Charlie Barnet collection, 1939-1949

http://hdl.loc.gov/loc.music/eadmus.mu010031 Charlie Barnet Collection of Big Band Arrangements Processed by the Music Division of the Library of Congress Music Division, Library of Congress

Washington, D.C.

2010 Guides to Special Collections in the Music Division of the Library of Congress

Catalog Record: http://lccn.loc.gov/2006560668

Finding aid encoded by Library of Congress Music Division, 2010 Finding aid written in English. Collection Summary Charlie Barnet Collection of Big Band Arrangements 1939-1949 ML31.B27 Barnet, Charlie around 650 items 38 containers 18 linear feet Collection material in English Music Division Library of Congress

Washington, D.C.

Charlie Barnet (1913-1991) was an American bandleader, jazz saxophonist, composer, and arranger. The collection contains musical arrangements for approximately 650 songs and instrumental numbers used by Barnet and his band. The majority of these arrangements are represented by full scores, though thirty-seven are represented by parts only, and an additional thirty-one include both a full score and parts. Approximately fifty arrangers are represented in the collection, including Billy May, Andy Gibson, George Siravo, and Conn Humphries. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

People Barnet, Charlie. Barnet, Charlie. Burnett, Bobby. Burns, Ralph. Gibson, Andy, 1913-1961. Hefti, Neal. Henderson, Horace. Humphries, Conn. Martin, Skip. Matthews, Dave, 1911-1991. May, Billy. Moore, William, arranger. Siravo, George. Subjects Arrangers (Musicians)--United States. Big band music--Scores and parts. Conductors (Music)--United States. Music--Manuscripts--United States. Swing (Music) Titles Charlie Barnet collection, 1939-1949 Administrative Information Provenance

Gift; Louis P. Randell; April 1968.

Custodial History

The Library of Congress was first contacted by Louis P. Randell, the attorney for bandleader Charlie Barnet, in March of 1968. Mr. Randell was then in possession of Barnet’s library of manuscript music arrangements and was inquiring whether the Library was interested in receiving them for inclusion in our collections.

Accruals

No further accruals are expected.

Processing History

The Charlie Barnet Collection of Big Band Arrangements was processed by Mark Eden Horowitz, senior music specialist, in 2010. George Kipper, music specialist, edited and coded the finding aid for EAD format in 2010.

Other Repositories

In 1979, Charlie Barnet gave a collection of approximately 270 arrangements to College of the Desert, Palm Desert, California.

Materials from the Charlie Barnet Collection of Big Band Arrangements are governed by the Copyright Law of the United States (Title 17, U.S.C.) and other applicable international copyright laws.

Access and Restrictions

The Charlie Barnet Collection of Big Band Arrangements is open to research. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.

Certain restrictions to use or copying of materials may apply.

Preferred Citation

Researchers wishing to cite this collection should include the following information: [item, date, container number], Charlie Barnet Collection of Big Band Arrangements, Music Division, Library of Congress, Washington, D.C.

Biographical Note

Charles Daly Barnet was born in New York City on October 26, 1913. His parents divorced when he was two, and he was raised in a well-to-do household with his mother and her parents. Barnet’s grandfather, Charles Frederick Daly, was a vice-president for the New York Central Railroad. He attended boarding schools in both New York and Chicago, learned to play the piano as a child, and at the age of eight or nine was given his first saxophone, which quickly became his instrument of choice. In 1929, he was able to put together a small band of musicians for an Atlantic crossing aboard the S.S. Republic, thus becoming a working musician and bandleader as a teenager.

Charlie Barnet formed his first orchestra in 1933, disbanded it in 1937, and formed another band in 1938. Over the years, the size, make-up, and the names of Barnet’s bands changed with some regularity. Names of his groups include: Charlie Barnet All-Stars, The Charlie Barnet Septet, Charlie Barnet and the Skyliners, and The Charlie Barnet Quartet. It is with Charlie Barnet and His Orchestra (active from 1938 to Nov. 1949) that Barnet made a name for himself as bandleader and recording artist; and it is this ensemble that primarily is represented in this collection. Barnet was most popular between the years of 1939 and 1941.

As a bandleader, Barnet was most inspired by Duke Ellington; and as a saxophone player he was most influenced by alto and soprano player Johnny Hodges, and tenor saxophonist Coleman Hawkins. Barnet is remembered as one of the first white bandleaders to integrate his band, a step variously reported as having begun sometime between 1935 and 1937. The band was also one of the few mostly-white bands to play at the Apollo Theater in Harlem. Among the black musicians he featured were Roy Eldridge, Charlie Shavers, Benny Carter, Frankie Newton, and vocalist Lena Horne. Other noted musicians who played with Barnet throughout his career include Buddy DeFranco, Neal Hefti, Barney Kessel, Dodo Marmarosa, Billy May, Oscar Pettiford, and, in later years, Maynard Ferguson, Doc Severinsen, and Clark Terry. Around 1947, Barnet’s musical style changed from swing to bebop.

Among Barnet’s greatest hits were “Cherokee” (1939), which became his band’s signature tune, and “Skyliner” (1944), which Barnet also composed.

Barnet retired from music in 1949, though he subsequently returned for various tours and gigs into the early 1970s. He worked at various careers after retirement, including as restaurateur in the 1950s. In 1984, Barnet published his memoir, Those Swinging Years: the Autobiography of Charlie Barnet (with Stanley Dance). Barnet married often, possibly between eight and eleven times. He was survived by Betty Thompson Barnet, his wife of thirty-three years, and a son from a previous marriage, Charles D. Barnet, Jr. Suffering from Alzheimer’s disease, Barnet died of pneumonia in San Diego on September 4, 1991.

Scope and Content Note

The Charlie Barnet Collection of Big Band Arrangements is made up entirely of arrangements for approximately 650 songs and instrumental numbers used by Barnet and his band. The majority of these arrangements are represented by full scores, though thirty-seven are represented by parts only, and an additional thirty-one include both a full score and parts. Unless otherwise noted, everything listed is a full score. In a few instances, a score seems to fall somewhere between what would be identified as a full score and a short score (a score that combines, for instance, instrumental parts on one stave, and often includes no piano or rhythm part). Some songs are represented by more than one arrangement. There are twenty-two arrangements for medleys.

Items in the collection are arranged alphabetically by title. Before the materials arrived at the Library, an inconsistent numbering system had been applied to each of the arrangements. It was determined that there was no useful reason for keeping materials in numeric order, however, the numbers have been recorded in the container list and are noted in parentheses beside the titles.

Although most of the scores are undated, it is believed that the majority are from 1939 to 1949. A fire in October 1939 at the Palomar Ballroom in Hollywood resulted in the loss of the band’s arrangements. Evidently Count Basie supplied the band with a few of his arrangements (some by Skippy Martin), and it is possible that one or more of the Basie arrangements is included in this collection. At least one arrangement in the collection appears to date from 1938. There are also a handful of arrangements that may date from 1957 or 1958, and it is speculated that at least one may be from 1963. However, the majority of arrangements date roughly from the World War II period, and serve as a musical reflection of that period—referring directly or obliquely to patriotism, the home front, or the plight of those in the military. Such is the case with the songs “Anchors Aweigh,” “Comin’ in on a Wing and a Prayer,” “G. I. Jive,” “I’ll be seeing you,” “I’ll walk alone,” “One-A in the Army,” “They’re either too young or too old,” and “The Things we did last summer.” Among the songwriters who are particularly well-represented in this collection, with ten or more songs, are: Harold Arlen, Irving Berlin, Johnny Burke, Duke Ellington, Johnny Mercer, and Jimmy Van Heusen.

While several of the scores clearly identify the arranger, many do not. We have made every effort to identify the arrangers by matching the handwriting from known arrangers to scores where no arranger is indicated. Researchers should be aware that some scores have been identified in this way. We were also guided by work previously done with the collection by Andrew Homzy of Concordia University.

There are approximately fifty arrangers identified in this collection, including: Billy May with eighty-four arrangements; Andy Gibson with eighty-two; George Siravo with seventy-one; Conn Humphries with forty-nine; William Moore with forty-four; Dave Matthews with thirty-four; Skippy Martin with thirty-one; Neal Hefti with twenty; Ralph Burns with eighteen; Horace Henderson with fifteen; and Bobby Burnett with fourteen. Two different hands possibly have been identified as Charlie Barnet’s own: one hand is represented by thirteen arrangements; the other (identified as [2]) is represented by forty-two arrangements. Other arrangers who are credited include well known names such as Benny Carter, Abe Osser, and Eddie Stress. Several of the Conn Humphries arrangements incorrectly list his last name as “Humphreys” on the scores, but we have corrected and standardized the spelling in this finding aid.

Every effort has been made to identify the songwriters, most of whom are not credited on the scores themselves. The primary resource for this information was The Great Song Thesaurus by Roger Lax and Frederick Smith (Oxford University Press, New York, 1984). Identifications are based primarily on titles and date ranges, and, as is the case with the arrangers, it should be understood that these attributions are provided as possibilities—particularly regarding some of the more obscure titles.

Many of the arrangements feature vocalists, though rarely is a particular vocalist identified. Among the vocalists who are identified by name on some scores are Peanuts Holland, Phil Barton, Frances Wayne, and Kay Starr.

Organization of the Charlie Barnet Collection of Big Band Arrangements

The Charlie Barnet Collection of Big Band Arrangements is organized into one series:

Music http://lccn.loc.gov/2006560668 Container List Container Contents 1-38 Music

Songs and instrumental music used by Charlie Barnet's ensembles. Includes arrangement number(s), songwriter(s) and arranger when known.

Arranged alphabetically by title.

1/1 Ac-cent-tchu-ate the positive (no. 586)

Songwriters: Harold Arlen, Johnny Mercer.

Arranger: Max Walter.

1/2 Affection (no. 640)

Arranger: Dave Matthews.

1/3 Afraid to say hello (no. 240)

Arranger: Conn Humphries.

1/4 After awhile (no. 92)

Arranger: Charlie Barnet.

1/5 After all/Chelsea Bridge/Warm valley ; Medley (no. 523) 1/6 Afternoon of a Moax/Un-4-4444 (no. 176)

Arranger: Billy May.

1/7 Aint gonna strip (no. 291)

Arranger: Horace Henderson.

1/8 Ain't misbehavin' (no. 464) Parts only.

Songwriters: Thomas “Fats” Waller, Andy Razaf, Harry Brooks.

1/9 All a-tremble (no. 56) 1/10 All alone (no. 133)

Songwriter: Irving Berlin.

Arranger: Bobby Burnett.

1/11 All I desire (no. 140) Parts only.

One part is numbered 318.

1/12 All or nothing at all (no. 504)

Songwriters: Arthur Altman, Jack Lawrence.

Arranger: Ralph Burns.

2/1 All the things you are (vocal arr.) (no. 137)

Songwriters: Jerome Kern, Oscar Hammerstein II.

Arranger: Billy May.

2/2 All the things you are/Dancing in the dark/I get a kick out ... ; Medley (no. 368)

Songwriters: Jerome Kern, Oscar Hammerstein/Arthur Schwartz, Howard Dietz/Cole Porter.

Arranger: Bert Ross.

2/3 All the things you are ; Medley Parts only.

One part numbered 395, but songs are the same as no. 368.

2/4 All the things you are (no. 465) Parts only. 2/5 All the things you are (no. 747)

Arranger: George Siravo.

2/6 All this and heaven too! (no. 149) Includes parts, which are numbered both 149 and 196.

Songwriters: Jimmy Van Heusen, Eddie De Lange.

Arranger: Billy May.

2/7 All through the day (no. 693)

Songwriters: Jerome Kern, Oscar Hammerstein II.

Arranger: Andy Gibson.

2/8 Always (no. 414)

Songwriter: Irving Berlin.

Arranger: Andy Gibson.

2/9 Always in my heart, (You are) (no. 415)

Songwriters: Ernesto Lecuona, Kim Gannon.

Arranger: Conn Humphries.

2/10 Amapola (no. 283)

Songwriters: Joseph M. Lacalle, Albert Gamse.

Arranger: F. Marks.

2/11 Amapola (no. 316) Vocal score and parts only (soloist and SSAA).

Arranger: William Moore.

Anchors aweigh. see Marine's hymn, The ; Medley (no. 545) 3/1 And so do I (no. 173) Includes parts, which are numbered both 173 and 204.

Songwriters: Stephen Weiss, Paul Mann, Edgar De lange.

Arranger: Billy May.

3/2 Andy Gump (no. 735)

Songwriter/Arranger: Andy Gibson.

3/3 Any old time (no. 621)

Arranger: Neil Hefti.

April in Paris. see Time on my hands ; Medley no. 1 (no. 372) Are these really mine. see Some Sunday morning ; Medley (no. 658) Army Air Corps song. see Marine's hymn, The ; Medley (no. 545) 3/4 Arthur Murray taught me dancing in a hurry (no. 392)

Songwriters: Johnny Mercer, Victor Schertzinger.

Arranger: Conn Humphries.

3/5 As long as I live (no. 233)

Songwriters: Harold Arlen, Ted Koehler.

Arranger: George Siravo.

3/6 As long as I live (no. 746)

Songwriters: Harold Arlen, Ted Koehler.

3/7 As time goes by (no. 489)

Songwriter: Herman Hupfeld.

Arranger: Ralph Burns.

Appears to be only for instrumental sections aside from vocals.

3/8 At a Dixie roadside diner (no. 209) 3/9 At long last love/Dancing in the dark ; Medley (no. 131)

Songwriters: Cole Porter, Arthur Schwartz, Howard Dietz.

Arranger: Conn Humphries.

3/10 Autumn nocturne (no. 369) Includes parts.

Songwriters: Josef Myrow, Kim Gannon.

Arranger: Conn Humphries.

3/11 Baa baa black sheep (no. 281)

Arranger: [?] Reeves.

3/12 Baby, won't you please come home (no. 553)

Songwriters: [Possibly] Clarence Williams, Charles Warfield.

Arranger: George Siravo.

3/13 Back home (no. 506)

Arranger: Billy Moore.

3/14 Back in your own back yard (no. 623) Includes 2 versions, one numbered.

Songwriters: Dave Dreyer, Billy Rose, Al Jolson.

Arranger: George Siravo.

Significant note laid in.

3/15 Bakiff (no. 552)

Songwriter: Duke Ellington.

Arranger: Andy Gibson.

4/1 Barcarolle (no. 284)

Arranger: William Moore.

4/2 Barnet breakdown (no. 737)

Composer/Arranger: Andy Gibson.

4/3 Be-baba-leba (no. 650)

Arranger: Dave Matthews.

4/4 Be-bop bounce, The (no. 728 B)

Arranger: Andy Gibson.

4/5 Be careful, it's my heart (no. 448)

Songwriter: Irving Berlin.

Arranger: Neal Hefti.

4/6 Be fair (no. 310)

Songwriters: [Possibly] Campbell, Loft.

Arranger: Neal Hefti.

Before. see Time on my hands/Before/How high the moon ; Medley (no. 524) Belgian stomp. see Dutch kitchen stomp/Belgian stomp (no. 326) 4/7 Best man, The (no. 706)

Arranger: Andy Gibson.

4/8 Between 18th and 19th on Chestnut Street (no. 142)

Songwriters: Dick Rogers, Will Osborne.

Arranger: Billy May.

4/9 Between the devil and deep blue sea (no. 200)

Songwriters: Harold Arlen, Ted Koehler.

4/10 Between the devil and deep blue sea (no. 469)

In the hand of Andy Gibson.

4/11 Birmingham breakdown (no. 265)

Arranger: Horace Henderson.

4/12 Black butterfly (no. 508)

Songwriters: Duke Ellington, Ben Carruthers, Irvin Mills.

Arranger: Andy Gibson.

4/13 Blossoms of Tahni (no. 335)

Arranger: Conn Humphries.

4/14 Blue champagne (no. 689)

Songwriters: Frank Ryerson, H. Grady Watts, Jimmy Eaton.

Arranger: Andy Gibson.

4/15 Blue Lou (no. 468)

Songwriters: Edgar M. Sampson, Irving Mills.

Arranger: Andy Gibson.

4/16 Blue moon (no. 107)

Songwriters: Richard Rodgers, Lorenz Hart.

Arranger: Jay Freeman [?].

4/17 Blue moon (no. 450) Blue moon. see Once in a while/Blue moon/Penthouse serenade ; Medley (no. 374) 5/1 Blue prelude (no. 716) Parts only.

Songwriters: Gordon Jenkins, Joe Bishop.

Arranger: [Possibly] J. Satterfield.

5/2 Blue skies (no. 561)

Songwriter: Irving Berlin.

5/3 Blues original (no. 722)

Composer/Arranger: Andy Gibson.

5/4 Body and soul (no. 95)

Songwriters: Johnny Green, Edward Heyman, Robert Sour, Frank Eyton.

Arranger: Conn Humphries.

5/5 Body and soul (no. 463) Parts only.

In the hand of Andy Gibson.

5/6 Body and soul (no. 505)

Arranger: Ralph Burns.

5/7 Breakdown (no. 43)

Arranger: Bill Grey.

5/8 Breeze and I, The (no. 179)

Songwriters: Ernesto Lecuona, Al Stillman.

Arranger: Billy May.

Breeze and I, The. see Imagination/The Breeze and I/How high the moon ; Stage medley (no. 150) 5/9 Broome Street rag (no. 507)

Arranger: Dick Vance.

5/10 Buddy's chick (no. 702)

Arranger: William Moore.

5/11 Bugle call rag (no. 355) Includes parts.

Songwriters: Jack Pettis, Billy Meyers.

Arranger: William Moore.

5/12 Bullfrog (no. 256)

Arranger: Charlie Barnet [2].

5/13 Bunny (no. 700) Appears to be incomplete.

Arranger: Andy Gibson.

5/14 Busy as a bee (no. 106)

Arranger: Skippy Martin.

5/15 But never like this (no. 509)

Arranger: George Siravo.

6/1 Cabin in the sky (no. 473)

Songwriters: Vernon Duke, John La Touche.

Arranger: Andy Gibson.

Caissons go rolling along. see Marine's hymn, The/The Caissons go rolling along/Anchors aweigh/The Army Air Corps song ; Medley (no. 545) 6/2 Caldonia (what makes your big head so hard) (no. 624)

Songwriter: Fleecie Moore.

Arranger: Dave Matthews.

6/3 Call me darling (no. 188A)

Songwriters: Bert Reisfeld, Mort Fryberg, Rolf Marbet, Dorothy Dick.

Arranger: Billy May.

6/4 Can I help it (no. 164)

Arranger: Billy May.

6/5 Caravan (no. 510)

Songwriters: Duke Ellington, Juan Tizol, Irving Mills.

Arranger: Ralph Burns.

6/6 Careless (no. 108)

Songwriters: Lew Quadling, Eddy Howard, Dick Jurgens.

Arranger: Skippy Martin.

6/7 Castle of dreams (no. 063) Includes parts.

Songwriters: Harry Tierney, Joseph McCarthy.

Arranger: Billy May.

Parts are numbered 63 and 170, and are stamped by Russell N. Brown.

6/8 Charge at large (Portrait of a Moax) (no. 672) 6/9 Charleston Alley (no. 673)

Arranger: Andy Gibson.

6/10 Cheatin' on me (no. 360) Includes parts.

Songwriters: Lew Pollack, Jack Yellen.

Arranger: William Moore.

Number on parts, not on score.

6/11 Cheatin' on me (no. 411)

Arranger: Ralph Burns.

6/12 Cheek to cheek (no. 447)

Songwriter: Irving Berlin.

Arranger: Neal Nefti.

Chelsea Bridge. see After all/Chelsea Bridge/Warm valley ; Medley (no. 523) 7/1 Cherokee (no. 475)

Songwriter: Ray Noble.

In the hand of Andy Gibson.

7/2 Cherokee (unnumbered and no. 726) Two scores.

Scores are in the hands of two arrangers: William Moore, Andy Gibson.

7/3 Cherry (no. 242)

Songwriter: Charles Daniels.

Arranger: Charlie Barnet [2].

Note on title page: “copy medley - 1. At long last love/2. Dancing in the dark/I’ll never smile again”.

7/4 Cherry (no. 538a)

Arranger: George Siravo.

7/5 Choo choo (no. 416)

Arranger: Neal Hefti.

7/6 Christmas song, The (no. 708B)

Songwriters: Mel Tormé, Robert Wells.

Arranger: Andy Gibson.

7/7 Clap hands, here comes Charlie (no. 55)

Songwriters: Joseph Meyer, Ballard MacDonald, Billy Rose.

Arranger: Skippy Martin.

7/8 Coffee time (no. 674)

Arranger: Sheldon Smith.

7/9 College friendships (no. 257) Appears to be incomplete: 1 leaf only.

Arranger: Charlie Barnet [2].

7/10 Comanche war dance (no. 159)

Arranger: Billy May.

7/11 Come out, come out (no. 588)

Arranger: George Siravo.

7/12 Come rain or come shine (no. 703)

Songwriters: Harold Arlen, Johnny Mercer.

Arranger: Andy Gibson.

7/13 Come to the Mardi Gras (Näo tenho lagrimas) (no. 738)

Songwriters: Max Bulhoes, Milton de Oliveira, Ervin Drake, Jimmy Shirl.

Arranger: Andy Gibson.

Laid in: published piano-vocal score.

7/14 Comin' in on a wing and a prayer (no. 491)

Songwriters: Jimmy McHugh, Harold Adamson.

Arranger: George Siravo.

7/15 Consider yourself kissed (no. 308)

Arranger: F. Marks.

7/16 Cotton tail (no. 511)

Songwriter: Duke Ellington.

Arranger: Ralph Burns.

7/17 Countin' the days (no. 625)

Arranger: Neal Hefti.

7/18 Crazy rhythm (no. 606)

Songwriters: Joseph Meyer, Roger Wolfe Kahn, Irving Caesar.

Arranger: George Siravo.

7/19 Crimson tide (no. 258)

Arranger: Charlie Barnet [2].

Dancing in the dark. see All the things you are/Dancing in the dark/I get a kick out ... ; Medley (no. 368) Dancing in the dark. see At long last love/Dancing in the dark; Medley (no. 131) 8/1 Danger in the dark (no. 14)

Arranger: Billy May [?].

8/2 Danny boy (no. 248)

Songwriter: Frederick Edward Weatherly.

Arranger: Charlie Barnet [2].

8/3 Dardenalla (no. 91)

Songwriters: Fred Fisher, Felix Bernard.

Arranger: Skippy Martin.

8/4 Dark avenue (no. 177)

Arranger: Billy May.

8/5 Darn that dream (no. 112)

Songwriters: Jimmy Van Heusen, Eddy De Lange.

Arranger: Skippy Martin.

8/6 Day by day (no. 675)

Songwriters: Alex Stordahl, Paul Weston, Sammy Cahn.

Arranger: Sheldon Smith.

8/7 Dear old southland (no. 207)

Songwriters: Turner Layton, Henry Creamer.

Arranger: Charlie Barnet [2].

8/8 Dear old southland/Deep river (no. 250)

Arranger: Charlie Barnet [2].

Dearest darling. see Last time I saw you/Dearest darling/I can't begin to tell you ; Medley (no. 661) 8/9 Dearly beloved (no. 453)

Songwriters: Jerome Kern, Johnny Mercer.

Arranger: George Siravo.

8/10 ‘Deed I do (no. 70)

Songwriters: Fred Rose, Walter Hirsch.

Arranger: Skippy Martin.

8/11 Deep purple (no. 30)

Songwriters: Peter DeRose, Mitchell Parrish.

Arranger: Benny Carter.

8/12 Deep purple medley (no. 375): Deep purple/Intermezzo/My reverie (no. 375) Includes parts.

Songwriters: Peter DeRose, Mitchell Parrish/Larry Clinton, Claude Debussy/Heinz Provost, Robert Henning.

Deep river. see Dear old southland/Deep river (no. 250) 8/13 Desert sands (no. 607)

Arranger: George Siravo.

8/14 Design for the sad (no. 93)

Arranger: Charlie Barnet.

8/15 Devil may care (no. 116)

Arranger: Skippy Martin.

8/16 Devil may care (no. 201) Parts only. 8/17 Do I love you? (no. 160)

Songwriter: Cole Porter.

Arranger: Billy May.

8/18 Do I worry (no. 262)

Songwriters: Stanley Cowan, Bobby North.

Arranger: Charlie Barnet [2].

8/19 Do nothin' till you hear from me (no. 515)

Songwriters: Duke Ellington, Bob Russell.

9/1 Do you know [in F] (no. 512)

Arranger: George Siravo.

9/2 Do you know [in B-flat] (no. 513)

Arranger: George Siravo.

Laid in: published piano-vocal score for “Speak low”.

9/3 Do you love me (no. 677)

Songwriter: Harry Ruby.

9/4 Don't blame me (no. 514)

Songwriters: Jimmy McHugh, Dorothy Fields.

Arranger: Ralph Burns.

9/5 Don't fence me in (no. 590B)

Songwriter: Cole Porter.

Arranger: Neal Hefti.

9/6 Don't you remember me (no. 676)

Arranger: Andy Gibson.

9/7 Down Argentine way (no. 110/189) Parts only.

Songwriters: Harry Warren, Mack Gordon.

Arranger: [Probably] Billy May [?].

9/8 Dream (no. 589)

Songwriter: Johnny Mercer.

Arranger: Max Walter.

9/9 Dream of you (no. 320)

Arranger: William Moore.

9/10 Dreamer, The (no. 537)

Songwriters: Arthur Schwartz, Frank Loesser.

Arranger: George Siravo.

9/11 Drop me off in Harlem (no. 276)

Songwriters: Duke Ellington, Nick Kenny.

Arranger: Horace Henderson.

9/12 Drop me off in Harlem (no. 562)

Arranger: George Siravo.

9/13 Dukin the Duke (no. 730)

Arranger: William Moore.

9/14 Durango (no. 879)

Arranger: Ben Homer.

9/15 Dutch kitchen stomp/Belgian stomp (no. 326)

Arranger: William Moore.

East of the sun and west of the moon. see Once in a while - medley (no. 210) [with “East of the sun and west of the moon”] 9/16 Easy does it (no. 145)

Arranger: Billy May.

9/17 Easy listenin'/Ode to a wood nymph (no. 718)

Arranger: Billy Moore.

9/18 Easy street (no. 336)

Songwriter: Alan Rankin Jones.

Arranger: William Moore.

9/19 Easy to love, (You'd be so) (no. 502)

Songwriter: Cole Porter.

Arranger: Ralph Burns.

10/1 Ebony rhapsody (no. 31)

Arranger: Evan Young.

10/2 Ebony rhapsody (no. 49)

Arranger: Charlie Barnet [?].

10/3 Ebony rhapsody (no. 16/483) Parts only. 10/4 Ebony rhapsody (no. 488)

Arranger: Andy Gibson.

10/5 Echoes of Harlem (no. S-370)

Arranger: Andy Gibson.

10/6 Eleven-sixty p.m./11:60 p.m. (no. 651)

Arranger: Dave Matthews.

10/7 Eli Eli (no. 143)

Songwriter: Jacob Sandler.

Arranger: Billy May.

10/8 Embraceable you (no. 325)

Songwriters: George & Ira Gershwin.

Arranger: William Moore.

10/9 Every night about this time (no. 444)

Arranger: Andy Gibson.

10/10 Everybody knew but me (no. 678)

Arranger: Eddie Stress.

10/11 Everybody's riff (no. 725C)

Arranger: Andy Gibson.

10/12 Everything but you (no. 652)

Arranger: Dave Matthews.

10/13 Everything happens to me (no. 264B)

Songwriters: Matt Dennis, Adair.

Arranger: Charlie Barnet [2].

38/1 [OV] Everything I love (no. 381)

Songwriters: Cole Porter.

Arranger: Red Bone.

10/15 Exactly like you (no. 547/547a) Includes parts.

Songwriters: Jimmy McHugh, Dorothy Fields.

Arranger: George Siravo.

10/16 Fable of the rose (no. 114)

Arranger: Skippy Martin.

10/17 Faithful forever (no. 104)

Songwriters: Ralph Rainger, Leo Robin.

Arranger: Skippy Martin.

10/18 Fellow on a furlough (no. 608)

Arranger: Jerry Feldman.

10/19 Fifty million nickels (no. S-379)

Arranger: Andy Gibson.

10/20 Fine and mellow (no. 292)

Arranger: Horace Henderson.

[Five] 5 o'clock whistle. see Million dreams ago, A/5 o'clock whistle/Tonight ; Medley (no. 214) 10/21 Flo-Flo (no. 494)

Arrangers: Ralph Burns, William Moore.

11/1 Flying home (no. 264)

Songwriters: Benny Goodman, Lionel Hampton, Sid Robin.

Arranger: Skippy Martin.

11/2 Fools fall in love (no. 118)

Arranger: Skippy Martin.

11/3 Fools rush in (no. 117) Includes parts, which are numbered 199.

Songwriters: Rube Bloom, Johnny Mercer.

Arranger: Skippy Martin.

11/4 For dancers only (no. 67)

Arranger: Conn Humphries.

11/5 For sentimental reasons, (I love you) (no. 709)

Songwriters: William Best, Deke Watson.

Arranger: Andy Gibson.

11/6 For want of a star (no. 296)

Arranger: Conn Humphries.

11/7 Friend of yours, A (no. 649) 11/8 Frim fram sauce (no. 690)

Arranger: Andy Gibson.

11/9 From another world (no. 162)

Songwriters: Richard Rodgers, Lorenz Hart.

Arranger: Billy May.

11/10 G.I. Jive (no. 579)

Songwriter: Johnny Mercer.

Arranger: Harry Rodgers.

Vocal for Peanuts Holland.

11/11 Gershwin medley (no. 376)

Songwriters: George & Ira Gershwin, DuBose Heyward.

Arranger: Franklyn Marks.

Songs include: “It ain't necessarily so”, “The Man I love”, “Summertime”.

11/12 Give me the simple life/More than yesterday (no. 660)

Songwriters: Rube Bloom, Harry Ruby/[unknown].

Arranger: Dave Matthews.

11/13 Going going got! (no. 334)

Arranger: William Moore.

11/14 Going home (no. 493a)

Arrangers: George Siravo and/or Charlie Barnet.

11/15 Going my way (no. 571)

Songwriters: Jimmy Van Heusen, Johnny Burke.

Arranger: Jerry Feldman.

12/1 Good for nothing (no. 40)

Arranger: Billy May.

12/2 Good for nothin' Joe (no. 198)

Arranger: Charlie Barnet [2].

Good night, sweetheart. see Love is the sweetest thing/Good night, sweetheart/The very thought of you (no. 380) 12/3 Goodnite ladies (no. 245)

Arranger: Charlie Barnet [2].

12/4 Gotta be this or that (no. 669)

Songwriter: Sunny Skylar.

Arranger: Dave Matthews.

12/5 Great Lee, The (no. 476) Parts only (3 trpts, 2 tbs).

In the hand of Andy Gibson.

12/6 Gulf Coast blues (no. 691)

Songwriter: Clarence Williams.

Arranger: Andy Gibson.

The score is in two sections, apparently from two time periods.

12/7 Habanera (Spanish kick) (no. 286)

Arranger: William Moore.

12/8 Hallelujah (no. 417)

Songwriters: Vincent Youmans, Clifford Grey, Leo Robin.

Arranger: Andy Gibson.

12/9 Happiness is (just) a thing called Joe (no. 459)

Songwriters: Harold Arlen, Harold, E.Y. Harburg.

Arranger: Ralph Burns.

12/10 Happy about the whole thing (no. 37)

Arranger: Billy May.

12/11 Harlem stomp (no. 68) Printed parts only.

Songwriters: Jay & Irene Higginbotham.

12/12 Harmony haven (no. 197) Lead sheet only.

Songwriters: Greer Parkinson, Jack Price.

12/13 Haunted town, A (no. 244)

Arranger: Charlie Barnet [2].

12/14 He's home (no. 590)

Arranger: Neal Hefti.

12/15 He's my guy (no. 442)

Songwriters: Gene De Paul, Don Raye.

Arranger: Neal Hefti.

12/16 Heartaches (no. 734)

Songwriters: Al Hoffman, John Klenner.

Arranger: Andy Gibson.

12/17 Heaven can wait (no. 45)

Songwriters: Jimmy Van Heusen, Edgar De Lange.

Arranger: Abe Osser.

12/18 Hello baby [blues] (Oblee-eee-bop) (no. 594)

Arranger: George Siravo.

Vocal for Peanuts Holland.

12/19 Hello ma (no. 271)

Arranger: [Possibly] Seymour Levittan.

12/20 Hello ma (no. 307)

Arranger: William Moore.

12/21 Hello ma (no. 363) Parts only. 13/1 Here comes the captain and his men (no. 227)

Arranger: Charlie Barnet [2].

13/2 High on a windy hill (no. 273)

Songwriters: Alex Kramer, Joan Whitney.

Arranger: Seymour Levittan.

13/3 High on a windy hilll (no. 274)

Arranger: Conn Humphries.

13/4 Honeysuckle Rose (no. 471)

Songwriters: Fats Waller, Andy Razaf.

Arranger: Andy Gibson.

13/5 Hour never passes, An (no. 587)

Songwriter: Jimmy Kennedy.

Arranger: Conn Humphries.

Vocal for Phil Barton [?].

13/6 How bout that mess (no. 406) Parts only.

Written in the hand of Andy Gibson.

How high the moon. see Imagination/The Breeze and I/How high the moon ; Stage medley (no. 150) How high the moon. see Time on my hands/Before/How high the moon; Medley (no. 524) 13/7 Huckle-buck (no. 911)

Songwriters: Andy Gibson, Roy Alfred.

Arranger: Andy Gibson.

13/8 I ain't got nothin but blues (no. 634a)

Arranger: George Siravo.

Also titled “Sentimental journey” on the back page.

I can't begin to tell you. see Last time I saw you/Dearest darling/I can't begin to tell you ; Medley (no. 661) 13/9 I can't get started (no. 351)

Songwriters: Vernon Duke, Ira Gershwin.

Arranger: Andy Gibson.

13/10 I can't get started (no. 609)

Arranger: George Siravo.

13/11 I can't give you anything but love (no. 626)

Songwriters: Jimmy McHugh, Dorothy Fields.

Arranger: George Siravo.

13/12 I cling to you (no. 135)

Arranger: Billy May.

13/13 I concentrate on you (no. 163) Includes parts.

Songwriter: Cole Porter.

Arranger: Billy May.

Parts are numbered 179.

13/14 I couldn't sleep a wink last week (no. 580)

Songwriters: Jimmy McHugh, Harold Adamson.

Arranger: Frank Davenport.

I cried for you. see Pretty girl is like a melody/I cried for you/My buddy ; Medley (no. 373) 13/15 I don't know what time it was (no. 54)

Songwriters: Richard Rodgers, Lorenz Hart.

Arranger: Skippy Martin.

13/16 I don't know enough about you (no. 679)

Songwriters: Peggy Lee, Dave Barbour.

Arranger: Andy Gibson.

14/1 I don't know why (no. 717)

Songwriters: Fred Ahlert, Roy Turk.

Arranger: Andy Gibson.

14/2 I don't stand a ghost of a chance/You're mine you ; Medley (no. 243)

Songwriters: Victor Young, Bing Crosby, Ned Washington/Johnny Green, Edward Heyman.

Arranger: Charlie Barnet [2].

Laid in: 4th trombone part.

14/3 I don't stand a ghost of a chance (no. 410)

Arranger: Ralph Burns.

14/4 I don't want anybody at all (no. 437)

Arranger: Andy Gibson.

14/5 I don't want to be alone (no. 551)

Arranger: George Siravo.

14/6 I don't want to cry anymore (no. 97)

Arranger: Billy May.

14/7 I don't want to set the world on fire (no. 354) Parts only.

Songwriters: Eddie Seiler, Sol Marcus, Bennie Benjamin, Eddie Durham.

14/8 I dream I kiss your hand madame (no. 81)

Arranger: Bobby Burnet.

14/9 I dream of you (no. 591)

Songwriters: Marjorie Goetschius, Edna Osser.

Arranger: Max Walter.

14/10 I found a million dollar baby in a five and ten cent store (no. 306)

Songwriters: Harry Warren, Mort Dixon, Billy Rose.

Arranger: Horace Henderson.

14/11 I found a new baby (no. 321)

Songwriters: Spencer Williams, Jack Palmer.

Arranger: Horace Henderson.

14/12 I found a new baby (no. 560)

Arranger: Dave Matthews.

14/13 I found you in the rain (no. 370) Includes parts.

Songwriter: H. Barlow.

Arranger: Neal Hefti.

I get a kick out ... . see All the things you are/Dancing in the dark/I get a kick out ... ; Medley (no. 368) 14/14 I get along without you very well (no. 44)

Songwriter: Hoagy Carmichael.

Arranger: Abe Osser.

14/15 I give you my word (no. 260)

Songwriters: Al Kavelin, Merril Lyn.

Arranger: Conn Humphries.

14/16 I got it bad and that ain't good (no. 368a)

Songwriters: Duke Ellington, Paul Francis Webster.

Arranger: Andy Gibson.

14/17 I got it bad and that ain't good (no. 477) Parts only (3 trpts., 2 tbs.)

Written in the hand of Andy Gibson.

14/18 I guess I'll get the papers/We'll be together again/Something sentimental ; Medley (no. 659)

Songwriters: Cambridge/Loft-Marmor/[?].

Songwriters based on annotations found on the manuscript.

14/19 I have eyes (no. 32)

Songwriters: Ralph Rainger, Leo Robin.

Arranger: Jay Freeman.

14/20 I hear a rhapsody (no. 232)

Songwriters: George Frajos, Jack Baker, Dick Gasparre.

Arranger: C.L. Humphries.

14/21 I hear music (no. 175) Includes parts, which are numbered both 175 and 198.

Songwriters: Burton Lane, Frank Loesser.

Arranger: Billy May.

14/22 I heard you cried last night (no. 516)

Songwriters: Kerry Kruger, Ted Grouya.

Arranger: George Siravo.

15/1 I kinda like you (no. 109)

Arranger: Skippy Martin.

15/2 I know why (no. 383) Parts included.

Songwriters: Harry Warren, Mack Gordon.

Arranger: Roque Dominick.

15/3 I left my heart at the stage door canteen (no. 445)

Songwriter: Irving Berlin.

Arranger: Neal Hefti.

15/4 I look at you (no. 187) Includes parts, mostly numbered 107.

Arranger: Charlie Barnet [2].

Parts contain the name Bud Estes, suggesting he might be the arranger.

15/5 I lost my sugar in Salt Lake City (no. 532)

Songwriters: Leon Rene, Johnny Lange.

Arranger: Ralph Burns.

15/6 I love you - that is (no. 680)

Arranger: Sheldon Smith.

15/7 I may be wrong, but I think you're wonderful (no. 467) Parts only; appears to be incomplete.

Songwriters: Henry Sullivan, Harry Ruskin.

A few parts are in the hand of Andy Gibson.

15/8 I may be wrong dear, but something (no. 199)

Arranger: Charlie Barnet [2].

15/9 I never knew heaven could speak (no. 24)

Arranger: Billy May.

15/10 I never knew I could love anybody (no. 313) Parts only.

Arranger: [Possibly] Bob Burnett.

15/11 I never knew I could love anybody honey like I’m lovin’ you (no. 309)

Arranger: Bob Burnett.

15/12 I reach too high (no. 234) Includes parts, which are numbered 115.

Arranger: Billy May.

15/13 I remember you (no. 412)

Songwriters: Victor Schertzinger, Johnny Mercer.

Arranger: Bob Burnet.

Vocal for Frances Wayne.

15/14 I surrender dear (no. 462) Parts only.

Songwriters: Harry Barris, Gordon Clifford.

15/15 I surrender dear (Surrender medley) (no. 705) Incomplete score: pages 7-11 only.

Includes “Lonesome road”.

16/1 I thought about you (no. 155)

Songwriters: Jimmy Van Heusen, Johnny Mercer.

Arranger: Billy May.

16/2 I understand (no. 287)

Songwriters: Kim Gannon, Mabel Wayne.

Arranger: Conn Humphries.

16/3 I wish I knew (no. 627)

Songwriters: Harry Warren, Mack Gordon.

Arranger: Neal Hefti.

16/4 I won't believe it (no. 47)

Arranger: Jay Freeman.

16/5 I'd know you anywhere (no. 216)

Arranger: Charlie Barnet [2].

16/6 If I had a dozen hearts (no. 654)

Arranger: Dave Matthews.

16/7 If I loved you (no. 641)

Songwriters: Richard Rodgers, Oscar Hammerstein II.

Arranger: Dave Matthews.

16/8 If you please (no. 519)

Songwriters: Jimmy Van Heusen, Johnny Burke.

Arranger: George Siravo.

16/9 I'll be around (no. 585)

Songwriters: Alec Wilder.

Arranger: Frank Davenport.

16/10 I'll be seeing you (no. 570)

Songwriters: Sammy Fain, Irving Kahal.

Arranger: Jerry Feldman.

16/11 I'll buy that dream (no. 642)

Songwriters: Allie Wrubel, Herb Magdison.

Arranger: Dave Matthews.

16/12 I'll get by (no. 572)

Songwriters: Fred Ahlert, Roy Turk.

16/13 I'll never let a day pass by (no. 305)

Songwriters: Victor Schertzinger, Frank Loesser.

Arranger: Conn Humphries.

16/14 I'll remember April (no. 346) Parts only. Incomplete: conductor and strings only.

Songwriters: Gene De Paul, Don Raye, Patricia Johnston.

Arranger: Conn Humphries.

16/15 I'll remember April (no. 566)

Arranger: Conn Humphries.

16/16 I'll walk alone (no. 568)

Songwriters: Jule Styne, Sammy Cahn.

Arranger: George Siravo.

16/17 I'm beginning to see the light (no. 653)

Songwriters: Harry James, Duke Ellington, Johnny Hodges, Don George.

Arranger: Neal Hefti.

16/18 I'm comin' Virginia (no. 333)

Songwriters: Will Marion Cook, Donald Heywood.

Arranger: William Moore.

16/19 I'm in love with a married man (no. 517)

Arranger: George Siravo.

16/20 I'm just a lucky so and so (no. 681)

Songwriters: Duke Ellington, Mack David.

Arranger: Andy Gibson.

17/1 I'm lost (no. 610)

Arranger: Conn Humphries.

17/2 I'm prayin' humble (no. 84)

Arranger: Benny Carter.

17/3 I'm yours (no. 460)

Songwriters: Johnny Green, E.Y. Harburg.

Arranger: George Siravo.

17/4 Imagination/The Breeze and I/How high the moon ; Stage medley (no. 150)

Songwriters: Jimmy Van Heusen, Johnny Burke/Morgan Lewis, Nancy Hamilton/Ernesto Lecuona, Al Stillman.

Arranger: Billy May.

17/5 Imagination (no. 158)

Songwriters: Jimmy Van Heusen, Johnny Burke.

Arranger: Billy May.

17/6 Imagination (no. 592)

Arranger: Conn Humphries.

17/7 In a mizz (no. 33)

Arranger: Billy May.

Note: there are 2 versions in the folder, both by Billy May, only 1 is numbered .

17/8 In love in vain (no. 692)

Songwriters: Jerome Kern, Leo Robin.

Arranger: Andy Gibson.

17/9 In memory of (no. 342)

Arranger: William Moore.

“Opus number one” written on pages 1-2.

17/10 In the blue of evening (no. 495)

Songwriters: Alfred D'Artega, Thomas Adair.

Arranger: Ralph Burns.

17/11 Indian summer (no. 156)

Songwriters: Victor Herbert, Al Dubin.

Arranger: Billy May.

17/12 Intermezzo (no. 278)

Songwriters: Heinz Provost, Robert Henning.

Arranger: Conn Humphries.

Intermezzo. see Deep purple medley (no. 375): Deep purple/Intermezzo/My reverie (no. 375) 17/13 Into each life some rain must fall (no. 611)

Songwriters: Allan Roberts, Doris Fisher.

Arranger: George Siravo.

17/14 Introduction for “Bandleaders”, New (no. 548)

Arranger: George Siravo.

17/15 Is you is or is you ain’t ma baby (no. 568B)

Songwriters: Louis Jordan, Billy Austin.

Arranger: George Siravo.

17/16 Isle of May (no. 60) Includes parts, which are numbered both 60 and 169.

Arranger: Billy May.

17/17 Isle of Pines (no. 345) Includes parts.

Arranger: Buddy Baker.

It ain't necessarily so. see Gershwin medley (no. 376) 18/1 It all comes back to me now (no. 261)

Songwriters: Alex, Kramer, Joan Whitney, Hy Zaret.

Arranger: Conn Humphries.

18/2 It can't be wrong (no. 498)

Songwriters: Max Steiner, Kim Gannon.

Arranger: George Siravo.

18/3 It could happen to you (no. 569)

Songwriters: Jimmy Van Heusen, Johnny Burke.

Arranger: Harry Rodgers.

It could happen to you. see Phil's medley (no. 614) 18/4 It had to be you (no. 518)

Songwriters: Isham Jones, Gus Kahn.

Arranger: George Siravo.

18/5 It must be love (no. 297)

Songwriters: Mack Gordon, Abner Silver, Ted Snyder.

Arranger: Horace Henderson.

18/6 It started all over again (no. 454)

Songwriters: Carl Fischer, Bill Carey.

Arranger: George Siravo.

18/7 It started all over again (no. 474)

Arranger: George Siravo.

18/8 It's a blue world (no. 103)

Songwriters: Robert Wright, Chet Forrest.

Arranger: Skippy Martin.

18/9 It's a wonderful world (no. 169)

Songwriters: Sigmund Romberg, Oscar Hammerstein II.

Arranger: Billy May.

18/10 It's always you (no. 293)

Songwriters: Jimmy Van Heusen, Johnny Burke.

Arranger: Billy Moore.

18/11 It's always you (no. 520)

Arranger: George Siravo.

18/12 It's love, love, love (no. 581)

Songwriters: Joan Whitney, Mack David, Alex Kramer.

Arranger: Margie Gibson.

18/13 It's so peaceful in the country (no. 330)

Songwriter: Alec Wilder.

Arranger: Conn Humphries.

18/14 It's the last time (no. 151)

Arranger: Billy May.

18/15 I've got a gal in Kalamazoo (no. 486)

Songwriters: Harry Warren, Mack Gordon.

Arranger: Andy Gibson.

18/16 I've had that feeling before (no. 542)

Arranger: George Siravo.

18/17 I've heard that song before (no. 458)

Songwriters: J. Styne, Sammy Cahn.

Arranger: George Siravo.

18/18 I've heard that song before (no. 472)

Arranger: George Siravo.

18/19 I've never forgotten (no. 688)

Arranger: Dave Matthews.

19/1 Jeep is jumpin', The (no. 556)

Arranger: George Siravo.

19/2 Jenks' special (no. 713)

Arranger: Al Sayre.

19/3 Jersey bounce (no. 418)

Songwriters: Bobby Plater, Tiny Bradshaw, Edward Johnson, Robert Wright, Buddy Feyne.

Arranger: Bobby Burnet.

19/4 Julia (no. 356) Includes parts.

Arranger: William Moore.

19/5 Jump session (no. 35) Includes lead sheets.

Songwriters: Bud Green, Slim Gaillard.

Arranger: Billy May.

19/6 Jumpin' punpkins (no. 521)

Arranger: Ralph Burns.

19/7 Just a little bit south of North Carolina (no. 282)

Songwriters: Sunny Skylar, Arthur Shaftel.

Arranger: Reeves.

19/8 Just squeeze me (no. 704)

Songwriters: Thomas “Fats” Waller, Clarence Williams.

Arranger: Andy Gibson.

19/9 Just what were you doing tonight (no. 332)

Arranger: William Moore.

19/10 Just you, just me (no. 612)

Songwriters: Jesse Greer, Raymond Klages.

Arranger: George Siravo.

19/11 Keep an eye on your heart (no. 228) Includes parts.

Arranger: Charlie Barnet [2].

Parts are numbered 150.

19/12 Keep the home fires burning (no. 419)

Songwriters: Ivor Novello, Lena Guilbert Ford.

Arranger: Andy Gibson.

19/13 Keepin' out of mischief now (no. 470) Parts only.

Songwriters: Thomas “Fats” Waller, Andy Razaf.

Parts are in Andy Gibson's hand.

19/14 Kid named Joe (no. 87)

Arranger: Jay Freeman.

19/15 Kiss and sigh (no. 39)

Arranger: Billy May.

20/1 Lady of my dreams One page short score.

Arranger: Billy May.

Short score is taped to 1st violin part for “Music after midnite”.

20/2 Lady's in love with you, The (no. 88) Incomplete [?].

Songwriters: Burton Lane, Frank Loesser.

Arranger: Jay Freeman [?].

Note: the arrangement appears to be incomplete, ending on page 9.

20/3 Lament for May, Theme (part of) (no. 153)

Arranger: Billy May.

20/4 Last night and now tonight (no. 643)

Arranger: Dave Matthews.

20/5 Last night's gardenias (no. 65)

Arranger: Sam Coslow.

Laid in: published piano-vocal score.

20/6 Last time I saw you/Dearest darling/I can't begin to tell you ; Medley (no. 661)

Songwriters: [?], [?], James V. Monaco, Mack Gordon.

Arranger: Dave Matthews.

20/7 Laughing on the outside (no. 719)

Songwriters: Bernie Wayne, Ben Raleigh.

Arranger: Dave Matthews.

20/8 Laura (no. 628)

Songwriters: David Raksin, Johnny Mercer.

20/9 Lazy bug (no. 29)

Arranger: Charlie Barnet [?].

20/10 Lazy like anything (no. 584)

Songwriters: Harry Rodgers.

Arranger: Harry Rodgers.

20/11 Leanin' on the old top rail (no. 167)

Songwriters: Nick and Charles Kenny.

Arranger: Billy May.

20/12 Let's do it (no. 294)

Songwriter: Cole Porter.

Arranger: Horace Henderson.

20/13 Let's get away from it all (no. 277)

Songwriters: Matt Denis, Tom Adair.

Arranger: F. Marks.

20/14 Let's go home (no. 420)

Arranger: Neal Hefti.

20/15 Lilacs [in the rain] (no. 53)

Songwriters: Peter DeRose, Mitchell Parish.

20/16 Lilly Belle (no. 556)

Arranger: Lane Ross.

20/17 Little dip (no. 269)

Songwriter: L. Larkins [?].

Arranger: Horace Henderson.

20/18 Lois (no. 298)

Arranger: Charlie Barnet.

20/19 Lois (no. 362) Parts only. 20/20 Lonesome as the night is long (no. 695)

Arranger: Bill Moore.

Lonesome road. see I surrender dear (Surrender medley) (no. 705) 21/1 Looking for yesterday (no. 108/189) Parts only.

Arranger: [Possibly] Billy May.

21/2 Louise (no. 312)

Songwriters: Richard Whiting, Leo Robin.

Arranger: Jack Matthais.

Lead sheet laid in.

21/3 Love is the sweetest thing/Good night, sweetheart/The very thought of you (no. 380) Parts included.

Songwriters: Ray Noble, Jimmy Campbell, Reginald Connely.

Arranger: Rocque Dominick [?].

Love me. see Some Sunday morning; Medley (no. 658) 21/4 Lover come back to me (no. 720)

Songwriters: Sigmund Romberg, Oscar Hammerstein II.

Arranger: William Moore.

21/5 Love is blue, A (no. 109/319) Parts only. 21/6 Lover's lullaby (no. 71)

Arranger: Skippy Martin.

One part laid in.

21/7 Macumba (no. 347) Includes parts.

Songwriter: Bill Bates.

Arranger: Bill Bates.

21/8 Madame Butterball (no. 657)

Arranger: Dave Matthews.

21/9 Madame La Zonga (no. 140) Includes parts.

Arranger: Billy May.

Also numbered 192.

21/10 Make believe island (no. 141) Includes parts.

Songwriters: Will Grosz, Sam Coslow, Nick & Charles Kenny.

Arranger: Billy May.

Parts are also numbered 189.

22/1 Makin' whoopee (no. 323)

Songwriters: Walter Donaldson, Gus Kahn.

Arranger: Horace Henderson.

22/2 Malta (no. 925) Parts only. 22/3 Mama yo quiero (no. 275)

Songwriters: Jararaca & Vincente Paiva, Al Stillman.

Arranger: Conn Humphries.

22/4 Man I love, The (no. 166)

Songwriters: George & Ira Gershwin.

Arranger: Billy May.

22/5 Man I love, The (no. 439)

Arranger: Neal Hefti.

Note: Begins at vocal on page 4.

22/6 Man I love, The (no. 546)

Arranger: Neal Hefti.

Man I love, The. see Gershwin medley (no. 376) 22/7 Managua Nicaragua (no. 739/802)

Songwriters: Irving Fields, Albert Gamse.

Arranger: Andy Gibson.

Laid in: published piano-vocal score.

22/8 Manhattan serenade (no. 441)

Songwriters: Louis Alter, Harold Adamson.

Arranger: Andy Gibson.

22/9 March of triumph (no. 259)

Arranger: Charlie Barnet [2].

22/10 Margie (no. 497)

Songwriters: Con Conrad, J. Russell Robinson, Benny Davis.

Arranger: William Moore.

22/11 Margie (no. 707)

Arranger: Dave Matthews.

22/12 Marine's hymn, The/The Caissons go rolling along/Anchors aweigh/The Army Air Corps songs ; Medley (no. 545) 22/13 Meadowlands (no. 725a)

Songwriters: Lev Knipper, Victor Gussev, Olga Paul, M. Korr, Harold Rome.

Arranger: Charlie Barnet.

Medley (no. 131). see At long last love/Dancing in the dark ; Medley (no. 131) Medley (no. 214). see Million dreams ago, A/5 o'clock whistle/Tonight ; Medley (no. 214) Medley (no. 368). see All the things you are/Dancing in the dark/I get a kick out ... ; Medley (no. 368) Medley no. 1 (no. 372). see Time on my hands ; Medley no. 1 (no. 372) Medley (no. 373). see Pretty girl is like a melody/I cried for you/My buddy ; Medley (no. 373) Medley (no. 374). see Once in a while/Blue moon/Penthouse serenade ; Medley (no. 374) Medley (no. 523). see After all/Chelsea Bridge/Warm valley ; Medley (no. 523) Medley (no. 524). see Time on my hands/Before/How high the moon ; Medley (no. 524) Medley (no. 545). see Marine's hymn, The ; Medley (no. 545) Medley (no. 658). see Some Sunday morning ; Medley (no. 658) Medley (no. 659). see I guess I'll get the papers/We'll be together again/Something sentimental ; Medley (no. 659) Medley (no. 661). see Last time I saw you/Dearest darling/I can't begin to tell you ; Medley (no. 661) 22/14 Memoire, La (no. 253)

Arranger: Charlie Barnet [2].

22/15 Memories of you (no. 57)

Songwriters: Eubie Blake, Andy Razaf.

Arranger: Jay Freeman.

22/16 Midnight in Sleepy Hollow (no. 322)

Arranger: William Moore.

22/17 Midnight stroll (no. 451)

Arranger: Neal Hefti.

22/18 Midsummer matinee (no. 438)

Songwriter: Sidney Lipman.

Arranger: “Red” Bone.

22/19 Million dreams ago, A/5 o'clock whistle/Tonight ; Medley (no. 214)

Arranger: Charlie Barnet [2].

22/20 Million dreams ago, A (no. 214B) Includes parts.

Arranger: Billy May.

Parts are numbered 114.

23/1 Mood indigo (no. 217)

Songwriters: Duke Ellington, Irving Mills, Albany Bigard.

Arranger: Charlie Barnet [2].

23/2 Moon is a silver dollar (no. 36) Parts only.

Arranger: Billy May.

23/3 More and more (no. 593)

Songwriters: Jerome Kern, E.Y. Harburg.

Arranger: Max Walter.

23/4 More I see you, The (no. 603)

Songwriters: Harry Warren, Mack Gordon.

Arranger: Max Walter.

More than yesterday. see Give me the simple life/More than yesterday (no. 660) 23/5 More than you know (no. 80)

Songwriters: Vincent Youmans, Billy Rose, Edward Eliscu.

Arranger: [Possibly] Jay Freeman or Benny Carter.

23/6 Mother fuzzy (no. 493B) Parts only. 23/7 Murder at Peyton Hall (no. S-369B)

Arranger: Andy Gibson.

Drum part laid in.

23/8 My blue heaven (no. 188B)

Songwriters: Walter Donaldson, George Whiting.

Arranger: Billy May.

23/9 My blue heaven (no. 461) Parts only. My buddy. see Pretty girl is like a melody/I cried for you/My buddy ; Medley (no. 373) 23/10 My devotion (no. 449)

Songwriters: Roc Hillman, Johnny Napton.

Arranger: Neal Hefti.

23/11 My first love (no. 522)

Arranger: George Siravo.

23/12 My heart isn't it (no. 420B)

Arranger: Bobby Burnett.

Vocal for Frances Wayne.

23/13 My heart isn't it (no. 557)

Arranger: George Siravo.

23/14 My heart keeps crying (no. 99) 23/15 My ideal (no. 525)

Songwriters: Richard Whiting, Newell Chase, Leo Robin.

Arranger: George Siravo.

23/16 My! My! (no. 115)

Arranger: Skippy Martin.

23/17 My old Kentucky home (no. 252)

Songwriter: Stephen Foster.

Arranger: Charlie Barnet [2].

23/18 My prayer (no. 52)

Songwriters: George Boulanger, Jimmy Kennedy.

Arranger: Skippy Martin.

My reverie. see Deep purple medley (no. 375): Deep purple/Intermezzo/My reverie (no. 375) 23/19 My sister and I (no. 288)

Songwriters: Alex Kramer, Joan Whitney, Hy Zaret.

Arranger: Conn Humphries.

23/20 My sister and I (no. 299)

Arranger: Norman Bennett.

23/21 My sister and I (no. 361) Parts only.

Arranger: Norman Bennett.

24/1 Nancy ; Medley (no. 662)

Arranger: Lane Ross.

Näo tenho lagrimas. see Come to the Mardi Gras (Näo tenho lagrimas) (no. 738) 24/2 Nearness of you, The (no. 101)

Songwriters: Hoagy Carmichael, Ned Washington.

Arranger: Conn Humphries.

24/3 Never too late to pray (no. 666)

Arranger: Dave Matthews.

24/4 Never took a lesson (no. 102) Includes parts.

Arranger: Conn Humphries.

24/5 New moon and an old serenade, A (no. 48)

Arranger: Jay Freeman.

24/6 Night after night after you (no. 170)

Arranger: Billy May.

24/7 Night and day (no. 384)

Songwriter: Cole Porter.

Arranger: Bill Challis.

24/8 Night and day (no. 629)

Arranger: Andy Gibson.

24/9 Night and day (no. 708A)

Arranger: Dave Matthews.

24/10 Night of nights (no. 386)

Arranger: Conn Humphries.

24/11 No love, no nothing (no. 563)

Songwriters: Harry Warren, Leo Robin.

Arranger: George Siravo.

24/12 Nobody (no. 191)

Arranger: Billy May.

24/13 Not mine (no. 413)

Songwriters: Victor Schertzinger, Johnny Mercer.

Arranger: Bobby Burnet.

For vocalist Frances Wayne.

24/14 Now you know (no. 147)

Arranger: Billy May.

24/15 Nowhere (no. 196)

Songwriter: Charlie Barnet.

Arranger: Charlie Barnet.

Original title: “Thoughtless”.

25/1 Oasia (no. 223)

Arranger: Conn Humphries.

Includes miscellaneous parts for several other songs.

Ode to a wood nymph. see Easy listenin'/Ode to a wood nymph (no. 718) 25/2 Oh! Brother (no. 663)

Arranger: Dave Matthews.

25/3 Oh Johnny (no. 171)

Arranger: Billy May.

25/4 Oh look at me now (no. 280)

Songwriters: John de Vries, Joe Bushkin.

Arranger: Horace Henderson.

25/5 Oh Miss Jackson (no. 436)

Arranger: Andy Gibson.

25/6 Oh what it seemed to be (no. 682)

Songwriters: Bennie Benjamin, George Weiss, Frankie Carle.

Arranger: Andy Gibson.

25/7 Ol' man river (no. 194)

Songwriters: Jerome Kern, Oscar Hammerstein II.

Arranger: Billy May.

25/8 On a simmery summery day (no. 202)

Arranger: Charlie Barnet [2].

25/9 On the Atchison, Topeka and the Santa Fe (no. 622)

Songwriters: Harry Warren, Johnny Mercer.

Arranger: Dave Matthews.

25/10 On the sunny side of the street (no. 466)

Songwriters: Jimmy McHugh, Dorothy Fields.

Arranger: Andy Gibson.

25/11 Once in a while (no. 121) Short score for trumpets & trombone accompaniment only.

Songwriters: Michael Edwards, Bud Green.

Arranger: Charlie Barnet [2].

25/12 Once in a while - medley (no. 210) [with “East of the sun and west of the moon”]

Songwriters: Michael Edwards, Bud Green, Brooks Bowman.

25/13 Once in a while/Blue moon/Penthouse serenade; Medley (no. 374) Includes parts.

Songwriters: Michael Edwards, Bud Green, Brooks Bowman, Richard Rodgers, Lorenz Hart, Will Jason, Val Burton.

Arranger: Conn Humphries.

25/14 One-A in th army (no. 382)

Arranger: Bob Burnett.

25/15 One dozen roses (no. 456)

Songwriters: Dick Jergens, Walter Donovan, Roger Lewis.

Arranger: Conn Humphries.

25/16 One for my baby (no. 527)

Songwriters: Harold Arlen, Johnny Mercer.

Arranger: George Siravo.

Vocal for Peanuts Holland.

25/17 One for my baby (no. 528)

Arranger: George Siravo.

25/18 One way passage (no. 696)

Arranger: Andy Gibson.

25/19 Only a rose (no. 123) Parts only.

Songwriters: Rudolf Friml, Brian Hooker.

Arranger: Billy May.

26/1 Only forever (no. 213)

Songwriters: James Monaco, Johnny Burke.

Arranger: Charlie Barnet [2].

26/2 Ooh! What you said (no. 79)

Arranger: Skippy Martin.

Alto part for “Last jump” on back of page 6.

26/3 Open her (no. 630)

Arranger: Dave Matthews.

26/4 Open the door, Richard (no. 711)

Songwriters: Jack McVea, Dan Howell, “Dusty” Fletcher, John Mason.

Arranger: Ben Homer.

26/5 Opening (Strand) (no. 440)

Arranger: Andy Gibson.

26/6 Opening (no. 481) Parts only. 26/7 Opening (no. 540)

Arranger: George Siravo.

26/8 Opening (no. 549)

Arranger: George Siravo.

26/9 Orchids of remembrance (no. 204)

Arranger: Charlie Barnet [2].

26/10 Original (no. 526)

Arranger: George Siravo.

26/11 Original (nos. 631 & 632) Two scores.

Arranger: Neal Hefti.

Each of the 2 scores has “Mr. Bloom” written on the back page.

26/12 Original C.B. (no. 582)

Arranger: Charlie Barnet.

26/13 Out on a limb (You've got me) (no. 59)

Arranger: Skippy Martin.

26/14 Pavanne (no. 130)

Songwriter: Morton Gould.

Arranger: C.L. Humphries.

26/15 Peaceful valley (no. 174)

Arranger: Billy May.

26/16 Penthouse (no. 83)

Arranger: [Probably] Jay Freeman or Benny Carter.

Penthouse serenade. see Once in a while/Blue moon/Penthouse serenade ; Medley (no. 374) 26/17 People will say we're in love (no. 529)

Songwriters: Richard Rodgers, Oscar Hammerstein II.

Arranger: George Siravo.

26/18 Phil's medley (no. 614)

Songwriters: Jimmy Van Heusen, Johnny Burke/Clifford Friend, Charles Tobias.

Arranger: Conn Humphries.

Includes: “It could happen to you”, “Time waits for no one”.

27/1 Pigtails in her hair (no. 100) 27/2 Pistol packin' mama (no. 544)

Songwriter: Al Dexter.

Arranger: Ralph Burns.

27/3 Please don't talk about me when I'm gone (no. 595)

Songwriters: Sam Stept, Bee Palmer, Sidney Clare.

Arranger: George Siravo.

27/4 Please take a letter Miss Brown (no. 205)

Arranger: Charlie Barnet [2].

27/5 Plowin' (no. 295)

Arranger: Horace Henderson.

27/6 Poinciana (no. 503)

Songwriters: Buddy Bernier, Nat Simon.

Arranger: Billy May.

27/7 Polka dots and moonbeams (no. 94)

Songwriters: Jimmy Van Heusen, Johnny Burke.

Arranger: Conn Humphries.

27/8 Poor little rich girl (no. 615)

Songwriters: Noel Coward.

Arranger: George Siravo.

27/9 Porky (no. 408)

Arranger: Ralph Burns.

Portrait of a Moax. see Charge at large (Portrait of a Moax) (no. 672) 27/10 Pretending (no. 710)

Arranger: Andy Gibson.

27/11 Pretty girl is like a melody, A

Songwriter: Irving Berlin.

Arranger: Gene Kenny.

27/12 Pretty girl is like a melody/I cried for you/My buddy ; Medley (no. 373)

Songwriters: Irving Berlin/Arthur Freed, Gus Arnheim, Abe Lyman/Walter Donaldson, Gus Kahn.

Arranger: Gene Kenny.

27/13 Put that kiss back where you found it (no. 698)

Arranger: Andy Gibson.

27/14 Quartermaster's song (no. 407)

Arranger: Conn Humphries.

27/15 Raffles (no. 723)

Arranger: Andy Gibson.

27/16 Rain-check (no. 490)

Arranger: William Moore.

27/17 Reverie of the moax (no. 172)

Arranger: Charlie Barnet.

27/18 Rhumboogie (no. 193)

Songwriters: Don Raye, Hughie Prince.

Arranger: Billy May.

27/19 Right kind of love, The (no. 499)

Arranger: George Siravo.

27/20 Right kind of love, The (no. 535)

Arranger: George Siravo.

28/1 Ring dem bells (no. 126)

Songwriters: Duke Ellington, Irving Mills.

Arranger: Billy May.

28/2 River home (no. 208)

Arranger: Charlie Barnet [2].

28/3 Robin Hood (no. 596) 28/4 Rose room (no. 337)

Songwriters: Harry Williams, Art Hickman.

Arranger: William Moore.

28/5 Rum and Pepsi Cola [sic] (no. 597)

Songwriters: Jeri Sullavan, Paul Baron, Coltilde Arias, Morey Amsterdam.

Arranger: George Siravo.

Vocal for Kay Starr.

28/6 Saltin' my sweet dreams (no. 554)

Arranger: George Siravo.

28/7 Santa Fe trail (no. 231)

Arranger: Charlie Barnet [2].

28/8 Saturday night is the loneliest night of the week (no. 633)

Songwriters: Jule Styne, Sammy Cahn.

The name “Tiny Timbrow” appears on the back page.

28/9 Savin' myself for Bill (no. 485)

Arranger: George Siravo.

28/10 Say it (no. 136) Includes parts, numbered 136 & 190.

Songwriters: Jimmy McHugh, Frank Loesser.

Arranger: Billy May.

28/11 Say “si si” (no. 61)

Songwriters: Ernesto Lecuona, Francia Lubin, Al Stillman.

Arranger: Billy May.

28/12 Sazarac (no. 237)

Arranger: Conn Humphries.

28/13 Scotch and soda (no. 134)

Arranger: Charlie Barnet (elsewhere identified as Fritz Roscoe).

28/14 Scram (no. 192)

Arranger: Bobby Burnett.

28/15 Scratch (no. 230)

Arranger: Charlie Barnet [2].

28/16 Scrub me mama (no. 221)

Songwriter: Don Raye.

Arranger: Charlie Barnet [2].

28/17 Sentimental journey (no. 634B)

Songwriters: Bud Green, Les Brown, Ben Homer.

Arranger: George Siravo.

28/18 Sentimental lady (no. 533)

Arranger: Andy Gibson.

28/19 Sergeant and the moax, The (no. 125)

Arranger: Billy May.

28/20 Seven-twenty in the books (no. 161)

Arranger: Billy May.

28/21 Shadrack (no. 236)

Songwriter: Robert MacGimsey.

Arranger: Billy May.

28/22 Shake down the stars (no. 77)

Arranger: Skippy Martin.

29/1 Shalimar (no. 132)

Arranger: Bob Burnet.

29/2 Sharecroppin' blues (no. 558)

Arranger: [Possibly] Dave Matthews.

29/3 She's funny that way (no. 745)

Arranger: George Siravo.

29/4 Shoo-shoo baby (no. 550)

Songwriters: Phil Moore.

Arranger: George Siravo.

29/5 Shut eye (no. 38)

Arranger: Billy May.

29/6 Siboney (no. 239)

Songwriters: Ernesto Lecuona, Theodora Morse.

Arranger: Conn Humphries.

29/7 Siboney (no. 314) Parts only. 29/8 Sidewalks of New York, The (no. 728A)

Songwriters: Charles Lawlor, James Blake.

Arranger: Andy Gibson.

29/9 Singapore (no. 146)

Arranger: Billy May.

29/10 Sittin' and a-rockin' (no. 683)

Arranger: Andy Gibson.

Guitar and bass parts laid in.

29/11 Skylark (no. 425)

Songwriters: Hoagy Carmichael, Johnny Mercer.

Arranger: Conn Humphries.

29/12 Skyliner Parts only: Includes violin parts, trumpet part only.

Songwriter: Charlie Barnet.

Trumpet part only is numbered 924, with no. 87 being crossed out.

29/13 Skyliner (no. 501)

Arranger: William Moore.

29/14 Sleepy lagoon (no. 426)

Songwriters: Eric Coates, Jack Lawrence.

Arranger: Conn Humphries.

29/15 Sleigh ride in July (no. 598)

Songwriters: Jimmy Van Heusen, Johnny Burke.

Arranger: Kurt Bloom.

29/16 Slow fizz (no. 268)

Arranger: Horace Henderson.

30/1 Slowly (no. 664)

Arranger: Dave Matthews.

30/2 Smoke gets in your eyes (no. 89)

Songwriters: Jerome Kern, Otto Harbach.

Arranger: Jay Freeman [?].

30/3 Smooth sailing (no. 427)

Arranger: Andy Gibson.

30/4 Snoqualimie Jo Jo (no. 578)

Arranger: Jerry Freeman.

30/5 So far so good (no. 74)

Arranger: Skippy Martin.

Includes one saxophone part, also numbered 159.

30/6 So help me (no. 740)

Songwriter: Andy Gibson.

Arranger: Andy Gibson.

30/7 So would I (no. 701)

Arranger: Andy Gibson.

30/8 Soft winds (no. 58)

Songwriters: Benny Goodman, Fred Royal.

Arranger: Skippy Martin.

30/9 Sola bella (no. 235) Includes parts.

Arranger: Billy May.

Parts are numbered 116 & 235.

30/10 Solid jive (no. 452) Parts only.

Songwriters: M. lancaster, J. Buddy Payne.

Arranger: J. Buddy Payne.

Lyric sheet laid in.

30/11 Solitude (no. 212)

Songwriters: Duke Ellington, Eddie De Lange.

Arranger: Charlie Barnet [2].

30/12 Some more jive (no. 665)

Arranger: William Moore.

30/13 Some Sunday morning/Are these really mine/Love me ; Medley (no. 658)

Songwriters: M.K. Jerome, Ray Heindorf, Ted Koehler, [unknown], [unknown].

Arranger: Lane Ross.

30/14 Somebody told me (no. 110)

Arranger: Skippy Martin.

Something sentimental. see I guess I'll get the papers/We'll be together again/Something sentimental ; Medley (no. 659) 30/15 Sorry (no. 75)

Arranger: Skippy Martin.

30/16 Southern fried (no. 391)

Arranger: Andy Gibson.

30/17 Southern fried (no. 482) Parts only. 30/18 Speaking of heaven (no. 50)

Arranger: Skippy Martin.

31/1 St. Louis blues (no. 357) Includes 3 parts.

Songwriter: W.C. Handy.

Arranger: Andy Gibson.

Stage medley (no. 150). see Imagination/The Breeze and I/How high the moon ; Stage medley (no. 150) 31/2 Star eyes (no. 530)

Songwriters: Gene De Paul, Don Raye.

Arranger: George Siravo.

31/3 Stardust (no. 315) 3 parts only.

Songwriters: Hoagy Carmichael, Mitchell Parrish.

31/4 Stardust (no. 328)

Arranger: William Moore.

31/5 Stardust (no. 599)

Arranger: Conn Humphries.

31/6 Starlit hour (no. 64)

Arranger: Billy May.

31/7 Stompin' at the Savoy (no. 366) Parts only.

Songwriters: Benny Goodman, Edgar Sampson, Chick Webb, Andy Razaf.

Arranger: Andy Gibson.

31/8 Story of a starry nite (no. 390)

Songwriters: Jerry Livingston, Al Hoffman, Mann Curtis.

Arranger: Conn Humphries.

31/9 Story of two cigarettes (no. 600)

Arranger: Max Walter.

31/10 Straighten up and fly right (no. 583)

Songwriters: Nat King Cole, Irving Mills.

Arranger: Harry Rodgers.

31/11 Strange enchantment (no. 34)

Songwriters: Frederick Hollander, Frank Loesser.

Arranger: Billy May.

31/12 Stranger in town, A (no. 635)

Songwriter: Mel Tormé.

31/13 Summertime (no. 183)

Songwriters: George Gershwin, DuBose Heyward.

Arranger: Conn Humphries.

31/14 Summertime (no. 338)

Arranger: William Moore.

31/15 Summertime (no. 339) Parts only.

Arranger: William Moore.

31/16 Summertime (no. 428)

Arranger: Bobby Burnet.

Vocal for Frances Wayne.

Summertime. see Gershwin medley (no. 376) 31/17 Sunday afternoon (no. 152)

Arranger: Billy May.

31/18 Sunday, Monday or always (no. 531)

Songwriters: Jimmy Van Heusen, Johnny Mercer.

Arranger: George Siravo.

31/19 Sunset at sea (no. 218)

Arranger: Charlie Barnet [2].

31/20 Surprise party (no. 645)

Arranger: Dave Matthews.

32/1 Swan song, The (no. 329)

Arranger: William Moore.

32/2 Sweet and lovely (no. 601)

Songwriters: Gus Arnheim, Harry Tobias, Jules Lemare.

Arranger: George Siravo.

32/3 Sweet Lorraine (no. 98)

Songwriters: Clifford Burwell, Mitchell Parish.

Arranger: Billy May.

32/4 Sweet Lorraine (no. 744)

Arranger: George Siravo.

32/5 Sweet Sue (no. 348) Includes parts.

Songwriters: Victor Young, Will Harris.

Arranger: [Possibly] Bill Challis.

32/6 Swingin' on nothin' (no. 324)

Arranger: William Moore.

32/7 T-4 me (no. 668)

Bottom has been cut off.

32/8 Taboo (no. 699)

Songwriters: Marguerita Lecuona, S.K. Russell.

Arranger: Dave Matthews.

32/9 Take me (no. 443)

Arranger: Neal Hefti.

32/10 Take the “A” train (no. 617)

Songwriter: Billy Strayhorn.

Arranger: George Siravo.

32/11 Taking a chance on love (no. 457)

Songwriters: Vernon Duke, John La Touche, Ted Fetter.

Arranger: Charlie Barnet.

32/12 Tangerine (no. 435B)

Songwriters: Victor Schertzinger, Johnny Mercer.

Arranger: Conn Humphries.

32/13 Tangleweed (no. 178)

Arranger: Billy May.

32/14 Tea for two (no. 536)

Songwriters: Vincent Youmans, Irving Caesar.

Arranger: Billie Moore.

32/15 Tea for two (no. 564)

Arranger: T.V.L. [Turk Van Lake?].

Features a piano solo.

32/16 Tell it to a star (no. 646)

Arranger: Dave Matthews.

Temptation. see Time on my hands ; Medley no. 1 (no. 372) 32/17 Tess's torch song (no. 577)

Songwriters: Harold Arlen, Ted Koehler.

Arranger: Jerry Feldman.

32/18 Thank your stars (no. 69)

Arranger: Billy May.

32/19 That little dream got nowhere (no. 729)

Arranger: Andy Gibson.

32/20 That old black magic (no. 435A)

Songwriters: Harold Arlen, Johnny Mercer.

Arranger: Andy Gibson.

33/1 That's for me (no. 124)

Songwriters: Jimmy Monaco, Johnny Burke.

Arranger: Billy May.

33/2 There goes that song again (no. 602)

Songwriters: Jule Styne, Sammy Cahn.

Arranger: Max Walter.

33/3 There I go (no. 246) Includes parts.

Songwriters: Irving Weiser, Hy Zaret.

Arranger: Bud Estes.

Parts also numbered 111.

33/4 There I've said it again (no. 636)

Songwriters: Redd Evans, Dave Mann.

33/5 There'll be some changes made (no. 266)

Songwriters: W. Benton Overstreet, Billy Higgins.

Arranger: Horace Henderson.

33/6 There's no you (no. 637)

Songwriters: Harold Hopper, Thomas Adair.

Arranger: Jerry Fielding.

33/7 They're either too young or too old (no. 534)

Songwriters: Arthur Schwartz, Frank Loesser.

Arranger: R. Biggadike.

33/8 Things I love, The (no. 289)

Songwriters: Lew Harris, Harold Barlow.

Arranger: Conn Humphries.

33/9 Things we did last summer, The (no. 727)

Songwriters: Jule Styne, Sammy Cahn.

Arranger: Andy Gibson.

33/10 This changing world (no. 182) Includes separate part for Barnet, not included in the score.

Arranger: Billy May.

33/11 This is no laughing matter (no. 393)

Songwriters: Al Frisch, Buddy Kaye.

Arranger: Neal Hefti.

33/12 This is our dance (no. 211)

Arranger: Charlie Barnet [2].

33/13 This is the night (no. 714)

Arranger: Andy Gibson.

33/14 This night (no. 46)

Arranger: Charlie Barnet [?].

33/15 Three little words (no. 220)

Songwriters: Bert Kalmar, Harry Ruby.

Arranger: Charlie Barnet [2].

33/16 Till the end of time (no. 647)

Songwriters: Buddy Kaye, Ted Mossman.

Arranger: Dave Matthews.

33/17 Time on my hands (no. 129)

Songwriters: Vincent Youmans, Harold Adamson, Mack Gordon.

Arranger: Conn Humphries.

33/18 Time on my hands/April in Paris/Temptation ; Medley no. 1 (no. 372) 33/19 Time on my hands/Before/How high the moon ; Medley (no. 524)

Songwriters: Vincent Youmans, Harold Adamson, Mack Gordon, [unknown], Morgan Lewis, Nancy Hamilton.

Arranger: Ralph Burns.

Time waits for no one. see Phil's medley (no. 614) 34/1 Tin roof blues (no. 41)

Songwriters: Leon Roppolo, Paul Mares, Benny Pollack, George Brunies, Mel Stitzel, Walter Melrose.

Arranger: Bobby Burnett.

34/2 To a wild rose (no. 249)

Songwriter: Edward MacDowell.

Arranger: Charlie Barnet [2].

34/3 Toe jam (no. 455)

Arranger: Turk Van Lake [?].

34/4 Tommy Pederson trb. solo (no. 926)

Arranger: Andy Gibson.

Notes: Contains 2 pages: the 1st seems to be the first page of a score for “Pompton turnpike”, the 2nd is p. 13 of an unidentified score; numbered 709 & 724.

34/5 Tomorrow night (no. 51)

Arranger: Skippy Martin.

Tonight. see Million dreams ago, A/5 o'clock whistle/Tonight ; Medley (no. 214) 34/6 Too romantic (no. 165) Includes Barnet part/condensed score.

Songwriters: James V. Monaco, Johnny Burke.

Arranger: Billy May.

Also numbered 176.

34/7 Trolley song, The (no. 604)

Songwriter: Hugh Martin.

Arranger: George Siravo.

Score torn in half; bottom missing.

34/8 Troubled waters (no. 430)

Arranger: Andy Gibson.

34/9 Trumpet in spades (no. 86)

Arranger: Probably Charlie Green, Benny Carter, or Jay Freeman [?].

34/10 Trumpet typhoon (no. 144)

Arranger: Billy May.

34/11 Tune no. 1 (no. 543)

Arranger: George Siravo.

34/12 Two dreams met (no. 215) Includes parts.

Arranger: Charlie Barnet [2].

Also numbered 106.

34/13 Until the real thing comes along (no. 409)

Songwriters: Saul Chaplin, Mann Holliner, L. E. Freeman, Sammy Cahn, Alberta Nichols.

Arranger: Bob Burnett.

Vocal for Frances Wayne.

34/14 Uptown blues (no. 82) Piano-conductor/short score only. 34/15 Very thought of you, The (no. 605)

Songwriter: Ray Noble.

Arranger: Beorge Siravo.

Vocal for Kay Starr.

Very thought of you, The. see Love is the sweetest thing/Good night, sweetheart/The very thought of you (no. 380) 34/16 Virgen de la Macarena, La (no. 544)

Songwriter: Genaro Núñez.

Arranger: Dave Matthews.

Published piano-vocal score laid in.

34/17 Walin' and swingin' (no. 694)

Arranger: William Moore.

34/18 Walter Winchell rhumba (no. 721)

Songwriters: Noro Morales, Carl Sigman.

Arranger: Andy Gibson.

Published piano-vocal score laid in.

Warm valley. see After all/Chelsea Bridge/Warm valley ; Medley (no. 523) 34/19 Wasn't it you (no. 311)

Arranger: William Moore.

34/20 Well all rite then! (no. 18)

Arranger: Billy May.

We'll be together again. see I guess I'll get the papers/We'll be together again/Something sentimental ; Medley (no. 659) 35/1 We'll meet again (no. 484)

Songwriters: Ernie Burnett, Gerald Griffin.

Arranger: Andy Gibson, [Conn Humphries].

35/2 West end blues (no. 620)

Songwriters: Clarence Williams, Joseph Oliver.

Arranger: George Siravo.

35/3 Wham (rebop, boom, bam) (no. 92)

Arranger: Billy May.

35/4 What's new (no. 148)

Songwriters: Johnny Burke, Bob Haggart.

Arranger: Billy May.

35/5 What's the matter with me (no. 76)

Arranger: Skippy Martin.

35/6 When the one you love (simply won't love back) (no. 670)

Songwriters: Jule Styne, Sammy Cahn.

Arranger: Lane Ross.

35/7 When the spirit moves me (no. 119) Includes alto part only, also numbered 191.

Arranger: Skippy Martin.

35/8 When the sun comes out (no. 300)

Songwriters: Harold Arlen, Ted Koehler.

Arranger: Bill Moore.

35/9 When you awake (no. 685)

Arranger: Dave Matthews.

35/10 When you wish upon a star (no. 78)

Songwriters: Leigh Harline, Ned Washington.

Arranger: Skippy Martin.

35/11 When you wish upon a star (no. 154)

Arranger: Billy May.

35/12 When you're with me (no. 290)

Arranger: William Moore.

35/13 Where can she be (no. 42)

Arranger: Benny Carter.

35/14 Where do you keep your heart? (no. 157) Includes parts, also numbered 195.

Arranger: Billy May.

35/15 Where or when (no. 431)

Songwriters: Richard Rodgers, Lorenz Hart.

Arranger: Ralph Burns.

35/16 Where or when (no. 567)

Arranger: Conn Humphries.

35/17 Where was I (no. 138) Includes parts, also numbered 181.

Arranger: Billy May.

35/18 Whispering grass (no. 219)

Arranger: Charlie Barnet [2].

35/19 White Christmas (no. 686)

Songwriter: Irving Berlin.

Arranger: Eddie Stress.

36/1 Who wouldn't love you (no. 432)

Songwriters: Bill Carey, Carl Fischer.

Arranger: Conn Humphries.

36/2 Wind and rain in your hair (no. 62)

Arranger: Billy May.

Barnet part/conductor score laid in; also numbered 168.

36/3 Without you (no. 712)

Songwriters: Osvaldo Farres, Ray Gilbert, Charles Wolcott.

Arranger: Andy Gibson.

36/4 Wosie Posie (no. 741)

Songwriters: Richard Harris, Andy Gibson.

Arranger: Andy Gibson.

36/5 Wrap up your troubles in dreams (no. 638)

Songwriters: Harry Barris, Billy Moll, Ted Koehler.

Arranger: Dave Matthews.

36/6 Xango (chongo) (no. 648)

Songwriters: Edgar Fairchild, George Waggner.

Arranger: Dave Matthews.

Piano-vocal score laid in.

36/7 Ya lu blu (no. 377)

Arranger: Bert Ross.

Vocal part laid in.

36/8 Yalta (no. 671)

Arranger: Dave Matthews.

36/9 Yeah man (no. 302)

Arranger: Horace Henderson.

36/10 Yes indeed (no. 359)

Songwriter: Sy Oliver.

Arranger: William Moore.

36/11 Yesterdays (no. 618)

Songwriters: Jerome Kern, Otto Harbach.

Arranger: George Siravo.

36/12 Yodelin' jive (no. 111)

Arranger: Skippy Martin.

36/13 You always hurt the one you love (no. 619)

Songwriters: Allan Roberts, Doris Fisher.

Arranger: George Siravo.

36/14 You and who else? (no. 139)

Arranger: Billy May.

36/15 You are in my heart to stay (no. 480) Parts and lead sheet only.

Songwriter and/or arranger: Jay Sidell [sic].

Parts share connecting pages, indicating they were never played.

36/16 You can depend on me (no. 565)

Songwriters: Charles Carpenter, Louis Dunlap, Earl Hines.

Arranger: Turk Van Lake [?].

Introduction referring to Harry James laid in.

36/17 You can't brush me off (no. 203)

Songwriters: Irving Berlin.

Arranger: Charlie Barnet [2].

36/18 You forgot about me (no. 263)

Arranger: Charlie Barnet [2].

36/19 You keep coming back like a song (no. 731)

Songwriters: Irving Berlin.

Arranger: Andy Gibson.

36/20 You may not love me (no. 697)

Arranger: Andy Gibson.

36/21 You started something (no. 303)

Songwriters: Ralph Rainger, Leo Robin.

Arranger: Bill Moore.

36/22 You think of everything (no. 96)

Arranger: Conn Humphries.

37/1 You walk by (no. 201A) Includes parts, also numbered 112.

Songwriters: Ben Raleigh, Bernie Wayne.

Arranger: Charlie Barnet [2].

37/2 You was right baby (no. 639)

Arranger: Dave Matthews.

37/3 You were there (no. 341)

Songwriter: Noel Coward.

Arranger: Andy Gibson.

37/4 You won't be satisfied (no. 684)

Songwriters: Freddy James, Larry Stock.

Arranger: Sheldon Smith.

37/5 You, you darling (no. 66)

Arranger: Billy May.

37/6 You'll never know (no. 500)

Songwriters: Harry Warren, Mack Gordon.

Arranger: Dick Vance.

37/7 You'll never know (no. 538)

Arranger: George Siravo.

37/8 Your feets too big (no. 206)

Songwriters: Fred Fisher, Ada Benson.

37/9 You're dangerous (no. 301)

Arranger: Conn Humphries.

37/10 You're in love with me (no. 433)

Arranger: Andy Gibson .

37/11 You're lonely and I'm lonely too Incomplete[?]: 2 pages only.

Songwriter: Irving Berlin.

You're mine you. see I don't stand a ghost of a chance/You're mine you ; Medley (no. 243) 37/12 You're my thrill (no. 229)

Songwriters: Jay Gorney, Sidney Clare.

Arranger: Charlie Barnet [2].

37/13 You've got me voodoo'd (no. 168)

Arranger: Billy May.

37/14 Z (no. 434) May be incomplete: 4 pages only.

Arranger: Charlie Barnet.

37/15 [Unidentified] (nos. 89 & 222) Parts only. 37/16 [Unidentified] (no. 317)

On back page: “Orig. Char B.”

37/17 [Unidentified] (no. 496)

Arranger: Billy Moore.

On front and back pages: “no title”.

37/18 [Unidentified] (no. 539)

Arranger: George Siravo.

On front page: “No. 2”; on back page: “no title”.

37/19 [Unidentified] (no. 724) 37/20 [Unidentified]

Page of condensed score with Barnet solos for tenor, soprano, and alto.