Natoma

http://hdl.loc.gov/loc.music/eadmus.mu012013 Victor Herbert Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress

Washington, D.C.

2011 Guides to Special Collections in the Music Division of the Library of Congress

Catalog Record: http://lccn.loc.gov/2006560751

Finding aid encoded by Library of Congress Music Division, 2012 Finding aid written in English. Collection Summary Victor Herbert Collection 1880-1939 (bulk 1894-1924) ML31.H465 Herbert, Victor, 1859-1924 3200 items 199 containers 96 linear feet Collection material in English Music Division Library of Congress

Washington, D.C.

Victor Herbert was a composer, conductor, cellist, and co-founder of the American Society of Composers, Authors, and Publishers (ASCAP). The music materials include mostly manuscript scores, parts and sketches for Herbert's stage, screen and orchestral works, and arrangements. The collection also contains Victor Herbert Orchestra encore part books and music by other composers. Additional materials include correspondence, programs, clippings, photographs, scrapbooks, promotional materials, iconography and legal papers. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

People Dvořák, Antonín, 1841-1904--Correspondence. Dvořák, Antonín, 1841-1904. Herbert, Victor, 1859-1924--Archives. Herbert, Victor, 1859-1924--Correspondence. Herbert, Victor, 1859-1924--Manuscripts. Herbert, Victor, 1859-1924--Photographs. Herbert, Victor, 1859-1924. Herbert, Victor, 1859-1924. Herbert, Victor, 1859-1924. Babes in Toyland. Herbert, Victor, 1859-1924. Concertos, violoncello, orchestra, no. 2, op. 30, E minor. Herbert, Victor, 1859-1924. Dream girl. Herbert, Victor, 1859-1924. Enchantress. Herbert, Victor, 1859-1924. Fall of a nation. Herbert, Victor, 1859-1924. Madeleine. Herbert, Victor, 1859-1924. Mlle. Modiste. Herbert, Victor, 1859-1924. My golden girl. Herbert, Victor, 1859-1924. Natoma. Herbert, Victor, 1859-1924. Naughty Marietta. Herbert, Victor, 1859-1924. Orange blossoms. Herbert, Victor, 1859-1924. Prince Ananias. Herbert, Victor, 1859-1924. Selections. Herbert, Victor, 1859-1924. Suite of serenades. Herbert, Victor, 1859-1924. When sweet sixteen. Herbert, Victor, 1859-1924. Wizard of the Nile. Herbert-Förster, Therese--Correspondence. Langey, Otto, 1851-1922. Lover, Samuel, 1797-1868. Sanford, Harold, 1879-1945. Organizations American Society of Composers, Authors and Publishers. Gilmore's Band. Pittsburgh Symphony Orchestra. Victor Herbert Orchestra. Victor Herbert's 22nd Regiment Band. Subjects Composers--United States. Conductors (Music)--United States. Copyright--Performing rights--United States. Motion picture music--Excerpts--Scores. Music--Manuscripts. Musical theater--United States--20th century. Musicals--Scores and parts. Operas--Scores and parts. Operetta--20th century. Popular music--Writing and publishing--United States. Revues--Scores and parts. Form/Genre Clippings (Information artifacts) Correspondence. Legal documents. Photographic prints. Programs (Documents) Promotional materials. Scrapbooks. Administrative Information Provenance

The materials constituting the Victor Herbert Collection were acquired by the Library of Congress from a number of sources. Several manuscripts were gifts from Herbert himself. Most of the collection came as a series of gifts from Herbert's daughter, Ella Herbert Bartlett, beginning in the 1920s and continuing through the late 1950s. A significant collection of holograph scores, correspondence, and other materials was given to the Library in 1948 by the widow of Gustav Klemm (1897-1947), a composer and conductor and an ardent admirer of Herbert. Additional materials were received as gifts from William Randolph Hearst, G. Schirmer, Inc., the National Federation of Music Clubs, and the Tams-Witmark Music Library. A significant amount of autograph manuscripts were purchased from the Patelson Music House in 1948. A number of smaller purchases from the Patelson Music House and from other antiquarian music dealers have been made since that time.

The Library of Congress also received two sets of bound piano-vocal scores for most of the Herbert operettas and operas. Klemm’s 1948 gift included a set of 42 scores representing 37 of Herbert’s operettas and operas, all of which are housed with the collection. In 1974, the Library received from the estate of Ella Herbert Bartlett a set of 45 scores representing 39 of Herbert’s operettas and operas. This set of scores has been cataloged and assigned to class M1503.H535 Case.

Ella Herbert Bartlett also donated forty-nine bound scores from the libraries of her mother and father. All except one are piano-vocal opera scores. Twenty-four of the scores are annotated by Victor Herbert's wife, soprano Therese Herbert-Förster, presumably reflecting her performances of these works. Two of the scores have performance indications by Victor Herbert. Three of the scores have autographs and/or inscriptions to Therese Herbert-Förster and Victor Herbert. All of the annotated scores and those unannotated scores which were not previously held by the Music Division have been cataloged and added to the Music Division’s general collections.

Accruals

No further accruals are expected.

Processing History

The Victor Herbert Collection finding aid was coded for EAD format in 2011 by Janet McKinney.

Transfers

Audiovisual materials have been transferred to the Library of Congress Motion Picture, Broadcasting and Recorded Sound Division.

Related Material

Additional materials relating to Victor Herbert can be found in other Music Division locations, most notably in the Tams-Witmark Collection, which contains manuscript scores and/or parts for a number of Herbert works, including substantial holdings for his opera Natoma.

Materials from the Victor Herbert Collection are governed by the Copyright Law of the United States (Title 17, U.S.C.) and other applicable international copyright laws.

Access and Restrictions

The Victor Herbert Collection is open to research. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.

Certain restrictions to use or copying of materials may apply.

Preferred Citation

Researchers wishing to cite this collection should include the following information: [item, date, container number], Victor Herbert Collection, Music Division, Library of Congress, Washington, D.C.

Biographical Note Date Event 1859, Feb. 1 Born, Dublin, Ireland. Herbert’s mother, Fanny Lover, was the daughter of Irish novelist, poet and composer, Samuel Lover (1797-1868) 1862 Herbert's father, Edward Herbert, a Dublin barrister, died in Paris circa 1866 Herbert’s mother married German physician Wilhelm Schmidt Family moved to Stuttgart Herbert received general education as well as training in music, learning to play the piano, flute and piccolo 1874-1876 Studied cello in Baden-Baden, with Bernhard Cossmann, one of the great cellists of the nineteenth century 1876-1880 Toured in orchestras and as a soloist 1879-circa 1880 Played in the orchestra of Baron Paul von Derwies, who also had an opera company 1880-1881 Played in Eduard Strauss' orchestra, in Vienna Performed as cello soloist 1881 Returned to Stuttgart and lived with his mother Accepted a position in the court orchestra Entered Stuttgart conservatory, where he studied composition with composer, conductor, and violinist Max Seifriz 1881, Oct. 25 First appearance (on short notice) as soloist with symphonic orchestra in Goltermann's Concerto in A minor 1882, July 8-12 Played in the orchestra of Tonkünstler-Versammlung des Allgemeinen Deutschen Musik-Verein in Zürich; performances by Liszt were for Herbert the highlights of the festival; the entire experience influenced Herbert greatly 1883, Oct. 23 Soloist in first performance of his Suite for Cello and Orchestra, Op. 3, with Stuttgart Orchestra; this is Herbert's earliest known work (earlier opus numbers have not been accounted for) 1885 Fall Joined the faculty of the Neue Stuttgarter Musikschule Retained position in court orchestra Met Therese Förster (1861-1927), a Viennese soprano in the court opera 1885, Dec. 8 Soloist in first performance of his Cello Concerto No. 1, in D major, Op. 8 1886, Aug. 14 Married Therese Förster in Vienna 1886, Oct. 24 Arrived in New York City Therese Herbert-Förster hired as leading soprano at the Metropolitan Opera Herbert hired as cellist in orchestra 1886, Nov. 8 Therese Herbert-Förster opened the Metropolitan Opera’s season in the title role of Carl Goldmark’s Die Königin von Saba 1886, Nov. 12 Therese Herbert-Förster sang the title role in the first Met performance of Verdi’s Aïda (in German) 1886-1887 Therese Herbert-Förster made twelve appearances at the Met singing Wagnerian roles: Elsa in Lohengrin, Irene in Rienzi, and Elizabeth in Tannhäuser 1887, Jan. 8 Herbert's first appearance in New York as cello soloist in three movements of his Suite, Op. 3, with the New York Symphony Society, Walter Damrosch, conducting 1887, Dec. 8 First New York performance as a chamber musician, with the New York String Quartet; the quartet gave three concerts during the 1887-1888 season 1887, Dec. 10 Soloist in his Cello Concerto No. 1 at Theodore Thomas’ matinee concert for young people; that evening, Herbert and Thomas played the concerto again, on short notice, with the New York Philharmonic Society 1887 Formed Majestic Orchestre Internationale, 40-piece orchestra which played light music in New York and Boston 1888 Feb. Therese Herbert-Förster made a single (and final) appearance at the Met; her early departure remains unexplained, although she continued to sing successfully elsewhere for several years 1889 Fall Herbert joined faculty of National Conservatory of Music, New York 1889-1891 Served as associate conductor of Worcester (County Music) Festival 1891, Sept. 24 First performance of his dramatic cantata The Captive, Op. 5, at the Worcester Festival 1893 Became leader of 22nd Regiment Band of the New York National Guard (also known as the “Gilmore Band”), following Patrick Sarsfield Gilmore and then D. W. Reeves as conductor 1893-1900 Toured with the 22nd Regiment Band of the New York National Guard 1894, Mar. 9-10 Soloist in first performances of his Cello Concerto No. 2, Op. 30, with New York Philharmonic Society, Anton Seidl, conducting 1894, Nov. 20 First performance of Prince Ananias, at the Broadway Theatre in New York (the first of Herbert’s 45 operettas and operas) 1895, Sept. 26 First performance of The Wizard of the Nile, at the Grand Opera House in Wilkes-Barre, Pennsylvania 1898-1904 Conductor of the Pittsburgh Symphony Orchestra where he presented some of his own works 1901-1902 Sued the Musical Courier for libel and won (relating to Marc A. Blumenberg's article of July 17, 1901 accusing Herbert of plagiarism and disparaging his skill as a conductor) 1902, June 16 First performance by the Victor Herbert Orchestra, at Willow Grove Park 1902, Oct. 14 Became a United States citizen 1903, Jan. 2 First performance of his orchestral suite, Columbus, Op. 35 (Herbert’s last symphonic work) 1903, Oct. 13 First performance of Babes in Toyland, at the Majestic Theatre in New York 1904, Oct. 7 First performance of Mlle. Modiste, at the Taylor Opera House in Trenton, New Jersey 1904 Organized the Victor Herbert Orchestra in New York, specializing in well-played light music 1906 Testified on behalf of composers during the first Congressional hearings on the copyright revision bill of 1906 1907, May 3 Herbert’s orchestra performed his composition, The Friars, for a banquet held by The Friars’ Club (it became the official “hymn” of the Monastery, the Friars’ clubhouse) 1907-1908 Testified on behalf of composers during Congressional hearings on the copyright revision bill of 1906 1909 Victor Herbert Orchestra contracted to record exclusively for the National Phonograph Company Victor Herbert Orchestra released their first recording (selections from Mlle. Modiste) in July Herbert advised on artistic and technical matters for the National Phonograph Company Copyright revision bill passed 1910, Oct. 24 First performance of Naughty Marietta, at the Wieting Opera House in Syracuse, N.Y. 1911, Feb. 25 First performance of the opera Natoma, by the Philadelphia-Chicago Opera Co., starring Mary Garden and John McCormack 1911, Sept. 14 First performance of When Sweet Sixteen, in New York 1911, Oct. 9 First performance of The Enchantress, at the National Theatre in Washington, D.C. 1911, Oct. 16 First performance of The Duchess on Broadway, the second of three Herbert operettas to open on Broadway within thirty-five days 1911, Oct. 19 First New York performance of The Enchantress 1914, Jan. 24 First performance of his opera Madeleine, by the Metropolitan Opera, starring Frances Alda and Paul Althouse 1914 Herbert was one of nine founders of ASCAP; he served as vice president until his death 1916, June 6 Silent film The Fall of a Nation first shown in New York (Herbert’s score is possibly the earliest through-composed score to accompany a feature film) 1920, Feb. 20 First performance of My Golden Girl, at the Nora Bayes Theatre 1921, July-Aug. Conducted symphony concerts at the Lewisohn Stadium in New York for three weeks 1922, Sept. 22 First performance of Orange Blossoms, in Philadelphia at the Garrick Theatre 1923, May 1 Conductor at the Cosmopolitan Theatre 1924, Feb. 12 First performance of Suite of Serenades, conducted by Paul Whiteman, at New York’s Aeolian Hall, on the same program with the first performance of Gershwin's Rhapsody In Blue 1924, Apr. 22 First performance of The Dream Girl, Herbert’s last operetta, at the Shubert Theatre in New Haven, Connecticut (first New York performance on August 20 at the Ambassador Theatre) 1924, May 26 Died in New York of cardiac arrest Scope and Content Note

The Victor Herbert Collection chiefly consists of manuscripts (full and reduced scores, orchestral parts, and sketches) of the theater works of Victor Herbert, including his light operas such as Babes in Toyland, The Red Mill and Naughty Marietta. In addition to his operettas and operas, items include one silent film score, overtures for several feature films, selections written for a number of productions by the Lambs’ Club, and selections from several Broadway revues. In addition, the collection includes manuscripts for most of Herbert’s large-scale symphonic works, chamber pieces, solo songs and choral compositions.

Most of the music manuscripts are identified in the finding aid as being in the hand of either Herbert, his friend and assistant Harold Sanford, or arranger Otto Langey. In addition, there are a number of scores in the hands of various unidentified copyists. While most of the manuscript orchestral parts are, not surprisingly, in the hands of copyists, there are quite a number of parts copied out by Herbert himself.

In addition to the music manuscripts, the collection includes printed music by other composers, correspondence, programs, clippings, photographs, scrapbooks, promotional materials, iconography and legal papers.

Any published sheet music of Herbert that may have previously resided with this collection has been moved to the Library of Congress general holdings. This finding aid reflects that action and supercedes any previous versions.

Organization of the Victor Herbert Collection

The Victor Herbert Collection is organized in two series:

Music Non-Music http://lccn.loc.gov/2006560751 Container List Container Contents 1-186 Music 1-78 Show Music

Chiefly manuscript unbound full scores, piano-vocal scores, short scores, sketches, and parts. The largest portion comes from Herbert’s operettas and operas. There are complete or nearly complete sets of orchestrations for some of the shows, while others are represented by only a few selections. Included here are Herbert’s score for the film The Fall of a Nation, film overtures, music for several Lambs’ Club productions, Herbert’s contributions to Broadway revues such as The Century Girl and The Ziegfeld Follies of 1917, ‘19, ‘20, ‘21, ‘22, and ‘23, and a few miscellaneous stage- or screen-related items. There are also a number of concert arrangements of selections from Herbert’s stage and screen scores, some by Harold Sanford or Otto Langey.

Arranged alphabetically by title of show, and alphabetically by title of selection therein.

Algeria Full scores (No. 1) Opening chorus, Act I 1/1 Holograph score (No. 2) The Boule' Miche 1/2 Otto Langey score (No. 3) Entrance song of Petitpons: I've been decorated 1/3 Holograph score (No. 4?) Song of the Sultana, Act I 1/4 Holograph score (No. 5) Trio: In jail 1/5 Otto Langey score (No. 6) You'll feel better then 1/6 Otto Langey score (No. 7) The same old two 1/7 Holograph score (No. 8) Finale, Act I 1/8 Holograph score 1/9 Manuscript

Variant version: Tempo di valse

Incomplete, p. 1-4 only

1/10 Holograph score

Variant version: continuation and end

(No. 9) Opening, Act II 1/11 Holograph score (No. 11a) Ask her while the band is playing 1/12 Otto Langey score (No. 12) Only one of anything 1/13 Holograph score (No. 12b) Love theme 1/14 Holograph score

Formerly numbered 11b

(No. 13a) Tempo di marcia, Act II 1/15 Holograph score (before No. 13b) Entrance of Sultana, Act II 1/16 Otto Langey score 1/17 Manuscript score

Variant version

(No. 13b) Twilight in Barakeesh 1/18 Otto Langey score (No. 14) Bohemia, goodbye! 1/19 Otto Langey score (No. 15) Little bird of paradise 1/20 Otto Langey score

On manuscript: My bird of paradise

(No. 16) Finale ultimo 1/21 Holograph score Comedians' entrance, Act I 1/22 Manuscript score Comedians' dance 1/23 Manuscript score Piano-vocal/reduced scores Entrance of Sultana, Act II 1/24 Holograph short score Finale, Act I: march ending, new 1/25 Holograph piano-vocal score The foolish gardener (Duo for comedians) 1/26 Holograph piano-vocal score Librettos 2/1 Algeria Typescript

On Microfilm 86/20,243 <Mus> Item 33-D

2/2 The rose of Algeria Typescript

On Microfilm 86/20,243 <Mus> Item 33-B

The ameer Full scores (No. 1) Opening chorus, Act I 2/3 Holograph score 2/4 Copyist's manuscript score (No. 2) Scene and entrance of Constance and Fanny

Includes (No. 2a) Oh! what is the matter?; (No. 2b) Cupid will guide

2/5 Holograph score 2/6 Copyist's manuscript score (No. 3) Entrance song of Ameer: I'd like it 2/7 Otto Langey score 2/8 Copyist's manuscript score (No. 4) Betrothal day blessing: Let those who'd wed 2/9 Otto Langey score 2/10 Copyist's manuscript score (No. 5) Recit and song (Mirzah): Ah! woe is me 2/11 Otto Langey score 2/12 Copyist's manuscript score (No. 6) Song (Ameer and chorus): I am a piratical brigand 2/13 Otto Langey score 2/14 Copyist's manuscript score (No. 7) Finale, Act I 2/15 Holograph score 2/16 Copyist's manuscript score (No. 8a) Opening chorus, Act II; (No. 8b) song: If there's any kind of crime 2/17 Holograph score 2/18 Copyist's manuscript score (No. 9) Chorus of brigands and Ameer: Let others boast 2/19 Otto Langey score 2/20 Copyist's manuscript score (No. 10) Quartette: Surprise, surprise astounding 3/1 Otto Langey score 3/2 Copyist's manuscript score (No. 11) Duet: Old maids are willing to please 3/3 Otto Langey score 3/4 Copyist's manuscript score (No. 12) March, Act II: (No. 12a) Soldiers all; (No. 12b) A soldier need no truer friend 3/5 Otto Langey score 3/5 Copyist's manuscript score (No. 13) Duet: The armored knight 3/7 Otto Langey score 3/8 Manuscript score

Variant version

(No. 14) The rubber man 3/9 Otto Langey score 3/10 Copyist's manuscript score (No. 15) Finale, Act II: Surrender, surrender 3/11 Holograph score 3/12 Copyist's manuscript score (No. 16) Opening chorus, Act III: Soft to sensuous music swaying 3/13 Holograph score 3/14 Manuscript score (No. 17) The little poster maid 3/15 Otto Langey score 3/16 Manuscript score (No. 18) Trio: Continuous performances 3/17 Otto Langey score 3/18 Manuscript score (No. 20) In old Ben Franklin's days 3/19 Otto Langey score 3/20 Manuscript score Tell me, pray 3/21 Holograph score Sketch 3/22 Finale, Act I Manuscript

Unused

The American ambassadress see It happened in Nordland Angel face Full scores Entrance music 3/23 Holograph score

Before Everybody's crazy; part of the time, No. 3

One step 3/24 Harold Sanford score Selection, arr. by Harold Sanford 3/25 Arranger's holograph score Trio: Reincarnation, Act III 3/26-27 Holograph scores Orchestral parts Entrance music

Before Everybody's crazy, part of the time, No. 3

3/28 Copyist's manuscript Reincarnation 3/29 Copyist's manuscript Babes in Toyland Full scores Prologue: Prelude, Act I; No. 1 (Country dance) 4/1 Holograph score Prologue: Vorspiel 4/2 Holograph score

Incomplete; [9] p.

4/3 Copyist's manuscript score (No. 1) Act I: opening (Country dance; optional introduction) 4/4 Holograph score 4/6 Copyist's manuscript score

Variant version

(No. 2) With downcast eye 4/6 Otto Langey score 4/7-8 2 copyist's manuscript scores (No. 3) Never mind, Bopeep, we will find your sheep 4/9 Otto Langey score 4/10-11 2 copyist's manuscript scores (No. 4) Floretta 4/12 Otto Langey/holograph score 4/13-14 2 copyist's manuscript scores (No. 5) Barney O'Flynn 4/15 Otto Langey/holograph score 4/16 Manuscript score 4/17 Copyist's manuscript score (No. 6) Jane 4/18 Otto Langey score 4/19-20 2 copyist's manuscript scores (No. 7) Lullaby: Go to sleep, slumber deep 4/21 Otto Langey score 4/22-23 2 copyist's manuscript scores (No. 8) The birth of the butterfly 4/24 Holograph score 4/25 Copyist's manuscript score (No. 9) Opening chorus, Act II 5/1 Otto Langey score 5/2-3 2 copyist's manuscript scores (No. 10) A legend 5/4 Otto Langey score (No. 11) Song of the poet: Rock-a-bye baby 5/5 Otto Langey score 5/6-7 2 copyist's manuscript scores (No. 12a) March of the toys 5/8 Otto Langey score 5/9 Copyist's manuscript score (No. 12b) Military ball, Act II 5/10 Otto Langey score 5/11-12 2 copyist's manuscript scores (No. 13) Toyland, Act II 5/13 Holograph score

Incomplete, p. 1-4 wanting

Variant version?

5/14 Otto Langey score 5/15-16 2 copyist's manuscript scores (No. 15) In the toymaker's workshop, Act III 5/17 Otto Langey score 5/18-19 2 copyist's manuscript scores (No. 16) Before and after 5/20 Otto Langey score 5/21-22 2 copyist's manuscript scores (No. 17) Mignonette. Serenade, Act III 6/1-2 2 Otto Langey scores (No. 18) The moon will help you out, Act III 6/3-4 2 Otto Langey scores 6/5 Copyist's manuscript score Beatrice barefacts (No. 11), Act III 6/6 Holograph score 6/7 Manuscript score Battle music (Melodramatic music and finale, Act II) 6/8 Otto Langey score

Annotated by VH (early draft?)

6/9 Manuscript score 6/10 Copyist's manuscript score

Later draft?

Contrary Mary (No. 4), Act I 6/11 Otto Langey score Duet: If I were a man like that 6/12 Copyist's manuscript score Duet: Mary and Allan, Act II

Added for proposed German production; no lyric extant

6/13 Otto Langey score Entrance of Contrary Mary, Act I 6/14 Otto Langey score 6/15 Copyist's manuscript score Finale, Act II 6/16 Holograph score Hang march (No. 16), Act III 6/17 Copyist's manuscript score He won't be happy till he gets it (No. 19) 6/18 Manuscript score Health food man, Act I 6/19 Copyist's manuscript score I can't do the sum, Act I 6/20 Holograph score 6/21 Copyist's manuscript score Inspector Marmaduke (No. 13), Act II 6/22 Otto Langey score Melodramatic music, Act I 6/23-25 3 copyist's manuscript scores Our castle in Spain 6/26 Holograph score The spider den (No. 8c), Finale, Act I 6/27 Manuscript/holograph score

Variant version

6/28 Copyist's manuscript score Unidentified

Relates to "Rock-a-bye baby" theme

6/29 Holograph score Piano-vocal/reduced scores Babes in Toyland 6/30 Complete score

With cast members' signatures

Battle music and Finale, Act II 7/1 Copyist's manuscript/holograph piano score Don’t be a villain 7/2 Copyist's manuscript piano-vocal score 7/3 Lyric sheet Finale, Act II 7/4 Holograph piano score Hang march (No. 16) Opening, Act III 7/5 Copyist's manuscript piano score Health food man

Alternate title: John Johnson

7/6 Arranger's holograph piano-vocal score

Piano reduction by Larry Moore

If I were a man like that 7/7 Arranger's holograph piano-vocal score

Piano reduction by Larry Moore

Inspector Marmaduke 7/8 Holograph piano-vocal score

Partial German lyric

7/9 Arranger's holograph piano-vocal score

Piano reduction by Larry Moroe

No lyric

A legend (for Gertrude and chorus of peasants) (No. 10), Act II 7/10 Holograph piano-vocal score Prologue 7/11 Arranger's holograph piano-vocal score

Piano reduction by Larry Moore

Orchestral parts Beatrice barefacts 7/12 Holograph and copyist's manuscripts: strings

Incomplete

March of the toys (No. 12a)

Arranged by Otto Langey

7/13-14 Printed (NY: Carl Fischer) 7/15 Printed (NY: M. Witmark) 7/16 For Grand Orchestra; printed (Fischer and Witmark eds.)

Incomplete

The military ball (No. 12b) 7/17 Holograph manuscripts 7/18 Copyist's manuscripts: strings Prologue: Vorspiel 8/1-4 Copyist's manuscripts Selection 8/5 Holograph manuscripts

Horns III-IV, trombones, tuba

8/6 Printed

Incomplete

Suite 8/7-10 Holograph, manuscript, and printed: winds 9/1-9 Holograph, manuscript, and printed: brass, percussion, harp 10/1-9 Holograph, manuscript, and printed: violin I, violin II, viola 11/1-4 Holograph, manuscript, and printed: cello, bass 11/5-6 Copyist's manuscripts

Additional string parts for "The birth of a butterfly," some including "I can't do the sum"

Toy march 11/7 Copyist's manuscripts: viola, bass Toyland, (No. 13) 11/8 Copyist's manuscripts: strings The toymaker's workshop (No. 15) 11/9 Copyist's manuscript: strings Libretto 11/10 Typescript

Version 3

On Microfilm 86/20,243 <Mus> Item 3-B

11/10 Typescript

Predates original version score

On Microfilm 86/20,243 <Mus> Item 3-E

Babette Full scores (No. 1) Opening chorus, Act I 12/1 Otto Langey score 12/2 Copyist's manuscript score (No. 2) Mondragon and chorus: My honor and my sword 12/3 Holograph score 12/4 Copyist's manuscript score (No. 3) Duo: Mondragon and Vinetta (On the other side of the wall), Act I 12/5 Holograph score (No. 4) Entrance of Babette 12/6 Holograph score (No. 5) Letter writing song: Letters I write all the day 12/7 Holograph score (No. 6) Clockmaker's song: He who'd thrive must rise at five 12/8 Holograph score 12/9 Copyist's manuscript score (No. 7) Duo, Act I: Babette and Marcel (I'll bribe the stars) 12/10 Holograph score 12/11 Copyist's manuscript score (No. 8) Finale, Act I 12/12 Holograph score (No. 9) Opening chorus, Act II 12/13 Holograph score (No. 10) Coach chorus: Hear the coachman crack his whip 12/14 Copyist's manuscript score (No. 11) Trio and Dance, Act II: We're very highly polished at the court 12/15 Holograph score (No. 12) Peddler's song: Tony the peddler 12/16 Holograph score (No. 13) Romanza, Act II: My lady 'tis for thee 12/17 Holograph score (No. 14) Entrance chorus of players, Act II: To the sound of the pipe and the roll of the drum 12/18 Copyist's manuscript score (No. 15) Be kind to poor Pierrot, Act II 12/19 Holograph score (No. 16) Quartette [i.e., Sextette], Act II: (There once was an owl) 12/20 Holograph score (No. 17) The life of a bold free lance 12/21 Manuscript score (No. 18) Finale, Act II 12/22 Holograph score (No. 19) Opening chorus, Act II (i.e., III) 12/23 Holograph score 12/24 Copyist's manuscript score (No. 20) Entrance and song, Act III: It's a way we have in Spain 12/25 Manuscript score (No. 21) Madrigal quartette: My lady of the manor 12/26 Holograph score 12/27 Copyist's manuscript score (No. 22) The butterfly (Waltz song): Where the fairest flow'rs are blooming 12/28 Holograph score (No. 23) Finale ultimo 12/29 Holograph score Canzonetta, Act III: (What is love) 12/30 Holograph score Selection 12/31 Arranger's holograph score

Arranged by Otto Langey

Song: The story of Babette (old No. 8) 12/32 Copyist's manuscript score Canzonetta, Act III: What is love? 12/33 Holograph score Coach chorus, Act II: Hear the coachman crack his whip (No. 10) 12/34 Copyist's manuscript score 12/35 Printed score The life of a bold free lance (No. 17) 12/36 Holograph score

Incomplete, p. 5-8 only

Orchestral parts 12/37 Selection Holograph: horns III-IV, trombones, tuba Sketch 12/38 Opening chorus, Act III (No. 19) Holograph/printed piano-vocal sketch The century girl Full scores Entrance of characters and song: The century girl 13/1 Harold Sanford/holograph score Finale, Act II 13/2 Harold Sanford score Humpty Dumpty 13/3 Harold Sanford score Love duet, Act I: You belong to me 13/4 Holograph score (Under the sea sequence) Submarine scene 13/5 Holograph score The romping redheads (Jumping Jack number) 13/6 Holograph score Piano-vocal scores The century girl 13/7 Holograph piano-vocal score Duet: You belong to me 13/8 Copyist's manuscript piano-vocal score Humpty Dumpty 13/9 Copyist's manuscript piano-vocal score Orchestral parts Duet: You belong to me 13/10 Copyist's manuscripts Humpty Dumpty 13/11 Copyist's manuscripts 13/12 Sheet music Humpty Dumpty

Stamped with Victor Herbert's "signature"

When Uncle Sam is ruler of the sea

Stamped with Victor Herbert's "signature"

You belong to me

First proof

The Cinderella man

Play

Punchinello; Yesterthoughts 13/13 Printed piano-conductor scores and orchestral parts

Arranged by Otto Langey

Cyrano de Bergerac Full scores (No. 3) Entrance song of Cyrano: I come from Gascony 13/14 Holograph score (No. 5) Combat chorus and song: The king's musketeers 13/15 Holograph score (No. 7) Finale, Act I 13/16 Holograph score (No. 8) Opening chorus, Act II and solo: Lise 13/17 Holograph score 13/18 Copyist's manuscript score (No. 10) Song of the nose 13/19 Holograph score (No. 11) Cadets of Gascony 13/20 Otto Langey score (No. 12) Waltz song: I wonder 13/21 Holograph score (No. 13) Finale, Act II 13/22 Holograph score (No. 14a) Entr'acte, Act III 13/23 Holograph score (No. 15) Diplomacy 13/24 Manuscript score (No. 17) Serenade: Neath thy window 13/25 Copyist's manuscript score (No. 18) Trio, Act III: Let the sun of thine eyes 13/26 Holograph score Piano-vocal/reduced scores Overture 14/1 Copyist's manuscript piano score (No. 1) Opening chorus with lyric fragments 14/2 Holograph piano-vocal score (No. 3) Peasant song: I come from Gascony 14/3 Holograph piano-vocal score

No lyric

(No. 5) Combat chorus and solo: The king's musketeers 14/4 Holograph piano-vocal score 14/4 Copyists's manuscript piano-vocal score with lyric fragments

Incomplete, p. 7-10 only

(No. 8) Opening chorus, Act II 14/6 Holograph piano-vocal score with lyric fragments

Incomplete, p. 3-4 only

(No. 8) Opening song: Recipe song with lyric fragments 14/7 Holograph piano-vocal score (No. 9) Entrance chorus of poets, Act II 14/8 Holograph piano-vocal score with lyric fragments (No. 11) The cadets of Gascony with lyric fragments 14/9 Holograph piano-vocal score (No. 13) Finale, Act II 14/10 Holograph piano-vocal score

Incomplete, p. 5-8 only

(No. 14) Opening chorus, Act III 14/11 Holograph piano-vocal score

Incomplete, final [2] p.

German and English lyrics

(No. 15) Couplets: Diplomacy 14/12 Holograph piano-vocal score

No lyric

(No. 16) Song: Over the mountains 14/13 Holograph piano-vocal score (No. 17) Serenade, Act III: Neath thy window 14/14 Holograph piano-vocal score (No. 18) Trio, Act III: Let the sun of thine eyes 14/15 Holograph piano-vocal score with lyric fragment

Incomplete, p. 1-2 only

Song: Diplomacy

Not related to (No. 15) Couplets: Diplomacy, box-folder 14/12

14/16 Holograph piano-vocal score with lyric fragment Sketch 14/17 Entr'acte Holograph 14/18 (No. 17) Serenade Holograph The débutante Full scores Overture 14/19 Photocopied Harold Sanford score (No. 1) Opening chorus 14/20 Photocopied Harold Sanford score (No. 2) March song: Love is a battle 14/21 Photocopied Harold Sanford score (No. 3) Married life 14/22 Photocopied Harold Sanford score (No. 4) Professor Cupid 14/23 Photocopied Harold Sanford score (No. 5) All for the sake of a girl 14/24 Photocopied Harold Sanford score (No. 6) Duet: The golden age 14/25 Photocopied holograph score (No. 7) Trio: The love of the Lorelei 14/26 Photocopied holograph score (No. 8) Peggy's a creature of moods 14/27 Photocopied Harold Sanford score (No. 9) Duo: Never mention love when we're alone 14/28 Photocopied Harold Sanford score (No. 10) Finale, Act I 14/29 Photocopied Harold Sanford score Entr'acte 15/1 Photocopied Harold Sanford score (No. 11) Opening chorus, Act II 15/2 Photocopied manuscript score (No. 12) When I played Carmen 15/3 Photocopied manuscript score (No. 13) The baker's boy and the chimney sweep 15/4 Photocopied manuscript score (No. 14) The cubist opera 15/5 Photocopied manuscript score (No. 15) Call around again 15/6 Photocopied manuscript score (No. 16) The will-o-the-wisp 15/7 Photocopied manuscript score (No. 17) The dancing lesson 15/8 Photocopied manuscript score (No. 18) Sextette, Act III: The face behind the mask 15/9 Photocopied manuscript score (No. 19) Burlesque modern opera 15/10 Photocopied holograph score (No. 20) Fortune telling song: Fate 15/11 Photocopied manuscript score (No. 21) Finale ultimo: The springtime of love is fairest 15/12 Photocopied manuscript score Selection 15/13 Photocopied arranger's holograph score

Arranged by Harold Sanford

Unidentified (No. 3) 15/14 Photocopied holograph score Piano-vocal scores Entrance of Elaine and song: Professor Cupid (No. 4) 15/15 Holograph piano-vocal score March song: Love is a battle (No. 2) 15/16 Holograph piano-vocal score Take me home with you 15/17 Holograph piano-vocal score Dream city and The magic knight Full scores (No. 1) Opening chorus, Act I 16/1 Otto Langey score (No. 2) Sextette and dance: Down a shady lane 16/2 Otto Langey score (No. 4) The farmer's life (I’m not stuck to be a farmer) 16/3 Otto Langey score (No. 5) Improvements 16/4 Holograph score (No. 6) Imitations: A shy suburban maid 16/5 Holograph score

Incomplete

(No. 7) Nancy, I fancy you 16/6 Holograph score (No. 8) Finale, Act I: Rustic Patrol and song: The volunteer fireman 16/7 Otto Langey score (No. 9) Beautiful dreamtown; Entr'acte; Opening Chorus, Act II 16/8 Holograph score (No. 12) I don't believe I'll ever be a lady 16/9 Holograph score (No. 13) Hannah 16/10 Holograph score (No. 14) Bound for the opera 16/11 Otto Langey score (No. 15) In vaudeville 16/12 Otto Langey score (No. 1) Opening chorus, Act I 16/13 Holograph score (No. 8) Finale, Act I: Rustic patrol and song: The volunteer fireman 16/14 Holograph score (No. 14) Bound for the opera 16/15 Holograph score Entrance of Elsa, to end of operetta 16/16 Holograph score

Incomplete, p. 1-10 wanting

Orchestral parts 16/17 I love you Copyist's manuscript

Incomplete

The dream girl Holograph full scores 16/18 Cling 16/19 Dolly and girls, Act III 16/20 Entr'acte 16/21 Fifty-fifty 16/22 Fox-trot 16/23 Gypsy life 16/24 Hip-hi! Hip-ho! 16/25 I can't make love to ladies in the morning 17/1 I loved you long ago 17/2 I want to know! 17/3 If someone would find me! 17/4 A jazz tune 17/5 The maid let him in! 17/6 Making a Venus 17/7 Morris dance 17/8 My hero 17/9 Overture 17/10 Rainbow's end 17/11 The salt of the earth 17/12 Selection

Arranged by Harold Sanford

17/13 Sights of London 17/14 Stop, look, listen! 17/15 Strange things happen 17/16 The theme 2 holograph choral scores 17/17 Wild women 17/18 Unidentified

Incomplete, [4] p.

Piano-vocal/reduced scores The broad high way 17/19 Holograph piano-vocal score Cling 17/20 Holograph piano-vocal score Hip-hi! Hip-ho! 17/21 Copyist's manuscript piano-vocal score I want to go home 17/22 Holograph piano-vocal score 17/23 Copyist's manuscript piano-vocal score

No lyric

I want to know 17/24 Copyist's manuscript piano-vocal score If someone would find me 17/25 Manuscript piano-vocal score

Incomplete, p. 1-3 only

A jazz tune 17/26 Copyist's manuscript piano-vocal score The salt of the earth 17/27 Copyist's manuscript piano-vocal score Sights of London 17/28 Copyist's manuscript piano-vocal score Waiting for a kiss 17/29 Holograph piano-vocal score 17/30 Copyist's manuscript piano-vocal score Wild women 17/31 Holograph piano-vocal score 17/32 2 copyist's manuscript piano-vocal scores Unidentified: Tempo di Fox trot

Not related to Fox trot, box 16, folder 22

17/33 Holograph piano-vocal score

No lyric

17/34 Copyist's manuscript piano-vocal score Unidentified 17/35 Holograph piano score fragment; 1 p. Orchestral parts Entr'acte 17/36 Holograph

Celeste only

Fox-trot 17/37 Holograph

Incomplete

My dream girl (I loved you long ago) 17/38 Holograph/copyist's manucript

Incomplete

The salt of the earth 17/39 Copyist's manuscript Wild women 17/40 Copyist's manuscript Sketch 18/1 Rainbow's end and fragmentary material With notes Lyric sheet 18/2 The broad high way The dream song

Play

18/3 Sheet music

Stamped with Victor Herbert's "signature"

Farewell Lovelight The duchess see Mlle. Rosita Eileen

Revised version of Hearts of Erin

Full scores Overture 18/4 Holograph score 18/5 Harold Sanford score

p. 1 only

(No. 1) Opening, Act I 18/6 Holograph score (No. 2) Free trade and a misty moon 18/7 Holograph score (No. 3) My little Irish rose 18/8 Harold Sanford score (No. 4) Entrance of Humpy Grogan 18/9 Harold Sanford score (No. 5) Song, Act I: When shall I again see Ireland (Ireland, my sireland) 18/10 Holograph score (No. 6) Finale, Act I 18/11 Holograph score 18/12 Holograph score

Variant version

(No. 7) Opening, Act II and round 18/13 Holograph score (No. 9) Eileen, Alanna Astore 18/14 Holograph score (No. 10) If Eve had left the apple on the bough 18/15 Holograph score (No. 11) Duo, Act II: I'd love to be a lady 18/16 Harold Sanford score 18/17 Copyist's manuscript score

Variant version

(No. 13) When love awakes, Act II 18/18 Holograph score (No. 14) Duet, Act II: Life's a game at best 18/19 Holograph score (No. 15) Finale, Act II 18/20 Holograph score (No. 16) Opening, Act III 18/21 Holograph/Harold Sanford score (No. 17) Love duet: Thine alone 18/22 Holograph score (No. 18) The Irish have a great day to-night 18/23 Holograph/Harold Sanford score (No. 19) When Ireland stands among the nations of the world (Finale ultimo) 18/24-25 2 holograph scores Barry's entrance 18/26 Holograph score Cupid, the cunnin' paudeen 18/27 Harold Sanford score

No. 5 in Hearts of Erin

Duet, Act II: Stars and rosebuds 18/28 Holograph score

No. 8 in Hearts of Erin

Ensemble, Act II: Withdraw 19/1 Holograph score

No. 11 in Hearts of Erin

First entr'acte, Act II 19/2 Holograph score Reveries, Act II 19/3 Holograph score

No. 12 in Hearts of Erin

Second entr'acte, Act III 19/4 Holograph score Selection 19/5 Arranger's holograph score

Arranged for military band by Harold Sanford

19/6 Arranger's holograph score

Arranged for orchestra by Harold Sanford

Unidentified, Act II 19/7 Holograph score

Incomplete

Piano-vocal/reduced score Finale, Act I (No. 6) 19/8 Holograph piano-vocal score

Incomplete, p. 9-12 only

If Eve had left the apple on the bough (No. 10) 19/9 Holograph piano-vocal score

No lyric

Opening, Act I (No. 1) 19/10 Holograph piano score

Incomplete, p. 1-3 only

Opening, Act II (No. 7) 19/11 Holograph piano-vocal score Reveries, Act II (No. 6) 19/12 Holograph piano-vocal score

No. 12 in Hearts of Erin

Orchestral parts Overture 19/13 Copyist's manuscripts: violin I/conductor Selection 19/14 Holograph: brass, drum Thine alone, Love duo (No. 16) 19/15 Holograph When shall I again see Ireland (No. 5) 19/16 Holograph: strings only

Transposed to D-flat; Harp

19/17 Manuscripts 19/18 Copyist's manuscript 19/19 Sheet music

Stamped with Victor Herbert's "signature"

Cupid, the cunnin' paudeen Eileen, Alanna Astore If Eve had left the apple on the bough The Irish have a great day to-night Life's a game at best My little Irish rose Reveries Stars and rosebuds Thine alone Sketches 19/20 Barry's entrance and Entrance of Humpy Grogan, (No. 5) Holograph 19/21 Duo: Life's a game at best, (No. 14) Holograph 19/22 Finale, Act II (No. 15) Holograph 19/23 The Irish have a great day to-night (No. 17) Typescript lyric sheet

Holograph annotations

The enchantress Full scores Overture 20/1 Manuscript score (No. 1) Opening chorus (i.e., number) 20/2 Otto Langey score (No. 2) Duo, Act I: When the right man sings tra la 20/3 Holograph score (No. 3) Comic duo, Act I: They all look good when they're far away 20/4 Holograph score (No. 4) March: Chorus and entrance of regent 20/5 Manuscript score (No. 6) Entrance of Prince George i.e., Ivan and solo: And that little girl is you 20/6 Otto Langey score (No. 7) Entrance of Vivien and solo: To the land of my own romance 20/7 Manuscript score (No. 8) March song: I've been looking for a perfect man 20/8 Manuscript score (No. 9) Duo, Act I: Rose, lucky Rose 20/9 Holograph score (No. 10) Finale, Act I 20/10 Holograph score (No. 11) Opening chorus, Act II 20/11 Manuscript score (No. 12) Art is calling for me 20/12 Manuscript score (No. 13) Soliloquy, Act II: Come little fishes (Goldfish song) 20/13 Holograph score (No. 14) Duo, Act II: Come to sunny Spain 20/14 Manuscript score (No. 15) Love duo, Act II: One word from you 20/15 Holograph score (No. 16) Madrigal, Act II: The dreaming princess 20/16 Holograph score (No. 18) Dance, Act II 20/17 Holograph score (No. 19) Champagne song, Act II: All your own am I 20/18 Holograph score (No. 20) Finale ultimo 20/19 Holograph score Entr'acte 20/20 Holograph score Exit 20/21 Holograph score That naughty little song, Act II 20/22 Holograph score The piano-king, Act II 20/23 Manuscript score Piano-vocal scores (No. 10) Finale, Act I 21/1 Holograph piano-vocal score (No. 16) Madrigal: The dreaming princess 21/2 Holograph piano-vocal score March of the prince's regiment 21/3 Holograph piano-vocal score Specialty, Act II 21/4 Holograph piano score Tango 21/5 Holograph piano score Orchestral parts 21/6 (No. 10) Beginning of Finale, Act I Holograph; bass, snare drum Sheet music 21/7 (No. 7) To the land of my own romance

Stamped with Victor Herbert’s “signature” and identified as “Different finish” on cover

The fall of a nation

Motion picture

Full scores Prologue 21/8 Manuscript/holograph score Act I 21/9-14 Cues 1-11, 13, 16, 19, 20, 20a, 21, 24, 26, 30-40, 43-45, 47-49, 51, 52, 56, 58, 58 1/2, 59 Manuscript/holograph score 21/15 Revisions for cues 1-25 Manuscript/holograph score Act II 22/1-5 Cues 62-65, 65 1/2, 67, 68, 68 1/2, 69-75, 77, 79-84 Holograph score Entr'acte (The love theme) 22/6 Holograph score Piano/reduced scores Prologue 22/7 Holograph/manuscript piano score Act I 22/8 Cues 1-29 Holograph piano scores 22/9 Cues 30-59 Holograph piano scores, short scores Act II 23/1 Cues 60-84 Holograph piano scores 23/2 Cues 71 Manuscript short score Dramatic theme: Devastation 23/3 Manuscript piano score Entrance of the heroes 23/4 Manuscript piano score Unidentified 23/5 Manuscript piano score fragment

p. 25-26 only

Printed music The fall of a nation 23/6 Complete piano score

Extensive corrections

Devastation 23/7 Piano-conductor score

Arranged by Harold Sanford

Entrance of the heroes 23/8 Piano-conductor score and parts

Arranged by Harold Sanford

Forebodings 23/9 Piano-conductor score

Arranged by Harold Sanford

Heart throbs 23/10 Piano-conductor score and parts

Arranged by Harold Sanford

Karma 23/11 Piano-conductor score and parts

Arranged by Harold Sanford

The knight's tournament 23/12 Piano-conductor score and parts

Arranged by Harold Sanford

Little Italy 23/13 Piano-conductor score and parts

Arranged by Harold Sanford

The love theme 23/14-15 2 copies of sheet music

One with extensive corrections and one inscribed by Herbert to his daughter, Ella

The mystic rider 23/16 Piano-conductor score and parts

Arranged by Harold Sanford

Punch and Judy 23/17 Piano-conductor score and parts

Arranged by Harold Sanford

The rabble 23/18 Piano-conductor score and parts

Arranged by Harold Sanford

Sketches 23/19 Act II, Cue 71 Holograph sketch of piano score 23/20 Various cues Holograph sketches Fanshastics see Merry wives of Gotham The fortune teller Full scores Czardas 24/1 Holograph score 24/2 Copyist's manuscript score

With instructions in the hand of Victor Herbert

Piano-vocal scores The facts of life backstage 24/3 Photocopied copyist's manuscript piano-vocal score Gypsy sequence, Act I, scene ii 24/4 Photocopied of copyist's manuscript piano-vocal score Orchestral parts Gypsy love song 24/5 Copyist's manuscript

Incomplete

March and schottische 24/6 Printed: bassoon

Arranged by Otto Langey

Selection from The fortune teller 24/7 Manuscript/printed

Incomplete; violin 1 wanting

Fortune teller 24/8 Holograph

Incomplete; violin 1 wanting

24/9 Libretto Typescript The garden of eden Full scores Prelude 24/10 Manuscript score (No. 3) Untitled 24/11 Manuscript score (No. 4) If Adam had said no instead of yes 24/12 Manuscript score (No. 5) Entrance of Cupid 24/13 Holograph score (No. 6) Thunder 24/14 Holograph score Piano-vocal/reduced scores Prelude 24/15 Holograph piano score 24/16 Manuscript piano score (No. 3) End of scene I 24/17 Manuscript piano score (No. 4) Duet: If Adam had said no instead of yes 24/18 Holograph piano-vocal score 24/19 Manuscript piano-vocal score (No. 5) Entrance of Cupid 24/20 Holograph piano score (No. 6) End of scene 3 24/21 Manuscript/holograph piano score Orchestral parts No. 3 24/22 Copyist's manuscripts The girl in the spotlight

Revised version of Molly darling

Full scores Overture 25/1 Holograph score (No. 1) I knew him when 25/2 Holograph/manuscript score (No. 2) I cannot sleep, dear, without dreaming of you! 25/3 Holograph score (No. 3) Come across! 25/4 Holograph score (No. 4) Duet: It would happen anyway 25/5 Holograph score (No. 7) Writing a popular song (The month of June?) 25/6 Holograph/copyist's manuscript score (No. 9) Catch 'em young 25/7 Holograph score (No. 11) Finale, Act I 25/8 Holograph score (No. 12) Opening, Act II 25/9 Holograph score (No. 14) I'll be there 25/10 Holograph score (No. 16) Dance no. 2: Egyptian (Oriental dance) 25/11 Harold Sanford score (No. 17) I love the ground you walk on 25/12 Harold Sanford score (No. 18) Duet: Only you 25/13 Holograph score (No. 22) Dance no. 4: Hornpipe 25/14 Harold Sanford score (No. 24) Finale, Act II 25/15 Holograph score (No. 25) Ev'rything has stung me but a bee 25/16 Holograph score (No. 26) A savage I remain 25/17 Holograph score (No. 26a) Marry me and see 25/18 Manuscript score (No. 27) Women 25/19 Holograph score All alone 25/20 Holograph score(s?)

Incomplete, p. 1-2 only; p. 3-4 from unidentified score found in same folder

I learned about women 25/21 Holograph score The night time 25/22 Holograph score No one wants to vamp me 25/23 Harold Sanford score Selection 25/24 Arranger's holograph score

Arranged by Harold Sanford

That girl is going to be mine! 25/25 Holograph score Unidentified see also Unidentified, box-folder 25/33 25/26 Holograph score Piano-vocal scores All alone 25/27 Holograph piano-vocal score (No. 24) Finale, Act II 25/28 Holograph piano-vocal score That girl is going to be mine 25/29 Holograph piano-vocal score 25/30 Manuscript piano-vocal score Orchestral parts (No. 14) I'll be there 25/31 Copyist's manuscript: trumpet That girl is going to be mine 25/32 Holograph

Incomplete: cello part wanting

Unidentified see also Unidentified, box-folder 25/26 25/33 Holograph: harp only The gold bug 25/34 The corner march Manuscript orchestral parts The great white way

Motion picture

Full score Overture: Golden days 26/1 Holograph score Piano-vocal score The great white way 26/2 Holograph piano-vocal score Sheet music Overture: Golden days 26/3 Full score 26/4 Parts Her regiment Full scores (Opening of overture) Patrol, 3rd Act 26/5 Holograph score (No. 1) Opening chorus, Act I 26/6 Harold Sanford score (No. 2) Duo: You never can tell how marriage will take 26/7 Holograph score (No. 3) Oh, my!, Act I 26/8 Holograph score (No. 4) Soldier men 26/9 Holograph score (No. 5) A little farm in Normandy 26/10 Holograph score (No. 6) 'Twixt love and duty, Act I 26/11 Holograph score (No. 7) Finale, Act I 26/12 Holograph score (No. 8) Entr'acte No. 1 26/13 Holograph score (No. 9) Opening, Act II 26/14 Holograph score (No. 10) American serenade, Act II 26/15 Holograph score (No. 11) Art, Act II 26/16 Holograph score (No. 12) Duo, Act I: Some day 26/17 Holograph score (No. 13) Finale, Act II 26/18 Holograph score (No. 14) Second entr'acte 26/19 Holograph score (No. 15) Opening, Act III 26/20 Holograph score (No. 16) The devil and the deep blue sea (Opening, Act III) 26/21 Holograph score (No. 17) Duet, Act III: Superlative love 26/22 Holograph score (No. 18) As the years roll by, Act III 26/23 Holograph score (No. 19) Vive la France 26/24 Harold Sanford score; refrain only Duet, Act I: If things were what they seem! 26/25 Holograph score The girl behind the gun, Act II 26/26 Holograph score Nerves. Trio. Act II 26/27 Holograph score Pals Jolicoeur and male chorus 26/28 Manuscript score Selection 26/29 Arranger's holograph score

Arranged by Harold Sanford

Tempo di valse, lente 26/30 Holograph score When you were young, Act III 26/31 Holograph score Piano-vocal scores Pals Jolicoeur and men, Act III 26/32 Holograph piano-vocal score 26/33 Copyist's manuscript piano-vocal score Orchestral parts (No. 10) American serenade 26/34 Copyist's manuscript/holograph If things were what they seem 26/35 Copyist's manuscript Opening of overture, Act III: Patrol 26/36 Copyist's manuscript (No. 14) Second entr'acte 26/37 Copyist's manuscript: violin II When you were young 26/38 Copyist's manuscript The house that Jack built Full scores (No. 1) Overture 27/1 Holograph score (No. 2) Prologue 27/2 Holograph score (No. 3) Opening, Act I 27/3 Holograph score (No. 4) All wrought up and quivery, Act I 27/4 Manuscript score (No. 5) Trio, Act I: If I were a millionaire 27/5 Manuscript score (No. 6) One or two of them will give you a thrill, Act I 27/6 Manuscript score (No. 8?) Duet: Cherry and Godiva 27/7 Manuscript score (No. 9) Love built a home in my heart 27/8 Holograph score (No. 10) Trio: The light that lies in a maiden's eyes 27/9 Holograph score (No. 11) Finale, Act I 27/10 Holograph score (No. 12) Opening, Act II 27/11 Holograph score (No. 13) Dance of the witches 27/12 Holograph score (No. 14) Trio, Act II: Hey! day! crickets in May 27/13 Holograph score (No. 15) Love steals into your heart 27/14 Holograph score (No. 18) Keep smiling 27/15 Holograph score (No. 19) Our hats are off to you, Act III 27/16 Holograph score (No. 20) Duo, Act III: For every Jack there is found a Jill 27/17 Holograph score (No. 21) Wedding march 27/18 Holograph score (No. 22) Finale ultimo 27/19 Holograph score Piano-vocal scores (No. 1) Overture 27/20 Holograph piano score (No. 2) Prologue 27/21 Holograph piano-vocal score (No. 3) Entrance of Jack, Act I 27/22 Holograph piano score (No. 4) All wrought up and quivery 27/23 Copyist's manuscript piano-vocal score (No. 5) Trio: If I were a millionaire 27/24 Copyist's manuscript piano-vocal score (No. 6) One or two of them will give a thrill 27/25 Copyist's manuscript piano-vocal score (No. 7) I wish I were a little cloud 27/26 Holograph piano-vocal score (No. 9) Love built a home in my heart (The love song) 27/27-28 2 holograph piano-vocal scores

1 with no lyric

(No. 10) Trio, Act I: The light that lies in a maiden's eyes 27/29 Holograph piano-vocal score (No. 11) Finale, Act I 27/30 Holograph piano-vocal score (No. 12-13) Opening, Act II and Witches' dance 27/31 Holograph piano-vocal score (No. 14) Trio, Act II: Hey! day! crickets in May 27/32 Holograph piano-vocal score (No. 15) Love steals into your heart 27/33 Holograph piano-vocal score (No. 16) Final scene, Act II 28/1 Holograph piano-vocal score (No. 17) Opening, Act III and Rabbit's dance 28/2 Holograph piano score (No. 18) When life is a burden, (no matter how you feel, keep smiling) 28/3 Holograph piano-vocal score 28/4 Copyist's manuscript piano-vocal score (No. 19) Our hats are off to you, Act III 28/5 Holograph piano-vocal score (No. 20) Duo: For ev'ry Jack there is found a Jill 28/6 Holograph piano-vocal score (No. 21) Wedding march 28/7 Holograph piano score (No. 22) Finale ultimo 28/8 Holograph piano-vocal score Selections (nos. 9-10, 15, 18-20) 28/9 Photocopied holograph piano-vocal scores Unidentified 28/10 Holograph piano sketch Orchestral parts (No. 1) Overture 28/11 Copyist's manuscript (No. 2) Prologue 28/12-13 Copyist's manuscript (No. 3) Opening, Act I 28/14 Copyist's manuscript (No. 4) All wrought up and quivery 28/15 Copyist's manuscript (No. 5) Trio, Act I: If I were a millionaire 29/1 Copyist's manuscript (No. 6) One or two of them will give a thrill 29/2 Copyist's manuscript (No. 8)? Cherry and Godiva 29/3 Copyist's manuscript (No. 9) Love song: Love built a home in my heart 29/4 Copyist's manuscript (No. 10) Trio, Act I: The light that lies in a maiden's eyes 29/5 Copyist's manuscript (No. 11) Finale, Act I 29/6 Copyist's manuscript (No. 12) Opening, Act II 29/7 Copyist's manuscript (No. 13) Dance of the witches 29/8 Copyist's manuscript (No. 14) Trio, Act II: Hey! day! crickets in May 29/9 Copyist's manuscript (No. 15) Love steals into your heart (Cherry and the cow) 29/10 Copyist's manuscript (No. 18) When life is a burden...keep smiling (Cherry and rabbits) 29/11 Copyist's manuscript (No. 19) Our hats are off to you (Jack and chorus) 30/1 Copyist's manuscript (No. 20) Duo, Act III: For ev'ry Jack there is found a Jill 30/2 Copyist's manuscript (No. 21) Wedding march 30/3 Copyist's manuscript (No. 22) Finale ultimo 30/4 Copyist's manuscript Sheet music 30/5 (No. 21) Wedding march Proof copy Sketch/short score The bed music: Final scene, Act II, No. 16 30/6 Holograph sketch 30/7 Manuscript short score

Holograph annotations

Hula-lula

Operetta composed for Lambs' Gambol, 1899

Full scores (No. 1a) Opening chorus 30/8 Holograph score Orchestral/vocal parts (No. 3) The Bos’n-5 30/9 Holograph Prelude and No. 1a, 1b, 2-4, 6 30/10-13 Holograph/manuscript: winds (incomplete), brass, drum, strings Sketches 30/14 Prelude and No. 1a, 1b, 2-4, 6 Holograph It happened in Nordland Full scores (Prologue) Prelude 31/1 Holograph score (No. 1) Opening chorus, Act I 31/2 Manuscript score (No. 2) The woman in the case 31/3 Otto Langey score (No. 3) Absinthe frappe, Act II 31/4 Otto Langey score (No. 4) Entrance and song of Dr. Blotz 31/5 Otto Langey score (No. 5) Slippery James 31/6 Otto Langey score

Incomplete, p. 17-20 wanting

(No. 8) Finale, Act I 31/7 Otto Langey/holograph score (No. 9a) Opening, Act II 31/8 Holograph score (No. 9b) Al fresco 31/9 Holograph score (No. 10) The knot of blue 31/10 Holograph score (No. 11) The jack o'lantern girl 31/11 Holograph score (No. 12) The matinee maid 31/12 Manuscript score (No. 13) Bandana land 31/13 Holograph score Entr'acte 31/14 Copyist's manuscript score Entrance music, Act II 31/15 Holograph score I brought them home to Mother 31/16 Otto Langey score The man meant well, Act I 31/17 Holograph score Piano-vocal scores For the flag he loved so well 31/18 Holograph piano-vocal score 31/19 Copyist's manuscript piano-vocal score The governor of Guam 31/20 Copyist's manuscript piano-vocal score If Morgan bought an army all for me 31/21 Copyist's manuscript piano-vocal score Orchestral parts Al fresco (No. 9b) 31/22 Holograph/printed score

Incomplete

(No. 13) Bandana land 31/23 Copyist's manuscript: violin, cello Entr'acte 31/24 Copyist's manuscript: strings (No. 8) Finale, Act I 31/25 Copyist's manuscript: violin, cello If Morgan bought an army all for me 31/26 Copyist's manuscript (No. 10) The knot of blue 31/27 Copyist's manuscript: violin, cello The woman in the case

Variant version of Box-folder 31/3

31/28 Manuscript

Incomplete

Sketch 31/29 Opening chorus, Act II (No. 9a) Holograph The lady of the slipper Full scores (No. 1) Overture 32/1 Manuscript score (No. 2) Opening chorus, Act I 32/2 Manuscript score (No. 3a) Fond of the ladies 32/3 Manuscript score (No. 3b) Romneya music 32/4 Manuscript score (No. 4) The cat duet: Meow! meow! meow! 32/5 Manuscript score (No. 5) Trio: Like a real, real man 32/6 Manuscript score (No. 6) The garden party 32/7 Manuscript score (No. 7) Duo: Games of Hallowe'en 32/8 Manuscript score (No. 8) Witches dance 32/9 Manuscript score (No. 9) The ride to the castle, Finale, Act I 32/10 Manuscript score (No. 10) At the bal masque: Quadrille, Act II: Opening chorus 32/11 Holograph score 32/12 Manuscript score (No. 11) Entrance of Cinderella and Princess of Far-away 32/13 Manuscript score (No. 13) Ballet suite 32/14 Manuscript score (No. 14) Bagdad 32/15 Manuscript score (No. 15) My Russian girlski 32/16 Manuscript score (No. 16) A little girl at home 32/17 Manuscript score (No. 17) Punch bowl glide 32/18 Manuscript score (No. 18) Finale, Act II 32/19 Holograph score (No. 19) Entr'acte 32/20 Manuscript score (No. 20) Harlequinade: Pantomime music 32/21 Manuscript score (No. 21) Opening chorus, Act III 33/1 Manuscript score (No. 22) Put your best foot forward, little girl 33/2 Manuscript score (No. 23a) Finale ultimo - Part I Segue Kiss, kiss, kiss! 33/3 Holograph score (No. 23b) Finale ultimo, Part II 33/4 Manuscript score Dance after (No. 6) Garden party 33/5 Holograph score

Not used

Dance after (No. 7) Games of Hallowe'en 33/6 Holograph score

Not used

Encore to Stop dance 33/7 Manuscript score Fairy music, Act I 33/8 Manuscript score Fairy tales 33/9 Harold Sanford score Flutter, flutter, little butterfly 33/10 Harold Sanford score In dreamland 33/11 Holograph score Medley, Act II 33/12 Manuscript score Rag polka (Boxing pantomime) 33/13 Manuscript score Schottische, Act I 33/14 Manuscript score Selection 33/15 Arranger's holograph score

Arranged by Harold Sanford

The voice of the waltz, Act II 33/16 Manuscript score The way to sing a ragtime song 33/17 Manuscript score The way to sing a ragtime song (Dance after) 33/18 Manuscript score Piano-vocal/reduced scores Fairy tales 33/19 Holograph piano-vocal score

F major

33/20 Holograph piano-vocal score

G major

33/21 Copyist's manuscript piano-vocal score Flutter, flutter, little butterfly 33/22 Holograph piano-vocal score 33/23 Copyist's manuscript piano-vocal score Jack o'lantern love 33/24 Holograph piano-vocal score My Russian girlski (Dance after) 33/25 Holograph piano score The voice of the waltz, Act II 33/26 Holograph piano-vocal score The way to sing a ragtime song (Dance to) 33/27 Holograph piano score Orchestral parts Bagdad 34/1 Printed: piano/conductor, strings

Arranged by Harold Sanford

Flutter, flutter, little butterfly 34/2 Copyist's manuscript A little girl at home 34/3 Copyist's manuscript The way to sing a ragtime song 34/4 Copyist's manuscript 34/5 Prompt book Typescript

Microfilm 86/20,243 <Mus> Item 16-B

Lambs' Gambol, 1899 see Hula-Lula Lambs' Gambol, 1906 see The song birds Lambs' Gambol, 1907 see Miss Camille Lambs' Gambol, unspecified date Full scores Bowery waltz 34/6 Manuscript score Entr'acte 34/7 Manuscript score Hesitation waltz 34/8 Manuscript score Overture 34/9 Manuscript score Rag 34/10 Manuscript score Tango 34/11 Manuscript score Theme (Serious) 34/12 Manuscript score Piano-vocal/reduced scores Bowery waltz 34/13 Manuscript piano-vocal score

No lyric

Entr'acte 34/14 Manuscript short score Hesitation waltz 34/15 Manuscript piano score Overture 34/16 Manuscript piano score Rag 34/17 Manuscript piano-vocal score

No lyric

Tango 34/18 Manuscript piano-vocal score Theme (Serious) 34/19 Manuscript short score Orchestral parts After the matinee 34/20 Copyist's manuscript conductor, violin and viola parts Bowery waltz 34/21 Copyist's manuscript Entr'acte 34/22 Copyist's manuscript Hesitation waltz 34/23 Copyist's manuscript Overture 35/1 Copyist's manuscript Rag 35/2 Copyist's manuscript Tango 35/3 Copyist's manuscript Theme (Serious) 35/4 Copyist's manuscript

A-flat major, original version; incomplete

35/4 Manuscript

F major

The lavender lady Full scores (No. 1) Opening, Act I 35/6 Holograph score (No. 2) Quintet, Act I: Such is life 35/7 Harold Sanford score (No. 4) Ensemble, Act I 35/8 Manuscript score (No. 5) When pretty eyes a-begging go 35/9 Harold Sanford score (No. 6) A masterful man, Act I 35/10 Harold Sanford score (No. 7) Finale, Act I 35/11 Holograph score (No. 8) Opening, Act II 35/12 Holograph score (No. 11) Homeopathy, Act II 35/13 Holograph score (No. 16) I learned of love, Act II 35/14 Holograph score (No. 17) Finale, Act II 35/15 Holograph score (No. 19) Tip toe lightly 35/16 Harold Sanford score (No. 20) Ensemble, Act III 35/17 Holograph score (No. 21) Duo, ensemble, and Finale, Act III 35/18 Holograph score Unidentified No. 2 35/19 Holograph score Piano-vocal scores Nos. 1-10 36/1 Photocopied copyist's manuscript piano-vocal scores Nos. 11-25 36/2 Photocopied copyist's manuscript piano-vocal scores (No. 1) Opening, Act I 36/3 Holograph piano-vocal score 36/4 Copyist's manuscript piano-vocal score (No. 2) Quintet, Act I: Such is life 36/5 Holograph piano-vocal score 36/6 Copyist's manuscript piano-vocal score (No. 4) Ensemble, Act I 36/7 Holograph piano-vocal score 36/8 Copyist's manuscript piano-vocal score (No. 5) When pretty eyes a-begging go, Act I 36/9 Holograph piano-vocal score 36/10-11 Copyist's manuscript piano-vocal score (No. 6) Trio, Act I: A masterful man 36/12 Holograph piano-vocal score 36/13 Copyist's manuscript piano-vocal score (No. 7) Finale, Act I 36/14 Holograph piano-vocal score 36/15 Copyist's manuscript piano-vocal score (No. 8) Opening scenes, Act II 36/16 Holograph piano-vocal score 36/17 Copyist's manuscript piano-vocal score (No. 9) The love nest

Alternate title: Here in these arms

36/18 Holograph piano-vocal score 36/19-21 Copyist's manuscript piano-vocal scores (3) (No. 10) If I should tell the name, Act II 36/22 Holograph piano-vocal score 36/23 Copyist's manuscript piano-vocal score (No. 11) Homeopathy 36/24 Holograph piano-vocal score 36/25 Copyist's manuscript piano-vocal score (No. 12) The maddest war of all, Act II 36/26 Holograph piano-vocal score 36/27 Copyist's manuscript piano-vocal score (No. 14) Trio: How a husband should be treated 36/28 Holograph piano-vocal score 36/29 Photocopied manuscript piano-vocal score (No. 15) The Henpecks, Act I 36/30 Holograph piano-vocal score 36/31 Copyist's manuscript piano-vocal score (No. 16) Quintet: I learned of love 36/32 Holograph piano-vocal score 36/33 Copyist's manuscript piano-vocal score 36/34 Negative photocopy of copyist's manuscript piano-vocal score (No. 17) Finale, Act II 36/35 Holograph piano-vocal score 36/36 Copyist's manuscript piano-vocal score (No. 18) Opening, Act II 36/37 Holograph piano-vocal score 36/38 Manuscript piano-vocal score (No. 19) Tip toe lightly, Act III 36/39 Photocopied manuscript piano-vocal score 36/40 Copyist's manuscript piano-vocal score (No. 20) Ensemble, Act III 37/1 Holograph piano-vocal score 37/2 Copyist's manuscript piano-vocal score (No. 21) Duo ensemble and Finale, Act III 37/3 Holograph piano-vocal score 37/4 Copyist's manuscript piano-vocal score (No. 22) Love built a home in my heart 37/5 Photocopied copyist's manuscript piano-vocal score (No. 23) Love steals into your heart 37/6 Photocopied copyist's manuscript piano-vocal score (No. 24) Our hats are off to you 37/7 Copyist's manuscript piano-vocal score (No. 25) For ev'ry Jack there is found a Jill 37/8 Copyist's manuscript piano-vocal score (No. 26) The light that lies in a maiden's eyes 37/9 Copyist's manuscript piano-vocal score (No. 27) Keep smiling 37/10 Copyist's manuscript piano-vocal score Selections 37/11 no. 2, 6, and 10 Photocopied copyist's manuscript piano-vocal scores 37/12 no. 11-12, 14-16, 19 Photocopioed copyist's manuscript piano-vocal scores Orchestral parts (No. 1) Opening, Act I 37/13 Copyist's manuscript (No. 2) Quintette: Such is life 37/14 Copyist's manuscript (No. 4) Ensemble, Act I 37/15 Copyist's manuscript (No. 5) When pretty eyes a-begging go 37/16 Copyist's manuscript (No. 6) A masterful man 37/17 Copyist's manuscript (No. 7) Finale, Act I 38/1 Copyist's manuscript (No. 9) The love nest 38/2 Copyist's manuscript (No. 11) Homeopathy 38/3 Copyist's manuscript (No. 16) I learned of love 38/4 Copyist's manuscript (No. 17) Finale, Act II 38/5-6 Copyist's manuscript (No. 19) Tip toe lightly 38/7 Copyist's manuscript (No. 20) Ensemble, Act III 38/8 Copyist's manuscript Sketches Duet (No. 13) 38/9 Holograph Ensemble, Act III (No. 20) 38/10 Holograph I learned of love (No. 16) 38/11 Holograph If I should tell the name (No. 10), Act II 38/12 Holograph 38/9 Lyric sheets Ensemble, Act II The Henpecks I learned of love If I should tell the name Like two birds caged The maddest war of all My lady Frou Frou Opening chorus, Act II Tip toe lightly Little nemo Full scores Overture 39/1 Introduction Otto Langey score 39/2 Transitions Holograph score (No. 1-2) Opening chorus: Slumberland (and I want to be a naughty little girl) 39/3 Otto Langey score (No. 3) The happy land of Once-upon-a-time 39/4 Otto Langey score (No. 4) Entrance and song of King Morpheus: Oh what fools we mortals be 39/5 Otto Langey score (No. 5) There's nothing the matter with you 39/6 Otto Langey score (No. 6) Central Park scene 39/7 Otto Langey score (No. 7) Won't you be my playmate? 39/8 Otto Langey score (No. 8) Trio: Newspaper song 39/9 Manuscript score (No. 10) Song: Cupid is the postman (The valentine fairy) 39/10 Otto Langey score (No. 11) March of the valentines 39/11 Otto Langey score (No. 13) March finale, Act I: Away we'll float 39/12 Otto Langey score (No. 14) Opening, Act II: The weather factory in Cloudland 39/13 Otto Langey score (No. 15) Duo: The hen and the weather vane 39/14 Otto Langey score (No. 18) The cannibal island 39/15 Otto Langey score (No. 19) Will-o-the-wisp (Candy kid and savages) 39/16 Otto Langey score (No. 20) Cannibal barbecue, Act II 39/17 Otto Langey score (No. 21) Trio: If I could teach my teddy bear to dance 39/18 Manuscript score (No. 22) I wouldn't take a case like that 39/19 Holograph score (No. 23) I guess I talk too much 39/20 Otto Langey score (No. 25) March song, Act II: Remember the old continentals 39/21 Otto Langey score (No. 26) Ensemble and Finale, Act II 39/22 Otto Langey score (No. 27) Give us a fleet 39/23 Otto Langey score (No. 28) In happy Slumberland 39/24 Manuscript score (No. 29) Won't you be my valentine? 39/25 Otto Langey score Automobile race 39/26 Manuscript, title page only Cat music 39/27 Otto Langey score Entrance of comic valentines; Song for Flip and chorus 39/28 Otto Langey score Fourth of July scene 39/29 Otto Langey score

Not related to "Nemo’s dream of fourth of July" from published score

Opening, Act III 39/30 Otto Langey score Prelude and song: Sunbeams 39/31 Manuscript, title page only Sandman, make my dolly, etc. 39/32 Otto Langey score They were Irish 39/33 Otto Langey score Trio: Is your face on straight? 39/34 Otto Langey score Piano-vocal scores (No. 6) Central Park scene 39/35 Holograph piano-vocal score Sketch 39/36 Entrance of athletes (Race scene) Holograph score Little old New York

Motion picture

Full scores Overture 40/1 Holograph score Piano-vocal scores Little old New York 40/2 Copyist's manuscript piano-vocal score Orchestral parts Overture 40/3-4 Copyist's manuscript score 40/5 Published Entr'acte 40/6 Copyist's manuscript score The madcap duchess Full scores Overture 41/1 Holograph/manuscript score (No. 1) Opening ensemble: The Sun is aslant 41/2 Manuscript score (No. 1 1/2) Exit 41/3 Holograph score (No. 2) Entrance of Renaud and Romanza: Aurora blushing rosily 41/4 Manuscript score (No. 3) Entrance song: Love and I are playing 41/5 Holograph score (No. 4) Scene and duo: The deuce, young man 41/6 Manuscript score (No. 5) Tweedledum and Tweedledee 41/7 Manuscript score (No. 6) Hunting song: Oh up! it's up 41/8 Manuscript score (No. 7) Love is a story that's old, Act I 41/9 Holograph score (No. 8) That is art! 41/10 Manuscript score (No. 8 1/2) Dance 41/11 Holograph score (No. 9) Scene and ensemble: Companions, I have summoned you 41/12 Holograph score (No. 10) Finale, Act I: To Paris! 41/13 Holograph score (No. 10 1/2) Entr'acte 41/14 Holograph/manuscript score (No. 11) Opening scene, Act II: Now is the south wind blowing 41/15 Holograph/manuscript score (No. 11a) Change of scene music, Act II 41/16 Holograph score (No. 12) Madrigal: Babette of Beaujolais 41/17 Manuscript score (No. 13) Goddess of mine 41/18 Holograph score

E-flat major; original version

41/19 Holograph score

D major

(No. 13) Star of love 41/20 Holograph score

Refrain only

Revised version of "Goddess of mine"

(No. 14) Duo, Act II: Winged love 41/21 Holograph score (No. 15) Duo and shepherd dance: Far up the hill 41/22 Manuscript score (No. 16) Duo: Do you know 41/23 Holograph score (No. 17) Finale ultimo 41/24 Holograph score (No. 18)? Chaser 41/25 Holograph score So, madame 41/26 Holograph score Piano-vocal/reduced scores (No. 2) Aurora blushing rosily 41/27 Holograph and manuscript piano-vocal scores (2)

Alternate ending, variant version of published score

(No. 3) Entrance song: Love and I are playing 41/28 Holograph piano-vocal score (No. 5) Tweedledum and Tweedledee 41/29 Holograph piano-vocal score (No. 10) Finale, Act I: To Paris! 41/30 Holograph piano-vocal score (No. 11a) Change of scene music 41/31 Manuscript piano score (No. 13) Goddess of mine 41/32 Holograph piano-vocal score

Original version

(No. 13) Star of love 41/33 Holograph piano-vocal score

Refrain only

Revised version of "Goddess of mine"

(No. 15) Duet, ensemble, and shepherd dance: Far up the hill 41/34 Holograph piano-vocal score Orchestral parts Overture 41/35 Manuscript

Incomplete

Madeleine Full scores 42/1-3 Holograph score 199/1 Copyist's manuscript score 199/2 Black-line score 42/4-5 Piano-vocal score Holograph score 42/6-11 Orchestral string parts Copyist's manuscript: strings Mlle. Modiste Full scores Overture 43/1 Otto Langey score (No. 1) Opening chorus, Act I 43/2 Manuscript score (No. 2) When the cat's away the mice will play 43/3 Otto Langey score (No. 3) The time and the place and the girl 43/4 Otto Langey score (No. 4) If I were on the stage 43/5 Holograph score (No. 5) Love me, love my dog 43/6 Otto Langey score (No. 6) Hats make the woman 43/7 Otto Langey score (No. 7) Finale, Act I 43/8 Holograph score (No. 8) Entr'acte, Act II 43/9 Holograph score (No. 9) Opening, Act II: Chorus of footmen 43/10 Otto Langey score (No. 10) I want what I want when I want it 43/11 Holograph score 43/12 Manuscript score

Verse only; rescoring

43/13 Copyist's manuscript score (No. 12) Ballet music 43/14 Otto Langey score (No. 13) Ze English language 43/15 Otto Langey score (No. 14) The mascot of the troop, Act II 43/16 Otto Langey score (No. 15) The dear little girl who is good 43/17 Otto Langey score (No. 16) The Keokuk Culture Club 43/18 Holograph score (No. 17) The nightingale and the star (Waltz song), Act II 43/19 Holograph score I should think that you could guess 43/20 Otto Langey score

Not in published score

I'm always misunderstood 43/21 Otto Langey score

Not in published score

Unidentified 43/22 Holograph score Piano-vocal/reduced scores (No. 1) Opening chorus, Act I 43/23 Holograph piano-vocal score (No. 2) When the cat's away the mice will play! 43/24 Holograph piano-vocal score (No. 3) The time and the place and the girl 43/25 Holograph piano-vocal score (No. 4) If I were on the stage 43/26 Holograph piano-vocal score (No. 5) Love me, love my dog! 43/27 Holograph piano-vocal score (No. 6) Hats make the woman 43/28 Holograph piano-vocal score (No. 7) Finale, Act I 44/1 Holograph piano-vocal score (No. 12) Ballet, Act II 44/2 Holograph piano score (No. 13) Ze English language 44/3 Holograph piano-vocal score (No. 14) The mascot of the troop, Act II 44/4 Holograph piano-vocal score (No. 15) The dear little girl who is good 44/5 Holograph piano-vocal score (No. 17) The nightingale and the star 44/6 Holograph piano score I should think that you could guess 44/7 Holograph piano-vocal score I'm always misunderstood 44/8 Holograph piano-vocal score Just good friends 44/9 Copyist's manuscript piano-vocal score Orchestral parts Overture 44/10 Holograph

Incomplete, strings wanting

44/11-15 Copyist's manuscript

Incomplete, harp wanting

45/1 Copyist's manuscript

Reduced orchestration?

(No. 1) Opening chorus 45/2 Copyist's manuscript (No. 2) When the cat's away the mice will play 45/3 Copyist's manuscript

Incomplete, piccolo, flute and percussion wanting

(No. 3) The time and the place and the girl 45/4 Copyist's manuscript (No. 3 1/2) Exit 45/5 Holograph/manuscript

Incomplete

(No. 4) Kiss me again 45/6 Holograph/copyist's manuscript

Incomplete

(No. 5) Love me, love my dog 45/7 Copyist's manuscript (No. 6) Hats make the woman 45/8 Copyist's manuscript (No. 7) Finale, Act I 45/9 Copyist's manuscript

Incomplete

(No. 7 1/2) Entr'acte 45/10 Copyist's manuscript/printed

Incomplete

(No. 8) Prelude, Act II 45/11 Copyist's manuscript

Incomplete

(No. 9) Chorus of footmen 45/12 Copyist's manuscript

Incomplete

(No. 10) I want what I want when I want it 45/13 Copyist's manuscript

Incomplete

(No. 11) Opening chorus, Act II 46/1 Copyist's manuscript

Incomplete

(No. 12) Ballet, Act II 46/2 Copyist's manuscript

Incomplete

(No. 12 1/2) Entrance of Fifi 46/3 Holograph strings (No. 13) Ze English language 46/4 Copyist's manuscript

Incomplete

(No. 14) The mascot of the troop 46/5 Copyist's manuscript 46/6 Printed: violin, cello only (No. 15) The dear little girl who is good 46/7 Copyist's manuscript

Incomplete

(No. 16) The Keokuk Culture Club 46/8 Copyist's manuscript

Incomplete

(No. 17) The nightingale and the star 46/9 Holograph/copyist's manuscript (No. 18) Finale ultimo: The mascot of the troop 46/10 Holograph

Incomplete

(No. 19) Encores: The mascot of the troop 46/11 Holograph

Incomplete

Before waltz: The mascot of the troop 46/12 Holograph

Violin fragment

I'm always misunderstood 46/13 Copyist's manuscript: oboe, bassoon only Mlle. Rosita Full scores Overture 47/1 Holograph/manuscript score (No. 1) Opening chorus: There is a soulmate 47/2 Otto Langey score (No. 2) What's the use of moonlight 47/3 Otto Langey score (No. 3) Girlie-land 47/4 Otto Langey score (No. 4) Entrance of Rose 47/5 Holograph introduction/Otto Langey score (No. 5) Trio: Isn't it nasty of Papa? 47/6 Harold Sanford score (No. 6) Melodramatic music 47/7 Holograph score (No. 7) Cupid tell me why (Love that's sincere) 47/8 Manuscript score (No. 9) Opening, Act II 47/9 Holograph score (No. 11) Duo, Act II: Sally 47/10 Manuscript score (No. 13) If I should dream of you 47/11 Manuscript score (No. 14) Finale, Act II 47/12 Holograph/Otto Langey score (No. 15, 19) Opening chorus, Act III; Finale ultimo 47/13 Holograph/Otto Langey score (No. 16) The coryphee 47/14 Otto Langey score (No. 17) Hunting song, Act III: The chase 47/15 Holograph score (No. 18) Upsi-daisy, Act III 47/16 Manuscript score Duo, Act II 47/17 Holograph score End of finale, Act I 47/18 Holograph score Intermezzo (Prelude to Act III) 47/19 Holograph/manuscript score

Incomplete

The latest society-pet 47/20 Otto Langey score Melodramatic music, Act III 47/21 Holograph score The old noblesse 47/22 Holograph score Play the game

Not found in published score

47/23 Holograph score Teach me to forget 47/24 Holograph/manuscript score Piano-vocal/reduced scores (No. 10) It's the bump 47/25 Holograph piano-vocal score Melodramatic music, Act III 47/26 Holograph piano score Orchestral parts Intermezzo 48/1 Copyist's manuscript Selection 48/2-4 Holograph/manuscript/printed

Arranged by Harold Sanford

Sheet music Proof copies 48/5 (No. 8) Finale, Act I 48/6 (No. 14) Finale, Act II 48/7 (No. 5) Trio: Isn't it nasty of Papa? Sketch 48/8 (No. 13) If I should dream of you Holograph Merry wives of Gotham

Alternate title: Fanshastics

Heart o' mine 48/9 Manuscript score for string quartet 48/10 Copyist's manuscript string parts Miss Camille

Performed at Lambs' Gambol, <date>1907</date>

Full scores Finale 48/11 Copyist's manuscript score Finale ultimo 48/12 Holograph score I want to be a gambling man 48/13-14 2 manuscript scores My toast to you 48/15 Copyist's manuscript score

C major

48/16 Copyist's manuscript score

A major

Opening chorus 48/17 Version A Copyist's manuscript score 48/18 Version B Copyist's manuscript score The Spanish serenade 48/19 Holograph score Piano-vocal scores After drinking song 48/20 Holograph piano-vocal score Finale 48/21 Holograph piano-vocal score Finale ultimo 48/22 Holograph piano-vocal score I want to be a gambling man 48/23 Manuscript piano-vocal score Opening chorus 48/24 Version A Holograph piano-vocal score 48/25 Version B Holograph piano-vocal score The Spanish serenade 48/26 Holograph piano-vocal score Orchestral parts (No. 3) After drinking song 49/1 Holograph score Camille's song 49/2 Holograph score Encore 49/3 Holograph score (No. 3) I want to be a gambling man 49/4 Copyist's manuscript score (No. 1 1/2) Untitled 49/5 Holograph score Miss Dolly Dollars Full scores Overture 49/6 Negative photocopy of Otto Langey score

Incomplete, [15] p.

(No. 1) Opening chorus, Act I 49/7 Otto Langey score (No. 2) Trio, Act I: The self-made family 49/8 Holograph score (No. 3) Song: An educated fool 49/9 Otto Langey score (No. 4) Entrance chorus and song 49/10 Otto Langey score (No. 5a) Entrance of the Friendly Rivals Club 49/11 Otto Langey score (No. 5b) Song: An American heiress (Flora and noblemen) 49/12 Holograph score (No. 6) Dolly Dollars 49/13 Otto Langey score (No. 7) Song: My fair unknown 49/14 Otto Langey score (No. 8) Finale, Act I 49/15 Otto Langey score (No. 9) Entr'acte 49/16 Holograph score (No. 10) Opening chorus, Act II 49/17 Otto Langey score (No. 11) Ollendorff duo: It's all in the book you know 49/18 Otto Langey score (No. 12) Quartette: Life's a masquerade 49/19 Otto Langey score (No. 13) The moth and the moon, Act I 49/20 Holograph score (No. 14) Song: Walks 49/21 Otto Langey score (No. 15) Song: A woman is only a woman (but a good cigar is a smoke) 49/22 Holograph score (No. 16) American music; Trio, Act I: 'Tis better than old Parsifal to me 49/23 Holograph score (No. 17) Circus song, Act II: Queen of the ring 49/24 Otto Langey score Barney Maguire 50/1 Otto Langey score Duet: Dream on 50/2 Otto Langey score Last march 50/3 Otto Langey score Paris in paradise 50/4 Manuscript score Piano-vocal score Dream on 50/5 Holograph piano-vocal score Orchestral Parts (No. 5b) Ensemble 50/6 Copyist's manuscript: strings only (No. 9) Entr'acte 50/7 Copyist's manuscript: violin, cello only (No. 13) The moth and the moon 50/8 Copyist's manuscript: strings only Miss 1917 Full scores Beauty parlor scene 50/9 Manuscript score Betty and farmerette girls 50/10 Manuscript score End of plaza scene 50/11 Manuscript score Follow the girl 50/12 Manuscript score Inbit in opening number 50/13 Holograph score Irish sketch 50/14 Manuscript score

Incomplete, all after p. 28 wanting

Opening scene 50/15 Holograph score Overture 50/16 Holograph score Pantomime 50/17 Holograph score 50/18 Second part Holograph score Valse de concert 50/19 Holograph score Piano-vocal/reduced scores Ballet 50/20 Copyist's manuscript piano-vocal score

No lyric

Irish sketch 50/21 Copyist's manuscript piano-vocal score Valse de concert in E-flat 50/22 Holograph piano-vocal score

No lyric

50/23 Copyist's manuscript piano-vocal score

Incomplete, p. 1-2 only

Orchestral parts Pantomime 51/1-2 Copyist's manuscript Valse de concert 51/3 Holograph in D

Incomplete

51/4 Copyist's manuscript in E-flat My golden girl Full scores Overture: Changing partners 51/5 Holograph score (No. 2) A little nest for two 51/6 Holograph score (No. 3) Bassoon solo: I want you 51/7 Manuscript score (No. 4) Duet: Darby and Joan 51/8 Manuscript score (No. 5) Variety 51/9 Manuscript score (No. 6) Name the day 51/10 Manuscript score (No. 7) Finale, Act I 51/11 Holograph score (No. 8) Opening, Act I, scene 2 51/12 Holograph score (No. 10) My golden girl 51/13 Holograph score 51/14 Holograph strings score (No. 11) A song without (many) words 51/15 Holograph score (No. 12) Ragtime terpischore 51/16 Holograph score (No. 13) Duet: If we had met before 51/17 Holograph score (No. 14) Finale, Act I 51/18 Holograph score (No. 15) Opening, Act II; Shooting star 51/19 Holograph score (No. 19) In Venice 51/20 Holograph score (No. 19, alternate) I'd like a honeymoon with you 51/21 Holograph score (No. 20) Think it over 51/22 Manuscript score (No. 21) What shall we do if the moon goes out? 52/1 Holograph score (No. 23) Finale ultimo 52/2 Holograph score Curtain music, Act I 52/3 Holograph score Dance for encore 52/4 Holograph score Dance specialty 52/5 Holograph score Duet: Oh day in June 52/6 Holograph score Hobbies, Act II 52/7 Holograph score Mr. Mitchell and girls, Scene 2 52/8 Holograph score Quartet: Changing partners 52/9 Holograph score Second entr'acte 52/10 Holograph scor Unidentified 52/11 Holograph score Piano-vocal scores (No. 4) Duet: Darby and Joan 52/12 Holograph piano-vocal score Duet: Oh day in June 52/13 Holograph piano-vocal score (No. 6) Name the day 52/14 Holograph piano-vocal score Opening, Act I, scene 2 52/15 Holograph piano score Opening chorus, Act I 52/16 Holograph piano-vocal score (No. 12) Ragtime terpsichore 52/17 Holograph piano-vocal score When a man's married 52/18-19 2 holograph piano-vocal scores 52/20 Sheet music

Stamped with Victor Herbert's "signature"

Darby and Joan I want you (2) If we had met before In Venice A little nest for two My golden girl Name the day (2) A song without many words 52/21 Libretto Typescript

Microfilm 86/20,243 <Mus> Item 23

52/22 When a man's married Typescript lyric sheet Natoma Full scores Prelude to Act III 52/23 Holograph score Unidentified 52/24 Holograph score

Incomplete, only 4 p.

52/25 Printed piano-conductor score Piano-vocal scores Prelude to Act III 53/1 Holograph/manuscript/printed piano-vocal score Vaquero's song, Act II: Who dares the bronco wild defy? 53/2 Holograph fragment (final 3 measures) 53/3 Libretto Printed

Microfilm 86/20,243 <Mus> Item 24-B

53/4 Prompt book Printed Naughty Marietta Full scores Overture 53/5 Holograph/manuscript score (No. 1) Opening chorus, Act I 53/6 Otto Langey score (No. 2) Tramp, tramp, tramp 53/7 Manuscript score (No. 3) Casket girls and men: Taisez-vous 53/8 Manuscript score (No. 5) Duo: It never can be love 53/9 Manuscript score (No. 6) If I were anybody else but me 53/10 Holograph/manuscript score 53/11 Manuscript score (No. 7) 'Neath the southern moon 53/12 2 copyist's manuscript scores (No. 8) Italian street song 53/13 Holograph/manuscript score (No. 9) Finale, Act I 53/14 Manuscript score (No. 11) Duo, Act III: Dance of the marionettes 53/15 Manuscript/holograph score (No. 12) You marry a marionette 53/16 Manuscript score (No. 14) Intermezzo: The dream melody 53/17 Holograph score 53/18 Manuscript fragments (variants) (No. 15) New Orleans jeunesse dorée 53/19 Otto Langey score (No. 16) Opening of Ball-Ensemble (Loves of New Orleans) 53/20 Manuscript score (No. 19) Live for to-day 54/1 Holograph score (No. 20) I'm falling in love with some one 54/2 Holograph score (No. 21) It's pretty soft for Simon 54/3 Manuscript score (No. 22) Finale ultimo 54/4 Holograph score Entrance of Governor 54/5 Copyist's manuscript score Entrance of Marietta 54/6 Holograph score

Incomplete, p. 1 only

Voodoo song 54/7 Manuscript score Piano-vocal scores (No. 6) Duo: If I were anybody else but me 54/8 Holograph piano-vocal score (No. 21) It's pretty soft for Simon 54/9 Holograph piano-vocal score (No. 7) 'Neath the southern moon 54/10 Holograph piano-vocal score (No. 2) Tramp, tramp, tramp 54/11 Holograph piano-vocal score (No. 12) You marry a marionette 54/12 Holograph piano-vocal score Orchestral parts (No. 20) I'm falling in love with some one 54/13 Manuscript (No. 7) 'Neath the southern moon 54/14 Manuscript Overture 54/15-16 Manuscript/holograph (No. 2) Tramp, tramp, tramp 54/17 Copyist's manuscript Old Dutch Full scores (No. 1) Overture 54/18 Manuscript score (No. 2) Opening chorus, Act I 54/19 Manuscript score (No. 3) Algy 54/20 Manuscript score (No. 4) "U," dearie 54/21 Manuscript score (No. 5) Entrance of Streusand and children 54/22 Holograph score (No. 6) Double sextette: Rich man, poor man, beggar-man, thief! 54/23 Manuscript score (No. 7) Finale, Act I 55/1 Otto Langey score (No. 7 1/2) Entr'acte 55/2 Manuscript score

Also contains: (No. 17) Finale ultimo: Honor the brave march

(No. 8) Opening, Act II 55/3 Manuscript score (No. 10) Fantastic dance 55/4 Holograph/manuscript score (No. 11) Russian duo and dance 55/5 Manuscript score (No. 12) I want a man to love me 55/6 Manuscript score (No. 13) I love ze Parisienne 55/7 Manuscript score (No. 14) Pretending 55/8 Manuscript score (No. 15) End of Scene 1, Act II 55/9 Manuscript score (No. 16) Mrs. Grundy 55/10 Manuscript score (No. 17) Finale ultimo: Honor the brave march see (No. 7 1/2) Entr'acte If ever you want a favor, mention me! 55/11 Manuscript score Sweet wireless whispers 55/12 Manuscript score Piano-vocal scores (No. 10) Fantastic dance 55/13 Holograph short score (No. 13) I love ze Parisienne 55/14 Holograph piano-vocal score (No. 14) Pretending 55/15 Holograph piano-vocal score (No. 11) Russian duo and dance 55/16 Holograph piano-vocal score

No lyric

If ever you want a favor, mention me! 55/17 Holograph piano-vocal score Sweet wireless whispers 55/18 Holograph piano-vocal score The only girl Full scores Overture 55/19 Holograph score (No. 1) Curtain music 55/20 Holograph score (No. 2) Opening, Act I 55/21 Holograph score

Not related to music from published score

(No. 3b) When you're away 55/22 Holograph score (No. 5) Finale, Act I: The compact 55/23 Holograph score (No. 6) Entr'acte no. 1 55/24 Holograph score (No. 7) Opening, Act II and song: Personality 55/25 Holograph score (No. 8) Antoinette 55/26 Holograph score (No. 9) March song: Here's to the land we love, boys 55/27 Manuscript score (No. 10) Tell it all over again 55/28 Holograph scores (2 versions) (No. 11) Sextet: Connubial bliss 55/29 Holograph score (No. 13) Entr'acte no. 2 55/30 Manuscript score (No. 14) Opening, Act III, chorus: Here's how 56/1 Manuscript score (No. 15) You have to have a part to make a hit 56/2 Holograph score (No. 16) When you're wearing the ball and chain 56/3 Holograph score (No. 17) Trio: Why should we stay home and sew? 56/4 Manuscript score (No. 18) Love duet: You're the only one for me 56/5 Holograph score (No. 19) Finale ultimo 56/6 Holograph score Husbands, husbands, husbands 56/7 Manuscript score I love not one, but all 56/8 Manuscript score Selection 56/9 Arranger's holograph score

Arranged by Harold Sanford

Unidentified 56/10 Holograph score 56/11 Holograph score Piano-vocal scores Overture 56/12 Holograph piano-vocal score with lyric fragments (No. 2) The more I see of others, dear, the better I like you 56/13 Holograph piano-vocal score (No. 3a) The love theme 56/14 Holograph short score (No. 3b) When you're away 56/15 Holograph piano-vocal score (No. 4) Be happy, boys, tonight 56/16 Holograph piano-vocal score (No. 5) Finale (duet), Act I: The compact 56/17 Holograph piano-vocal score (No. 6) Entr'acte no. 1 56/18 Holograph piano score (No. 7) Opening, Act II, and song: Personality 56/19 Holograph piano-vocal score (No. 8) Antoinette 56/20 Holograph piano-vocal score (No. 9) Duet: Here's to the land we love, boys (and here’s to the love we land) 56/21 Holograph piano-vocal score

Incomplete, p. 1-2 only

(No. 11) Sextet: Connubial bliss 56/22 Holograph piano-vocal score

Incomplete, p. 1-2 only

(No. 12) Finale, Act II 56/23 Holograph piano-vocal score

No lyric

56/24 Copyist's manuscript piano-vocal score

No lyric

(No. 13) Entr'acte no. 2 56/25 Holograph piano score (No. 14) Opening, Act III chorus: Here's how 56/26 Holograph piano-vocal score with lyric fragment (No. 15) You have to have a part to make a hit 56/27 Holograph piano-vocal score

Incomplete, p. 1-2 only

(No. 16) Trio: When you're wearing the ball and chain 56/28 Holograph piano-vocal score (No. 18) You're the only one for me 56/29 Holograph piano-vocal score (No. 19) Finale ultimo, Act III 56/30 Holograph piano-vocal score I love not one, but all 56/31 Holograph piano-vocal score Orchestral parts Husbands, husbands, husbands 56/32 Manuscript: oboe, clarinet Opening, Act I 56/33 Copyist manuscript

Not related to music from published score

Selection 56/34 Holograph/manuscript

Incomplete

Unidentified 56/35 Copyist's manuscript Sketches 56/36 (No. 12, 19) Finale, Act II; Finale, Act III Holograph fragment 56/37 Unidentified Holograph Sheet music

Stamped with Victor Herbert's "signature"

56/38 When you're away Orange blossoms Full scores (No. 1) Opening chorus, Act I 57/1 Holograph score (No. 2) This time it's love 57/2 Holograph score (No. 3) A kiss in the dark 57/3 Photocopied copyist's manuscript score (No. 4) New York is the same old place 57/4 Manuscript/holograph score (No. 5) Then comes the dawning 57/5 Holograph score (No. 6) Quartet, Act I: I can't argue with you 57/6 Holograph score (No. 7) In Hennequeville 57/7 Holograph score (No. 9-10) Opening, Act II; On the Riviera 57/8 Holograph score (No. 11) J. J. Flynn 57/9 Holograph score (No. 12) The lonely nest 57/10 Holograph score (No. 13) Quartette: I've missed you 57/11 Holograph score (No. 14) Just like that; Oriental dance 57/12 Manuscript/holograph score (No. 15) A dream of orange blossoms 57/13 Holograph score (No. 16) Duet: Because I love you so 57/14 Holograph score (No. 17) Finale, Act II 57/15 Holograph score (No. 18) Opening, Act III: Moonshine and mosquito ballet 57/16 Holograph score (No. 19) Legend of the glowworm 57/17 Holograph score (No. 20) Way out west in Jersey 57/18 Holograph score (No. 21) Let's not get married 57/19 Holograph score (No. 23) Finale ultimo, reprise: A kiss in the dark 57/20 Holograph score Dance 57/21 Holograph score

Incomplete, [1] p. only

Entr'acte no. 2 57/22 Holograph score Overture 57/23 Holograph score Unidentified 57/24 Holograph score Piano-vocal scores (No. 16) Duet: Because I love you so 57/26 Holograph piano-vocal score (No. 6) I can't argue with you 57/27 Holograph piano-vocal score Joisey

Not related to "Way out west in Jersey," box-folder 57/18

57/28 Holograph piano-vocal score When you're in love 57/29 Holograph piano-vocal score Orchestral parts (No. 3) A kiss in the dark 57/30 Holograph/printed 57/31 Manuscript photocopies Joisey

Not related to "Way out west in Jersey," box-folder 57/18

57/32 Holograph 57/33 Sheet music A kiss in the darkThis time it's love Oui, Madame! Full scores Overture 58/1 Holograph score (No. 1) If I saw much of you 58/2 Holograph score (No. 2) If that's not love, what do you call it? 58/3 Holograph score (No. 3) Oui, madame! 58/4 Holograph score (No. 4) Play me something I can dance to 58/5 Holograph score 58/6 Holograph score

New verse

(No. 5) Dance 58/7 Holograph score (No. 6) When you and I were tadpoles 58/8 Holograph score (No. 7) A girl who can love 58/9 Holograph score (No. 8) When you know me better 58/10 Holograph score (No. 9) Every hour away from you is sixty minutes lost 58/11 Holograph score (No. 10) Finale, Act I 58/12 Holograph score (No. 11) Entr'acte 58/13 Holograph score (No. 12) The girl that keeps you waiting 58/14 Holograph score (No. 13) Where were you? 58/15 Holograph score (No. 14) The wooing of the violin 58/16 Holograph score (No. 15) Over the garden wall 58/17 Holograph score (No. 16) Quartet: Such a happy family 58/18 Holograph score (No. 18) Cabaret scene (opening) 58/19 Holograph score (No. 19) Cabaret scene. Valse de concert 58/20 Holograph score (No. 20) The acrobats

Part of Cabaret scene

58/21 Holograph score (No. 21)? Broom-specialty

Part of Cabaret scene

58/22 Holograph score (No. 23) Introduction to Ballet: The faun and the woodnymph 58/23 Holograph score (No. 24) Ballet: The faun and the woodnymph 58/24 Holograph score

Incomplete, final Alegretto still wanting

(No. 25) Finale ultimo 58/25 Holograph score At last (Burlesque operatic duet)

From Some colonel

58/26 Holograph score I'm not superstitious (but why take a chance)

From Some colonel?

58/27 Holograph score When I find my Romeo

From Some colonel

58/28 Holograph score Unidentified: In place of My day has come 58/29 Holograph score Unidentified

In place of "Over the garden wall" (No. 15)

58/30 Holograph score Piano-vocal/reduced scores (No. 1) If I saw much of you 58/31 Copyist's manuscript piano-vocal score (No. 2) If that's not love, what do you call it? 58/32 Copyist's manuscript piano-vocal score (No. 3) Oui, madame! 58/33 Copyist's manuscript piano-vocal score (No. 4) Play me something I can dance to 58/34 Copyist's manuscript piano-vocal score 58/35 Copyist's manuscript piano-vocal score

New verse

(No. 5) Dance 58/36 Holograph piano-vocal score 58/37 Copyist's manuscript piano-vocal score (No. 6) When you and I were tadpoles 58/38 Copyist's manuscript piano-vocal score (No. 7) A girl who can love 58/39 Copyist's manuscript piano-vocal score (No. 8) When you know me better 58/40 Manuscript lead sheet 58/41 Copyist's manuscript piano-vocal score (No. 9) Duet, Act I: Every hour away from you is sixty minutes lost 58/42 Holograph soprano obbligato for encore 58/43 Copyist's manuscript piano-vocal score (No. 12) The girl that keeps you waiting 59/1 Holograph piano-vocal score 59/2 Holograph choral score of refrain (No. 13 1/2) There's always room for just one more 59/3 Holograph piano-vocal score (No. 14) The wooing of the violin 59/4 Holograph piano-vocal score (No. 15) Over the garden wall 59/5 Holograph piano-vocal score (No. 16) Quartet: Such a happy family 59/6 Holograph piano-vocal score 59/7 Copyist's manuscript piano-vocal score (No. 20-24) Ballet: The faun and the woodnymph

Includes: The acrobats, Broom-specialty, Introduction, and Ballet

59/8 Copyist's manuscript piano score 59/9 Holograph manuscript piano score At last (Burlesque operatic duet, from Some colonel) 59/10 Holograph piano-vocal score Duet: Strange things happen in the little game of love 59/11 Holograph piano-vocal score 59/12 Copyist's manuscript piano-vocal score He wanted to go and he went 59/13 Copyist's manuscript piano-vocal score

No lyric

I'm not superstitious but why take a chance 59/14 Holograph piano-vocal score 59/15 Copyist's manuscript piano-vocal score I'm the king of indoor sports 59/16 Holograph piano-vocal score Unidentified: In place of My day has come 59/17 Holograph piano-vocal score

No lyric

Unidentified: In place of Over the garden wall (No. 15) 59/18 Holograph piano-vocal score

No lyric

Orchestral parts Overture 59/19 Manuscript/copyist's manuscript

Incomplete

(No. 1) If I saw much of you 59/20 Holograph/manuscript

Incomplete

(No. 2) If that's not love 59/21 Copyist's manuscript

Incomplete

(No. 3) Oui, madame! 59/22 Copyist's manuscript: violin I (No. 4) Play me something I can dance to 59/23 Copyist's manuscript (No. 5) Dance 59/24 Copyist's manuscript

Incomplete

(No. 6) When you and I were tadpoles 59/25 Copyist's manuscript

Incomplete

(No. 8) When you know me better 59/26 Holograph/copyist's manuscript

Incomplete

(No. 9) Every hour away from you is sixty minutes lost 59/27 Copyist's manuscript

Incomplete

(No. 10) Finale, Act I 59/28 Manuscript (No. 11) Entr'acte 59/29 Holograph/manuscript

Incomplete

(No. 12) The girl that keeps you waiting 59/30 Copyist's manuscript

Incomplete

(No. 13) Where were you? 59/31 Holograph/copyist's manuscript

Incomplete

(No. 13 1/2) There's always room for just one more 59/32 Holograph

Incomplete

(No. 13a) Tempo di valse 59/33 Holograph harp and string parts (No. 14) The wooing of the violin 59/34 Copyist's manuscript: bass (No. 15) Over the garden wall 59/35 Copyist's manuscript: bass (No. 16) Such a happy family 60/1 Copyist's manuscript

Incomplete

(No. 17) A girl who can love 60/2 Copyist's manuscript: bass (No. 18) Cabaret scene (opening) see also box-folder 60/4 for harp part 60/3 Copyist's manuscript: bass (No. 18-19) Cabaret scene. Valse de concert (transposed to B-flat major) 60/4 Holograph/manuscript (No. 20) The acrobats 60/5 Copyist's manuscript: violin I (No. 21)? Broom-specialty 60/6 Copyist's manuscript

Incomplete

(No. 23) Introduction to ballet: The faun and the woodnymph 60/7 Copyist's manuscript

Renumbered as 21

(No. 24) Ballet: The faun and the woodnymph see also box-folder 60/4 for drum part 60/8 Copyist's manuscript (No. 25) Finale ultimo 60/9 Holograph: horn, bass only At last 60/10 Copyist's manuscript: bass only He wanted to go and he went 60/11 Copyist's manuscript: violin I only I'm not superstitious 60/12 Copyist's manuscript

Incomplete

I'm the king of indoor sports 60/13 Holograph

Incomplete

When I find my Romeo 60/14 Copyist's manuscript: bass only Unidentified: In place of Over the garden wall 60/15 Holograph

Incomplete

60/16 Sheet music

Stamped with Victor Herbert's "signature"

Every hour away from you is sixty minutes lost He wanted to go and he went If I saw much of you My day has come Over the garden wall Play me something I can dance to Where were you The wooing of the violin Lyric sheet 60/17 Quartet: Such a happy family Typescript Peg Woffington Full scores Introduction, Act III 60/18 Holograph score Song of the fiddler 60/19 Holograph score Piano-vocal scores Chorus to queen of May 60/20 Holograph piano-vocal score

Incomplete, p. 11-16 only

60/21 Manuscript piano-vocal score

Incomplete, p. 5-16 only

The song of the bagpipes 60/22 Holograph piano-vocal score with lyric fragment Song of the fiddler 60/23 Holograph piano-vocal score

No lyric

To be near thee 60/24 Copyist's manuscript piano-vocal score The prima donna Full scores (No. 1) Overture 61/1 Manuscript score (No. 4) Something always happens when it shouldn't 61/2 Holograph score (No. 7) Ensemble, Act I: A soldier's life is never long 61/3 Otto Langey score (No. 9) Oh, oh, oh 61/4 Otto Langey score (No. 14) Finale, Act I 61/5 Holograph score (No. 19) Everybody else's girl looks better to me than mine 61/6 Manuscript score (No. 21) I'll be married to the music of the military band, Act II 61/7 Otto Langey score (No. 22) Espagnola 61/8 Holograph score Duo, Act II 61/9 Holograph score Entr'acte 61/10 Holograph score Here's to my comrades and me 61/11 Otto Langey score Opening, Act I

Not related to music from published score

61/12 Holograph/manuscript score Trio 61/13 Otto Langey score When we command the army 61/14 Holograph score

Introduction

61/15 Holograph score Orchestral parts 61/16 Selection Printed: bass only Prince Ananias Full scores Selection 61/17 Copyist's manuscript score

Arranged for band

The time will come 61/18 Holograph score Piano score 61/19 Overture Holograph score The princess Pat Full scores Overture 61/20 Harold Sanford score (No. 1) Opening, Act I 61/21 Holograph score (No. 2) Duo, Act I: Allies 61/22 Holograph score (No. 3) Make him guess, Act I 61/23 Holograph score (No. 4) I'd like to be a quitter, Act I 61/24 Holograph score (No. 5) View-Hallo! Arrival of the Princess "Pat", Act I 61/25 Holograph score (No. 6) Love is the best of all, Act I 61/26 Holograph score (No. 7) Duet, Act I: For better or for worse 61/27 Holograph score (No. 8) Finale, Act I 62/1 Holograph score (No. 9) Entr'acte I 62/2 Holograph score (No. 10) Opening, Act II see also Estellita 62/3 Holograph score (No. 11) Neapolitan love song, Act II 62/4 Holograph score (No. 12) I wish I was an island (in an ocean of girls), Act II 62/5 Holograph score (No. 13) Day dreams: I need affection, Act II 62/6 Holograph score (No. 14) Burlesque Fox trot 62/7 Holograph score

On title page and in caption: "The debutante"

Incomplete, introduction wanting

62/8 Harold Sanford score

Variant version

(No. 14) Dance suite, Act II: Fox trot, valse lente, and one-step 62/9 Holograph score

Incomplete, p. 1-7 only

(No. 15) Love duo, Act II: All for you 62/10 Holograph score (No. 16) Finale, Act II 62/11 Holograph score (No. 17) Entr'acte II 62/12 Holograph score (No. 18) Opening, Act III 62/13 Holograph score (No. 19a) Ballet suite: Act III 62/14 Holograph score (No. 19b) Encore Dance -waltz 62/15 Holograph score (No. 20) In a little world for two 62/16 Holograph score (No. 21) The shoes of husband number one 62/17 Harold Sanford score (No. 22) Two laughing Irish eyes, Act III 62/18 Holograph score Duet, Act III: I'd like to have you around

No. 20 in earlier version

62/19-20 Holograph scores Flirting, Act II

Alternate no. 13 in earlier version

62/21 Holograph score March and one-step 62/22 Arranger's holograph score

Arranged by Harold Sanford

Waltzes 62/23 Arranger's holograph score

Arranged by Harold Sanford

Orchestral parts (No. 11) Neapolitan love song 62/24 Holograph: horn III-IV only Overture 62/25 Holograph: extra instruments Sketches 62/26 One-step Holograph 62/27 Waltz (Valse lente) Holograph sketch for piano part The red mill Full scores Overture 63/1 Holograph score (No. 1) Opening chorus, Act I 63/2 Otto Langey score (No. 2) Mignonette 63/3 Otto Langey score (No. 3) Duo: You never can tell about a woman 63/4 Otto Langey score (No. 4) Trio, Act I: Whistle it 63/5 Holograph score (No. 5) A widow has ways 63/6 Holograph score (No. 6) Duo, Act I: The isle of our dreams 63/7 Otto Langey score (No. 7) Go while the goin' is good, Act I 63/8 Holograph score (No. 8) Ensemble, Act I 63/9 Otto Langey score (No. 9) Finale, Act I 63/10 Holograph score (No. 10) Opening chorus, Act II 63/11 Otto Langey score (No. 11) The legend of the mill, Act II 63/12 Holograph score (No. 12) Good-a-bye, John, Act II 63/13 Otto Langey score (No. 12) Stop dance: Encore after no. 12 63/14 Holograph score (No. 13) I want you to marry me, Act II 63/15 Otto Langey score (No. 14) Entrance and song, Act II: Every day is ladies' day with me 63/16 Otto Langey score (No. 15) Duo, Act II: Because you're you 63/17 Otto Langey score (No. 16) In old New York (The streets of New York) 63/18 Otto Langey scores

Includes ragtime encore version

(No. 17) Entrance of wedding guests, Act II 63/19 Otto Langey score If you love but me 63/20 Holograph score I'm always doing something I don't want to do, Act II 63/21 Holograph score Orchestral parts Overture 63/22 Holograph

Incomplete

The rose of Algeria see Algeria The serenade Score 63/23 (No. 4) I love thee, I adore thee Piano score with voice part arranged for cello 63/24 Libretto Typescript

Microfilm 86/20,243 <Mus> Item 34-B

Seven little widows Full scores Overture 64/1 Manuscript score (No. 1) Opening chorus of prelude 64/2 Manuscript score (No. 2) Closing number of prelude, Act I 64/3 Manuscript score (No. 3) Interlude, Act I 64/4 Holograph/manuscript score (No. 4) Opening chorus, Act I 64/5 Manuscript score (No. 5) The twirly little girlie at the end of the line 64/6 Manuscript score (No. 6) Entrance of elders, Act I 64/7 Manuscript score (No. 7) Women, Act I 64/8 Manuscript score (No. 8) Finale, Act I 64/9 Manuscript score (No. 9) Opening scene, Act II 64/10 Manuscript score (No. 11) Poor Sam, Act II 64/11 Manuscript score (No. 12) There's something I like about you 64/12 Manuscript score (No. 13) Six sighs of different size 64/13 Manuscript score (No. 14) Madrigal, Act II: Dull care killed the cat 64/14 Manuscript score (No. 15) Finale, Act II 64/15 Manuscript score (No. 16) Opening, Act III 64/16 Manuscript score Piano-vocal scores (No. 1) Opening chorus of prelude 64/17 Holograph piano-vocal score 64/18 Copyist's manuscript piano-vocal score (No. 2) Closing number of prelude 64/19 Holograph piano-vocal score 64/20 Copyist's manuscript piano-vocal score (No. 3) Interlude (between Prelude and Act I) 64/21 Holograph piano score 64/22 Copyist's manuscript piano score (No. 4) Opening chorus, Act I 64/23 Holograph piano-vocal score

Written on cover in the hand of VH: after prelude and interlude

64/24 Copyist's manuscript piano-vocal score (No. 5) The twirly little girlie at the end of the line, Act I 64/25 Holograph piano-vocal score 64/26 Copyist's manuscript piano-vocal score (No. 6) Entrance of elders, Act I 65/1 Holograph piano-vocal score 65/2 Copyist's manuscript piano-vocal score (No. 7) Women, Act I 65/3 Holograph piano-vocal score 65/4 Copyist's manuscript piano-vocal score (No. 8) Finale, Act I 65/5 Holograph piano-vocal score 65/6 Copyist's manuscript piano-vocal score (No. 9) Opening ensemble, Act II 65/7 Holograph piano-vocal score 65/8 Copyist's manuscript piano-vocal score (No. 10) Duet, Act II: Please don't be a sister to me 65/9 Copyist's manuscript piano-vocal score (No. 11) Poor Sam, Act II 65/10 Holograph piano-vocal score 65/11 Copyist's manuscript piano-vocal score (No. 12) Duet, Act II: There's something I like about you 65/12 Copyist's manuscript piano-vocal score (No. 13) Six sighs of different size, Act II 65/13 Holograph piano-vocal score 65/14 Copyist's manuscript piano-vocal score (No. 14) Madrigal, Act II: Dull care killed the cat 65/15 Holograph piano-vocal score 65/16 Copyist's manuscript piano-vocal score (No. 15) Finale, Act II 65/17 Holograph piano-vocal score 65/18 Copyist's manuscript piano-vocal score (No. 16) Opening, Act III 65/19 Holograph piano-vocal score

Incomplete, p. 1-12 only

65/20 Copyist's manuscript piano-vocal score (No. 18) Wedding processional, Act III 65/21 Copyist's manuscript piano-vocal score Orchestral parts Overture 65/22 Copyist's manuscript (No. 1) Opening chorus of prelude 65/23 Copyist's manuscript (No. 2) Closing number of prelude 65/24 Copyist's manuscript (No. 3) Interlude, Act I 66/1 Copyist's manuscript (No. 4) Opening chorus, Act I 66/2 Copyist's manuscript (No. 5) The twirly little girlie at the end of the line, Act I 66/3 Copyist's manuscript (No. 6) Entrance of elders 66/4 Copyist's manuscript (No. 7) Women, Act I 66/5 Copyist's manuscript (No. 8) Finale, Act I 66/6 Copyist's manuscript (No. 9) Opening ensemble, Act II 66/7 Copyist's manuscript (No. 10) Duet, Act II: Please don't be a sister to me 66/8 Copyist's manuscript: bells, triangle, harp (No. 11) Poor Sam, Act II 66/9 Copyist's manuscript (No. 12) Duet, Act II: There's something I like about you 66/10 Copyist's manuscript (No. 13) Six sighs of different size 67/1 Copyist's manuscript (No. 14) Madrigal Act II: Dull care killed the cat 67/2 Copyist's manuscript (No. 15) Finale, Act II 67/3 Copyist's manuscript (No. 16) Opening, Act III 67/4 Copyist's manuscript (No. 18) Wedding processional 67/5 Copyist's manuscript Miscellaneous solo vocal parts 67/6 Copyist's manuscript Lyric sheets/miscellaneous 67/7 (No. 1) Opening chorus of prelude Typescript lyric sheet 67/7 (No. 18) Wedding processional Typescript lyric sheet 67/8 Dance? Holograph title page The singing girl Full scores (No. 5a and 5b) Entrance (of Greta) and The song of the Danube 67/9 Holograph score

Incomplete, p. 1-4 wanting

67/9 Copyist's manuscript score (No. 9) Don't talk to me of marriage 67/11 Manuscript score (No. 10) Love is tyrant 67/12 Holograph score for strings (No. 18) Unidentified 67/13 Manuscript score (No. 19) The song of the Danube

Not related to "Entrance of Greta and The song of the Danube"

67/14 Copyist's manuscript score Orchestral parts 67/15 Unidentified Holograph parts

Not related to box-folder 67/13

The slim princess Full score Finale, Act II 68/1 Otto Langey score Piano-vocal score Finale, Act II 68/2 Holograph piano-vocal score The song birds

Musical skit performed at Lambs' Gambol 1906 and produced widely in 1907

Full scores (No. 1) Opening chorus 68/3 Manuscript score (No. 2) Trio: I love Mazuma best 68/4 Holograph score End of finale 68/5 Holograph score Piano-vocal scores Do, re, mi, fa, so, la, ti, do 68/6 Holograph piano-vocal score Star of the North

Motion picture

Full scores Overture 68/7 Holograph score Orchestral parts Overture 68/8-9 Copyist's manuscript Sweethearts Full scores Overture 68/10 Manuscript score (No. 1) Opening scene: Iron! iron! iron! 68/11 Holograph score (No. 2) On parade, Act I 68/12 Otto Langey score (No. 3) Entrance song of “Liane”, Act I: There is magic in a smile 68/13 Manuscript score (No. 4) Sweethearts 68/14 Holograph score (No. 5) Every lover must meet his fate, Act I 68/15 Holograph score (No. 6) Mother Goose, Act I 68/16 Holograph score (No. 7) Jeanette’s wooden shoes, Act I 68/17 Manuscript score (No. 8) Angelus 68/18 Manuscript score (No. 9) The game of love, Act II 69/1 Manuscript score (No. 10) Finale, Act I 69/2 Holograph score (No. 11a and 11b) Opening, Act II: Waiting for the bride and Pretty as a picture 69/3 Manuscript score (No. 12) What she wanted--and what she got, Act II 69/4 Manuscript score (No. 13a) Ensemble, Act II: Welcoming the bride 69/5 Manuscript score (No. 13b) In the convent they never taught me that, Act II 69/6 Holograph score (No. 14) Dancing number, Act II: Talk about this--talk about that 69/7 Holograph score (No. 15) I don't know how I do it, but I do, Act II 69/8 Manuscript score (No. 16) Scene and duo, Act II: The cricket on the hearth 69/9 Manuscript score (No. 17) Trio, Act II: Pilgrims of love (Entrance of monks) 69/10 Manuscript score (No. 18) The ivy and the oak, Act II 69/11 Manuscript score (No. 19) Finale ultimo 69/12 Manuscript score Dance, Act II 69/13 Manuscript score Entr'acte 69/14 Manuscript score Piano-vocal/reduced scores Overture 69/15 Manuscript piano score (No. 8) Angelus 69/16 Holograph piano-vocal score

Incomplete, p. 1-4 only

(Nos. 11a and 11b) Opening, Act II: Waiting for the bride; Pretty as a picture 69/17 Holograph piano-vocal score

Incomplete, p. 1-4 only

(No. 15) I don't know how I do it, but I do, Act II 69/18 Holograph piano-vocal score (No. 19) Finale ultimo 69/19 Holograph piano-vocal score New dance after Smiles 69/20 Holograph piano score Orchestral parts Selection from Sweethearts 69/21 Holograph: celeste 69/22 Sheet music Every lover must meet his fate Jeanette and her little wooden shoes Mademoiselle On parade Pilgrims of love Pretty as a picture Sweethearts Short score 69/23 (No. 18) The ivory and the oak Printed/manuscript score 69/24 Entr'acte 69/24 Selection from Sweethearts

Arranged by Harold Sanford

69/24 Summer serenade--Badinage The tale of a lamb: an ideomelodic fantasy

Comedy sketch performed at Lambs' Gambol, 1921

Piano-conductor score 70/1 A lamb's tale Holograph/printed Orchestral parts 70/2 Holograph/manuscript

Complete?

The tattooed man Full scores Prelude 70/3 Holograph score (No. 1) Opening chorus, Act I 70/4 Otto Langey score (No. 2) Quartette: Things we are not supposed to know 70/5 Otto Langey score (No. 3) Entrance of Arabs and song 70/6 Holograph score (No. 4) Entrance of Omar (Oriental march) 70/7 Otto Langey/holograph score (No. 5) Omar Khayyam 70/8 Manuscript score (No. 6) Boys will be boys and girls will be girls 70/9 Otto Langey score (No. 7) Serenade, Act I: Hear my song of love 70/10 Holograph score (No. 8) The land of (love and) dreams 70/11 Otto Langey score 70/12 Holograph choral score

Refrain only

(No. 9) Finale, Act I 70/13 Otto Langey/holograph score (Nos. 10-11) Opening, Act II; Legend of the Djin 70/14 Otto Langey score (No. 12) The wedding of the lily and the rose, Act II (The floral wedding) 70/15 Holograph score (No. 13) Trio: Watch the professor 70/16 Manuscript score (No. 14) Quartette, Act II: Take it easy (Take things easy) 70/17 Manuscript score (No. 15) Nobody loves me 70/18 Manuscript score (No. 16) There's just one girl I'd like to marry, Act II 70/19 Otto Langey score Toyland today Full scores Exit of Mother Goose, wooden soldier, etc., etc. 70/20 Holograph score Fox-trot (Finale ultimo) 70/21 Holograph score In the days that used to be 70/22 Holograph score Mother Goose 70/23 Holograph score What can a ragdoll do? 70/24 Holograph score Trilby Piano-vocal scores Ballad: Just for you sweet maid 71/1 Holograph piano-vocal score Love's eternity 71/2 Holograph piano-vocal score Opening chorus, Act II 71/3 Holograph piano-vocal score Quintet: The mistletoe bough 71/4 Holograph piano-vocal score Quintet: Xmas bells and wedding bells 71/5 Holograph piano-vocal score

Incomplete, p. 1-4 only

Trio: Pals 71/6 Holograph piano-vocal score Sketch 71/7 Xmas bells and wedding bells Holograph The two Marys Full score Prelude 71/8 Holograph score Piano score Prelude 71/9 Copyist's manuscript score Orchestral parts Prelude 71/10 Copyist's manuscript Under the red robe

Motion picture

Full score Overture 71/11 Holograph score Printed music Dramatic overture 71/12-13 Piano-conductor score and parts (2 sets)

Arranged by Harold Sanford

The velvet lady Full scores Overture 71/14 Holograph score

Incomplete, p. 1-8 only

(No. 1) Opening chorus, Act I: To-night's the night 71/15 Harold Sanford/Victor Herbert score (No. 2) Come be my wife 71/16 Holograph score (No. 3) Scandal 71/17 Holograph score (No. 4) Little girl and boy 71/18 Harold Sanford/Victor Herbert score 71/19 Harold Sanford score (No. 5) Quartet: Fair honeymoon shine on 71/20 Harold Sanford score (No. 6) March song: There's nothing too fine for the finest 71/21 Holograph score (No. 6a) Entr'acte 1 71/22 Holograph score (No. 7) Opening, Act II Way down in Yucatan, and Bubbles 71/23 Holograph score (No. 8) Spooky ookum 72/1 Holograph/manuscript score (No. 9) I've danced to beat the band 72/2 Holograph score (No. 10) Logic 72/3 Harald Sanford score (No. 11) Life and love 72/4 Harald Sanford score (No. 12) What a position for me 72/5 Holograph score

Incomplete, [3] p.

72/6 Harold Sanford score (No. 13) Finale, Act II 72/7 Holograph score

Incomplete, [3] p.

(No. 13a) Entr'acte no. 2 72/8 Holograph score (No. 14) Opening, Act III: Merry wedding bells 72/9 Holograph score (No. 15) The merry wedding dance 72/10 Harald Sanford score (No. 16) Throwing the bull; Tango 72/11 Copyist's manuscript/manuscript score 72/12 Manuscript score with alterations 72/13 Manuscript score

Continuation

(No. 17) Finale ultimo 72/14 Holograph score Any time New York goes dry 72/15 Holograph score Dance (after Spooky ookum) 72/16 Holograph score Dance at end of opening chorus, Act I 72/17 Holograph score Encore to My spooky ookum 72/18 Holograph score Life and love (Encore 1 and 2) 72/19 Copyist's manuscript score Overture 72/20 Holograph score Selection 72/21 Arranger's holograph score

Arranged by Harald Sanford

Unidentified 72/22 Harold Sanford score (Untitled, for) Mooney and Cops 72/23 Holograph score Piano-vocal score (Untitled, for) Mooney and Cops; Trio: Chinese dance 72/24 Holograph piano-vocal score Orchestral parts Life and love (Encore 1) 72/25 Copyist's manuscript

Incomplete

(Untitled, for) Mooney and Cops 72/26 Holograph The viceroy Piano-vocal score (Untitled, for) Viceroy and chorus 72/27 Holograph piano-vocal score Orchestral parts (No. 5) Just for to-day 72/28 Manuscript: violin I only When sweet sixteen Full scores Overture 73/1 Otto Langey score (No. 1) Opening, Act I 73/2 Otto Langey score (No. 2) Oh, those boys! 73/3 Otto Langey score (No. 4) A man's a man for a 'that 73/4 Holograph score (No. 5) They follow me everywhere, Act I 73/5 Otto Langey score (No. 6) There's money in graft 73/6 Otto Langey score (No. 7) The wild rose 73/7 Otto Langey score (No. 8) In the golden age long ago 73/8 Otto Langey score (No. 9) Laughs 73/9 Otto Langey score (No. 10) Intermezzo 73/10 Otto Langey score

With VH addition

(No. 11) Mah honey love 73/11 Otto Langey score (No. 12) Dear old fairyland 73/12 Otto Langey score (No. 13) My toast to you 73/13 Holograph score (No. 14) There’s none so fair as Rosalind 73/14 Otto Langey score (No. 15) People will talk, you know 73/15 Holograph score (No. 16) Duo: Has Cupid laid in wait for you 73/16 Otto Langey score Entr'acte, Act III: Victoria 73/17 Otto Langey score and copyist's manuscript harp part The fairies' revel 73/18 Otto Langey score I'm not a bit superstitious 73/19 Otto Langey score Oh, the things they put in the paper now-a-days 73/20 Otto Langey score Prelude, Act II 73/21 Otto Langey score Piano-vocal scores (No. 1) Opening, Act I 73/22 Holograph piano-vocal score 73/23 Copyist's manuscript piano-vocal score (No. 3) Pour quoi? 73/24 Holograph piano-vocal score

Variant text

(No. 7) The wild rose 73/25 Copyist's manuscript piano-vocal score (No. 12) Dear old fairyland 73/26 Holograph piano-vocal score Duo: It is always going to be that way 73/27 Holograph piano-vocal score How should a girl propose? 73/28 Manuscript piano-vocal score I'm not a bit superstitious 73/29 Copyist's manuscript piano-vocal score In society 73/30 Copyist's manuscript piano-vocal score Septette: Oh, the things they put in the papers now-a-days 73/31 Copyist's manuscript piano-vocal score Orchestral parts The fairies revel 73/32 Manuscript/holograph Medley 74/1-2 Copyist's manuscript/manuscript/holograph/printed Russian dance 74/3 Manuscript/holograph The willow plate Full score The willow plate 74/4 Holograph score Piano-vocal/reduced score (No. 1) The Mandarin's garden 74/5 Holograph/copyist's piano-vocal score 74/6 Holograph short score (No. 5) A wedding procession 74/7 Holograph short score The willow plate

Alternate version

74/8 Holograph score for chamber ensemble Parts The willow plate 74/9 Manuscript/printed 74/10 Holograph: celeste (No. 3) Main love theme (Chang - the lover) 74/11 Copyist's manuscript for chamber ensemble The willow plate (alternate version). Overture

Includes After overture, Mandarin theme, Ying Hsien, The disappointed lover, Chwen Siao, The little garden house, Yellow sea, The moonlit bridge

74/12 Copyist's manuscript for chamber ensemble

Includes The maid, Dance, Kongshee

74/12 Copyist's manuscript for chamber ensemble

Includes The maid, Dance, Kongshee

75/1 After overture

Holograph/copyist's manuscript

75/1 Mandarin theme

Holograph/copyist's manuscript

75/1 Ying Hsien

Holograph/copyist's manuscript

75/1 The disappointed lover

Holograph/copyist's manuscript

75/1 Chwen Siao

Holograph/copyist's manuscript

75/1 The little garden house

Holograph/copyist's manuscript

75/1 Yellow sea

Holograph/copyist's manuscript

75/1 The moonlit bridge

Holograph/copyist's manuscript

Sketch 75/2 The willow plate Holograph The wizard of the Nile Score (arranged) 75/3 (No. 16) In dreamland Copyist's manuscript score arranged for stringed instruments and piano Wonderland

Revised version of Alice and the eight princesses

Full scores (No. 1) Opening, Act I: Until we meet again 75/4 Holograph score (No. 2a and 2b) Forest scene: Entrance of monitors; Nature class 75/5 Otto Langey/Victor Herbert score (No. 4) That's why they say I'm crazy 75/6 Manuscript score 75/7 Manuscript score

Incomplete, p. 1-4 only, refrain only; transposed to F major

(No. 5) When Perrico plays 75/8 Otto Langey score (No. 6) Jografree 75/9 Otto Langey score (No. 7) Love's golden day 75/10 Otto Langey score (No. 8) The ossified man 75/11 Otto Langey score (No. 9) Finale, Act I 75/12 Otto Langey score (No. 11) Opening chorus, Act II 75/13 Otto Langey score (No. 13) Popular Pauline 75/14 Manuscript score (No. 17) Ball room scene 75/15 Otto Langey score (No. 18) I, myself, and me 75/16 Otto Langey score (No. 19) Hallowe'en 75/17 Holograph score End of Act I

Original version, from Alice and the eight princesses

75/18 Manuscript score Introduction to dream music 75/19 Otto Langey score Little black sheep 75/20 Manuscript score Prologue 75/21 Otto Langey score

Incomplete, p. 9-24 only

75/22 Otto Langey score

Incomplete, p. 9-12 wanting

Continuation of Act I

Sextette: The hunting of the cook 75/23 Otto Langey score Piano-vocal scores With frame, two forty-nine 75/24 Holograph piano-vocal score

Laid in: Glen MacDonough holograph text

Orchestral parts March finale 75/25 Copyist's manuscripts: strings Oriental dance 75/26 Copyist's manuscript

Incomplete

75/27 Printed

Arranged by Harry L. Rogers

76/1 Proof copies Alice and the eight princesses (Prologue) Ball room scene How to tell a fairy tale The hunting of the cook The knave of hearts The princess' song Tale of a music box shop (2 copies) That's why they say I'm crazy With frame, two forty-nine! A woman's first thought is a man 76/2 Libretto Typescript

On Microfilm 86/20,243 <Mus> Item 43-B

Yolanda

Motion picture

Full score Overture 76/3 Holograph score Orchestral parts Overture 76/4-5 Copyist's manuscript Sketch Overture 76/6 Holograph The Ziegfeld follies of 1917 Full score Can't you hear your country calling?; Grand patriotic finale 76/7 Holograph score Piano-vocal score Can't you hear your country calling? 76/8 Manuscript piano-vocal score Sheet music

Stamped with Victor Herbert's "signature"

76/9 Can't you hear your country calling? 2 copies The Ziegfeld follies of 1919 Full scores Circus ballet 76/10 Holograph score Duet, Act I: Disposessed 76/11 Holograph/manuscript score Reduced scores Circus ballet 76/12 Holograph piano score Duet, Act I: Disposessed 76/13 Manuscript piano-vocal score Orchestral parts Duet, Act I: Disposessed 77/1 Copyist's manuscript The Ziegfeld follies of 1921 Full scores Debutantes 77/2 Holograph score Persian garden scene: The legend of the golden tree 77/3 The legend of the golden tree Holograph score 77/4 Nautch dance Holograph score 77/5 Opening? Holograph score 77/6 Persian dance Holograph score 77/7 Persian march Holograph score 77/8 Persian march (alternate introduction) Holograph score 77/9 The princess of dreams Holograph score Unidentified 77/10 Holograph score Piano-vocal/reduced scores Persian garden scene 77/11 Nautch dance Holograph piano score 77/12 Opening? Holograph piano-vocal score 77/13 Persian dance Holograph piano score March (parade) 77/14 Holograph piano-vocal score 77/15 Copyist's manuscript piano-vocal score Unidentified 77/16 Holograph piano-vocal score with fragmentary lyric Orchestral parts Harem scene 77/17 Copyist's manuscript Persian garden scene 77/18 Desert scene Holograph 77/19 Nautch dance Holograph manuscript

Incomplete

77/20 Opening? Copyist's manuscript 77/21 Persian dance Printed piano-conductor score and parts

Arranged by Harold Sanford

Persian march 77/22 Copyist's manuscript

Incomplete

78/1 Printed piano-conductor score and parts

Arranged by Harold Sanford

78/2 Princess of dreams Copyist's manuscript Persian scene waltz 78/3 Copyist's manuscript Sheet music

Stamped with Victor Herbert's "signature"

78/4 In Khorassan The Ziegfeld follies of 1922 Full scores (No. 4) Finale, Act I: Galop 78/5 Manuscript score Weaving my dreams; Ballet 78/5 Holograph score Orchestral parts Weaving my dreams; Ballet 78/7 Copyist's manuscript: violin only The Ziegfeld follies of 1923 Full scores Haig and Haig (stop-dance) 78/8 Holograph score Lady of the lantern 78/9 Holograph score 78/10 Holograph score

Chinese dance

Orchestral parts Haig and Haig (stop-dance) 78/11 Manuscript 79-82 Show Music: Shows Not Identified

Chiefly manuscript unbound full scores, piano-vocal scores, and parts. Contains instrumental and vocal music that, though they appear to be intended for use in a show, cannot be associated with a specific Herbert operetta, opera, or musical. Many of these works are labeled with words such as “act,” “scene,” “dance,” and other terms commonly associated with show music. Some pieces list character names on the scores or were found with material belonging to a specific show.

Arranged alphabetically by title.

(No. 3) The acrobats, Finale, Act I

Not related to "The fawn and the woodnymph" from Oui, Madame!

79/1 Holograph full score 79/2 Holograph piano score 79/3 Copyist's manuscript score (No. 9) Act II

Found with Oui Madame! material

79/4 Copyist's manuscript parts: violin II and viola After piece

Found with Lambs' Gambol material

79/5 Holograph conductor's cue sheets 79/6 Holograph printed parts (No. 7) At half past

Not related to "Half past," Box-folder 113/8

79/7 Manuscript parts

Complete?

Ball room scene

Not related to "Ballroom scene" from Wonderland

79/8 Holograph piano-vocal score

Incomplete, p. 7-8 only

Ballet, Act II 79/9 Copyist's manuscript clarinet parts (No. 5) Ballet numbers 79/10 Copyist's manuscript parts Ballet. Before ballet; After ballet 79/11 Holograph score for strings 79/12 Holograph piano score Ballet. Before ballet, Andante (beginning of Ballet), After ballet 79/13 Holograph string parts Ballet (Fantasie introducing A kiss in the dark) 79/14 Holograph full score

Incomplete, p. 5-8 wanting

79/15 Holograph/copyist's manuscript piano score 79/16-17 Copyist's manuscript parts Chorus 79/18 Copyist's manuscript piano-vocal score (No. 3) Coax the birds of the bushes 79/19 Copyist's manuscript parts

Orchestration by Daniel Doré

Coon song

Found with Babette materials

79/20 Otto Langey full score Dance in drum number 79/21 Holograph full score Dance no. 1 (Springtime, No. 13) 79/22 Harold Sanford full score Dancing number for Phil 79/23 Copyist's manuscript parts

Incomplete

Dancing specialty. Act II 79/24 Holograph piano score

Incomplete, p. 1-2 only

(No. 3) Down where the watermelons grow 80/1 Manuscript parts Duo with chorus. Act III 80/2 Otto Langey full score Encore to Act II. Finale 80/3 Manuscript full score (fragment) End of scene 1 80/4 Holograph piano score Entr'acte

From Angel Face or Miss 1917?

80/5 Holograph full score 80/6 Copyist's manuscript parts Entrance of Sam Bernard 80/7 Holograph full score Exit dance, Act I 80/8 Holograph full score 80/9 Holograph piano score 80/10 Copyist's manuscript parts Fanfare, Act III

Found with Babette materials

80/11 Holograph full score (No. 2) Finale, Act I 80/12 Holograph piano score

Incomplete, 1 p.

Finale, Act I

Apparently from the same show as Oh tell us what it means

80/13 Holograph piano-vocal score Finale 1

Found with Oui Madame! material

80/14 Copyist's manuscript bass part Finale ultimo or Encores

Found with Oui Madame! material

80/15 Holograph clarinet parts Finale ultimo

Found with Oui Madame! material

80/16 Copyist's manuscript bass parts (2), each different Ha! ha!

Found with Lambs' Gambol material

80/17 Holograph piano-vocal score Harem scene 80/18 Holograph full score 80/19 Holograph piano-vocal score Her bright smile haunts me still

Found with Lambs' Gambol material

80/20 Manuscript full score I do what I do for the ladies 80/21 Holograph piano-vocal score

Incomplete

I hope it's addressed to me!, Act II 80/22 Holograph full score 80/23 Copyist's manuscript parts I'm going in the movies 80/24 Copyist's manuscript piano-vocal score

On first page: 'Movie' Scene

(No. 4) I'm Spanish

Found with Oui Madame! materials

80/25 Holograph parts

Incomplete

In "Ballet Français" 80/26 Holograph full score Kettle dance 80/27 Holograph piano score The kid is clever 80/28 Holograph full score 80/29 Copyist's manuscript piano-vocal score 80/30 Copyist's manuscript bass part Last scene (Battleships) 80/31 Holograph full score 80/32 Copyist's manuscript piano score The McIntyres. Part A and Part B see also Tuesday 81/1-2 Copyist's manuscript parts March finale. Uncle Sam's hotel 81/3 Copyist's manuscript piano-vocal score Medley

From various shows

81/4 Manuscript/printed piano-vocal scores 81/4 Copyist's manuscript piano-vocal score 81/5 Manuscript violin I and drum parts Medley, Act II 81/6 Holograph piano score (No. 1) Medley 81/6-9 Manuscript parts 81/10 Copyist's manuscript choral score and baritone part Medley for Miss Rowland 81/11 Holograph full score A nautical song in high C 81/12 Copyist's manuscript full score 81/13 Holograph piano score 81/14 Copyist's manuscript piano-vocal score O schöne Nacht 81/15 Holograph full score 81/16 Copyist's manuscript parts Oh tell us what it means (for Suzette, Vivian, and chorus) (No. 17)

Apparently from the same show as Finale, Act I

82/1 Copyist's manuscript piano-vocal score Oh! that we two; Cruiskeen lawn

No. 6 of Lambs Club routine

82/2 Holograph parts On the stage

Possibly from Babette

82/3 Copyist's manuscript parts Opening Chorus, Act I 82/4 Otto Langey full score 82/5 Holograph piano-vocal score Opening, scene ii (No. 10) 82/6 Manuscript parts Overture 82/7 Holograph piano sketch Overture; Entr'acte 82/8 Holograph piano sketch Prelude (No. 1) 82/9 Copyist's manuscript parts Queen Rose's party 82/10 Manuscript piano-vocal score Roll, Jordan, roll! (Finale) 82/11 Copyist's manuscript piano-vocal score 82/11 Copyist's manuscript tenor II part The show window tragedy 82/12 Holograph piano-vocal score Song: Bill Gaff and sailors (No. 14) 82/13 Copyist's manuscript piano-vocal score The song of the bagpipes (No. 10) 82/14 Copyist's manuscript piano-vocal score Tango (Encore)

Found with Lambs' Gambol material but not related to "Tango" from Lambs' Gambol, unspecified date

82/15 Holograph full score Third entr'acte 82/16 Copyist's manuscript string parts

Incomplete

Trio, Act II: Seeing things 82/17 Holograph piano-vocal score

No lyric

Tuesday (before The McIntyres) see also The McIntyres 82/18 Holograph parts Waltz song. Cleopatra, Act II (No. 13) 82/19 Copyist's manuscript string parts

Incomplete

We must economize

Found with Oui Madame! material

82/20 Holograph piano-vocal score with lyric fragment 82/21 Holograph parts

Incomplete

When you were young (No. 16) 82/22 Copyist's manuscript parts

Incomplete

Why don't they etc.?

Found with Babette material

82/23 Holograph parts 83-101 Non-Show Music

Chiefly manuscript unbound full scores, piano-vocal scores, short scores, sketches, and parts. Instrumental and vocal music that is not part of any of Herbert’s stage or screen shows. The orchestral music includes scores for most of Herbert’s large-scale works, among them, his Concerto for Cello and Orchestra, No. 1 and No. 2, his dramatic cantata The Captive, Op. 5, and both the jazz band and symphonic orchestra versions of the Suite of Serenades. Many of these works are represented by their holograph scores; others by arrangements by Harold Sanford and Otto Langey. Includes works for string orchestra, violin and piano, cello and piano, piano solo, and organ, as well as many songs (for voice and piano) and several choral pieces.

Arranged alphabetically by title.

A la valse see Two pieces for violin Air de ballet

No. 1 of Three compositions for string orchestra

83/1 Holograph score for string orchestra, harp and toy triangle 83/2 Holograph piano score 83/3 Holograph toy triangle part 83/4 Printed score and parts 83/5 Printed toy triangle and cornet I parts

Arranged by Otto Langey

Album

Music by Victor Herbert for piano solo

83/6 Braille score Allotria 83/7 Harold Sanford full score 83/8-9 Copyist's manuscript parts Alma mater song of The Catholic University of America 83/10 Negative photocopy of printed piano-vocal score The American rose 83/11 Holograph piano score 83/12 Sheet music for piano with holograph indications for orchestra 83/13 Manuscript parts

Orchestral version most similar to piano score

83/14 Holograph/manuscript parts; orchestral version Army and navy; The nations 83/15 Holograph full score Aschenbrödel march 83/16 Manuscript full score 83/17 Manuscript piano score

Incomplete, [1] p.

Badinage 83/18 Copyist's manuscript violin I part 83/20 Printed string parts

Arranged by Otto Langey

Barr's divertissement 84/1 Manuscript score

Incomplete, p. 5-10 only

Benamela: Finale. Grand march 84/2 Holograph piano-vocal score Berceuse 84/3 Copyist's manuscript for cello and piano The bubble (picture) 84/4 Manuscript full score 84/5 Holograph piano score 84/6 Manuscript parts

Incomplete

The call 84/7 Holograph sketch, melody line only

On verso of leaf 2: sketch for a mazurka

The call to freedom 84/8 Printed piano-vocal score Cannibal dance

Does not seem to be related to Cannibal music in Little Nemo

84/9 Copyist's manuscript parts: violin and cello 84/10 Printed piano-conductor score and parts

Arranged by Harold Sanford

Canzonetta 84/11 Printed piano-conductor score and parts

From Serenade for string orchestra, op. 12, no. 4; arranged by Chas. J. Roberts

The captive (Der Gefangene), op. 25 84/12-13 Holograph/manuscript full score 85/1-4 Copyist's manuscript parts: percussion and strings 85/5 Printed piano-vocal score

With annotations

Chant d'amour 85/6 Photocopied holograph score for organ 85/7 Holograph score

Variant version

Christ is risen (an Easter anthem) 85/8 Holograph full score 85/9 Holograph piano-vocal score 85/10 Copyist's manuscript/blue-line parts: soprano and alto 85/11 Printed piano-vocal score (2 copies) Columbia. Anthem (first anthem of the Lambs) 86/1 Printed piano-vocal score Columbus. Suite for orchestra, op. 35, no. 1 86/2-5 Holograph/manuscript scores Columbus 86/6-9 (No. 1) Sunrise on Granada Copyist's manuscript parts 86/10-13 (No. 2) At la Rabida Copyist's manuscript parts 87/1-3 (No. 3) Murmurs of the sea Copyist's manuscript parts 87/4-7 (No. 4) Triumph see also The vision of Columbus Copyist's manuscript parts Concerto for cello and orchestra, op. 8, no. 1 87/8 Holograph full score 88/1-8 Copyist's manuscript solo cello part

3: 1 complete, 1of movement 1 only, and 1 of p. 1 only

Concerto for cello and orchestra, op. 30, no. 2 see Suite, op. 3 The crucible's toast 89/1 Holograph piano-vocal score Cuban serenade 89/2 Copyist's manuscript score with text underlaid

Not related to "A suite of serenades," boxes 97-98

On p. 2 verso: copyist's manuscript melody lines for "What must a fairy’s dream be!" and "Merry little birds are we"

Danse baroque 89/3 Holograph full score 89/4 Printed piano-conductor score and parts

Arranged by Harold Sanford

Devotion: a love sonnet for piano 89/5 Printed piano-conductor score and parts

Arranged by Harold Sanford

Die rothen Rosen 89/6 Holograph piano-vocal score Dodge brothers march 89/7 Holograph piano/piano-vocal score

No lyric

89/8 Manuscript/photocopy parts

Arranged by M.L. Lake

89/9 Printed parts

Arranged by Harold Sanford

An Easter dawn 89/10 Holograph full score 89/11 Copyist manuscript parts L'encore 89/1 Holograph full score Entrance of the moth see Valse lente Estellita. Valse pathétique see also Opening, Act II 89/13 Holograph full score 89/14 Copyist's manuscript string parts Festival march 90/1 Holograph full score 90/2 Printed parts The fight is made and won 90/3 Negative photocopy of holograph score for violin and piano The finest. March 90/4 Sheet music for piano 90/5 Printed parts arranged for bands The flame see Valse lente For Franz's wedding 90/6 Negative photocopy of holograph score for cello and organ Forget-me-not. Myosotis palustris

No. 2 of Three compositions for string orchestra

90/7 Copyist's manuscript parts

Incomplete, violin II wanting

90/8 2 sets of printed score and parts Friars 90/9 Holograph score (song arranged for orchestra) 90/10-12 Manuscript/copyist's manuscript parts Give me that rose 90/13 Holograph piano-vocal score 90/14 Holograph score orchestral accompaniment The hail of the friendly sons 90/15 Holograph choral score with text underlaid Hero and Leander, (Op. 33. Symphonic poem) 91/1-2 Copyist's manuscript full score 91/3-8 Copyist's manuscript parts I want a girl 92/1 Holograph parts If love were what the rose is 92/2 Holograph full score 92/3 Copyist's manuscript parts Im Mondenlicht 92/4 Holograph piano-vocal score with German lyrics In the folds of the starry flag 92/5 Holograph piano-vocal score Indian lullaby 92/6 Holograph full score 92/7 Holograph parts: trumpets I and II only Indian summer. An American idyl 92/8 Printed parts

Incomplete

Arranged by Harold Sanford

92/9 Sheet music for piano solo Irish rhapsodie 93/1 Holograph full score 93/2 Holograph full score for brass instruments, fragment (variant) 93/3 Holograph conductor's condensed score 93/4-8 Copyist's manuscript parts The jester's serenade 94/1 Printed piano-conductor score and parts

Arranged by Harold Sanford

Lambs' star gambol

Composed for the Lambs, 1912

94/2 March Holograph short score 94/3 Medley Holograph title page only Die Liebe und der Suff see Quartette Love laid his sleepless head 94/4 Copyist's manuscript parts for orchestral accompaniment 94/5 Sheet music for voice and piano A love sonnet 94/6 Holograph short score 94/7 Printed piano-conductor score and parts

Arranged by Harold Sanford

Love's hour 94/8 Holograph full score 94/9 Holograph piano-vocal score 94/10 Copyist's manuscript parts Love's oracle 94/11 Holograph score for voice and piano 94/12 Holograph full score, orchestral accompaniment Marcia reale 94/16 Manuscript parts: trumpet III, trombone I and II, tuba Mary's lamb (dedicated to the Lambs) 94/17 Holograph score for solo voice, chorus and piano Mazurka 94/18 Holograph piano score Mirage see Two pieces for violin Molly (An Irish love song) 94/19 Holograph full scores (2 versions) 94/20 Copyist's manuscript parts

Incomplete

The nations see Army and Navy The new Ireland 95/1 Holograph full score Nina 95/2 Holograph piano-vocal score The orange, white and blue

In caption: dedicated to the school children of New York

95/3 Holograph piano-vocal score 95/4 Typescript lyric sheet (carbon copy) Panamericana. Morceau charactéristique 199/3 Photocopied copyist's manuscript string parts 95/5 Printed string parts

Arranged by Otto Langey

Pensée amoureuse: solo for violoncello and string orchestra 95/6 Copyist's manuscript score 95/7 Copyist's manuscript parts Polonaise de concert 95/8 Holograph full score

Incomplete, p. 1-2 only

95/9 Copyist's manuscript parts

Incomplete, solo cello wanting

Quartette 95/10 Photocopied copyist's manuscript score Remembrance 95/11 Holograph piano-vocal score

Note on text from Herbert's mother, Fanny Lover

95/12 Manuscript sketch Reverie 95/13 Copyist's manuscript parts Rose-briar waltz; for 1 or 2 violins, cello, and piano 95/14 Holograph parts Royal sec. Champagne Galop 95/15 Manuscript parts Scherzo 95/16 Holograph score for piano solo The secret 95/17 Holograph score for voice and piano 95/18 Printed score for voice and piano The silent rose (Die stille Rose, Op. 15, no. 1) 95/19 Holograph score for orchestra 95/20 Copyist's manuscript/printed parts 95/21 Sheet music for voice and piano with German and English lyrics Soixante-neuf (69) 96/1 Holograph score for string orchestra Someone I love 96/2 Printed piano-conductor score and parts

Incomplete, arranged by Frank Sinner

Souvenir. Remembrance 96/3 Holograph full score 96/4 Printed piano-conductor score

Arranged by Harold Sanford

Spain. The royal march 96/5 Holograph parts: trombone, tuba, and violin I Suite, op. 3 1st movement. Allegro moderato 96/7 Manuscript full score 3rd movement. Andante 96/7 Manuscript full score 5th movement. Tarantella 96/8 Manuscript score 96/9 Copyist's manuscript parts

Incomplete

96/10 Printed cello parts

Includes Concerto for cello and orchestra, no. 2, op. 30

96/13 Printed score

Includes Concerto for cello and orchestra, no. 2, op. 30

A suite of serenades 97/1-4 Original version: for jazz orchestra Holograph full scores 97/5-9 For symphonic orchestra Holograph full scores 98/1 For piano Manuscript score for No. 2 Chinese 98/2-6 Copyist’s manuscript/printed/holograph parts 98/7 Printed/manuscript piano-conductor score 98/8 Violin I part Copyist's manuscript violin I part for No. 2 Chinese Suite romantique, op. 31 99/1 Copyist's manuscript score

Incomplete: Movement II (Aubade) only

99/2 Copyist's manuscript parts: violin and cello 99/4-7 Negative photocopies of printed scores of individual movements Sunset. (No. 3 of Three compositions for string orchestra) 99/8 Printed score and parts for string orchestra 99/9 Printed scores for piano solo

Arranged by Domenico Savino (2 copies)

99/10 Holograph sketch There are things 99/11 Photocopied copyist's manuscript piano-vocal score Three compositions for orchestra see Air de ballet; Forget-me-not; and Sunset The three solitaires 99/12 Printed score and parts: piano and trumpets I, II, and III

Incomplete

99/13 Manuscript parts

Incomplete

Three songs, op. 15 see The silent rose To the Lambs (song and chorus)

Written for the Lambs, 1906/8?

99/14 Holograph piano-vocal score 99/15 Holograph parts Two pieces for violin and piano: Mirage; A la valse 99/16 Holograph full scores 99/17 Holograph violin parts 99/18 Printed scores and parts Under the elms (Souvenir de Saratoga) 96/19 Holograph full score U.S. Marine corps song 96/20 Holograph piano sketch Valse lente; The flame; The entrance of the moth 100/1 Holograph piano scores The vision of Columbus see also Columbus. Triumph 100/2 Holograph full score Walzer 100/3 Copyist's manuscript parts The water sprite. Ballet 100/4 Holograph full score 100/5 Holograph parts Wedding music

Composed expressly for Viola Cahn and Isidore Witmark

100/6 Copyist's manuscript piano score 100/7 Manuscript organ and string parts

Arranged by W.C. O'Hare

Wedding music. Viola motif

Arranged for viola and organ by W.C. O'Hare

100/8 Manuscript score 100/9 Manuscript parts: solo viola and (alternate) violin We're all Lambs together 100/10 Otto Langey score 100/11 Copyist's manuscript parts

Incomplete

Western overture 100/12 Holograph full score When the Sixty-ninth comes back 100/13 Photocopied sheet music for voice and piano Whip-poor-will. Fox trot 100/14 Holograph sketch

Includes unidentified material

Whispering willows 100/15 Holograph full score 100/16 Copyist's manuscript string parts 100/17 Printed piano-conductor score and parts

Arranged by Harold Sanford

Woodland fancies. Suite, op. 34 101/1 Holograph full score 101/2 Holograph parts: celeste and contra-bassoon 101/3-6 Printed piano-conductor score and parts for individual sections

Arranged by Harold Sanford

The world's progress 101/7 Manuscript/holograph parts

Incomplete

101/8 Printed parts

Arranged by Harold Sanford

Ye Lambs' madrigal 101/9 Manuscript parts 102-110 Arrangements by Victor Herbert

Unbound manuscript and printed scores and parts. Herbert’s arrangements of music by other composers, including Frederic Chopin, Antonín Dvorák, Samuel Lover, Felix Mendelssohn-Bartholdy, and Ethelbert Nevin, as well as Herbert’s arrangements of folk music.

Arranged alphabetically by name of composer and alphabetically by title therein.

Anonymous Annie Laurie 102/1 Holograph full score 102/2 Copyist's manuscript parts Au clair de la lune 102/3 Copyist's manuscript piano score The cruiskeen lawn (Old Irish) 102/4 Manuscript vocal score for male chorus 102/5 Copyist's manuscript chorus score and parts Fagan (Irish jig) see also The little red lark 102/6 Holograph score for string quartet 102/7 Holograph parts for string orchestra 102/8 Copyist's manuscript parts Folk songs

Includes Creole, Cuban, West Indian, and American Negro

103/1 Copyist's manuscript vocal parts and piano-vocal score with variations Irish folk songs 103/2 Manuscript melodic lines The little red lark (Old Irish) 103/3 Holograph string quartet score 103/4 Copyist's manuscript score for string orchestra (quintet)

Includes a score for Fagan

103/5 Holograph score for violin and piano 103/6 Holograph parts for string orchestra

Incomplete, violin I wanting

103/7 Copyist's manuscript parts for string orchestra 103/8 Copyist's manuscript parts for string orchestra

Incomplete, violin I wanting

103/9 Printed violin part (violin and piano version)

Probably used in sets above: 103/6 and 103/8

103/10 Printed score for violin and piano (4 copies) The minstrel boy 103/11 Holograph score for piano solo 103/12 Holograph short score 103/13 Holograph/manuscript parts Old Ireland shall be free 103/14 Holograph full score 103/15 Holograph parts 103/16 Copyist's manuscript parts 103/17 Printed piano-vocal arrangements for male quartet Old songs (medley) 103/18 Holograph full score Soldiers of Erin (The song of the Irish volunteers) 103/19 Holograph full score 103/20 Copyist's manuscript parts The Stuyvesant Club march 103/21 Holograph full score

In caption: by Fromme?

Bachelet, Alfred Chère nuit 104/1 Holograph full score 104/2-3 Copyist's manuscript/printed parts 104/4 Printed piano-vocal score

Original version with French and English lyrics

Balfe, M.W. Cavatine (no. 19 from Die Zigeunerin) 104/5 Printed piano-vocal score with German lyrics; English lyrics underlaid

Used for an arrangement?

Batiste, Edouard Offertoire in G 104/6 Printed score

Original version, for organ solo

Organ offertory 104/7 Holograph full score 104/8-10 Harold Sanford score, arranged for enlarged orchestra 104/11 Sanford parts: trumpet/cornet and harp 104/12-13 Copyist's manuscript parts Braga, Gaetano The angel's serenade 104/14 Copyist's manuscript string parts

Incomplete

Brahms, Johannes Wiegenlied 104/15 Copyist's manuscript string parts Burleigh, Harry T. Sinner, please doan let dis harves' pass (Negro Spiritual) 104/16 Holograph full score 104/17 Printed piano-vocal score

Original version

Cadman, Charles Wakefield From the land of the sky-blue water 104/18 Copyist's manuscript string parts 104/19 2 printed full scores and parts Chaminade, Cécile The flatterer 105/1 Copyist's manuscript parts: violin I and II and cello Chopin, Frederic Polish mazurka, op. 7, no. 3 105/2 Harold Sanford score for woodwinds 105/3 Sanford score for brass, percussion, and solo strings 105/4 Sanford score for piano-conductor and strings 105/5 Manuscript harp part 105/6 Holograph viola part Waltz, op. 64, no. 1 105/7 Holograph full score 105/8 Copyist's manuscript parts: violin I and cello Danks, Hart P. Silver threads among the gold 105/9 Manuscript parts

Arranged by Herbert?

Davidov, Karl Am Springbrunnen 105/10 Copyist's manuscript parts Debussy, Claude The girl with the flaxen hair 105/11 Holograph full score 105/12 Copyist's manuscript parts Minstrels 105/13 Holograph full score 105/14-15 Copyist's manuscript parts Dix, J. Airlie The trumpeter 105/16 Manuscript parts

Incomplete

105/17 Printed piano-vocal score

Original version

Donizetti, Gaetano Sextet from Lucia di Lammermoor 105/18 Copyist's manuscript score Dvorák, Antonin Gypsy-melody 105/19 Copyist's manuscript score 105/20 Copyist's manuscript parts: viola, cello and bass Humoresque 105/21 Holograph/copyist's manuscript parts

Incomplete

Fischer, Ludwig Im tiefen Keller 105/22 Holograph string parts Godard, Benjamin Berceuse from Jocelyn 106/1 Copyist's manuscript string parts Grieg, Edvard To spring 106/2 Holograph full score 106/3 Harold Sanford full score 106/4 Copyist's manuscript for piano with holograph annotations Hennessey, Swan Ancient Irish clan march 106/5 Holograph full score 106/6-9 Copyist's manuscript string parts In Irish style

In caption: Style irlandaise from Nouvelles feuilles d’album

106/10 Manuscript score for string orchestra 106/11 Copyist's manuscript parts for orchestra Kelley, Edgar Chinese love song 106/12 Copyist's manuscript violin and cello parts Kjerulf, Halfdan Last night 106/13 Manuscript full score Léonard, Hubert The donkey and the driver (L’âne et l’ânier, from Humorous scenes) 106/14 Holograph full score Liadov, Anatol A music box 106/15 Copyist's manuscript string parts

Incomplete

Liszt, Franz Liebestraum 106/16-17 Holograph/copyist's manuscript/manuscript parts

Incomplete

107/1 Printed score for piano solo with annotations, serving as conductor's score Lover, Samuel The angel's whisper see also The low back'd car 107/2 Holograph score for cello and piano The low back'd car 107/3 Holograph score for orchestra 107/4 Copyist's manuscript score for cello and piano

Also includes: The angel's whisper

107/5 Holograph parts, orchestral version

Incomplete

107/6 Printed scores for violin and piano, 2 copies and parts Sweet harp of the days that are gone 107/7 Holograph piano-vocal score

No lyric

107/8 Copyist's manuscript piano-vocal score 107/9 Printed/holograph/copyist's manuscript

No lyric

MacDowell, Edward Alexander To a wild rose 107/10 Holograph/manuscript parts

Incomplete

Marshall, Charles I hear you calling me 107/11 Holograph/copyist's manuscript parts Mendelssohn-Bartholdy, Felix A midsummer night's dream (incidental music) 107/12 Copyist's manuscript vocal score

Incomplete, [4] p.

Song without words (no. 22) 107/13 Holograph full score 107/14 Harold Sanford score for woodwinds 107/15 Sanford score for brass, tympani, and solo/obbligato violins 107/16 Sanford score for piano-conductor and strings 107/17 Copyist's manuscript parts 107/18 Printed score for piano solo

Original version

Spinning song 107/19 Copyist's manuscript string parts Spring song 107/20 Copyist's manuscript string parts Nevin, Arthur Love dreams 108/1-3 Copyist's manuscript parts Nevin, Ethelbert Narcissus 108/4 Harold Sanford full score 108/5 Manuscript parts

Incomplete

Oh! that we two were maying 108/6 Holograph score for chorus 108/7 Copyist's manuscript parts

Incomplete

108/8 Printed piano-vocal score for male voices 108/9 Printed piano-vocal score

Original version, annotated by VH

The rosary 108/10 Holograph parts: clarinet and bassoon only 108/11 Copyist's manuscript string parts 108/12 Printed piano-vocal score

Original version, annotated by VH

Venetian love song 108/13 Manuscript viola part Offenbach, Jacques Tales of Hoffmann: Barcarolle 108/14 Copyist's manuscript parts

Incomplete

Rimsky-Korsakov, Nikolay A Hindoo love song 108/15 Copyist's manuscript string parts

Incomplete

108/16 Printed piano-vocal score

Original version

Ronald, Landon Evening 108/17 Holograph full score 108/18 Copyist's manuscript parts 108/19 Printed piano-vocal score Root, George F. Tramp, tramp, tramp 108/20 Holograph full score Rubinstein, Anton Kamennoi-Ostrow (op. 10) 109/1 Holograph full score 109/2-4 Copyist's manuscript parts 109/5 Printed piano solo score

Original version: 2 editions, 1 incomplete

Melody in F 109/6 Copyist's manuscript string parts Sanger, Gustav Wedding bells 109/7 Copyist's manuscript parts

Incomplete

Schubert, Franz Der Wanderer 109/8 Holograph full score 109/9 Copyist's manuscript parts Schumann, Robert The two grenadiers, op. 49, no. 1 109/10 Holograph/copyist's manuscript parts 109/11 Printed piano-vocal scores

2 editions: 1 with English, German and French lyrics

Shelley, Harry Rowe Love's sorrow 109/12 Copyist's manuscript parts 109/13 Copyist's manuscript vocal score 109/14 Printed piano-vocal score with English and German lyrics (2 copies) Steinway, Charles H. Madeleine. Valse poëtique 110/1 Holograph full score 110/2-3 Copyist's manuscript parts Tchaikovsky, Peter Ilich Chant sans paroles 110/4-5 Copyist's manuscript parts Tosti, Paolo La serenata 110/6 Holograph full score Tucker, Henry Sweet Genevieve 110/7 Copyist's manuscript parts 110/8 Printed piano-vocal score

Original version, annotated by VH

Von Tilzer, Harry Put on your old high hat 110/9 Printed piano-vocal score

Original version, annotated by VH

Walker, Grace My mother's old daguerreotype 110/10 Manuscript full score 110/11 Copyist's manuscript parts 110/12 Printed piano-vocal score

Original version, annotated by VH

Wrighton, W.T. Her bright smile haunts me still 110/13 Copyist's manuscript parts 110/14 Printed piano-vocal score

Original version, annotated by VH

110/15 Holograph sketch 111-112 Music by Others

Chiefly printed bound scores and unbound scores and parts. Orchestral and chamber music by other composers that was owned by Herbert. Includes fifteen compositions by Samuel Lover and three bound opera scores from the libraries of Herbert and Therese Förster.

Arranged alphabetically by composer and alphabetically by title therein.

Anonymous 111/1 Chinese music, copied from Beiträge zur Erforschung der chinesischen Musik by Erich Fischer Boccherini, Luigi 111/2 Sei sonate per violoncello, Sonata VI (piano accompaniment by Alfredo Piatti) Bonvin, Ludwig 111/3 Festzug, op. 27 Burt, Benjamin H. 111/4 Alexander Jones Buzzi-Peccia, Arturo 111/5 Saturnale (romano for orchestra) Foy, Eddie 111/6 Put on your old high hat Gabrilówitsch, Ossip 111/7 Good-bye, op. 11, no. 1

Inscribed to VH by Gabrilówitsch

Goltermann, Georg 111/8 Concerto, op. 14 Gounod, Charles 111/9 Sérénade (Berceuse) Hadley, Henry 111/10 Music. An ode, op. 75

Inscribed to VH by Hadley

Kelley, Edgar Stillman 112/1 Aladdin

Inscribed to VH by Kelley

Leotti, J. 112/2-3 Andante calmo 112/4 Spanish tango Lover, Samuel 112/5 The angel's whisper 112/6 The birth of St. Patrick 112/7 The deep sea shell 112/8 The haunted spring 112/9 Live in my heart and pay no rent 112/10 The low back'd car 112/11 The May dew 112/12 Molly Bawn 112/13 My dark hair'd girl 112/14 Oh! watch you well by daylight 112/15 Rory O'Moore 112/16 The slave trade 112/17 Le songe 112/18 That rogue, Riley! 112/19 Under the rose Lund, John 112/20 Eine Hochzeitsmusik Mendelssohn-Bartholdy, Felix 112/21 A midsummer night's dream Offenbach, Jacques Bound Les contes d'Hoffman Raff, Joachim 112/22 Im Walde. Sinfonie no. 3, F dur, op. 153 Ritter, Joseph 112/23 September starlight

Inscribed to Ella Herbert by Ritter

Wagner, Richard Bound Siegfried

Signed by VH

Bound Die Walküre

Inscribed to Therese Förster

Waller, Henry 112/24 Dance of the "sun feast" 113-114 Miscellaneous Music

Ubound manuscript scores and parts, piano-vocal scores, sketches, mostly in manuscript. Works by Herbert that have distinct titles, yet cannot be labeled authoritatively as either show music or non-show music.

Arranged alphabetically by title.

Changeable Charlie 113/1 Copyist's manuscript lead sheet The eternal triangle 113/2 Holograph full score Fanfare (from Medley. No. 1) 113/3 Copyist's manuscript parts: brass and strings Fanfare, for 2 horns and 2 cornets 113/4 Holograph parts Fanfare in B-flat; Untitled; William Tell; Tempo valse

Lambs' Gambol material?

113/5 Copyist's manuscript parts Fox trot 113/6 Holograph sketches

Additional sketches laid in. On cover, in Ella Herbert Bartlett's hand: Last thing Father wrote / sketches / May 25th 1924

The frog and the fish

The enchanted isle?

113/7 Holograph piano-vocal score Half past 113/8 Copyist's manuscript choral score and parts

Arranged by Theo Westman; incomplete

Not related to "At half past," box-folder 79/7

Havana Anna 113/9 Holograph full score 113/10 Copyist's manuscript parts I'm looking for a little Cinderella 113/11 Holograph piano-vocal score It's hell to be a Dolly 113/12 Holograph full score It's just the harmless guile of her 113/13 Holograph piano-vocal score 113/13 Lyric sheet J.J. Flynn 113/14 Holograph piano-vocal score

No lyric

A jazz tune 113/15 Copyist's manuscript parts The jolly curraiser 113/16 Holograph piano-vocal score Love is near, dear 113/17 Coypist's manuscript piano-vocal score

Incomplete, p. 1-2 wanting

Lullaby 113/18 Copyist's manuscript vocal score Melodrama 113/19 Manuscript string parts Montgomery and stone

Comedians; different work from the following

113/20 Manuscript full score Montgomery and stone

Comedians; different work from the previous

113/21 Copyist's manuscript parts My arms are yearning 113/22 Holograph piano-vocal score My girl 113/23 Copyist's manuscript parts

Incomplete

My little Rose Marie

Found with Babette materials

113/24 Holograph piano-vocal score My midnight girl 113/25 Sketch of piano-vocal score O my luve's like a red, red rose 113/26 Manuscript piano-vocal score Oh what a world 113/27 Manuscript drum part Oriental dance

Not related to "Oriental dance" from Wonderland, box-folder 75/26-27

113/28 Holograph sketch

Includes 2 antecedent pages of unidentified material

Parisian scene 113/29 Holograph full score Paul Revere's ride 113/30 Holograph full score Play that wedding march backward 113/31 Holograph piano-vocal score

No lyric

Quartette 113/32 Holograph piano-vocal score with lyric fragments Samoan lullaby 114/1 Holograph sketch Serenade for Van Dresser? 114/2 Holograph piano-vocal score

Incomplete, [2] p.

She was a country girl

Found with Babette material

114/3 Holograph piano-vocal score She's a doggone lovable girl 114/4 Holograph piano-vocal score Song and march 114/5 Manuscript piano-vocal score Sousie from Sioux City 114/6 Holograph full score Spanish dance 114/7 Holograph piano score Spring is here 114/8 Holograph piano-vocal score Tell me, daisy 114/9 3 copyist's manuscript piano-vocal scores 114/10 Copyist's manuscript parts Theme (Serious) 114/11 Copyist's manuscript parts Trio: I need it now 114/12 Otto Langey full score 114/13 Holograph piano-vocal score Two sons of rest 114/14 Copyist's manuscript piano-vocal score

No lyric; 2 copies

VH waltzes 114/15 Manuscript score

Incomplete

Valse lente

Found with Babette material

114/16 Otto Langey full score Versailles 114/17 Holograph full score Waiting for a kiss 114/18 Holograph full score 114/19 Copyist's manuscript parts Waltz (Maurice) 114/20 Holograph full score We're marching on to glory? 114/21 Holograph vocal score with lyric fragment When the sun in golden splendor 114/22 Holograph piano-vocal score Wild oats 114/23 Otto Langey full score 114/24 Holograph piano-vocal score A woman is as old as she looks 114/25 Holograph piano-vocal sketch score 115-116 Unidentified Music

Some of these unidentified items are complete and some of them fragmentary. Where possible, the key signature and time signature are noted to aid in identification.

Manuscripts; full scores, followed by chamber music and reduced scores, instrumental and vocal parts, and sketches.

Full scores 115/1 Holograph score, in 6/8 time in G major

Found with Babette materials

115/2 Holograph score, in 2/4 time in F major 115/3 Holograph score, in 6/8 time in E-flat major 115/4 Holograph score, in 2/4 time, beginning in F-sharp minor

Incomplete, p. 1-16 only

115/5 Holograph score, in 4/4 time in C major

Incomplete, final [2] p.

115/6 Holograph score, in 4/4 time in E-flat major

Incomplete, [2] p.

115/7 Holograph score, in 2/4 time in F major

Incomplete, final [4] p.

115/8 Holograph score, in 2/4 time in F major

Incomplete, [4] p.

115/9 Holograph score, in 4/4 time, ending in A-flat major

Incomplete, p. 9-16 only

115/10 Holograph score, in 3/4 time in B-flat major

Incomplete, [2] p.

Found with "All Alone"

115/11 Holograph score, in 4/4 time in F major

Incomplete, p. 7-8 only

115/12 Holograph score, in 3/4 time in C major

Incomplete, p. 9-16 only

115/13 Holograph score, in 2/4 time in E-flat major

Incomplete, p. 9-11 only

115/14 Holograph score fragment, in 4/4 time in E-flat major

Incomplete, final p. 17 only

115/15 Manuscript score fragment, in 4/4 time in C major

Incomplete, final [2] p.

Perhaps relating to Natoma

115/16 Manuscript score, in 6/8 time in B-flat major

Incomplete, [4] p.; perhaps numbered p. 9-12

Perhaps relating to The Serenade, Act II

115/17 Otto Langey score in 2/4 time in C major

Incomplete, p. 5-15 only

115/18 Otto Langey score in 6/8 time in E-flat major

Incomplete, p. 9-27 only

Chamber music and piano-vocal, piano, and other reduced scores 115/19 Holograph score for cello and piano, in 3/4 time in A major 115/20 Holograph cello and piano score and cello part, in 3/4 time in G major 115/21 Holograph piano-vocal score with vocal fragment, in 2/4 time in D major

Found with Lambs' Gambol material

115/22 Holograph piano-vocal score with lyric fragment, in 3/4 time in G major 115/23 Holograph piano score, begins in 6/8 time in G major

For a ballet?

115/24 Holograph piano score (continuation of overture), begins in 4/4 time in F major 115/25 Holograph piano-vocal score with lyric fragments, begins in 2/4 time in B-flat major

Incomplete, p. 9-16 only

Found with Lambs' Gambol material

115/26 Copyist’s manuscript piano-vocal scores, in 6/8 time in D minor (2 copies) 115/27 Copyist’s manuscript piano-vocal score, in 3/4 time in G major 115/28 Copyist’s manuscript piano-vocal score, in 2/4 time in D major 115/29 Manuscript piano and violin score for a violin sonata?, in 6/8 time ending in E-flat major

Incomplete, [60] p.

115/30 Copyist’s manuscript piano-vocal score, in 4/4 time in C major

Incomplete, final [3] p.

115/31 Copyist’s manuscript piano-vocal score, begins in 2/4 in G-flat major

Incomplete, p. 14-20 only

115/32 Copyist’s manuscript piano-vocal score fragment, in 2/4 time in E-flat major

p. 5-6 only

115/33 Manuscript choral score and other sketch material, begins in 2/4 time in C major

Incomplete, [2] p.

115/34 Copyist’s manuscript short score fragment, [2] p., ending in 6/8 time in B-flat major Instrumental and vocal parts 115/35 Copyist’s manuscript orchestral parts, ending in 3/4 time in G major 116/1 Copyist’s manuscript orchestral parts, in 2/4 time in D minor 116/2 Copyist's manuscript orchestral parts, in 4/4 time in G major 116/3 Copyist’s manuscript cello part, in 3/4 time in G major 116/4 Copyist’s manuscript/printed cello parts, the manuscript is in 6/8 time in F major and the printed is in 3/4 time in B-flat major

Manuscript and parts unrelated?

116/5 Holograph bass (vocal) part with text beginning, Nein, Nein, Nein..., in 2/4 time in G major 116/6 Copyist’s manuscript tenor I and bass II parts and vocal score with text beginning, Holdrieh... (first chorus) and O schöne Nacht (second chorus)

Not related to "O schöne Nacht," box-folder 81/15-16; begins in 4/4 time in F major

116/7 Copyist’s manuscript tenor II and bass II parts with text beginning, Stop, stop the wedding, in 4/4 time in E-flat major 116/8 Copyist’s manuscript violin I and II part (fragment), ending in 4/4 time in F major 116/9 Holograph orchestral parts (incomplete), begins in 2/4 in F major

Found with Babbette materials

116/10 Holograph parts, in 2/4 time in G major, found with "Havanna Anna"

Incomplete

116/11 Holograph parts, in cut time in E-flat major

Incomplete?

Sketches 116/12 Holograph sketches ([58] p.) Miscellaneous 116/13 Holograph sketches ([53] p.) Miscellaneous 116/14 Holograph sketches ([30] p.) Miscellaneous 116/15 Holograph piano and piano-vocal sketches, section labeled Finale starts in 2/4 time in E-flat major

Found with Babette materials

116/16 Holograph piano sketch, in 6/8 time in A-flat major 116/17 Holograph piano-vocal sketch, in 2/4 time in C major 116/18 Holograph piano sketch, in 6/8 time in G major 116/19 Holograph string part sketch, in 4/4 time in E-flat major 116/20 Holograph 8-measure sketch

Perhaps for male chorus?

116/21 Holograph piano sketch fragment, in 3/4 time in D minor 116/22 Holograph part sketch fragment, in 2/4 time in G major 116/23 Holograph sketchbook. Skizzenbuch für Musiker 117-186 Victor Herbert Orchestra Part Books

These part books, used in performances by the Victor Herbert Orchestra, contain manuscript and printed orchestral parts for original works and arrangements by Herbert, as well as music by other composers. No attempt was made to verify the completeness of the part books; parts for some of the selections may be missing from some of the books. It is possible that some of the stray parts may be found in the Show Music, Non-Show Music, and Arrangements sections of the collection.

Described by color of their covers: red, green, old black, and new black books.

117 Orchestral repertoire books (2) Red part books 118 conductor; flute I 119 flutes II-III/piccolo; oboe I 120 oboe II/English horn; clarinets I-II 121 bassoons I-II; horn I 122 horns II-IV 123 trumpets I-III 124 trombones I-III 125 tuba; drums I-II 126 timpani; harp 127 violin I, stands 1-2 128 violin I, stands 3-4 129 violin I, stands 5-8; violin II, stand 1 130 violin II, stands 2-3 131 violin II, stands 4-6; viola, stand 1 132 viola, stands 2-5 133 cello, stands 1-2; stands 3-4

Incomplete

134 Bass, stands 1-2; stands 3-4

Incomplete

Green part books 135 piccolo/flute; flute I 136 flute II; oboe I 137 oboe II; clarinet I 138 clarinet II; bassoon I 139 bassoon II; horn I 140 horns II-III 141 horn IV; cornet I 142 cornets II-IV 143 trombones I-II 144 trombone III; tuba 145 bass drum; cymbals; triangle; drums; and bells 146 timpani; harp 147 violin I, stand 1 148 violin I, stand 2 149 violin I, stand 3 150 violin I, stand 4 151 violin II, stand 1 152 violin II, stand 2 153 violin II, stand 3 154 viola, stand 1 155 viola, stand 2 156 cello, stand 1 157 cello, stand 2 158 bass, stand 1 159 bass, stand 2 Old black part books 160 conductor; flutes I-II 161 flute III; oboes I-II 162 clarinets I-II; bassoons I-II 163 horns I-IV 164 trumpets I-II; trombone I 165 trombones II-III; tuba; drums 166 timpani; violin I, stand 1; harp 167 violin I, stands 2-4 168 violin II, stands 1-3 169 viola, stands 1-3 170 viola, stand 4; cello, stands 1-2 171 bass, stands 1-3 New black part books 172 piccolo; flute I 173 flute II; oboes I-II 174 clarinets I-II 175 bassoons I-II 176 horns I-II 177 horns III-IV 178 trumpets I-II 179 trombones I-III 180 tuba; drums I-II; timpani 181 harp; violin I, stand 1 182 violin I, stands 2-3 183 violin I, stand 4; violin II, stand 1 184 violin II, stands 2-3 185 viola, stands 1-2 186 cello, stand 1; bass, stand 1 Bound Scores Piano-vocal scores

The following list includes piano-vocal scores as well as one book of piano scores of show music by Herbert, all of which were owned by Gustav Klemm and are housed with the collection:

The ameer Babette Cyrano de Bergerac (2) The debutante Dolly dollars Dream city and The magic knight Eileen The enchantress Hearts of Erin Her regiment The idol's eye It happened in Nordland The lady of the slipper Little Nemo The madcap duchess Madeleine Mlle. Modiste Mlle. Rosita Natoma (2) Naughty Marietta Old Dutch The only girl Orange blossoms The prima donna Prince Ananias The princess Pat The red mill The rose of Algeria The serenade The singing girl Sweethearts The tatooed man The velvet lady The viceroy When sweet sixteen The wizard of the Nile Wonderland Victor Herbert, Volume I: vocal music Victor Herbert, Volume II: instrumental music Therese Förster's opera scores

The following list includes Therese Förster's personal piano-vocal opera scores that were originally donated with the collection but no longer reside with it.

Auber, D.F.E. Fra Diavolo: opera in three acts (London: Boosey & Co., 1871) Mauer u. Schlosser: komische Oper in 3 Akten (Leipzig: C.F. Peters, undated) Die Stumme von Portici: grosse Oper in 5 Akten (Leipzig: C.F. Peters, 19-) Beethoven, Ludwig van Fidelio (Leipzig: C.F. Peters, undated) Bellini, Vincenzo Norma (Leipzig: C.F. Peters, 18-) Charpentier, Gustave Louise: a musical romance in four acts and five tableaux (Paris: Heugel & Co., 1907) Donizetti, Gaetano La figlia del riggimento: a comic opera in two acts (London: Novello & Co., undated) Goldmark, Carl Die Königin von Saba: Oper in fier Akten nach einem text von Mosenthal (Hugo Pohle, 1877) Gounod, Charles Faust (title page missing) Halevy, F. Die Jüdin (Berlin: Schlesinger’schen Buch u. Musikhdl, undated) Kreutzer, Conradin Das Nachtlager in Granada: omantische Oper in 2 Akten (Leipzig: C.F. Peters, undated) Maillart, Aimé Das Glöckchen des Eremiten (Ed. Bote & G. Bock, undated) Marschner, Heinrich Hans Heiling (Friedrich Hofmeister, undated) Mascagni, Pietro Cavalleria Rusticana (New York: G. Schirmer, 1891) Massanet, Jules Esclarmonde: Opéra Romanesque en quatre actes et huit tableaux don’t un Prologue et un Épilogue (Paris, G. Hartmann & Cie, 1889) Mendelssohn-Bartholdy, Felix Lieder und Gesänge (Leipzig: Breitkopf & Härtel, undated) Meyerbeer, Giacomo Die Afrikanerin: Oper in V Akten (Berlin: Ed. Bote & G. Bock, undated) Die Hugenotten: grosse Oper in fünf Aufzügen, erster und zweiter Band (Leipzig: Breitkopf & Härtel, undated) Robert der Teufel: Oper in 5 Akten (Berlin: Schlesinger’schen Buch u. Musikhdl., undated) Mozart, Wolfgang Amadeus Don Juan: Opera buffa in 2 Acten von Lorenzo da Ponte (Leipzig: C. F. Peters, 1891-1899) Don Juan: Oper in zwei Aufzügen (Hamburg: A. Cranz, n.d.) Des Hochzeit des Figaro (title page is missing) Die Zauberflöte (Leipzig: Breitkopf & Härtel, undated) Nicolai, Otto Die lustigen Weiber von Windsor: Komisch phantastische Oper in 3 Akten (Berlin: Ed. Bote & G. Bock, undated) Offenbach, Jacques Les Contes d’Hoffmann: Opéra fantastique en 3 actes de Jules Barbier (Paris: Choudens Père & fils, undated)

“Property of Victor Herbert” written on first page; still housed with the Herbert collection’s Bound Scores

Planquette, Robert The old guard: opera comique in 3 acts (London: Enoch & Songs, undated) Puccini, Giacomo Madama Butterfly da John L. Long e David Belasco (Milan: G. Ricordi & Co., 1904 Tosca: Melodramma in tre atti (Milan, New York: G. Ricordi & Co., 1899 Schubert, Franz Schubert-Album: Sammlung der Lieder für eine Singstimme mit Pianofortebegleitung, Band 1 (Leipzig: C.F. Peters, undated) Strauss, John Die Fledermaus: Operette in drei Acten (Leipzig: A. Cranz, 1876) Verdi, Giuseppe Aida (Berlin: Ed. Bote & G. Bock, undated) Falstaff: lyrical comedy in three acts (Milan: G. Ricordi & Co., 1893) Otello: a lyrical drama in four acts (founded on Shakespeare's tragedy) (London: G. Ricordi & Co., 189-) Rigoletto: opera in three acts (New York: G. Schirmer, 1902) Wagner, Richard Der fliegende Holländer: romantische Oper in 3 Aufzügen (Berlin: C.F. Meser, 1877?) Götterdämmerung (Mainz: B. Schott’s Söhne, undated) Lohengrin (Mainz: B. Schott’s Söhne, undated) Die Meistersinger von Nürnberg (Mainz: B. Schott’s Söhne, undated) Parsifal (Mainz: B. Schott’s Söhne, undated) Das Rheingold (Mainz: B. Schott’s Söhne, undated) Rienzi, der Letzte der Tribunen: grosse tragische Oper in 5 Akten (Berlin und Dresden: C. F. Meser, 1873?) Siegfried (Mainz: B. Schott’s Söhne, undated)

Signed by Victor Herbert; still housed with the Herbert's collection of bound scores

Tannhäuser and the tournament of song at Wartburg: romantic opera in three acts (New York: G. Schirmer, undated) Tristan and Isolda (Leipzig, New York: G. Schirmer, undated) Die Walküre (Mainz: B. Schott’s Söhne, undated)

Inscribed to Therese Förster; still housed with the Herbert collection’s Bound Scores

Weber, Carl Maria von Der Freischütz: Oper in 3 Akten (Leipzig: C. F. Peters, undated) Oberon: romantische oper in 3 Akten (Berlin: Schlesinger’schen Buch u. Musikhdl., 1881?) Non-Music 187 Clippings

Clippings on Herbert, his shows, his concerts, and other musicians.

Herbert General 187/1 1905-1914 187/2 1915-1921 187/3 1924 187/4 1927-1939 187/5 Undated 187/6 Obituaries (Herbert and wife), 1924, 1927 Shows 187/7 A-K 187/8 L-Z 187/9 Concerts Other musicians 187/10 A-Q 187/11 R-Z 187 Correspondence

Six folders of material, arranged alphabetically by name of individual, and one folder of miscellaneous correspondence, also arranged alphabetically.

187/12 Davis, Mr., undated 187/13 Dixon, Thomas, 1915-1916 187/14 Dvorák, Antonín, 1893 187/15 Herbert-Förster, Therese, 1885-1889, 1896, undated 187/16 Klemm, Gustav, 1916-1923, undated 187/17 Sanford, Harold, 1911-1916 187/18 "A-Z" miscellaneous 188, 199 Iconography

Chiefly photographs, spanning the years 1883 through 1924, this section is separated into four sub-sections: Herbert alone, Herbert and others, tour of the southern United States, and miscellaneous subjects.

Arranged chronologically within each sub-section.

Herbert alone 188/1 circa 1883-1900 199/3 1900 188/2 circa 1901-1910 188/3 circa 1911-1920 188/4 circa 1921-1924 188/5 Non-photographic images of Herbert, undated 188/6 Herbert and others 199/5 Pittsburgh Orchestra with Richard Strauss, 1901 199/6 ASCAP dinner, 1914 188/7 Tour of the Southern United States, circa 1911-1912 188/8 Miscellany 188 Legal Papers

Arranged chronologically.

188/9 1894-1901 188/10 1904-1912 188/11 1916-1924, 1939 189 Programs

Separated into sub-sections: Willow Grove Concerts; miscellaneous concerts; operettas and operas.

Arranged chronologically or alphabetically by title.

Willow Grove concerts 189/1 1905-1908 189/2 1913-1914 189/3 1915-1916 189/4 1917 189/5 1918 189/6 1919-1924 189/7 Miscellaneous concerts, 1894, 1914-1915, 1931, undated Operettas and operas by VH 189/8 A-G 189/9 H-L 189/10 M 189/11 N 189/12 O-Z 189 Promotional Material

Chiefly clippings, flyers, and catalogs. The first folder contains promotional materials relating exclusively to shows and is arranged alphabetically by title of show. The second folder contains promotional material that is general in nature or relates to a specific song and is arranged chronologically.

189/13 A-Z 189/14 1911-1924, undated 190-197 Scrapbooks

Eleven scrapbooks pertaining to various aspects of Herbert’s life and career: the Gilmore Band, the Pittsburgh Orchestra, Natoma, the Willow Grove Park Concerts, and obituaries. There is also a scrapbook of German and English clippings.

Arranged chronologically by topic.

190 Gilmore Band, 1893-1895 2 scrapbooks, photocopy of item 2 only 191-195 Pittsburgh Orchestra, 1898-1904 5 scrapbooks 196/1 Natoma, 1911 196/2 Willow Grove Park, 1914 197/1 Obituaries and other topics, 1918-1924 197/2 German and English clippings, undated 198 Miscellaneous Material 198/1 David Bispham Memorial Medal for American Opera, 1924 198/2 Description of the Victor Herbert collection held at the New York Public Library 198/3 Herbert family tree 198/4 Outlines and notes regarding productions, performances, etc., undated 198/5 Print plate of Herbert, undated 198/6 Radio scripts, 1937, undated 198/7 Speech, in honor of Caruso, 1916 198 Indexes 198/8 Library of Congress microfilm contents list

Printed piano-vocal scores, librettos, and prompt books of stages shows by VH

198/9 Index of selections in Herbert's operettas and operas 198/10 Index of characters in Herbert's operettas and operas 198/11 Index of vocal excerpts in Herbert's operettas and operas