Eliscu, Edward, 1968-1976 326/16 Ellington, Duke, undated 326/17 Elliott, Jack, 1962-1988 326/18 Ellis, Emil, 1942-1949 326/19 Ellis, William, 1941 326/20 Emma Lazarus Commemorative Committee, 1970-1971 326/21 Engel, Carl, 1941 326/22 Entertainment Hall of Fame, 1974-1975 326/23 Equity Theatre, 1965-1966 326/24 Evans, Ethel, 1948 326/25 Evans, Reginald, 1946 "E" miscellaneous 327/1 Ea-Ei 327/2 El-En 327/3 Ep-Ez 327/4 Fabian, Simon H., 1947-1954 327/5 Fabray, Nanette, 1949-1963 327/6 Fadiman, Clifton, 1942 327/7 Fairbanks, Douglas, 1961-1989 327/8 Falkenburg, Jinx, 1973 327/9 Family Circle, 1942 327/10 Fantie, David, 1979 327/11 Farber, Barry, 1962-1973 327/12 Farley, James, 1942-1973, undated 327/13 Faye, Alice, 1983, undated 327/14 Feinstein, Dianne, 1980 327/15 Fearnely, John, 1946-1950 327/16 Federation of Jewish Philanthropies of New York, 1942-1985 327/17 Feist, Leonard, 1975-1982 327/18 Fenton, Martin, 1942-1945 327/19 Ferber, Edna, 1942 327/20 Ferber, William L., 1963-1986, undated 327/21 Ferguson, Dave, 1946-1951 327/22 Ferrer, Jose, 1953 327/23 Ferrer, Mel, 1956 327/24 Ferris, Tom, 1941-1942, 1958 327/25 Fiedler, Arthur, 1973-1976 327/26 Field, George, 1942 327/27 Fields, Herbert and Dorothy, 1942-1974, undated 327/28 Fields, Totie, 1974 328/1 Finkelstein, Herman, 1973-1989 328/2 First Special Forces Association, 1983-1984 328/3 Fischer, Carl, 1942-1950 328/4 Fisher, Eddie, 1953-1962 328/5 Fitzgerald, Ella, 1958 328/6 Flack, Frank M., 1943-1944 328/7 Flamm, Donald, 1941 328/8 Fonda, Henry, 1984 328/9 Forbes, Malcolm, 1979-1987 328/10 Ford, Gerald, 1974-1977 328/11 Ford, Jr., E.S., 1942-1943 328/12 Fordham University, 1969-1988 328/13 Fordin, Hugh, 1972-1976, 1980 328/14 Forest Lawn Cemetery and Crematory, 1963-1971 328/15 Forster, Arnold, 1966-1985 328/16 Foundation for New American Music, 1980-1989 328/17 "Four More Years", 1956 328/18 Francine, Anne, 1948, undated 328/19 Francis Day and Hunter, LTD, 1949-1959, 1972 328/20 Frank, Yashia, 1942 328/21 Franklin D. Roosevelt Memorial Foundation, 1948-1955 328/22 Frazier, George, 1942-1952, undated 328/23 Freed, Arthur, 1947-1976, undated 328/24 Freedley, Vinton, 1949-1954 328/25 Freedom House, 1949-1955 328/26 Freedom Foundation, 1964-1970 328/27 French and Company, 1958-1969 328/28 Fretwell, Joseph III, 1946-1986 329/1 Friar's Club, 1951-1988, undated 329/2 Friedlander, Emil, 1942-1950 329/3 Friedman, Leopold, 1944-1958 329/4 Friend, Howard, 1942-1949 329/5 Friml, Rudolf, 1963-1969 329/6 Froman, Jane, 1955-1956 329/7 Fuld, James J., 1940-1990, undated "F" miscellaneous 329/8 Fa-Fe 329/9 Fi-Fl 329/10 Fo 329/11 Fr-Fz 330/1 G. Schirmer, Inc., 1965-1981 330/2 Galli-rini, Anthony, 1946 330/3 Ganne, Paul, 1946-1953, undated 330/4 Gardner, Hy, 1954-1969 330/5 Garfield, Sydney, 1949-1969, undated 330/6 Garland, Judy, 1948-1963 330/7 Garland, Robert, 1948-1949 330/8 Gaver, Jack, 1946-1965 330/9 Gaxton, William, 1942-1953 330/10 Gaynor, Mitzi, 1978-1988 George C. Marshal Research Foundation 330/11 1968-76 330/12 1977-1978 330/13 1978-1980 330/14 1981-1984 330/15 1985-1988 331/1 George Gershwin Festival, 1970 331/2 George Gershwin Memorial Foundation, 1948-1957 331/3 George M. Cohan Memorial Fund, 1956-1959 331/4 Gershe, Leonard, 1965-1988, undated 331/5 Gershwin, Alan, 1978 331/6 Gershwin, Ira and Lee, 1958-1988 331/7 Getz, Stan (Mrs.), 1979 331/8 Gilbert, Ben, 1948-1988 331/9 Gilbert, L. Wolfe, 1954-1960 331/10 Giles, John S., 1983 331/11 Gillette, Anita, 1962-1980 331/12 Gish, Lillian, 1942-1978 331/13 Gleason, Jackie, 1969-1970, undated 331/14 Goetz, Ray, 1925-1951 331/15 Goetz, William and Mrs., 1937-1987, undated 331/16 Gold, Michael, 1941 331/17 Goldberg, Arthur J., 1966 331/18 Goldberg, Rube, 1942 331/19 Golden, Harry, 1966-1980 331/20 Golden, John, 1941-1949 331/21 Goldman, Alex J., 1954-1967 331/22 Goldstein, Robert, 1946-1973, undated 331/23 Goldwyn, Samuel and Frances and Jr., 1942-1972 331/24 Goodman, Benny, 1942 331/25 Goodman, Sam, 1947-1952 331/26 Gordon, Max, 1942-1978, undated 331/27 Gordon, Roy, 1942-1943 331/28 Gordon V. Thompson Ltd., 1957-1959 Gorme, Eydie see Lawrence, Steve and Eydie Gorme 331/29 Gottfried, Martin, 1990 331/30 Gottlieb, Martin, 1971-1981 331/31 Gould, Morton, 1988 331/32 Goulet, Robert, 1962-1963 331/33 Grace, Princess of Monaco, 1979 Granat, Mynna 332/1 1941-1942 332/2 1943-1988, undated 332/3 Grand Street Boys Association, 1942-1987 332/4 Grant, Cary, 1979-1984 332/5 Graves, Joyce, 1970-1971 332/6 Gray, Dolores, 1948-1974 332/7 Graziano, Rocky, 1968 332/8 Greater New York Fund, 1941 Green, Abel 332/9 1942-1945 332/10 1946-1954 332/11 1955-1965 332/12 1966-1973 332/13 Green, Grace (Mrs. Abel), 1978-1982 332/14 Green, John, 1950-1988 332/15 Green, Stanley, 1968-1988, undated 332/16 Greene, Ward, 1947-1950 332/17 Greenfield, Larry, 1987-1990 332/18 Gregory, D., 1943-1944 332/19 Griffin, Merv, 1976 332/20 Griffith, Robert, 1953-1954, undated 332/21 Grolier Society Inc., 1960-1963 332/22 Grossinger, Jennie, 1944-1961 332/23 Gruntal and Co., 1936-1942 332/24 Guettel, Henry, 1966, undated 332/25 Gunther, John and Mrs., 1942-1950 "G" miscellaneous 333/1 Ga 333/2 Ge 333/3 Gi-Gl 333/4 Go 333/5 Gra 333/6 Gre-Gri 333/7 Gu-Gz 333/8 "G" unidentified 334/1 Hacker, Samuel, 1954-1955 334/2 Hackett, Buddy, 1965 334/3 Hahn, Annie, 1942-1944 334/4 Hal Leonard/Pointer Publications, Inc., 1971-1982 334/5 Hall, Marvin, 1960 334/6 Halliday, Richard, 1947-1962 334/7 Hallstrom, J.L., 1949, undated 334/8 Hammer, Armand, 1986-1988 334/9 Hammerstein, Oscar II & Dorothy, 1941-1984 334/10 Hammerstein, William, 1950-1988 334/11 Hammond, Lawrence, 1942-1947 334/12 Handy, William C., 1965 334/13 Harburg, E.Y. (Yip), 1946-1981 334/14 Harkrider, John, 1942-1961 334/15 Harper's Bazaar, 1951 334/16 Harriman, Averell & Pamela, 1959-1988, undated 334/17 Harris, George, 1959-1973 334/18 Harris, Radie, 1942-1988 334/19 Harris, Sam, 1926-1988 Harris Fox Agency 334/20 1942-1950 334/21 1951-1989 334/22 Harry Fox - Canceled Mechanical Licenses, 1984-1990 334/23 Hart, Moss and Kitty Carlisle, 1942-1988, undated 334/24 Hartman, Lillian, 1942-1953 334/25 Harvard University, 1949-1963 334/26 Hawkins, Robert and Kay, 1949-1966 334/27 Hawks, Howard, 1946 334/28 Havelock-Allen, Anthony, 1943-1944 334/29 Hayes, Helen, 1946-1959, undated 334/30 Hayward, Leland, 1948-1974, undated 335/1 Health & Human Serivces, United States Department of, 1984 335/2 Healy, Dan, 1942-1966 335/3 Hearn, Fred, 1952 335/4 Hecht, Ben, 1957 335/5 Hearst, Mr. & Mrs. William Randolph Jr., 1951-1983 335/6 James H. Heineman, Inc., 1964 335/7 Henderson, Skitch, 1954-1965 335/8 Henie, Sonja, 1942-1953 335/9 Henshel, Harry D., 1954-1957 335/10 Hepburn, Audrey, 1953-1954 335/11 Hepburn, Katharine, 1954-1971, undated 335/12 Herald Tribune, 1940 335/13 Herman, Pinky, 1947-1978 335/14 Hertzog, Patricia, 1942-1949 335/15 Hoffman, Glen, 1979 Hoffman, Irving (Sam) 335/16 1918-1944 335/17 1945-1950 335/18 1951-1954 335/19 1955-1962 335/20 1963-1969 336/1 Undated, 1 of 2 336/2 Undated, 2 of 2 336/3 Miscellaneous, 1 of 2 336/4 Miscellaneous, 2 of 2 336/5 Hoffman, Sam, 1947 336/6 Hollywood Reporter, 1940-1988 336/7 Holmgren, Clif, 1952-1968 336/8 Hollister, Paul, 1954-1970 336/9 Holloway, Henry, 1988-1989 336/10 Holmes, E.C., 1954-1955 336/11 Home of the Sons and Daughters of Israel, 1943-1945 336/12 Hope, Bob and Dolores, 1942-1983, undated 336/13 Hopper, Hedda, 1949 336/14 Hotel Mayfair, 1943 336/15 Hotel William Penn, 1942-1943 336/16 Howes, Durward, 1942-1962 336/17 Hume, Edgar E., 1947 336/18 Humphrey, Hubert, 1945 336/19 Hurok, Sol, 1942-1949 336/20 Hurst, Fannie, 1962 336/21 Husted, Bea L., 1985-1986, undated 336/22 Huston, Walter, 1948 336/23 Hyde, Anthony, 1943 336/24 Hylton, Jack, 1951-1952 336/25 Hyman, Joseph, 1949-1962 "H" miscellaneous 336/26 Haa-Han 337/1 Har-Haz 337/2 Hea-Hel 337/3 Hen-Hez 337/4 Hi-Hj 337/5 Hoa-Hop 337/6 Hoq-Hoz 337/7 Hp-Hz 338/1 Iacocca, Lee A., 1986 338/2 Ice Capades, 1957-1958 338/3 Impellitteri, Vincent, 1951-1952 338/4 Ince, Alexander, 1940-1962 338/5 Inter-office communications, 1945-1951 Irving Berlin Ltd. 338/6 1946-1957 338/7 1958-1959 338/8 1960-1969 338/9 1970-1983, undated 338/10 Irwin, Fred, 1941-1945 338/11 Irwin, Lou, 1941-1949 338/12 Irwin, Will, 1956-1984 338/13 Isaac, Henry, 1954-1955 338/14 Israel Broadcasting Service, 1960 338/15 "I" miscellaneous 338/16 J. Albert & Sons Pty. Ltd., 1948-1988 338/17 Jablonski, Edward, 1958-1991 338/18 Jacob, Lester, 1949-1961 338/19 Jacobs, Morris, 1942-1943 338/20 Jager, Felix, 1944-1949 338/21 Janis, Elsie, 1940-1945 338/22 James, Margaret Irving, 1978-1980 338/23 Jansen, Roy, 1953-1956 338/24 Javits, Jacob K., 1964-1974 338/25 Jaycees, 1942-1962 338/26 Jemail, Jimmy, 1947-1950 338/27 Jessel, George, 1946-1976 339/1 Jewish Daily Forward, 1954 339/2 Jewish National Home for Asthmatic Children, 1956-1958 339/3 Jewish Theatrical Guild, 1948-1952 339/4 Jewish War Veterans, 1942-1988 339/5 Jimmie's-Just-A-Hobby, 1958-1978 339/6 Johnson, Charles F.H., 1942-1943 339/7 Johnson, President Lyndon B., 1965-1968 339/8 John Philip Sousa Memorial, 1958 339/9 Johnston, Alva, 1948-1950 339/10 Johnston, Arthur, 1937-1954 339/11 Jolson, Al, 1942-1948 339/12 Juilliard School, 1989 "J" miscellaneous 339/13 Ja-Ji 339/14 Jj-Jz 339/15 "J" unidentified 340/1 Kahn, Irving B., 1943-1985 340/2 Kahn, Ruth, 1946-1950 340/3 Kanin, Garson, 1947-1988 340/4 Kapp, David, 1947-1970 340/5 Kapp, Jack, 1942-1949 340/6 Katz, Joseph, 1942-1949 340/7 Kaufman, S. Jay, 1946-1952 340/8 Kauffmann, Kurt, 1975-1988 340/9 Kavanaugh, Ted, 1947-1953 340/10 Kaye, Danny and Sylvia Fine, 1950-1989 340/11 Kazan, Elia, 1949 340/12 Keaton, Diane, 1986 340/13 Kefauver, Senator Estes, 1951-1952 340/14 Keller, Helen, 1942 340/15 Keller, James, 1952-1954 340/16 Kelly, Fred N., 1984-1989 340/17 Kelly, Gene, 1947-1987 340/18 Kelly, Michael A., 1946 340/19 Kennedy Center for the Performing Arts, 1971-1983 340/20 Kennedy, Senator Edward M., 1966-1986 340/21 Kennedy, Ethel, 1972 340/22 Kennedy, President John F., 1961-1963 340/23 Kennedy, Joseph P. and Rose F., 1946-1978 340/24 Kenny, Laura June, 1970-1986 340/25 Kenny, Nick A., 1942-1964 340/26 Kern, Clarice, 1963-1964 340/27 Kern, Jerome and Eva, 1937-1942 340/28 Kessler, Seymour M., 1964-1974 340/29 Kevart, Herbert, 1942-1943 340/30 Keyes, Paul W., 1973-1978 340/31 Kilgallen, Dorothy, 1942-1962 340/32 Kimball, Robert E., 1974-1987 340/33 King, Alan, 1976 340/34 King, Henry, 1976 340/35 King, Marion, 1949 340/36 Kingsley, Sidney, 1949-1962 340/37 Kinnaird, Clark, 1961-1965 340/38 Kirk, Lisa, 1949 340/39 Kiraly, Victor, 1949-1952 340/40 Klausner, Bertha, 1954-1963 340/41 Knights of Malta, 1975-1985 340/42 Koch, Mayor Edward I., 1978 340/43 Koenig, John, 1942 340/44 Kollmar, Richard, 1956 340/45 Korda, Alexander, 1942 340/46 Kostelanetz, Andre, 1941-1985 340/47 Kramer, Freddy, 1945-1952 340/48 Krasna, Norman, 1948-1951 340/49 Kraus, Myron, 1976 341/1 Kresa, Helmy, 1941-1975 341/2 Krim, Arthur, 1954-1959 341/3 Kulka, Stephen P., 1972-1977 341/4 Kuhn, Ferdinand, 1941-1942 341/5 KWK Publications, 1942 "K" miscellaneous 341/6 Ka 341/7 Ke 341/8 Ki-Kn 341/9 Ko-Ku 341/10 "K" unidentified 342/1 La Guardia, Fiorello, 1942-1943 342/2 La Rosa, Julius, 1969 342/3 Lane, Albert, 1968-1978 342/4 Lane, Burton, 1968-1986 342/5 Langner, Lawrence, 1944 342/6 Larrimore, Francine, 1942-1946 342/7 Lastfogel, Abe, 1943-1978 342/8 Lauder, Harry, 1943-1950 342/9 Laurents, Arthur, 1963-1966 342/10 Lawler, T. Newman, 1947-1975 342/11 Lawrence, Gertrude, 1942 342/12 Lawrence, Justus B. and wife, Carlene, 1948-1987, 1990 342/13 Lawrence, Larry, 1973 342/14 Lawrence, Steve and Eydie Gorme, 1966-1987, undated 342/15 Lazar, Irving, 1946-1988 342/16 Lazaron, Morris, 1942-1978 342/17 Le Mont, L.E., 1942 342/18 League of New York Theater, 1952-1954 342/19 Lear, Norman, 1982 342/20 Lee, John C.H., 1955-1957 342/21 Lee, Nellie, 1945-1946 342/22 Lefkowitz, Nat, 1969-1983, undated 342/23 Lehman, Herbert and Edith, 1942-1947 342/24 Lehman, Maurice, 1948-1950, undated 342/25 Leonidoff, Leon, 1968-1971 342/26 Lerner, Alan Jay, 1962-1979 342/27 Leslie, Edgar, 1943-1965 342/28 Lesser, Sol, 1942-1962 342/29 Lester, Edwin, 1947-1988 342/30 Levant, Oscar and June, 1942-1988 342/31 Levin, Herman, 1956-1962 342/32 Levinthal, Sonia, 1948-1960 342/33 Levy, Fred, 1942-1950 342/34 Levy, Lou, 1949-1951 342/35 Levy, Isaac (Ike), 1942-1955 342/36 Lewi, Maurice, 1948-1956 342/37 Lewis, Jerry, 1953-1967, undated 342/38 Lewis, Joe E., 1942 343/1 Library of Congress, 1971-1989 343/2 Lieberson, Goddard, 1947-1978 343/3 Life Magazine, 1938-1988 343/4 Lillie, Beatrice, 1948-1949 343/5 Lincoln Center for the Performing Arts, 1963-1985 343/6 Lind, Jenny, 1945 343/7 Lindsay, Howard and Russell Crouse, 1949-1965, undated 343/8 Lindsay, Howard, 1942-1968, undated 343/9 Lindsay, John, 1970-1973 343/10 Lindy, Leo, 1948-1956 343/11 Lindy's Inc., 1942-1944 343/12 Link, Harry, 1946-1956 343/13 Linkletter, Art, 1969 343/14 Litter, Ben, 1964-1975 343/15 Littler, Emile, 1947-1978 343/16 Livingston, Alan, 1949-1954 343/17 Lloyd, Kate, 1962-1966 343/18 Loeb, Carl M., Jr., 1953 343/19 Loeb, William, 1978 343/20 Logan, Joshua, 1942-1988, undated 343/21 Lombardo, Guy, 1949-1977 343/22 London Records, 1960 343/23 London Symphony, 1988 343/24 London Weekend Television, 1985 343/25 Look Magzine, 1940-1957 343/26 Loos, Anita, 1949 343/27 Los Angeles City Council, 1978 343/28 Los Angeles Times, 1987 343/29 Luce, Henry R. & Clare Boothe, 1947-1988 343/30 Lunt, Alfred and Lynn Fontanne, 1962 343/31 Lyons, Leon and Sylvia, 1942-1968 343/32 Lyons, Warren, 1966-1976 "L" miscellaneous 344/1 La 344/2 Lea-Leu 344/3 Lev-Lez 344/4 Lia-Liz 344/5 Lja-Low 344/6 Lua-Luz 344/7 "L" unidentified 345/1 MacArthur, General and Mrs. Douglas, 1945-1988 345/2 MacDowell Colony, 1977 345/3 MacGregor, John Edgar, 1943-1955 345/4 Mackenzie, Jack and Helen, 1942-1974 345/5 Macksey, D., 1950-1952 345/6 Maddox, Albert S., 1943 345/7 Mademoiselle, 1942 345/8 Maimonides Hospital, 1949-1952 345/9 Malino, Mrs. Jerome E., 1978-1979 345/10 Malneck, Matty, 1968-1978 345/11 Maloney, William P., 1942-1962 345/12 Mancini, Henry, 1984 345/13 Mandell, Leon, 1954 345/14 Maney, Richard, 1962-1968 345/15 Manhattan School of Music, 1966-1967 345/16 Mankiewicz, Herman J., 1941-1942 345/17 Mankiewicz, Joseph, 1978 345/18 Manson, Alan, 1982-1987 345/19 March, Fredric, 1947 345/20 Marchetti, Roger, 1946-1948 345/21 Margaret, Princess, 1962 345/22 Mark, Julius and Mrs., 1949-1978 345/23 Mark Twain Journal, 1971-1977 345/24 Markey, Gene, 1968-1979 345/25 Marks, Gerald, 1967-1984 345/26 Marks, Herbert, 1951-1967 345/27 Marks, Johnny, 1961-1985 345/28 Marlowe, Martha, 1943-1957 345/29 Marshall, General George C., 1952 345/30 Martin, Dean, 1964 345/31 Martin, Mary, 1947-1988 345/32 Marx, David, 1969-1980 345/33 Marx, Groucho, 1952-1976 345/34 Marx, Harpo and Mrs., 1964-1981, undated 345/35 Marx, Marion, 1978-1983 345/36 Masons, 1946-1989 345/37 Max, Jack, 1949-1950 345/38 Maxwell, Elsa, 1942-1946 345/39 May, Mitchell, 1942-1943 345/40 Mayer, Louis B., 1941 345/41 MCA Records, 1980-1989 345/42 McCabe, Charles B. and Ruth, 1952-1978 345/43 McCabe, John, 1969 345/44 McCall's, 1956-1964 345/45 McCarthy, Frank, 1963-1978 345/46 McCarthy, Mary, 1949-1950 345/47 McCarthy, Thelma, 1949 345/48 McCormick, Ken, 1963-1986 345/49 McCrary, Tex and Jinx Falkenburg, 1948-1982 346/1 McEvoy, J.P. (Peggy), 1948-1953 346/2 McGarity, John, 1958-1964 346/3 McGinley, Laurence J., 1964 346/4 McHugh, Jimmy, 1940-1969 346/5 McKelway, St. Clair, 1947 346/6 McKenna, Billy, 1940-1942 346/7 McLean, Robert, 1950 346/8 McSpadden, T.J., 1940-1942 346/9 Meir (Myerson), Golda, 1949 346/10 Mellick, Drew and Fifi, 1971, 1980 346/11 Melnick, Al, 1942 346/12 Melton, James, 1948-1956 346/13 Menotti, Gian Carlo, 1950 346/14 Mercer, Johnny, 1947-1976 346/15 Mercer, Tommy, 1967 346/16 Mercury Record Corporation, 1960 346/17 Merman, Ethel, 1946-1985 346/18 Merrill, Robert, 1947 346/19 Mesta, Pearl, 1956 Metro-Goldwyn-Mayer Corporation 346/20 1937-1949 346/21 1950-1980 346/22 Metropolitan Opera Association, Inc., 1972-1989 346/23 Meyer, George, 1937-1942 346/24 Meyerson, Bess, 1984 346/25 Michener, James A., 1988 346/26 Midler, Bette, 1988 346/27 Mielziner, Jo, 1946-1962 346/28 Miller, Gilbert and Kitty, 1950-1962 346/29 Miller, Mitch, 1958-1962 346/30 Miller, William J., 1978 346/31 Milligan, Mary, 1948 346/32 Mills, E.C., 1942-1957 346/33 Minneapolis Auditorium, 1944-1956 346/34 Minnelli, Liza, 1965-1974 346/35 Miss America Pageant, 1956 346/36 Mitgang, Herbert, 1964-1988 346/37 Mitler, Milton, 1978-1987 346/38 Mok, Michel, 1946-1948 346/39 Montgomery, Elizabeth, 1950-1955, undated 346/40 Moon, Joseph F., 1949-1962 346/41 Moore, Dorothy K., 1950 346/42 Morath, Max, 1969-1986 346/43 Morehouse, Ward, 1943-1985 346/44 Moreno, Dorothea E., 1950 346/45 Morgan, Junius S., 1942 346/46 Morgan and Brother Manhattan Storage Co., Inc., 1969-1988, undated 346/47 Morgan Guaranty Trust Company, 1965-1992 346/48 Morganthau, Henry, 1941-1943 346/49 Moses, Ann Mary Robertson (Grandma Moses), 1955-1988 347/1 Moses, Robert, 1945-1981 347/2 Motion Picture Relief Fund, 1943 347/3 Mount Sinai School of Medicine, 1964-1975 347/4 Moynihan, Daniel P., 1982-1989 347/5 Mundy, Ethel, 1954-1970 347/6 Mundy, Finy and William, 1942-1951 347/7 Mundy, Mary, 1958-1961 347/8 Muni, Paul, 1955 347/9 Murphy, Justice Frank, 1942-1947 347/10 Murphy, George, 1963-1968 347/11 Murray, Thomas Edward, 1948-1978 347/12 Murrow, Edward R., 1952 347/13 Museum of Broadcasting, 1989 347/14 Museum of Fine Arts (Boston), 1969 347/15 Music Corporation of America, 1948-1954 347/16 Music Dealers Service, Inc., 1958-1959 347/17 Music Publishers' Protective Association, 1929-1964 347/18 Music Operators of America, 1957 347/19 Music Publishers' Association of the United States, 1958-1959 347/20 Music Publishers' Contact Employees, 1942-1958 347/21 Myers, Lester C., 1957 "M" miscellaneous 347/22 M-Marg 347/23 Mari-Mazz 348/1 McA-McF 348/2 McG-McW 348/3 Me 348/4 Mi 348/5 Mo-Mt 348/6 Mu 348/7 "M" unidentified 349/1 NBC, 1939-1962 349/2 Nagrin, Daniel, 1946-1988 349/3 Nash, Ogden, 1950 349/4 Nathan, Casper, 1954 349/5 National Association for the Advancement of Colored People, 1945 349/6 National Citizen's Council on Civil Rights, 1949 349/7 National Conference of Christians and Jews, 1949-1988 349/8 National Committee for the Universal Copyright Convention, 1954 349/9 National Council of American Soviet Friendship, 1943 349/10 National Council on Crime and Delinquency, 1967 349/11 National Foundation for Infantile Paralysis (March of Dimes), 1942-1981 349/12 National Jewish Center for Immunology, 1986-1989 349/13 National Jewish Hospital, 1958-1985 349/14 National Jewish Ledger, 1942 349/15 National Music Awards, 1976 349/16 National Music Publishers' Association, 1970-1987, undated 349/17 National Park Service, 1949 349/18 National Society of the Daughters of the American Revolution, 1965-1969 349/19 National Sojourners, Inc., 1979 349/20 National Variety Artists, 1952-1962 349/21 Negro Actors Guild of America, 1950-1968 349/22 Navy Department, 1947 349/23 Navy Relief Society, 1942-1946 349/24 Neilson, Rutgers, 1945-1946 349/25 Nelson, Boris Erich, 1947-1948 349/26 Nelson, Eddie, 1946-1966 349/27 New Dramatists Committee, 1952-1986 349/28 New York City, 1944-1973 349/29 New York Magazine, 1975-1981 349/30 New York Post, 1939 349/31 New York Public Library, 1949-1986 349/32 New York University, 1946, 1982 349/33 New York Times, 1949-1986 349/34 Newman, Phil, 1942-1949 349/35 Nicholson and Galloway Roofing and Waterproofing, 1964-1967 349/36 Niebuhr, Reinhold, 1950 349/37 Nielsen, Poul Overgaard, 1950 349/38 Night of Stars, 1942-1961 349/39 Niklad, Roberta Anne, 1958 349/40 Nimitz, Chester, 1945 349/41 Nixon, President Richard M., 1954-1988, undated 349/42 Nizer, Louis, 1948-1967 349/43 North, John Ringling and Henry, 1942-1947 349/44 Norworth, Jack, 1949-1957 349/45 Novak, Robert, 1942-1951 349/46 Novins, Louis A., 1947-1949 "N" miscellaneous 350/1 Na 350/2 Ne 350/3 Ni-Ny 350/4 Oberstein, Eli E., 1943-1948 350/5 O'Brien, Jack, 1962-1985, undated 350/6 O'Connor, Cardinal John J., 1984-1988 350/7 O'Connor, Walter, 1963-1980 350/8 O'Conor, Herbert, 1942 350/9 Office of War Information, 1942-1943 350/10 O'Hara, John, 1954-1962 350/11 Oldfield, Barney, 1960-1980 350/12 Orange County, Calif., 1972 350/13 Oshman, Robert, 1965-1971, undated "O" miscellaneous 350/14 Oaa-Ocaz 350/15 Oda-Omz 350/16 Ona-Orz 350/17 Osa-Ozz 351/1 Paar, Jack, 1957-1962 351/2 Page, Geraldine, 1983 351/3 Page, Ruth, 1942-1977 351/4 Paley, William S., 1942-1978 351/5 Palmer, Philip E., 1962-1984 351/6 Pan, Hermes, 1973-1976 Paramount Pictures Corp. 351/7 1941-1945 351/8 1946-1953, 1985 351/9 Parish, Romola, 1942 351/10 Park Jr., H. Halsted, 1946, undated 351/11 Parks, Lee, 1956-1987, undated 351/12 Parnell, Val, 1949-1951 351/13 Parsons, Louella, 1951-1954 351/14 Parker, Dorothy, 1945 351/15 Patterson, Richard C., 1954-1955 351/16 Pearson, Drew, 1942-1950 351/17 Pease and Ellman, Inc., 1941-1946 351/18 Peck, Gregory, 1971-1983 351/19 Pell, Isabel, 1948-1950 351/20 Pemberton, Brock and Mrs., 1943 351/21 Peters, Bernadette, 1977-1978 351/22 Peters, Roderic, 1970-1976 351/23 Philadelphia Inquirer, 1953-1963 351/24 Phipps, Howard and Harriet, 1962-1984 351/25 Pickford, Mary, 1948 351/26 Pierpont Morgan Library, 1977 351/27 Pitts, Zazu, 1943 351/28 Porter, Cole, 1933-1985, undated 351/29 Powell, Bruce, 1942-1949 351/30 Power, Tyrone, 1942-1950 351/31 Precht, Robert, 1968-1974, undated 351/32 Preminger, Otto, 1960-1962 351/33 Price, Vincent, 1975 351/34 Prince, Harold, 1977-1984 351/35 Princeton University, 1985 351/36 Prinzmetal, Myron, 1948-1962, undated "P" miscellaneous 351/37 Paa-Paq 351/38 Par-Paz 352/1 Pe-Pf 352/2 Ph-Pl 352/3 Po-Pz 352/4 Quayle, Anthony, 1970-1971 352/5 Quigley Publications, 1938-1955 352/6 "Q" miscellaneous 352/7 Radio City Music Hall, 1982 352/8 Radio Free Europe, 1960 352/9 Rand, Robert, 1942 352/10 Rankin, A.H., 1941-1947, undated 352/11 Rasaf, Andy, 1954-1958, undated 352/12 RCA, 1944-1980 352/13 Reader's Digest, 1944-1985 Reagan, Ronald 353/1 1980-1984 353/2 1985-1989 353/3 Redfield, Catherine, 1942 353/4 Reform Jewish Appeal, 1962-1981 353/5 Reiner, Gabriel, 1956 353/6 Reinhart, Marie Louise, 1973-1986 Reinheimer, Howard E. 353/7 1936-1942 353/8 1943-1948 353/9 1949-1968 353/10 Reis, Arthur M., 1947-1951 353/11 Remick, Lee, 1965 353/12 Reuben, Arnold, 1949-1962, undated 353/13 Reynolds, Debbie, 1957-1983, undated 353/14 Rice, Andy, 1951-1952 353/15 Richman, Harry, 1958-1963 353/16 Richmond, Larry, 1942-1943, 1954 353/17 Richmond, Maurice, 1942-1948 353/18 Rickenbacker, Eddie, 1952 353/19 Rindler, Milton, 1967-1984 353/20 Riskin, Robert, 1942-1943 353/21 Ritter, Murray, 1941-1942 353/22 Rivera, Diego, 1948 353/23 RKO Radio Pictures, 1937-1943 353/24 Robbins, Jack, 1944-1949 353/25 Robbins, Jerome, 1949-1989, undated 353/26 Robertson, Cary, 1944 353/27 Robertson, Cordella B., 1942-1949 353/28 Robinson, Sophie, 1963-1985, undated 354/1 Rockefeller, David, 1951 354/2 Rockefeller, Jr., David, 1972 354/3 Rockefeller, III, John D., 1966 354/4 Rockefeller, Nelson A., 1952-1965 354/5 Rockefeller, Winthrop, 1950-1970 354/6 Rodgers, Richard, 1946-1952, 1976-1979, 1989 354/7 Rodgers, Richard and Oscar Hammerstein II, 1946-1960 354/8 Rodgers and Hammerstein Organization, 1987 354/9 Roffman, Richard H., 1942-1943 354/10 Rogers, Ginger, 1960 354/11 Rogers, William P., 1971 354/12 Romberg, Sigmund, 1942-1951 354/13 Rome, Harold, 1952-1971 354/14 Roosevelt, Eleanor, 1942-1946 354/15 Roosevelt, Jr., Eleanor B., 1946-1956 354/16 Roosevelt, Franklin Delano, 1941-1944, undated 354/17 Roosevelt, Kermit, 1941-1955 354/18 Roosevelt, Quentin and Frances, 1943-1987 354/19 Roosevelt, Brig. General Theodore, 1942 354/20 Roquiere, Georges, 1965-1978 354/21 Rose, Billy, 1945-1946, undated 354/22 Rosenstock, Milton, 1949-1983 354/23 Rosenthal, Helen, 1943-1945 354/24 Rosenwald, William, 1946-1949 354/25 Roudenko, Luba, 1950-1951, undated 354/26 Royal, John F., 1944-1950 354/27 Royal Society, 1967-1975 354/28 Rubinstein (Gourielli) Helena, 1956 354/29 Rubin, J. Robert, 1948-1952 Ruby, Harry 354/30 1937-1942 354/31 1943-1959 354/32 1960-1967 354/33 1968-1971 354/34 1972-1974, undated 354/35 Rudolph Wurlitzer Company, 1942 354/36 Rumsey, John W., 1947-1960 354/37 Runyon, Damon and Mrs., 1942 354/38 Ryskind, Morrie, 1968-1978, undated "R" miscellaneous 354/39 Ra 355/1 Re-Rh 355/2 Ri 355/3 Roa-Ror 355/4 Ros 355/5 Rot-Ry 355/6 "R" unidentified S.A.C.E.M. 356/1 1948-1958 356/2 1954-1988, undated 356/3 Sacks, Emanuel (Manie), 1942-1957 356/4 Safier, Gloria, 1948-1961, undated 356/5 Salabert, Inc., 1946-1953 356/6 Salute to France, 1955 356/7 Samrock, Victor, 1949-1950, undated 356/8 Samuel, Aimee V., 1946 356/9 Sanders, Harland, 1970 356/10 Sandrich, Mark, 1938-1968 356/11 Snag, Philip, 1967-1970 356/12 Santly, Lester, 1938-1939 356/13 Saranoff, Julius, 1950-1967 356/14 Sardi, Vincent, 1962-1971 356/15 Sarnoff, David, 1954-1971 356/16 Schary, Dore, 1958-1968 356/17 Schenck, Joseph, 1927-1953 356/18 Schenk, Nicholas M., 1942-1969 356/19 Schine, Myer and Hildegarde, 1968-1988 356/20 Schlaifer, Charles, 1949-1984 356/21 Schneider, Hilda, 1948-1973 356/22 Schuman, William, 1952-1963 356/23 Schuster, M. Lincoln, 1943-1966 356/24 Schwartz, Arthur, 1923-1982, undated 356/25 Schwartz, Jean, 1946, undated Schwerdtfeger, Otto M., M.D. see Dear Doctor 357/1 Scouts, Boy and Girl, 1940-1989 357/2 Seeger, Pete, 1974 357/3 Seldes, Gilbert, 1942-1947, undated 357/4 Selznick, David O., 1942-1950 357/5 Shalit, Gene, 1983-1985 357/6 Shamir, Yitzhak, 1988 357/7 Shapiro, Elliot, 1942-1951 357/8 Sharett, Moshe, 1952 357/9 Shaw, Arnold, 1950-1988 357/10 Shaw, Ray, 1943-1970 357/11 Shaw, Sam, 1949-1970, undated Shawnee Press 357/12 1952-1965 357/13 1966-1973 357/14 1974-1984 357/15 Shearer, Norma, 1953 357/16 Sheldon, Sidney, 1948-1988 357/17 Sherman, Allan, 1963-1966 357/18 Sherwood, Robert, 1942-1986, undated 357/19 Shields, Brooke, 1983 357/20 Shinko Music Publishing Co., Ltd., 1963-1965 357/21 Shipler, Guy Emery, 1946-1947 357/22 Shor, Toots, 1942 357/23 Shore, Dinah, 1949-1976, undated 357/24 Short, Hassard (Bobbie), 1942-1956, undated 357/25 Show (magazine), 1963 357/26 Shubert, J.J., 1949-1955 357/27 Shubert, John, 1962 357/28 Shubert, Lee and Mrs., 1942-1953 357/29 Shubert, Milton, 1949-1950 357/30 Shubert, Theater Corp., 1954 357/31 Shumlin, Herman, 1948-1964 357/32 Shurr, Louis, 1942-1968, undated 357/33 Siegal, Sol, 1943-1973 357/34 Sillman, Leonard, 1947-1949 357/35 Sills, (Greenough) Beverly, undated 357/36 Silvera, Albert and Olga, 1951-1955 357/37 Silverman, Fred, 1978 Simon, Harry 357/38 1963-1975, undated 357/39 1942-1958 358/1 Simon, Louis, 1942-1958 358/2 Simon and Schuster, 1942-1967 358/3 Simpson, Sid, 1944 358/4 Sinatra, Frank and Mrs., 1947-1980 358/5 Sinatra (Lambert), Nancy, 1984 358/6 Sinclair, Upton, 1942 358/7 Skala, Lilia, 1953-1966 358/8 Skouras, Charles, 1947-1960 358/9 Small, Paul, 1949 358/10 Smith, Henry, 1946 358/11 Smith, Kate, 1945-1969 358/12 Smith, Oliver, 1949-1962 358/13 Smithsonian Institution, 1966-1975 358/14 Smythe, Edward James, 1940 358/15 Snyder, Ted, 1936-1949, undated 358/16 Sobel, Louis, 1947-1970 358/17 Society for the New York Hospital, 1951-1958 358/18 Society for the Preservation & Encouragement of Barbershop Quartet Singing in America, 1959-1978 358/19 Sohmer, Harry J., 1950-1964 358/20 Solotaire, George, 1956-1963 358/21 Sonderson, Lora, 1949-1950 358/22 Sondheim, Stephen, 1966-1978 358/23 Re: Song Folio 1 Order Forms and Letters, 1945 358/24 Songwriters Guild of America, 1942 Songwriters Hall of Fame 358/25 1969-1978 358/26 1979-1993, undated 358/27 Songwriters of America, 1953, undated 358/28 Songwriters' Protective Association, 1937-1958, undated 358/29 Sosenko, Anna, 1972-1973 358/30 Southeast Missouri State College, 1969 358/31 Spaatz, Carl, 1950 358/32 Spaeth, Sigmund, 1942-1962 358/33 Sparkman, John, 1953-1976 358/34 Spellman, Cardinal Francis, 1947-1967 358/35 Stafford, Jo, 1948-1950 358/36 Stamats, Herbert, 1952-1962 358/37 Stanley, Aileen, 1949-1955 358/38 Starr, Benjamin, 1942 358/39 Stassen, Harold, 1955 358/40 State Department, United States, 1948-1951 358/41 Steinway and Sons, 1945 358/42 Stern, Isaac, 1985 358/43 Stern, J. David, 1941-1949, undated 358/44 Stettinius, Edward R., 1942-1948 359/1 Stevens, Mr. and Mrs. Ashton, 1948-1949 359/2 Stevenson, Adlai, 1952-1961 359/3 Stewart, Charles, 1950-1966 359/4 Stewart, James, 1944 359/5 Stewart, James (Jimmie), 1989 359/6 Stoddard, Hud, 1954-1955 359/7 Stokowski, Leopold, 1969 359/8 Stone, Norman, 1970-1987 359/9 Stoner, Mickey, 1978-1984 359/10 Stork Club, 1950-1978 359/11 Stout, Rex, 1942-1949 359/12 Streisand, Barbra, 1967-1969 359/13 Stuart, Lyle, 1947-1973 359/14 Styne, Jule, 1949-1985 359/15 Sullivan, Ed, 1942-1973, undated 359/16 Sullivan, J. Branigan, 1962-1968 359/17 Sulzberger, Iphigene Ochs, 1949-1988 359/18 Susskind, David, 1983 359/19 Swayze, John Cameron, 1954 Sweet Adelines, Inc. 359/20 1971-1972 359/21 1973-1986 359/22 Sweetland, Thelma Van Winkle, 1949-1956 Swope, Herbert B. 359/23 1939-1946 359/24 1946-1970 359/25 Swordack, Mallie, 1960-1962 359/26 Sydow, Jack, 1966 359/27 Sylvester, Robert, 1956-1970 359/28 Symington, Stuart, 1950 "S" miscellaneous 360/1 S-Sa 360/2 Sca-Scho 360/3 Schr-Scz 360/4 Se-Sf 360/5 Sg-Sh 361/1 Si-Sl 361/2 Sm-So 361/3 Sp-Sta 361/4 Ste-Sty 361/5 Su-Sz 362/1 Taft, Walbridge S., 1931-1949 362/2 Talcott, J. Frederick, 1940 362/3 Tannen, Nat, 1942-1944 362/4 Taps, Jonie, 1946-1962 362/5 Tashjian, M.J., 1940-1950 362/6 Taubert, Rudolph, 1964-1971 362/7 Taylor, Davis, 1941-1942 362/8 Taylor, Deems, 1942-1944 362/9 Taylor, Elizabeth, 1961 362/10 Telephone Hour, 1962 362/11 Temple University, 1954-1965 362/12 Tenant, Ira, 1941-1944, undated 362/13 Tenberge, Jacobus, 1948-1981 362/14 Tengstrom, Hikka S., 1982-1985 362/15 Tepper, Saul, 1968-1980 362/16 Theater Development Fund, 1971-1988 362/17 Theodore Roosevelt Association, 1950-1986 362/18 Theodore Rooseelt Centennial Commission, 1956-1957 362/19 Thiele, Bob, 1953-1959 362/20 Thomas, David, 1953-1977 362/21 Thomas, Lowell, 1942-1952 362/22 Thompson, Charles W., 1955-1961 362/23 Thompson, Gordon V., 1942-1945, 1952 362/24 Tibbett, Lawrence and Mrs., 1940-1946 362/25 Time, Inc., 1942-1985 362/26 Tiomkin, Dmitri, 1956-1975 362/27 Tobias, Charles, 1956-1970, undated 362/28 Tobias, Harry, 1945-1987, undated 362/29 Todd, Michael, 1942-1950 362/30 Toland, John, 1975 362/31 Tomerlin, Lysle, 1945-1947 362/32 Tours, Elliott, Frank Jr. and John, 1977-1988 362/33 Tours, Frank and Helen, 1940-1970, undated 362/34 Town Hall, Inc., 1946-1976 362/35 Town & Country Magazine, 1967 362/36 Treasury Department, United States, 1947-1955 362/37 Treible, William, 1967-1970 362/38 Truman, Harry, 1945-1963 362/39 Truman, Margaret, 1951 362/40 Tuchman, Lester, 1979, undated 362/41 Tucker, Sophie, 1940-1962, undated 362/42 Tunney, Gene, 1940-1941 362/43 Turtle Bay Tree Fund, 1970-1988 362/44 TV Guide, 1972 362/45 TWA, 1953 362/46 The Twentieth Century, 1962 20th Century Fox 362/47 1938-1949 363/1 1950-1954 363/2 1955-1980, undated 363/3 Tyng, Lucien H., 1941 "T" miscellaneous 363/4 T-Te 363/5 Th-Tj 363/6 To-Ty 364/1 Uggams, Leslie, 1964 364/2 Ungar, Arthur, 1940-1949 364/3 Ungerleide and Co., 1938 364/4 Union of Dutch Music Publishers and Dealers, 1969 364/5 Universal Writers of America, 1946-1949 364/6 United Hospital Fund of New York, 1941-1989 364/7 United Jewish Appeal, 1939-1988 364/8 United Nations, 1970-1971 364/9 United Nations Children Fund, 1987 364/10 United States Information Agency, 1956 364/11 Upton, J. Duane, 1939-1970 364/12 USO, 1941-1985 364/13 "U" miscellaneous 364/14 Vallee, Rudy, 1939-1968, 1983 364/15 Van Gus, 1949-1967 364/16 Van Derhoef, Newell, 1939 364/17 Van Doren, Carl, 1947 364/18 Van Doren, Mark, 1963 365/1 Van Heusen, James, 1957-1989 365/2 Van Patten, Nathan, 1949-1951 365/3 Vanderbilt, Alfred G., 1948 365/4 Vanderbilt, Cornelius Jr., 1950 365/5 Vanderbilt, Gertrude, 1941-1950 365/6 Vanderbilt, Spencer, 1942-1958 365/7 Variety, 1946-1986 365/8 Vassar College, 1958, undated 365/9 Veterans Administration, U.S., 1946 365/10 Veterans Bedside Network, 1965-1987 365/11 Veterans of World War I Camp Upton Memorial, 1979-1981 365/12 (RCA) Victor Corp., 1946-1947, 1954-1957, 1962 365/13 Victor Music Publishing, 1989 365/14 Vogel, Jerry, 1939-1948 365/15 Vogue, 1962 365/16 "V" miscellaneous 365/17 Wagner, Gerald G., 1971-1976, undated 365/18 Wagner, Robert, 1955-1964 365/19 Walker, Alfred J., 1968, undated 365/20 Walker, Mort, 1967 365/21 Wallace, Irving, 1976 365/22 Wallace, Weldon, 1954-1955 365/23 Wallis, Hal, 1943 365/24 Walsh, George, 1971 365/25 Walsh, James, 1948-1958 365/26 Wanger, Walter, 1948-1966 365/27 War Department, United States, 1942-1946 366/1 Warburg, Edward M., 1942-1950 366/2 Wardell, Mike, 1942-1971 366/3 Waring, Fred and Mrs., 1943-1982 366/4 Warner, Jack, 1942-1968 366/5 Warner Bros. Pictures, Inc., 1942-1963 366/6 Warner, John and Emily, 1955-1968 366/7 Warren, Earl, 1948 366/8 Warren, Harry, 1945-1981 366/9 Washer, Ben, 1942-1982, undated 366/10 Waters, Ethel, 1972 366/11 Watson, Thomas J., 1949-1963 366/12 Watts, Jr., Richard, 1954-1973 366/13 Waxman, Franz, 1957 366/14 Wayne, John, 1970 366/15 Wechsler, Samuel, 1945-1962 366/16 Wedge, Sue, 1956, 1961-1962 366/17 Weigand, Nancy, 1950-1953 366/18 Weill, Kurt, 1949-1950 366/19 Weingarten, Lawrence, 1962-1963 366/20 Welk, Lawrence, 1969-1988 366/21 Weizmann, Chaim, 1949 366/22 Weston, Cecil, 1942-1953, undated 366/23 Wharton, John F., 1949-1951 366/24 Whitcomb, Ian, 1983 366/25 White, Walter, 1945-1946 366/26 Whitelaw, Arthur, 1972-1987 366/27 Whiteman, Paul, 1945-1948 366/28 Whiting, Margaret, 1949 366/29 Who's who in the theatre, 1960 366/30 Wigler, Sam, 1945 366/31 Wilder, Alec, 1964-1971 366/32 Wilk, Jacob, 1942-1946 366/33 Wilk, Max, 1971-1975 366/34 Wilkerson, William, 1943-1948 366/35 Willkie, Wendell, 1943 366/36 Willard Hotel, 1941-1945 366/37 Willemetz, Albert, 1945-1962 366/38 William Morris Agency, 1941-1988 366/39 Williams, Andy, 1963-1969 366/40 Williams, Sharon, 1981-1983 366/41 Williamsburg Settlement, Inc., 1953 366/42 Willson, Meredith, 1951 366/43 Wilson, Earl, 1947-1982, undated 367/1 Wiman, Dwight, 1946-1950 367/2 Winchell, Walter, 1942-1970 367/3 Winslow, Max, 1929-1942 367/4 Winslow, Tillie, 1942-1958, undated 367/5 Wisdom, 1965-1969 367/6 Wishnefsky, Seymour, 1942 367/7 Witmark & Sons, M., 1914 367/8 WNET/13, 1966-1988 367/9 Wodehouse, P.G., 1946 367/10 Wolfe, Louis, 1963-1968 367/11 Wood, Barry, 1965-1970 367/12 Woollcott, Alexander, 1941-1943 367/13 World Book Encyclopedia, 1964 367/14 Worley, Jo Anne, 1987 367/15 Wurtzel, Sol, 1937-1938 367/16 Wynn, Keenan, 1966 "W" miscellaneous 367/17 Wa-Wal 367/18 Wam-Waz 367/19 Wb-Wez 368/1 Wh 368/2 Wia-Will 368/3 Wilm-Wiz 368/4 Wja-Wz 368/5 "X" miscellaneous 368/6 Yale University, 1963-1975 368/7 Yank, 1942 368/8 Yaum, R.D., 1940-1941 368/9 Yellen, Jack, 1953-1972 368/10 Yeshiva University, 1954-1955 368/11 Y.M.H.A., 1987-1988 368/12 Yoder, Robert M., 1949-1951 368/13 Yohalen, Henry, 1940 368/14 Yoken, Melvin B., 1968-1973 368/15 Young Marvin, 1943-1961, undated 368/16 Young Men's & Young Women's Hebrew Association, 1941-1967 368/17 Young Men's Christian Association, 1951-1974 368/18 Young Women's Christian Association, 1949 368/19 Youth Builders, 1940-1941 368/20 "Y" miscellaneous Zanuck, Darryl 369/1 1930-1937 369/2 1938 369/3 1939 369/4 1942-1954 369/5 1962-1979, undated 369/6 Ziegfeld Club, 1941-1958 369/7 Ziff-Davis Publishing Company, 1941-1959 369/8 Ziska, Helen, 1943 369/9 Zolotow, Sam, 1941-1972 369/10 Zorina, Vera, 1940-1942 369/11 Zucca, Mana, 1942-1962 369/12 Zukor, Adolph, 1941-1949 369/13 "Z" miscellaneous 369/14 Unidentified, 1912-1988 369/15 Unidentified, undated Fan mail, miscellaneous 370/1 1941-1944 370/2 1966-1967 370/3 1968 370/4 1968 370/5 1968 370/6 1971 370/7 1974-1977 370/8 1978 371/1 1978 371/2 1979 371/3 1980 371/4 1981 371/5 1982 371/6 1983 371/7 1985 371/8 1986 371/9 1987 371/10 1988, 100th birthday (1 of 8) 372/1 1988, 100th birthday (2 of 8) 372/2 1988, 100th birthday (3 of 8) 372/3 1988, 100th birthday (4 of 8) 372/4 1988, 100th birthday (5 of 8) 372/5 1988, 100th birthday (6 of 8) 373/1 1988, 100th birthday (7 of 8) 373/2 1988, 100th birthday (8 of 8) 373/3 1989 373/4 1989, sympathy (1 of 2) 373/5 1989, sympathy (2 of 2) 373/6 Undated, holidays 373/7 undated Fan mail, children fan mail 374/1 1942 374/2 1970's 374/3 1985 374/4 1987 375/1 1988 (1 of 6) 375/2 1988 (2 of 6) 375/3 1988 (3 of 6) 375/4 1988 (4 of 6) 375/5 1988 (5 of 6) 375/6 1988 (6 of 6) 375/7 1989 376/1 Oddities/strange, 1966-1968 376/2 Oddities/strange, 1982-1984 376/3 Oddities/strange, 1985-1988 376/4 Acknowledgements, (1 of 2) 376/5 Acknowledgements, (2 of 2) 377-414, 518-525 Legal Papers Correspondence Gilbert & Gilbert Cohen, Godfrey 377/1 1936-1940 377/2 1947-1951 377/3 1952 377/4 1953 377/5 1954 377/6 1955-1957 377/7 1958 377/8 1959 377/9 1960 377/10 1961 377/11 1962-1963 378/1 Feldman, 1937-1942 Gilbert, Francis 378/2 1927-1937 378/3 1938-1939 378/4 1940-1941 378/5 1942 Jan. - Aug. 378/6 1942 Sept. - Dec. 378/7 1943 Jan. - May 378/8 1943 June - Dec. 378/9 1944 Jan. - Oct. 378/10 1944 Nov. - Dec. 379/1 1945 Jan. - July 379/2 1945 Aug. - Dec. 379/3 1946 Jan. - May 379/4 1945 June - Dec. 379/5 1947 Jan. - Aug. 379/6 1947 Sept. - Dec. 379/7 1948 Jan. - July 379/8 1948 Aug. - Dec., undated 380/1 1949 380/2 1950 380/3 1951-1955 Jackson, Theodore 381/1 1953-1962 381/2 1963 381/3 1964 381/4 1965-1967 381/5 1968 381/6 1969 381/7 1970 381/8 1971 382/1 1972 382/2 1973 382/3 1974 Jan. - Aug. 382/4 1974 Sept. - Dec. 382/5 1975 382/6 1976 383/1 1977-1978 383/2 1979 383/3 1980 383/4 1981-1989, undated Malino, Jerome E. 384/1 1952-1959 384/2 1960-1963 384/3 1964-1967 384/4 1968-1977 384/5 Jay, Joseph, 1962-1964 Subjects 385/1 1976-1979 385/2 1980-1985 385/3 1986-1990 385/4 Annie Get Your Gun, 1989-1990 385/5 Anything you can do (commercial), 1983 385/6 Barrett-Emmett-Peters, 1989-1990 386/1 Bricker, Seymour 386/2 Chappell: Canada 386/3 Chappell: England, Australia, Africa, 1973-1976 386/4 Chappell: England, Australia, Africa, 1977-1983 386/5 Chappell: England, Australia, Africa, 1984-1986 386/6 Chappell: England, Australia, Africa, 1987-1990 387/1 EMI, 1974-1983 387/2 EMI, 1984-1990 387/3 Godspeed Opera House, 1975-1983 387/4 "Harlem on my mind" (Metropolitan Museum of Art), 1969 387/5 Hope Publishing, 1985-1990 387/6 House of Blue Leaves re: White Christmas, 1986-1988 387/7 I'm not of Rappaport; Puttin' on the Ritz, 1985-1990 387/8 Luft, Sid; re: Judy Garland recordings, 1980-1984 388/1 Reuter & Reuter & Bosworth, 1982-1989 388/2 Ricketts, M.E. - London, 1948-1970 388/3 Rindler, Milton & Co., 1978-1990 388/4 Rodgers & Hammerstein, 1988-1990 388/5 Salabert & Co. 388/6 Shaw Festival; Puttin' on the Ritz, 1980-1984 388/7 Show Business; Capitol Records, Inc., 1967-1970 388/8 Stepping Out, 1986-1989 388/9 Victor, Japan, 1984-1990 388/10 Ziegfeld; Palladium, London, 1988 388/11 Miscellaneous Irving Berlin Music Co. 389/1 Allan & Co.1949-1956 389/2 Association for a Strong America, Inc., 1971 389/3 Bert Shefter agreement, 1945 389/4 Bianco Natale (White Christmas), 1963-1966 389/5 Bill of sale, 1933-1944 389/6 Bornstein, Saul, 1919-1955 389/7 Bourne, Inc., 1949-1953 389/8 Buster Keaton Productions, Inc., 1963-1972 389/9 Canadian music sales, 1950-1952 389/10 Chandler, A.W., 1954 389/11 Charing Cross Co., 1982 389/12 Cohen, Godfrey, 1949-1961 389/13 Columbia Records, 1964 389/14 Compass Fair, Inc. 389/15 Decca Records, Inc., 1956 389/16 Department of the Army, 1957-1958 389/17 Department of the Navy, 1957-1979 389/18 Donaldson, Walter, 1920-1922 389/19 Eckes & Dean, Public Accountants, 1945-1946 389/20 Francis Day & Hunter, Ltd., 1922-1926 389/21 Francis Day & Hunter, Ltd., 1928-1934 390/1 George & Helen Foster & Associates, 1960-1973 390/2 Gilbert, Francis, 1951 390/3 Gordon V. Thompson, Ltd., 1950-1959 390/4 H.J. Company, 1979-1983 390/5 Harry Fox, 1950-1976 390/6 Hugh Heaton Printing House Ltd., 1952 390/7 Irving Berlin, Inc., 1920-1948 390/8 J. Albert & Son, Ltd., 1952 390/9 J. Walter Thompson Co., 1958 390/10 Jackson, Theodore R., 1965-1986 390/11 Jacobs, Archie & Milton, 1940 Lawler, T.N. (tax case) 390/12 1952-1953 390/13 1965-1973 390/14 1974-1975 390/15 Lehman Bros., 1946 390/16 Lin Broadcasting Corp., 1973 390/17 M.F. Productions, 1972-1974 390/18 Minnesota Mining and Manufacturing Co., 1968-1974 390/19 Morgenthau, Henry Jr. (US Department of Treasury), 1941 390/20 Music Circus, Inc., 1955 390/21 Music Publishers' Protective Association (MPPA) 390/22 Nestle Co., 1958-1962 391/1 Palmer, Hefferman, Wickser & Goetz, 1957 391/2 Patek's Music Company, 1935 391/3 Publishers, foreign, 1950-1976 391/4 Recht and Company Inc., 1967 391/5 Releases, Campbell & Jahren, 1926-1928 391/6 Rubinoff, Dave, 1927-1937 391/7 Shannon, Grace, 1945-1961 391/8 Shawnee Press, Inc., 1949-1961 391/9 Shawnee Press, Inc., 1962-1982 391/10 Siegel, Milton, 1952 391/11 Sight and Sound, Inc., 1971-1979 391/12 Simon & Schuster, Inc., 1969 391/13 Synthetics Plastics Co., 1961-1962 391/14 Two Cities Films, Ltd., 1944 391/15 Wattenberg & Wattenberg, 1962 391/16 Wurlitzer Company, 1962 391/17 Miscellaneous, 1945-1991 Lawler, T. Newman 392/1 1940-1942 392/2 1943 392/3 1944-1945 392/4 1946-1948 392/5 1949-1960 393/1 1964-1966 393/2 1967-1971 393/3 1972-1975 393/4 1976-1987 O'Brien, Driscoll and Raferty Law Offices 394/1 1925-1929 394/2 1930-1931 394/3 1932-1933 394/4 1934-1935 394/5 1937-1939 394/6 1940 395/1 1941 395/2 1942 395/3 1943 395/4 1944-1946 395/5 1947-1963 Schwartz, Abe 396/1 1926-1930 396/2 1931-1938 396/3 1940-1942 396/4 1943 Jan. - Mar. 396/5 1943 Apr. - Dec. Copyright assignments 397/1 After the honeymoon 397/2 Alexander's bagpipe band 397/3 Alexander's bagpipe band 397/4 Alexander and his clarinet 397/5 At the picture show 397/6 Bring back my Lena to me 397/7 Christmas time seems years, years away 397/8 Colored Romeo 397/9 Come back to me, my melody 397/10 Dear Mayme, I love you 397/11 Do your duty doctor 397/12 Don't take your beau to the seashore 397/13 Down to the Folies Bergere 397/14 Down to the Folies Bergere 397/15 Dreams, just dreams 397/16 Drowsy head 397/17 Dying rag 397/18 Ephraham played upon the piano 397/19 He played it on his fid, fid, fiddle-de-dee 397/20 Let's dance that beautiful waltz 397/21 Hiram's band 397/22 Home again blues 397/23 I love you more each day 397/24 I wish that you was my girl, Molly 397/25 If I thought you wouldn't tell 397/26 If the managers only thought the same as mother 397/27 I'm a happy married man 397/28 I'm going back to Dixie 397/29 I'm going on a long vacation 397/30 Is there anything else that I can do for you 397/31 Jake, Jake the Yiddisha ball player 397/32 Kiss me, my honey, kiss me 397/33 Lead me to that beautiful band 397/34 The lyre bird and the jay 397/35 The lyre bird and the jay 397/36 Million dollar ball 397/37 My wife's gone to the country, hurrah, hurrah 397/38 My wife's gone to the country, hurrah, hurrah 397/39 My dream of the USA 397/40 Next to your mother who do you love 397/41 No one could do it like my father 397/42 Oh, how that German could love 397/43 Oh! that beautiful rag 397/44 Oh! where is the wife tonight 397/45 Oh! where is the wife tonight 397/46 Piano man 397/47 Ragtime mocking bird 397/48 Rosie you are working 397/49 Russian lullaby & Always 397/50 Sayonara 397/51 She was a dear little girl 397/52 Sombrero land 397/53 Sombrero land 397/54 Some little something about you 397/55 Someone just like you dear 397/56 Spanish love 397/57 Spanish love 397/58 Stop that rag 397/59 Sweet Italian love 397/60 Sweet Marie, make-a-rag-a-time dance 397/61 Take a little tip from father 397/62 Thank you, kind sir 397/63 That mysterious rag 397/64 That opera rag 397/65 There are no wings on a foxhole 397/66 There's a girl in Havana 397/67 When he sings the songs my mother sang to me 397/68 When I discovered you 397/69 When I hear you play that piano Bill 397/70 Wild cherries 397/71 Wild cherries rag (inst.) 397/72 Wishing 397/73 Woodman, woodman, spare that tree 397/74 Yankee love 397/75 You've built a fire down in my heart 398/1 Miscellaneous listing - Leota Bryan Eckhardt 398/2 Miscellaneous listing - E. Ray Goetz 398/3 Miscellaneous listing of recorded copyrights 398/4 Miscellaneous lists of royalties 398/5 Miscellaneous titles 398/6 Miscellaneous - cancellation of A Zion lullaby Copyrights registered in Mexico 398/7 Correspondence 398/8 Data 398/9 Registration certificates 398/10 Titles, A-Z 398/11 Miscellaneous Copyrights: Waterson, Berlin & Snyder 399/1 1909-1910 399/2 1911-1912 399/3 1913-1914 399/4 1915-1916 399/5 1917-1918 Legal cases Smith vs. Berlin 518/1 Smith's exhibits for examination, pretrial; [14] leaves Typescript, carbon, photocopies 518/2 Defendant's exhibits for examination, pretrial; [109] leaves Photocopies 518/3 Various manuscript lead sheets and piano-vocal scores; [100] leaves Photocopies 518/4 Miscellaneous letters, sheet music, copyrights and photocopies of manuscripts; [76] leaves 519/1 Proof for display as evidence; [21] leaves Photocopies 519/2 Proof for display as evidence; [17] leaves Photocopies 520 Transcript of testimony, pt. 1; 608 p. Carbon copy 521 Transcript of testimony, pt. 2; 609-1086 p. Carbon copy 522/1 Examination of Berlin, Kresa, Chandler; 155 p. Carbon copy 522/2 Examination of Berlin, Kresa, Chandler; 362 p. Carbon copy 522/3 Examination of Kresa and deposition of Chandler; pp. 156-289, 290-362 Carbon copy 523/1 Typescript deposition of Alfred Smith; 386 p. 523/2 Typescript deposition of Alfred Smith; pp. 387-644 524 Deposition of Alfred Smith; 642 p. Carbon copy 525/1 Snyder, Ted vs. Berlin, Irving Typescript deposition of Ted Snyder; 421 p. 525/2 Irving Berlin vs. Commissioner of the board of elections, 1964; [4] leaves 525/3 Irving Berlin Inc. vs. Waterson, Berlin & Snyder C., re: Homesick, 1922; [21] leaves 525/4 Earl Taylor vs. Irving Berlin, 1932 Deposition, release & clippings 525/5 Miscellaneous: Mandy/Do whatcha wanna do- comparison chart for case 525/6 Mandel & Raymond - charter boat settlement Permissions 400/1 1923-1956 400/2 1957 1958 400/3 Jan. - Apr. 400/4 May - July 400/5 Aug. 400/6 Sept. 400/7 Oct. 400/8 Nov. - Dec. 1959 401/1 Jan. - Feb. 401/2 Mar. - Apr. 401/3 May - July 401/4 Aug. - Sept. 401/5 Oct. 401/6 Nov. - Dec. 1960 401/7 Jan. - Feb. 401/8 Mar. - Apr. 402/1 May - June 402/2 July - Aug. 402/3 Sept. - Oct. 402/4 Nov. - Dec. 1961 402/5 Jan. - Mar. 402/6 Apr. - June 402/7 July - Sept. 402/8 Oct. - Dec. 1962 403/1 Jan. - Apr. 403/2 May - Sept. 403/3 Oct. - Dec. 1963 403/4 Jan. - Mar. 403/5 Apr. 403/6 May 403/7 June - July 404/1 Aug. - Sept. 404/2 Oct. 404/3 Nov. 404/4 Dec. 1964 404/5 Jan. 404/6 Feb. 404/7 Mar. - Apr. 404/8 May - June 404/9 July 404/10 Aug. - Sept. 405/1 Oct. 405/2 Nov. - Dec. 405/3 1965 405/4 1966-1968 405/5 1969-1970 405/6 1971-1972 405/7 1973 1974 405/8 Jan. - Mar. 406/1 Apr. - Aug. 406/2 Sept. - Dec. 1975 406/3 Jan. - May 406/4 June - Sept. 406/5 Oct. - Dec. 1976 407/1 Jan. - Apr. 407/2 May - Sept. 407/3 Oct. - Dec. 1977 407/4 Jan. - Mar. 407/5 Apr. - June 408/1 July - Oct. 408/2 Nov. - Dec. 1978 408/3 Jan. - Apr. 408/4 May - June 408/5 July - Sept. 409/1 Oct. - Dec. 1979 409/2 Jan. - Apr. 409/3 May - July 409/4 Aug. - Dec. 1980 410/1 Jan. 410/2 Feb. - July 410/3 Aug. 410/4 Sept. - Dec. 1981 410/5 Jan. - Aug. 411/1 Sept. - Dec. 1982 411/2 Jan. - May 411/3 June - Dec. 1983 412/1 Jan. - July 412/2 Aug. - Dec. 1984 412/3 Jan. - June 412/4 July - Dec. 412/5 1985 412/6 1986-1990 Blithe spirit permissions only 413/1 1967-1970 413/2 1971-1974 413/3 1975-1976 414/1 1977-1978 414/2 1979-1983 414/3 1984-1990 415-507, 526-537, 594-598, B 1-189, B 206-223, L 1-89 Financial Papers 415/1 American Exchange/Irving Trust Co., 1928-1939 415/2 Bank of America, 1937-1942 415/3 Bank of America/National City Bank/Chase National Bank, 1929-1942 Bank statements B 1-20 Berlin, Ellin, 1927-1978 B 21-32 Berlin, Irving, 1960-1987 Cash account 416/1 1973 416/2 1974 416/3 1975 416/4 1976 416/5 1977 416/6 1978 416/7 1981 416/8 1982 416/9 1983 415/13 Deposits, 1939-1940 B 206-207 Ledgers, unbound, 1969-1983 B 83-87 Personal checks Berlin, Ellin 534/1 Cadwalader, Wickersham & Taft, 1947-1988 534/2 Morgan Guaranty Trust Company, 1987 534/3 Morgan Guaranty Trust Company, 1987 534/4 Morgan Guaranty Trust Company, 1988 Berlin family insurance papers 446/1 1910-1929 446/2 1930-1934 446/3 1935-1939 446/4 1940-1949 446/5 1950-1959 446/6 1960-1965 447/1 1966-1969 447/2 1970-1973 447/3 1974-1976 447/4 1977-1979 448/1 1980-1981 448/2 1982 448/3 1983 448/4 1984 448/5 1985-1987 448/6 undated L 85 Berlin security corp., 1927-1939 2 ledgers 415/4 Cash cr./Mutual Bank, 1926-1930 L 81-82 Cash disbursements, household, 1943-1972 17 ledgers Check receipts, check books/ledgers L 75 Bank of America, check ledger, 1963 L 88 Berlin, Ellin, check receipt books (12), 1965-1972 L 75 Chase Manhattan, check receipt book, 1927-1928 L 75 Chase National Bank, check receipt book, 1947-1948 L 88 Chemical Bank, charitable check books (3), 1953-1983 L 88 Chemical Bank, various accounts, 1943-1970 3 ledgers L 75 Chemical Bank, check receipt book, undated L 89 God Bless America Fund, 1 check receipt book, 1940-1961 L 75 Guaranty Trust Co., (Linda Louise Emmet) check ledger, 1959-1961 L 75 Hanover Bank, check ledger, 1956-1970 L 75 Stationery ordering book L 75 Sullivan County Nat. Bank, check receipt book, 1952 L 75 Sullivan County Nat. Bank, check receipt book, 1952

1 entry

L 75 Unidentified (EMB?), check receipt book, 1927-1928 L 75 Unidentified, check receipt book, 1945 L 75 General checking expense ledger, personal and other, 1947 L 75 General checking expense ledger, household and other, 1947 Check vouchers

Arranged alphabetically

 B 92-100 A B 101-104 B B 105-113 C B 114-120 D-F B 121-125 G-H B 126-131 I-K B 132-140 L-M B 141-148 N B 149-156 O-P B 157-166 Q-S B 167-176 T-Z B 177-179 1983-1987 415/5 Consolidated statement - all funds, 10/31/1964 L 6-19 Corporate check vouchers; voucher #101, Oct. 25, 1944, voucher #36429, Jan. 1983 76 ledgers Corresondence 417/1 American Express Company, 1931-1936 417/2 Berlin Securities Corp., 1928-1931 417/3 City National Bank, 1958-1960 417/4 Cohen, Godfrey, 1955 417/5 Employees payroll increase, 1962-1973 417/6 Fagan and Goetz, 1935-1938 417/7 Gruntal, Lilienthal and Co., 1929-1933 417/8 Guaranty Trust Co., 1927-1959 417/9 Halsey, Stuart and Co., 1927-1928 417/10 Halsey, Stuart and Co., 1929-1931 417/11 Lehman Bros., 1949-1967 417/12 Lehman Bros., 1968-1976 418/1 Milton Rindler and Co., 1950-1974 418/2 Morgan Guaranty Trust Co., 1949/1984 418/3 Sales and broadcasting statements, 1958 418/4 Sales and broadcasting statements, 1959 418/5 Sales and broadcasting statements, 1960 418/6 Trust funds - children and grandchildren, 1929-1948 418/7 Trust funds - children and grandchildren, 1958-1965 418/8 Trust funds - children and grandchildren, 1966-1971 418/9 Miscellaneous, 1927-1946 418/10 Miscellaneous, 1947-1986 415/6 County trust, 1926-1928 L 20 Credits, Irving Berlin Inc., voucher #724 - #952, 1944-1945 10 ledgers L 85 Donations, 1949-1969 1 ledger Donations and contributions 419/1 1924-1940 419/2 1941 419/3 1942 419/4 1943-1944 419/5 1945-1947 419/6 1948 419/7 1949-1950 419/8 1951-1954 420/1 1955-1957 420/2 1958-1962 420/3 1963-1970 420/4 1971-1980 420/5 1981-1989 420/6 Undated L 87 Expenses and personal business, 1943-1969 14 ledgers B 210 Foreign licenses, 1929-1934 L 83-85 General ledgers, Irving Berlin Inc., IBMC, 1944-1983 19 ledgers 415/7 Guaranty Trust, 1931-1942 415/8 Guaranty trust special, 1932-1942 Household bills and receipts 421/1 1924 421/2 1925 421/3 1926 (1 of 2) 421/4 1926 (2 of 2) 421/5 1927 (1 of 4) 421/6 1927 (2 of 4) 421/7 1927 (3 of 4) 421/8 1927 (4 of 4) 422/1 1929-1930 422/2 1931 422/3 1932 (1 of 2) 422/4 1932 (2 of 2) 422/5 1933 (1 of 2) 422/6 1933 (2 of 2) 422/7 1934 423/1 1935 423/2 1936 423/3 1937 423/4 1938 423/5 1939 423/6 1940 423/7 1941 (1 of 2) 424/1 1941 (2 of 2) 424/2 1942 (1 of 2) 424/3 1942 (2 of 2) 424/4 1943 (1 of 2) 424/5 1943 (2 of 2) 425/1 1944 425/2 1945 425/3 1946 594/1 1946 425/4 1947 594/2 1947 425/5 1948 594/3 1948 425/6 1949 594/4 1949 425/7 1950 594/5 1950 425/8 1951 (1 of 3) 425/9 1951 (2 of 3) 594/6 1951 (3 of 3) 425/10 1952 (1 of 5) 425/11 1952 (2 of 5) 426/1 1952 (3 of 5) 426/2 1952 (4 of 5) 594/7 1952 (5 of 5) 426/3 1953 (1 of 6) 426/4 1953 (2 of 6) 426/5 1953 (3 of 6) 427/1 1953 (4 of 6) 427/2 1953 (5 of 6) 427/3 1953 (6 of 6) 427/4 1954 (1 of 5) 427/5 1954 (2 of 5) 427/6 1954 (3 of 5) 428/1 1954 (4 of 5) 428/2 1954 (5 of 5) 428/3 1955 428/4 1956 428/5 1957 428/6 1958 594/8 1958 428/7 1959 594/9 1959 429/1 1960 (1 of 5) 429/2 1960 (2 of 5) 429/3 1960 (3 of 5) 429/4 1960 (4 of 5) 594/10 1960 (5 of 5) 430/1 1961 (1 of 5) 430/2 1961 (2 of 5) 430/3 1961 (3 of 5) 430/4 1961 (4 of 5) 594/11 1961 (5 of 5) 430/5 1962 (1 of 4) 431/1 1962 (2 of 4) 431/2 1962 (3 of 4) 594/12 1962 (4 of 4) 431/3 1963 (1 of 4) 431/4 1963 (2 of 4) 432/1 1963 (3 of 4) 594/13 1963 (4 of 4) 432/2 1964 (1 of 4) 432/3 1964 (2 of 4) 432/4 1964 (3 of 4) 594/14 1964 (4 of 4) 432/5 1965 (1 of 4) 433/1 1965 (2 of 4) 433/2 1965 (3 of 4) 594/15 1965 (4 of 4) 433/3 1966 (1 of 3) 433/4 1966 (2 of 3) 595/1 1966 (3 of 3) 433/5 1967 (1 of 3) 434/1 1967 (2 of 3) 595/2 1967 (3 of 3) 434/2 1968 (1 of 3) 434/3 1968 (2 of 3) 595/4 1968 (3 of 3) 434/4 1969 (1 of 2) 435/1 1969 (2 of 2) 435/2 1970 (1 of 3) 435/3 1970 (2 of 3) 596/1 1970 (3 of 3) 435/4 1971 (1 of 4) 435/5 1971 (2 of 4) 596/2 1971 (3 of 4) 596/3 1971 (4 of 4) 436/1 1972 (1 of 4) 436/2 1972 (2 of 4) 596/4 1972 (3 of 4) 596/5 1972 (4 of 4) 436/3 1973 (1 of 3) 436/4 1973 (2 of 3) 596/6 1973 (3 of 3) 437/1 1974 (1 of 3) 437/2 1974 (2 of 3) 597/1 1974 (3 of 3) 437/3 1975 (1 of 3) 437/4 1975 (2 of 3) 597/2 1975 (3 of 3) 438/1 1976 (1 of 3) 438/2 1976 (2 of 3) 597/3 1976 (3 of 3) 438/3 1977 (1 of 3) 438/4 1977 (2 of 3) 597/4 1977 (3 of 3) 439/1 1978 (1 of 3) 439/2 1978 (2 of 3) 597/5 1978 (3 of 3) 439/3 1979 (1 of 3) 439/4 1979 (2 of 3) 597/6 1979 (3 of 3) 440/1 1980 (1 of 3) 440/2 1980 (2 of 3) 598/1 1980 (3 of 3) 440/3 1981 (1 of 3) 440/4 1981 (2 of 3) 598/2 1981 (3 of 3) 441/1 1982 (1 of 3) 441/2 1982 (2 of 3) 598/3 1982 (3 of 3) 441/3 1983 (1 of 7) 441/4 1983 (2 of 7) 441/5 1983 (3 of 7) 442/1 1983 (4 of 7) 442/2 1983 (5 of 7) 442/3 1983 (6 of 7) 598/4 1983 (7 of 7) 442/4 1984 (1 of 8) 442/5 1984 (2 of 8) 443/1 1984 (3 of 8) 443/2 1984 (4 of 8) 443/3 1984 (5 of 8) 443/4 1984 (6 of 8) 443/5 1984 (7 of 8) 598/5 1984 (8 of 8) 444/1 1985 (1 of 6) 444/2 1985 (2 of 6) 444/3 1985 (3 of 6) 444/4 1985 (4 of 6) 444/5 1985 (5 of 6) 444/6 1985 (6 of 6) 445/1 1986 (1 of 6) 445/2 1986 (2 of 6) 445/3 1986 (3 of 6) 445/4 1986 (4 of 6) 445/5 1986 (5 of 6) 445/6 1986 (6 of 6) 445/7 1987 445/8 Undated (1 of 2) 445/9 Undated (2 of 2) Investments Irving Berlin 449/1 1928 Jan. - Mar. 449/2 1928 Apr - June 449/3 1928 July - Sep. 449/4 1928 Oct. - Dec. 449/5 1929 Jan. - Mar. 449/6 1929 Apr - June 449/7 1929 July - Sep. 449/8 1929 Oct. - Dec. 449/9 1930 Jan. - Mar. 449/10 1930 Apr - June 449/11 1930 July - Sep. 449/12 1930 Oct. - Dec. 449/13 1931 Jan. - Mar. 449/14 1931 Apr - June 449/15 1931 July - Sep. 449/16 1931 Oct. - Dec. 449/17 1932 Jan. - Mar. 449/18 1932 Apr - June 449/19 1932 July - Sep. 449/20 1932 Oct. - Dec. 449/21 1933 Jan. - Mar. 449/22 1933 Apr. - June 449/23 1933 Oct. - Dec. 526/1 1939-1945 526/2 1946 Mar. - Sep. 526/3 1946 Oct. - Dec. 526/4 1947 Jan. - Mar. 526/5 1947 Apr. - June 526/6 1947 July - Sep. 526/7 1947 Oct. - Dec. 526/8 1948 Jan. - Mar. 526/9 1948 Apr. - June 526/10 1948 July - Sep. 526/11 1948 Oct. - Dec. 527/1 1949 Jan. - Mar. 527/2 1949 Apr. - June 527/3 1949 July - Sep. 527/4 1949 Oct. - Dec. 527/5 1950 Jan. - Mar. 527/6 1950 Apr. - June 527/7 1950 July - Sep. 527/8 1950 Oct. - Dec. 527/9 1951 Jan. - Mar. 527/10 1951 Apr. - June 527/11 1951 July - Sep. 527/12 1951 Oct. - Dec. 528/1 1952 Jan. - Mar. 528/2 1952 Apr. - June 528/3 1952 July - Sep. 528/4 1952 Oct. - Dec. 528/5 1953 Jan. - Mar. 528/6 1953 Apr. - June 528/7 1953 July - Sep. 528/8 1953 Oct. - Dec. 528/9 1954 Jan. - Mar. 528/10 1954 Apr. - June 528/11 1954 July - Sep. 528/12 1954 Oct. - Dec. 529/1 1955 Jan. - Mar. 529/2 1955 Apr. - June 529/3 1955 July - Sep. 529/4 1955 Oct. - Dec. 529/5 1956 Jan. - Mar. 529/6 1956 Apr. - June 529/7 1956 July - Sep. 529/8 1956 Oct. - Dec. 529/9 1957 Jan. - Mar. 529/10 1957 Apr. - June 529/11 1957 July - Sep. 529/12 1957 Oct. - Dec. 530/1 1958 Jan. - Mar. 530/2 1958 Apr. - June 530/3 1958 July - Sep. 530/4 1958 Oct. - Dec. 530/5 1959 Jan. - Mar. 530/6 1959 Apr. - June 530/7 1959 July - Sep. 530/8 1959 Oct. - Dec. 530/9 1960 Jan. - Mar. 530/10 1960 Apr. - June 530/11 1960 July - Sep. 530/12 1960 Oct. - Dec. 530/13 1961 Jan. - Mar. 530/14 1961 Apr. - June 530/15 1961 July - Sep. 530/16 1961 Oct. - Dec. 531/1 1962 Jan. - Mar. 531/2 1962 Apr. - June 531/3 1962 July - Sep. 531/4 1962 Oct. - Dec. 531/5 1963 Jan. - Mar. 531/6 1963 Apr. - June 531/7 1963 July - Sep. 531/8 1963 Oct. - Dec. 531/9 1964 Jan. - Mar. 531/10 1964 Apr. - June 531/11 1964 July - Sep. 531/12 1964 Oct. - Dec. 531/13 1965 Jan. - Mar. 531/14 1965 Apr. - June 531/15 1965 July - Sep. 531/16 1965 Oct. - Dec. 532/1 1966 Jan. - Mar. 532/2 1966 Apr. - June 532/3 1966 July - Sep. 532/4 1966 Oct. - Dec. 532/5 1967 Jan. - Mar. 532/6 1967 Apr. - June 532/7 1967 July - Sep. Irving Berlin income account 450/1 1967 450/2 1968 450/3 1969 450/4 1970 450/5 1971 450/6 1972 450/7 1973 450/8 1974 Irving Berlin income account summaries 451/1 1946 451/2 1947 451/3 1948 451/4 1949 451/5 1950 451/6 1951 451/7 1952 451/8 1953 451/9 1954 451/10 1955 451/11 1956 451/12 1957 451/13 1958 451/14 1959 451/15 1965 451/16 1966 451/17 1967 451/18 1968 451/19 1969 451/20 1970 451/21 1971 451/22 1972 451/23 1973 451/24 1974 451/25 1975 Berlin Securities Corp. 452/1 1927 452/2 1928 452/3 1929 Jan. - June 452/4 1929 July - Dec. 452/5 1930 Jan. - June 452/6 1930 July - Dec. 452/7 1931 Jan. - June 452/8 1931 July - Dec. 452/9 1932 Jan. - June 452/10 1932 July - Dec. 452/11 1933 Jan. - June 452/12 1933 July - Dec. 452/13 1934 452/14 1935 452/15 1936 452/16 1937 452/17 1938 452/18 1941 452/19 1944 452/20 Undated Bornstein Securities Corp.: receipts, statements, checks 453/1-63 1927-1934, undated Irving Berlin Charitable Fund, Inc. 533/1 1947-1951 533/2 1952-1953 533/3 1954-1955 533/4 1956-1958 533/5 1959-1960 533/6 1961-1963 533/7 1964-1966 454/1 1967-1969 454/2 1970-1972 454/3 1973-1975 454/4 1976-1978 454/5 1979-1980 454/6 1981 Irving Berlin Charitable Fund, Inc.: statements, checks 455/1-19 1947-1959, 1974-1981 B 208 Ledgers, unbound, 1970-1977 Irving Berlin Charitable Fund, Inc.: summaries 454/7 1965-1971 454/8 1972-1975 Family papers 532/8 Ellin Berlin, 1932-1962 532/9 Elizabeth I. Berlin, 1938-1956 532/10 Linda L. Berlin, 1938-1959 532/11 Mary Ellin Berlin Barrett, 1938-1960 Elizabeth & Linda 457/1 Climate of Eden, 1952 457/2 One bright day, 1952 457/3 Point of no return, 1952 457/4 Remains to be seen, 1952 457/5 Wish you were here, 1952-1953 Correspondence 457/6 Guaranty Trust Co., 1952-1954 457/7 Hayward, Leland and Joshua Logan, 1952 457/8 Miscellaneous, A-Z 457/9 Legal papers, 1952 457/10 Summaries, 1952 457/11 Summaries, 1953-1954 List of checks, corporate and personal 458/1 1957 458/2 1959 458/3 1962 458/4 1963 458/5 1964 458/6 1965 458/7 1966 458/8 1967 458/9 1968 458/10 1969 458/11 1970 458/12 1971 458/13 1972 458/14 1973 458/15 1974 458/16 1975 458/17 Undated 461/5 Irving Berlin Inc.: San Francisco, CA; invoices and receipts, 1923 Irving Berlin Music Company B 51-72 Auditors, 1951-1972 L 76-78 Cash disbursements, 1944-1983 19 ledgers L 79-81 Cash receipts, 1946-1985 22 ledgers 461/1 Checks and orders received but not filled, 1953-1960 461/2 Check writer, 1967-1983 L 21 Credits, voucher #101, June 1945 and voucher #6824, Jan. 1983 20 ledgers L 5 Employees Social Security employees record wage hr. Ledger #1, 1944-1958 Ledger #2, 1950-1959 Ledger #3, 1953-1957 459/11 Employees work injury claims, 1956-1960 B 180 Credits, 1981-1987 B 209 Floor plans for property Investments 535/1 Anyone can whistle, The Side Show Company; Who was that lady I saw you with - partnership

Includes legal papers

 535/2 1965 Apr. - June 535/3 1965 July - Sep. 535/4 1965 Oct. - Dec. 535/5 1966 Jan. - Mar. 535/6 1966 Apr. - June 535/7 1966 July - Sep. 535/8 1966 Oct. - Dec. 535/9 1967 Jan. - Apr. 535/10 1967 May - Aug. 535/11 1967 Sep. - Dec. 456/1 1968 456/2 1969 456/3 1970 456/4 1971 456/5 1972 456/6 1973 456/7 1974 456/8 1975 456/9 1976 456/10 1977 456/11 1978 456/12 1979 456/13 1980 456/14 1981 456/15 1982 456/16 1983 461/3 Office equipment, 1967-1973 B 73 Overtime slips, 1944-1946 Payroll 459/1 1946 459/2 1947 459/3 1948 Jan. - Apr. 459/4 1948 May - Aug. 459/5 1948 Sep. - Dec. L 5 1949-1956 (ledger) L 5 1957-1960 (ledger) 459/6 1960-1961 459/7 1962 459/8 1963 459/9 1964 459/10 1965-1972 B 33-50 Summaries B 73-82 Petty cash, 1945-1982 B 189 Production Publishing contracts 460/1 Back home again for keeps, 1945-1961 460/2 Flagalapa (I call my papa), 1945-1958 460/3 Good, good, good, 1944-1958 460/4 Grizzly bear, 1944-1955 460/5 I lost a sweetheart, 1944-1958 460/6 I was here when you left me, 1945-1958 460/7 If promises were made of gold, 1945 460/8 It's just like everything was before, 1945-1958 460/9 Lord's been good to me, 1945-1947 460/10 Paul Revere, 1945-1961 460/11 Pot cheese an' cream, 1945-1972 460/12 Twickenham ferry, 1945-1947 460/13 Whistling in the breeze, 1946-1958 460/14 You can't see the sun when you're crying, 1945-1946 460/15 You're so very, very, 1945-1958 B 181-188 Sales, 1983 536-537 Sales, ledger statements Sales, ledgers of accounts L 1 A-Z, 9/1944-4/1946, 1 ledger L 1 A-L, 5/1946-1/1950, 1 ledger L 2 M-Z, 5/1946-1/1950, 1 ledger L 2 A-L, M-Z, 2/1950-1/1953, 2 ledgers L 3 M-Z, 2/1953-1/1956, 1 ledger L 3 A-L, M-Z, 2/1956-1/1963, 2 ledgers B 88-91 Sales, mail orders, 1969-1985 L 22-74 Sales/posting ledgers (sheet music), voucher #101, Sept., 1944 - voucher #51073, Jan., 1983 L 85-86 Sales (sheet music) books, 1932-1983 10 ledgers 461/4 Statement of operations, 1951-1975 Summaries 415/9 1938-1939 415/10 1940 415/11 1941 415/12 1942 L 85 Trial ledger, 1961-1983 8 ledgers 415/14 Miscellaneous, 1924-1942 461/6 Irving Berlin Inc. & IMBC miscellaneous, 1921-1980, undated Irving Berlin Music Company & Irving Berlin, Inc. taxes 507/1 1927-1944 507/2 1945-1946 507/3 1947-1948 507/4 1949-1953 507/5 1955-1958 507/6 1959-1963 507/7 Tax miscellaneous, 1977 507/8 Financial miscellaneous Real estate: family 17 Beekman Place, NYC 462/1 1930 462/2 1940-1946 462/3 1950-1984, undated 29 West 46th Street, NYC B 211-219 1949-1951 462/4 1926-1959 66-68 East 93rd Street, NYC B 220-223 1949-1959 462/5 1890-1949 462/6 1950-1959 462/7 and 29 West 46th Street, NYC, 1943-1954 462/8 130 East End Avenue, NYC, 1931 Biloxi, MS 463/1 1945-1959 463/2 1960-1969 463/3 1970-1981 463/4 Manalapan, FL, 1956-1961 Palm Beach, FL 463/5 1926-1946 463/6 1946-1951 463/7 Miscellaneous, 1931-1963 Royalty statements 464/1 1919 July - Dec. 1920 464/2 Jan. - June 464/3 July - Dec. 1921 464/4 Jan. - June 464/5 July - Dec. 1922 464/6 Jan. - June 464/7 July - Dec. 1923 464/8 Jan. - June 464/9 July - Dec. 1924 464/10 Jan. - June 464/11 July - Dec. 1925 464/12 Jan. - June 464/13 July - Dec. 1926 464/14 Jan. - June 464/15 July - Dec. 1927 465/1 Jan. - June 465/2 July - Dec. 1928 465/3 Jan. - June 465/4 July - Dec. 1929 465/5 Jan. - June 465/6 July - Dec. 1930 465/7 Jan. - June 465/8 July - Dec. 1931 465/9 Jan. - June 465/10 July - Dec. 1932 465/11 Jan. - June 465/12 July - Dec. 1933 465/13 Jan. - June 465/14 July - Dec. 1934 465/15 Jan. - June 465/16 July - Dec. 1935 465/17 Jan. - June 465/18 July - Dec. 1936 466/1 Jan. - June 466/2 July - Dec. 1937 466/3 Jan. - June 466/4 July - Dec. 1938 466/5 Jan. - June 466/6 July - Dec. 1939 466/8 Jan. - June 466/9 July - Dec. 1940 466/9 Jan. - June 466/10 July - Dec. 1941 466/11 Jan. - June 466/12 July - Dec. 1942 467/1 Jan. - June 467/2 July - Dec. 1943 467/3 Jan. - June 467/4 July - Dec. 1944 467/5 Jan. - June 467/6 July - Dec. 1945 467/7 Jan. - June 467/8 July - Dec. 1946 468/1 Jan. - June (1 of 4) 468/2 Jan. - June (2 of 4) 468/3 Jan. - June (3 of 4) 468/4 Jan. - June (4 of 4) 468/5 July - Dec. (1 of 2) 468/6 July - Dec. (2 of 2) 1947 469/1 Jan. - June (1 of 3) 469/2 Jan. - June (2 of 3) 469/3 Jan. - June (3 of 3) 469/4 July - Dec. (1 of 3) 469/5 July - Dec. (2 of 3) 469/6 July - Dec. (3 of 3) 1948 469/7 Jan. - June (1 of 2) 469/8 Jan. - June (2 of 2) 470/1 July - Dec. (1 of 3) 470/2 July - Dec. (2 of 3) 470/3 July - Dec. (3 of 3) 1949 470/4 Jan. - June (1 of 3) 470/5 Jan. - June (2 of 3) 470/6 Jan. - June (3 of 3) 471/1 July - Dec. (1 of 2) 471/2 July - Dec. (2 of 2) 1950 471/3 Jan. - June (1 of 2) 471/4 Jan. - June (2 of 2) 471/5 July - Dec. (1 of 2) 471/6 July - Dec. (2 of 2) 1951 472/1 Jan. - June (1 of 2) 472/2 Jan. - June (2 of 2) 472/3 July - Dec. (1 of 3) 472/4 July - Dec. (2 of 3) 472/6 July - Dec. (3 of 3) 1952 472/6 Jan. - June (1 of 3) 472/7 Jan. - June (2 of 3) 472/8 Jan. - June (3 of 3) 473/1 July - Dec. (1 of 2) 473/2 July - Dec. (2 of 2) 1953 473/3 Jan. - June (1 of 3) 473/4 Jan. - June (2 of 3) 473/5 Jan. - June (3 of 3) 473/6 July - Dec. (1 of 3) 473/7 July - Dec. (2 of 3) 473/8 July - Dec. (3 of 3) 1954 474/1 Jan. - June (1 of 3) 474/2 Jan. - June (2 of 3) 474/3 Jan. - June (3 of 3) 474/4 July - Dec. (1 of 3) 474/5 July - Dec. (2 of 3) 474/6 July - Dec. (3 of 3) 1955 474/7 Jan. - June (1 of 2) 474/8 Jan. - June (2 of 2) 475/1 July - Dec. (1 of 2) 475/2 July - Dec. (2 of 2) 1956 475/3 Jan. - June (1 of 3) 475/4 Jan. - June (2 of 3) 475/5 Jan. - June (3 of 3) 476/1 July - Dec. (1 of 3) 476/2 July - Dec. (2 of 3) 476/3 July - Dec. (3 of 3) 1957 476/4 Jan. - June (1 of 3) 476/5 Jan. - June (2 of 3) 476/6 Jan. - June (3 of 3) 477/1 July - Dec. (1 of 3) 477/2 July - Dec. (2 of 3) 477/3 July - Dec. (3 of 3) 1958 477/4 Jan. - June (1 of 3) 477/5 Jan. - June (2 of 3) 477/6 Jan. - June (3 of 3) 478/1 July - Dec. (1 of 3) 478/2 July - Dec. (2 of 3) 478/3 July - Dec. (3 of 3) 1959 478/4 Jan. - June (1 of 3) 478/5 Jan. - June (2 of 3) 479/1 Jan. - June (3 of 3) 479/2 July - Dec. (1 of 3) 479/3 July - Dec. (2 of 3) 479/4 July - Dec. (3 of 3) 1960 480/1 Jan. - June (1 of 4) 480/2 Jan. - June (2 of 4) 480/3 Jan. - June (3 of 4) 480/4 Jan. - June (4 of 4) 481/1 July - Dec. (1 of 3) 481/2 July - Dec. (2 of 3) 481/3 July - Dec. (3 of 3) 1961 481/4 Jan. - June (1 of 4) 481/5 Jan. - June (2 of 4) 482/1 Jan. - June (3 of 4) 482/3 Jan. - June (4 of 4) 482/3 July - Dec. (1 of 3) 482/4 July - Dec. (2 of 3) 482/5 July - Dec. (3 of 3) 1962 483/1 Jan. - June (1 of 5) 483/2 Jan. - June (2 of 5) 483/3 Jan. - June (3 of 5) 483/4 Jan. - June (4 of 5) 483/5 Jan. - June (5 of 5) 484/1 July - Dec. (1 of 3) 484/2 July - Dec. (2 of 3) 484/3 July - Dec. (3 of 3) 1963 484/4 Jan. - June (1 of 4) 485/1 Jan. - June (2 of 4) 485/2 Jan. - June (3 of 4) 485/3 Jan. - June (4 of 4) 485/4 July - Dec. (1 of 3) 486/1 July - Dec. (2 of 3) 486/2 July - Dec. (3 of 3) 1964 486/3 Jan. - June (1 of 2) 486/4 Jan. - June (2 of 2) 487/1 July - Dec. (1 of 2) 487/2 July - Dec. (2 of 3) 1965 487/3 Jan. - June (1 of 3) 487/4 Jan. - June (2 of 3) 487/5 Jan. - June (3 of 3) 488/1 July - Dec. (1 of 2) 488/2 July - Dec. (2 of 2) 1966 488/3 Jan. - June 488/4 July - Dec. (1 of 3) 488/5 July - Dec. (2 of 3) 489/1 July - Dec. (3 of 3) 1967 489/2 Jan. - June (1 of 2) 489/3 Jan. - June (2 of 2) 489/4 July - Dec. (1 of 2) 489/5 July - Dec. (2 of 2) 1968 490/1 Jan. - June (1 of 4) 490/2 Jan. - June (2 of 4) 490/3 Jan. - June (3 of 4) 490/4 Jan. - June (4 of 4) 490/5 July - Dec. (1 of 3) 491/1 July - Dec. (2 of 3) 491/2 July - Dec. (3 of 3) 1969 491/3 Jan. - June (1 of 3) 491/4 Jan. - June (2 of 3) 491/5 Jan. - June (3 of 3) 492/1 July - Dec. (1 of 3) 492/2 July - Dec. (2 of 3) 492/3 July - Dec. (3 of 3) 1970 492/4 Jan. - June (1 of 4) 492/5 Jan. - June (2 of 4) 493/1 Jan. - June (3 of 4) 493/2 Jan. - June (4 of 4) 493/3 July - Dec. (1 of 3) 493/4 July - Dec. (2 of 3) 493/5 July - Dec. (3 of 3) 1971 494/1 Jan. - June (1 of 4) 494/2 Jan. - June (2 of 4) 494/3 Jan. - June (3 of 4) 494/4 Jan. - June (4 of 4) 495/1 July - Dec. (1 of 3) 495/2 July - Dec. (2 of 3) 495/3 July - Dec. (3 of 3) 1972 495/4 Jan. - June (1 of 4) 496/1 Jan. - June (2 of 4) 496/2 Jan. - June (3 of 4) 496/3 Jan. - June (4 of 4) 496/4 July - Dec. (1 of 3) 496/5 July - Dec. (2 of 3) 496/6 July - Dec. (3 of 3) 1973 497/1 Jan. - June (1 of 3) 497/2 Jan. - June (2 of 3) 497/3 Jan. - June (3 of 3) 497/4 July - Dec. (1 of 3) 498/1 July - Dec. (2 of 3) 498/2 July - Dec. (3 of 3) 1974 498/3 Jan. - June (1 of 3) 498/4 Jan. - June (2 of 3) 499/1 Jan. - June (3 of 3) 499/2 July - Dec. (1 of 3) 499/3 July - Dec. (2 of 3) 499/4 July - Dec. (3 of 3) 1975 500/1 Jan. - June (1 of 3) 500/2 Jan. - June (2 of 3) 500/3 Jan. - June (3 of 3) 500/4 July - Dec. (1 of 3) 501/1 July - Dec. (2 of 3) 501/2 July - Dec. (3 of 3) 1976 501/3 Jan. - June (1 of 2) 501/4 Jan. - June (2 of 2) 502/1 July - Dec. (1 of 3) 502/2 July - Dec. (2 of 3) 502/3 July - Dec. (3 of 3) 1977 502/4 Jan. - June (1 of 3) 502/5 Jan. - June (2 of 3) 503/1 Jan. - June (3 of 3) 503/2 July - Dec. (1 of 3) 502/3 July - Dec. (2 of 3) 502/4 July - Dec. (3 of 3) 1978 503/5 Jan. - June (1 of 3) 504/1 Jan. - June (2 of 3) 504/2 Jan. - June (3 of 3) 504/3 July - Dec. (1 of 3) 504/4 July - Dec. (2 of 3) 504/5 July - Dec. (3 of 3) 1979 505/1 Jan. - June (1 of 3) 505/2 Jan. - June (2 of 3) 505/3 Jan. - June (3 of 3) 505/4 July - Dec. (1 of 3) 505/5 July - Dec. (2 of 3) 506/1 July - Dec. (3 of 3) 506/2 1985 506/3 1986 506/4 Undated (1 of 2) 506/5 Undated (2 of 2) 506/6 Expense deductions (royalties), 1930-1940 L 4 Ledger summarizing distribution of royalties, 1919-1971

Inconsistent by person/fund

 L 4 Royalties from recordings, by title Ledger 1, 1942-1948 Ledger 1, 1949-1952 Ledger 1, 1953-1957 516-517, 569, 575 3 Photographs 516/1 I. Berlin at Bucknell University, 1939 5 photographs 516/1 I. Berlin head shot with autograph "For Ernest Ball..." 516/2 I. Berlin and Dorothy (1st wife) on honeymoon 516/2 I. Berlin with others in town car 516/2 I. Berlin with others dressed and posing 516/2 I. Berlin with large group at beach 516/3 I. Berlin with Gen. George C. Marshall, 1944 516/3 I. Berlin with Gen. George C. Marshall and others, 1944 516/3 I. Berlin with Navy offices at hospital, 1945 516/3 I. Berlin with office and piano at Naval, 1945 516/3 I. Berlin at microphone with Navy female, 1945 516/4 I. Berlin with newspaper (Irving Berlin in headline) 516/4 I. Berlin posing on chair 516/4 I. Berlin in tux, pointing, 1941 In frame 516/4 I. Berlin in robe outside unidentified hotel 516/4 I. Berlin with stranger 516/4 I. Berlin in Philippines, 1945 3 photographs 516/4 I. Berlin in New Guinea, 1944

Laid in: letter

 569/1 I. Berlin at piano, 1944 5 photographs

Two are autographed

 569/2 I. Berlin with wife Ellin at White House, 1973 2 photographs 569/3 I. Berlin at Friars Club Dinner, Hotel Astor, 11/27/1927 569/4 I. Berlin as child

Laid in: Library of Congress reproduction and negative

 569/5 I. Berlin headshot 5 photographs 569/6 I. Berlin headshot, 1934? 2 photographs 569/7 I. Berlin headshot (casual) 2 photographs 569/8 I. Berlin and Skitch Henderson 569/8 I. Berlin meets with American correspondents, 1943

Laid in: press release

 517/1 Berlin's daughters, circa 1933

Laid in: Letter from T. Gil Perch, donor of the picture, 1975

517/1 Ellin Berlin

Wallet size photograph

 517/1 Ellin, Irving, and possibly Mary Ellin Berlin

Wallet size photograph

 517/1 Ellin Berlin and Clarence Mackay, Dec. 1902

Laid in: Letter from H.E. Ruggles, donor of the picture, 1985

517/2 Music Box Theatre, circa 1960 517/2 Slides of Beekman Place (Berlin's house), 1978) 11 slides 517/3 I. Berlin's house where he wrote Alexander's Ragtime Band, 1928 517/4 Store front with I. Berlin sheet music display, circa 1915 517/5 Photographs of sheet music for Yiddle on your fiddle and people dancing 9 photographs 517/6 Photographs of sheet music, various titles 21 photographs 517/7 Hoffman, Irving "Sam" 23 photographs; 1 negative 517/8 Arlen, Harold and Ted Koehler (7); Fred and Robyn Astaire; Major Doyle; Myron Prinzmetal; Diego Rivera 11 photographs 517/9 The Brox sisters 517/9 Photograph of painting by Colbert

Found with Say it with music clippings

 517/9 Photograph of Hirschfeld artwork of Berlin and others 517/10 My British Buddy singing contest, 1944 23 photographs 517/11 The sin of Pat Muldoon, scene pictures 27 photographs

On envelope: Richard Adler

 517/11 Danny Kaye at piano with others (scene shot from unidentified film) 2 photographs 517/12 Various unidentified shots 19 photographs 517/12 Farm house and trees 2 photocopied photographs 575 George M. Cohan photograph with dedication to Irving Berlin from Agnes Cohan 575 Interior of Music Box Theatre, 1982 2 photographs

Autographed by Michael Heller

 575 Photographs of artwork for Irving Berlin from "Sam" Irving Hoffman 2 photographs 3/6 Hespers Club group photograph, circa 1910 3/6 Irving Berlin at the White House with Richard Nixon, May 24, 1973

1 copy autographed, Nixon

 3/6 Victor Herbert, headshot 3/6 Unidentified female, headshot 538-541, 567, 601 Awards and Tributes 538 ASCAP awards (2) for Always: "Among the most performed country songs of 1983" 538 ASCAP award for White Christmas: "Among the most performed ASCAP standards 1973-1983" 539 ASCAP award for There's no business like show business: "Among the most performed ASCAP standards 1974-1984" 539 ASCAP award for White Christmas: "Among the most performed in feature film classics on television, 1974" 539 ASCAP award for writer of There's no business like show business: "Among the most performed ASCAP standards 1976-1986" 539 ASCAP award for publisher of There's no business like show business: "Among the most performed ASCAP standards 1976-1986" 540/1 Academy of motion picture arts and sciences nominations, 1942, 1946 540/2 Awards and tributes: miscellaneous, 1942-1974 540/3 Program from Boy Scouts tribute luncheon for Ellin Berlin, Silver Fawn Award, April 15, 1975 541 Clearfield High School yearbook tribute to Irving Berlin, 1945 541 Souvenir album for Irving Berlin's 99th birthday from The Friends of the Foundation for New American Music at Henry Mancini's home, 1987 May 11 567 ASCAP award (oversize) for publisher of God Bless America: "Among the most performed ASCAP standards 1978-1988" 567 ASCAP award (oversize) for writer of God Bless America: "Among the most performed ASCAP standards 1978-1988" 601 ASCAP award: America's songwriting genius; May 11, 1968" 571-574, 581-582, 584 Original Artwork 571 Pencil sketches on cover of bulletin of Cazenovia Junior College (oversize), (believed to be in Irving Berlin’s hand) 571 Photographed reproductions of original paintings (oversize), (1 of 4); 25 items 572 Photographed reproductions of original paintings (oversize), (2 of 4); 30 items 573 Photographed reproductions of original paintings (oversize), (3 of 4); 50 items 574 Photographed reproductions of original paintings (oversize), (4 of 4); 27 items 581 Negatives of holographed reproductions of original paintings, (1 of 2) 582 Negatives of holographed reproductions of original paintings, (2 of 2) 584 Artwork by others 542, 568, 576, 583, 599-602 Realia 542 Stationery/ashtray set; letter opener 568 Flag that flew over the Capitol on Irving Berlin's 100th birthday 576 Wooden engraving of Always (oversize) 583 Ornamental keepsake box and yarmulke 602 Notepad; wallets; calligraphy pen 599/1-3, 600/1-4 Address and telephone books 599/4 Ellin Berlin calendars, 1973-1984 599/5 Log of household expenses and telephone calls, 1946-1949 599/6 Irving Berlin and Ellin Berlin notebooks 600/5 Inventory of household items, 1940-1948 600/6 Log of household expenses, 1944-1945 601 Stamps 586-593 Non-Berlin Materials

Music, lyrics and screenplays by other composers.

 Music by other composers 586/1 Baer, Abel It's no diff'rent now Manuscript piano-vocal score; [3] p. 586/1 Carter, Benny Poor simple Simon Manuscript lead sheet; [1] p. 586/1 Ciemgala, Arv Boston trieste Manuscript piano score; [2] p. Broadway Peggy Manuscript piano score; [2] p. Dzives prieks Manuscript piano score; [2] p. Laiks ir nauda! (Time is money) Manuscript piano score; [2] p. Niceo Manuscript piano score; [2] p. Tango Manuscript piano score; [2] p. 586/1 Clement, Mark I'm waiting Manuscript score; 9 p. 586/2 Dreyer, David Keep your head above water Photocopy of manuscript piano-vocal score; 3 p. 586/2 Driggs, Collins H. Ev'ry Tom, Dick and Harry's called John Manuscript lead sheet; [2] p. 586/2 Hein, Silvio It's a wonderful spot Manuscript piano-vocal score; 4 p. 586/2 Jenkins, Gordon Indian-giver Manuscript piano-vocal score; [5] p. 586/2 Johnson, Don & Larry Harding They can never censor 'I love you' Manuscript lead sheet; [1] p. 586/2 Johnston, Arthur (lyrics by Sam Coslow) Parisian lover Photocopy of manuscript parts; [11] items 586/2 Klaus, Kenneth La Soldadera Printed piano score; 6 p. 586/2 Lafarge, Guy La Seine Manuscript piano-vocal score; 3 p.

Laid in: manuscript piano score (refrain only); 2 p.

 586/3 Lilley, Joseph J. Windshield wiper Photocopy of manuscript piano-vocal score; 5 p. 586/3 Lombardo, Carmen (lyrics by Bob Russell) Back home for keeps Sketches of manuscript scores (2 copies); 8 p. each Manuscript lead sheet; [1] p. Manuscript inserts; [12] leaves Typescript lyric sheet; [1] p. 586/3 Luders, Gustav Untitled Manuscript piano score; [5] p. 586/3 Lehar, Franz Die Rose Manuscript piano-vocal score (no lyrics); [6] p. 586/3 McKee, Denny Our cottage by the sea Manuscript lead sheet; [2] p. Manuscript lead sheet (with manuscript lyrics); [3] p. 586/4 Meeks, Stanley & Alnia Hall I'm savin' my love Photocopy of manuscript piano-vocal score; [3] p. Typescript lyric sheets; [2] leaves 586/4 O'Neil, Danny Heartbroken Manuscript piano-vocal score; [2] p. 586/4 Overton, Ruth Patillo As lonely they watched Manuscript lead sheets (2 arrangements); [4] p. 586/4 Owens, Jack Put your little head on my shoulder Manuscript lead sheet; [1] p. 586/4 Prospero, Fritz Once again (alternate lyric) "Welcome home boy of mine" Manuscript piano-vocal score; [3] p.

Laid in: letter (in ink), manuscript lyrics, (Fritz to George, 12/17/45)

 586/4 Ryan, Randy One more block Manuscript lead sheet; [2] p. Manuscript lyrics; [1] p. Typescript lyric sheets (some with annotations); 8 leaves 586/4 Sands, Stephen You forgot to tell me that you love me Typescript lyric sheets; [2] p. 586/5 Schmall, Rene Richard Die Spieluhr der Marquise Manuscript parts; [10] p. 586/5 Sims, Alice D. You ain't what you used to be Susie Manuscript lead sheet; [3] p. 586/5 Skylar, Sunny The victory waltz Manuscript piano-vocal score; [2] p. 586/5 Slawson, David & Buck Ram Whistlin' in the breeze Manuscript piano-vocal score; [4] p. 586/5 Steiner, Howard I heard a robin in the rain Manuscript lead sheet (melody); [2] p. Manuscript lyrics (pencil); [1] leaf Typescript lyric sheets; [4] leaves 586/5 Symes, Marty, Dick Robertson and Frank Weldon Why did it have to end so soon Sheet music 586/5 Thomas, Chandler Introduction and allegro (in two voices) Photocopy of manuscript lead sheet(?) (no lyrics); 7 p. 586/5 Thompson, Ken After all this time Manuscript piano-vocal score; [4] p. 586/6 Tobias, Charles One little moment with you Sketches; [6] p. 586/6 Vida, Pinky & Sunny Skylar At de beach Manuscript lead sheet; [1] p. Typescript lyric sheet (with annotations); 1 leaf De big bass violin Manuscript lead sheet; [1] p. Typescript lyric sheets; [3] leaves At de Kop kop baseball game Manuscript lead sheet; [1] p. Typescript lyric sheet; [1] p. Never swat a fly on a dewberry pie Manuscript lead sheet; [1] p. Typescript lyric sheet; [1] p. 586/6 Winslow, Max Don't neglect me Sketch; [2] p. Typescript lyric sheets; [2] leaves 586/6 Miscellaneous Greensleeves Sketch; [5] p. 586/7 Miscellaneous lyrics - non Berlin Photocopies of holograph lyric sheets (with autograph); 5 items Bond, Carrie Jenkins The end of a perfect day Cohen, George M. (Chorus of) Over there Dietz, Howard O give me something to remember you by Hammerstein, Oscar Old river Mercer, Johnny The windows of Paris 587/1 Printed music - non Berlin Sheet music; piano-vocal scores Arlen, Harold I never has seen snow Two ladies in de shade of de banana tree Braham The Maguires The MacIntyres Brown, Francis Our flag is there Ellesworth, Bob If I were Irving Berlin Erdelyi, Joseph, Jr. The star-spangled banner III Foster, Stephen Old dog tray Francis, W.T. The life of love Goetz & Osbourne Take me back to the garden of love Hughes & Heyward Freedom train Izzo, Frankie Ball and chain Big black clouds Chicken in the pot Fortune all in snow Kiss me now Isle of joy Moonlight paradise Please don't shoot the 'Rover' (up to the moon for clover) Jones, Clarence Long lead on Knight, Vic Just a stow away Macau, Miguel A. Los poemas musicales Roberts & Fisher Good, good, good (That's you - that's you) I lost a sweetheart Rodgers, Richard On your toes Scherman, Robert The daughter of Mrs. O'Dare Tobias, Charles, Al Lewis & Harry Tobias I've got the situation well in hand Wilson, Sandy I could be happy with you It's never too late to fall in love Wheeler, Kay Strollin' along with you 587/2 Printed parts Kahn, Gus & Ted Fiorito I never knew Jolson, Al, Louis Silver & Grant Clarke Mother of mine, I still have you 587/3 Miscellaneous titles Armed forces song folio, 1954 Sep. - Nov. Beethoven Rondino in G Rondo in C Cohan, George M. The bell of the barbers' ball Glover, Stephen Fort Sumter grand march Liszt Dream of love (Liebestraum No. 3) Mozart Concerto in d minor National melodies (series) Key, Francis Scott The star spangled banner Covert, B. Sword of Bunker Hill Robinson, Russell He's coming home on the eight o'clock train Strauss Spialek, The Danube Wenzel, Charles Etude for violincello Wilson, William The drum grandmarch Zouaves quickstep Winterbottom, Frank Frank, Charlie is my darling 2 copies: solo bassoon and piano; solo bassoon parts Non-Berlin scripts/screenplays Typescript/carbon copy scripts 588/1 Ainslee, Marian & Guy Endore Change partners Carbon copy; 11 p. 588/1 Andrews, Robert The gift of God Mimeograph copy of script; 158 p. 588/1 Andrews, Robert & Barry Trivers Gilded lady Carbon copy; 100 p. 588/1 Atteridge, Harold Marx brothers (scenarios) Carbon copy; 10 p. 588/2 Beaton, Cecil (Untitled) Carbon copy with annotations; 78 p. 588/2 Bergman, Henry Calling a bluff Typed script; [3] p. 588/2 Blake, Jr., Katherine (half sister of Ellin Berlin) The secret of Pan's doorway Typed script; [10] p. 588/2 Caesar, Arthur A maker of images Carbon copy; 14 p. 588/2 Delf, Harry Ring around Rosie Typed script; 55 p. 588/2 Dolan, Robert Emmet Bring on the girls Carbon copy; [60] p. 588/2 Davis, Eddie Not tonight, Josephine Carbon copy; [118] p. 589/1 Ferber, Edna Showboat (continuity) Carbon copy of synopsis; 8 p.

At top: Elsa Neuberger, September 6, 1928

589/1 Fields, Herbert & Dorothy The works Typed script (first draft); [88] p. 589/1 Freedman, Charles At the turnstile Typed script; 10 p. 589/1 Geto, Pfc. Alfred D. Pack up your troubles Mimeograph copy of script; 16 p. 589/1 Glickman, Will & Joseph Stein Mrs. Gibbon's boys Carbon copy of script; [130] p. 589/1 Grashin, Mauri Two members of the bar Carbon copy of lyrics; [5] p. 589/1 Grey, Elizabeth A night at Goldman's Carbon copy of synopsis; 10 p. 589/2 Hattan, Frederick & Fanny Upstairs and down Typed script; [87] p. 589/2 Hecht, Ben We will never die Mimeograph copy of script; [46] p. 589/2 Herbert, F. Hugh Margie Mimeograph copy of script; 152 p. 589/2 Holm, John Cecil One in a million Typed script; 9 p. 590/1 Kasznar, Kurt First cousins Mimeograph copy of script; 18 p. 590/1 Keaney, Ned Joyce The crown jewels Carbon copy of script; 8 p. 590/1 Knoblock, Edward Scenario for South American musical play Carbon copy of synopsis; [41] p. 590/1 Lagman, John H. Society Photocopy of storyline; 7 p. 590/1 Lerner, Alan Jay Music! Music! Mimeograph copy of script; [101] p. 590/1 Lowrey, Edward Wilburn Oh you doctor! Typed script; 100 p. 590/2 Miller, Alice Duer The gift of groom Carbon copy of story; [74] p. 590/2 Morris, Richard The unsinkable Mrs. Brown Mimeograph copy of script; [102] p. 591/1 Neiman, Irving Gaynor, Pvt. Button your lip Mimeograph copy of script; 19 p. 591/1 Nelson, Ralph; Aviation cadet Mail call Mimeograph copy of script; 15 p. 591/1 Odea, John G., Pfc. Where e're we go Mimeograph copy of script; 18 p. 591/1 Pemberton, Murdock Just my luck Carbon copy storyline; 2 p. One thousand years from today Typed script; 9 p.

Laid in: Typescript letter from Pemberton to Irving Berlin

 Carbon copy of storyline and script; 9 p. 591/1 Rinehart, Mary Roberts & Avery Hoewood Seven days Carbon copy of script; [174] p. Carbon copy of script; [185] p. 591/2 Shaw, Irwin Big game Mimeograph copy of script; [134] p. 591/2 Smith, H.B. Round the clock Typed scenario; 23 p. 591/2 Thompson, Harlan High hat, Act I Carbon copy script; 87 p. High hat, Act II Carbon copy script; 42 p. 591/2 Wells, William K. Heading for Broadway Carbon copy of script; 96 p. Typescript/carbon copy scripts/screenplays - unidentified authors 592/1 Hawthorne of the USA Carbon copies of scripts (4 folders); [27], [39], [22], [18] p. 592/1 The magic city Mimeograph copy of script; 160 p. 592/2 Soldier show? Carbon copies of typed script; [104] p. 592/2 The song of the pioneer Ditto copy of script (brown folder); 33 p. 592/3 Stay away, Joe Typescript synopsis, 3 p. 592/3 Swinging the ring Carbon copy; 11 p. 592/3 Unidentified: "A political satire..." Typed script; 40 p. 592/3 Unidentified Typescript list of scenes (2 different); 2 p. each 592/3 Unidentified Carbon copies; p. 3, 4, 11-16 592/3 Unidentified: critic's review of play (National Anthem by Hartley Manners) Carbon copies; 4 p. 593/1 Miscellaneous non-Berlin writings 593/2 Miscellaneous non-Berlin printed matter